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#i think it fit the type of worker and person i was in 2019
duck-era-lexi · 2 years
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maybe it’s the parasociality but im feelin kinda nostalgic rn. anyways i think i’m done with ts4? like i obviously havent been in the community for ages but im not really interested in the game anymore. i can’t play it easily and the computer i use is incredibly laggy. there’s always new stuff happening but i just don’t follow it, like i just can’t find gaming vids of it interesting. compare this with clash royale which i follow so closely and know about every update and opinion and it’s all so cool and interesting to me. people just change and grow and ts4 was so important to me but i think i’m just done. we’re breaking up, i’m sorry. it’s not you its me
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metalandmagi · 4 years
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Winter 2021 Anime Worth Watching!
Since 2020 basically sacrificed itself to give us the most stacked anime season of all time, I’m currently buried under the weight of almost 20 shows airing per week. So for anyone who’s looking for some anime to watch this winter, here’s some first impressions! I’m speed running my list this time by only talking about the new shows...because otherwise this would be my great American novel. 
If anyone’s interested, I have master lists for both 2020 anime and 2019 anime, because there’s no shortage of fun things to find. 
New Shows!
And before anyone asks, So I’m A Spider, So What? isn’t on here, because CG spiders freak me out.
Cells At Work Code Black: This...less comedic spin off of Cells At Work (made by a different studio) takes the wholesome concept of Osmosis Jones meets cute anime girls and turns it on its head. In this much more depressing version, we follow a rookie red blood cell who works in the body of an overly stressed, alcoholic smoker who puts every strain on the body imaginable. I love Red Blood Cell AA2153 and his co-workers, but man am I glad we get the regular Cells At Work airing this season too, because I need something fun and uplifting after seeing my sweet son go through hell every episode. 
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*Heaven’s Design Team: Have you ever wondered how God came up with some of the weird ass animals that live on this planet? Like, what’s the deal with giraffes? And why can’t we have dragons and flying horses? Well this is a comedy about the engineers and designers in heaven creating the new animals that are going to inhabit the Earth. That’s it, that’s the show. It’s kind of in the same vein as Cells At Work, having comedy blend with a surprising amount of educational information. If you want something light and funny, this is the show for you (though I don’t think it needs to have full length episodes). I’m just hoping there’s an episode about how the hell the platypus was created. Also it’s the only new one available on Crunchyroll.
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Horimiya: A romantic comedy about a girl named Hori who fits the image of a perfect queen bee and a quiet bespectacled boy named Miyamura who never makes an impression at school. When the two meet by chance outside of the classroom, we see that Hori is practically raising a younger brother by herself, and Miyamura is actually a sweet guy who happens to be covered in tattoos and piercings. This show is an exercise in breaking down the images people have of others in their minds, and it’s a concept that really hits home in a fun and meaningful way. Honestly, this has become one of my immediate favorites. The characters have great chemistry, and I can’t wait to see more of them!
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Monster Incidents (Kemono Jihen): When big shot Tokyo detective Inugami is called to a rural town to investigate a series of strange animal deaths, he finds a mysterious boy with the nickname Dorotabo who has been shunned by the other children in town. As the detective gets closer to Dorotabo, he discovers that there may be more...inhuman secrets to the boy than he realizes...and Dorotabo discovers that Inugami has some secrets of his own. This is a hard show to sell without spoiling the first episode, but it had twists and turns that kept me engaged from start to finish. I’m really interested to see where the plot goes, because I thought this was going to be something totally different just from the PV and series summary. If it plays its cards right, this could be a great paranormal detective show!
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Wonder Egg Priority: A psychological drama about a girl named Ai who starts having dreams about a mysterious egg that promises to give her what she wants most in the world...a true friend. Before long, she begins to see how the dream world and reality are tied together, and trippy antics ensue. It’s hard to say more without spoiling anything, but I had to go back and add this one in because I made the mistake of thinking it was an OVA when it’s actually a full series. And what a series it’s starting out to be. This anime has all the psychological discomfort of a Satoshi Kon product with the beauty and style of something from Kyoani (even though it’s made by Clover Works). It’s really one of those anime you just have to see to understand.
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Sk8-∞ (Skate the infinity): An original skateboarding anime from Bones, featuring a typical sports anime protagonist who takes a new transfer student who has never skateboarded in his life under his wing. Together they compete in dangerous races and take the skating community by storm. The character designs rival Appare Ranman’s in outlandish creativity, and I can smell the main characters’ ship dynamic a mile away (considering they’re exactly the same as the protagonists from Robihachi). If you’re looking for some wild and crazy fun with top notch skateboarding animation, don’t skip this!
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2.43: Seiin Koukou Danshi Volley-bu (Seiin High School Boys Volleyball Club): Yes, it’s another volleyball anime. And no, it’s not just a clone of Haikyu. This story follows Yuni Kuroba, a physically built but emotionally weak teenager who finds out his childhood friend Hajime is moving back to their hometown for high school. Yuni discovers Hajime has become an exceptional volleyball player and they join their school’s volleyball club hoping to turn the unknown team into a rising star. If anything, this anime is much more like Stars Align or Free, where the sport is a backdrop for letting the characters explore their personal problems. Or at least it seems that way after the first episode. I went into this show ready to throw it in the trash because how could anything compete against my beloved Haikyu, but I found myself really enjoying the dynamics of the main duo and I’m curious to see what the rest of the team is like.
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And speaking of sports anime rip-offs…..I can’t believe I’m including this but…
Skate Leading Stars: The show where the animators clearly wanted to design another throw away idol anime but saw how popular Yuri On Ice was so they decided to make whatever the hell this show is instead. It revolves around a fictional team sport called skate leading, and we follow the world’s most insufferable main character, a former figure skater named Kensei who wants to return to the ice and join his school’s skate leading team after he finds out his childhood rival is going to compete in the sport. Look, this show is just trashy enough to get a certain type of audience hooked, and it mainly has to do with the best boy of the winter season, Hayato Sasugai, the aspiring team “coach” who pulled most of us into watching this show with his punk appearance, snide comments and smug personality. He’s basically the lovechild of Izaya Orihara and Shizuo Heiwajima in a high school sports anime setting. The show treats itself with the perfect amount of sincerity to get away with being absolutely ridiculous most of the time without making you feel like you’re watching it from a dumpster...like Try Knights. You will know after one episode whether this show is for you. All I can say is, Hayato is worth the watch, and I haven’t seen any 3D animation used for the skating scenes (yet) so that’s a win for me. 
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Honorable mention:
Jobless Reincarnation ( Mushoku Tensei): Yet another isekai where the main character is hit by a car (big surprise) and gets reincarnated into a fantasy world...but he happens to remember his previous life and narrates himself growing up as a jaded adult. I’m only including this because it looked amazing animation wise, and I love the opening where getting hit by a car and dying is actually traumatic. And I love the protagonist’s parents (who are retired adventurers who just want to bang all the time). But honestly...the main character is the fucking worst, and I don’t know if I want to keep watching it because of how creepy and weird he is. Like...he’s the hit on your fantasy mom as a baby kind of creepy and weird. But for anyone who wants a cool looking isekai that had an amazing PV, it’s worth checking out. 
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Continuing Series!
Because the real gold of the season is in all the established anime getting their next seasons, I’m just going to list some of the things that are also amazing and definitely worth checking out if you haven’t already (because I’ve already talked about most of them at some point and don’t know what else to say).
Attack On Titan season 4
The Promised Neverland season 2
Beastars season 2
Log Horizon season 3
That Time I Got Reincarnated as a Slime season 2
Re: Zero season 2 (second cour)
Dr. Stone season 2
Cells at Work season 2
Osomatsu-san season 3 (second cour)
Higurashi New (second cour)
Jujutsu Kaisen (second cour) 
Not to mention all the shows I don’t watch that everyone else loves...like World Trigger (which I have seen quite a bit of, but long shounen shows are too much for me now) Quintessential Quintuplets, and Non Non Biyori. 
So there’s just some of all the anime airing this season. Hopefully, someone can find something they like. Here’s to a great year...well, of anime at least...
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kapitaali · 3 years
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The New Hippies
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THE NEW HIPPIES: The work abolition movement, anarcho-primitivism and biodynamism as ways to combat climate change
Essay for the course LOGS13b The Strategic Role of Responsibility in Business by Teppo Saari
Introduction
The course LOGS13b The Strategic Role of Responsibility in Business had the students think about and discuss the various ethical dimensions in business, moral dilemmas and choices to be made that a decision maker in business world come across every day.
This essay is motivated by our case study with a headline ’Investors urge European companies to include climate risks in accounts’ (Financial Times 2020). In this essay I will explore values and ethical principles that I see as the solutions to our case study and climate change in general. This is not to say that I could stand up for them in business world. Ironically, my main thread and leitmotif here is the untransformational nature of capitalism and business world. Thus, standing up to the values I will discuss here means doing less business, not more.
This essay is divided in three parts: problem – reaction – solution. These three parts will talk about the chosen values and ethical principles. They are by no means new: pragmatism – The Golden Rule – parsimony & naturality. They just seem to be in conflict with our modern way of living.
Thinking pragmatically about the problem
As part of our course assignment, we got to read about a group of investors managing trillions of dollars worth of assets who urged European companies to include climate risks in their accounts (Financial Times 2020). Scientists have warned us for decades, that pumping extreme amounts of CO2 into our atmosphere will result in melting of the polar ice caps (Mitchell 1989; Jones & Henderson-Sellers 1990), which will raise the sea level and drown some of the coastal cities (Peters & Darling 1985). Finally, capitalists are acting responsibly!
It would seem that capitalists actually cared for the planet and not just their profits. Or would it? Maybe they are scared of losing their future profits, and this kind of media escapade would bring back public trust and confidence in the system. It would be a sign that capitalists can act transparently, openly, accountably, respecting others (O’Leary 1993). But is changing the allocation in your investment portfolio really a sign of empathy? Would there be other ways to better express empathy in business?
Shareholders are interested in the risk their assets are facing, not necessarily in the welfare of the people. Investors acting virtuously can be just virtue-signaling or pleasing other elements in the society to take off media pressure and negative PR from them in a conformist way (Collinson 2003). Maybe they are just greenwashing their own conscience. Why is George Soros’ climate buzz astroturfing industrial complex (Morningstar 2019a) financing Greta Thunberg to do public PR campaigns targeting the youth? Maybe there is money in it. It is unlikely that it would have been dubbed ”A 100 trillion dollar storytelling campaign” without some particularly good reasons (Morningstar 2019b).
But there is something else in it too than just money: power and control. The person who gets to limit choices gets to dictate what kind of choices remain. And if a person has that kind of foreknowledge, then that person can be two steps ahead of us. And being two steps ahead of us means securing future profits. Including climate risks in accounts will imply controls. Controls are imposed on accounts, but ultimately it will mean controls imposed on people and their daily activities. Workers are the ones who will naturally suffer the consequences of management decisions. In this case management decisions are ’urged’ externally, from the owners’ part. After all, it is the corporations that are producing most of the climate change effects, in terms of pollution and greenhouse gases (Griffin 2017). People doing their jobs, working everyday, producing things but also at the same time producing climate effects. I would still love to hear politicians use more terms such as ”pollution” when talking about these issues. For it is unclear how reducing carbon emissions will reduce overall pollution that is also a contributor in the destruction of our environment (see eg. Bodo & Gimah 2020; Oelofse et al. 2007). Issues like microplastics, holes in the ozone layer, biodiversity loss, acid rains and soil degradation need to be talked about just as much, if not more so.
The problem is simple: too much economic activity producing too much climate impact, mostly pollution and greenhouse gases. Solving the Grand Challenge (Konstantinou & Muller 2020) of our time is harder if we wish to keep the fabric of our society intact. There’s a clear need for dialogue among stakeholders (Gardiner 1996), but how is it a dialogue if people are not actually listened to and don’t get to say how things will progress in society? What I am proposing is a meme-like solution that has the greater impact the more people adopt it. My solution is: stop working. Produce less. Stop supporting systems and mechanisms that produce climate effects. Stop supporting the mechanisms that don’t listen to your voice. Disconnect from the Matrix. Working a dayjob is one of these mechanisms. Although many people have realized the benefits of working from home (Kost 2020), a lot more needs to be done. Remote work is not available to everyone. Not all jobs are remote work.
Bob Black (2021) in his texts has advocated for the total and complete abolition of work. Stopping working naturally does not mean stopping doing things, it will merely mean stopping working a job, a concept which itself is a social construct. Black’s theses are simple but powerful. Working is the source of all ills, it is not compatible with ludic life (allthemore so in 2021), it is forced labour and compulsory production, it is replete with indignities called ”discipline”: ”surveillance, rotework, imposed work tempos, production quotas, punching -in and -out, etc”. Black does not only describe the negative ontological aspects of working, he goes deeper and invokes many familiar names of Greek philosophers:
Both Plato and Xenophon attribute to Socrates and obviously share with him an awareness of the destructive effects of work on the worker as a citizen and a human being. Herodotus identified contempt for work as an attribute of the classical Greeks at the zenith of their culture. To take only one Roman example, Cicero said that “whoever gives his labor for money sells himself and puts himself in the rank of slaves.” His candor is now rare, but contemporary primitive societies which we are wont to look down upon have provided spokesmen who have enlightened Western anthropologists. The Kapauku of West Irian, according to Posposil, have a conception of balance in life and accordingly work only every other day, the day of rest designed “to regain the lost power and health.” Our ancestors, even as late as the eighteenth century when they were far along the path to our present predicament, at least were aware of what we have forgotten, the underside of industrialization. Their religious devotion to “St. Monday” — thus establishing a de facto five-day week 150–200 years before its legal consecration — was the despair of the earliest factory owners. They took a long time in submitting to the tyranny of the bell, predecessor of the time clock. In fact it was necessary for a generation or two to replace adult males with women accustomed to obedience and children who could be molded to fit industrial needs. Even the exploited peasants of the ancient regime wrested substantial time back from their landlord’s work. According to Lafargue, a fourth of the French peasants’ calendar was devoted to Sundays and holidays, and Chayanov’s figures from villages in Czarist Russia — hardly a progressive society — likewise show a fourth or fifth of peasants’ days devoted to repose. Controlling for productivity, we are obviously far behind these backward societies. The exploited muzhiks would wonder why any of us are working at all. So should we.
Black notes that only ”a small and diminishing fraction of work serves any useful purpose independent of the defense and reproduction of the work-system and its political and legal appendages”. In similar vein, the late but great David Graeber saw the futility of most work. Calling this phenomenon ’bullshit jobs’ (Graeber 2018), Graeber sets out to describe what many of us are familiar with: we do useless things to make ourselves feel useful. Because modern society legitimizes itself with having people ’do’ stuff and not ’be’ a certain person. How can you (objectively) measure being? You can’t. But doing, that you can measure. This measurement then qualifies you as a member of society: productive, doing your part (an idiom that is a perfect example how you can’t escape the doing paradigm on a societal level). Graeber’s definition of a bullshit job is: if the position were eliminated, it would make no discernible difference in the world. In many cases these types of jobs are found to be supporting some kind of buraucracy, reporting, assisting decision makers, etc. Our current Matrix has its ways of creating more of these with the clever marketing concept called ’value’ (Petrescu 2019). They don’t make a difference, they create value.
Why would you want to overload the world by doing things that you nor most everyone else see no point in? Why would you waste your time doing pointless things? The easy answer to these questions is ’subsistence’. But there are many other ways to live on this planet. If you keep doing what the society tells you is acceptable or convenient, you will shut your eyes from the problem at hand: climate change.
Legitimizing anarcho-naturism as a solution with The Golden Rule
Our responsibility is to ourselves. We can not properly be held responsible for anything else. Yet the system of representational democracy does just this, holds us collectively responsible for many things, borrows money from creditors with our names on the loan collectively and then makes us pay for the loans. The way this Matrix works is yet another reason to disconnect from it. Or at least stop supporting it as much as possible.
The Golden Rule states: ”Treat others as you want to be treated” (Gensler 2013). From the perspective of climate change, it can first seem curious why you would quit your job and head for the hills. After all, we are facing a global issue here. There are people in need for help and I am running away? But I would see it as a way to get around our predicament. The Golden Rule can be also interpreted in Kantian way as the categorical imperative, particularly its first formulation: ”Act only according to that maxim whereby you can at the same time will that it should become a universal law”. This formulation is somewhat more proactive in nature. It talks about acting, doing things, and doing things is what is appreciated in our society, even when your goal is to exit the society.
Why exit the society? Is it enough to just quit your job and find something else to do, something that is more fulfilling and not bullshit? What an excellent question. Long before the advent of smart phones and 5G and DNA-vaccines, this question had been brought up to the table. In the 1800s, people were realizing the negative impact industrialization was having on society at large. People were rooted out from their family homes in the countryside, forced to move to a large city to look for a job, crammed into small apartments with dozens of other workers, coerced into working long and hard days at factories to make a living. The lowly misery of these people attracted the attention of a certain Friedrich Engels, who felt their situation was not adequate to make up for the suffering they had gone through. He meticulously described the working conditions of the English working class in his ”The Condition of the Working Class in England” (2003 [1845]), originally published in German. Sociology as a science was established by Karl Marx, Max Weber and Emile Durkheim to study these changes. Slowly but surely, the influx of people into cities started to cause issues, something that mayors and other municipal representatives had to start taking care of. Planning and zoning were given a lot more attention, since the earlier modus operandi of old European cities had been rather laissez faire (Sutcliffe 1980).
Against this backdrop of massive societal change, people started to question the changes and their direction. Are we really nothing more than slaves, just working in a different environment? Slavery might not be the right word or context here. Many people believe to be free, govern themselves and their property, and yet their daily actions and options to choose from seem to be eerily limited. They have only so many choices, most of which seem somehow related to running their errands. A more appropriate term, with all its connotations, here would be the Greek word ananke, ”force, constraint, necessity”. Like a force of nature, progress towards modernity necessitates that people leave their family homes and go work in large factories, compulsively manufacturing endless amounts of products, some of which are necessary, others merely decorations, and some just pointless.
Many names in 19th century New England worked upon a vision for the future society at a time when unprecedented changes were taking place and the standard of living was rising faster than ever before. The Transcendental Club was a group of New England authors, philosophers, socialists, politicians and intellectuals of the early-to-mid-19th century which gave rise to Transcendentalism, the first notable American intellectual movement. Transcendentalist believe in the inherent goodness of people and nature, but that society and its institutions — particularly organized religion and political parties — corrupt the purity of the individual. (Stanford Encyclopedia of Philosophy 2003; Sacks 2003.) Transcendentalism is a unique mix of European Romanticism, German (particularly Kantian) philosophy, and American Christianity. The impact of this movement can still be seen in the many flavours of American anarchist and radical Christian movements.
Out of the ranks of Transcendentalists rose a couple of names that can be viewed as the progenitors of modern anarcho-primitivism and natur(al)ist anarchy. Ralph Waldo Emerson was the central figure of the Transcendental Club, who together with Henry David Thoreau critiqued the contemporary society for its ”unthinking conformity” and advocated for “an original relation to the universe” (Stanford Encyclopedia of Philosophy 2003). Emerson’s Nature (2009 [1836]) poetically embellishes our view of the natural world, while Thoreau’s Walden; or, Life in the Woods (1995 [1854]) is a call for civil disobedience and revolt against the modern world. Another influential natur(al)ist writer has been Leo Tolstoi whose name is frequently mentioned by anarchists. Tolstoi himself was a Christian and pacifist, and his writings have inspired Christian anarcho-pacifism that views the state as ”immoral and unsupportable because of its connection with military power” (Stanford Encyclopedia of Philosophy 2017).
Before the Transcendentalist movement, Europe experienced similar trend in philosophy with Jean-Jacques Rousseau’s natural philosophy. Rousseau touched upon many subjects: freedom, free will, authority, nature, morality, societal inequality, representation and government. Like Transcendentalists, Rousseau held a belief that human beings are good by nature but are rendered corrupt by society. ”Rousseau clearly states that morality is not a natural feature of human life, so in whatever sense it is that human beings are good by nature, it is not the moral sense that the casual reader would ordinarily assume” (Stanford Encyclopedia of Philosophy 2010). Rousseau’s work is relevant to many of the social movements that currently fight against COVID restrictions, vaccination agenda, building of 5G antenna towers next to where people live, polluting the environment, systemic poverty and general disconnection from the natural world. Rousseau, although regarded as a philosopher, saw philosophy itself negatively, and to him philosophers were ”the post-hoc rationalizers of self-interest, as apologists for various forms of tyranny, and as playing a role in the alienation of the modern individual from humanity’s natural impulse to compassion” (Stanford Encyclopedia of Philosophy 2010).
Rousseau’s days did not see capitalism as we see it now. It was later Marx (influenced by Hegel, who in turn was influenced by Rousseau) that put together a treatise that considers the societal change we have seen ever since from industrialism and circulation of capital. But Rousseau’s thoughts about the social contract (1968 [1762]), “child-centered” education (Rousseau 2010), and inequality (Graeber & Wengrow 2018; Rousseau 2008) are still relevant today. Especially when we are faced with many societal forces that are contradictory in nature, each of them pushing us into certain direction, demanding our attention, wanting us to change our beliefs about that one particular aspect that connects with other aspects and forms the Matrix of our reality.
We are once again facing a similar situation as the people did back in the days of the first industrial revolution. Now the industrial revolution has reached its fourth cycle, unimaginatively called ”Industry 4.0” (Marr 2018; WEF 2021), where machines are starting to become autonomous and talk to each other. I used to think technology was cool, and went to work for Google. But at Google I learned that technology is not cool, after all. Not until technology becomes completely open source, it will be used by massive conglomerates to build autonomous weapons systems (Cassella 2018; Johnson 2018) and the industry will keep paying ethics researchers to keep writing arguments for them (Charters 2020). Even though I could work for an industry that, given the current trajectory, will be among the biggest producers of CO 2 in the future Vidal 2017), the idea that I would work for an industry that sees weaponizing their products as the grandest idea of mankind’s future is still gnawing.
Because, it is all just business (Huesemann & Huesemann 2011):
One of the functions of critical science is to create awareness of the underlying values, and the political and financial interests which are currently determining the course of science and technology in industrialized society. This exposure of the value-laden character of science and technology is done with the goal of emancipating both people and the environment from domination and exploitation by powerful interests. The ultimate objective is to redirect science and technology to support both ordinary people and the environment, instead of causing suffering through oppression and exploitation by dominant elites. Furthermore, by exposing the myth of the value-neutrality of science and technology, critical science attempts to awaken working scientists and engineers to the social, political, and ethical implications of their work, making it impossible or, at the very least, uncomfortable for them to ignore the wider context and corresponding responsibilities of their professional activities.
It all seems to be connected with state imperialism and the military-industrial(-intelligence) complex. Lenin’s statement (2008 [1916]) equating capitalism with imperialism still prevails this day: ”imperialist wars are absolutely inevitable under such an economic system, as long as private property in the means of production exists”. The conditions change, but the war machine keeps on churning (soon with autonomous weapons!), with wealthy but crooky investors financing projects that are even more dystopian (Byrne 2013). We may remember what president Dwight D. Eisenhower said about the military- industrial complex (NPR 2011):
”In the councils of government, we must guard against the acquisition of unwarranted influence, whether sought or unsought, by the military-industrial complex. The potential for the disastrous rise of misplaced power exists, and will persist.”
It is exactly these kinds of doomsday scenarios that inspire people like Theodore John ”The Unabomber” Kaczynski. Kaczynski, famous for sending mail bombs to various university professors around the US, holds a doctoral degree in mathematics. (Wikipedia 2021.) Kaczynski was bullied as a child, and it has been suggested that he was part of an MKULTRA experiment in college (The Week 2017). Kaczynski did not send his bombs haphazardly. He wrote long theoretical pieces to justify his actions, most of them being thematically anarcho-primitivist. In 1995, after sending several bombs to university personnel and business executives in 1978-1995, he said to ”desist from terrorism” if he got his text published in media outlets.
In his Industrial Society and Its Future (Kaczynski 1995), a 35 thousand word essay published in The Washington Post, which the FBI gave the name ”Unabomber manifesto”, Kaczynski attributes many our societal ills to ”leftism”. In the manifesto Kaczynski details how two psychological tendencies, “feelings of inferiority” and “oversocialization”, form the basis of ”the psychology of modern leftism”. Feelings of inferiority are taken to mean the whole spectrum of negative feelings about self: low self-esteem, feelings of powerlessness, guilt, self-hatred etc. Oversocialization is the process of socialization taken to extreme levels:
24. Psychologists use the term “socialization” to designate the process by which children are trained to think and act as society demands. A person is said to be well socialized if he believes in and obeys the moral code of his society and fits in well as a functioning part of that society. It may seem senseless to say that many leftists are over-socialized, since the leftist is perceived as a rebel. Nevertheless, the position can be defended. Many leftists are not such rebels as they seem.
25. The moral code of our society is so demanding that no one can think, feel and act in a completely moral way. For example, we are not supposed to hate anyone, yet almost everyone hates somebody at some time or other, whether he admits it to himself or not. Some people are so highly socialized that the attempt to think, feel and act morally imposes a severe burden on them. In order to avoid feelings of guilt, they continually have to deceive themselves about their own motives and find moral explanations for feelings and actions that in reality have a nonmoral origin. We use the term “oversocialized” to describe such people.
Kaczynski goes on to describe how this oversocialization causes a person to feel guilt and shame for their actions, especially in the context of performing as society expects them to perform. He writes how this concept of oversocialization is used to determine ”the direction of modern leftism”. Further on, Kaczynski describes how modern man needs goals to strive for, to not run the risk of developing serious psychological problems. This goalsetting activity he denotes ”power process”. But these goals can be real or artificial. Setting a goal is “surrogate activity” if the person devotes much time and energy to attaining it, does not attain it, and still feels seriously deprived. It is just a goal for goalsetting’s sake, the unfulfilled other side of the coin of power process. Kaczynski then connects these concepts to the many societal ills (excessive density of population, isolation of man from nature, excessive rapidity of social change and the breakdown of natural small-scale communities such as the extended family, the village or the tribe) by describing how modern society, with all its marketing and advertising creating artificial needs, disrupts the power process, mankind’s search for itself and meaning-making in life. He sees social hierarchies and the need to climb up them, the ”keeping up with the Joneses”, as surrogate activity.
”Because of the constant pressure that the system exerts to modify human behavior, there is a gradual increase in the number of people who cannot or will not adjust to society’s requirements: welfare leeches, youth gang members, cultists, anti-government rebels, radical environmentalist saboteurs, dropouts and resisters of various kinds”. This gradual increase, then, the system tries to ’solve’ by using propaganda, ”to make people WANT the decisions that have been made for them”. In regards to technology, the ”bad” parts cannot be separated from the ”good”, and thus we are constantly facing the dilemma between technology and freedom, new technology being introduced all the time, and new regulations being introduced to curb the negative effects of the technology and at the same time stripping us of our freedoms. Kaczynski concludes, that revolution is easier than reforming the system.
Later, Kaczynski released another of his anti-technological theses. In Anti-Tech Revolution: Why and How (2015) Kaczynski presents a ”comprehensive historical analysis explaining the futility of social control and the catastrophic influence of technological growth on human social and planetary ecological systems.” This time Kaczynski talks more about how to start an anti-tech movement and how to keep it going. The text reads like a mathemathical proof of sorts, it presents ”rules”, ”propositions” and ”postulates” why the technological system will destroy itself (eg. Russell’s Paradox resulting in chaos in a highly complex, tightly coupled system) and why a successful anti-tech movement needs clear goals to avoid some of the errors revolutionary movements have made, which are elaborated in the book. Violence is not offered as a solution in the book, it is seen more like a mishap of sorts, a suboptimal outcome of a revolutionary movement. But it talks about power. Kaczynski got to learn the hard way how the feeling of powerlessness breeds desperate actions that would have been otherwise unnecessary. The book also talks about climate change and related issues, from a mathematic systems theoretical point of view.
Institutions that are in the business of social engineering and behavioral modification, such as the Tavistock Institute in the UK or the CIA in the US, would have us believe that Kaczynski’s actions were ”defences against anxiety” that can be seen as ”withdrawal, informal organization, reactive individualism and scapegoating” (Hills et al. 2020), and to some extent this is true. But Kaczynski interprets the actions of these institutions stemming from technological progress in our society Kaczynski 1995):
117. In any technologically advanced society the individual’s fate MUST depend on decisions that he personally cannot influence to any great extent. A technological society cannot be broken down into small, autonomous communities, because production depends on the cooperation of very large numbers of people and machines. Such a society MUST be highly organized and decisions HAVE TO be made that affect very large numbers of people.
This uniformity of a large hierarchical modern society then forces its will on people (Kaczynski 1995):
119. The system does not and cannot exist to satisfy human needs. Instead, it is human behavior that has to be modified to fit the needs of the system. This has nothing to do with the political or social ideology that may pretend to guide the technological system. It is not the fault of capitalism and it is not the fault of socialism. It is the fault of technology, because the system is guided not by ideology but by technical necessity.
We have once again encountered ananke, necessity. Now, if we consider ourselves as the lonely decision makers in this society, what could we do? We can try and fight fire with fire, but such fights end up producing only pain and casualties (Taylor 2013). Anarcho-naturists and anarcho-pacifists understand that (unnecessary) fighting in most cases does not work. Sometimes fighting is warranted, but it is beyond the scope of this essay to examine those cases. Sending bombs to people’s offices may get you some attention and even make somebody quote your manifesto in an essay, but it is not solving the issue, something which the Unabomber addressed in his later texts. If working a job indirectly supports the military-industrial complex NewScientist 2011), what good does it do? The military-industrial complex is the biggest source of pollution in the world (The Conversation 2019; Acedo 2015), detaching yourself from this complex is imperative. Even if they would manage to convince us with their psyops that they are willing to change and that climate change is an important issue (Ahmed 2014), it would still be the biggest polluter that is controlling the conversation. It has even been suggested that they are behind this climate buzz (Light 2014). Is your job doing that much good in society that it outweighs the cons? If I need to act responsibly, but cannot fight the system nor conform, while at the same time keeping in mind our looming climate disaster, the only reasonable and peaceful response is to exit the system altogether.
Biodynamism’s naturality and parsimony
Owning responsibility and transforming the world implies taking some kind of action. We have already seen how feelings of powerlessness and lack of self-worth can lead to destructive actions. But there are an unlimited amount of actions that can be taken, that are not based in feelings of powerlessness but empowerment.
Exiting society might sound like a lonely project, and some people might rightfully feel lonely when all their peers still want to live in the illusion. But it does not have to be so. A lot of soul-searching needs to be done, and that is usually done in privacy, focusing upon oneself, but beyond that there are ways how to go off-grid and drastically reduce your carbon emissions.
One of the key concepts that will be our guiding principle here is degrowth (Paulson 2017), which ties into values such as organicity, naturality and parsimony. We will want to have less production of artificial things, and more organic and natural things. By artificial we mean long supply chains and many phases of production with modern high technology that produce a large amount of climate effects. By natural we mean using primitive technology, mostly all-natural or recycled materials and something that can be produced even alone, given enough time. Primitive technology does not exclude electricity, it just means producing it differently.
Rudolf Steiner, Austrian philosopher, social reformer, architect, and theosophist, the founder of Anthroposophy and a great reformer of science in matters of spirit, started the first intentional form of organic farming, known as biodynamic agriculture, after he had given a series of lectures on the topic in the last year of his life. (Paull 2011.) Steiner had many spiritual experiences during his life, which lead him to start the Anthroposophy movement. He wanted to apply the scientific process into spiritual realm, inquiring it as it would be as real as our material world. Inquiring this spiritual world helped him access knowledge he claims to not have been access otherwise (Steiner 2011 [1918]). Anthroposophist self-inquiry can be seen as Foucauldian ”technology of the self” that ”provide an intervention mechanism on the part of active subjects, injecting an element of contingency to everyday encounters and alleviating the determinist effect that technologies of power would have otherwise” (Skinner 2012).
Steiner’s thoughts about agriculture are still relevant (Paull 2011):
In 1924 Steiner commented that, “Nowadays people simply think that a certain amount of nitrogen is needed for plant growth, and they imagine it makes no difference how it’s prepared or where it comes from” Steiner, 1924b, pp.9-10). He made the point that, “In the course of this materialistic age of ours, we’ve lost the knowledge of what it takes to continue to care for the natural world” (Steiner, 1924b, p.10).
Our current system seems to think exactly in this way, that if we just compensate our wreaked havoc by investing in ’green’ technology (Elegant 2019), it will all be ok and rainbows in the sky. But it will not. No one is even double checking if the companies that say that they are now carbon neutral actually proactively try to make our world greener. They can just buy a renewable energy company and say now we are green and do nothing else. Some would argue that going ’carbon neutral’ like these massive corporations are doing it is not the way to do it: “’green’ infrastructures are creating conflict and ecological degradation and are the material expression of climate catastrophe” (Dunlap 2020).
Steinerian biodynamism ”encompasses practices of composting, mixed farming systems with use of animal manures, crop rotations, care for animal welfare, looking at the farm as an organism/entity and local distribution systems, all of which contribute toward the protection of the environment, safeguard biodiversity and improve livelihoods of farmers” (Turinek et al. 2009). While modern biodynamic studies focus on agroecological factors such as nutrient cycles, soil characteristics, and nutritional quality (Reganold 1995; Droogers & Bouma 1996), Steiner himself was quite metaphysical in his lectures and paid attention to details such as kingdoms of nature, planetary influences, biorhythms, incarnated and environmental ethers, and the Zodiac (Steiner 2004 [1958]; Nastati 2009).
By shifting to more natural ways of living, we may help Gaia (Lovelock 1991; Singh 2007) heal in many other ways than just reduce our climate emissions. By realizing that we are actually living on the skin of a fairly large and complex organism, we will stop treating it as a plain source of material resources, and start bonding with it, tune into its consciousness and establish two-way communication, just like the natives have done in America.
The way of the natives ought to be our current way, since there is no reason why the natives could not guard the lands they have before. One of the greatest fears of people speaking for private property rights is that managing resources collectively would mean exhausting them. There is no Tragedy of Commons. Just because you are materially poor does not mean that you are any less competent steward of land and wealth, as proposed by Elinor Oström (2009). Acting for climate is not an investment allocation problem. The natives need their land back so that they could do their best to fight the destruction of our ecosystem. The Outokumpu supply chain in Brazilian rainforests, Elon Musk and Bolivian lithium mines, Papua New Guinea indigenous conflict, mining in Lapland in traditional Sami herding areas, Australian uranium mining in indigenous lands… these are all pointless conflicts.
There are also many other ways of staying grounded and in touch with nature, while at the same time cultivating sovereignty. Many of these things revolve around feeding the most immediate community next to you. They reflect ideas such as mutuality, solidarity, organicity, and naturality. Permaculture is a term coined by David Holmgren to describe ”an approach to land management and philosophy that adopts arrangements observed in flourishing natural ecosystems. It includes a set of design principles derived using whole systems thinking. It uses these principles in fields such as regenerative agriculture, rewilding, and community resilience” (Wikipedia: Permaculture 2021). Permaculture has many branches including ecological design, ecological engineering, regenerative design, environmental design, and construction. It also includes integrated water resources management that develops sustainable architecture, and regenerative and self-maintained habitat and agricultural systems modeled from natural ecosystems (Holmgren Desing Services 2007).
Earthships are 100% sustainable homes that are both energy efficient and modern. Earthsips are built with natural and repurposed (recycled) materials, they heat and cool themselves without electric heat, they use solar energy to power electric appliances, they collect all of their water from rain and snowmelt, they re-use their sewage water to fertilize plants, and there’s an indoor garden that grows food in vertical growing spaces (Reynolds 2021). Ecovillages are a ”human-scale, full-featured settlement, in which human activities are harmlessly integrated into the natural world in a way that is supportive of healthy human development and can be successfully continued into the indefinite future” (Gilman & Gilman 1991).
Clifford Harper had a set of drawings imagining an alternative in his book Radical Technology (Harper & Boyle 1976). In them, he shows many of the ideas that were themes in the German garden city movement in the beginning of 20th century (Bollerey & Hartmann 1980), such as collectivised gardens, autonomous housing estates, and community workshops. The book introduces us ’radical technology’, which spans basically all of the concepts we have discussed up to this point: organic agriculture, biodynamic agriculture, vegetarianism, hydroponics, soft energy, insulation, low-cost housing, tree houses, shanty houses, ’folk-built’ houses using traditional methods, houses built from subsoil, self-built houses, housing associations, solar dwellings, domestic paper-making, carpentry, scrap reclamation, printing, community & pirate radio, collectivised gardens, collective workshops for clothesmaking, shoe repair, pottery, household decoration and repairs, autonomous housing estates, autonomous rural villages, etc.
These concepts, while they seem simple, are still empowering, they are meant to let people enjoy they fruits of their labour. Last but certainly not least is the concept that all of these things fall under, alternative (or, appropriate) technology. Alternative technologies are those ”which offer genuine alternatives to the large-scale, complex, centralized, high-energy life forms which dominate the modern age” (Winner 1979). Alternative technologies seek to solve the problems technocentric thinking has caused in society: technical scale and economic concentration, level of complexity or simplicity best suited to technical operations of various kinds, division of labor and its alleged necessity, social and technical hierarchy as it relates to the design of technological systems, and self-sufficiency and interdependence regarding the lives of individuals and communities. Many of these solutions have been developed in Africa, where problems have had to be solved, but resources have been scarce in actuality.
Appropriate technology holds great promise in ways that are currently underappreciated in our society (Huesemann & Huesemann 2011):
As has been mentioned repeatedly throughout this book, the primary goal of technology in our current economic system is to increase material affluence and to generate profits for the wealthy by controlling and exploiting both people and the environment. In view of the reality of interconnectedness, this is neither environmentally sustainable nor socially desirable. In this chapter we discuss how to design technologies which reflect the values of environmental sustainability and social appropriateness. We also emphasize the importance of heeding the precautionary principle in order to prevent unintended consequences, as well as the need for participatory design in order to ensure greater democratic control of technology. Finally, as a specific example of an environmentally sustainable and socially appropriate technology, we discuss the positive contribution of local, organic, small-scale agriculture.
Conclusion
This essay has presented the reader with ramblings of a person who is familiar with Critical Theory, who would like to build a stronger connection to nature, and who is having a major identity crisis in life. I have expressed, albeit feebly, my will to emancipate myself, to exit the Matrix. In Finnish they would say ”Sota ei yhtä miestä kaipaa”, and in George S. Patton’s words this expression would be ”Hell, they won’t miss me, just one man in thousands.”
In this essay I seem to have extensively quoted the Unabomber manifesto. This is not to say that Kaczynski had exceptionally good motives or justifications for his actions. He killed many people and is in prison now. Kaczynski’s ideas are not unique. Quoting his manifesto serves merely to prove one point: he is the product of his environment. Mental illness is no longer a taboo and things have progressed somewhat since Kaczynski’s days. It could be argued that Kaczynski’s writings were just projection of his own feelings of shame and guilt he had gone through. But his mental condition, should he be diagnosed with one (Amador & Reshmi 2000), does not invalidate the things he’s written. In many ways his writings are now more relevant than ever. When we have tech billionaires talking about inserting neuralinks into your brain and downloading thoughts straight from the headquarters, we can really see the manifesto dots connecting.
I wish it would have been just the mental load caused by a ’surrogate activity’ of keeping up with the Joneses that was the cause of all this, but no, it’s the real deal now. When we have corporate executives and federal commissions defending autonomous weapons systems and saying building such systems is a ’moral imperative’ (Gershgorn 2021), you know we have reached peak civilization. It’s all downhill from now on. All participation in society will support this moral imperative, and I don’t want to have anything to do with it. While many would get back to nature for reasons of convenience, such as better health, Rousseau himself would have gotten back to nature ”to feel God in nature” (LaFreniere 1990). It is this kind of humanist transcendentalism (not transhumanism) that we will need again, to realize what we have done to our planet, to realize what needs to be done to abolish the war machine consuming it, and to make ourselves whole again.
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FOUR U.S. FEMALE SOCCER STARS SHARE WHY THEY STARTED LIFESTYLE & STREETWEAR LABEL, RE—INC
- Founders Megan Rapinoe, Meghan Klingenberg, Tobin Heath and Christen Press detail the inspiration behind their latest collection.
After kicking things off with its “RWB” capsule collection, comprised of a range of wardrobe essentials in muted tones, the brand has since dabbled in art by holding an auction of Heath’s original work. Its latest drop titled “Black & White,” featuring 10 apparel pieces that arrive in black and white, further explores the label’s central theme of self-expression and inclusivity. Each item inspires the wearer to feel comfortable in their own skin, without being confined to norms.
Ahead of the “Black & White” capsule launch, we spoke to the four entrepreneurs about their inspirations, as well as how they have been working together as a team to build re—inc. Read our interview with Rapinoe, Klingenberg, Heath and Press on the message behind re—inc and its new collection below.
- After winning the 2019 Women’s World Cup, how did the four of you get together to launch a brand?
MK:The story really began following the 2015 World Cup. It was a huge moment for us — the final game was the most-watched game in U.S. history, yet we knew that our full value wasn’t truly being acknowledged. We were ready to take control of our own identities, claim our worth and rally a movement of changemakers. In 2018, we got back together to get the idea on paper. Just before the 2019 World Cup, we dropped our first product and launched our business. Ultimately, we want re—inc to create a limitless movement that rallies change-makers to challenge the status quo and fight for social equity.
- Why made you decide to go into streetwear or fashion? Was the idea of starting a brand something you had been planning for a while?
MR: Fashion and streetwear are male-dominated industries, ripe for disruption. We saw the need to make a line that was more inclusive of different body types and gender identities. Our clothing capsules are a template for everyone’s unique self-expression. There’s a piece for everyone and unlimited ways to style it. There’s no right way to wear it. We want our clothes to be about fitting you, not trying to fit it.
- What are each of your roles in developing a collection?
CP: It’s a very collaborative process but we all play unique roles. Tobin is our Creative Director, overseeing the development and bringing the artistic vision to every detail of the “Black & White” capsule.
- Where do you get inspiration for each of your releases?
TH: I’ve never had to look for inspiration — it’s all around and within me. For each collection, we begin with a story we want to share. From there, I begin the process of trying to express that through my art. I’m not a person that uses words to share how I’m feeling. For our “Black & White” capsule, it’s the tension that you feel when trying to reimagine the status quo. That’s something that we’ve really lived in starting this company.
- Your careers are mainly in sports. How has running a lifestyle and streetwear brand been for you so far? What are the similarities and differences between the two?
CP: We are a purpose-led lifestyle brand, and we’ve started in fashion. Running this company has been a great blessing in my life. I wake up each day with purpose, knowing that the team depends on me and that what we are doing really matters. We are trying to express ourselves and to share joy and passion with others, and all of these things I feel about soccer. In both soccer and re—inc, I try to find workflow. I try to get better every day. In both, I’ve learned that leadership is service and that good teamwork is like magic.
- How has re—inc evolved since you launched the “RWB” collection?
CP: We’ve hired our first few employees, dropped new products and experiences and continued to build our growth strategy. We really believe in the idea of “Again but better.” Right now, that means we’re trying to create consciously and push the boundaries of what that even means. That’s why we partnered with an ethical factory in India to create garments made of organic cotton and crafted by fairly paid workers. We’ve refined all of our designs making the “Black & White” capsule both more comfortable and elevated with the details. We’ve strengthened our relationship with our community, getting more personal, vulnerable and engaging. We create space for all to share and be heard.
- The BW capsule is all about self-expression, which is a topic more important than ever. What is your way of self-expression? What are some ways other than fashion that you think play an important role in self-expression?
MR: For me, self-expression is about following your gut, your heart and what you know is right. Whether that is a wild outfit choice, or standing up for something I believe in, that desire runs very deep in me. Part of my self-expression is about what I believe and the other part of it is just how I want to show up in the world everyday.
- What are some other topics you would like to delve into through re—inc collections in the future, and why?
TH: The “Black & White” collection is very much about the tension, struggle and courage in self-acceptance and trying to create change. Our next collection will be an extension of this story. Our collections are essentially a narrative, a way for people to connect to the larger message and the change we are trying to create.
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olivershen · 4 years
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Congrats on your graduation, babe! Not sure what advice you need from me lol I might not be the best person to ask but I shall try my best!
Divided into four parts under the cut - 1. Resume, 2. Cover Letter, 3. Interview, and 4. Practical Fucking Advice-
I - RESUME
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1. Header: The usual - Name, Email Address, and Contact No. Depending on what country you’re in, you can write down your mailing address. But nobody snail mails stuff where I’m from so I just put down my email ad.
Depending on where you’re from, you may or may not put a photo in you resume. If you’re in the US, DON’T. Not clear on the legality, but as far as I know, they CANNOT require you to send in a photo. My personal take is you shouldn’t put a photo. Ain’t nobody’s business what I look like as long as I can get the job done.
2. If you’re gunning for a profession which requires a license, put your license first. If you’re not licensed yet but already took the licensure exam and passed, then indicate when you passed.
3. University, Degree, Honors. If you’re a new grad, you put this first. If you’ve been working a few years, it gets put last in the resume. If you’ve been working for more than a decade, it could be eliminated entirely if you feel it’s no longer relevant.
4. Here’s the tricky part. You’ve just graduated, so what work experience do you put? Basically, everything that will show you’ll be a good worker for a company. Internship? Yes, put that first. Tutoring side job? Yes. Were you part of a college organization? Put it there and indicate what events / projects you handled.
I follow this format: <ROLE>, <PROJECT>, <ORGANIZATION> (Month Year)
Then below that, a short bullet point on the role. Focus on the results.
Here’s an example:
Lead Organizer, University Job Fair (April 2019)
- Led a team of twenty individuals in organizing a university-wide three-day job fair which gathered over one hundred companies and one thousand student participants.
Etc, etc.
No big project? That’s fine. Did you raise money for a charity as part of a school project? Put that in. Did you organize regular study sessions for your class? Spin that.
5. Other Data. Don’t put proficient in Microsoft, please. EVERYONE is proficient in microsoft. But if you know how to code or use advanced macro in excel? Put that in. Attended any seminars or trainings? Put it. Are you fluent in another language other than the dominant language? Put it, even better if you’re certified.
II - COVER LETTER
I absolutely hate this part, so here’s something I found online that’s pretty useful:
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Here’s a good source. Don’t just copy and paste what you put in your resume. Use this to highlight a particular achievement you’re proud of and you think would best show that you’re a good fit for the role you’re applying for.
Side note: If you’re gonna mention the company somewhere in the body of the letter, make sure you don’t accidentally mention a DIFFERENT company you’re also applying for. This happens a lot.
III - INTERVIEW
Familiarize yourself with the STAR Interview Resonse technique.
Here’s how it works. When the interviewer asks you a question, say “Do you have any experience working with a diverse group of people?” - don’t just say yes. Use the STAR method:
S - Describe the situation or event you were in. [e.g. As head liaison for X event, I was in charge of coordinating with the different student organization participating.]
T - Explain the task you had to complete. Basically the hurdle you had to jump. [e.g. As liaison, you had to manage the contradicting demands of the participants.]
A - Action. Describe the specific actions you took to accomplish the task. [e.g. maybe you organized a roundtable discussion to encourage the participants to find a common ground. Maybe you found a way to meet everybody’s needs.]
R - Results [e.g. Was the result of your action successful? Best to describe in terms of concrete results. Maybe the post-event evaluation was a resounding success with overwhelmingly good feedback. Maybe you received a recommendation from one of the participants.
You get the idea. Here’s the key though - when you’re sitting there in front of the interviewer, you WILL NOT remember anything you’ve done in your life EVER. SO here’s the most important part - write it all down BEFOREHAND. Then practice.
Search for common questions and write down a Scenario/STAR response/Experience that might go with it. THen practice it.
I used to have little index cards with my experiences and I’d mix and match based on possible questions as I practiced.
IV - Practical Advice
1. Update your LinkedIn, seriously. Unless you’re in a creative profession, then maybe a website with your portfolio would be better.
2. Reach out to your weak links. Maybe a friend of a friend is looking for someone to hire for X role? Send out feelers that you’re searching. Bring it up casually to friends and acquaintances. Most jobs are not posted online.
3. Find out if any of your college classmates / senior friends are working in companies you would like to work for and find out if they have a job referral program. This is how most of the people I know get jobs. Plus, the person who referred you might get a bonus if you get hired.
Those online portals where you submit your resume and then type it out again in the next page are fucking bogus. If you can get your resume in via a REAL person, your chances are already higher than most.
Lastly, job searching is a full time job in itself. Don’t forget to give yourself a break. We’re in the middle of a freaking pandemic so nobody will fault you if you’d like to take a little longer figuring stuff out.
Use this time to experiment and figure out what makes you happy, and not just what pays the bills (if you can afford to experiment). You’ll be much happier down the line.
You have time, babe. You’re gonna be alright.
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tsukuyomi-e · 4 years
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31 days AU challenge
That may interest some people here, so I’ll copy paste my custom prompt list I did for Inktober 2019 ! :)
Hello ! I didn't know what to draw for Inktober and didn't want to do the official list... I didn't find any list I'd like to do (maybe I'll do a goretober someday), but I felt like drawing some alternate universe, so I did my own list ! So feel free to use it, just don't forget to credit me and notice me, so I can see what you drew ! Or what your wrote, you're free to do it in any media you want :D Also you're free to do it with one and only character or with 31 different characters, or more if you draw several characters a day, or less if you draw a character multiple times :) You can do it with your characters or a character from a show/anime/manga etc :) (If you want to use someone else's character, ask permission before !) And of course you can use it for any 31 days challenge, and not only for Inktober :D And if you can’t finish it or keep up the pace, it’s okay, you’ve done your best, so stop or take your time and continue later or slowlier ! :) If your character already have an official version of an AU, stick to the official version or do your own ! If your character canonically fits to one of these AUs (so it's not an AU anymore...), you have solutions : - Draw its normal version - Have a free space and choose an AU that is not on this list - Do one of the AUs on this list twice, differently if possible - Stick with the trope but do it different as the normal one - Do the opposite of the trope - Any other solution I didn't think of, this prompt list doesn't really have rules ! So here is the list ! 1 - Different hairstyle Longer, shorter, curly, straight, tied, untied, braided, shaved... You can also have fun with facial hair ! 2 - Butler/maid If it doesn't fit your character or feel too outdated, feel free to draw them as a cafe waiter or a bartender instead :) 3 - Artist Your character is now an artist, be it a musician, a painter, a photographer, an actor... Draw them in action, do they do it alone or are they famous ? 4 - Pokemon Draw them with a pokemon that would fit them, or even with a whole pokemon team ! You can draw them as a pokemon trainer if you want, or they can stay with their usual outfit. If you're really not familiar with Pokemon, you can still draw a cute scene with a Pikachu, or at least search a pokemon with a type, with a color, or based on an animal that would fit them. If you really don't know, I can help you :) 5 - Mermaid/Merman Of course you're not forced to stick to fishes, you can mix a human with any aquatic creature if you prefer. 6 - Younger or older / Future or past 7 - Japanese traditional clothing If being a ninja, a samurai, or a geisha would fit your character, it's time ! But Japan is not only those cool types of characters, you can just dress them in a simple yukata, or choose an elaborated type of kimono from a precise era ! 8 - Modern There are other modern AUs in this list, but what would they usually wear if they lived in our world ? 9 - Hot springs More a situation than an AU... But still pretty cool, and depending on the world your chracter is from, they may not have an easy access to it ;) 10 - Angel/Demon Choose one... Or do a mix ;) If your character is already one, it's time to switch ! Unless you want to keep this option for role reversal and race reversal days ^^ 11 - Role reversal/change If you draw, that may be quite difficult to show, so if possible change their looks in consequence. Try not making them too much OOC (there is an OOC AU later), though this change may affect a bit their personality. If you don't have ideas, just make them changes sides, heroes become villains. 12 - Pirate 13 - Suit Be it for an office worker, for a CEO, for an important party/dinner, for a marriage, for a crime syndicate leader... Make them wear it ! Of course for girls (or crossdressers~) it can be a women suit or a pretty dress, any way it's formal wear, choose for which occasion ! 14 - Cosplay Your character dressed as any other character, be it from its show or another ! 15 - Animal As an actual animal, as a furry if you prefer, or with animal parts only like ears, tail, wings, scales... Be careful with this last one, because there are mermaids, werewolves, angels and demons and yôkais days ! Or you can draw them with a pet if you prefer. 16 - Genderbend 17 - Chinese traditional clothing 18 - Sports Your character as an athlete ! If they already do a sport, you can make them do a different one ! 19 - Cross-over Your character is now in any other show world you know ! What would their role be, their powers, their outfits... That's different from the cosplay category, because they would have their own outfits and would have been born in this world :D 20 - Vampire 21 - Tattoo Add them a tattoo. If they already have one or some, add them more, or erase them or change their design ! 22 - Military 23 - Beach Swimsuits time ! 24 - Medieval fantasy European medieval times, but you can add magic ! Your character can be from any fantasy race or any role-playing game class you want ! 25 - Werewolf 26 -  Race reversal/change If there is only one race in their universe, draw them as any race from any fictive universe you know :) Or, because with races I mean humanoïds with different powers/abilities, if there is only one race but with different powers between individuals, you can just change their powers :) 27 - Arabian traditional clothing 28 - School Your character as a student, or as a teacher if you want ! 29 - Sci-fi That's pretty large ! But you can draw them as experiments, as zombies, as aliens, as cosmonauts, as cyborgs, as mecha pilots, or mecha itselves, in an intergalactic war, in a devastated world... You have choice ! 30 - OOC Out Of Character. You're not forced to make your character act the exact opposite he usually does, but make him act unusually ! This is the place if you want to draw you character as a tsundere, a yandere, blushing, shy, cold, crual, cute, afraid, badass, agressive... Or you can even give him another character's personality, and/or adding a body swap AU ! 31 - Yôkai Japanese monsters. You have a lot of choice but most famous ones are kitsune, tanuki, kappa, baku, bakeneko/nekomata, yûrei, oni, tengu... Don't forget, let me know if you plan to do this list !
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mybeloved73 · 4 years
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My name is Chelsea and I’m a ITU Nurse.
I’m also a newly qualified nurse - I literally left Uni last year and began my job in the September.
My background - I didn’t always want to be a nurse. I wasn’t cut out for that sort of compassion or care. I dreamt of being a PT, an athlete, anything that was sports driven.
Until my boyfriend had a bike accident, that then left him in ITU. He later succumb to his injuries and passed away. The nurses looking after him, changed my life. Shining light kind of moment - I want to be just like them kind of thing.
Granted it took me 4 years to build up the courage, battling my PTSD, severe depression and anxiety to even apply to uni. But I did it - and Sept 2019 I got my Pin as a registered nurse.
Now, if you 1) think covid19 was made up, a conspiracy or the numbers have been made up as a scare tactic or 2) you actually believe wearing a face covering will cause ‘respiratory arrests’ ‘acidosis’ blah... stop reading. Because this isn’t for you. Or even 3) you have the view of ‘its their job’ - back away from your screen.
You’ve seen in the news about the public sector pay rise? That nurses aren’t included, nor the junior doctors, physio’s etc (I use etc as there are so many people being forgotten in all this and it is used lovingly and not to cause offence)? Honestly, Im so glad that others are being recognised for their input and help during this - the teachers who put in extra work for children of key workers, who sacrificed their home life to entertain little ones every day and try give them the education they need and deserve, to the police, military - anyone receiving this recognition. Honestly you deserve it. And the NHS will not shadow that or take it away from you.
We agree’d to a 3 year pay deal, that had the options of being reconsidered earlier than the final date if there was a change in circumstances. Covid19 should really be considered as a change in circumstances. I mean being told that you’re already ‘unskilled’ and watching people clap to STOP pay rises... was hard enough. But to have everyone else recognised for their vital contributions and lay something that was agreed in 2018 - is inexcusable.
You realise that most nurses didn’t get to see your claps on a Thursday? That’s handover time. And due to covid19 if their handover time was earlier - they were usually late because of how busy it was and still missed it.
I saw one. Because it so happened I had come off of nights the night prior.
So! My life during covid19 starts off with the busiest winter that my hospital has seen in ITU. We have 10 beds. We are funded for 7/8? We had to open an escalation centre that we stole from our day surgery unit to give us a further 3 beds.
Which in itself is hard - looking after seriously sick patients away from your actual designated and designed ward and without the continuous presence of doctors.
That wasn’t enough.
We had to then stole half of the recovery room, which usually houses patients post surgery whilst they wake up.
Going up to 16 patients. Remember - at this point. I’m THREE MONTHS qualified.
Learning is hard, steep, and in-depth. You’re suppose to be trained over the course of a year as a newly qualified, with study days and help from mentors etc. I couldn’t attend some of those days because we didn’t have the staff to look after the most patients our ITU had ever seen.
Now I know ITU is hard. I picked it.
I knew what it entailed, well partly.
I have to maintain my patients artificial airway. They either have a tube in their mouth or in their throat.
They’re then connected to a ventilator.
Every single setting on that machine, every button - changes something drastically.
From the fio2, PEEP, PS, PC, TV, MVE, PEAK, RR, PF ratio, ... one button, one alteration or mistake... literally can stop this person breathing. Cause respiratory distress, arrest.. trauma? anything.
Did you know I have to move that tube in their mouth every hour to stop pressure sores developing in their mouth? And I still have to brush their teeth and give oral care?
I have to suction down their throat and clear their lungs? Or suction their actual mouth for extra secretions?
And record all this data hourly.
To ensure that this patient is comfortable with this tube... I have to medicate this patient.
I have to keep them in an artificial coma.
Titrating the drugs to their optimum levels.
Some are measured mg/hr, mcg/hr, mcg/kg/min..
some have limits on maximum dose per hour you can use.
Some have really severe side effects.
Such as noradrenaline. Which can literally cause your fingers and toes to become necrotic.
I have to monitor someone’s glucose - whether you’re diabetic or not, and correct it if needed with insulin or dextrose.
I have to give diuretics but not allow your body to become too negative, I have to give fluid challenges to ensure you’re not vascular depleted.
I can help your kidneys with the use of a dialysis machine. Literally filter your blood of toxins your body can no longer remove without help of a machine. This requires constant blood tests to ensure that you aren’t collecting dangerous toxins or you need additional support from the machine.
I can use a machine to check your cardiac output and interpret it to make sure that you have enough fluid vs a drug that’ll help squeeze your heart instead.
I can read an ECG and tell if you need additional supplements such as potassium. Do further tests for magnesium, phosphates etc. And deliver those.
I can feed you through a tube down your nose, and ensure you absorb it. But it’s okay I can give you medication to also help that - these require me to do daily ECGs though, and interpret the data of your QTC to make sure it’s not affecting your heart.
Now. If that’s not enough. Covid happens.
Now remember our record was 16 patients?
Try doubling that.
We worked in our ITU,
Escalation centre
Recovery - we took the whole thing.
Next - we took over operating theatres.
3 patients in theatre 6
3 in 5
3 in 4
2 in 3
We stole theatre staff, recovery nurses, ODPS, ward nurses, retired nurses, health visitor nurses, anyone we could relocate to help us.
March - I’m 6 months qualified.
I’m now the most qualified ITU nurse in my theatre.
I have people who have never looked after a ventilated patients before asking me for help. Please don’t silence my alarm if you don’t know why it’s alarming. I know it’s loud and annoying but it’s telling me everything I need to know with enough time before I need to panic.
Now - covid patients weren’t just sick. Weren’t just needing help to breathe. These patients were all sorts of ‘new’. Nothing made sense!
These patients COULDNT be ventilated. We needed to paralyse them to literally be able to take over their breathing properly! No amount of sedation worked! Their lungs were fibrous and acting like elastic under tension.
Side note - if your patient wasn’t sedated enough compared to paralysis - they could be silently awake, but completely paralysed. Knowing everything happening to them. But unable to do anything - not even breathe. Every time you start rocuronium you need to remember that. If you’re withdrawing treatment - TURN THE ROC OFF FIRST. And wait before you do anything else.
Back to it. They were so unstable that you try roll them, which we usually do 4 hourly to prevent pressure sores - they desaturated to numbers so low that you would usually see some hypoxia brain injury after.
We couldn’t roll these patients without risking that. So you know what. You don’t roll.
So we couldn’t protect their skin integrity. You just watch them, and feel guilty.
Nursing school 101 - pressure sores are PREVENTABLE. Roll your patient. Skin care and hygiene is your best friend.
Now covid went against everything a nurse knows and holds dear.
Our ITU never had pressure sores. Until covid. Some had grade 4’s.
Maggot therapy.
Vacuum dressings.
These patients were also clotting, and sending off clots to their kidneys, liver, heart, brain. Covid made your blood super sticky!!!!
People were having strokes whilst being sedated, going from fit to multi organ failure in days. I’m trying to save these people, knowing they could possibly wake up with complete left side paralysis? Never talk again? Never be them again?
Now you know about these past medical histories etc?
You realise what that is?
that it could be Type 2 diabetes?
Hypertension?
That was it for some.
None of this thinking they were super sick, with lists longer than my arm, and that’s why they didn’t make it. No.
Literally things that happen with age. Poor diet? That 120/80 you’re happy you got - THATS PREHYPERTENSION.
I was probably hypertensive the entire time with anxiety.
Did you know We had to use the old anaesthetic ventilators. None of us had used those before. Those big bellows you see in films going up and down rhythmically. Those.
That was scary.
I’m use to a single touch screen button (hello modern technology) to deliver 100% o2 if my patient needs it. This has a switch to a bag, a button, dials to titrate o2 with normal air. And if I didn’t monitor the crystals in the bottom my patient would retain their own co2 and I wouldn’t know why.
New found love for anaesthetists and ODPS - these machines are NOT designed for prolonged use. But they helped us keep our patients alive. By literally guiding us and helping us look after the machines so we could do our job.
Now. All of this is made worse by PPE.
I’m hot.
It’s hot.
And intense and I’m working hard because tonight, I have 3 ventilated patients. By myself.
I have a gown on.
2 sets of gloves
An apron
An FFP3 mask
A hat
A visor
And no air con.
But I’ve got this. I can’t do my hourly checks because I am one person.
My super sick patients now have 2 hourly because it is physically impossible.
Where are the other staff?
Sick.
You’re watching these people struggle to breathe on machines and then being told your close friends at work, your mentors, your seniors are spiking temperatures. Some being admitted to hospital. Some not being able to come back to work for weeks.
Some ending up on your ventilators. It’s okay. I’ve got this.
I’m an ITU nurse right?
CPR wearing that get up. Is TOUGH. 27mins. I cried that day.
We lost 3 patients in 12 hours.
I held the hand of so many people as I turned off their ventilators because their families couldn’t be with them and no one should die alone. No one. I tried my best.. and then once my day had finished, I had to come home to my dad who is immunosuppressed. Who doesn’t understand boundaries. “Kevin stay in the other part of the house!”
*knocks on bedroom door with dinner*.
Proning. What an experience that is. And doing it Daily. The complications of that were scary before you even approach the patient.
So I’m going to flip my patient - who has a tube down their mouth to help breath, who is on medication for sedation, paralysis, to keep their blood pressure up.. from laying on their back - to laying on their front.
Seems easy?
Well it’s not. And requires like 8 people.
8 people.
We don’t have enough people as it is. So we now develop a proning team made up of everyone.
There are consultants, there are experts in their fields, there are physios and then I don’t know who else.
Honestly I couldn’t thank these people enough. More people would have died if we didn’t have a proning team. But now, people spent 23 hours laying on their front. Pressure sores on their faces. Potential of going blind? New complications of not being able to breathe we never expected.
We are finally back into one unit now. I’m still less than a year qualified. And I’m still running on adrenaline expecting this second wave. Those still reading, I know you’re thinking that she picked this job.
She knew what it meant.
And you’re right! Give me those complex drug calculations and ventilators. Oh and the scrubs!
But a pandemic? I didn’t pick that. The world didn’t pick that.
Honestly thank you, to the ward nurses - your lives got flipped upside down.
The physios who became best friends.
Consultants who literally got down and dirty with us.
To the domestics who cleaned furiously for us.
OT’s To literally orientate our patients when they’re waking up like 70 days later.
Every
Single
Person
Who
Helped.
Oh communication team made up of medical students, who updated the families because... I couldn’t. I couldn’t leave my patient. Not like this!
Matron who literally had to facilitate all this, with people who knew nothing about ITU. Being in ITU. Looking after ITU patients. Whilst her own ITU staff were sick, in hospital, or newly qualified, or working to the point they broke.
To the countless companies sending food, goodies, moral support !! Oh my god that was incredible to come to after not having a break for 6+ hours ... mmm... food!!
Did you know they’re offering support for the nurses to stop PTSD, or anxiety or just to help up digest what we saw? Psychological support for just doing your job?
But it’s okay.
We got a deal in 2018 for the pay.
We got clapped thursdays.
We all know that’s not enough, but we will still turn up for work.
We can’t leave our patients.
We can’t strike.
They’ll always mean more to us than pay. And the government knows that. Abuses that.
540 NHS staff lost their life doing ‘just their job’ - today the NHS staff walked through London protesting, to be heard. To be listened to. To be acknowledged. To be paid fair.
Sign the petition for us. Because we aren’t just here for covid. We’re here for life.
https://petition.parliament.uk/petitions/316307
And just put your mask on - please - for that hour you go shopping.
I’ve been wearing mine since March 6th. 13+ hour days. Developed a nice grade one on my nose, my friends faces bleeding from using a rubber respirator....
And We’ll be like this for the foreseeable future.
Now that we have the stocks to do so anyways.
Oh and I’m pissed my graduation was cancelled! All that and I don’t get to wear the hat and gown. Bastard virus. (I understand there was more lost but humour me).
Signed, your registered ITU nurse. We will always continue to monitor.
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aroworlds · 5 years
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The Vampire Conundrum, Part One
When Rowan Ross is pressured into placing an aromantic pride mug on his desk, he doesn't know how to react when his co-workers don't notice it. Don't they realise he spent a weekend rehearsing answers for questions unasked? Then again, if nobody knows what aromanticism is, can't he display a growing collection of pride merch without a repeat of his coming out as trans? Be visible with impunity through their ignorance?
He can endure their thinking him a fan of archery, comic-book superheroes and glittery vampire movies. It's not like anyone in the office is an archer. (Are they?) But when a patch on his bag results in a massive misconception, correcting it means doing the one thing he most fears: making a scene.
After all, his name isn't Aro.
Contains: One trans, bisexual frayromantic alongside an office of well-meaning cis co-workers who think they're being supportive and inclusive.
Content Advisory: This story hinges on the way most cishet alloromantic people know nothing about aromanticism and the ways many trans-accepting cis people fail to best communicate their acceptance. In other words, expect a series of queer, trans and aro microaggressions. There are no depictions or mentions of sexual attraction beyond the words "allosexual" and "bisexual", but there are non-detailed references to Rowan's previous experiences with romance.
Length: 2, 951 words (part one of two).
Note: Posted for @aggressivelyarospec‘s AggressivelyArospectacular 2019.
What is pride merch for if not petty passive-aggression in response to allo folks’ amatonormativity?
Beset by dizzying anxiety, Rowan places a green mug, printed on one side with a five-striped flag, on his desk. Done. He exhales and takes another furtive glance around the poky ten-desk office, but only Shelby sits close and she’s too busy peering at her computer to notice him. There: mug at work! Right where people can see! He grabs his phone, snaps a quick photo to send as proof to Matt and then, before anyone can ask about the mug or Rowan’s behaviour, moves it beside his pen caddy, the handle angled to hide the stripes.
Why does he have to be this scared? Everyone knows he’s trans. Hormones aren’t yet magical enough to give Rowan cis-unquestioned masculinity; coming out felt less damaging than constant misgendering. At the same time, being trans is why he feels like to pass out from nervousness. The initial slew of queries, concerns and clarifications, followed by daily episodes of cissexism, isn’t something anyone should care to repeat!
Trans identity, after the passing of marriage equality, at least possesses the dubious state of being the new conservative-favourite punching bag. Before he sent Damien his “I accept the position, by the way I’m trans” email, few people here would have been ignorant of Rowan’s theoretical existence.
Aromanticism, by contrast, requires more than revelation: it requires conceptualisation.
He thought he was prepared, last time.
Rowan Ross, master of whiteboards and planners, came for his first day armed with a list of resources and print-outs of an article he wrote for his university’s student magazine. He’d written out answers to likely questions and rehearsed them at his mirror. He wasn’t going to have another panic attack when faced with questions he couldn’t answer. He was going to be fine.
Instead, he learnt again that one can’t prepare for all the shapes of cis ignorance.
Hesitating to mention his aromanticism because being out as trans already ramps up the difficulty of his working life shouldn’t be cowardly. Why can’t Matt see that?
He stares at the mug, dizzy. Damien may not notice the striped flag, but Shelby uses anything as an opportunity to provide unneeded reassurances. Melanie has enough enthusiastic, unrestrained curiosity for ten people!
I read that trans men bind their chests. Is it comfortable? Do you do it every day? Are you allowed to wear a bra when you don’t?
Rowan shudders. No. He’s survived her interrogations; can’t he survive this, too? He practiced a short explanatory speech, made an email-ready digital PDF booklet and packed printed versions inside his satchel. He rehearsed his responses to as many provocative and prying questions as possible, including the line I’d rather not answer that. Maybe it won’t be as bad, this time! Maybe they won’t notice immediately, giving him more time to prepare and anticipate. Melanie doesn’t come back until next month; perhaps this mug, so bright and green, will pass unremarked until then.
Does the want to return it to his bag make Matt right?
Rowan touches the handle for luck and wonders if this will go better should someone not Melanie ask first.
***
“Good morning, everyone!” Melanie breezes through the office in an aura of floral-with-vanilla perfume, making a beeline for Rowan’s desk. She’s small, curvy and grandmotherly-but-modern in appearance: coloured slacks and loose floral-print blouses worn with dangling gold pendants and stacks of bangles over freckle-dusted forearms. Aside from her pixie-cut grey hair, she looks to him like a walking Millers advertisement. “Rowan, can you tell me how to put the new logo in my email again? Please? I know you told me last time.”
Rowan doesn’t understand why people who send emails on a daily basis don’t take the time to learn these things, but he’s worked here long enough to accept this lack as a fundamental truth of the universe. He turns to face her, his flag mug held in his right hand. “Do you want the instruction PDF I wrote, or do you want me to just do it for you?”
A few months ago, caught up in a fit of hopefulness inspired by a new SSRI and the less-inspiring reality of being the youngest person in the office, he spent his spare time typing up Rowan Ross’s Ultimate Guide to Basic Office Computing—a guide languishing unread by anyone not Rowan.
“Just fix it for me now.” Melanie beams at him, paying his mug no attention. “Thanks, Rowan!”
What will it take for someone to notice? Pouring his coffee on their shoes? He swallows the dregs, stands and follows Melanie to her computer before setting his mug on her desk, flag facing outwards, to take up her mouse and open her email settings.
To think he worried about someone’s asking questions! Rowan didn’t consider the problem of a lack of interest, but he’s spent the last five weeks drinking from a flag mug without as much as a passing glance.
“You’re a doll, Rowan!” Melanie hesitates; Rowan holds back a sigh. Here it comes. “Wait. Is that offensive, even though there’s male dolls, like Ken? And gay men collect dolls, don’t they? But gay men like feminine things and you don’t when you’re trans-gender, do you? You’re a darling? I know! You’re a treasure.” Melanie grins, as though she didn’t make an easily-overlooked statement into a thing shaded with too many queer microaggressions for one bi trans man to untangle, and grasps his mug. “I’ll get you some more coffee! One sugar, a dash of milk! Thank you so much!”
Her pink-painted nails and beige hands cover the flag, only a small section of black and grey visible at the edge of her pinky finger.
Maybe she’ll notice when she fills the mug.
Maybe she’ll notice when she brings it back to him.
Maybe pigs will fly and she’ll stop placing that too-long pause between “trans” and “gender”, too.
This way, there’s no need to endure alloromantic absurdity or criticism. No suffering the pain of being unable to explain or correct, given how often cis people dismiss even small gender-related requests. He did what Matt demanded; he left the mug on his desk. How is it Rowan’s fault that nobody’s knowledgeable enough to express curiosity? That he forgot to factor in the remarkable cishet tendency to avoid anything suggestive of unknown queerness?
Going ignored, somehow, doesn’t feel like a victory.
***
When Rowan sees a mug online featuring a shield in aromantic colours behind a design of crossed arrows in pride colours for other aromantic-spectrum identities, he snatches one with frayromantic blues. He also buys an unneeded but matching pencil case followed by a journal covered with rows of arrows coloured in aro stripes.
If he needn’t fear curiosity or question, why not pride up his desk? At least he can gulp coffee from a frayro mug emblazoned with an aro shield every time Shelby asks him if he’s found a partner yet.
What is pride merch for if not petty passive-aggression in response to allo folks’ amatonormativity?
A fortnight later, he arranges his mugs on his desk, stashes his decorative paper clip collection in the pencil case and ponders, just for a moment, if anyone’s made a pride-themed whiteboard.
“Rowan!” Damien appears out of nowhere and claps his hand on Rowan’s shoulder. He’s a raw-boned giant of a man with an improbable ability for stealth; Rowan, cursed with a body that reacts to unknown stimuli as though lethal rather than first checking, still can’t keep himself from jumping out of his chair on Damien’s approach. “I’ve got this photo from last night I want for Facebook. Can you crop out an arm from the side for me? I just sent it to you.”
“Sure,” Rowan murmurs, once his heart stops threatening to burst from terror. “I’ll do it right now.”
“Thanks. I’ll get you a coffee.” Damien snatches up the new mug, tiny in his oversized hands. Rowan doesn’t care to imagine how much of Damien’s pay goes to custom tailoring, but his pinstripe suits are the living dapper embodiment of every How to Dress Like a Professional Man guide Rowan has read and failed to implement. “Huh. I didn’t know you were into archery. One sugar, little bit of milk?”
“Yeah. I … uh...” Rowan blinks, struggling to find an answer, but Damien heads for the hallway and the kitchenette they share with the rest of the floor. Archery? Surely none of the arrow designs are realistic enough for any archery enthusiast to regard them as an expression of interest for the sport? Not to mention the stripes?
How do cishets cultivate their air of continued obliviousness? They’ve all seen Rowan’s trans pride phone case and bi pride pin; nobody won’t have seen the rainbow flag in the news. Shouldn’t one of them catch on to the concept of pride flags?
Why complain when their ignorance is easier than their questions?
He shakes his head, opens his emails and finds the photo from yesterday’s event, complete with a stray arm on one side and a half an empty chair on the other. He crops out the arm and the chair before adjusting the contrast and colours, until the photo appears as though only maybe taken on a cheap phone, indoors, by a man with his back to the window.
“Hey, did you know that Rowan’s really into archery?”
Rowan looks up. Damien stands by the door, showing Melanie Rowan’s newest mug.
He should say something before he gets archery gear in the office Secret Santa. He should say something even though they’re on the other side of the room and a lifetime of good manners, parental expectation and disabling anxiety says one doesn’t intrude on someone else’s conversation. What if someone in the office secretly likes archery and asks him questions? But corrections mean doing the one thing Rowan hopes he can continue to avoid, so...
He slides his hands under his legs and inhales slowly in a vain attempt to head off the giddy anxiousness. Does this mistake desperately need fixing? Can’t he wait to see what happens first?
“Archery? How does anyone get into archery?” Melanie shakes her head. “You don’t do it in school. Is it a country thing? Or a rich kid thing?”
“I did. Year nine, I think? And my school wasn’t that fancy. I think kids do more of that stuff, now, than real sport.” Damien shrugs and heads towards Rowan’s computer, setting his mug down on the desk. “You fixed the lighting! I don’t suppose you can make my face less red? It isn’t that red in real life.”
It is, but that’s easier to fix than the burgeoning fear that this archery misconception won’t be a one-off incident.
***
Another awful conversation with his housemates pushes Rowan into getting out his sewing box, despite a Melanie-induced fear that showing himself to be good at a traditionally-female art will result in another expression of cis nonsense. Too many friends still ask why he buys plain T-shirts from the women’s section (better fit) or has lavender-scented shower gel on his shelf in the bathroom (he likes it). He’s a man to the not-completely-cissexist people in his life if he meets a boring, insecure definition of manhood. “Oh, great God of Trans Men,” he mutters, “please pardon me for the crime of unmasculinity, because everyone knows you don’t allow true men to embroider.”
How is cross-stitch not just analogue pixel art, anyway?
He flips off whomever it is Melanie thinks “allows” him to defy gender norms before sketching a pattern, struggling with the shape of the R. His embroidery floss stash doesn’t allow him to perfectly colour-match the greens, but after the best part of a weekend Rowan produces a patch reading “ARO” in aromantic stripes against a background of allo-aro yellow and gold. He needs another hour to stitch it to his satchel beside a cluster of badges (trans pride, pronouns, bisexual flag), but the finish is worth the late night and sore fingertips.
Surely this will tell people that those five stripes mean something more than a liking for archery or the colour green?
He fists his hands, lips trembling. What call does an allo cis gay like Matt have to mock the idea of coming out as aromantic when Rowan, who lost his home, his family and his dog to the mistakes he made in coming out, knows exactly what those words mean? Why did Matt have to say that “someone like Rowan” only put a lousy mug on his desk because he knew nobody will ask? Yes, he owns a collection of anxiety disorder diagnoses, illnesses fairly earnt, a disability unchosen. That doesn’t make him cowardly!
Matt doesn’t emerge from his bedroom before Rowan dashes to catch the train, so he lacks even the questionable satisfaction of seeing his housemate note the large patch on his bag. He’s just left with a mood bouncing between frustration, anger and the quieter, sickening fear that making the patch didn’t challenge Matt’s opinion as much as validate it. Should Rowan have done that? What else can he do?
Why does Matt have to be so damn allo?
By the time he arrives at the office, Rowan focuses just enough to concentrate on the distraction waiting for him in the kitchenette. The walls need painting and the air conditioning smells like mice, but sharing the floor with four other sub-governmental community projects meant everyone pitched in for a decent coffee machine without too many hassles. Damien needs to stop taking terrible work-related selfies, but he does enforce a cleaning rota so Rowan can enjoy avoiding the horrors of instant coffee.
“Aro?”
Groggy annoyance fades into a heart-pounding, palm-sweating, vibrant wakefulness. Rowan wheels to face Melanie; she peers at the satchel hanging off his hip. Matt’s wrong about Rowan. This will prove it!
“Uh, yeah,” he says, fighting to sound casual. “I’m aro.”
There. He said it!
“Oh, like the movie vampire?”
The movie vampire? What vampire? There’s no obviously-aromantic vampire in a well-known movie; someone online would have said so! “I’m sorry?”
“The Twilight movies! You know the ones the teenage girls liked, with the family of glittery, vegetarian vampires and the human girl? And it was supposed to be romantic somehow? My daughter had posters and a quilt cover and T-shirts and Barbie dolls.” Melanie pulls a face, her lips twisting. “But she loved them, and there’s a vampire called Aro.”
Belatedly, he remembers a joke that posts about a minor character used to turn up in aro hashtags. “I suppose? But it isn’t a name when—”
“Damien! Rowan’s called Aro now! Should we hold a meeting telling everyone? Or just send an email around?” Melanie looks out into the hallway dividing the floor into its suites of offices: Damien stands outside their door, his battered phone held to his ear. “I didn’t know trans people were allowed to change names twice! Although I don’t suppose there’s a limit, is there? If I married someone five times, I could change my last name five times, couldn’t I? Is it really that different?”
“It,” Rowan says into the barest break in sentences, “isn’t—”
“Damien! Stop gasbagging about golf or whatever … I swear, that man never listens when you want him. Always on the phone! Damien.” She bustles out into the hallway with the determined stride of a woman on a mission. “Rowan’s Aro now!”
Panic spurs him into running after her. “Melanie!”
“Aro!” Shelby grabs his forearm as Rowan skids into the hallway, her brow furrowed in concern. If Melanie seems like the plump, huggable sort of grandmother, Shelby looks like the muscular, marathon-running grandmother who hits the beach every morning. Salt-coarsened long hair in a single braid, a fashionable black blazer worn over a T-shirt, hiking boots. “Is that European? Don’t worry, we’ll all do our best to remember, and you’re allowed to growl when we don’t. We said there’d be no problem, and we meant it. You’re allowed to growl at us when we make mistakes, okay? Okay, Aro? Promise me that you will correct us!”
The self-appointed protector figure of the office, she was kind during Rowan’s first week. Kind in a way that draws unnecessary attention, given her inability to correct someone else’s misuse of pronouns without crafting a production of hushed voices and pointed nudges—followed by scathing lectures that never happen far enough outside his earshot.
Why are the only options complete stealth or queerness front and centre in a way that never lets him be just a different shape of normal? Where exists a blessed middle ground?
Melanie reaches Damien and stares up at him, waving one hand and tapping the opposite foot, until Damien lowers his phone.
“Uh … thank you, but my name isn’t—”
“You absolutely must correct us.” Shelby squeezes Rowan’s forearm in a firm grip. “We’re not used to all this, but that doesn’t mean we won’t try. Aro. Do you people usually choose unusual names like that? You know, you trans people? Promise me that you’ll correct us. You need to know that we don’t mind in the least, truly we don’t!”
“I’m not—”
“Anyway, how was your weekend? You didn’t stay at home, did you? It worries me that you haven’t found a girl yet. Or a boy!” Shelby clasps his hand between hers, looking into his eyes as though hoping to impress upon him the depth of her sincerity. “You do know, Aro, that any girl—or boy!—will be lucky to date a sweet boy like you, don’t you?”
What does it mean, Rowan wonders in irony-fuelled despair, that returning to Births, Deaths and Marriages now feels like the easiest option?
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phroyd · 4 years
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Delta Air Lines was hoping to restart flights next month from New York to Athens and Lisbon, two popular summer destinations, but it will probably have to wait a little longer.
The European Union is planning to bar most Americans even as it welcomes travelers from more than a dozen other countries next week, dealing a blow to Delta and other airlines hoping to revive their business as travel across the Atlantic Ocean typically peaks.
International flights make up a minority of flights for U.S. airlines but are typically much more profitable than domestic ones. And flights to and from Europe are generally the most important. U.S. and European airlines had reduced the number of available seats on flights connecting the two markets by about 75 percent next month compared with last July, according to the aviation data provider OAG. A travel ban on Americans, which European Union officials confirmed on Friday, will probably lead to even deeper cuts.
“It’s a huge deal,” said John Grant, a senior analyst at OAG. “It is by far the jewel in the crown for many major airline networks, in terms of both revenue and profitability.”
Last year, flights across the Atlantic, to Europe and other destinations, accounted for about 17 percent of passenger revenue for United Airlines, or about $7.4 billion. Such flights generated about 15 percent of all passenger revenue for Delta, or $6.4 billion, and about 11 percent of passenger revenue, or $4.6 billion, for American Airlines. They were particularly important to United and Delta, generating a quarter of passenger profits last year, according to the Transportation Department.
Tens of millions of people flew between the United States and European Union countries in 2019. Many traveled for business to and from cities like New York, Los Angeles and San Francisco and Amsterdam, London, Paris and Frankfurt. Many others fanned out farther to vacation, particularly in the summer, when international flights are often nearly full as American families jet off to Italy and Greece, and Europeans check out New York and California.
Of course, travel between the United States and the European Union has been restricted since March, when governments on both sides of the Atlantic barred most visitors to prevent the spread of the coronavirus, with exceptions for repatriations and “essential” travel by medical professionals.
At the time, the United States had just over 1,100 coronavirus cases as the virus spread extensively in Italy and Spain. Today, the United States leads the world with more than 2.4 million cases, and infections are surging in Arizona, California, Florida, Texas and other states. As a result, European Union officials have decided to keep Americans out — along with travelers from dozens of other countries — for fear that they could further spread the virus.
Because of the size of the United States, a vast majority of tickets sold by American carriers are for domestic travel. Those flights have led the industry’s recovery, as Americans slowly start to visit friends and family and make limited vacation plans, a pattern unfolding in countries around the world. Higher-profit business and international travel is expected to follow far behind.“I think international travel is probably going to lag domestic by up to 12 months,” Ed Bastian, Delta’s chief executive, told shareholders on a call last week, citing travel bans around the world as one reason.
The large difference in demand for domestic and international travel is also reflected in flight schedules. American, for example, plans to operate about 55 percent as many domestic flights next month as it did last July, but only about 20 percent as many international flights. The airline has delayed restarting service between the United States and a number of European destinations until August, a month later than planned.
The Coronavirus Outbreak
Frequently Asked Questions and Advice
Updated June 24, 2020
What’s the best material for a mask?
Scientists around the country have tried to identify everyday materials that do a good job of filtering microscopic particles. In recent tests, HEPA furnace filters scored high, as did vacuum cleaner bags, fabric similar to flannel pajamas and those of 600-count pillowcases. Other materials tested included layered coffee filters and scarves and bandannas. These scored lower, but still captured a small percentage of particles.
Is it harder to exercise while wearing a mask?
A commentary published this month on the website of the British Journal of Sports Medicine points out that covering your face during exercise “comes with issues of potential breathing restriction and discomfort” and requires “balancing benefits versus possible adverse events.” Masks do alter exercise, says Cedric X. Bryant, the president and chief science officer of the American Council on Exercise, a nonprofit organization that funds exercise research and certifies fitness professionals. “In my personal experience,” he says, “heart rates are higher at the same relative intensity when you wear a mask.” Some people also could experience lightheadedness during familiar workouts while masked, says Len Kravitz, a professor of exercise science at the University of New Mexico.
I’ve heard about a treatment called dexamethasone. Does it work?
The steroid, dexamethasone, is the first treatment shown to reduce mortality in severely ill patients, according to scientists in Britain. The drug appears to reduce inflammation caused by the immune system, protecting the tissues. In the study, dexamethasone reduced deaths of patients on ventilators by one-third, and deaths of patients on oxygen by one-fifth.
What is pandemic paid leave?
The coronavirus emergency relief package gives many American workers paid leave if they need to take time off because of the virus. It gives qualified workers two weeks of paid sick leave if they are ill, quarantined or seeking diagnosis or preventive care for coronavirus, or if they are caring for sick family members. It gives 12 weeks of paid leave to people caring for children whose schools are closed or whose child care provider is unavailable because of the coronavirus. It is the first time the United States has had widespread federally mandated paid leave, and includes people who don’t typically get such benefits, like part-time and gig economy workers. But the measure excludes at least half of private-sector workers, including those at the country’s largest employers, and gives small employers significant leeway to deny leave.
Does asymptomatic transmission of Covid-19 happen?
So far, the evidence seems to show it does. A widely cited paper published in April suggests that people are most infectious about two days before the onset of coronavirus symptoms and estimated that 44 percent of new infections were a result of transmission from people who were not yet showing symptoms. Recently, a top expert at the World Health Organization stated that transmission of the coronavirus by people who did not have symptoms was “very rare,” but she later walked back that statement.
What’s the risk of catching coronavirus from a surface?
Touching contaminated objects and then infecting ourselves with the germs is not typically how the virus spreads. But it can happen. A number of studies of flu, rhinovirus, coronavirus and other microbes have shown that respiratory illnesses, including the new coronavirus, can spread by touching contaminated surfaces, particularly in places like day care centers, offices and hospitals. But a long chain of events has to happen for the disease to spread that way. The best way to protect yourself from coronavirus — whether it’s surface transmission or close human contact — is still social distancing, washing your hands, not touching your face and wearing masks.
How does blood type influence coronavirus?
A study by European scientists is the first to document a strong statistical link between genetic variations and Covid-19, the illness caused by the coronavirus. Having Type A blood was linked to a 50 percent increase in the likelihood that a patient would need to get oxygen or to go on a ventilator, according to the new study.
How many people have lost their jobs due to coronavirus in the U.S.?
The unemployment rate fell to 13.3 percent in May, the Labor Department said on June 5, an unexpected improvement in the nation’s job market as hiring rebounded faster than economists expected. Economists had forecast the unemployment rate to increase to as much as 20 percent, after it hit 14.7 percent in April, which was the highest since the government began keeping official statistics after World War II. But the unemployment rate dipped instead, with employers adding 2.5 million jobs, after more than 20 million jobs were lost in April.
What are the symptoms of coronavirus?
Common symptoms include fever, a dry cough, fatigue and difficulty breathing or shortness of breath. Some of these symptoms overlap with those of the flu, making detection difficult, but runny noses and stuffy sinuses are less common. The C.D.C. has also added chills, muscle pain, sore throat, headache and a new loss of the sense of taste or smell as symptoms to look out for. Most people fall ill five to seven days after exposure, but symptoms may appear in as few as two days or as many as 14 days.
How can I protect myself while flying?
If air travel is unavoidable, there are some steps you can take to protect yourself. Most important: Wash your hands often, and stop touching your face. If possible, choose a window seat. A study from Emory University found that during flu season, the safest place to sit on a plane is by a window, as people sitting in window seats had less contact with potentially sick people. Disinfect hard surfaces. When you get to your seat and your hands are clean, use disinfecting wipes to clean the hard surfaces at your seat like the head and arm rest, the seatbelt buckle, the remote, screen, seat back pocket and the tray table. If the seat is hard and nonporous or leather or pleather, you can wipe that down, too. (Using wipes on upholstered seats could lead to a wet seat and spreading of germs rather than killing them.)
What should I do if I feel sick?
If you’ve been exposed to the coronavirus or think you have, and have a fever or symptoms like a cough or difficulty breathing, call a doctor. They should give you advice on whether you should be tested, how to get tested, and how to seek medical treatment without potentially infecting or exposing others.
“Demand is increasing, but those numbers, while they’re increasing, are still a fraction of what they were last year, particularly internationally,” Doug Parker, American’s chief executive, told shareholders this month.
The International Air Transport Association called on governments this week to avoid quarantine measures that can discourage travel in favor of less severe measures, like asking sick passengers to stay home and increasing testing.
After dropping to record lows in April, the number of people going through U.S. airport checkpoints is up to about 20 percent of last year’s levels, according to the Transportation Security Administration. That’s not nearly enough to sustain the nation’s largest airlines, which are losing tens of millions of dollars every day, but it has restored a sense of vitality to an industry ravaged by the pandemic.
And while international travel could remain subdued for months, airlines have found other ways to drive revenue, including operating cargo-only flights, which are in high demand.
“That’s going to stay in place until passenger demand starts to recover,” Scott Kirby, United’s chief executive, said at an investor conference last month. “So there’s an international hedge that cargo is going to stay strong until passenger demand recovers, and then passenger demand will take over for it.”
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charliejrogers · 4 years
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Borat Subsequent Moviefilm
In 2006, Borat was one of those great cultural touchstones that transcended the big screen. There was no aspect of pop culture after its release that wasn’t in some way affected. It perfectly coincided with the rising popularity of YouTube, such that those who hadn’t seen it (or couldn’t because they were too young to get into the rated R movie) could at least see many of its famous clips.  Everyone knew Borat in 2006. Everyone. You couldn’t go two fucking steps without someone going “very nice!” or “my wife!” It was such a wonderfully smart movie. It combined the best aspects of a Jackass movie, i.e. the trolling of innocent and unsuspecting bystanders, with a noble cause, to expose to the world the ignorant side of America. It was a novel and insightful look at our country.
In 2020… there is no insight in telling us that much of the country is ignorant of the truth, racist, or sexist. As Borat himself points out in this film, in the years between when he filmed the first movie (2005) and the new movie 2019-2020, America has become transfixed by their new “magical abacuses”, i.e. cellphones. Phones, the internet, social media, all of them expose us everyday to how the other half lives in their little social bubbles. We don’t have to wonder “do people really think this?” Just type whatever terrible or stupid theory you can think of into Google, and you’re guaranteed to find at least one person who endorses whatever heinous thing you just wrote. Again, this is portrayed within the film when Borat, confronted by the fact that maybe some of his core beliefs are lies, finds websites that say that (much to his anti-Semitic disappointment) the Holocaust was not real. So, one is left wondering… what can Borat bring to the table in 2020 that is fresh?
Unfortunately, the answer is… not a whole lot. Borat Subsequent Moviefilm feels mostly like a retread of 2006 with the only additions aiming more for “shock factor” than real comedy aimed to grab headlines (which it succeeded in doing). This is not to say this is not a funny movie. It is. The film’s opening where Borat describes the typical (fictionalized) Kazakh’s view of American politics is hysterical. In sum, America went to shit with the election of Obama, paving the way for other Africans to take power of the West (cue the photo of Justin Trudeau in Black face). Now with Trump in power, Borat is sent on a mission to curry Trump’s favor so that Kazakhstan and its leader will be viewed with the same favor that Trump has bestowed upon other “tough guys and tough guy countries” like Russia/Putin, the Philippines/Duerte, North Korea/Kim Jong Un, Brazil/Bolsonaro, etc. The gift is supposed to be an overly sexually aggressive chimp for Vice Pussy Hound (i.e. Vice President) Pence. However, Borat’s daughter Tutar sneaks into the crate with the chimp, and after a chain of events Borat has no choice but to gift his daughter over to Pence, and eventually Rudy Giuliani, instead.
It’s a simple enough plot but I think the movie gets a little too caught up in it. No one is asking for a plot line for this movie. If this were just a string of sketches with a vague whiff of a plot to transition between the sketches no one would fault it. In fact, that sounds like the first Borat. We are just here for the sketches. Yet the movie is looking to do a little bit more than the first movie. It’s not content to just say, “Hey, look at yourself, America! You’re fucked up! Let’s all laugh at you.” This movie has specific targets that dominate its focus: Trump and Trumpland.
This is, I think, an unfortunate choice not because I don’t approve of bashing Trump and Trumpland, but because whereas the first movie felt like comedy was king with the sociopolitical insights as a dominant undercurrent, here the story and the humiliation of Trump and his base is the end goal. This still makes for funny scenes, but when I think back to the first Borat (and as I re-watched clips of the first movie after finishing this movie), some of the greatest parts of Borat had nothing to do with politics or sensitive subjects. Much of the humor was just based around the ballsiness of Sacha Baron Cohen. This is a guy who when invited into a person’s home for dinner makes openly sexually complimentary remarks about two of the female guests, but explicitly states that the host’s wife is ugly. Never mind the fact that at that same dinner party, Borat hand-delivers his shit in a bag to a guest, claiming to not know how Western toilets work. It’s hilarious, it’s daring, and has nothing to do with politics.
In essence, the first Borat was such a success because Cohen played the character with such a believable naivete and loose grasp of English idioms, that he was a factory of malapropisms, a genius of comedic-timing, and a troll that could annoy the ever-living daylights out of anyone. There are as many scenes of him trolling nice, innocent people (like the driving instructor, the man who teaches him jokes, the group of feminists, or really any time he goes on the news) as there are scenes of him trolling people so that Cohen can make a political point or social observation (like the singing the wrong national anthem at the rodeo or his innate criticism of a Pentecostal Chruch’s weirdness). And in the end, the “point” of that plot at least had nothing to do with politics. You can watch this movie, get your laughs, remark at America’s racism, and still get your laughs.
Here, there really isn’t any scene I can think of that wasn’t done to make some sort of observation or political point. The closest I can think of are the bits towards the beginning before the plot kicks into high gear. There’s a recurring bit I love of him communication with the Premier of Kazakhstan via fax machine at a local UPS Store. The genius isn’t contained in the sentence I just wrote, but that he requires the aging worker of the UPS Store to hand-write all of his faxes for him and read any and all replies. Similarly, there’s a quick bit of genius at the beginning where Borat goes to a cellphone store and cannot understand FaceTime at all. He assumes the person on the phone must be the brother of the phone store worker he sees in front of him; they cannot be the same. Similarly he somehow enlists the help of a delivery person to re-seal the crate in which his daughter came to America in.
But otherwise, the jokes are there either to say, “Woah! Aren’t these Americans terrible?!” (whether he’s talking about QAnon’s theorists, anti-abortionists, or anti-maskers). Or there’s gross out humor, mostly about vaginas and periods, (or moon blood, as Borat calls it). As I said, these aren’t all unfunny. Probably my favorite sequence in the film sees Borat and his daughter at a pregnancy crisis center because Tutar has accidentally swallowed a little baby doll that was on top of a cupcake her father had “given” to her as a “treat” that was just supposed to be “their little secret” because women in Kazakhstan aren’t supposed to have sweets. So she ate the cupcake behind a dumpster. I’ll let you guess what happens when you enter a Christian pregnancy crisis center asking for them to take out the dumpster baby your Dad wasn’t supposed to be giving you… but it’s hilarious to see the worker sorta squirm his away around addressing the reality of incest.
But mostly, I felt kinda fatigued knowing that Cohen and co. were mostly trying to show me the “underside” of QAnon and anti-maskers… but as I said, in 2020, I am unfortunately well aware of both these groups, their psychologies, and their world. So merely highlighting that these ideas exist and that the people who endorse these ideas don’t really have a lot of great ideas otherwise, isn’t that novel as it might have been back in 2006.
Probably the more “interesting” side of the film is it’s focus on feminism. The film uses Tutar (played perfectly by previously unknown Bulgarian actress Maria Bakalova and deserves all the praise she gets) to really expose how America, despite being a “feminist” nation, still shares many aspects with the fictionalized version of Kazakhastan where women are considered equivalent to livestock. The movie hopes to shed light on the far reaching effects of the patriarchy. The movie ends at the top of the pyramid with politicians who feel like it is their right to use their power to sleep with whomever they want (Trump’s obviously the true target of this criticism and I will say, the final Giuliani scene feels a little bit like entrapment… that said, I think it’s fair to say not every man would be so willing to fall into that trap). But leading up to that we see aspects of America designed to fit perfectly with the patriarchy’s demands. We hear from a shallow, vapid Instagram influencer that to get by women need to be docile and pretty, and we see a frankly horrifying discussion from a plastic surgeon talking about all the things wrong with Tutar that he would fix with surgery so that men would want her… despite the fact that she’s a beautiful woman and has nothing wrong with her! We live in a society that recognizes the horror of a patriarchical society, but still so clearly buys into it.
But in the end… you’re not watching Borat Subsequent Moviefilm to get an education on feminism and the problems with the patriarchy. That should be the extra cherry on top of a main course of hearty laughter. In focuses on the politics, Cohen and co. find plenty of laughs and memorable moments, but fail (perhaps inevitably) to recreate the signature naivete and bumbling oafishness of his titular interviewer, in the process losing some of the film’s humor and paradoxically its ability to leave a lasting message.
**/ (Two and a half stars out of four)
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animezinglife · 5 years
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The Art of a Better You
I stumbled across a video this morning about how to attract a certain kind of guy. At least, that’s what the title read and thumbnail implied--I’ll admit I didn’t watch the video. For all I know, I could be saying the exact same thing the vlogger does, but I also want to give my take on it along with a few other notions.
No, I’m not the resident expert on dating or relationships. I’m not even close, and while that title might have inspired this post, it’s not really what it’s all about. However, I do have a lot of experience when it comes to people, and as somebody who struggled with Major Depressive Disorder and anxiety for years, I consider that experience invaluable.
I’m not afflicted with false confidence when I say I’m good with people. I’m intuitive, suspicious when I need to be without being paranoid, and trusting when appropriate. I believe in quality relationships, not fakery and convenience. I take each person as an individual and adjust accordingly. It’s one of the reasons I was plucked from my previous position and put into my new role. It had everything to do with how I build substantial connections with others and don’t take myself too seriously. But I certainly wasn’t always that way. I used to be extremely far from it, but as I grew, the lessons I learned became not only applicable, but second nature.
If I had to sum those lessons up into key points, they would be as follows:
You can’t always control the “vibe” you’re putting off, but making the effort to be kind will always benefit you. It’s a mark of maturity and, especially in the professional sense as you continue throughout your life, will separate you from others and make you stand out in a positive way.
Depression’s brutal. It can and will affect your energy, your outlook, and more. Make addressing your mental health a priority, but never use it as an excuse. Excuses don’t earn respect, actions to overcome your obstacles do. People recognize that difference.
When you’re jaded, unhappy, and bitter, you have the tendency to attract the same kind of people. Step outside that unpleasant box and take some new chances with people you feel have a positive energy. 
Be open to new types of people. Often, the people you least expect can become the most vibrant and valued in your life.
Choose your battles wisely, and recognize which aren’t even worth acknowledging. Trust me, what feels like a big deal to you now won’t even be an afterthought in a few years. Your priorities will be vastly different. The people in your life will be as well. That’s not a bad thing.
Know that nobody--including you--is always right. 
Learn to laugh at yourself without being cruel or unfair to yourself.
Don’t get too zeroed in on the “type” of person you want in your life. Keep your standards high when it comes to qualities like kindness, loyalty, and honesty, but recognize those qualities can exist in people from all walks of life and with different perspectives.
Don’t be afraid to practice the art of conversation. No, online conversations don’t count. Learn the subtle nuances, timing, and which details to give and when. Show interest in the other person or people. You never know what you might learn or what might inspire you. Ask the cashier at the local supermarket how his or her day is going. Recall the little details and check in on a co-worker. Etc.
Get out of your comfort zone. In my case, I had to out of necessity coming from academia and essentially getting thrown onto a stage in front of 100 high-profile people with a microphone and cameras on me. While I handled it (not without a few rookie mistakes), it’s not a method I recommend. Start small, but make it a point to take those baby steps. Sign up for a new fitness class, a new sport, or something else you haven’t tried before. I promise you you’ll learn something positive from it.
I can’t reasonably talk about conversation, comfort zones, and “vibes” without also referring back to attracting people. You’re not going to click with everyone, and you’re not going to hit it off with everyone. That’s okay. None of us do. That’s also true when you’re looking to potentially date someone. Sometimes, when people flirt with you, it’ll feel awkward and forced. Others, it’ll feel like the most natural thing in the world. The latter is arguably more rare, so take note of what makes those instances different from the rest. You’ll learn more about yourself, and about what you’re looking for in a partner. Be brave. If you’re really connecting with someone, don’t be afraid to guide the conversation in ways that allow you to get to know him or her a bit better.
Think about aspects of yourself you like, and make it a point to enhance them. Chances are, they’re many of the same aspects others like about you too, and it could even be among the reasons you’re bonding with people.
Lastly, always be self-aware and ready to grow, but leave your self-doubts in 2019. Confidence is more infectious than you realize, and it feels more natural the more you grow into the best version of yourself.
I’m really not a fan of the “fake it ‘til you make it” idea. That works on the surface for some people, but in my experience, the best route is to do what you think is your best, reflect on what went well and what didn’t, and do better next time. Be honest with yourself about yourself, and you’ll always be open to growth.
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jgroffdaily · 5 years
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Jonathan Groff, now starring as a hapless flower shop clerk in an Off Broadway revival of “Little Shop of Horrors,” has a tiny confession to make.
“I am really bad with plants,” said the 34-year-old actor, recalling how rapidly the orchids and other flora occasionally sent his way seem to shrivel up and die. “I kill them.”
We were seated under an oak tree that had just tried to bean us with a fast-moving acorn, somewhere inside the New York Botanical Garden. Visiting had been my idea, and I wasn’t quite sure whether it was cheesy or inspired. (Spoiler alert: The musical is about a bloodthirsty plant).
But Mr. Groff was game — he had never been — and although the Bronx gardens were not especially menacing (other than that wayward nut) they did provide an opportunity for some reflection on his unlikely career swerve.
He’s performed in two juggernauts — the animated film “Frozen” (he voiced Kristoff, the rugged ice harvester, and will do so again in “Frozen 2” next month) and the stage musical “Hamilton” (he played King George, scoring his second Tony Award nomination with just nine minutes of stage time). And he stars as an F.B.I. agent in the critically lauded Netflix serial-killer drama “Mindhunter.”
So what is he doing in a 270-seat Hell’s Kitchen theater performing a show that can easily be seen at many a summer camp or community theater, and that, the producers say, will absolutely positively definitely not be transferring to Broadway?
The answer, he says, is mostly that it’s fun. He loves the idea (“It made me so giddy and excited”). He loves the music (“I’m just obsessed by it”). And he’s as surprised as you are (“I can’t believe we’re doing this”).
“We’re just laughing because it feels like we’re doing a professional version of the quintessential high school show,” he said. “We’re all going to back to that initial nerdy impulse of what made us fall in love with musical theater.”
The other key factor: This revival, of a show that first opened Off Off Broadway in 1982, is a passion project for the director Michael Mayer, who played a formative role in his career. Thirteen years ago, Mr. Mayer took a risk by choosing Mr. Groff over actors with more education and experience to star in an experimental Off Broadway musical called “Spring Awakening.”
That show transferred to Broadway and won eight Tonys; it brought Mr. Groff his first Tony nomination and changed his life. “It was everything I ever dreamed of, come true at 21,” Mr. Groff said. “And, like I told Michael, it’s a lifetime of paybacks.”
In May, Mr. Mayer asked Mr. Groff to join him at the Metropolitan Opera for a performance of his production of “Rigoletto,” and during intermission, said to him, “I think I found the next project we’re going to work on, because I know something about you that other people don’t.”
A week later, Mr. Mayer called and asked him to play Seymour, a clumsy and nebbishy orphan fascinated by exotic plants and besotted by his co-worker Audrey.
The show, written by Howard Ashman and Alan Menken, is now in previews at the Westside Theater, where it is scheduled to run through Jan. 19; the production also stars Tammy Blanchard, as the ill-treated and ill-fated Audrey, and the two-time Tony-winner Christian Borle as her sadistic dentist boyfriend.
“Jonathan presents as a beautiful man, competent and terrific and engaged and completely at ease in his own body — the paragon of the golden boy,” Mr. Mayer said. “But I know that there’s this other part of him that is very much like Seymour — he’s got insecurities, and he’s got this childlike passion for things that he can get obsessive about, in the way that Seymour is obsessed with the plant and with Audrey.”
Obsessions? Let’s just say that as a child, Mr. Groff would type out, from memory, scripts of “I Love Lucy” episodes (he also read books about Lucille Ball, a memoir by Desi Arnaz and a book about their company).
“I am a total nerd, and this role is actually closer to who I am as a person than the other parts that I’ve played on Broadway,” Mr. Groff said. “I have a whole side of me that isn’t the projected image,” he added. “I get this — I totally get it — and it feels like a natural fit.”
His physical transformation from hunky to homely has turned out to be surprisingly persuasive, so much so that this production has interpolated a recurring sight gag about the character’s unattractiveness that, by combining absurdity with plausibility, slays the audience (pardon the pun) over and over.
Mr. Groff, dressed by costume designer Tom Broecker in ill-fitting khakis and a vintage blue shirt, appears to cave in on himself during the first act of the show, as if he doesn’t even deserve to stand fully upright. He wears black mad scientist glasses, a beige cap and blue Chuck Taylors, and manages to look boxier and younger than he is in real life.
“The only way he’s not a Seymour is because he’s gorgeous,” Ms. Blanchard said. “But even that goes away — he just seems to shrink into this dorky thing.”
But is “Little Shop” more than a lark?
“It’s about something larger — it’s Faust,” Mr. Groff said. “It’s about greed, and how far you’ll go to get what you want.” But, he added, “the reason it ran for five years Off Broadway, and there’s a movie, and every theater in the world has done it, is because it so doesn’t take itself seriously.”
Visiting the botanical garden prompted memories for Mr. Groff, who said it reminded him of childhood trips to Longwood Gardens in his home state of Pennsylvania. “The smell!” he exulted.
He grew up in Lancaster County, where his father trains horses. He loved musicals, and dreamed of performing (early fantasy roles: Maria in “The Sound of Music” and Eliza in “My Fair Lady”). As a little boy, he dressed as Mary Poppins and Cinderella and Alice and Dorothy, as well as Peter Pan, before discovering the joys of Robin Hood.
He moved to New York instead of going to college, and after waiting tables and an early Broadway debacle (as an understudy in the short-lived “In My Life”) landed “Spring Awakening.” That show, he said, “was my college experience, in a lot of ways,” broadening his understanding of musical theater and increasing his appetite for risk.
He had known he was gay from an early age, and had been living with a boyfriend since he was 19; he came out to his parents shortly after leaving that show, at 23: “I said, ‘I’m gay, but I’m not going to be in a parade or anything.’”
By 2014, he was starring in the HBO series “Looking,” about a group of gay friends in San Francisco — and appeared as a grand marshal of New York City’s gay pride march.
“I started to just become way more comfortable,” he said. “When I came out it was sort of like, ‘If I could change it I would, but sorry, this is how I am,’ and then it took those years to feel like this is a part of me that I love and I would never want to change.”
He said coming out has had a generally positive impact on his career — he has been landing roles both gay and straight, and “ultimately the payoff has just been that I’ve been able to be more and more myself.”
And he’s happy. For the last year and a half he’s been dating Corey Baker, a choreographer from New Zealand he met while teaching at a musical theater summer school there. He lives in the Chelsea neighborhood of Manhattan, but also recently purchased a house adjoining his father’s horse farm, because he has a fantasy of eventually transforming the property.
“My ultimate dream is to turn it into a kind of artists’ colony for my friends to go make work,” he said.
Mr. Groff shuns social media — he said he doesn’t think his life is that interesting — and bikes around the city. He has no interest in clothing. He showed up for our photo shoot with three T-shirts — white, gray and black — proud that he had heeded a publicist’s advice to bring options.
Although he’s never quite sure what’s next career-wise, he likes the work he has.
“Mindhunter” was an unexpected pleasure — “I’m not naturally drawn to true crime,” he said — but he wanted to work with the director David Fincher, and has enjoyed the immersion in a new world, as well as the time filming in Pittsburgh, which allowed him weekends with his family.
Up next: “Frozen 2.” He won’t say much about what to expect, other than that Kristoff now gets his own song, and that the character is “ready to take it to the next step” with Princess Anna.
As we were wrapping up our conversation, I asked Mr. Groff about an article I had seen in a Pennsylvania paper, noting that he had been spotted in the audience for a community theater production of “Evita.”
Mr. Groff said he loves seeing theater where he grew up, and had been further inspired by the actor Michael Cerveris, who while filming “Mindhunter” had soaked up shows in Pittsburgh. So yes, he was at “Evita” with his 4-year-old niece, and he also made time to see “Mamma Mia!” at a theater where he had performed.
As we hopped into a golf cart to find our way out of the garden, he wanted to show me one more thing. He pulled out his phone, loaded with pictures of the cramped backstage at “Little Shop,” and swiped to a video in which he was running lines with that niece, who has been learning about the show in preparation for attending opening night.
“She’s apparently been telling the kids at her day care that she eats blood, and she’s obsessed with the plant’s eyes,” he said. “But I think she sort of gets that we’re playing pretend.”
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httpjeon · 6 years
Text
hot bot: test ― hoseok (m.)
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hoseok/reader | android!au, hot bot!au | smut
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wordcount: 3.1k
contents: dom!hoseok, panty stuffing, multiple orgasms, cum eating, squirting, praise kink, sir kink, degradation/name calling, cunnilingus, choking
― synopsis: as a product tester, you have one of the most sought after temporary positions in Hot Bot Inc.
note: this is a spinoff for hoseok who was mentioned in the main hot bot story. you do not need to read the main story to understand this!
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blog masterlist ― hot bot: series masterlist
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THERE WILL NOT BE A PART 2
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© httpjeon 2019. do not repost or modify.
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Early morning at Hot Bot Inc was like another world. Everyone was still groggy and were sat around slowly drinking coffee and answering emails for a days work ahead of them. You were the same, staring blankly at the computer screen, sorting through emails slowly.
You had gotten through a few answers when the pager on your desk buzzed, drawing your attention from the progress you weren't making.
"Employee Number #33214-8 please report to the Testing Department."
It was short and simply but it kicked you into gear, finally letting the haze of sleep escape your body. You stood up, turning the monitor of your computer off before grabbing your pager and your company badge.
The Testing Department was secured behind what felt like a dozen clearance doors which you would need to scan your badge to gain access to.
Every year or so, when the company came out with a new and improved line of Hot Bots, a select few workers would be picked as 'Product Testers'. It was a highly sought after position, as you can imagine.
The robots were state of the art and damn good at what they do. As mere office workers, your salary wasn't nearly as good as, say a programmer, so there was no way you could afford to buy one yourself even with employee discounts.
The shock you experienced when you got that email announcing you as a Product Tester was enough to make your entire year. Ever since then, you'd been waiting for your turn to be brought in to test.
"Hello, I'm ______, employee number #33214-8," You showed your card to the lady at the desk.
"You're ordered to room 3," She said simply, handing you another card that reminded you of a hotel key card.
You bowed in thanks before scurrying through the double doors and into a hallway that was beyond what you were expecting.
The floor, ceiling and walls were white. The fluorescent lights making the color nearly painful to look at.
You found the correct room and pressed the card to the scanner, a loud click signalling the door was now unlocked and accessible. You pushed your way in, the door locking once again behind you.
The room looked similar to a hotel room fit with a bed, night table and dresser. You weren't sure what the point was because they were just robots.
Maybe it's for the human's comfort. You mused, stepping more into the room.
As you took a seat on the bed, relishing in the comfort it brought to your back, the door unlocked once again.
It was quiet for a second and you held your breath.
Maybe someone tried to get into the wrong room?
Just as that thought passed, someone opened the door and let it lock behind them.
Silence for a moment.
"_____?" An unfamiliar voice caused you to stand up.
As you were about to reply, a man came from around the corner, a smile lighting up his face at the sight of you.
"Who are you?" You asked, raising a brow, only making him chuckle.
"I'm Hoseok," He held his hand out, making you squint in confusion, letting him shake your hand in greeting. At the confused look on your face, his smile fell. "You are the product tester, right?"
"That's right," You replied, folding you arms over your chest as you looked up at him.
He was good looking. His skin was flawless except for a little freckle on his top lip.
"Well, I'm tester...meet the product," He held his arms out and spun around.
"What?!" You screeched.
You had never actually met a Hot Bot so you weren't sure what you were expecting but you were positive that this person was a, well, person!
"P-Prove it!" You shouted, pointing an accusatory finger at him.
He was too lifelike. Hell, you could even see his chest rise and fall with breath. Robots don't need to breathe!
"Okay," Hoseok replied plainly, turning around and pulling down the collar of his white turtleneck to reveal an LED button located on the base of his nape. "Proof enough?"
"Y-Yeah..." You muttered, taking a seat on the bed once again.
Hoseok fixed his collar, straightening his turtleneck before turning to look at you again, flashing a brilliant smile once again.
"So...do you know how this works?" You asked, now feeling timid under his gaze.
"Oh right," Hoseok turned around to go over to the dresser, picking up a clipboard you hadn't noticed. "You have to fill this out,"
He took a seat on top of the dresser, probably to keep some distance between you until you're comfortable with him.
'But wait, robots wouldn't feel compassion. Stupid girl,' You scolded yourself.
The first page was information about Hoseok.
BTS900 Line Model.
Serial number CSQS56NH
177cm and 65 kg.
The next line had you choking on your own salive, making Hoseok cock his head to the side curiously.
Penis Length/Girth: 6.89in/5.787in
You quickly moved onto the information section about him.
"BDSM?" You said aloud, making Hoseok nod his head.
"Are you experienced in BDSM, ______?" The way he said your name had shivers traveling down your spine.
"Uh...not really," You replied bashfully.
“Well, I’ll take care of you,” He said, approaching you and taking the clipboard from you, dropping it on the bed beside you.
How the hell are you meant to put your life in the hands of this robot. BDSM was some serious shit, what if he chokes you and doesn’t realize he’s too rough and breaks your neck or something! The possible thoughts of dying by the hands of a sex robot caused you pulse to accelerate.
“Are you nervous?” He asked, voice now much softer than what it was.
He reached up and cupped your cheek, making you look up at him. You were shocked by the sincerity held in his eyes. “Your heart is racing,”
“I-I’m just not sure how this will work when you’re an…”
“Android?” He completely, smiling when you nodded. “You’ll have a safeword.”
“A safeword?” You repeated, still keeping your eyes locked with his.
He was smiling now, but nothing malicious behind it. He gently stroked his thumb over your cheek.
“A safeword is a word you’ll give me, that will be programmed in me, to make me stop if something will become to much. If anytime during the session, you become uncomfortable or something doesn’t feel right, you say the word and it’ll stop right there.” He explained, keeping his tone even and calm, which helped you to calm down as well.
“What if I can’t talk? Like if I’m...g-gagged or something?” You asked, stumbling over the work as it felt foreign in your mouth.
“I won’t cover your mouth, don't worry. If my owner wishes to be gagged, there will always be a safeguard in place to assure they can signal me to stop,” The way he answered was very mechanical, almost as if it had been rehearsed. Perhaps it was in his programming to say it?
“Okay,” You sighed, closing your eyes for a second to ease your running mind before opening them to look at him again. “Safeword will be Test.”
Hoseok grinned, letting out a little huff that sounded almost like a laugh before nodding. “Test it is,”
Then, it was as if a switch had been flipped in him and his eyes turned black, as if they were swimming with arousal. He stood in front of you, lithe fingers unbuttoning the button of his pants and undoing the zipper. Beneath, you could see he was bare, wisps of hair decorating he flesh surrounding his cock, which he carefully pulled out.
Part of you was shocked to see he was hard, but you reminded yourself that he was a robot built to be erect. He wrapped a fist around himself, slowly jerking himself off. The sight was pure sin and you couldn’t help but clench your thighs together to give some type of relief to the arousal.
“Are you turned on, baby?” He asked, shocking you with how low his voice became. You nodded, squeezing your thighs together again. “Why don’t you come over and suck my cock for me? If you’re a good girl, I’ll make sure you cum tonight.”
You had never been particularly submissive or dominant in bed, always having partners who only did vanilla. But he way Hoseok was talking to you lit a fire in you and you knew that you wouldn’t be able to go back to vanilla after this. You scooted forward, your pencil skirt almost uncomfortably tight as you kneeled on the bed before Hoseok. With one hand on the base of his cock, he laced the other hand through your hair and tugged your face closer to his cock. You could see a little bead of moisture develop at the tip and slide down his shaft to meet his hand, where the drop disappeared.
He gave you an expectant look and you didn’t need to think twice before enveloping the head of his cock in your mouth. He signed at the feeling, eyes fluttering closed as he allowed you to get accustomed to having him in your mouth. As you swirled your tongue around everything you could touch, he gripped your hair harder. He carefully drew you further down his member until the tip brushed the back of your throat and you gagged, pulling off of him to inhale.
“Never deepthroated?” He asked, fingers gently wiping the saliva off your chin.
“N-No…” You replied, embarrassment flooding through you. There was no reason to feel it, everyone has to start somewhere. However, underneath his kind gaze, you felt yourself calm.
“I’ll teach you then,” He gave you a moment to gather yourself, stroking his hand up and down his shaft to spread the moisture of your saliva.
“Okay…” You whispered, opening your mouth to take him inside again.
“Relax your throat,” He growls, waiting to feel you relax before slowly sinking deeper into your mouth. When he grazed the back of your throat, you fought down a gag and allowed him to sink to the hilt. Looking through tears, you saw his head tossed back as a moan tore from his lips. He held you like that for a second, feeling your throat spasm around him before he pulled out, a string of spit still connecting you and him.
“W-Will you cum?” You asked, wincing at how raw your voice already sounded.
“You want me to cum?” He cooed, still gently stroking your skin.
“Y-Yes please,” Your response made him smile.
“Such a good girl,”
Biting his lip, he began to feed his cock to you again, making you whimper as it grazed the back of your throat. You continued to relax, letting him use your mouth to get off.
His little pants of exertion soon became groans of pleasure. The hand in your hair tightened and you could feel his body trembling. The anatomy of these robots was truly astounding, you mused, before realizing it was a strange thought to have while he was balls deep in your throat.
Before your mind could get any more jumbled, you let out a final groan before he came. Your mouth filled with the creamy, warm liquid. However, instead of a bad normal-cum taste, your mouth was filled with a sweet, almost candy-like flavor. You let it linger on your tongue as he pulled his still-hard cock out of your mouth. He watched with a small smile as you licked your lips of the liquid.
“Cotton candy,” He said, making your eyes jerk up to meet him. “Yummy, huh?”
“V-Very,” At your response, he wiped a stray drop of cum from your chin, letting you suck it off his thumb with a grin.
“Slut,” Like any girl, you would usually bustle at the term but in this environment, you felt a shiver go down your spine.”Lay down for me,”
You scrambled to do as he said, laying your head on the pillows as Hoseok crawled on after you. His fingers, so slim and pretty, caught the zipper on your skirt.
With some shuffling, you managed to slide the article off. It landed somewhere in the room, but you didn’t care because Hoseok was on his stomach between your spread legs.
“Cute panties,” He commented, only adding to your embarrassment.
There was only time to blink before suddenly, he was sliding his tongue along the crotch of your panties, mixing both your juices and his saliva into the material. It didn’t take long before the material was soaked, sticking to you lips in an obscene manner. You clit was throbbing, crying out for direct stimulation, which he didn’t provide. Your hole fluttered pathetically around nothing and you realized you’d never wanted to be filled more in your life.
“H-Hoseok?” You whined, however, it was cut short when he suddenly gave a sharp smack to the wet crotch of your panties.
“That’s not my name, babygirl,” He growled, making your cunt clench once again.
“A-Sir, please!” You whimpered, the word just falling out of your lips before you could think twice.
“That’s a good girl,” He praised, once again licking up the fabric of your soaked panties. “What do you need?”
“C-Can you take them off?” You asked, your voice trembling. Hoseok appeared to think it over for a moment, mindlessly stroking your trembling thigh.
“Since you asked so sweetly, I can do that for you,” His nails slightly scratched your skin as he hooked his fingers into the material.
Once they were off, you felt extremely exposed.
This feeling multiplied when, with his thumbs, he spread your lips to expose your wet slit to his greedy gaze. A low growl escaped his lips as he slid his tongue through the wetness, moaning as it costed his tongue.
“So fucking sweet,” He purred, continuing the action while avoiding your clit until you were trembling.
You had never been this wet. You were dripping everywhere, and his saliva only added to it.
Eyes rolling back into your head, you arched your hips in hopes that he’d give some attention to your clit. Instead, you felt a pressure at your entrance; a strange material slowly being pushed into your spasming hole.
Looking down, you could have cum on the spot. Hoseok was slowly pushing your soaked panties into your pussy. The feeling was strange, the material grazing your walls. But, surprisingly, you were filled with pleasure. Once half the material was stuffed inside your cunt, Hoseok's mouth suddenly latched onto your clit.
Your orgasm blindsided you, your hips arching into his sinful mouth. With trembling thighs, you squeezed around his head. He didn’t seem to mind, simply providing soft licks to your sensitive clit as your orgasm faded. Once he was sure you came down, he carefully pulled the panties from your hole.
Then, there was a flurry of movement as you both stripped.
When you were both naked, he pinned you down, your hands above your head. His grip was strong, making sure there was no way you would escape.
“You remember the safeword?” You whispered the reply, making him smile before he began to fill you.
Your mouth fell open at the feeling.
You were panting by the time he bottomed out, your thighs trembling as you began to grind your hips into him. He growled, hands still holding you down as he began to fuck you earnestly.
“Little slut,” He snarled, watching how your eyes rolled back in your head. “Taking my cock so well,”
“Please, sir,” you cried arching your back as he brushed against your g-spot. “please, please, please, ple-“
Releasing one of your hands, he cut off your begging by wrapping a strong hand around your throat. The pressure cut off your air, making you unable to continue your cries. The idea of a robot having its hand around your neck should have frightened you but, you were too lost in the way his cock was abusing your cunt.
The lack of oxygen to your brain, coupled with the way his pelvis was grinding against your slick clit every time he sunk into you, had you reaching your end.
Feeling the way you clenched so delightfully tight around him, he knew you were going to cum. He released your throat, watching with a smirk as you gulped air in with a gasp before your finally came with a choked cry.
As your orgasm peaked, Hoseok pulled his cock out, using the firm head to slap against your quivering clit. Before you could even think that your orgasm was ending, you were skyrocketing again. This time, however, little droplets littered both yours and Hoseok’s skin. The bed sheets beneath you became soaked and stuck to your skin. Hoseok didn’t stop tormenting your clit until you had to reach down to stop him, your whole body trembling.
With a grin on his lips, he began to stroke his cock until his smile disappeared, being replaced by an open mouth. His head fell back as he came, a puddle of white forming on your skin as his cock drooled it out.
As he released his cock, you couldn’t help but to scoop out some of the warm cum onto your fingers. Hoseok watched with lidded eyes as you popped the fingers into your mouth, humming at the sweet taste. You continued to do this until your skin was completely free of his cum and you sunk back onto the bed. With your eyes closed, you didn’t notice Hoseok had vanished until you felt a soft material wiping down your skin.
“What’re you doing?” You mumbled, watching him as your fought back a yawn.
“Cleaning you up, silly,” He explained, making your brows furrow. You weren’t aware bots were able to perform aftercare.
Shrugging, you let your mind drift to how nice it felt to have him cleaning you and before you knew it, you drifted to sleep.
Walking back to your desk was difficult. After your nap, you woke with sore hips and wobbly legs. Walking through all the hallways, your mind was blank and you couldn’t wait to just get back to your desk and finish up work.
Clutching the clipboard from the testing room, you finally were able to sit with a sigh.
Flipping through the pages, you answered various questions; “How would you rate your experience with Hot Bot Hoseok?”, “Were there any bugs you’d like to address?”, “How was the behavior of the bot?”
After ensuring that everything was answered and legible, you turned to the last page where you were to sign your approval to put the bot on the market and as proof it had been tested.
As you signed your name, there was a voice in the back of your head telling you that something was a little...human about Hoseok.
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I am so upset over the Gaud "discourse" (bullying) I can't sleep, so here is me running through the "reciepts" because every time Gaud talks someone jumps on and attacks..
A little perspective, I had never heard of @biggest-gaudiest-patronuses until last month. So I'm not an avid follower, I didnt participate in Gaudapocolpyse, or watch any of the livestreams- I just hate bullying and railroading. I am a female Autistic Jew who has survived childhood sexual abuse (and I'm adding that because of some of the stuff people are accusing Gaud of).
I went through the "reciepts" you can find on biggest-gaudiest-callout the updated version as of January 27, 2019 and I made notes. So buckle up cause this is going to be a long post. Bear with me I am on a cell phone so there will probably be a plethora of grammar and spelling errors. Here goes:
-the callout starts by stating that Guad is 27 and has a mostly minor fanbase this statement is made on the assumption that tumblr is 13+ and Guad makes "teenage humor" whatever that means, I'm a legal adult and I like the jokes, and one anon stating that they and their friends are 13/14. So it is just flat out assuming and you know what they say about assuming.
-next it states that Gaudpocalypse was a protest for the NSFW ban, which isn't true. It actually started because a person commented about an actual holiday (I believe in Catholasism) that had to do with pink that fell on the day. It was in the works before tumblr announced the change, so this was flat out bad fact checking.
-Gaud also commented that the "sexy" fan art they were expecting was Patrick Star in fishnets type stuff. They used NSFW, because as a fellow autistic they were taking it literally to mean Not Safe For Work, so not something you'd want to explain to a boss or co-worker- not porn.
-They have already addressed the Tuba fanfic, which is also not porn.
-Taking "age is just a number. a number estimating your proximity to death." to be pedophile related are purposely ignoring Guad's morbid death humor that they are known for.
-If we are vilifying people for reading yaoi, add me to the list. I went through a hard SasuNaru phase and not even 5% of it was G rated. (and you know what, I was a minor when I got into it and now that I've aged out of minorhood doesnt mean that I instantly stop liking what I liked).
-Shota: I went through a phase where I read rape, pedophilia, and even incest fanfics. And you know what, it was actually encouraged by my therapist. Sometimes people look at dark things because they are trying to work through their trauma. Now I don't know Guad's past, I don't know if there was abuse or anything, but either way: reading a manga, a fanfic, or even watching anime does not make you an abuser or pedophile. Sometimes it is a person the pedophile left behind trying to take control or figure things out. (The comparison is like saying that people that read James Patterson are serial killers or that only perverts watch Law and Order SVU).
-P.S. stop calling manga child porn. It cheapens what child porn actually is and the victims of it.
-"Recommending" Big Mouth on Netflix, personally I haven't watched a single episode, but it seems about the same level as South Park. It isnt meant for kids. And it obviously got approved by Netflix, so take it up with them if you don't like it.
-Okay hot take, apparently saying you don't want MAPs interacting with you coupled with wanting to know if someone is over 18 before you find them attractive makes you a pedophile- makes sense /sarcasm
-As a Jew, the whole sumptuary laws post was witty word play not antisemitism that Gaud wasnt even the OP for. (although the laws themselves are hella antisemitic, or at least were used for that purpose.) ((still doesnt make the two equal)).
-Wearing a kimono is not racist- I think you need a dictionary and a lesson on racism.
-Autism and Asexuality; Guad's post was about figuring yourself out and said "people on the autism spectrum are significantly more likely than general populace to identify as asexual or aromantic" - this is statistically accurate, there is no ableist statement here. They did not say all Autistics are asexual or that Autistics can't have romantic or sexual relationships, Gaud simply stated a fact and it was said in a post about themselves ans trying to figure out what they are.
-Reblogging a 12 year olds address for furbies, yeah not a good or smart decision and Gaud deleted the post. Nothing else can be done about it now and this happened over a year ago and as far as I've seen Gaud learned for the mistake ans hasn't done anything like that again.
-The Discord Server. Gaud asked for the server to be taken down. People are blaming Guad because they created the server and when they left things went south. The users were breaking Discord ToS and doing horrible things. However l, blaming Guad because they created the server is like blaming Ford for drunk drivers because they made the car.
-Canabalism- this is laughable. 98% of the time Gaud is posting as an incorpreal eldritch being...just really look at the blog as a whole and ask yourself if you're making smart conclusions.
-The "crayon fiasco": Guad raised money to eat a crayon on livestream. People have taken issue with this for a variety of reasons. 1) "Gaud said the money was for rent and bought champagne" no, no they didnt, that was a joke. The money was indeed for rent, the cheap champagne was bought with a gift card. 2) "The money could have gone to medical expenses or someone in need." People are allowed to give and not give however they see fit. This arguement is about as strong as standing in front of a movie theater and shouting that the patrons should donate their money to food banks instead of watching a show and when they still go watch the movie calling the movie evil forexisting. 3) "Gaud is manipulating minors into giving them money" first of all most minors don't have that much money and I see it no more manipulative (actually I see it way less manipulative) than my sister asking my mom for money for Club Penguin. It is paying for entertainment which we do all the time and I still have yet to see the stats that it is "mostly minors".
I'm just over everyone railroading and bullying Gaud. When Guad does apologize for something people start screaming that the apology is manipulation. You have made a situation where there is no winning. Gaud ignores the callouts and you don't like. Gaud asks for information on some of the accusations and they get called names. Gaud apologizes ans gets accused of manipulating. What do you honestly want? You have built an argument on stunted facts, and just scream loud enough and long enough trying to get Guad to break. People have already started blocking Guad based on the telephone game of rumors and "reciepts" that I just went through. Enough is enough. If you don't want to follow Gaud or read their posts that is up to you, but just be quiet already. In the words of Frozen "Let It Go".
@biggest-gaudiest-patronuses if you want me to take this down I will, it is your business after all. I just couldn't stand idly by and watch what these people are doing.
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atruththatyoudeny · 5 years
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Monthy Reads | APRIL 2019
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Happy 28th! Wow, April has been fantastic! Thank you so much to all the amazing authors and artists for sharing their work. @onedirectionbigbang​ started posting so make sure to head on over to their blog and check out all the fics and art!
Counterbalance || YesIsAWorld || enemies to lovers - motorcycle racing - ballet - implied/referenced homophobia - 44k Harry Styles loves two things: teaching ballet and racing motorcycles. Those two worlds collide when his greatest rival on the track, Louis “Tommo” Tomlinson brings his tiny siblings to Harry’s class.
Face Your Fears || SadaVeniren || a/b/o - mpreg - kid fic - implied/dubious consent - famous/ not famous - miscommunication - slow burn - angst - 92k Harry is a single father, pretending to be a beta after his alpha mated him and left him. He’s getting by just fine raising the twins when Louis walks into his bakery. Too bad him and Louis will never be a thing.
Latching Onto You || reminiscingintherain || famous/ not famous - 34k The one where Louis wants to book Harry Styles to perform at his best friends' wedding.
That's What I'm Here For || taggiecb || boss/employee relationship - age difference - farms - fluff - angst - friends to lovers - grief/mourning - depression - 46k Louis Tomlinson is a dairy farmer on a tiny farm in eastern Canada. His wife of nearly thirty years has left him and his children are all grown up and out of the house. Louis needs help running his business but has no idea where to even start looking. Luckily for him his children know just the man for the job.
(Something's Been) Hiding In My Heart || lululawrence || Sweet Home Alabama AU - exes to lovers - emotional hurt/comfort - mentions of miscarriage - implied mpreg - angst - 25k A Sweet Home Alabama AU where Louis comes home to finally get his divorce from Harry finalized so he can move on with his life. Alderford holds its own set of challenges when he returns, but by facing his past maybe he can find the healing he so desperately needs.
An Unbalanced Force || FullOnLarrie || divorce - miscommunication - 110k Harry has the rest of his life planned. Marriage. Career. Kids. Happily ever after. But sometimes plans don’t work out. That’s not necessarily a bad thing.
Fondre ton absence || scrunchyharry || amnesia - World War I - historical - 41k Harry had never really given much thought to the future. He preferred to let life steer him forward and to follow in the footsteps of Louis, his best friend from as far as his memory went, his lover, his everything. Louis knew better than he did what was good for him. It changed drastically when Louis was ripped away from him, drafted and sent to the front to fight in a war that Harry had always been sure would never reach him. Too young and too sickly to follow, Harry was left on his own for the first time in his life. When he thought things could not possibly get worse, Louis went missing at the Somme and was declared dead. While everyone buried and mourned him, Harry never moved on. If Louis were dead, he was sure that he would know it. Their lives were too entwined, he would know if half of his heart had died. Determined to find Louis, Harry did everything he could in his quest to be reunited with him, except prepare for the state Louis might be in. He did not prepare for the harsh truth he would have to face: was love possible without memories?
The Post-War BP || jaerie || a/b/o - mildly dubious consent - dystopia - post-war - mpreg - 17k The eight year war has left the country's birthrate severely stunted with a lack of virile alphas left to bring it back up. To ensure the survival of the country, the government opens The Breeding Program where young omegas can apply to carry an alpha's child in exchange for benefits. Louis' family is struggling and the BP is one of the only ways to secure a roof over their heads. Harry was drafted at the age of eighteen and spent six years of his life defending a country he doesn't recognize when he returns home. The government made the bed but it's Harry that has to lie in it.
Graphic design is my passion || FullOnLarrie || college/university - mutual masturbation - 6k Graphic design student Louis Tomlinson has exams to study for and final art projects to complete, if it would stop raining long enough for him to walk across campus. Luckily Harry Styles has an umbrella, and he’s perfectly willing to share. Louis doesn’t plan to get his heart broken and he doesn’t plan to make almost a hundred silicone dildos. One of these things definitely happens.
Fiction Romance || rougeandtonic || collge/university - blind date - misunderstandings - 17k Harry has a type. He likes older, sophisticated, mature men. Well-educated men. Men with life experience and passion for arts and social causes. Men who are established in their careers, who've sorted their lives out. Niall knows this. And so Harry can't understand why he's sat here opposite Louis Tomlinson. A punk Louis/uni Harry blind date AU.
Flawless || Throwthemflowers || strangers to lovers - injuries - angst - hurt/comfort - 25k After a debilitating surgery, former concert pianist Harry Styles isn't able to come to terms with his new reality. Sundered from his high standards of performance, Harry can't seem to feel anything anymore, except perhaps interest in his favorite coffee shop's barista, a man who seems wholly unsuited for the job and whose blue eyes hold in them the same pain that Harry struggles with every day. When fate renders them more than mere acquaintances, Harry is forced to deal with the insecurities of his condition and his stubborn pride. Louis wants to love him, but Harry can't accept that, because he can't accept himself. And besides, he's never loved. He doesn't know how. He just wants to be able to play his piano like before, because it was safe, because at its keys he could control the roiling of his heart and funnel it into music. With love, things are much too risky. Why would he ever take such a chance?
Snow Big Deal || FullOnLarrie || smut - 8k Louis is a professional snowboarder set to appear in ESPN The Body Issue and Harry is an assistant photographer working for the magazine. They have more in common than they think.
The Way Her Body Moves || dimpled_halo || Girl Direction - friends to lovers - 2k “Need help?” Harry jumps, her eyes widening as she drops the manual. She puts her hand to her chest, breathing deep. Her eyes meet Louis', her gorgeous co-worker who’s stationed in the office right next to hers. Harry has the biggest crush on her. She and Louis started working at the company the same day, right after New Year’s, and it’s been torture being around such a pretty person. Harry has caught herself multiple times staring at her, the way she talks with those soft glossy lips of hers, and her eyes. God, those dreamy blue eyes are embedded in Harry’s brain. She dreams about those damn eyes every night, she swears. Louis clears her throat, shaking Harry out of her thoughts. As much as she’s tried to get this chair together on her own, she needs the help. Harry was barely able to lift the backside of the chair by herself.
O! Yes! || homosociallyyours || a/b/o - omega/omega - sex toy store - 2k Louis is a somewhat sexually awkward omega into other omegas. When an omega-centric sex shop opens near his favorite coffee shop, he definitely doesn't plan to check it out. One friendly ambush later, he's standing inside and talking with a too pretty omega about things that definitely make him blush. He's not the only one blushing, though. Harry, the cute and enthusiastic toy store employee is too.
Small Voice In The Choir || Star55 || Girl Direction - homophobic language - 8k Louis is just a little lesbian who wants to audition for the school choir. She doesn't expect to gain a new friend from it.
All we can do is keep breathing || thealmightyavocado || Greys Anatomy inspired - medical AU - slow burn - angst - character death - grief/mourning - emotional hurt/comfort - 310k A fated story of two broken and battered boys who barely survived the unimaginable and how the love of one little brave girl defies all the odds and somehow puts them back together.
Drifting || noellehenry || enemies to lovers - implied/referenced homophobia - misunderstandings - 18k Canal Boat AU Harry becomes the owner of a shabby narrowboat, quite unexpectedly. He decides to keep it and make his longtime dream come true; he’ll start his own business, afloat. He embarks on a new adventure in a small village along the Grand Union Canal with his boat ‘Gay Tunes’ where his neighbours are the musician on the 'Black Velvet’, a fitness centre owner on the 'Slow’ and an extremely annoying bookshop owner on the 'Floating Pages’; seriously, what is Louis Tomlinson’s problem?!
Pillow Talk || FallingLikeThis || sexuality crisis - mutual pining - fake/pretend relationship - 26k When Harry starts having confusing feelings for a male classmate, his sister's best friend, Louis, helps him figure himself out. Cue lots of kissing, sex, and falling in love.
Naked Attraction || reader_chic_2 || Naked Attraction AU - meet-cute - famous/ not famous - 12k Naked Attraction: a gameshow where the contestant views 6 naked possible partners and narrows them down based off of pure attraction. Harry was not a fan of the shallow gameshow, so he decided to mix it up a little. Louis Tomlinson was the only gay and unfortunate staff member chosen to step in for one of the six possible partners when someone dropped out. He hated working there, and he definitely didn't want to agree, but it was too good of an offer to be turned down. Nothing would come out of it, surely, and they even agreed to keep his identity a secret. That all changed when famous singer Harry Styles walked out. Louis had no idea who he was, and Harry liked that about him.
Everywhere And Nowhere || 2tiedships2 || a/b/o - strangers to lovers - secret admirer - 16k Niall took a seat and said, "Apparently Louis' downstairs neighbor is a fan of giving Louis creepy gifts. Maybe I should go introduce myself and tell him that Louis actually prefers food." "What has he given you?" Liam asked. Louis shrugged as it were no big deal. "There was a rabbit's foot keychain on the door a little after he left from introducing himself and there was a small teddy bear sitting by my door tonight. Obviously I can't prove it's from him, but they seem to have his scent. I could be wrong though." "Wow," Liam said, looking deep in thought. "That's old school." "What's old school?" Niall asked. "Giving creepy gifts?" "I've never known an alpha to do it, to be honest, but he's courting you." Louis couldn't contain his look of disbelief directed at Liam. "He's courting me. Like some sort of romantic shit they'd do in the 1800s or something?"
Play It Back and Press Rewind || crimsontheory || childhood sweethearts - angst - mentions of death - 22k Harry and Louis were high school sweethearts until Louis broke it off when he moved away for uni. Ten years later they both return to their small hometown for a funeral.
Love Will Tear Us Apart || lovelarry10 || childhood friends - punks - friends with benefits - alcohol abuse/ alcoholism - drug addiction - drug abuse - recovery - angst - major character injury - 103k A story of two halves. Louis and Harry had it all - a career, friendship, and some of the best sex either of them had ever had. But Harry ruins it all with one life-changing mistake ... and Louis is left to pay the price.
Take Me Down Slow (Don't Let Me Go) || jacaranda_bloom || a/b/o - friends to lovers - omega/omega - 26k The one where Louis wants to find the right kind of partner to love, Niall hates snowboarding, Liam wants to settle down, Harry is really good with his hands, and mother nature could be the thing that changes everything.
Medicine || SophiaSoames || enemies to lovers - 23k I've had a few, got drunk on you and now I'm wasted. Louis Tomlinson doesn't do feelings. He doesn't do relationships. And when he has an itch to scratch there are always clubs and hook ups. Quick dirty encounters in dark places that feed the need that brews in the pit in his stomach. He works every hour of the day as the Front Office manager or the Clouds Westminster hotel in central London. He's a good boss, and he knows his shit. Then that asshat Styles swans in like he owns the bloody place and Louis's carefully managed world starts to fall apart. Harry Styles needs. He's impulsive and stupid and childish and probably the last person in the world who should be allowed to run the Food and Beverage department at the Clouds Westminster, however many brilliant ideas he has and seems to manage to miraculously pull off. He needs. And he needs Louis Tomlinson. It's a match made in hell. A recipe for disaster. There will be a bloodbath one day. They all know. Everyone knows.
Streetwise hercules || jacaranda_bloom || collge/university - fake/pretend relationship - 7k Uni AU, where Louis pretends to be Harry's boyfriend to scare away his one night stands.
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silasmadams · 4 years
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YOU SHOULD BE WATCHING...READY OR NOT 👰🏼
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(Theatrical Poster, image courtesy of Ready or Not (2019 film) )
The world has gone to shit so I’m here to recommend some movies to pass the time or offer up a momentary distraction. Remember to stay safe and continue to self-isolate/social distance. If you’re able, consider the following ways to help out frontline workers. (How to Help Your Community During the Coronavirus Crisis | The Strategist ) 
Now, onto the review… 
Ready or Not is a 2019 film written by Guy Busick and Ryan Murphy and directed by Matt Bettinelli-Olpin and Tyler Gillett. It follows the story of a young woman, played by Samara Weaving, NOT Margot Robbie as everyone seems to think, it’s ok I made that mistake too. Her character, Grace, is about to marry into the family of her boyfriend of roughly over a year and a half, Alex Le Domas (more like dumbass am I right?! I apologize for this joke…in my defense the movie makes this joke too). 
Alex comes from an affluent family that runs a board game empire and has recently stretched out into sports. Whenever someone marries into the family they are required to play a game with the family after the wedding ceremony is done and night falls. This game can be chess, checkers, OR it can be hide and seek aka the one deadly game. In hide and seek, the family must hunt the person marrying into the family until sunrise. If the family succeeds then they get to live but if they don’t they die. This is due to a deal their ancestor made with the devil to stay wealthy and powerful. I’ll keep the review relatively spoiler-free. Be warned though if you want to go watch the movie now, there is a lot of gore and violence. 
What I liked about it and why you should definitely watch it:
The special effects aren’t the CGI fake blood type effects, rather they’re practical effects that are well done. Some of them are reminiscent of another wonderful dark comedy/horror movie, The Cabin in the Woods (2011). The effects in the final scene are both hilarious and horrifying (I mean that in the best way possible), and they sent me into a fit of laughter. I’ll be honest I felt guilty for laughing but hey, it’s dark comedy for a reason.
The characters are an absolute delight. The family is full of just the worst, most selfish people, save for one character and I love them all. The dynamic of the family is clear from the moment they’re on screen. You don’t need long-winded explanations or backstories on the spouses of the other family members, rather you get tidbits and you’re able to get a general idea of what’s going in their lives. Basically, the characters of the family are a great time without having to be exposition machines or overstaying their welcome.
Grace is an interesting character in not only her relationship with Alex but her own survival tactics and her backstory. Like many of the other characters, we don’t get too much detail on her but we know she comes from a poor background and has a history with foster families. From looking at the poster one would think that Grace would go Rambo on these people and she does to an extent, but the majority of the movie involves Grace having to be stealthy because she is not some jacked-up fighter or soldier ready to take down an entire extended family. She’s one woman that thought her wedding night was going to be the best moment of her life. I like that the filmmakers went this route instead of what the poster implies which is that she has a complete handle on the situation and she is able to take them all down, because where’s the fun in that?
The setting and the set design. I’m not one to usually notice set design but some of the details here were something even a casual viewer would take notice off. The games that they showed at the start of the movie and throughout in various other scenes are all fake but they’re designed so well in their logos and their names that you could actually believe they were odd old-timey games that can be hunted down now on eBay or the like. As for the actual setting, the manor is isolated on a large plot of land with the only other neighbors being similarly rich folks. These neighbors are hinted at having made similar deals with the devil and are thus no help allowing for a tense atmosphere. The manor itself is decorated in an extravagant way allowing for it to be eccentric and creepy though not too skin crawl worthy. It captures the feel of an old-money home. 
It’s fun. It’s just a genuinely funny movie that manages to also keep you on the edge of your seat fearing for Grace’s life. Treat yourself and give it a watch, have a thrill and a laugh.
SOURCE
Ready or Not (2019 film)
BUY OR RENT IT HERE
https://www.amazon.com/gp/video/detail/amzn1.dv.gti.6eb65015-0ac3-1f7e-1a79-659a6bbe965b?autoplay=1
https://youtu.be/FRo-T87hTKU
https://www.vudu.com/content/movies/details/Ready-or-Not/1216785
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How to Help Your Community During the Coronavirus Crisis | The Strategist
CHECK OUT MY BLOG IF YA WANT
https://silasmadams.home.blog/2020/04/18/you-should-be-watching-ready-or-not/
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