#i think my mind just exploded

[brainrot-dot-org]

can someone tell me wtf just happened

[kuromi-hoemie]

i am not immune to transmascs in sweatpants and a sleeveless top

im rly fucking weak about it actually

[vwoop-prince]

YJ S3 Dick, still in the midst of his fever dream, hides underneath the 'souvenir' instead of behind some boxes, and accidentally opens the airlock trying to take care of the Parademons. The others get it to close... but not before Nightwing is thrown into space.

There, he stares at the ship holding his friends and mentors. There, he wishes more than anything that he can, somehow, survive. There, he tries to live, if only so his family don't have to bury him like Jason.

There, Nightwing dies, wanting to save everyone, even with the cold seeping into his bones far too quickly for a regular section of space.

Then, Dick opens his eyes to... Earth? There's a little house, and grass, and trees, but there's a bubble of green over it all. Outside of that green was an entire castle, one that looked like it should have far more support beams than it does for even a hope that it stays standing.

And the sky was swirling shades of that same green. It makes him think of Lazarus.

"Well, that's something you don't see every day." He whips his head behind him, a bit too fast for Earth's atmosphere, but it doesn't hurt him. Past the bubble of green was a blue-skinned adult in purple robes, the insides of a grandfather-clock fitted inside their torso, and a black staff with a stopwatch on its top. Beside them was a man with snow white hair, glowing green eyes, a crown of frozen fire dancing above his head, and the most galaxy-like cloak Dick's ever seen clasped to his shoulders. He's wearing... a hazmat suit? Maybe? The twinkling stars and odd lighting of wherever he is were giving him a bit of a headache.

But in front of those two, within this bubble, was...

"DICK!" Wally shouted with unrestrained glee, a blur overtaking his spot for barely a heartbeat before Dick's stuck in a crushing hug that he reciprocates once his brain stops feeling like its melting.

He doesn't know how long it took for them to calm down, but the man with the crown spoke up after a time, as Wally was still wiping their faces free of tears. "Welcome to the Infinite Realms, Nightwing." Dick barely even registered that he was still wearing his suit, but now it felt suffocating. "I suppose you're the one Clockwork was holding out for; There shouldn't've been enough Ectoplasm around you to form a Ghost, and your physical body's still in space. I can see why you like this one, though, Clockie," he states flippantly, turning to his companion. Almost like he didn't expect Dick to pay too close attention to what he was saying.

"Either way, there's two options for you." The man didn't let Dick swallow his tears and question anything. Dick's not sure if he's grateful or not. "First: Stay in the Realms permanently. You'll see Kid Flash whenever you want and learn to be a Ghost with the denizens of the Realms. Maybe find your parents."

"But..." Dick pulls away from Wally, keeping him at arms length, eyes flitting between them. The two outside the bubble were distinctly... ghost-like, so the mentions of 'Ghosts' make sense. But Wally looked... alive. A bit pale, a bit thin... but alive. Dick can't see any of his own skin to see if it was blue or tinted that way, but the Nightwing symbol on his chest kept flickering between its own blue and this 'Realms' green. "But--What about the others? What about you? Why can't you come home?" The last two, he focuses on Wally, because now he can feel a heartbeat beneath his gloves. Wally's alive. He's alive.

His friend just shrugs. "Something about their portals not fit for the living? I'm meant to wait for someone to figure out a permanent portal, but they won't tell me how long that'll take." Wally glares at the... 'Ghosts'? There was a heat to it, but it also seemed like this was a well-worn argument.

"The permanent portal was always an 'if', Wallace West. And that is entirely dependent on if Richard Grayson takes the second option," the clock Ghost--Clockwork?--speaks up. But instead of the adult Dick was expecting, there was an elderly Ghost in their place. Still with the time motif. Was that... more literal than Dick took it?

"Yes, the second option..." The crowned man glares daggers at Clockwork. The temperature dips below comfortable. Dick tries to blink the spaceship and stars out of his sight, withdrawing his arms from Wally to try and warm himself. Tries to remember he's not in space. "The second option is that you return to your body... changed. You'll be able to protect Earth better, stay with your alive family, save the Lost Ones... for a price."

Dick doesn't know if he should ignore the plural in 'Lost Ones'. He doesn't know if he's reading too much into how, in this Realm, apparently only his parents were able to be found. Where's Jason? He doesn't dare hope, but...

"What's the price?"

The man smiles and a ring of blue forms around his waist. It splits in two and travels up and down his body, replacing the cloak and whatever clothes he was actually wearing with a NASA shirt, worn jeans, and red sneakers actually duct taped together. The blue tint to his otherwise tan skin fades completely. His hair turns black. His eyes turn blue.

He was like a taller, slightly slimmer, way hotter version of Bruce.

The man walks through the bubble, but doesn't disturb the grass beneath his feet. "You become the Ghost King's vassal." Dick flinches away and almost hides behind Wally. "Not my idea! But, well... it is either this, or your permanent death."

"What does becoming a vassal do to him?" Wally asks, gently trying to stop Dick from breaking his ribs with how tightly he was hugging himself. Does he even have ribs?

"He gains my powers. Ice, electricity, invisibility, intangibility, flight... He becomes a Halfa. He becomes what I was, in life. Just... needing to make offerings to me, now and then. Something like that, at least. I give him powers, he gives me a chunk of, I don't know, chocolate once a week. Like a warlock."

Wally keeps talking to the man, keeps getting information that he knows he should pay attention to, but something in his chest screams to accept this deal, and he can't focus on anything else.

Nightwing can protect. He can return to life and go back to Blüdhaven, be the Vigilante they need. He can visit Gotham every now and then, help with cases and stop criminals from harming others. He can see his brother. He can see his friends. He can eat Alfred's cookies, and have little get-togethers with Babs and the Team--hell, he can argue with Bruce.

And all he has to do is... give an offering to this guy? The Ghost King? Every once in a while?

"There's no other price?" The King turns his attention to Dick. His eyes had shifted to a blue-green that almost hypnotize him. The green swirls, the blue forms and melts like snowflakes, and he can't look away.

He takes another step forward and Wally steps to the side. There was familiarity between them. Wally deferred to him. Dick can't quite tell why. Though, with how Wally hasn't once looked at Clockwork, maybe it's because he's... grounded? Are all speedsters in trouble with, what, the Ghost of Time? That... actually makes perfect sense.

"I'll be honest, Nightwing: You've impressed me." The weight behind the King's words lifts the ones that've been on his shoulders since he was nine. "You remind me of myself. Maybe, if I wasn't a Halfa... If I had a mentor... I could've been like you.

"Despite Clockwork's insistence over the years that I get back in touch with the living, I've held off. When he eventually suggested that I help create another Halfa, I locked him in his tower for twenty years. I didn't want anyone to go through what I had. But, now... I see that you won't. You can't. Even if you hide this deal--our shared powers... You'll still have people by your side. Strong people. Smart people. You can already handle yourself. And I'd love to see what you can do--who you can save--with my help."

There was maybe two inches between their faces when the King finishes speaking. Dick roves his eyes across the other's face, trying to find the common and familiar ticks that show lies and deceit and manipulation. All he finds is sincerity and genuine care.

Wally plays with his fingers from the corner of his eye, gaze hopeful as he looks between the two of them. Wally, who was alive and breathing and able to leave if he accepts. Eventually. Somehow.

Dick Grayson sends a quiet apology to his parents and hopes they will forgive him for being a little bit selfish.

"I accept."

He flings his eyes open. Above him, domino mask too wobbly to be properly secured anymore, was Robin crying and begging him to wake up. His hands were sloppily placed over his heart. Batman was trying to drag him away, the firm set of his jaw screaming grief.

Nightwing gasps once he registers his lungs burning.

There's a large cacophony of noise, multiple bright suits and people hounding over him, and the distinct artificial taste of slightly-too-much oxygen that the ship with the Parademons had. That he flew out of and died. He was still too cold.

Someone moves their arm beneath his knees and shoulder and Dick passes out.

(Dick 'Nightwing' Grayson dies in space. Ghost King Danny Phantom likes this too-human Hero. They split their souls in half, take one piece of the others, and all they know is that Phantom is now Nightwing's Patron Deity. Danny uses ice, for electricity killed him. Dick uses electricity, for ice killed him. They are opposites, and yet so incredibly similar. Clockwork was looking forward to when Danny starts putting off his paperwork to hang out with his new 'friend'.)

[schyrosoreffs]

some aphmau art from like twt uhhhh O(_

[triangular-static]

look i understand if people just don't like the idea of billford, i think we have a different internal concept of what shipping means (they're not good for each other at all but i need to dissect their dynamic like a bug. you understand. it's fun) but it's fine to avoid things you don't like, good for you genuinely

however people saying they like. don't see it. like. i'm not saying there's no platonic way to read it, i'm aroace spec myself i'm all for reading things in different ways. but i do think saying they weren't partners in any queer sense at all is trying too hard to go against what the narrative is trying to say, or missing it. somehow

anyway media literacy time if a character makes a joke like this

and the previous context of that joke within the show is that it's about an ex wife. what connection do you think the text is trying to get you to make.

and that's just from a writing point of view. not even noting that from an in universe perspective ford likely knows the joke from the same source as stan. and is therefore. placing himself in that role of the joke are you seeing where i'm coming from

(not to mention bill's side of this text which is. extremely manipulative but also does not read very platonic. again, it can technically be read as platonic! bill literally can manipulate ford's feelings. but the specific wording used is very much meant to look like possessive ex partner wording whether the character means it that way or not. it's coding. look again i'm not saying it was good for them i'm just saying there was something there.)

and then there's also the divorce/break up/rock bottom input on the website. like. how else is that supposed to be read. and the corresponding page in the book itself.

the language being used here. like yes he's saying it in a joking way but then there's the other side that isn't joking which is him crying at the bar. it's the both sides (the very coded language on top of the very genuine emotions and dynamic beneath)

i know most of us are on the same page with this i've just seen a couple people saying they don't see it when this is some of the most clear cut coding i've ever seen. and these are just the things that explicitly reference a relationship off the top of my head i'm not even including the general vibes of Everything

tl;dr it's barely even subtext anymore it's all but straight up text. what's not clicking have we forgotten what coding is (lighthearted i just enjoy the phrase what's not clicking. what's not clicking)

[crabussy]

worlds friendliest galactic vagabond with so much trauma

[waitineedaname]

my inner monologue is just always thinking about ritsu way too hard

[thekittyokat]

you ever just have a lot, a LOT of feelings all at once about a character and not even remotely enough words or brainpower to FORM the words to describe everything you're feeling. so it feels like you may explode. yeah

[feroluce]

So I spoke somewhat about my thoughts on Emanator Sampo here, but I never really thought of it from a design point of view or what kind of powers he would have until just recently. But I actually kind of love leaning into it from a "stage hand" perspective?

Because like. Aha's body in THEIR official art is completely black, giving attention to all the fun brightly colored things around THEM. And that's so fitting for Sampo! He usually prefers to be a side character. He likes to act from the shadows. His is a much more subtle hand.

So I wonder if as an Emanator, a lot of his clothes are actually very dark? Not necessarily plain, still extravagant and needlessly detailed in things like cut and quality with lots of different fabrics and textures and ornamentation, but dark. Or maybe even his skin itself becomes blackened further down his body; his hands in particular are dark, as a sort of sleight of hand reference.

The motif of a lot of straps wrapped around him like in his canon design is still present, but they're all loose and flowing off of him like paper streamers now instead of restraining him or holding him together. He is no longer contained! Or maybe they're still a bit more rigid/heavy, but just draped more like red stage curtains!

And this is like. Fully self-indulgent, but I love inhuman designs, and there's nothing in canon to say I can't do this, so screw it! Go for broke!! Maybe it's not visible to normal people, but Sampo having a second set of arms would be really cool, as further sleight of hand reference. One set is almost normal looking, but his hands are a bright, attention-drawing white, and the other is dark, set almost in the shadows of the first arms, to act less noticeably.

He also has something of a broken heart design to him in canon (the front of his black shirt with its jagged shape down the middle; his coat looks like a full heart shape in the back), and I actually like him keeping that element as an Emanator, because I think it suits him. Sampo says his taste in aesthetics and views on Elation involve human dignity,

and the story he helps create in Belobog involves the long and winding road of resistance and survival and eventual triumph in the face of some very adverse, oppressing odds. (I'm pretty sure I heard he once called Wildfire "artless" though, plus the man acts like he thinks Shame is some kind of dessert, so like ndkdjzjskkd) But the point being!!

I think Sampo is someone who can appreciate heartbreak and angst and tragedy in a story, because it makes the victory at the end all the sweeter. And this would be another thing he shares with Aha, because I think THEY did bless the Mourning Actors partly just to be a little shit, but also because Aha does recognize tragedy as part of THEIR Path, too, and you can see it in some of the game. So a broken heart motif can still suit him, and I like him having elements of both comedy and tragedy. Like his clothing having a happy sun/sad moon (like the moon in Aha's art) or him having both of the traditional comedy/tragedy masks in his design.

And as Emanator, Sampo can maybe play with the stage settings environment, too. Like lights sometimes behave strangely around him, appearing blindingly bright to someone or dramatically dark. Sampo wills it and suddenly there seems to be a metaphorical spotlight right where he wants everyone to look. And when he doesn't want to be noticed, his face seems to be cast in shadow, he seemingly just fades into the background, no one notices or recognizes him and he sneaks away easily. He can create smoke or fog literally out of thin air without his bombs now, too, the air will just suddenly thicken until his stage is obscured, and Sampo can set the scene as he pleases or disappear without a trace.

And in line with being a stage hand, Sampo can direct attention like no other. He was already extremely good at this as a normal mortal, and becoming an Emanator only took it up to 11, past human limits. Sampo points, and all present feel compelled to follow his fingertip. He looks away, and they all follow his gaze. He can even affect the mood of an audience; he can influence everyone to be calm and placid or he can whip them into a feverish frenzy. Sometimes a crowd will start to become unsettled, agitation stirring until it boils over, until it incites a full on violent mob.

And in the middle of all that chaos will stand one perfectly calm figure, face cast in shadow, until they quietly slip away out of sight.

[noxious-fennec]

"الخيل و الليل و البيداء تعرفني ... والسيف و الرمح و القرطاس و القلم" ، المتنبي

Translation: "the stallions, the night and the wasteland know me ... and the sword, the arrow, the parchment, and the pen", Al-Mutanabbi

A tribute of sorts to a man of many attributes.

[mikeystrawberry]

You ever just look like your dad

I noticed a bit of same face syndrome going on with these two so I was sketching them again to try and fix that. It’s subtle changes that it’s there.

[shepherds-of-haven]

im so sorry but bff blade absolutely hating mc's lame ass boyfriend red is the funniest concept in the world to me espec in a modern au. mc being like i love to hang out with my two favorite boys 🥰+blade absolutely white knuckling through it and exploding red in his mind. red just being like 🤠? the whole time. scream.

MC and Red walking along together:

Blade, trailing along approximately 3 feet behind them:

[spif-lol]

Reasons why the simpsons hit and run stream is jerma's best stream

it's ELEVEN HOURS LONG

you get to witness his slow descent into madness as he insists on playing the whole game in one sitting

I can watch it when i replay the game, would recommend makes it way more enjoyable

he spends too much time doing really bad impressions trying to copy voice lines for the game and yelling "HIRE ME IM AVAILABLE"

He decides to confess half an hour in that he knows nothing about the simpsons and has only seen like one or two episodes

this is ten minutes after he references a specific episode, and then proceeds to get told off for 'spoiling' an episode of the simpsons (from like 1995) by chat

Chat also somehow manages to convince him that ten year old boy Bart Simpson's famous catchphrase from everyone's favourite family animated tv show is 'eat ass'

In general it switches between him refusing to believe things people tell him about the game despite being true and falling for obvious lies

he starts the game going 'lol wouldnt it be funny if you could run over simpsons characters' and then jokingly drives towards civillians thinking they'll jump out of the way. they go flying. he is so confused

the dissonance between early and later parts of the stream are palpable. It turns from a cheerful and lighthearted exploration of a funny simpsons game that he refuses to take seriously or accept that it could genuinely make him angry, and transforms into a desperate race against time, his computer and his own hubris as he seeks simply to finish the game so he can sleep. This stream destroys him.

the way the stream highlights are named on his youtube is hilarious. "Jerma will not get angry at the simpson's hit and run" -> "Jerma might get a bit angry at the simpson's hit and run" -> "d'oh"

it's extremely funny how many time he's convinced he's in the last level of the game, only to be wrong. the first time he thinks that is in the first section and hour of the stream

easily his most rewatchable stream (this is gonna cover a lot of dot points)

the amount of tragic irony and foreshadowing in this stream is almost cinematic.

at the very start of the game he complains about the music being too loud and monologues about sounds and over stimulation of game music bothers him, which of course will be very funny in the finale

he also comments a few time at the start about how annoying homer's random voice lines are, and says 'oh god he's gonna repeat that a thousand times before the end of this game'. he's right, and it nearly drives him crazy by the final mission

speaking of the final mission(s), the second time he has to transport the toxic sludge from power plant to the school he like pauses the game and very seriously addresses chat like 'alright tell me right now are the next three levels also me driving the nuclear waste to the school that cant be possible right'. and then just accepting in defeat that that is in fact how this incredibly stupid and difficult children's game finishes

when he first races against the malibu stacy car and gets destroyed he gets mad and says he wishes he could drive that car. then when he gets to drive it in later levels he quickly decides its his favourite and maintains that until the end of the game

on rewatch... you hear him audibly crack open a can that chat demands he prove to them is soft drink and not alcohol like A WHOLE HOUR before The Incident and it's a little like watching a disaster movie where you see the characters laughing and having fun little knowing how they are being hastened towards their own doom... like chat keeps bugging him about it, he keeps making excuses, he keeps sipping the drink. they bring attention to it so much and you listen to it just knowing the pain that is yet to come. dramatic irony at its finest and most heartache inducing

15. ohmyfucking gaaaawd no! no... god... ICANDOITINAJUMP! ..... BART. WHERE IS HE??? BAAART!!!! AAAUUGH

16. actually fr there's a lot of memorable jerma lines in this stream, rewatching it is like watching a jerma funny moment compilation

17. the final couple of levels where he is getting steadily more overwhelmed to the point of ferality, and then he says he has an idea and goes to the sound menu and turns everything off. voice lines. music. sound effects. and then we watch him play the level in complete silence. and it actually helps him focus its really funny

18. the whole tragic sequence where he is in the FINAL LEVEL. he has played it so many times and just missed it by a few seconds. he is tired. he is hungry. he just wants to get off stream and eat a BURGER. he is focussing as hard as he can. he is almost there. he runs over too many things and the police are after him. but its okay. he's doing it! he's gonna make it!!! he gets to the school with time to spare and is sucked up into the end of the game beam. it's over. except then the police get sucked into the beam as well. he gets arrested in the beam. which teleports him and the car out of the beam. WHICH MEANS THE TIMER RUNS OUT AND HE LOSES. so he has to do it all over again. it's actually so so so funny and also something i think i personally wouldn't survive if i was in jerma's position in that moment

19. okay we have to talk about The Incident. bc i already alluded to it and bc like, i couldn't not talk about it. as stated above Jerma cracks open a can so you can hear it and chat immediately accuses him of being an alcoholic. he adamantly insists that it is a soft drink not a beer but they refuse to believe him unless he proves it by showing camera. he's playing on a modded ps2 pc port or whatever of the simpsons so it's a complicated setup and he explains that it would be too hard and also he's shirtless so they will just have to believe without seeing. chat continues to harass him while he goes on to play the game, specifically most of the lisa level. he laughs it off but eventually caves, gets up and get a blanket to cover himself and then alt tabs, holds his can up to the camera and says 'alright you satisfied? that might have just fucked up the game'. so then he tries to tab back into the game and it. crashes. hard. so hard that the game won't actually turn back on. so jerma's cursing and fiddling with the controls and saying its over. then it finally reboots and the game works and he's so relieved and it loads and he realises that he has lost SO MUCH PROGRESS. he's back at the start of the lisa section. this is truly the turning point of the game where it goes from being a fun experience to a nightmare gauntlet

20. on a related note: jerma waiting with bated breath *sound of simpsons game booting back up after refusing to for far too long* jerma: yeeeAAAAAH

21. im watching it right now as i replay, which is why im thinking about it obv. so i will almost certainly have more to add to this

[baylardian-1]

season 3 janeway hanging out with her kiddies more is a big fave era of the AU for meeeeeeeee <3 she's awkward at it but she's trying :')

Resolutions and Basics happen and it's the beginning of a shift for her in feeling like she actually wants to be a mother. It's a slow burn up through Coda which conveniently shares an anniversary with Threshold = their first birthday, seeing what she's missing (though the alien in Coda would probably try to frame it in her mind as being like "they're going to be fine without you" but she'd see it and be like "im missing these moments with them :(" and afterwords she'd finally make the decision to be more involved in their lives.

[raineandsky]

If you're taking requests, could I request a hero x villain thing where the villain wakes up in the hero's house, totally confused, and he tries to ambush her when she arrives with food? (She has telekinetic abilities, which helps with a lot. I imagine her house would look like the Burrow from Harry Potter - a bunch of things fixing themselves and all that.) But if you aren't taking requests, feel free to ignore this. I've got plenty of your lovely stuff to read. :)

im sorry this is so late!! thank you for the request, i enjoyed this one :)

When the villain finally regains consciousness, the first thing he notices is the scratchy blanket thrown over him. The second thing he notices, when he opens his eyes, is that the blanket is not his. Nor is the house he’s in.

It’s a world away from his home downtown—a low coffee table sits next to the little sofa he’s on, decorated with thick books that have clearly never been read and a blue vase that’s collecting more dust than flowers. The low afternoon sun streams in through wide windows and envelopes the table and chairs in the corner in a warm orange, the speckled colours of a light catcher draping over the woollen rug nearby. The villain wishes he lived in a place like this, but he’d never dream of being civilian enough to need it.

He has no recollection of getting here. Where was he last? Did he get entangled with a civilian somewhere? What the hell did he do to end up here?

The villain is so caught up in scraping his memory for a clue that he doesn’t hear the door squeaking open behind him. What he does hear is the gentle “oh, good, you’re—”

Now, panic is not a good look on a villain. But frankly, waking up in an unfamiliar home and being faced with a stranger that is approaching from behind gives the villain some instincts that’ve probably saved his life more than once.

He lurches up from the sofa with a snarl, earning a rather startled yelp from the newcomer and toppling the coffee table vase to the floor. The blanket he’d attempted to throw off in his attack has curled itself around him like a snake, and he gets no further than the back of the sofa before it trips him over.

“Oh, sorry!” the person says lightly. “That was a little more intense than I intended, but I suppose I wasn’t expecting you to leap at me either.”

The villain, trying not to let onto his embarrassment at this turn of events, glances up. A hero, one he kind of recognises, is holding a tray upside-down and looking back at him. No, actually, the tray isn’t upside-down. The villain is just on the floor.

“That won’t help you heal,” she continues with a short laugh. “Come on, lets get you back on the sofa.”

The villain goes to throw himself at her with nothing but his nails, but the blanket is wrapped around him unnaturally tight. The hero settles on the armchair opposite as it curls around his shoulders, hefting him to his feet before shoving him back onto the sofa.

“What the hell is going on?” is all the villain can think to say.

The hero smiles brightly, unbothered, and sets her tray on the coffee table between them before turning her attention to her shattered vase. “You were a little worse for wear by the time I got to you,” she offers unhelpfully. “Honestly, I was a little worried. You’ve been out for some time.”

The villain watches blankly as the vase picks itself up off the floor, hovering a few inches off the ground to meticulously piece itself back together. None of it would’ve clicked if he didn’t clock the hero staring at it like it’ll disappear the moment she looks away.

“You’re telekinetic,” he says flatly.

The hero turns back to him as the vase sets itself back on the coffee table. Its perfect presentation slips as the hero lets go of it, several pieces sliding out of formation and dropping to the table. “Maybe.”

She gives him a coy smile. The blanket still has a tight hold of him, keeping him sat on the much too comfortable sofa. The sun is moving, throwing some of her face into wild yellows that brighten her face more than a hero deserves. God, the villain hates all of this.

“You got a bad wound in your battle.” The hero gestures to her side vaguely. “You need time to recover, so I would suggest you stay here until you’re better.”

“I’d much rather be at home than trapped here with you,” the villain snaps.

“Oh.” The hero tilts her head in a way that the villain knows isn’t genuine. “Well, you shouldn’t move around too much. Do you have someone at home who can look after you?”

The bitter silence that follows brings another smug smile to her lips. “Then you’ll stay here,” she says after a moment. “My house will make sure of it.”

“Can you tell your house to lay off? Your blanket is trying to strangle me.”

The hero laughs brightly, and as she does the blanket’s vice-like grip loosens slightly. “I brought you some breakfast, by the way.” She gestures to the tray, which the villain now notices has a bowl of soup and several pieces of bread on it. “It’s proven difficult to feed someone that’s unconscious, so please do make sure you eat something.”

She gets to her feet before the villain can think of anything to dispute her. “I’m just going to clean up in the kitchen. I’ll be back in twenty minutes.” She points to the tray. “I expect that to have gone down when I get back.”

With one last smile she turns on her heel and lets herself out.

The villain stares at the closed door for a moment before turning his gaze back to the steaming bowl in front of him. For god’s sake, it does smell good. He takes it in his lap, nabbing a piece of bread with him and dunking it into the soup.

The vase is slowly disintegrating, pieces dropping out of place every-so-often. The villain watches it like entertainment as he eats, but eventually it starts to get on his nerves. A quick scavenge of the hero’s drawers finds him a tiny tube of glue.

All of this is a pain in the ass. At least this gives him something to do with his hands.

[potatobugz]

buddy is surrounded by horrible horrible adults like at all times and it is deeply stressing to me. not to baby him, i do think he is easily mislead but he is not stupid. but also like. can he be given a moment to breathe actually. can he not be manipulated for one second. please put him in a normal social situation with regular teenagers his age please im begging you