#i wish to know more

[tiredbardbarian]

Manifesting next season Mitch 100 assists and Auston 70 goals to finally break the curse. This is the way.

[azurish]

i love all of the sixth house characters. palamedes sextus, camilla hect, and - *squints at smudged writing* sexpaul.

SEXT PAUL, if you will.

(I wish we got more of Hectus Pamilla Paul because they did feel like their own distinct character, but I kept sadly looking for Cam-and-Pal bleedover, and so maybe I need a reread to appreciate them for themselves? I mean, I'm happy for Cam and Pal. But also sad for meeee, because nooo, who is this new person and where are my fave darling nerds. U feel me.)

[anastoza]

I'm on a quest to sketch my favorite party banters maybe next time I won't get so carryed away and color it heh, but my soul kinda needed some colour Also, I kinda went through act 2 and 3 untill they've fixed missing party banter, I personaly haven't heard it myself, but i did hear it on youtube

[bixels]

Learning that fans hated Applejack and called her "boring" is crazyyy to me because I genuinely, unironically believe AJ's the most complex character in the main six.

Backstory-wise, she was born into a family of famers/blue collar workers who helped found the town she lives in. She grew up a habitual liar until she had the bad habit traumatized outta her. She lost both her parents and was orphaned at a young age, having to step up as her baby sister's mother figure. She's the only person in the main gang who's experienced this level of loss and grief (A Royal Problem reveals that AJ dreams about memories of being held by her parents as a baby). She moved to Manhattan to live with her wealthy family members, only to realize she'll never fit in or be accepted, even amongst her own family. The earlier seasons imply she and her family had money problems too (In The Ticket Master, AJ wants to go to the gala to earn money to buy new farm equipment and afford hip surgery for her grandma).

Personality-wise, she's a total people-pleaser/steamroller (with an occasional savior complex) who places her self worth on her independence and usefulness for other people, causing her to become a complete workaholic. In Applebuck Season, AJ stops taking care of herself because of her obsessive responsibilities for others and becomes completely dysfunctional. In Apple Family Reunion, AJ has a tearful breakdown because in she thinks she dishonored her family and tarnished her reputation as a potential leader –– an expectation and anxiety that's directly tied to her deceased parents, as shown in the episode's ending scene. In The Last Roundup, AJ abandons her family and friends out of shame because believes she failed them by not earning 1st place in a rodeo competition. She completely spirals emotionally when she isn't able to fulfill her duties toward others. Her need to be the best manifests in intense pride and competitiveness when others challenge her. And when her pride's broken, she cowers and physically hides herself.

Moreover, it's strongly implied that AJ has a deep-seated anger. The comics explore her ranting outbursts more. EQG also obviously has AJ yelling at and insulting Rarity in a jealous fit just to hurt her feelings (with a line that I could write a whole dissection on). And I'm certain I read in a post somewhere that in a Gameloft event, AJ's negative traits are listed as anger.

Subtextually, a lot of these flaws and anxieties can be (retroactively) linked to her parents' death, forcing her to grow up too quickly to become the adult/caregiver of the family (especially after her big brother becomes semiverbal). Notice how throughout the series, she's constantly acting as the "mom friend" of the group (despite everything, she manages to be the most emotionally mature of the bunch). Notice how AJ'll switch to a quieter, calmer tone when her friends are panicking and use soothing prompts and questions to talk them through their emotions/problems; something she'd definitely pick up while raising a child. Same with her stoicism and reluctance at crying or releasing emotions (something Pinkie explicitly points out). She also had a childhood relationship with Rara (which, if you were to give a queer reading, could easy be interpreted as her first 'aha' crush), who eventually left her life. (Interestingly enough, AJ also has an angry outburst with Rara for the same exact reasons as with EQG Rarity; jealous, upset that someone else is using and changing her). It's not hard to imagine an AJ with separation anxiety stemming from her mother and childhood friend/crush leaving. I'm also not above reading into AJ's relationship with her little sister (Y'all ever think about how AB never got to know her parents, even though she shares her father's colors and her mother's curly hair?).

AJ's stubbornness is a symptom of growing up too quickly as well. Who else to play with your baby sister when your brother goes nonverbal (not to discount Big Mac's role in raising AB)? Who else to wake up in the middle of the night to care for your crying baby sister when your grandma needs her rest? When you need to be 100% all the time for your family, you tend to become hard-stuck with a sense of moral superiority. You know what's best because you have to be your best because if you're aren't your best, then everything'll inevitably fall apart and it'll be your fault. And if you don't know what's best –– if you've been wrong the whole time –– that means you haven't been your best, which means you've failed the people who rely on you, which means you can't fulfill your role in the family/society, which makes you worthless . We've seen time and time again how this compulsive need to be right for the sake of others becomes self-destructive (Apple Family Reunion, Sound of Silence, all competitions against RD). We've seen in The Last Roundup how, when no longer at her best, AJ would rather remove herself from her community than confront them because she no longer feels of use to them.

But I guess it is kinda weird that AJ has "masculine" traits and isn't interested in men at all. It's totally justified that an aggressively straight, misogynistic male fandom would characterize her as a "boring background character." /s

At the time of writing this, it's 4:46AM.

[luriuan]

Love how Sokka spent an entire 2 episodes hating on Aang, then immediately became his older brother in the third.

[souverite]

he’s just a kitty

[floccinaucinihilipilificationa]

[lilybug-02]

Dewi has made a new bug friend! What will he do next?! Who knows!

First || Prev // Next

[bleedingoptimism]

“I’m sorry Steve, I thought we were just having fun! I enjoyed you taking me out and paying for everything that’s all…” Is what Shelley said to him when Steve walked into the bar and saw her flirting with another guy. 

Obviously, he smiled and shook his head, said everything was okay, ‘Just a silly misunderstanding’ and left, ever so graceful. But the second he was outside he cursed, tried not to shed a tear, failed, and then started laughing. 

He probably looks like a mad man, or a drunk. But no, don’t worry people, he’s not drunk or crazy, he’s just really, really stupid. He thought Shelley really liked him, he thought they were dating. And Shelley just assumed he was just another playboy so she played him back. He’s not even mad at her. She didn't mean to hurt him. It’s not her fault Steve is just so easy to hurt. 

Sighing, he gets his phone out to get an uber and hugs himself even though it’s not really that cold outside, waiting for his car, already imagining the big, greasy burger he’s going to order when he gets home. He deserves it, okay?

The car that pulls out has definitely seen better days, but it’s clean and comfortable so Steve doesn’t think twice about getting in. He offers the driver a smile through the rearview mirror, sparing a moment to notice his eyes are big and dark, and they crinkle when he smiles back at him. 

Steve sits stiff and straight for a moment before realizing no one is there to judge him right now and he deflates, sighing again and letting himself collapse against the seat. Still hugging himself to feel any sort of comfort, he bumps his head against the window softly a couple of times. 

“Long night?” The driver asks him in a friendly manner.

Steve meets his eyes in the rearview again and shrugs, smiling back crookedly “Thought I should go home early since I already accomplished making an ass of myself for the night”

He checks the uber app for the driver’s name, doesn’t want to be rude by not remembering. ‘Eddie’ chuckles at Steve's statement.

“You did, huh? Well good job on getting it out of the way then,”

Steve chuckles back, “Yeah, I was actually thinking I deserve a treat”

He notices Eddie looking back at him a couple of times before breathing an interested, “Oh, yeah?”

“Yeah,” Steve says, “A huge cheesy burger or something” Wondering what Eddie was thinking he’d say.

Eddie laughs again, “Oh! Right of course” and just when he’s about to say something else his phone rings.

“Oh, sorry” Eddie murmurs, immediately hanging up on whoever is calling. 

“No worries,” Steve mumbles back, sitting up a little straighter again. 

“So, what’s your favorite dirty burger place?” Eddie asks him. 

Steve can tell he’s trying to distract him from the mood he entered the car with and he really appreciates it.

He sits forward and leans his forearms against the headrest of the passenger seat, “Oh, there’s so many, but…” from this angle, he can see Eddie’s face better, and he can’t help but think he’s got a really nice looking profile, long lashes, full lips, and the cutest nose he’s ever seen, “I think Benny’s the best one” he finishes.

Eddie pulls at a stop light and turns to look at him with a smile and he’s so much prettier than Steve first thought he involuntarily gasps. But thankfully Eddie is talking excitedly and doesn’t seem to notice.

“No way you know Benny’s?! Benny is my uncle! Well, he’s married to my uncle actually- you know what I mean but yeah, Benny’s is great!” 

It’s such a weird coincidence that it managed to take Steve out of his stupor and he’s suddenly just as excited as Eddie,

“Really? Oh my god, I’m so jealous right now, I wished I could live at Benny’s sometimes” 

Eddie laughs, and just when he opens his mouth to reply his phone rings again. This time he doesn’t immediately hang up and Steve sees the screen light up with the name “you deserve better” 

Ouch, he thinks, and his heartstrings tug for his cute, sweet, uber driver. Who offered him friendly conversation cause he noticed he was feeling down and has the most beautiful laugh. He doesn't really know why he feels so strongly about it, he doesn't even know Eddie… but he still feels the text is right. Whoever hurt him, Eddie deserved better.

“Hey,” He says softly when Eddie hangs up cursing.

Eddie sighs again, “I’m so sorry,” 

“Hey, no. It’s fine,” Steve replies, resisting the urge to place a comforting hand on his shoulder.

He figures, after the way his night started, he’s got nothing to lose so he says, “So much talk about Benny’s I feel like I need to go there right now.” 

Eddie let’s out a distracted “Huh?” and Steve soldiers on, “Wanna change the destination and join me? You can take me home after,”

He notices Eddie doing a double take and blushing, “Really? I- Am- I- okay” he stammers but Steve can’t really figure out why.

“Yeah, you know, that way you don’t lose time on the job and have another ride?” He finishes and Eddie laughs,

“Oh, right. Yeah That- makes sense”

They keep talking about their favorite things on the menu on the way there and soon they are sitting face to face in a booth at Benny’s.

What a pair they make, Steve in a three piece suit, jacket off, vest undone and shirt rolled up to his forearms. And Eddie with sweats and a hoodie. 

Eddie is even better looking in the shitty dinner light and the blush that adorns his cheeks ever since they came in makes Steve wanna kiss them to feel their warmth.

Benny himself comes to take their order, and Eddie gets up to hug him and introduces him to Steve. They already know each other, because Steve does come to the dinner often and Benny lets Eddie know that.

Eddie thinks it's hilarious that they both have been here so much and never saw each other before, but Steve can’t help to think it’s a shame.

“I actually would’ve loved to have met you sooner,” he tells Eddie at one point and watches curiously as Eddie’s blush turns a few shades darker.

As they eat, Steve tells Eddie about Shelley, about his hopes, about misreading the situation, about his shame. How he doesn’t even think he liked Shelley that much, but he just wanted to have something real. Eddie gets mad at him for blaming himself, tells him it wasn’t his fault, that he’s being too hard on himself. And it’s not a bad thing to consider but all Steve can think about is how cute Eddie looks when he’s mad on his behalf.

Eventually, Eddie tells Steve about whoever was calling him. 

“I met him at my last job. I thought he was so cool but turns out he was actually just cold,” Eddie shrugs, “We dated for like 6 months or something, not that long but, I was miserable the whole time and I didn’t even realize it was because of him.” 

Eddie’s hand is tearing up a paper napkin between them and Steve tentatively settles his hand over Eddie’s, who stops destroying the napkin and smiles gratefully at Steve, holding his hand back.

“The worst part is I didn’t even break up with him, he broke up with me,” Eddie chuckles self-deprecatingly, “But he still wanted to keep me around I guess… And I… didn’t want to feel lonely” 

They both stay quiet for a moment after that, and Steve stares at their hands joined over the greasy dinner table and thinks about loneliness, about how he doesn't feel it right now, with Eddie.

“So, what happened?” he asks after a bit.

“I did eventually realize he was the one making me feel like shit so I stopped seeing him but he didn’t appreciate my new sense of self-respect,” Eddie says lightly and Steve instinctively squeezes his hand protectively, which makes Eddie smile again, “I’m doing just fine now though, I told him to fuck off and got a new job. And it’s actually pretty good, ya know?”

Steve can’t help but smile back at Eddie’s cute expression, “Yeah?”

“Hell yeah, my own hours? Good money? Plus I’ve always liked driving around, it calms me. And I get to meet really interesting people…” he says, winking at Steve and making him chuckle.

“Well, I’m glad then. Proud of you for getting out of there,”

“Me too,” Eddie says and looks up as Benny walks over to them.

“Sorry to interrupt boys, but we are about to close for the night,” He says, stifling a yawn.

Steve looks surprised at his watch, it’s almost 2 A.M. He can’t believe he’s been sitting here with Eddie for hours when it only felt like a few minutes.

He offers to cover the bill but Benny fights him over it and says it’s his treat. And Eddie offers to take him home no charge. So they get in Eddie’s car again only this time Steve sits next to him instead of in the back and they talk about music on their way to his place while Steve changes the radio stations. Laughing, singing and joking around, it’s such a good time. It feels like they’ve been doing this forever, like they could do this…forever. But eventually they arrive at Steve’s building and suddenly Steve doesn’t want the night to end. 

He’s about to tell Eddie as much, maybe invite him inside, when his phone rings again, the ‘you deserve better’ staring at them. But Eddie immediately grabs his phone and hangs up, blocking the number after. 

“There, he can’t call me again,” he says with a sigh.

“Can I see your phone for a second?” Steve ventures, making a last second decision.

Eddie looks surprised but curious as he hands it over and Steve punches his phone in.

“If you ever feel like unblocking him, or calling him back… Why don’t you try calling me instead?” he says in a rush and then walks out of the car, not lingering to see Eddie’s reaction.

There’s always the positivity that he got things wrong again, got too invested too soon again and he doesn’t want to know tonight. He’ll deal with it later, if Eddie doesn't call.

🚗📱🍔💙

It takes only two days for Steve’s phone to ring, an unknown number flashing on his screen. He picks it up feeling a little out of breath for no reason at all.

“Hello?” 

“Steve?”

“Eddie, I”

“Wait- before you say anything I just want you to know that I didn’t call because I wanted to call him, or I was thinking about him. I called because I can’t stop thinking about you, I wanted to talk to you. Okay?”

“Eddie- yes! It’s more than okay, I- I was hoping you’d call”

fin 💙

☕🥐💕 coffee? oovoo javer?

[confessedlyfannish]

Writing Prompt #12

Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.

Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.

Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.

While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.

These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".

There is a knife to his right, if memory serves (it does). In the next five seconds—

"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.

But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.

He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.

"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.

"What a shame," he says, placing it face side up on the table.

"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.

He doesn't look away from the man.

"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."

"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.

The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.

The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"

Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."

"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."

He offers Bruce the watch. After a moment, Bruce takes it.

"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.

"You can look left, Mr. Wayne."

Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.

"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."

"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.

"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."

"Him."

"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."

"Why me?"

"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."

This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.

"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"

"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."

Bruce bristles. "I bow to no one."

"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."

"A weapon you want me to bring to my city."

"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."

"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."

"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.

"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.

"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."

"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."

"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."

Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.

Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.

"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."

The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.

"We will not meet again for some time, Mr. Wayne."

Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.

"Ask your question, Mr. Wayne."

"I have more than one."

"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."

"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"

There is a pause.

"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."

"Resolve what?"

"It is not his future I mean to protect," the man says. "It is his present."

"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.

"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."

Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."

The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.

"I am not inclined," Clockwork says slowly, "To this future."

"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."

"They will have already muzzled him."

Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.

"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."

"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—

Clack!

"sluuuuurp!"

"Master Timothy, honestly!"

"Sorry Alfred!"

[anton-im]

Remember the time when I was trying to made stardew valley mode? I give up 📑 because I not the best coder haha, so here are the sprites that I made!

(Maybe I'll return to this mod in the summer? Not sure haha)

Why not you know(?)

[5ummit]

The Winter Soldier in What If...? Season 2

[lazylittledragon]

do any other artists feel like. yeah you're a 'good artist' because you draw things that look nice, but like. TECHNICALLY? you're really not great

i really hate that i can recognise that yes, my art is good, but is it VARIED? is it dynamic?? is my anatomy good? is it full of texture and colour theory? do i know how to do This? can i do That? no, not really. and that's quite painful actually

[poorly-drawn-mdzs]

Good Morning, World.

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[thottybrucewayne]

I think what I want to get into with the "Anyone can do harm." thing that I keep beating yall over the head with is that literally anyone, anyone at all can do harm it's not "in your DNA" to be an abuser or written in the stars that you'll be a predator. Whatever image you have of an abuser in your head, drop it and replace it with your favorite person in the world and you'll probably be closer to the truth than you realize. It's easy to address harm when it's coming from someone you already hate. I see it happen all the time. Someone you couldn't stand for no real reason does something heinous then all of a sudden here comes the avalanche of "I always knew they were a fucked up individual." No, you didn't. There is no possible way you could have known, you just already didn't fuck with them before they started doing something you could use to justify your hatred of them. I'm guilty of it too! I'm petty, mean, vindictive, and yes! I'm way quicker to believe something bad about someone I hate versus someone I love because I'm human. Still, y all gotta learn to move past that initial "Well, they were always nice to me!" gut feeling and understand that nobody truly knows anyone and anyone can be capable of anything. Even victims. Even you.

[vaguely-concerned]

sometimes I think of all the on-the-surface warm, well-meaning but deeply ineffectual advice and attention john gives harrow through harrow the ninth (make some soup and get some sleep! get a hobby! don't be so hard on yourself! self care harrow! as long as I need take no actual responsibility in this relationship whatsoever I would have loved to be your dad!) set up against the stark truth that with his other hand he has been staging her attempted horrific murder again and again and again like a living nightmare on the logic that it will 'put her down or fix her'. and then I find that I wish there is a hell. a special hell where twitch streamers turned necromantic death emperors go