#i really want to do like a big fighting scene

[warning-heckboop]

Wait since Dev is/is turning into a full fairy does that mean he has/is going to get an anti-fairy? If he does that would actually help the others understand Dev so much more actually. I've seen people do anti-fairy versions of Dev before and a common trait between them is that his anti-fairy presents themselves as caring and nice but is actually mean to reflect how Dev often puts up a mask of uncaring and aggression, especially when he's hurt. Tbh I really love that masking part of Dev's personality and how it's often coupled with him wearing his sunglasses, cuz in the scenes where he's being more open he always either is looking over them or has them off. Anyway just really interested in how you would characterize an anti-fairy Dev if he had one!

Dev definitely has an anti-fairy! In fact, he's had an anti-fairy his whole life, he just hasn't known about it. After all, we've already seen from Peri and Irep that an anti-fairy doesn't develop as part of magical maturity, and instead when one fairy is born, the anti-fairy is born not long after.

One thing to keep in mind, though, is that Dev isn't a typical fairy child. He didn't have parents, but was instead just formed from Fairy Council magic and a trinket from Dale. So unlike Irep, who was born to parents who were able to take care of him, Dev's anti-fairy (let's just call him Ved for simplicity's sake) just kind of. Appeared.

It's likely that Ved (along with any other gifted changeling anti-fairies, as I previously mentioned that the other kids who were imprisoned with Dale may have gotten one too) just showed up to the Anti-Fairy Council one day. Of course the Anti-Fairy Council would be suspicious, because fairies created in this fashion aren't an every day occurrence by any means. It wouldn't be hard for them to figure out that the Fairy Council wants to keep these new children a secret, as changelings are considered taboo, so I imagine they'd want to keep tabs on the children's anti-fairies, just in case they can use them to their advantage against the fairies some day.

I do love the idea of Ved being seemingly a big sweetheart, but in reality is just a massive jerk. While the Anti-Fairy Council probably kept an eye on him and any other similar kids, they most likely didn't actually do much to take care of them, meaning they would have pretty much had to fend for themselves. We saw from Irep that anti-fairy babies can be pretty smart and independent, so I don't think they would be fighting for their lives necessarily, but that doesn't mean life is easy in anyway either. I could see Ved being a sort of leader of this little ragtag group of anti-fairy misfits, who largely paint themselves as pitiful and helpless in order to lure suckers into a false sense of security before robbing them blind.

I'll have to try to draw a concept for Ved at some point! I can't right now, because I'm sitting in my car waiting for a doctor's appointment, lmao, but maybe sometime this week after work, or over the weekend!

[fiddlefordisms]

Canon Details and Analysis of Fiddleford McGucket Part 2

See the first part here

Let's flash-forward to what we know about Fiddleford after college. At some point, he got married to Emma May Dixon, and they had a son together (Tate McGucket), they live in Palo Alto, and Fiddleford seems to be self-employed: McGucket's Computermajigs. Now, don't get me wrong I enjoy Fiddauthor quite a lot (and I'll give some in-depth analysis and theorizing and thinking of possibilities about that particular relationship in that context at the very end), but I want to focus on Fiddleford's character and what we do know about his wife and child.

We know from Journal 3 that Fiddleford keeps a picture of his wife and son on his desk because he says it helps keep him "grounded." It's very important to note that this picture includes his wife - if they really wanted to imply that Fiddleford's relationship with his wife was on the rocks, they could've easily made it just a picture of his son. We know that Fiddleford must have had strong feelings for his wife because in the Gobblewonker episode of Gravity Falls, Old Man McGucket claims that when his wife left him, he built a pterodactyl-tron (building giant death robots is something he does when he's upset or wants attention). If he was wanting to leave that relationship, he would not have been upset about her leaving him.

In another page of Journal 3 when Fiddleford quits the portal project, Ford writes about how he should "go back to his doting family." This tells us that while Fiddleford and Emma May did have a fight over him not getting her a Christmas present, Ford still somehow had the impression that his family was "doting." I think it's important to point out that Fiddleford has been erasing his memories since the Gremloblin incident - and the fight scene with his wife happens very shortly before the big portal test. We know the memory-erasing gun has side effects. So, anytime Fiddleford "forgets" something should be looked at as highly suspect and indicative that his memory-erasing gun is affecting him.

We know that Fiddleford must have been a good father before he left to work on the portal for Ford via context clues. In the show, despite Tate's original home being in Palo Alto, Tate chose to pack up his things and live in Gravity Falls where his mentally-addled father now lives. He chose to do that and seeing what became of his father, even though he's the town's biggest embarrassment with a reputation for being a crazy old man - chose to stay. In Shmeb U Unlocked, we're informed that Tate is extremely intelligent and capable of predicting lottery numbers.

He could literally go anywhere he wanted if he wanted. And yet, he stays in Gravity Falls where his father lives. He must have really loved his father despite it being so hard with his father's mental state and the fact that he has every right to be angry that his father left. We know that Fiddleford must have really loved his son because of that picture on his desk, because much later even with all of his memory problems, he still remembers his son, and he's desperate to spend time with him, and in the end, they're able to repair their relationship and spend quality time together.

Now, let's talk about a couple of details that I think a lot of people overlook. During the stargazing scene in Journal 3, Fiddleford mentions offhand that he'd like a place where "the screen door ain't broken." I think this is a VERY interesting detail because it makes it sound like Fiddleford's business hadn't quite taken off yet and that he might have been struggling financially because he can't afford to get his door repaired.

This opens a doorway into a theory of mine that Fiddleford is being paid for his time as Ford's assistant. Now, we're not told this outright in Journal 3, but I think we can gather this from a little thing I like to call context clues. After all, Ford probably thought the exact nature of payment deals for his assistant didn't need to be included in his research and personal journal. There's nothing interesting about it. Additionally from a narrative standpoint, it might have come across as looking like Ford had to bribe Fiddleford to help him, and that's not the vibe they wanted for Fiddleford. They wanted to emphasize that these two are at the very least good friends and that Fiddleford is the type of person who will set aside his own personal projects and self-sacrifice to help a friend at a moment's notice.

We know from the show and Journal 3 that Ford was given grants to study the anomalies of Gravity Falls. Presumably, this money would not only cover the costs of field research equipment and a research base (the shack) but also money for a research assistant if needed.

Fiddleford's wife would have to be the most permissive, most doormat wife in THE HISTORY OF EVER to allow her husband to go up to Oregon to work on a project leaving her to not only take care of her son by herself but also have to pay all the bills and rent/mortgage by herself. We know this is not the case because she (rightly) did NOT let it slide that her husband forgot to get her a Christmas present.

Fiddleford would not have had much time to work on his own business while working on Ford's portal. At this point in his life, he has his mental faculties intact, he's proven time and again to be considerate and sweet (Alex Hirsch even refers to him as a sweet soul). He's big on making thoughtful gifts, he wants to help others (in Journal 3, he is seen fixing up the ferris wheel at the carnival where he meets Ivan, although it was definitely wrong - he had good intentions in wanting to help people with their bad memories, even in the show - Old Man McGucket shows up in the sap-hole with the dinosaurs having fixed a broken lantern - Fiddleford is exactly the type of person who would see a broken-down car on the side of the road and pull over and get out his toolbox and help that person out), and he loves his family very much. He would NOT let them go unsupported and floundering for themselves while in his right mind.

So, this leads me to believe that to help convince his wife to let him help his old college buddy with his project, he'd be getting paid for his help. Ford likely would've found this reasonable and might have suggested it himself if Fiddleford expressed wanting to help but not being able to leave his family without any support. It probably wasn't a lot, but it might have been a bit better than what he was currently drumming up via his own business. This could also be why Ford is so adamant about referring to Fiddleford as his assistant in the journals rather than his friend.

Do I think his wife might have still had some reservations about her husband going to Oregon and could be a fertile field for argument later? Yes. Absolutely. But I think the fact that she let him go in the first place and the fact that Fiddleford is self-employed rather than more conventionally employed generally shows that she was a supportive wife and trusted her husband.

I absolutely DO NOT think, as some have posited, that Fiddleford abandoned his wife and son (especially his son whom he dearly loves) to have a "Brokeback Mountain" situation with Stanford. That is a terrible misreading of Fiddleford's character AND the situation. Again, Fiddleford is the type of person who HELPS people, and how much more so for someone who is likely his best friend? Not only that, but his FIRST EVER friend. A friend who Fiddleford probably knows has been alone in Oregon for years and who also has a hard time making friends, a friend who probably doesn't call him enough because he's "busy" with his research (Ford even says in the journal that he "has no choice but to call Fiddleford"), a friend who is probably stubborn about asking for help who is asking HIM (the guy who helps) for help?

Fiddleford might even already be worried about him.

And this is a "project" - a project has a beginning and an end. Fiddleford was NOT expecting to stay in Gravity Falls. He was going to go there, help Ford, and then go back to his family whom he loves. I'm not saying complicated feelings couldn't have arisen (again, I am a Fiddauthor shipper), but I am saying that Fiddleford didn't go to Oregon because he was running away from marital problems with his wife (on an additional note - people are free to write what they want - But what is WITH bisexual erasure and villifying / ignoring female characters? I mean, just because she wasn't in the show or talked about much doesn't mean we should do female characters a disservice) and intending on cheating on her.

Because again - A) He loves his family (family photo on his desk which doesn't exactly scream "Make sweet love to me Ford") B) His anxiety issues C) His empathy - he doesn't have the narcissistic traits cheaters generally have D) He's likely Catholic and all the religious hang-ups with that - (also adultery being a sin is mentioned waaaaaay more than homosexuality) E) The hostile time period for queer folks.

Also, Stanford "I find romance baffling" (Journal 3 - stargazing scene) is probably one of the biggest indicators that no cheating went on (but I'll throw you "cheating Fiddleford" headcanoners a bone much later on in which I think a possible "cheating" scenario could have realistically occurred - and I'll tell you my reasons for why I personally don't believe that happened either, but I'll begrudgingly accept a "possibility" and let you guys go nuts with the idea.)

More to come in later parts.

[delusion-mostly]

Regina George x Reader

Part 2/32

Warnings: suggestive flirting, reader gets injured, lots of cussing, mention of pain medication

Word count: approx. 1,805

The next day you see Regina at her lunch table. Even after last year she still sits with Cady, Karen, and Gretchen. She waves you over.

"What the fuck did I say about talking to me George? Especially after last nights words I REALLY am not interested in speaking with you." You whisper-yell at her.

"You didn't add me to that stupid group, I have no clue when things happen. Missed that detail didn't you sweetie." She gives you a condescending smile.

"Hm, call me sweetie one more damn time and your ass will be facedown in the ice. Got it George? When it comes to my sport you respect me or get the fuck out," you send a link to the group chat to her as you rant, and finally look up at her, "you know I was willing to be nice, and potentially be acquaintances this season, but after what you said? I was trying to help you and you had to be a bitch. Same old Regina."

You walk to your table with your teammates, Kendall and Mac, and slam your tray down. You don't know why, well, you do; but Regina filled you with a red hot hate. Worse than any other person you have ever met. Worse than the girls who took your state championship away from you, worse than your exes, worse than your bullies. Regina made you burn with anger, but damn did she look good with that condescending smile on her face.

She walks by your table, picking you up by the arm and drags you with her as she walks out of the room. You don't want to make a scene, so you don't fight it and instead walk next to her; besides, Regina on your arm made girls look at you. She pulls you into the nearest empty classroom and you yank yourself out of her arm.

"What the actual fuck." You swipe your letterman down.

"Y/N. I'm sorry. Okay? I lashed out. My back hurt, it was raining, I didn't like the way you treated me at practice. I have a lot on my plate. i didn't mean to yell at you," she sighs, you aren't convinced, "You were trying to be nice, I understand. I shouldn't have gotten so angry. I really am sorry."

"Oh it's never your fault, is it? The burn book was Cady's. Total bullshit by the way," you put your hands in the warm pockets of your wool letterman and pace, "and you lashing out was all your stress, and your pain, and I guess me?" You sarcastically laugh and throw your hands up, dragging the sides of your jacket up with you.

"Oh my god. No. I admit it. The burn book? Me. Me lashing out? Well, I should have kept that inside. I really didn't mean to. And I know why you were so mean, it's because I was mean first."

"Right on the money, Miss George. Now tell me, did we learn how to properly apologize in elementary school? Or do I need to teach you how to lace up skates AND apologize."

You sit on the teacher's desk, it squeaks under your weight. Regina turns bright red and looks like shes about to cry, she tilts her head down and fidgets with her sleeve. A tear streaks down her face, mascara rolling with it, and she swipes at it with her blue sleeve, leaving the spot a muddy blackish grey.

"I'm sorry, Y/N. For practically calling you a slut, saying you couldn't score points, AND for lashing out. I don't actually have that big of a problem with your sexuality." She gets out.

"Thank you. And I figured you didn't, it's just the first thing you notice to pick on me about. I'm not ready to accept your apology yet, or talk to you. But maybe, just maybe, we can learn to get along," the bell rings and you open the door to leave, "peace out George."

———

That night at practice Regina walks in almost the same time as you. You try to be civil by holding the door open, and she gives you a small smile as she walks through. You still hate her, but she has a nice smile. You walk down the steps leading into the locker room. You quickly change into your practice jersey, pants, and skates after putting on your gear, and you head on to the ice.

"Listen up ladies. We still have 2 months until our first game, but I am putting us on this ice early. Short practices for now, but it gives us more time to enhance our skills since we are playing the fall and spring season," you spoke, and the girls cheered, "so like yesterday, drills until 4:30 then everyone can go. Everyone knows Regina, she's our new manager. Leave your messes for her." You joke, and everyone starts skating laps.

For an hour you trade off teammates. 2/3 of the team will use half of the arena to skate down and backs, the left over 1/3 practices making shots while swapping out goalies. The clock lets out a loud buzz as it did last time, and everyone shoots their final shot and exits to the locker room, except you. You stay and keep skating around the pucks.

Regina laces her skates up and grabs the net that the pucks go in, then skates around the ice with the goal, collecting them all and stuffing them in. She leaves 5 pucks for you to keep shooting with. The click of the puck against the ice and walls as it bounces into the net made your brain happy, especially as Regina left you alone to go put away the others.

Regina suddenly hears a loud scream as she sets the puck bag into its spot and quickly hurries onto the ice to see you gripping your ankle tightly with your helmet thrown on the ground.

"Damnit I slid." You shout, ripping off your gloves and throwing them.

"What happened!?" Regina kneels beside you, concern laced in her voice.

"I was grabbing the net to collect the pucks, one wrong move and my skate got caught in the..." you started to yell, "damn net!"

"Where are your keys." Regina asked seriously.

"What do you mean 'where are my keys'? In my bag, why do you need my keys?" She begins to walk to the locker room, "Regina George, I may not like you but you better not leave me here!"

She rushes back up the steps, keys in hand, "I'm pulling your car up. You can't walk on this, let alone drive." And she exits

You set your head back on the ice, pain shooting through your leg. Maybe she really felt bad for what she had said, maybe this was her way of truly apologizing? Or had she actually changed and wanted to be helpful.

She rushes back in and helps you up to pull you off of the ice, you limp while putting most of your weight onto the blonde girl beside you. She puts you on a bench in the locker room, unlacing your skates and setting them in your locker. She reaches to pull down your pants.

"Woah! George this isn't what I thought you meant when you said you didn't have a big deal with my sexuality! Not the time!" You stop her.

"Don't flatter yourself captain. This is to get you into something more comfortable, and so you can fit in your own car. I don't have to but it would sure be easier." She looks at you sternly as you begrudgingly nod.

She pulls off the gaurds you have over your shins and then starts pulling off your pants, you look away and try to help as the awkwardness is unbearable. She opens up your locker and pulls out the grey sweats you had tucked away. She does the same with your jersey and a black tank top you had.

"I very easily could have gotten the jersey myself, George. Someone being nice today?" You playfully punch her arm.

"Don't be weird Y/N. Now get up. I'm taking you home." She helps lift you and wraps your arm around her, assisting you to your car.

She puts you in, gets in on the drivers side, and buckles herself, "where am I going, captain?"

"Where did that name come from?"

"Being captain of the hockey team is like, your one personality trait outside of being a massive player, Y/N." She chuckles.

You direct her to your house, which is nearly 20 minutes from the school. Aside from you telling her where to turn and the occasional groan in pain, the ride is rather quiet. It is incredibly awkward.

She pulls in to your driveway and helps you out, getting you to your front door and knocking. Your mom steps out, concerned, looking down at you holding your foot off of the ground.

"Y/N Y/L/N not again! Goodness. And you make this poor girl drive you home? Come in sweethearts come in!" She opens up the door and Regina guides you as you limp in, setting you on the couch and sitting beside you.

"This one is such a clutz. She did the exact same thing last year you know. Let me guess, skate in a net? We are still getting the prescription from that one! Oh goodness where are my manners," your mom holds out her hand to Regina, "I’m Patricia, but you can call me Pat. Would you like to stay for dinner?"

"Oh no ma'am I have to start my walk home, thank you though!" Regina awkwardly declines.

"Oh nonsense! Y/N can't drive right now and I have to pick up her pain medication so why don't you just stay the night! It has been so long since she has had any friends over aside from Kendall." Your mom continues. You hope she shuts up.

"You know, Pat, that sounds wonderful," Regina smiles and looks over at you, her look growing more spiteful, "I will call my mother right now, you have a very safe drive to the pharmacy and I truly thank you for opening your home!" She gets up to call her mom.

Your mom kisses you on the forehead and exits into the garage. You hear the mechanical whir open, then shut. The couch dips beside you.

"Now you have to listen," Regina looks at you, "Can we please talk about my apology?"

You certainly did not want to accept the apology, but you couldn't run away from it now.

Well. Shit.

[rrosamariaa]

I've been thinking a lot about a remus/sirius Ministry of Magic office AU..

Often I see ppl talking about what would Sirius work with if there wasn't a war going on and he could just live his life in peace and one of my favorite headcanons is that he would be an 'Unspeakable'. Those are the ppl that work in the department of mysteries, that by itself is one of coolest things in the wizarding world, according to me. The department of mysteries is responsible for confidential studies of death, love, time etc (A lot of crazy things that honestly no one should have to mess with but obvs they do anyways...) It's high-level security place, no one besides the researchers are allowed in those chambers. No one even knows who are those researchers and what they do, actually.

Buut, its sirius we are talking about and the guy is a genius but also can be pretty reckless and, in this specific scenario, I think he would be a borderline "crazy scientist" so. He fucks up down the line. I don't know what he does, exactly, but it's something that put his and others researchers' lives at risk. Bc of that, he is sent to work in a waaay more mundane department: Magical Accidents and Catastrophes. It's a cool department!! Remember that first poa scene where harry turns aunt marge into a balloon etc? well those are the guys who they call to fix that. They even have a Obliviators division, responsible for changing Muggles' memory in case they are exposed to accidental magic. Those guys are full of themselves and annoying as hell, btw.

and I see Sirius being sent there, after The Accident. It's cool in theory, but most of the time it's puuuure paperwork and it bores sirius to no end.

well, guess who works there as well. Our guy, Remus j. lupin.

Remus isn't one to do field work so he mostly works in the Muggle-Worthy Excuse Committee division (god I love those long ass names). Basically he comes up with stuff to excuse magic happening in the muggle world etc. like when peter killed a bunch of muggles and the muggle paper said it was a "big gas explosion". Pure paperwork. Boring as hell.

Anyway, Sirius turns up there out of nowhere and he is the office sweetheart. It fucking boggles remus mind, like. Sirius always goes to the office parties and seems to be friends with everyone but no one knows anything about this guy. He just gets there, a almost 30 yo with a bunch of obscure work experience and no one knows what he did before that, who his family is, where he is from and how the hell does he knows the stuff that he knows.

Sirius is great at field work, he mostly works directly in the Obliviators division and remus is really great with the paperwork stuff sooo they get paired up a lot. At first, they are a bit annoyed by each other (my fav wolfstar flavor). It's funny because they actually agree with almost everything but they just approach things veeery differently and so they are bickering all the damn time. And Sirius is a Certified Little Shit™ and is constantly doing things that drives remus a bit crazy. Once they had a case of a water fountain exploding bc two wizards were fighting in a public park and instead of obliviating the muggles into believing it was only a piping problem or whatever, he went out of his way to turn it into a sort of elaborate flash mob that went viral on tiktok. Remus spent the night awake documenting everything. He wanted to strangle sirius that day.

between late nights working and lots of crazy field work (thanks to sirius) those two end up getting closer and closer. Remus still thinks Sirius is a bit insane, but now in a I-want-you-to-fuck-me-into-this-desk type way. Sirius, on the other hand, doesn't let go of his previous research. I think that back then he would, specifically, study and experiment a lot with Love, in special familial love (yep.) The thing about those confidential dept. of mysteries' experiments is that they can be pretty... unethical. And that's the break point of their story: Remus finding out about Sirius research and finally wondering at what lengths did sirius went to understand something as complicated as Love and what the fuck he did to get banished from the department back then, and worse: if he ever used remus in those experiments. and even more worse: The fact that remus doesn't stop loving him even if he did.

A last fun fact is that they, at one point, would have an inside joke about that "MIB: man in black" movie, they watched it together one late night and sirius kept referencing it when he went to obliviate muggles and remus thought it was the funniest silliest thing ever

[a-twistedheartslonging]

So I'm going to the movie theater later today (gotta see the new Beetlejuice movie before it stops showing!) and now I'm thinking about some of the TWST boys at the theater.

Riddle would totally be the guy to buy tickets ahead of time, get snacks at the counter (despite the outrageous price) and find the exact seat he paid for

Meanwhile Ruggie would be the one to sneak loads of snacks into the theater so he wouldn't have to deal with the jacked up price for popcorn

Thats pretty much all I have aside from the image of Malleus looking up at the screen looking mildly impressed and asking questions every two minutes

Feel free to tack anything on if you can think of it, I just wanted to share some silly thoughts

I agree, plus you know Riddle gets you guys there extra early just in case. Gets upset if people even talk during the previews.

Dude, they really are expensive and Ruggie would so sneak in stuff, and he's good at doing it...like really good.

Malleus and Jack prob can't sit in the front since the big ears/horns adds to their already tallness and blocks the screen for the peeps in the back.

People probably would be too chicken to say anything though.

Though if its Epel and some tall fucker is blocking the screen we will try to fight someone.

Floyd strikes me as a seat kicker and Jade laughs at gory horror movie scenes.

Rook cries like a little bitch at certain scenes with no shame, Azul does it very much with shame and tries to hide it.

Kalim is a talker and both Silver and Leona fall asleep during movies.

(I wish I could go see that movie.)

[strawbkiwijuice]

more of @pyromaniacblujay s tboi survivor au, this time a sketchy fight scene because i wanted to draw it but im exhausted today haha

[oceanwithouthermoon]

ive come to realise that i dont actually hate kubokai, i just hate the way people write them

[shannonallaround]

After pondering on it for several days, I have officially decided I did not like the direction of KFP4 and have banished it from my brain. It is no longer canon. KFP4? What's that? Don't know what you're talking about.

[longagoitwastuesday]

I am liking Jujutsu Kaisen, way more than I imagined I would, but I foresee it will let me down and it's keeping me from enjoying this as much as I could haha

I think the characters and dynamics are well set, and I think many of them have an incredibly good and deep potential, but I would be willing to bet they'll not get a proper development, enough for them to really hit. A well assembled set of gears is not enough to make the movement go, you have to wind the clockwork.

I think Gojo and Megumi have a fascinating and very complex dynamic, but I doubt it will be given the time and care that imo it needs to actually work. And it is going well enough for now! One could see the intimacy between them was deeper than the one Gojo had with, say, Yuji and Nobara ever since the very first few episodes despite the fact Fushiguro too was a first year. But the pieces forming what they have are extremely complex, and it just wouldn't be realistic if it doesn't show, even if in a not showing way, or if it doesn't have consequences or implications.

It's one of those dynamics that shape one's life, the way one regards the world, the way one establishes or not relationships with other people. It's one of those dynamics that could be full of fondness, gratitude, resentment, admiration, trust, and that imply intimacy, the good kind or the bad, even if in just the knowledge of someone who's been a constant through your life. It could, and would, imply a myriad of feelings, and probably in such a mix it could imply contradictory feelings too. Even the nothingness would weight, even the nothingness would be significant and meaningful.

Gojo took Megumi and his sister under his wing, the son of a man who murdered him, because of both selfish and selfless reasons. Megumi looks like Toji. What does Gojo feel about this? How does Gojo deal with this? How does Gojo go about taking care of Megumi? Would he walk him to school? Make him breakfast? Celebrate his birthdays making him blow candles? Did he take him to the zoo? Does the relationship between them feel professional or is it something more? Gojo appreciates his students, but is Megumi to him just another student? When Gojo faces Sukuna in Megumi's body, did he see the kid he raised, or does he just see Sukuna in one of his students' body? Did he have one faint wavering instant? And how does Megumi feel about this? Is he resentful of him? Resentful of the situation? Of the selfishness behind his actions? Does he feel like a pawn? Is he grateful? Does he resent feeling grateful? Would he rather not? Does he love Gojo? Does he feel nothing about him other than what he could feel about a teacher that sort of annoys him but knows he's reliable in his strength? Does he think it unfair, cruel or unfeeling that Gojo is close, closer perhaps, with Yuuji or Yuta, considering their story? When Sukuna slices Gojo in two, does the remnants of Megumi's soul tremble?

And not just Megumi and Gojo. Yuuji and Nanami, Gojo and Nanami, Yuuji and Fushiguro, Nobara and the boys, or Nobara and Maki, Todo and Yuuji or Yuta, Gojo and Yuta, Megumi and his sister. Gojo and Geto, even! If the pieces are well set, the dynamics are intriguing, interesting, and have potential to be deep, but then the characters have like two plot relevant scenes that punch you hard, but little more, it's not nearly enough. Especially not nearly enough for the enormity that is shonen dynamics and situations. And the potential existing at all, and then not delivering, makes it all the more frustrating when you're left with something mediocre that could have been so good.

The development of dynamics through not only a few plot relevant gut wrenching moving scenes, but also the smallness of life, is important. The friend who recommended this to me said that those things were just unnecessary filler, but I disagree. I think there's a big difference between a large amount of anime-only filler episodes whose existence is based on the fact they had run out of manga chapters to animate, and moments of quietness. The low stakes character-driven moments of quietness can be so telling and so insightful, and they are so satisfactory when brought back later in higher stakes situations. My friend teased me there was no scene of Gojo making breakfast to Megumi, that it would be an idiotic idea, but it would be so telling. How he makes breakfast, what they eat, if he tries hard or if it's all mechanised, if they have personal bowls or if they use whatever, if he just buys them some pastry on the way to school, if the way they have breakfast changes through the years, or if he doesn't make them breakfast at all! All that would be very insightful on their dynamic and its evolution. All that would give a glimpse on how they regard each other and why, even in the present. All that could become meaningful in tense situations and high stakes scenes.

These moments also let the plot breath; if a lot is happening all the time, if every character is always experiencing trauma after trauma, the entire story is so emotionally draining that at some point you don't even care all that much. Besides, these nothing moments or low stakes plot arcs, besides deepening and developing dynamics, also let some in-world time pass, which would make the intimacy and bond between characters more believable imo; between Yuuji eating Sukuna's finger and their last confrontation in December how much time has passed? A few months? Am I truly to believe these characters are so everything to each other in only a few months?

Without some smallness, some repetition, some daily life, some low stakes not plot-centric development, the dynamics don't hit, they don't truly feel fleshed out, and dynamics as complex as the ones Megumi and Gojo have, or as supposedly meaningful as the one Megumi has with Yuuji or his sister, should be fleshed out if they're going to exist at all. Otherwise they'd risk making the writing feel awkward and fake. Besides, if the dynamics felt well fleshed out and realistic, they would shape the way the characters interact and act, and how they deal with situations, thus being plot relevant.

The shonen genre has so much happening all the time, the stakes are so high, the dynamics are so rooted in big events and the relationships carry enormous weight and implications. Yet they barely get developed, and it feels so stupid, so plain, the absence of something so important noticeable like a constant void, a shapeless nothingness present in every scene. It makes the characters feel like cardboard figures. Jujutsu Kaisen is already getting a better job than many, but I doubt it will do enough for what I've heard, and I fear I am bound to feel let down, and bound to feel unmoved.

After all, if not enough time and care has been given to develop a dynamic, I am not going to feel pressured by the high stakes; if not enough time and care has been given to develop the dynamic between Megumi and Yuuji, as good potential as it has I am bound to feel little for this last confrontation between Sukuna and Itadori, and his effort in getting Megumi back.

[tiddiesoutwhenthetisout]

not me curling my laptop charger wire the way you curl band equipment cords HAHAHA god i miss it

[sskk-manifesto]

Finally got around to watching ep 11 (´；ω；｀)

[sysig]

It started with a whisper ♥ (Patreon)

[lemongogo]

ep 9 thoughts

[hauntingblue]

Zoro was about to tell luffy off for making a scene but luffy just says some guys spilled red bean soup and he starts to make a worse one. Amazing

[mila-carat]

Even INI noticed that Takumi and Yudai's hug scene was a little bit "🤨🏳️‍🌈?" and to be honest i'm glad I'm not the only one...

[fortunefavorsthebrave-dude]

saw furiosa it was. a movie.