#i totally suffered from it

[tiny-huts]

I'm just.... Kind of tired of like a ton of fantasy worlds having like the gods are bad, every church is corrupt, faith means you're dumb and gullible plots. Like regardless of a ton of authors and such refusing to engage with how polytheism differs meaningfully from like... The fucking Catholic church.. it's just such a dismal way to think about things. Like I like fantasy for the hope and the sense of wonder and such..

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[sgt-tombstone]

the comedic potential of Simon Riley’s middle name being John is unparalleled

He doesn’t tell anyone at first, but it’s definitely why he calls Soap “Johnny” and Price by his last name or rank only, because it’s weird that two of his teammates have the same name as his middle name

When Gaz finds out, he’s livid. The 141 is 75% John; he can’t fucking get away from them. Price points out that his name is actually Jonathan, thinking he’s being helpful (he’s not) and Johnny thinks it’s the funniest thing in the world

Simon seriously considers a legal name change just to keep the peace; he’s always loved the way John Riley sounds, but the ring in his dresser will make sure he hears that particular combination for the rest of his life

[viperra1]

tw: blood, suicidal ideation (? probably ? it's Boone we're talking about so. yeah)

so make it one for my baby and one more for the road.

[turtleblogatlast]

[ cw: death mention / strangulation mention / stabbing mention / blood mention / self-sacrifice / codependency mention in tags / ]

I think a lot about how common it is for Raph to be the one to have direct focus put on him when Leo gets into all his near death experiences.

Like, when Leo is thrown off a building, it’s Raph who’s right there jumping after him, not even thinking about the consequences to himself when he does. When Leo almost gets skewered by the Krang, Raph’s right there to take the blow and send Leo to safety without a second thought. When Leo’s being strangled to near death, it’s a Krangified Raph doing the job, doing exactly what Raph would never, ever want to do. When Leo is telling Casey Jr to close the portal, it’s Raph who tries desperately to convince Leo otherwise.

Likewise, Leo is consistently very single minded when Raph gets forcibly separated from them. Both when in the sewers and by the Krang, Leo is dead set on finding Raph first and foremost.

I also think it’s interesting that during each of Leo’s near death experiences, the lightheartedness of his words during them goes directly hand in hand with both how close Raph is to him physically and how much danger Raph is also in in that moment. From a literal “I told you so” as Leo’s falling away from Raph to a soft joke about how “hero moves” are Raph’s style - both of these are on the more morbidly carefree side and both of these notably take Leo farther away from Raph and, in turn, have Raph not in immediate danger.

On the other side of things is the apology from Leo, heedless of the danger he himself is in as he seriously and genuinely speaks to a Krangified Raph face to face. Then there’s Leo’s freezing and desperation as Raph takes a hit meant for him and sends just Leo to safety, leaving Raph himself behind. Both of these involve much closer proximity and Raph being directly harmed - these together make Leo much more vulnerable in his words and actions, something not even the threat of death can make him.

These two care about each other so much, and they’re way too much alike for their own good.

[currentlyonstandbi]

[little-pondhead]

Oops.

While learning to control his powers under the guidance of Clockwork, Danny accidentally curses his own bloodline with the Curse of Sentient Food several centuries in the past. Originally, a witch was supposed to curse his family. Oops. Well, the Fentons were always adapting, and technically, either way, he'd end up battling dino nuggets at three am in his underwear, no matter who the curse came from. So he shrugged and continued on.

Unfortunately, this also means that out of nowhere, the timeline shifted, and some of his very distant relatives are now battling their food into submission at every meal because Danny is ultimately way more powerful than some mortal witch from the 1600s. His version of the curse reached literally everyone he could ever be related to for the last few centuries. Even if they were adopted into the family!

So, returning to the present time after training, Danny is a little startled to see some news clips of people's dinners coming to life and beginning revolutions. Wow, John Fentonightingale really got around, didn't he? He felt a little uncomfortable that now all these random people had to deal with their share of Fenton luck, but from some of the interviews, everyone seemed to be handling it pretty well!

Especially his so-distant-they're-on-another-tree cousins, the Kents, who contacted his family directly, asking how best to prepare a zombie turkey. Their son was coming for Thanksgiving with his new wife and some coworkers, and they just refused to make the guests fight for their lives on a holiday!

They invited the Fentons to join them, of course.

[triglycercule]

sleep deprived dust can't recognize what's dream and what's real when he goes in and out of consciousness so i think dust is allowed to be incredibly reckless when he's awake but thinks he's in a dream. he will kill whoever passes by him (or attempt to. for him it's an instict to shoot bones anyways.) he will drink 4 bottles of alcohol just because he thinks its just a lucid dream. have incredibly loud conversations with phantom paps because he's asleep so nobody will hear him talk. or just have loud ass breakdowns because again he thinks he's asleep!!! nobody's gonna know what he gets up to in his dreams. and until someone (probably phantom paps) tells him that he's not asleep and this is reality he won't realize until he's done something really reckless

horror is seconds away from exploding dust's skull open with his magic while dust is trying to strangle him and FINALLY phantom paps tells him he's awake and dust snaps out of it. killer is walking around the house with bones sticking out of him like pins on a sewing pattern (casually too. another day in the life for him) and he just asks dust what that was about. dust just gets off of horror and shrugs his shoulders with an idk. and then walks away. this is the 6th time its happened this month

[polarisbibliotheque]

Can You Hear The Rumble? - Vergil x Reader

Music Inspired Fics (Devil May Music) - Cirice, by Ghost

Pairing: Vergil x Reader

Summary: Everyone knew the kind of demon a hunter should be wary about is the one who plays with their victim's minds. You and Vergil were very proud on the outside - but how would it be when having to save each other on the inside for the first time?

TRIGGER WARNING: A lot of blood, cuts, bruises, scars and suffering on both Vergil and the reader's sides. The reader also struggles with perfection and self-loathing - in a "I'm never going to be a good person" kind of way, because I needed to get more intimate on the reader's part as well - and there are scenes with the reader covered in cuts and bleeding, though not self-imposed, it could be read like that. Those scenes are the reader's and Vergil's internal images of themselves. Reader and Vergil meet each other on their imperfections and the darkest parts of their souls, so BE WARNED. This might not be everyone's cup of tea and there are lots of potential triggers.

Author's Note: @tokkis-shelf asked me if Vergil's part of the Halloween special was inspired by Cirice, and here we are now. It is what kickstarted the song-fic requests! As with a lot of people, I think, Cirice is pretty personal to me.

In the video, it was so comforting to me seeing the black sheep being represented hahahaha and I guess that's why people love it so much. The part where they hold hands? I died, I'd never let go, I cry my soul out upon watching. (I did a very similar drawing to that scene when I was in school around 15 years ago, so it drop-kicked me out of my body xD)

Now, when writing this, I kept in mind that this song has a double meaning and can be quite comforting and quite manipulative at the same time - hence why I use the "can't you see that you're lost without me?" in two different situations, 'cause I think Cirice can be interpreted in so many ways and each person takes what they need from this song. I hope you guys like it!!

Plus, the song the reader and Dante sing at the end is The Power of Love, by Huey Lewis and The News

Cirice, by Ghost

“Can’t you see that you’re lost…?”

It happened every time Vergil walked in the darkness.

That voice in the back of his head, silently taunting him, the hiss of a quiet viper in the hopes of taking him back to the darkest parts of his soul. Quiet, lurking, whispering… Mundus always there, somewhere in the folds of his consciousness, guiding him back into the void – luring Vergil back into his shackles.

“Can’t you see that you’re lost without me?”

As if Vergil couldn’t belong anywhere else, as if his place was in Hell. After all he had been through, after all the sins he perpetrated, he believed wholeheartedly there was no hope for him at all – only a fool’s hope; only a glimmer of a wish he wasn’t as tainted as he was… A desire to not be such a monster as he was.

Pacing quietly through the empty cathedral, Vergil had already learned not to give in to those thoughts – to keep them at bay, as only a whisper in the darkness, of trickster voices that would always remind him of how inhuman he was.

It was times like this Vergil longed for the faint glimmer of the moon, or the warm ghostly light of a candle. It was easy to get lost in the dark, but a single ray of light could help through the direst of situations. That night, though, it seemed like the moon had fallen asleep behind the curtains of the clouds – Selene hiding her tears for her earthly lover in his eternal sleep.

None of you knew what that night entailed – you weren’t even certain what you were dealing with. That was the reason why Lady strutted in the Devil May Cry, not too fond of taking a job she didn’t know if it was up to her abilities.

“Well, looks like I have a new one for you to pay your debt, big guy!” Her singsong voice interrupted the ambience of the jukebox; Lady entering the shop with Kalina Ann and all.

“Eh, I’m never gonna be free of my debt, Lady, let’s be honest.” Dante sighed, putting his feet down and throwing his magazine across the table, shooting her a serious glare. “But things have been borin’ lately, so one of your odd jobs’ not gonna hurt. Whaddya have for me?”

“You talk as if I never help you enough to maintain this place.” She lifted one eyebrow, approaching the big desk at the middle of the shop.

“Gotta give the woman credit, Dante. Last month’s bills were on her.” You shrugged as you had finally come out of your shower, happy to see Lady around, still drying your hair with the towel as you went down the stairs.

“See? Someone who has a bit of common sense.” Her smile was nothing short of devilish as she gestured towards you.

“You know where you are, Lady. ‘Common sense’ isn’t much of a thing in this household.” You greeted her by quickly blowing her a kiss while passing by, making your way towards the couch where Vergil was quietly reading.

“Ey, you’re hurtin’ my feelings like that.” Dante put one of his hands over his heart, laughing alongside you as you kept on your way. “But fine. I’ll give ya that, Lady. So, what’s up? What job do you wanna throw at me this time?”

“I am not throwing it at you.” And there it was: you could always see when Dante stroke a nerve when Lady got defensive and with that fiery stare on her multicolored eyes. “If you wanna do it, great, if you don’t, I can deal with it myself just fine. I’m here to be a good friend since you can barely afford all that pizza you keep stuffing yourself with!”

As you sat by Vergil’s side, you both exchanged a telling glare. Just like you, Vergil was used to observing people. Granted, he didn’t know Lady as much as Dante or even you, but he did know her since he was very young. That fiery, easy-to-anger personality had been there since they first met at the Temen-ni-gru – and Vergil argued it was one of Lady’s traits that would never change.

Something he was quite pleased with, if he had to be honest with himself. It was a good trait for a human demon hunter like her. Dante always praised human’s hearts and particularly their love and empathy – Vergil praised their burning anger that made them unconquerable in the direst of circumstances.

“Jeez, alright, alright, don’t shoot me!” Dante raised his hands as if he was at gunpoint, making you wheeze quietly. Vergil side-eyed you for a while – half judging, half holding his own laugh. “It’s not like I have much of a choice, do I?”

“Humpf.” Lady rolled her eyes and took a slice of pizza from the box resting on the desk, pointing at Dante with it right after. “You know I wouldn’t bring you something if it wasn’t important.”

“Actually, you would.” With those words, Dante rested his arms crossed on the table – all the while, you and Vergil watched it all as if it was a show. Who needed a TV when you had those two? “But you’re bein’ too dodgy ‘bout it, babe. What’s goin’ on?”

“I got a call from a priest in a city nearby.” Lady’s answer was uncharacteristically quiet, followed by a bite from the pizza while she seemed pensive and in any hurry to chew it. “I’ve done some jobs there, know the guy, he’s nice. All the times he called me, it was always a quick, good-paying job. He said some weird things have been happening at the cathedral for the last couple of weeks.”

“Not to sound mean, but there’s always somethin’ strange happenin’ at churches.” Dante’s eyes carried a bit of skepticism: ‘weird things’ didn’t always entail a job for the Devil May Cry – and it usually ended with all of you hunting a rogue raccoon or something.

“I know. But this guy, he doesn’t get scared easy, ok? He’s one of those types of priests who’ll try to shoot down a couple of demons with a shotgun and, if that doesn’t work, he gives me a call.” Those words, though, made you and the Spardas raise your eyebrows. Indeed, it was a rare type of priest, but a good one to keep as acquaintance. “He said the cathedral is increasingly quiet, even from noises outside, with occasional distant noises that are not done by any of those who live there. After it all started, the other priests reported having weird nightmares, of being chased by something in the dark, inside the cathedral – this thing whispering things they can’t understand. Alright if it happened to one or two, but soon all of them started waking up in the middle of the night with similar nightmares – and, catch this, the higher ups of the clergy didn’t tell the common priests about it, but they all reported the very same dream.” Those words caught everyone’s attention. Vergil finally closed his book and leaned forward, paying attention to Lady’s retelling of the priest’s misfortunes. “The priest has been trying to figure out what’s going on, but some old books appear to go missing from the library, only to re-appear as if nothing has happened. Some books are missing pages, something that never happened before. He also said the inside of the cathedral has been getting darker and darker as the weeks go by. As if something is approaching – his words, not mine.”

Vergil immediately furrowed his brows and seemed to turn into an ice sculpture right by your side. You risked a glance, finding him with his usual dark aura – pensive, somber and quiet; hunter’s eyes showing themselves in a matter of seconds.

“Rare are the creatures in Hell in search for knowledge…” He muttered loud enough for his brother and Lady to turn their attention to him. “But those who do, are usually among the worst. Haunting noises, torn books, nightmares, dead silence and total darkness…”

“What? You think those Hell Piranhas came out of their pit?” Dante’s question had a bit of fun in the words, but his eyes were serious and he didn’t allow his lips to smile.

“Could be. Could also be a demon trying to mimic them to hide something else.”

“Hell Piranhas?” You and Lady didn’t need a cue to ask at the very same time. Neither of you had ever heard of that – and both of you had heard of a lot.

“This is not their name, but it is how Dante calls them since we were kids.” Vergil almost sighed in response.

“How we both called ‘em. Mister smart-pants over here isn’t that much better than lil’ ol’ me.” Dante winked at both of you, making you giggle quietly in return. “They’re kinda like illusion demons, but they like stayin’ in the darkness and gatherin’ knowledge. Usually work for someone bigger, though.”

“And even if they don’t, they swallow up all their knowledge and that is dangerous in itself. Afterwards, they feed from the victims they have been toying for so long.” Vergil continued Dante’s thought, ignoring his brother’s previous words. The more you didn’t think about what Dante had said about him, the better – for Vergil couldn’t deny it. “They hunt in packs, and the more victims, the more powerful they become. Some call them the Pit Deceivers, others call them the Lie Weavers…”

“You call them Hell Piranhas.” You concluded bluntly, making Vergil stare at the horizon with emptiness in his eyes – he could say all he wanted, flex all his demonic knowledge, you heard the Piranhas and now you’d never forget it.

“I never heard of them.” Lady had her eyebrows furrowed, searching her memory for some story like that.

“They either don’t leave the pit that much or not many humans survive to tell the story. That’s why.” Dante pointed at a great, old book Vergil had left on one of the tables a long time ago and now it was its official resting place. “You can find it only in the likes of the Codex Daemonica.”

“So either we have them around, or it’s something else. Something bigger. Right?” As you asked, Vergil only agreed with his head as the attentions turned to you. “Or something mimicking the Piranhas.” And Vergil had to sigh at your addition. He would never have peace again. “The mimic or the master, what kind of demon would the Piranhas answer to? If they are that obscure, I take it their existence is more of a niche knowledge in Hell rather than a common information.”

“On that, you are correct…” Vergil murmured in response, falling back into his pensive demeanor. You knew he would be lost for a while.

“See? Good thing I brought this for you, then.” Lady waved dismissively at Dante, but you could sense a little edge in her playful voice. Dealing with big things was fine, same as dealing with cruel demons and the ones that played the big-scary-one persona. Unknown demons were another kind of monster – one only Dante and Vergil used to deal with. “Plus, they always pay well.”

“Eh, I won’t be seein’ much of that money, if I know ya well.” Dante scoffed, having a small smile hidden in the corner of his lips; his tone and demeanor, though, were quite somber and you knew the red devil was taking it seriously.

“If you don’t mind, Dante, I would like to take over this one.” Vergil finally declared while getting up from the couch. “I know some of the hellish creatures who might make use of the Weavers or mimic them.”

“Fine for me, I’m needin’ some time to rest.” Dante sighed, but looked right back at you while Vergil rested his book on the big Devil May Cry desk. “But I’m gonna feel a lot better with someone around to keep an eye on ‘im, pretty thing.”

“Well, I didn’t intend on letting you guys deal with this all by yourselves anyway.” You got up from the couch, immediately receiving a glare from Vergil. “I’m going, blue devil, whether you want it or not. I want to get acquainted with these Piranhas.”

Vergil only closed his eyes, letting out the longest and most regretful sigh you ever heard in your life.

And there you were – although Vergil lost track of you quite a while ago. He knew the stirrings rippling through his heart when you were in danger; and being the fierce human you were, Vergil wasn’t worried about having you search for the demons in the cathedral.

There was, though, a slight uneasiness. That voice echoing in the darkest parts of his soul, it always came as an omen – causing nothing but destruction, inside or outside of himself. Vergil never could really say which one would be, but both were devastating.

“Veeeeergil…”

His steps came to a dry halt in the middle of the cathedral. The night outside the colorful stained-glass windows was pitch black, robbing the colors of their warmth and light – the fire on the candles, long dead in that cold night. The whisper that crept to his ears, like stark chalk on a chalkboard, dragged itself through the marble floor and took a hold of his soul in its clutches.

It was a different kind of sound – different from the ones inside himself, calling him to the darkness. It was from the outside… The Lie Weavers. Slowly coming up, finding him as their next victim. He was close to one of the places they were certainly lurking in the shadows, patiently waiting for someone they could consume.

Vergil never feared the darkness. Tightening his grip around Yamato, his steps resumed his way, approaching the places in the cathedral the faint light of the night could barely touch. Those demons should have known their end was near, and he was the harbinger of their demise – he expected all kinds of trickery, of resistance, of fight from them.

He did not expect to hear a familiar voice, filled with uncertainty.

“Vergil…?”

Halting his steps once more, this time his silvery eyes lost their predatorial gaze as his heart jumped in his chest – even if for a slight second.

“Mother?”

His answer was but a whisper before he was swallowed by darkness.

*

When engaging with illusion demons, one should be aware of not falling into their element: when engulfed by it, those demons were more powerful than expected, able to subdue even the strongest of foes. Breaking from their control required mental and emotional discipline rather than brute force.

It was a slight second – a foolish slip from his human soul, disarmed by the trickery of Eva’s voice – and Vergil was surrounded by a sea of darkness and turmoil. His heart stirred with anger towards himself for being such a child, a vulnerable stupid child, tricked by a puppet of something his heart missed so much.

Eva was long dead. There was no demon able to bring her back. And he would never see her again. All that logic was tossed aside in a spark of a second by his stupid human heart, trembling upon hearing her speak his name again. Granted, Vergil only heard his mother in his dreams, barely remembering how her voice sounded in reality, and this time he heard outside himself – but he should have seen it coming. Illusion demons, trickster demons, cruel demons… They all relied on the barely closed scars inside his damned human soul.

Vergil could always count on them to re-open those wounds, making him bleed as much as he did on the floor of that cursed cemetery so many years ago – and he was a fool to fall for it after he had been through so much.

“Vergil… Can you hear me…?”

“I can, you damned deceiver. You can stop these theatrics – mimicking my dead mother will not affect me.” His voice cut through the dark like the sharpest of ice, his predatorial gaze back into his silver eyes.

“I… Don’t understand you, son. I cannot find you.” Her voice had a tinge of sorrow and desperation – but it was exactly like Eva’s voice. Vergil remembered it with a tinge of gold, probably a result of the haze of nostalgia, but today it was grounded and melancholic – perhaps, that was how Eva had always sounded… He just didn’t remember it. “I can’t find you. You aren’t home.”

“I haven’t been home for a long while.” Vergil didn’t even try to hide the growl that raised from his chest as he argued with that creature. He was used to having a puppet of his mother parading in front of him to hurt his human soul even more, but that was already getting on his nerves. Taunting him about the fact his mother ran to find him that fateful night wasn’t part of the usual games those filthy demons played – and to say they were honing his wrath was an understatement. “And I will never be back.”

“I… I cannot see you, Vergil. Where are you…? Why…?” He could hear the weeping in her voice, faint sobbing while the desperation made her words tremble. Vergil raised his head in the darkness, holding his own heart not to quiver: she wasn’t real and it was all a gimmick to affect him. He would not be affected. He was stronger than that. “Why couldn’t I save you? Those demons they… They hurt you, didn’t they? Oh, my child! My son! They hurt you and I could do nothing! I couldn’t be your mother!”

“Enough with this, filthy, hellish creature!” His voice finally exploded from his chest, roaring in the dark and echoing through the void, finding only silence. “You have no right to desecrate my mother’s memory like this! Shut your putrid mouth and stop with your rancid lies!”

The glint of the Yamato being unsheathed made the darkness recoil for a split second, only to envelop the Dark Slayer once more. His grip was tight, his eyes fiercely looking for his first opponent to direct a very well-placed judgement cut that could end all those creatures with just one swing of his hand. Vergil had enough and all the patience he carried in his being wouldn’t be enough to stop him from overkilling those demons – he just had to know where to direct his wrath.

“Don’t say those words, Vergil… You are not… Not like this.” Her voice still trembled, and his hand was still certain around Yamato. Vergil knew quite well at that state he was a weapon of mass destruction, he just had to find his opponent. His soul was screaming for him to do that, to put a stop to all that mockery. “You are good… You are my son.”

Vergil would have sliced that demon into a thousand million pieces without flinching, even if it took the form of his mother – but his eyes widened as a soft, warm hand touched his face. In all those years being taunted by demons, being tricked and mocked, seeing so many puppets of Eva, Sparda and Dante, none of them had touched him… And none of them genuinely felt like them.

It had been so many lost years he hadn’t felt his mother’s touch – last time, she could cup his entire face, thumb lovingly caressing his innocent eyebrows, but now her thumb could only reach his cheekbones. Nevertheless, it felt like her: not like a golden, nostalgic lost memory of how she felt, but exactly like Eva’s hands, even with the slight roughness of her continuous gardening.

“It took me so long to find you… I am so sorry.”

“You are not my mother.”

“Don’t say that.” Her answer was a sorrowful whisper, her thumb now carefully caressing his sharp cheekbone. Vergil closed his eyes, unable to move, convincing himself all of that wasn’t real and not allowing his heart to sway – forcing his arms to remain frozen by his side, fighting the urge to embrace her. Reminding himself: his mother was dead, killed while trying to save him, a long time ago, and nothing could bring her back. “Your heart hasn’t hardened as much as not to recognize me. You…” Her voice once more became soft, as if trying to do the same with his soul. “You are not a monster… You are my son, my Vergil.”

With those words, Eva’s hand was finally met with a tear – melting the ice from those silvery eyes.

*

There was an impending storm rumbling inside your chest.

Whenever that turmoil took ahold of your heart, you knew Vergil was in trouble. You had just finished checking your side of the cathedral, finding some things out of the ordinary but no demons, when the waves became aggressive in your chest. Your steps were already taking you to meet him, but you found yourself walking even hastier – the sound, though, eaten by the shadows that seemed to only grow around you.

Neither of you had calm seas of feelings: they usually raged like a maelstrom of emotions you could barely get through without some destruction – be it internal or external. But there was a certain note of melancholy and desperation in your heart at that moment that made you know Vergil was hurting – and that hurting, you knew quite well.

It was almost ironic how you apparently despised each other at the beginning, but after a while you came to understand; that aversion was there because you, in a certain way, were a mirror of each other. You could see in him the traits in your soul you disliked the most, and Vergil did see in you the same thing – those traits, however, were the same ones that brought you together, and made both you and Vergil feel seen and understood for the first time in your lives.

He didn’t judge your sins, as you didn’t judge his. To your eyes, he was never a monster, and to his, you could never be as crooked as you thought you were. You found each other in imperfection and, in that, you managed to talk and feel on the same level – after that, every feeling of admiration, care and love was easy to blossom.

You understood that storm, that thunder rumbling inside your chest at that very moment. You could feel it exactly the way he felt – and you knew Vergil needed help… Even if he would never say so himself.

You couldn’t hear or see him, though. You found yourself exactly at his area of patrol in the cathedral, but there was no clue as where your blue devil had gone – and for him to completely disappear, imposing presence and all, was quite an achievement in itself. The air was stiff, heavy as if the windows had never been opened, eating up any sound from the inside and the outside. The darkness was heavier than the one you had previously patrolled, shadows allowing only a few glimpses of the opulent decoration and the path in front of you – although, you couldn’t see more than a few meters beyond your feet.

If you couldn’t trust your sight or your hearing to find him, you could trust your heart: the storm would guide you. Closing your eyes, you allowed your feelings to take over, following with your footsteps in the direction you could hear his soul calling.

Those shadow creatures wouldn’t be able to hide him from you: no matter what happened or where you found yourselves, you would always be able to feel Vergil’s presence and find him in the darkest of hours.

And as the thunder in your chest cracked violently, your feet came to a halt and you opened your eyes.

Right in front of you, there was only darkness. Not like in the shadows that took the cathedral little by little, but pitch-black darkness, that no light could cast aside. To enter it would mean to be completely bare: vulnerable, lost, without guidance, naked – but the screaming in your soul made it very clear Vergil was in there.

Contrary to your lover, you were afraid of the dark. You always preferred to have a little light by your side, for you never knew what could be lurking alongside you, ready to pounce and drag you to certain suffering and death. You protected yourself by being forever vigilant, as you always did – a trait that exhausted you, yes, but luckily, in the last few years, you had Vergil around to keep a light by you when your body started giving out.

For that reason, you would never fear entering the darkness for him.

And with a deep breath, your bold steps took you inside the dark.

*

Your feet were cold, bare, stumbling over a sticky floor. Even if your eyes could see only darkness, you felt the freezing air of that night slicing your skin: you were shirtless and something was hurting… Oozing. The cold wind mixed with a faint warmness that leaked from the open wounds on your skin.

Blood. You were bleeding.

Your arms immediately wrapped around you – those scars, they were showing. They never showed before.

Running your hands quickly over your body, you could feel the warm blood slipping through your fingers; some wounds barely holding themselves closed while others still poured as in the day they were created.

That was the version of yourself you used to fiercely hide. None of those wounds were physical, none of them could be seen… But whenever you looked in the mirror, you saw them there, under your skin, under your soul, quietly resting until you couldn’t hide them anymore.

“You are lost…”

It was always the same voice, of something dark, something inside you that could break your soul if you didn’t shove it back into the darkness like you always did. That was why you were afraid; that was why Vergil always kept a faint glow by your side whenever you couldn’t hold yourself together. The dark was dangerous to you – to both of you.

“You are lost without me…”

“I can survive quite well without you…!” You growled to the darkness, keeping that part of yourself at bay. The part that gave in to the pain, that bathed in the blood and didn’t want to get up… And the part that would bathe and rise in rage, making you survive at great cost to those around you.

You were past that. And you didn’t need that to survive. You didn’t have to survive, you could live.

“Can’t you see that you’re lost…?”

“Vergil!” Your scream was a roar in the dark, looking for the one you plunged into the darkness to find. You wouldn’t give in to the trickery of those Piranhas – and you would get Vergil out of there.

They would learn they shouldn’t fear only the son of Sparda: they should also fear you.

“You think you can find him…?” After the mischievous ethereal voice questioned, you heard a giggle rippling around your feet as you stumbled on the sticky floor to find your lover. “You think you are that good? You think you aren’t a monster?”

You furrowed your brows, doing your best to ignore the voices. You knew it was that part inside of you that always taunted how broken you were, how imperfect your soul was. For the longest time you believed there was nothing good in you, nothing to save you from a life of loneliness, until you crossed paths with Vergil.

He was broken too – and he would never judge the things you did to survive your lethal wounds.

“Vergil! Can you hear me?! I’m here to find you!”

“How chivalrous, how heroic! What are you trying to accomplish?” The giggles pooled around your feet, threatening to drag you inside that pool of viscous darkness. “Trying to prove yourself? You’re never going to be perfect. You’re a black sheep, an outcast, remember? The likes of you aren’t heroes.”

“Oh, I’m no hero…” You growled back, fighting against the things trying to pull you back; fighting against the pain of the freezing cold and warmness of blood. “I’m a fucking fighter. You’re messing with the wrong kind of monster, fucking Hell Piranhas.”

“Piranhas…?” A faint whisper in the dark broke whatever control those things were trying to have over your body, starting at your feet. It was Vergil’s whisper – followed by a louder speaking tone. “Y/n! I can feel you, where are you?!”

“Trying to find you!” You screamed back, immediately dragging your feet towards Vergil. You couldn’t see him, but you could feel where he was – and there was nothing those demons could do against that.

The darkness seemed to shift for a couple of seconds. You couldn’t understand what was happening, but you saw a faint, ghostly pale glow in the dark – almost imperceptible, but your heart knew, you could finally see Vergil.

And, in return, he could see you. Moving his feet, Vergil dragged heavy shackles through the floor, screeching in a horrid, soul scratching sound as he willed his body to move towards you. You could hear him grunting with the effort, another set of chains being dragged as Vergil moved his arms – slowly, but surely, wearing all of his strength to get to you.

You felt the viscous ripples of the floor creeping up your legs, almost on your knees, doing their best to pull you away – back into the darkness, back to the taunting voices, to the doubt, the hurt, the self-loathing.

“Vergil! Let me hear your voice! You’re still there, right?!”

“Yes. I am always here.” His answer came with grunts of effort, barely above the noise of the chains screeching around him.

The darkness shifted again, and his form became even more visible, as yours did to him – followed by a scream that rumbled in his chest, Vergil managed to get even closer. That made something spark inside yourself, that thundering storm breaking in your soul cracking in a scream that broke the insidious tentacles holding you back and making you lunge forward.

Once again, the glow you diffused only to each other seemed to get stronger as the darkness wavered.

“Y/n…” He growled once more, the shackles screaming on the floor as he reached out to you.

“Vergil…!” You reached out in return, barely making out the form of his fingers in the dark.

As you were almost touching each other’s hands, the heavy, muffling darkness faltered once more. You could finally see one another, as you were in that godforsaken place.

Vergil was shirtless, his body covered in wounds – new and old – bleeding profusely. His silvery eyes were red, sunken in deep shadow, surrounded by a deep purple mist on his dry skin. You could see his bones under his pale skin covered in so many lacerations you wouldn’t even know where to start healing him. His knuckles were battered, showing the flesh underneath, as well as his wrists covered by heavy iron shackles – wounds from fighting against them for so long. His hands were still long and elegant, but bony and covered in bruises.

You had never seen Vergil so hurt, so broken, so… Vulnerable.

In return, his eyes took in shock the vision of you: as shirtless as him, as battered and wounded as he was. Even if not locked in the shackles he wore for so long in Hell, you walked barefoot leaving a trail of blood behind you. Those scars, those wounds, those bruises… He knew they were there, but he had never seen those. You looked weak and tired, bloodshot eyes under dry skin, as if you hadn’t slept in ages… And those things you fought so much to conceal, now crystal clear in front of him.

Those were the scars you carried inside yourselves. The wounds you had to fight against every day – that you had to try to heal, even if sometimes it seemed impossible. The things you would never show, but, somehow, you managed to sense it in each other… Now you could see it, clear as a bright night.

And, even if you wouldn’t admit to yourselves, those were the very same breaking thunders that would keep you moving – fiercely fighting, fiercely surviving.

As you took in each other’s internal selves, Vergil’s silvery eyes finally found yours.

A loud thundering noise shook the floor underneath your feet twice, as your hearts rumbled alongside the devastating sound. You lunged forward, holding Vergil’s hand as if your life depended on it. Never breaking your eye contact, Vergil held your hand with the strength you would expect of the legendary Dark Slayer. You made each other stronger, and there was nothing that could come between you now.

His shackles immediately screeched back, pulling Vergil violently away from you. At the same time, you were grabbed by the viscous darkness – your knees, your legs, your abdomen, your arms. It pulled you back with vicious strength, doing its best to drag you away from him – back into the darkness.

“Don’t let me go!” You screamed back, tightening your grip around his bony hand.

“I will never let go!” He growled, doing the same, trying to drag his body forward – failing to notice you willed yourself towards him as he pulled you into his arms. Those silvery eyes never moved away from yours.

“You are lost…! Lost…!”

The voices chanted and screeched around you, doing their best to drag you apart. For a moment, your hand slipped and you let out a desperate scream, hurting your lungs as you were almost pulled back into the void. Vergil’s cry resembled a roar as he willed his body to move and tightened his grip in a way he didn’t hold even Yamato.

He hadn’t held his brother’s hand once. This time he wouldn’t make the same mistake. This time, he would hold you even if that damned the both of you to the darkest pits of Hell.

“Can’t you see…? Can’t you see that…?”

“I am lost…!” You barked back to the voices, still staring into Vergil’s eyes, trying to catch your breath while your lungs stung as if you were inhaling a thousand knives.

As Vergil looked into your eyes, though, he knew exactly what you were going to say – and he could safely say it was the very same thing he struggled to find the words to.

“Without you.” His answer came in a dark tone, ragged from the effort he too made to be able to hold your hand.

The thunder rumbled twice again – the voices shrieked and you suddenly found yourselves being launched into each other’s arms as the forces that bind you broke into a million pieces.

Vergil’s arms wrapped around you, one of his hands holding your head close to his chest, as you wrapped yours around his waist, keeping him as close as you could. His head rested on top of yours, and you kept your eyes closed – washing away the blood above his heart with the tears that streamed down your face.

“Don’t ever hide from me.” Vergil’s voice was uncharacteristically shaky, somber but reassuring. You had never been so vulnerable in front of him – and even upon seeing you like that, his reaction was to take you in his arms, to welcome you. “I’m not afraid of the dark.”

“And I’m not afraid of your darkness.” You tightened your arms around his cold, bony body as you felt tears running through your hair. “I can see beyond your glimmer, and I’m not afraid of what’s in the dark.” Your voice shook as you took a deep breath and Vergil’s arms held you even closer – his body shaking with the tears falling from his eyes. “It’s you. And I’m never afraid of you.”

“Neither am I of you.”

His answer was but a whisper – a whisper enough to break the darkness into a memory to be kept away in the deepest pits of Hell.

I can feel the thunder that’s breaking in your heart I can see through the scars inside you

*

*

*

*

“You killed the Piranhas from Hell with the power of love?”

Vergil wanted to crawl into a hole and disappear. Or die. Or both.

Probably both.

The whole crew was there as you and Vergil never came back from the job as quickly as expected – and when you did, it looked like you hadn’t slept in days.

The priest was more than happy with the result of your work – even though you never discovered why the Weavers decided to come out of hiding nor what they wanted. The congregation was just happy they were gone and the whole reason behind it would be a long-term thing for the Devil May Cry to work on – or to keep an eye on; maybe something bigger was approaching.

You and Vergil didn’t feel like going back to the shop, though. When you were hurt physically, things were very much ok to deal with, but when the wounds were emotional… You needed time for yourselves.

Unlike his brother, Vergil was a little more responsible with his money – and you, a lot more than the two. You managed to find somewhere to spend a few nights… Which involved the both of you talking out everything you felt and saw. It was harrowing at first, something neither of you were versed in and honestly were terrified of, but it eventually brought you even closer together.

So, to say you had defeated the Lie Weavers with the power of love was something that killed Vergil inside.

And you could almost see his internal self, glaring at you with a ‘really, after all of this you say this kind of foolishness’ look in his sad, silvery eyes, as Lady stared at both of you and made the question everyone was thinking.

“Yep. Power of love, it’s a curious thing.” You shrugged, making Vergil physically groan by your side while Dante slapped his table with a huge grin on his face.

“Make a one man weep, make another man sing! Hell yeah, Back To The Future, babe!” He winked back at you as you smiled in response.

“Of all the people you could end up dating, Vergil…” Trish sat on Dante’s desk, crossing her long legs while sporting a devilish smile on her rosy lips. It was interesting how her voice could never really sound like Eva’s. “It had to be someone who references the same songs as your brother.”

“Alas, fate plays many games…” Vergil rolled his eyes, but as they rested on you, there was a vulnerability you saw only once in that pitch black darkness. “But it is kind enough to give us what we need.”

No one ever really understood what he meant, but Dante was the only one who managed to see something inside his brother’s silvery eyes that could only reflect in yours – and that made him genuinely smile.

Indeed, you would never be the romance of a fairy tale book or a romantic comedy – but you could see what lied beyond each other’s scars; taking a glimpse at the worst of each other without fear and finding whatever light was left inside. You could understand – and that was much more than most lovers in the world would ever have.

[greensaplinggrace]

im going insane btw jon was literally right. tim's so angry at him for how he acted paranoid out of his mind and like. i get it. but jon was right. sasha was a doppleganger!! his boss is a manipulative cunt that is trying to end the world! people are quite literally out to fucking get him!! like tim i get it i get it but are you aware of the genre you're in im alskdjflk

[buckevantommy]

i was tonight years old when i learned that brian thompson aka. captain gerrard has a storied career including the terminator, star trek, the xfiles, hercules, buffy, charmed, and more.

[softausterity]

If your P5 requests are still open per your last reblog, may I humbly ask for some Haru and Sumi?

you can ABSOLUTELY ask for some haru and sumi i fucking love harusumi

[rene-hl-trashcan]

I've always intended Sylvan to be terribly shameless with his casual indulgence in the Dark Arts...

So, here's necromancer Sylvan with his cursed skull.

Also, the older he gets, the fewer buttons would be present on his shirt. And good Lord the manspreading in this one holy hell, BOY

P/s: used Clip Art brushes for the gems and jewelry cuz hell nah I'm suffering through drawing those today.

[caligvlasaqvarivm]

wanna ask how you feel about the eridan bpd headcanon/theory(?? not sure what to call it!) you're so good at your character analysis and i'd love to see your outlook on it

Since I don't have a degree or any formal training in psychology, I feel deeply uncomfortable diagnosing characters. I've made an autism joke before but only because I'm on the spectrum. He's definitely traumatized and anxious, but I mean those as descriptors of his behavior rather than capital-D Diagnoses. I try to focus on those when I can - the cause and effect of cognition, self-image, and behavior - and those factors may very well match up with DSM criteria, but I try not to touch an actual diagnosis with a ten foot pole unless the author has explicitly stated that X character has Y condition.

[krakensdottir]

There's a lot of speculation about Aziraphale's thoughts and motivations in accepting the Metatron's proposal. Nothing is known for certain at this point, so nothing's impossible yet.

Personally, though, I don't think Aziraphale was talking in code to Crowley in that final conversation. Nor do I think he was very skeptical of the Metatron at first. No, I genuinely think he bought it at first. And here's the thing: I don't blame him.

The Metatron is a fucking master at this. He offers Aziraphale everything he could want, everything he's ever wanted to hear, on a shiny silver plate. Buddy, I would jump at that. Most of us would. We might know better on some level, or at least be suspicious, but we'd want to believe so bad, we'd probably push that aside. And Aziraphale holds out at first, even when he's offered the chance to change everything. He's saying no... up to the point that Crowley is brought up. That's the sweetener. The Metatron saves that for last, knowing that if nothing else works, that will.

And he's right. Of course he is. He assessed this situation and he had every angle covered. It's not a mark against Aziraphale that it works. Again, everything he's ever hoped for. It's too good to be true, but it's also too good to pass up.

I think he's being genuine in his conversation with Crowley. Nervous? Yes. It's a HUGE change he's contemplating, a massive responsibility. He's undoubtedly got some doubts lurking in the back of his mind, not helping matters. And of course there's no telling how Crowley will take it. All of this is more than enough to explain his jitters and his too-wide smile as he makes his pitch. There's genuine hope in his face and his voice, though. His idealism and optimism have been expertly tapped into. He's willing to at least consider that they're not being played, because oh, he wants so badly to believe it. He's believed a lot less appealing lies before.

And I think it's Crowley who cracks that optimism. Harshly, but effectively. I'm not saying Aziraphale wouldn't have developed his own suspicions, because he would have. But it would've taken longer, and crucially, might not have started to happen until he was already in Heaven and essentially trapped.

Crowley's argument, his reaction, the vehemency of it startles Aziraphale. He doesn't fully understand it. But it gets him thinking. It gets him doubting. Crowley's always been good at that.

He's wary when he follows the Metatron out. His glee has been shattered, and that's good, because when the Second Coming is mentioned, then we see the cautious look kick in. Crowley's shaken him out of himself. He hasn't won the argument - neither of them has, there are no winners here - but he did accomplish part of his goal, which was to make sure that Aziraphale doesn't walk into this blind.

Again, I'm sure Az would've woken up himself. But not soon enough. He'd be holding onto hope as long as he could. And as long as he held onto it, he'd be in the Metatron's control.

[wheredidalltheusersgo]

Total Drama Future AU design number 4!

He is 38 in this AU.

He was in prison for several years after All Stars, but he sent plenty of letters to his castmates.

Once he was released, he had a plan to make amends with all of them, but there was one very special person he needed to pay a visit to.

He had to go find Scott, he needed to see if Scott was alright.

After asking around, he finally tracked Scott down.

It was a pretty long drive to get there, but it was all worth it.

When he showed up at Scott's renovated farmhouse, (Thanks to Cameron splitting his prize cash from Revenge Of The Island up amongst the cast members) Scott cried tears of joy and relief when he opened the door and saw Duncan standing there.

Even though they hadn't seen each other in years, their love from All Stars remained.

Scott slept better than he had in years with Duncan by his side.

While they never ended up having kids together, Duncan was happy to live on the farm with Scott and Butterscotch.