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#i own none of these
miss-andromeda · 10 months
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Andi vibes 🩷🩷
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I own none of these images, these are all from Pinterest! 🩷🩷
@tinkabelle19 @android-cap-007 @happymoonangel @kikithedreamerwriter @jasminarts01 @thelaundrybitch @raphsmuneca @margoteve @m1dnyt3-w0lf
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apollos-olives · 4 months
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before october 7th this blog was a meme page btw.
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aethersea · 3 months
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another thing fantasy writers should keep track of is how much of their worldbuilding is aesthetic-based. it's not unlike the sci-fi hardness scale, which measures how closely a story holds to known, real principles of science. The Martian is extremely hard sci-fi, with nearly every detail being grounded in realistic fact as we know it; Star Trek is extremely soft sci-fi, with a vaguely plausible "space travel and no resource scarcity" premise used as a foundation for the wildest ideas the writers' room could come up with. and much as Star Trek fuckin rules, there's nothing wrong with aesthetic-based fantasy worldbuilding!
(sidenote we're not calling this 'soft fantasy' bc there's already a hard/soft divide in fantasy: hard magic follows consistent rules, like "earthbenders can always and only bend earth", and soft magic follows vague rules that often just ~feel right~, like the Force. this frankly kinda maps, but I'm not talking about just the magic, I'm talking about the worldbuilding as a whole.
actually for the purposes of this post we're calling it grounded vs airy fantasy, bc that's succinct and sounds cool.)
a great example of grounded fantasy is Dungeon Meshi: the dungeon ecosystem is meticulously thought out, the plot is driven by the very realistic need to eat well while adventuring, the story touches on both social and psychological effects of the whole 'no one dies forever down here' situation, the list goes on. the worldbuilding wants to be engaged with on a mechanical level and it rewards that engagement.
deliberately airy fantasy is less common, because in a funny way it's much harder to do. people tend to like explanations. it takes skill to pull off "the world is this way because I said so." Narnia manages: these kids fall into a magic world through the back of a wardrobe, befriend talking beavers who drink tea, get weapons from Santa Claus, dance with Bacchus and his maenads, and sail to the edge of the world, without ever breaking suspension of disbelief. it works because every new thing that happens fits the vibes. it's all just vibes! engaging with the worldbuilding on a mechanical level wouldn't just be futile, it'd be missing the point entirely.
the reason I started off calling this aesthetic-based is that an airy story will usually lean hard on an existing aesthetic, ideally one that's widely known by the target audience. Lewis was drawing on fables, fairy tales, myths, children's stories, and the vague idea of ~medieval europe~ that is to this day our most generic fantasy setting. when a prince falls in love with a fallen star, when there are giants who welcome lost children warmly and fatten them up for the feast, it all fits because these are things we'd expect to find in this story. none of this jars against what we've already seen.
and the point of it is to be wondrous and whimsical, to set the tone for the story Lewis wants to tell. and it does a great job! the airy worldbuilding serves the purposes of the story, and it's no less elegant than Ryōko Kui's elaborately grounded dungeon. neither kind of worldbuilding is better than the other.
however.
you do have to know which one you're doing.
the whole reason I'm writing this is that I saw yet another long, entertaining post dragging GRRM for absolute filth. asoiaf is a fun one because on some axes it's pretty grounded (political fuck-around-and-find-out, rumors spread farther than fact, fastest way to lose a war is to let your people starve, etc), but on others it's entirely airy (some people have magic Just Cause, the various peoples are each based on an aesthetic/stereotype/cliché with no real thought to how they influence each other as neighbors, the super-long seasons have no effect on ecology, etc).
and again! none of this is actually bad! (well ok some of those stereotypes are quite bigoted. but other than that this isn't bad.) there's nothing wrong with the season thing being there to highlight how the nobles are focused on short-sighted wars for power instead of storing up resources for the extremely dangerous and inevitable winter, that's a nice allegory, and the looming threat of many harsh years set the narrative tone. and you can always mix and match airy and grounded worldbuilding – everyone does it, frankly it's a necessity, because sooner or later the answer to every worldbuilding question is "because the author wanted it to be that way." the only completely grounded writing is nonfiction.
the problem is when you pretend that your entirely airy worldbuilding is actually super duper grounded. like, for instance, claiming that your vibes-based depiction of Medieval Europe (Gritty Edition) is completely historical, and then never even showing anyone spinning. or sniffing dismissively at Tolkien for not detailing Aragorn's tax policy, and then never addressing how a pre-industrial grain-based agricultural society is going years without harvesting any crops. (stored grain goes bad! you can't even mouse-proof your silos, how are you going to deal with mold?) and the list goes on.
the man went up on national television and invited us to engage with his worldbuilding mechanically, and then if you actually do that, it shatters like spun sugar under the pressure. doesn't he realize that's not the part of the story that's load-bearing! he should've directed our focus to the political machinations and extensive trope deconstruction, not the handwavey bit.
point is, as a fantasy writer there will always be some amount of your worldbuilding that boils down to 'because I said so,' and there's nothing wrong with that. nor is there anything wrong with making that your whole thing – airy worldbuilding can be beautiful and inspiring. but you have to be aware of what you're doing, because if you ask your readers to engage with the worldbuilding in gritty mechanical detail, you had better have some actual mechanics to show them.
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hinamie · 1 month
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thank u canon plant nerd megumi for my life
bonus:
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kettlefire · 1 month
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Not so Different. (DcxDp)
The stunned silence was louder than the rest of the gala had been. Every single pair of eyes were wide with shock, fear, and even concern. The last sound to have left the patrons was scattered gasps at the reveal.
It was meant to be simple. A new up and coming technological company had put all their savings into this. A huge gala to show of the reason the world needed their technology. Needed their help.
No one believed it. Truly, who could have? A large group of men and women dressed purely in white suits, spouting about the threats of ghosts. It was insane and impossible.
Many of the big names that attended today only came for publicity. The notoriety that came with having been there when this company crashed and burned in one night.
It's the only reason Bruce Wayne was even among the crowd. Accompanied by Oliver Queen and his own son, Dick Grayson. As much as Bruce hadn't wanted to be here, he knew his reputation was important to keep up.
That was until two agents stepped out onto a stage they had at the back of the large room. A thick curtain had kept the sight behind it completely hidden from the patrons. Until the moment was right. That was when the thick curtain had suddenly been ripped back, as a third man took a microphone and began to explain.
But his words fell on deaf ears. Especially for the three secret vigilantes in the crowd. Not a single person could tear their gaze away from the cage that now stood in full view.
It wasn't the cage that had everyone enraptured. No, it was the glowing creature curled up in the center of it. No, not a creature. It was a boy. Still baby faced and youthful. Too young to be in a cage.
A high-tech muzzle was securely wrapped tightly against the boy's mouth. His knees pulled tight to his chest, one arm wrapped around them. His other hand pressed tight against the muzzle, seeming to almost be trying to keep it in place.
The boy's toxic green eyes were wide, filled with a clear intensity of pain and terror. There were old tear stains on his cheeks, quickly being replenished with fresh tears. His messy, bright white hair fell into his face. The boy looked both like he wanted to look away, but also like he couldn't. Like he couldn't risk not seeing the threat coming.
It didn't take a genius to see the boy was in pain. Human or not, this went beyond inhumane treat. Making minds racing with thoughts of what else these people had done to the poor boy.
Bruce knew in this moment that this company had just caught the attention of Batman. Based on the look in Oliver's eyes, they also just collected the wrath of the Justice League as well. Bruce hadn't even needed to look at Dick to know he was on the same page.
It went unnoticed by any other patrons. All the focus was glued on the stage, on the lecture and caged boy. No one noticed when Bruce Wayne slipped his phone of his pocket. When he hit a singular speed dial as he turned away from the show. He brought his phone to his ear as he silently signaled his trusted allies to keep an eye on it.
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cappycodeart · 10 months
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The monarchy is in shambles.
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autisticrosewilson · 7 months
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While we're on the topic of De-aging AU's I wanna talk about Jason and Damian if Jason was 14 again real quick.
Do you guys think that Damian looks at this version of Jason, so different from the version he knows, nothing like the person he was told Jason was, and feels uncomfortably seen?
Damian was always told that Jason died because he was reckless, because he disobeyed orders, he was fired as Robin and he got himself killed. A cautionary tale, not a threat to his position. He dismisses Jason because Bruce does, because Dick does, because sometimes even Babs and Alfred do.
That's not the kid that he's looking at now. This Jason is happy, and smart, and full of love that has not yet soured into grief. He hangs on Bruce's every word, trains until his hands bleed and his body gives out to perfect the moves Bruce teaches him. He looks at Bruce with stars in his eyes and he calls him dad.
And Damian can't help but think, that this is the perfect Robin. The perfect son. And if Jason - sweet, loving, strong, Jason - can be fired, can die and have his room locked away and his pictures torn down, can have his last memory as Robin be as A Good Soldier, how could the rest of them ever compete? What could Damian do to stand a chance?
Jason will never grow out of the shadow of Robin, like the rest of them did. As long as Bruce, and Dick, and Babs, and Alfred look at him and see a dead kid who came back wrong, he will never get to be anything else. He will not get to be looked at through who he is now without the shadow of a dead boy looming over him.
And the worst part? Jason is exactly the same person he was back then. Bitter, sure, angry, justifiably, but he is still the boy with too much love in his heart and righteous fury festering in his gut. He is exactly the same boy who threw himself in front of an explosion to save his mother.
(The lines between the mother that betrayed him and the father that disgraced him are so very blurred. Fire or blade or crowbars or fists it does not matter. It ends the same way it always does because Jason Todd always dies, in every universe, in every timeline, Jason dies and crawls out only to be killed again and again and again.)
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felsicveins · 9 months
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I'm so lonesome all the time
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Some sweet day
Gonna take away
This hurting inside
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satyrradio · 1 month
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made a poster
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aangarchy · 1 month
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The funniest thing about the boiling rock episodes is zuko telling sokka at the start how this prison houses the most dangerous and notorious criminals of the fire nation as well as war prisoners, and then at the end they just let one of them tag along without ever asking him what he was in for. Could have brought a serial killer to meet the fucking avatar and they'd be none the wiser
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solarmorrigan · 2 months
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Silly idea I talked about ages ago with @azure7539arts, inspired by a similar event my workplace hosts every year. Would minors be allowed to participate in such an event? Probably not! But then again, it was the 80s, who can say for sure. Anyway, it's my birthday and I'll post nonsense if I want to <3
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“I need you to buy me.”
Eddie looks up from his notebook, effectively jarred from his campaign-plotting fugue state by Steve’s declaration.
Steve is standing at the other end of the dining table, staring at him expectantly.
“Y’know, this is the part where someone usually follows up their completely bonkers demand with an explanation,” Eddie says slowly.
“At the charity auction,” Steve clarifies. “I need you to bid on me, and I need you to win.”
Ah, yes, that weird Rent-an-Athlete charity auction the school runs every year; anyone on any Hawkins High sports team could volunteer to be “auctioned” off in order to raise money for said sports team, to spend a day at the beck and call of the highest bidder (within reason, supposedly). It’s generally restricted to students, but occasionally, prominent alumni are invited to participate – and Steve certainly fits the bill, especially after the story the government spun about his heroism in the face of “serial killer” Henry Creel last spring.
“And what, deny all those pretty girls a chance to get at you?” Eddie asks drily (he’d never turned up at previous auctions himself, but you could hardly avoid gossip in a school their size; it had usually been some cheerleader bidding with daddy’s money who won a date– that is, a day with Steve Harrington).
“It wasn’t always a girl who won,” Steve says, crossing his arms over his chest. “One time it was Mrs. Dalton – you know, the lady on the school board who lives on my block? I just spent the day doing yard work for her. She gave me lemonade. That was pretty cool.”
“Right,” Eddie drawls. “And I’m sure she definitely didn’t sit outside and stare at your ass while you were working.”
“She did not– she– I mean she was on the porch, but, like– she wouldn’t have– she’s, like, seventy, Eddie,” Steve splutters, and it’s all Eddie can do not to laugh.
“Older gals have needs, too, Steve,” Eddie says, giving in to a smirk. “So she was checking you out from the porch, huh?”
Steve goes red. “Shut up, that isn’t the point. I’m trying to ask for your help.”
“Right, right, your absolutely reasonable request for me to buy you at market. Why, again?” Eddie asks.
“The kids are planning to bid on me,” Steve says gravely.
Eddie blinks at him. “Okay?” he says, when no further explanation is forthcoming. “You basically do most of what they ask, anyway, so…?”
“Okay, believe it or not, I actually say no to at least half of what they ask me to do. I would literally never get anything done if I gave in to all their demands.” Steve jabs a finger at Eddie, who holds up his hands in mock surrender. “Anyway, this is all Henderson’s fault.”
“It usually is,” Eddie agrees, nodding sagely.
“He decided that he was going to bid on me and then use that day to finally make me play your nerd game with you–” Eddie snorts, and Steve shoots him a look, “but Wheeler doesn’t want me to play, so he said he was going to bid against Dustin and make me do anything but sit in on a session with you guys.”
“So let Wheeler win.” Eddie shrugs.
“No! I can’t let fuckin’ Mike win, he’ll probably make me do something even more ridiculous!” Steve exclaims. "He’ll make me play chauffeur for him and El on a date, or something, and he’ll probably include the stupid hat.”
“Wait, I thought El broke up with him,” Eddie breaks in.
“No, they’re on again,” Steve says absently, shaking his head. “Which is why Max has been in a bad mood lately.”
Eddie bites back the reflexive need to ask “How can you tell?”, going instead with, “I thought she and Sinclair were on again.”
“No, they are. That’s why no one’s been actively murdered,” Steve says.
“How do you keep track of all of this?” Eddie asks, squinting at Steve.
“It’s a natural skill. And we’re getting off track,” Steve says quickly. “Normally, I wouldn’t be that worried, because Dustin regularly blows his savings on weird science gadgets or whatever, but then Lucas and Will started taking sides.”
“This is getting very involved,” Eddie says.
“So you see why I’m stressed!” Steve insists, smacking a hand to his forehead (personally, Eddie thinks Steve is stressed for many other reasons, but he figures pointing that out just now won’t be appreciated). “Lucas is on Dustin’s side, and that kid does odd jobs like nobody’s goddamn business; he actually has shit saved up. And usually I’d have faith in him being more, like, sensible than to spend it all on this, but the little shit is really fucking competitive.”
“Wonder who he got that from?” Eddie mutters.
“Okay, we do remember that I’m not actually biologically related to any of these idiots, right?” Steve snaps.
“Well now we’re just getting into nature versus nurture–”
“Eddie.”
“Right, sorry, continue.”
“Well, Will took Mike’s side–”
“Shocking.”
“Right? But anyway, I don’t know if the kid has much saved up, but between him and Wheeler, they might be able to win.” Steve sighs, looking far more world-weary than Eddie feels the situation really warrants.
“You know you don’t actually have to do what they ask you to, right?” Eddie points out.
Steve rolls his eyes. “If an auction winner complains to the school that the person they bid on didn’t fulfill their end of the bargain, they can get their money back. It’s a whole…” he waves his hand vaguely, “thing. Happened once when I was a sophomore; Deacon McNab. Lost a good chunk of change for the football team, and they vandalized the shit out of his car.”
“Ah, right. Forgot we went to school with literal psychopaths,” Eddie hums.
“So, I just need you to bid on me and win, so I’m not stuck wasting a Saturday on whatever the hell the kids are going to try to make me do. Or not do. Or– whatever,” Steve says.
“Okay, not that I don’t understand your predicament here, but I think you’re forgetting something kind of important, Steve,” Eddie drawls.
Steve’s brows draw together in question. “What?”
“I’m fucking poor.”
“Oh.” Steve shakes his head. “I didn’t mean– no, I will give you the money, you don’t have to spend a dime, man, I just need you to get me out of this.”
“Why not have Buckley do it?” Eddie asks.
“That was Plan A, but she actually has a date that night, and it’s kind of a big deal, so I don’t want her to cancel,” Steve says. “But I assumed you wouldn’t be busy.”
“Wow, rude,” Eddie scoffs, and Steve sighs.
“Fine, sorry, I just really hoped you wouldn’t be busy.” Steve gives him the most lethal set of puppy dog eyes Eddie has ever seen, as if there had been any chance from the beginning that he’d be able to say no. “Please?”
Just for show, Eddie lets out a long sigh, falling against his chair and letting his head flop over the backrest like he’s deflating.
“Fine.”
“Thank you,” Steve groans, sounding so genuinely relieved that Eddie almost feels bad about how quickly his thoughts dip into the realms of the inappropriate. “Oh my god, I owe you.”
Eddie glances back up at Steve, tongue darting out to wet his lips almost unconsciously. “You know I’m not as easy to appease as a couple of fifteen-year-olds, right?”
Steve’s eyes drop for just a second—maybe down to Eddie’s lips, maybe not; who can say?—before he looks back up, cocking an eyebrow at Eddie. “I think I can handle it.”
Slowly, Eddie grins. “We’ll see.”
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threeshadesoflime · 1 month
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set post-never let me go (fic)
(forgot to mention but masky is using ASL here, the exposed hand was originally intended to be drawn doing a "wasn't me" sign (or the closest translation) but i forgot completely until posting this)
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hinamie · 4 months
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i loved the colours in this scene too much not to do a redraw
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lilidawnonthemoon · 16 days
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aardvaark · 2 months
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the leverage team would have had a games night… once. everyone cheated so much and in such increasingly extreme ways that all mentions of monopoly are banned in their headquarters (this makes talking about marks who monopolize the market very confusing)
#leverage#nate wouldn’t cheat but he’d be by far the most annoying still. like he’d conduct a whole Scheme to win and give a little monologue wheneve#he made a good move and everyone would want to kill him#parker woukd obvs be stealing money & cards and she’d move their pieces and swap their stuff#but also she’d try to use her turn to rob the bank#sophie would use neurolinguistic programming and dominate the board w properties#which somehow parker would literally never land on and that’s incredibly suspicious but none of them really know how she could possibly be#manipulating that fact? it’s logically impossible bc they’re watching her roll the die and move the piece and sophie knows which properties#she owns so it makes no sense. but parker is parker and she simply will not be caught (even by sophie’s properties)#hardison has studied monopoly theory (yes there are math theories on how to play monopoly) and /tries/ to abide by them but again. sophie i#manipulating him and parker is stealing from him (and sometimes oddly enough *for* him. new money ends up in his bank somehow) so it’s hard#so eventually he resorts to cheating like Everyone Fucking Else and does pretty well bc he rlly does know what sets he wants etc.#eliot is genuinely playing normally. no cheating no math stuff no schemes.#but he’s just sitting there fuming the entire time bc they’re all very obviously messing with the game and he Knew this was gonna happen bu#goddamn hardison & parker especially know how to get on his nerves (often purposely)#he calms down by making some snacks and. resorting to also cheating lol.#leverageposting
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alfheimr · 2 years
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(coughs up blood and eye-searing color palettes) love...and...peace...!!!!!
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