#i wrote a lot more for this guy than needed

[alatismeni-theitsa]

In "KAOS" nothing is anything, and everything is wrong

Two disclaimers: I am no stranger to modern art, and I have no issue with queerness in shows, or in my own mythology (I'm Greek). I am also aware that KAOS is a comedy. It's in the gutter of British comedy, but still part of the genre. At least I laughed every time they said "Oh God!". I don't believe this is the same person who wrote the great and amusing "End of the F**king World"! The premise of "The gods in our modern world" appeals to me a lot, so that wasn't my problem either. My general issue with KAOS is its horrible delivery, bad writing, and piss-poor Greek representation.

This is gonna be long and full of stupid gifs, so sit comfortably, grab a coffee or some popcorn and... pame!

The "ILoveGreekMythology" Kid

Art without context is just a pretty thing to look at. Most of the time, this context can be found within the art piece itself, as the artist has taken care to weave it in. KAOS refuses to connect itself to any context besides the names and a few vague powers. It aims to exist outside of those "boring old stories of the Greek myth" and be entirely "fresh and modern". Something impossible when the entire show and the meanings are based on ancient recorded material. In other words, KAOS is so meta that it ends up being nothing. KAOS cannot stand on its own because you need more than the viewers being familiar with the Greek myth basics to pull such a show off.

KAOS tells us "See? I know all the names of the gods, and what they did, and I know all the locations, so I am qualified to tackle this". More or less like any Western kid who takes all their knowledge from PJO and Marvel and proceeds to unironically hate ancient deities and make a girlboss out of Medusa.

Here's a Greek word for you guys, ημιμάθεια, meaning "half-knowledge". Α Greek saying very well declares "Half-knowledge is worse than no knowledge". The confidence of thinking you know enough often leads you to grave mistakes whereas the humility of not knowing prevents you from touching shit that you shouldn't. When you have no idea what the original myth is trying to say and spit on its meaning, knowing a few names and locations is just smoke and mirrors. I don't believe the audience fell for that.

And don't get me started on the "subversions". A good subversion is intriguing and thought-provoking. In KAOS, every twist was hollow - Greek myth related or otherwise.

"What if Euridice doesn't love Orpheus?" I don't know, babe. What if??? What was the point of that? What did you show us? That women's stories are dominated by men and men don't listen to women, perhaps? And you chose to twist... the love story of Orpheus and Euridice to show this?? One of the best and most tragic love stories Greek mythology has to offer?? You just mocked the myth, you didn't make anything profound out of it.

The Greek Stuff (Nothing salvageable)

I was surprised to see they had a Consulting Producer (Georgia Christou) and an Assistant Script Editor (Isabella Yianni) who happen to be Greek. And I stress that because those people probably weren't hired or utilized for being Greek. We are not sure they were involved in cultural decisions because we have no evidence and because shows with no Greek elements can have more Greeks than that on their staff.

Okay, perhaps they took 5 seconds to ask Isabella about a greeting - which they proceeded to say in a wrong intonation 🙄🤌It's where Poseidon says "ya sás" in the Fates, by the way. How he said it sounds more like "for you (pl.)" than "health to you (pl.)".

Surprise! The only Greek actor present (Peter Polycarpou) has less than 5 minutes of screen time and plays the caricature of an immigrant with a thick (and inaccurate Greek) accent. He has a canteen, selling falafel which is not Greek, and Dionysus buys from him an unidentified tortilla wrap (which... is also not Greek, if you haven't caught up).

For the show they brought in actors of Maori, Nigerian and Sierra Leonean, Pakistani, Black American, Latvian-Jewish, Iranian, Egyptian, Indo-Fijian and Malay descent and you tell me it was impossible for them to seek and find an English-speaking, skilled actor of Greek descent in a show regarding Greek heritage. Sometimes I wonder, do y'all hate us so much?

They considered Greeks only to give us a simple (and wrong) greeting and a stereotype. Crumbs, we are supposed to be happy with. By the way, there are over 70.000 Greek immigrants just in the UK, usually in the urban centers, many of them students or fairly young employees in the corporate workforce. Not the largest minority but not hard to spot either.

Another plague of Anglophone shows: Almost everyone's Greek name is shortened. Yes, we know their full names but we are told that we will use the short ones. Greeks and their "long and difficult" names am I right fellas? Because saying "Ariadne" apparently requires 5 years of Greek language training, and no English word ever has more than two syllables.

Coincidentally, short names are cool in Anglophone imaginary universes and the "long" names are not. it's so strange Anglophones never make universes where it's cool for Greek names to be spoken in full hmmm... They don't even want to practice saying a whole Greek name for just 2 minutes in preparation for a show full of Greek names. And don't give me that "Greek is hard" shit when we only talk about a few syllables. If Greek kids can learn English since first grade and people here can sing English songs and spell English names, you have no excuse.

They also said the name "Fotis" means light, which is close enough but... ugh.. It's like saying Sebastian means "respect". I am not sure if they asked anyone or what their research was here. If I had the writers in front of me, I'd be like:

(This character from an all-time favorite Greek show is called Fotis)

They also made the flag of "Krete" an alteration of the Greek flag and the local Cretan flag. Which is the stupidest move, because they had to remove the religious symbol of the cross to make the flag fit the universe. These are flags created based on 1) Christianity 2) the Greek Revolution of 1821.

National Greek flag to the left, local Cretan flag to the right:

Flag of the KAOS' "Krete":

The only time they seriously took into account anything Greek, was the time when they decided to remove the religious symbol of our ethnoreligion AND (from what I could observe) keep the nine stripes?? The nine stripes of our national flag represent the syllables in "Freedom or Death". The colors are from the white foustanela of the mainland attire and the dark blue vraka of the island attire, the clothing of the Revolution fighters. (That's more of a meta explanation but the characteristics of the flag were decided during and nearly after the Revolution.)

I think I don't have to explain it more but it's not a homage to put the nine stripes in an ancient era where they have no meaning, and to replace a cross??? Let's... not replace religious symbols on national flags, okay? Thank you.

Another cultural element they changed was making everyone have a dedicated coin to pay Charon. Orpheus has Euridice's coin, "her coin", and he's meant to put it on her before she got buried. In Greek culture, any coin would do. Sorry that our culture restricts your script, dear writers. I guess you had to bend this too, in order to create a cohesive plot with a semblance of a twist.

Finally, the many "Kerberus" dogs were cute and I can understand the creative decision behind that. However, in a show full of inaccuracies, this made me roll my eyes a little. I think the showrunners know that Kerveros is not a breed of dog, and there can only be one of him because he doesn't have any other "Kerveros" to breed with. On the other hand, as demonstrated from art/writing on the internet, quite a lot of Westerners are not exactly aware of how our monsters work, so forgive my uncertainty 😅

Nothing is Anything

Every element KAOS played with ended up meaningless. In the words of a Lifo article:

“Zeus is a paranoid authoritarian dictator in mid-life crisis who fears losing his power and murders his aides to vent. Hera is a promiscuous goddess who repeatedly betrays Zeus and has mutilated mute priestesses for protection. Dionysos is a spoiled and immature zoomer who, apart from pranks, indulges in orgies with all genders. Poseidon a sadistic god of the sea, who tortures the crew on his ship for fun. Prometheus is gay and killed his lover so he could overthrow Zeus. Orpheus is a famous pop singer and Eurydice does not love him. Theseus is black and gay. The Erinyes are tough-as-nails mechs that look like they stepped out of ‘Sons of Anarchy’. The Fates resemble a three-member jury in a talent show. The Trojans are a terrorist group that acts against the gods. Crete is more reminiscent of California than the Mediterranean.”

The "River Styx" is a sea, the "River Lethe" is a lake, the gods are nothing more than spoiled humans, the Moirai are drag queens, the Cave is a club where you have to take a quiz to enter the underworld, and generally everything is modern, flat, mundane and anticlimactic. The producers aimed to achieve a work so meta that a "river" is now a concept, a metaphor, whatever you have in your heart. And those who want to see a river when we speak of a river are probably uncultured swines and don't understand postmodernism. Never mind that rivers are rivers in Greek mythology for a reason. That's not culturally interesting enough to explore compared to the new, cool approach of not assigning meaning to anything. That totally shows love for the original rich and meaningful material...

And the reason behind all this subversion? Probably the shock factor. They brought the characters to a point where they said "We have to save the world from Zeus" - Zeus! The father of gods, heroes and humans! - just because they could. It gives off a certain type of smugness that I personally don't like. I mean, I would like the smugness and cheekiness of KAOS if it wasn't a vapid and practically meaningless show. As nothing symbolizes anything anymore, we are just led from hollow plot point to hollow plot point.

If you cut it out of any cultural influence and see it as a story then it's... okay, I guess. But when you consider that it's meant to derive from certain material and it fails spectacularly, it's not a good story. It forgets its bases and doesn't play with the ancient elements at all. Disney's Hercules did it better, FFS!

Bad Writing (pt.1)

KAOS is not without recognizable themes but their demonstration is so juvenile and heavy-handed that it fails to influence a viewer of average intelligence. For instance, "Riddy" says to her religious mother "You dedicated your whole life to Hera, what about me?" Okay, KAOS, we get it. At the same time, this theme nulls itself because it turns out that Ridy's mother was right to do what she did, as she had a greater goal in mind. (And this, kiddos, is called Bad Writing, because your themes and scenes contradict each other)

The biggest theme I spotted was a criticism of religion and religious people who say "Do as I say, not as I do" and create exceptions for themselves. Only, it's not a criticism of anything real, in this case. It's a fact that some people in the clergy tend to preach peace and love and then they do harm, but we don't know, for example, that The Goddess of Marriage is a cheater and yet she pressures everyone into strict marriages. By focusing their wrath on divine beings who are not known for their hypocrisy, the creators missed the mark.

I can give KAOS props for how it handled Trojans to reflect real issues regarding how immigrants and war refugees are mistreated and blamed. I'd argue it was the only (nearly) well-done theme in the whole show because it had the least on-the-nose delivery and some genuine/serious scenes. But that's it.

More Bad Writing!

Jeff Goldblum's Zeus is shit. He'd crap his pants in an argument with a stern Greek dad/uncle his age. Is this character supposed to be intimidating? (Laughs in Mediterranean) That's not to say that Goldblum is not a good actor, but this role wasn't for him. The same can be said for the other actors, too. They are competent but they only give off the air of "The Greek gods if they lived in London, from the minds of people who think beards and body hair are an affliction". In addition to being misplaced, the actors cannot show their talent when following a script that resembles a children's book.

Why does THE GOD Dionysus have the maturity of a 15-year-old? I repeat, The God Dionysus. He's a freaking deity, and a very old one at that. He is not a teenager neither in appearance nor in experience. In our culture, he is mystical, mighty, wise. Why did they downgrade him so? Just for the plot? This is not Dionysus just because you named him so.

The dialogue rarely takes itself seriously to the point it has you wondering at times "Do people talk and behave like that?". In a comedy where everything is meant to be already extreme and parodied. Even in comedies, something must occasionally be serious so there is a healthy fluctuation in tone and the funny moments can hit you. In KAOS very few scenes treated their impactful dialogue as it should be treated.

The queerness and diversity (good elements, in general) were worse off for being in KAOS. Like, I want these elements to be there. I'm just sad about the whole situation. It's not enough that the show is shit, now you also give an additional reason for conservatives to shit on diverse and queer characters because they are part of a stupid narrative.

I'm the type of person who doesn't mind the queerness of Astyanax and Theseus being lovers in the context of this specific show but they're still the oddest pairing to me because they're from the most irrelevant myths and eras. Also, Astyanax in my mind is a baby who died tragically, for little reason if we are honest, so to bring him back and make him a love interest is... ekh.

In addition, isn't Astyanax supposed to be crippled after a fall from the city walls when he was a baby? Sorry to change subjects but the show is so convoluted and with so many issues that it's extremely difficult to stay on track with what's wrong.

To the person who thought this show was a good idea:

Whatever. Bye. I'm fucking done.

[lexirosewrites]

Slick Sundaaaaaaay!

I see a lot of ABO steddie fics featuring Omega Steve who is self conscious for one reason or another because he doesn't have a typical Omega physic and/or behaviors (which is super tasty yum yum) but I live the idea of Eddie being the more swlf conscious one.

Like, Eddie who is not deceptively strong for his size (he has a little bit of natural muscle tone as an Alpha but he never puts it to good use), and who is a little weasel who like to agrivate people but runs away from any kind of real conflict and doesn't have a strong manly scent or any desire for a high powered job to take care of an Omega unless you count is half fleshed out dreams of being a rock star.

Dealers choice of how it happens but Steve basically asks Eddie if he would be interested in couting the Omega and Eddie isn't blind, stupid, or heartless so he jumps on the chance to be with the Omega of his dreams but very quickly finds himself self agonizing about how to be the "right kind" of Alpha for Steve.

So decides he needs to start working out so he can keep his Omega safe even if he knows Steve is more than capable of taking care of himself in that department but his first workout sends him into an asthma attack for the ages so he decides it's more important for Steve to have a living Alpha than a fit one.

There's nothing much he can do about his wet concrete and grass scent which on paper sounds super manly but mostly just smells like a suburban morning so he goes down the employment seeking rabbit hole. He applies for what feels like every Alpha-y job in the Hawkins area but his reputation proceeds him and he never makes it past the first interview. Eventually he gets a call back from a place he applied for after reading the word "painter" and wrote down the number in his notebook with no notes (he didn't say he had a good system) but it turns out to be someone two towns over looking for someone to freelance the painting of dnd and other such figures to sell in a games shop two towns over. It's an ideal job for Eddie but it's deeply entrenched in his need shit and not the kind of thing he was looking for to impress Steve and show him he can provide for him and their future pups. He still takes it because even if it doesn't pay a tone, whatever he DOES make can go toward pampering his Omega and saving up.

It all comes to a head when they go out and Eddie is feeling pretty down on himself after so many failed attempts to "improve" for his Love. Some guy is hitting in Steve while Eddie is RIGHT THERE even though Steve has said no many times and has told him he's there with his Alpha. The guy just keeps leaving and coming back and on his fourth return to their spot Eddie just launches is fist no warning into the guy's face.

That was NOT what he meant to do, he was just getting so fed up and territorial and he was gonna really tell the guy to piss off but the little goblin inside him made him throw a pretty pathetic punch that results in a busted knuckle for him and a slightly bruised and irate beta in front of them.

Steve drags him out and takes him back to the trailer, grumbling the whole time about "stupid Alphas and their stupid instincts" and finally snaps and asks Eddie what the hell has been up with him lately. Eddie just blinks his big dumb eyes at Steve as he points out the job search and the asthma hospital visit and the more expensive gifts and finally asks why he's been acting like such a knot head.

So they talk it out and Steve makes Eddie hold him in his lap so he can tell him all the ways, the ways that matter to Steve, that Eddie takes care of him. Tells him how he doesn't need an Alpha to fight for him but he's never had an Alpha offer him sanctuary like Eddie does. Eddie who never makes him feel stupid for his questions and reads his assigned books to him even though the Alpha is behind on his own school work and let's him build a nest in his bed.

Tells him that he appreciates Eddie trying to make money for their future family, loves that even, but what use does he have for fancy jewlery or a full bouquet of roses? Like, he doesn't even like jewlery that much and he gets much better use of the brand new wool socks Eddie thrifted for him last month in an Indiana winter and the wild flowers he brought him for their first date are much easier to press than huge roses.

Just a series of misinformed adventures for looser Alpha Eddie that end in comical disaster and his Omega who is utterly charmed his his earnest attempts to be a good Alpha but who really just wants a loving mate and partner.

oh i love this😭😭😭 Eddie just wants to be the perfect mate and alpha for his omega, meanwhile Steve can’t figure out what’s going on with the love of his life who is already perfect to him!!!!

[albertasunrise]

Work Wife - One

Masterlist

Summary: Working as a Secretary and Miller & Sons c”Construction, you fall hopelessly in love with the eldest son Joel. What you don’t realise is that Joel’s completely in love with you too. What will it take for the two of you to realise whats’s right in front of you?

Pairing: Young Joel Miller x Reader

Warnings: Like AO3, I choose not to give any so the plot isn’t spoiled. This fic is 18+ (So here’s the first chapter as promised! I hope you all enjoy. Let me know what y’all think ♥️… I wrote half of this on my iPad so sorry for mistakes 😅)

Series Masterlist

Working as a secretary at Miller & Son's Construction had its highs and lows. You loved the job. The pay was great, and all the guys treated you impeccably, but there was just one slight problem that, if you were honest with yourself, wasn't really a problem but more of a personal issue. 

You were in love with Joel Miller. 

At 21, Joel was already shaping up to be a fine businessman, taking on a lot of the work from his father so that Cole Miller and his wife Lucia could take more time for themselves. The youngest Miller brother Tommy was shaping up to be a troublemaker. At 17, he was often out drinking with his friends and getting himself arrested and it had fallen to Joel to bail his little brother out every time. 

You were a year younger than Joel but as he always said, years ahead of him on the maturity scale. You had always been an old soul but that hadn't stopped you from developing the biggest schoolgirl crush on Joel the day you had started, two years ago. What had started off as a temporary job before you went off to college became permanent when your mum had gotten sick and your dreams of going to college were dashed. 

Her illness took her a year after she had been diagnosed and with no father to speak of, you were left alone in the house you'd grown up in. Alone, with nothing but the photos on your walls for company. That time had been what had brought you and Joel closer together but had also forged your crush into what it was now. Unrequited love. 

Or so you thought. 

"Sup Pip." Said Joel as he placed a paper coffee cup down beside your keyboard "How's my favourite secretary this mornin'?" 

"I'm you're only Secretary Miller." You chuckled as you picked up your cup to take a sip and hummed at the perfect coffee flavour that exploded across your taste buds "Better now you've brought me coffee." 

"Always happy to assist Pip." He said with a wink and you prayed your flushing cheeks didn't give away how much his wink affected you. 

Pip had been a nickname Joel had affectionately given you around three months after you had started. You had been eating a plum at your desk, not a care in the work and engrossed in the customer email that you were reading that you hadn't noticed that the next bite you had taken had contained the pip. Joel had walked in just in time to witness you choking and, using his first aid training he'd acquired just the week before, had managed to save you from a fruity death. 

From that day he had called you pip. 

Because you'd almost choked on one. 

"Anything I need to know about before I head to the site?" Joel asked, pulling you from the memory of your near-death experience and you shook your head slightly before giving him what you hoped was a bright smile. 

"Yes." You replied as you pulled out the list you had compiled for him "A Mr and Mrs Cork have emailed, wanting a quote for an extension and kitchen refit." You stated as you handed him the email with a post it note with their number on top "You have a call with a new cement supplied at 2 and Gloria Mullins called this morning asking that you call her when you get a chance, apparently her boiler is on the fritz again." 

"I need to tell that woman one of these days that I'm not a plumber." He chuckled to himself as he took the rest of the notes from you. 

"You just need to stop being so nice." You chuckled "You've set their expectations now." 

"I think you're probably right." Joel chuckled as he grabbed his own coffee cup and took a large swig "Anything else?" 

"There's just one more thing." You said shyly as you smiled awkwardly "I need to duck out a little earlier today." 

"Hot date?" Joel asked and you knew he could see you blushing now. 

"Actually yeah." You answered as you looked down at your hands, missing the way Joel's expression dropped "Simon asked me to dinner." 

"Simon Richards?" He asked and you nodded "Oh, wow. I uh... I didn't realise you were into him." Joel shrugged before taking another sip of coffee to try and settle his nerves. 

"Well, he's cute and sweet and it's not like I have guys lining up to ask me out." You replied, your smile almost sad "So I thought I should at least go. See if there's any chemistry there." 

"Sure... Of course." 

Joel knew his response was cold but he couldn't help it. Learning that you were going on a date just made him want to find the nearest pillow and scream. These feelings he had for you drove him crazy and it didn’t help that all his employees knew how he felt about you too. He’d allowed them to plant false hope when they told him that it was obvious you felt the same way. It was becoming painfully clear now that that wasn’t the case. 

He needed to get over you. 

You couldn’t help but notice the slight icy tone that had coated Joel’s response to your request and you couldn’t help be feel a little confused by it. You never asked for things. Often worked late to make sure everyone and everything was up to date. You would argue that you were one of his hardest workers so sue you for wanting to let your hair down a little. 

It’s not like he felt for you the way you did for him. 

“Sure.” He said after a short and awkward pause “Lord knows you deserve an early finish.” He chuffed before gathering his bag, the papers you’d given him and his coffee “And, seeing as I won’t be back today and Friday, I suppose I’ll see you Monday!”

“That you will!” 

“Enjoy your date, Pip.” he finished before giving you a friendly wave and then leaving. 

“I’ll try to.” you said sadly as you watched him walk away. 

...

"You are my hero!" Hailed Gloria as she clapped in delight at Joel's handy work. 

"Was an easy fix." Joel shrugged as he waved the older woman off. 

"You always talk yourself down." She chuckled, her Jamaican accent coming out thicker with her statement. 

"I'm just speaking the truth ma'am." 

"How many times do I have to tell you to call me Gloria?" The older woman chuckled and Joel winked as he replied. 

"At least once more."

"Auntie G... you home?" Came a voice that Joel didn't recognise and he looked up just as the owner walked into the room he had occupied with Gloria.  

"Ah, darlin' this is that fine man Joel I was tellin' you about." Said Gloria as she smiled at her niece. 

Joel was instantly aware of the fact he was wearing paint-stained jeans and a t-shirt so worn that he was sure this mysterious girl could see his nipples through it. 

"Joel, darlin' this is my niece, Eliza." Gloria stated and Joel quickly rubbed his hands down the front of his jeans before taking the hand that was being held out to him.

"Nice to meet ya' darlin'." He said sweetly as he gave her a shy smile "Was just helpin' Gloria here with her boiler. Darn thing needs replacin' really but-"

"I won't replace something just because it's a little saucy with me sometimes.' 

"You won't replace it because poor Joel here keeps fixing it for free." Eliza teased and Joel scratched the back of his neck nervously as he replied. 

"Well not completely free." He chuckled "She sends me away with weeks worth of food." 

"You're too skinny." Gloria chuffed "No girls gonna want to marry a man with no meat on his bones." 

Joel chuckled at the older woman's statement before looking back at Eliza who was grinning at him as she practically fluttered her thick black lashes at him.  

"Well, I need to get to that meeting I was talking about." Stated Joel as he coughed nervously. 

"Don't forget to pop by later for your food!" Gloria ordered as she watched him collect his tools "I made you my famous jerk chicken with rice... peas on the side." She finished with a wink.

"Why on the side?" Eliza asked and Gloria simply rolled her eyes as she said.

"Boy don't like them mixed in." 

Eliza mouthed an 'ooooooh' before watching as Joel started to leave. 

"I'll see you later to grab that food." 

"Or I could bring it by?" Eliz suggested, "You give me your address and I can swing by and drop it off when you're home."

"Oh that's-"

"Ah, splendid idea." Gloria interrupted, leaving Joel looking like a fish out of water "Don't worry dear, I'll give her your address. Get her to drop it by around 9. You're normally home then, right?"

"Right but-"

"9 it is now you best get going or y'all be late." Said Gloria as she practically herded Joel out the door. Leaving him speechless when he made it back to his truck. 

What an earth just happened?

...

The restaurant that Simon had brought you to was nice. Not too fancy but not exactly a dive either. Conversations had been a little awkward at first. You'd not really been on many dates but after being honest with Simon about your lack of dating experiences, he put you at ease and now after one glass of wine and a very large meal, the two of you were chuckling away as subjects came easier to you both.  

"So how long have you worked for Mr Miller?" You asked as you sipped at your second glass of wine. Simon had already been at the company when you had started and was a few years older than you and Joel. 

"More or less straight outa of high school." He replied as he took a swig of his soft drink "Have always been good with my hands so when Cole put up an advert for an apprentice I marched myself over to his office and waited till he got back to speak to him..." 

"Wow." You chuckled around the rim of your glass. 

"Guy liked my tenacity. Offered me the job on the spot." 

"Well, you know my story so..." You trailed off, smiling sweetly at him as he grinned at you.

"So glad you agreed to come out with me." Simon confessed, his cheeks tinging pink "Been wantin' to ask you out a while but didn't outa respect for Joel, but can only wait so lo-"

"What do you mean, out of respect for Joel?" You asked and Simon's expression took on one of a deer caught in headlights.

"Well... with him being into you and all." Simon clarified and your brows drew together as you shook your head.

"Joel isn't into me." You pushed and Simon grew more uncomfortable with each passing moment. 

"He's been crushin' on you more or less from day dot." Your date continued when he saw you needed further clarity "We've always teased him for it but he never made a move so I thought, you know, with him not trying to date you it'd be okay for me to." 

You weren't sure what to do with the information you'd just received. For years now you had pushed your feelings down for Joel because you believed he didn't return them. So to learn that he might really put a spammer in the works for you. 

The subject moved on after that but the atmosphere wasn't as relaxed. After Simon dropped you home, you allowed what he'd told you to run on repeat in your brain. Keeping you from getting to sleep until late that night. Yet, you came to a decision before you finally drifted off. You were going to go to Joel's in the morning and ask him.  

You had to be sure.  

...

Joel wasn't surprised when there was a knock at his door at 9 pm sharp. He opened the door to see a beaming Eliza on the other side, her arms full of food containers. 

"Shit, come in." Joel said before grabbing a few containers to ease the load. "Let me take some of those." 

"Auntie G likes to feed you huh?" She chuckled as she followed Joel into his kitchen. 

"I had to buy a second freezer." Joel stated and Eliza barked out a laugh, taking Joel by surprise. 

"She's always been a feeder." She chuckled before placing the food down beside where Joel had put the other containers "Think it's a Caribbean thing."

Joel chuckled before turning to face his guest. 

"Thank you for dropping this by. You really didn't have to go through all the trouble."

"It's not trouble is I offer." Eliz chuckled and Joel chuckled at her reply. 

"Either way... that you for bringing the insane amount of food your aunt,

made me over."

"You are quite welcome." Eliza replied as she placed herself within kissing distance of him "I wanted to see you again anyway." 

Joel blushed at her statement. Taken aback by how forward she was then, in what felt like the blink of an eye, she was kissing him. Starting softly and gradually growing hotter as tongues tangled. 

"I uh... I feel like I should tell you that I'm kinda getting over someone so I'm not looking for anything serious right now," Joel stated and Eliza chuckled. 

"Who said I wanted anything serious either?" She whispered against his lips "I think I can be of great help... assisting you in getting over whoever this person is." 

Joel looked into Eliza's eyes a moment, trying to discern her endgame. Then, when he was sure that she was being honest with him he kissed her again. The food is forgotten as clothes are discarded in a breadcrumb trail to his bedroom. 

... 

You let out a steadying breath before knocking on Joel's door. Your slightly shaky left hand clutching the to-go coffee tray that contained your and Joel's favourite coffees. You chuckled when you heard Joel inside, calling out to wait a moment before suddenly opening the door, looking rather flustered. 

"Pip." He said as his expression turned from surprised to confused "What are you doing here?"

"I need to talk to you about something." You replied with a smile "I brought you a coffee. Mind if I come in?"

"Now's not a great time... what was it you wanted to talk about?" He replied nervously, smiling awkwardly as you handed him the coffee. 

"It's just about something Simon told me on our date last night." You chuckled "You see he said that you have-"

"Who's this?" Asked a woman that you didn't recognise, dressed in a shirt you assumed was Joel's and nothing else. Her brown skin glowing in the early morning light. 

"Oh, I didn't realise you had company." You said awkwardly as you started to take a few steps backwards "I'll um... I'll see you Monday." You choked as you fought to keep your tears at bay, but in doing so you missed the step down and went tumbling onto your backside. Your coffee going all over your arm. 

"Shit... Pip, are you okay?" Joel shrieked as he leapt towards you, stopping dead when you held your hand up to stop him... 

"Fine... I'm fine."

"That coffee'll be skalding." He said as he took another ginger step towards you "We need to get your arm under some cold water or else it'll blister." 

"Please just let me go." You choked, your resolve crumbling under the weight of your sadness and embarrassment "I... I just need to go." You affirmed and Joel nodded, giving you a small smile before stepping back into the threshold of his home "Bye Joel."

The older Miller brother watched with concern etched into his features as you left. Glancing at Eliza who was watching you and looking equally worried. 

"You think she's okay?" She asked and all Joel could do was shake his head as he replied. 

"I don't know."

...

You spent the rest of the weekend dreading Monday morning. You felt like such a fool going over to Joels to, you had hoped, profess your love but instead, you had fallen ass over tit in front of him and his date and burned yourself in the process. Said injury was now wrapped in gauze and throbbing with each knock and graze of your arm on your desk. You had spent the morning wishing you lived somewhere colder so you could hide your accident. 

But alas, it's 100 degrees outside and you were forced to wear a short-sleeved blouse. The air-con once again broke at the most inconvenient moment.

"Morning Pip." Said Joel as he stepped into view, placing your coffee down as he did every morning. 

"Morning." You replied, not takimg your eyes off your computer screen. 

"How's the arm?" He asked upon seeing the brilliant white bandage wrapped around it. 

"Killing me." You answered shortly, still not looking at the man who was desperately trying to pry any form of conversation out of you. 

After a long, heavy pause, Joel spoke again. His question finally tearing your eyes away from your monitor. 

"Did I do or say something to upset you?" He asked, his signature kicked puppy look making your stomach twist.

"No." You answered simply and he nodded. 

"What was it that you wanted to talk to me about?" He asked and your brows drew together "On Saturday... you said you needed to talk to me." He clarified "Said Simon had told you something on your date."

"Doesn't matter now." You bluntly replied before returning to the email you'd been writing before. 

"Seemed important then." 

"Well, it isn't now." You growled, your tone stopping the conversation dead.

"Okay." He couldn't hide how your aggressive tone wounded him. He didn't understand why you were suddenly so cold towards him. What could he have possibly done? 

He opened his mouth to speak, only to be interrupted by Simon as he blasted into the office. 

"Morning Boss!" He said chirpily before turning his attention to you "Morning beautiful."

"Morning" you replied with a smile that he returned tenfold. 

"Fancy going out with me again on Friday?" He asked and you nodded without hesitation "Great!... see you later beautiful."

You grinned at Simon as he left. Not seeing Joel's crestfallen expression.

Perhaps he did need Eliza. 

Next

For updates follow @albertasunrise-ficsblog

[gofishygo]

mito mito mito hihi 😋

i’ve been having some thoughts n i felt like sharing w the class newayssss

so i was having bubble tea earlier and i started thinking,,,,what cod characters would like it? i feel like price def wouldn’t,,simon wouldn’t mind it but he does def think its too sweet and proper tea is superior and blah blah blah (i acc don’t know im kinda divided on that like i hc him as a sweet tooth but bubble tea,,,ehhh i feel like he wouldn’t like it all that much like he’d be all grumbly about it,,, idfk

johnny and gaz i think would like it lots ,,

i also think alex wouldn’t like it abd farah would (i js like hc farah as this secret softie ok leave me alone 😞)

but THAT got me thinking,,,, what other food preferences would they have ?? i think gaz would rlly like sushi (saw a fan art of him on a sushi date w the reader and i forgot who made it but ):$/:)/&!:!!!!! it was so cute) and i also think gaz would handle spicy food well ?? and he would like seafood in general methinks (tryna think of some select seafood items he wouldn’t like but im drawing a blank bc im vegetarian shusbssjnsuen)

idrk ab simon and johnny and price,,,,,,out of them 3, i feel like simon or johnny would have the biggest sweet tooth (they’re on like completely dif ends of the spectrum character wise but shh i js know it) but they all eat A SHIT TON like the food could be burned or too salty or smth but if they’ve js come back from a mission then they’re eating that shit UP. and asking for seconds. and thirds. they would still give u food feedback if it’s some other day tho

also johnny is extremely passionate about haggis. no i have never tried it yes i js know he is ok moving on

KONIGGGG hmmmm,,,, i have no fucking idea lmao i think? a lot of german cusine involves bread and stuff,,,so……………i think he’d have rlly bland meals idk

i’ve been rlly into keegan lately but i cant come up w anything for him aaaa

also gaz would be the only one who knows how to use chopsticks. the others would learn fast being in the military and all but gaz and chopstick skills js make sense???

ANYWAY im soso sry for rambling sm lmao this is a lot of words,,,,,and this isn’t a req by any means !!! js needed to hear ur thoughts bc food is js calling to me like “ok but would blank character like this” like. urgh. ok im done now i think but yeah food preferences for cod characters of ur choice

ALSO !!! THE IOS SHARK STICKERS REMIND ME OF U,,,,,look at them$:!!;&:!3 OK IM ACC DONE NOW BYE BEY MITO HIPE U DONT FALL ASLEPE READING ALL THAT

AHHH hi weebun !! ^^ i was literally having bubble tea with my sister like a few hours ago and when i checked the inbox n saw this i BOLTED !! sorry for never responding to this, i forgot inbox existed..,

notes: shittily wrote as this as a warmup/just general yap :> sorry for messiness and incoordination.., platonic, no warnings !! unless ur lactose intolerant idk

so you'll be jus chillin w the 141 on base and then say something like "boba is absolute gas shits better than normal tea" and of course, since the majority of the taskforce is british, you get absolutely fucking jumped for it. like- keep in mind, you say this price, the NUMBER ONE TEA AND BISCUTS DEFENDER, so you do end up getting toilet duty for a week with the explanation of 'uncordial behaviour.'

but after your deployment, you are the one to arrange where the 141 meet up. it's a little ritual you guys have developed to stay connected in between missions, one that makes your friendship seem a bit more real. sometimes the only thing that keeps your eyes open and heart pumping. and since you're an absolute fucking menace, you ask if you can meet around the heart of london- and then drag them all into the nearest bubble tea store you can.

-

price... doesn't end up liking it. takes a total of two sips, nearly chokes on the pearls, and then sets the cup down. he claims he's been around long enough to know that this- like many other foods, is probably some 'trendy millennial bullshit that'll disappear in a solid few', but that doesn't help ease the insane side eye that he gets from the cashier.

but to your surprise, ghost seems somewhat okay with it. his face doesnt really change (from what you can tell- his mouth is still hidden due to some face mask he put on), but he seems neutral, relaxed, even. he mutters something along the lines of how it isn't too bad, but it doesn't beat a cuppa- to which you chose to ignore, and how he'll probably just stick to having an earl grey in the mornings. but a few months later, you catch him at the same boba store, and you cant help but giggle to yourself.

soap fucking inhales the drink. its genuinely concerning, to say the very least. he seems to like.. unhinge his jaw like some kind of snake, and then inhales the whole drink in what you think is a millisecond. and since he's the only scotsman on the team- thinks the whole 'tea n biscuits' ritual his colleagues have is utter stupidity, so not only does he now FREQUENTLY drink boba because he likes it- he also drinks out of utter spite.

gaz is the only one with a seemingly respectable opinion about boba, unfortunately. he's had it before, multiple times- it appeals to his sweet tooth and is the occasional treat after long missions. but unlike you, gaz does not value peace, and seems to keep egging soap on in chugging unreasonable amounts of the drink. (and he doesnt mention it, as he does not want to face the same punishment as you did, but he thinks that bubble tea is sometimes, just sometimes better than his cuppa.)

masterlist (some of my other stuff is better promise)

[master-kohga-dating-sim]

follow up :3 here is Sakiru, the seized construct in @bugger-loz's dungeon boss AU

lore dump below cut

While Rauru was king and Mineru was the construct builder, there was a third zonai sibling named Sakiru, the alchemist. Sakiru was obsessed with the idea of immortality, much to his sibling's chagrin. He took Zelda's appearance from the future as a sign and construct pieces started disappearing from Mineru's workspace. They broke into Sakiru's laboratory and found out that he gave himself a new pair of arms with them.

Slowly, Sakiru added more to himself as the days went on. Things didn't get any better once Ganondorf surrendered and swore loyalty, as the two of them got along and started conspiring with each other. Sakiru ended up having a big argument with Mineru, saying "I thought you'd understand my endeavor, Mineru! Bodies turn to dirt, but zonaite is forever! You know that, you create the vessels! Why won't you listen to me!?"

At this point, he was starting to cut off his own limbs and replace them with construct pieces. Once Ganondorf killed Sonia and became the Demon King, Sakiru was able to use some of his power to complete the final step: severing his head from his body and placing it into a jar full of liquid. When Rauru and Mineru saw what became of their sibling, they knew he was too far gone.

Sakiru worked for the Demon King up until he was sealed away by Rauru, causing the alchemist to take shelter in the old Spirit Temple. There he remained for thousands of years, his head slowly degrading into a skull in the jar, yet his improvements not letting him die. Up until one day, when a mysterious man in a black robe discovered him and introduced him to four people: a goron, a gerudo, a rito, and a zora, along with their infant children.

[yuri-is-online]

I can get why yutus so afraid of azul. He's heard a hundred stories about a suave, smug, but clingy octopus and then he meets him and hes this possessive little swinderler who's trying to get him to sell his soul to him and fuck his parent lmao

referencing the tags on this ask about this au

Tako Yutu didn't have the easiest time as a kid.

He was a chubby little thing raised by a single parent who didn't have the clearest memories of his father, or of their past at all really. I wrote Yuu and Yutu as being a sort of outcasts in the community because people thought they were strange, and were skeptical of Yuu's amnesia. Azul! Yutu was really bothered by that, much like his dad he got bullied and sought solace in books, but unlike him Yuu decided to enroll Yutu in some martial arts classes and hey. He was pretty good at those, his submission holds are real bad news, even won him some competitions. But he's not some muscle head even if he sort of looks like one (he didn't really drop his baby weight so much as he did bulk up) so when he gets his first real look at his father... everything in him is screaming that this guy is sketchy. He knows that Azul and the twins are watching him even if he can't see it outright and to make matters worse, when he asks his parent about him they make a face. A face Yutu knows well that he thought was reserved for the annoying nosy couple who lived next door to you and not his father. His father who Yuu's few memories had made sound wonderful; his father who was supposedly talented and hard working, smart and proud of it, but so desperately in love with his parent they still longed for him with broken memories in a completely different world. His father who Yuu had said he was so much like.

"He's not a bad guy." Yuu says and Grim huffs.

"Don't listen to them Henchuman 2." Yutu has no idea how he feels about Grim calling him that. "Azul's reeeeeeeal bad news. If he's interested in ya' it can only mean one thing, he's after your tuna and he's after your magic."

"That's two things." A smooth voice says at the same time he does and for once, Yutu sees surprise on Azul's face when he tries to make eye contact and not carefully calculated confidence.

"Well they do say great minds think alike." His father says and extends a hand. "But I must say you didn't strike me as the shy type, it is Yutu right?" The way he says it, the way he shakes his hand, Yutu knows he at least suspects him. So he smiles and makes sure to make his handshake just a touch too firm when he responds.

"That's right." Yutu is impressed that Azul doesn't flinch even slightly when he pulls back his hand, if anything his little action makes his smile wider. "And not so much shy as just curious and knowing better than to poke my nose where it doesn't belong."

"Not until you've asked anyway." Azul really isn't content with letting him remain ambiguous, he thinks nervously glancing back to Yuu. "But still there really is no need to bother the prefect over such trivial things, if you have questions about me you can just pay me a visit at the Mostro Lounge. My door is always open to poor unfortunate souls such as yourself." Azul smiles at him and adjusts his glasses and Yutu is... impressed even if the thought of being alone with this man terrifies him. But he's going to have to be eventually, Azul really wants to talk to him for some reason and Yutu finds himself wondering if he's going to find it possible to lie, or just what price he will be expected to pay to have the privilege of keeping his secrets.

But when he looks at the way Azul talks to Yuu... he isn't sure if he likes it but he does find it funny. Azul is so horrendously down bad and Yuu is so unaware of it (there's a part of him that thinks Azul might be a little bit jealous of him which he finds really funny). And Yutu understands why Yuu likes Azul so much. He is everything they remembered him being: smart, ambitious, and motivated. It makes him a little more secure in his existence even if he doubts that Azul will like having a son like him. But that's ok too because a son like him is exactly what's needed to make sure his parents get to stay together in this timeline.

now if only he can convince him to stop bugging him for his real name

[oneluckydragon]

got hit with the echo+sora brainrot so i am once more rambling in your askbox about it. because reasons.

anywho i think there is something truly saddening about echo's struggles to make peace within herself and how she truly finds it hard to find that peace when she is so certain that if the truth about her origins were to be revealed to the world, much less to *sora*, everything she achieved, everything she worked for, all of which matters to her most, will crumble away in a moment's notice.

but the fear of losing all your life's work is none compared to the fear of losing sora. the feeling of poison that settled itself within themselves and between each other out of fear and tragedy of what had happened to them is familiar. echo's resemblance to dusknoir was already enough to set the two off because of how much it had all hurt to see someone you love and yourself turn into a mockery and a splitting image of someone who had pretended to care yet showed he never did at all, but this poison is louder. it hurts to bare, to carry, and to have none but yourself to be its sole holder.

but this poison, this feeling of heartache is different. because whereas the previous pain was something both of them felt, sora was lucky enough to not have known the truth about the person who she cares for so dearly.

echo knows that she used to be darkrai. and it haunts her to have known that her previous incarnation was so *cruel*, all for the sake of it just feeling right. wishing to engulf an entire world in darkness, solely for whatever desire she used to have.

and for how much she knows, how much she will hammer it into her own head that she is *not* like that anymore, that she looks at her past with sneer and disgust and that she will not be the barer of evil anymore, it will not matter in the slightest when she will have to look at sora if she were to ever find out.

how afraid, angry and dejected she would look when finding out, and how she will go on the defense/offense because of how much this will overwhelm her.

because when echo looks at her own shadow, she sees herself for what she is. she knows what she is, be it out of shame or guilt.

but when sora will look at it, she will see a tall, contorting and menacing shadow, towering over with a bright cyan eye doing nothing but looking at her, as if tempting her to make the next move.

and she defends herself. from someone she knows will not harm her. she raises her arms up in self defense from a hand that would never hurt her more than the world has already did.

she knows echo will not hurt her. and thats why she is afraid.

Oh my oh my OH MY, Sinnoh!!! YES YES YES!

HOW!!! IN THE WORLD!!! Are you so good at crawling into my head and creating these vivid analysis/snippets on my OCs??? I've barely shared ANY information about Echo and Sora because I've been wanting to hoard most of my stuff for when my fic is finally finished... but... I think you've broken my resolve a bit, if I'm entirely honest.

You know what? I'm so inspired by your accuracy and eagerness to talk about my girls that I'm gonna forgo my crippling anxiety regarding my writing skills and instead post a snippet of my WIP fic here as a treat for you. A teaser, if you will. Since I have no idea when the fic in question will actually be done and ready (or when I will be satisfied with it, cause the thing is currently 36,000 words and still slowly climbing). And now you've got me eager to share SOMETHING of my fic with you and anyone that might want to take a peek at it.

Please enjoy this conversation between Dusknoir and Echo. The topic deals a lot with what you'd described up above!! c:

[Note: this is an unedited part of my fic because I am still in the process of writing and it may change in the future, so please be gentle w/ me but I'd love to read any thoughts/comments that pop up while reading!! pls send asks or replies or anything really cause I love you guys]

+++ +++ +++ +++ +++ +++ +++ +++ +++ +++ +++ +++ +++ +++

“I���m going to tell you something now, and you are going to listen.” Echo commands with a sharp bite in her voice that Dusknoir cannot fathom ignoring. He pauses and then offers a slow nod, waiting, wondering what she could possibly desire to tell him at a time like this, of all things.

Minutes pass as Echo remains rooted in place, still as her own shadow, and her eyes dart around as she stares at the patches of dry grass and sand beneath her paws. Her claws clench and unclench, digging into the earth like daggers as the wind of the forest (it’s trees so close, just behind them, a looming sort of presence that could engulf them whole) whistles through the surrounding branches, carrying stray leaves of many bright greens through the chilling breeze. Dusknoir watches them dance around Echo, twirling, floating down, down, down… but it’s quiet, too quiet, and Dusknoir feels a shiver pass through him when Echo’s voice finally rings out through the silence.

"When I evolved, Sora was petrified," She says, nearly a whisper, an admission that melts away her confidence and appears to bring her a flood of both shame and regret. Her face twists up then, strangely, like she’d felt a twinge of pain from somewhere deep inside the very fabric of her own soul and was unable to quell it. "She couldn’t even bring herself to look at me most days. At first, my appearance… well, it reminded her too much of you. And eventually of someone I used to be.”

Someone I used to be. At that, Dusknoir’s immediate reaction is to recall Echo’s previous life as a human, as the miserable shell of a creature surviving alongside Grovyle that he’d relentlessly hunted in the dark future. A human made of contempt and anger and apathy, who never smiled or laughed or cried or screamed like the old legends said humans would-- an entity that simply existed rather than lived. An echo of a life long dead and buried. But, judging by her tone, by her voice, by some uneasy intuition itching in the back of his mind like a swarm of pestilent Ninjask… he knows that she means something else entirely. Something that she isn’t willing to share. And frankly, that concept utterly terrifies him.

Someone I used to be. Dusknoir wants to speak, to break his own silence, wants to ask the myriad of questions bubbling up in his throat because this isn't the first time she's hinted at another life beyond being human, but those questions die at the source like a flame doused in water. And always the coward, coward, coward, instead he takes the easy way out by doing nothing at all. Whether Echo notices his surge of inner conflict or not-- the nervous wring of his hands and the tremble in his spine that he cannot control under her gaze-- she does not react.

“I’d take a step and Sora would flinch away.” Echo confesses, her markings flickering with light before going dark and dead, as if her body wished to snuff them out entirely, a deep seated rejection, a self-loathing so strong that Dusknoir cannot help but recognize it and empathize, and his heart aches, “It took ages for her to stop shaking when I’d speak. To stop looking at me like-- like I was going to…” 

Echo grimaces like she’s enduring waves of grueling torture and doesn’t finish that string of thought, but it’s not hard to make an educated guess on what went unsaid. Like I was going to betray her. Hurt her. Break her heart. She’s been through so much already and I couldn’t bear to be another influence in the history of her suffering. I hate myself because of how I made her feel. When her eyes went wide in fear and through them I could see myself staring back like some sort of burden, some sort of curse.

“I am not my past.” Proud and true, Echo straightens up and holds her head high, a spark igniting in her eyes, a glint of determination, a will to keep going and going despite such circumstances and strife, despite this horrid, unspeakable past that haunts her so, “And I am definitely not you. It’s taken a while, but I know that much now. I’ve accepted it.”

I am not my past. And I am definitely not you.

A sigh, a breath, and Echo glances at him with a certain sorrow that cannot be described, a sorrow that lingers even through the veil of her tenacity, "But no matter how I feel, no matter my conviction, my shadows still find ways through the cracks. Every time I think I'm getting a grip and that I might finally understand myself… I change all over again." She admits, sounding more angry and tired than defeated now-- like a mirror of her old self, her human self that had clawed and damned and cursed him, despised him more than anything. "I hate it. I hate that I never truly know who I am. That I have to learn about my past through stories others tell me, or through fragments of twisted, broken memories that I wouldn't wish on anyone. Through conflict and pain and… and..."

"Echo," Dusknoir murmurs her name softly, an offering, a potential escape if only she would wish to drop the subject and forget this conversation had ever happened-- if she'd overstepped and needed an excuse to back out, a diversion, an understanding. And briefly, Dusknoir wonders why she is opening up about this particular information, why she would delve into something so vulnerable, so personal. Why she would bring up this hurtful history when it obviously brings her great discomfort.

And then, he gets an answer.

“You’re lucky, Dusknoir." There it is, that wildfire burning in her eyes again. A spark that’s new and bold and startling. But lucky? No, never. He'd have to disagree, accounting the mountain of evidence that was his life and regrettable deeds.

"You already know exactly who you are and what you’ve done, and most importantly why. You have more than a tattered picture of yourself that reflects broken answers. And you can change with that knowledge. I see you trying.” She tells him, searching, looking for something so deeply and Dusknoir wishes he knew what it could be so that he could give it to her, because he would, he would gladly give it to her without a second thought if it meant they could be close again. But he isn’t a fool, and he’s wise enough to know they’ll never be like they were before. “And if somehow I could change, even as half-assed as I have. Well, then what’s your excuse?”

You can do it, say her unspoken words, I believe in you.

[feline-evil]

Dick or no dick confirmation Pickles was always going to be trans to me anyways; if he's swingin' somethin that's phallo babes, if he's not then his t-dick fat. What's not to get.

[skitskatdacat63]

Boy King Seb :D

[lexicog]

traitor to the cause forgets national holiday every year KILL HIM

[fuzzyunicorn]

[tvrningout-a]

i’ll have y’all know that i’ve been researching raven creatures and i’m about to go stupid go crazy and add this lady to the blog when i get back

[archaeren]

How I learned to write smarter, not harder

(aka, how to write when you're hella ADHD lol)

A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.

The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.

As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!

Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!

2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)

Unpopular writing opinion time: You don't need to make a detailed outline.

Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.

I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) (Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.

Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!

This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.

As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.

When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD

People always say if you're stuck, you need to outline.

What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!

What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.

You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.

And then quickly note down your inspirations so you don't forget, haha.

And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.

If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?

And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD

In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.

Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.

Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)

And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)

[cherrylight]

have i mentioned how much i love five because i do. a lot. he means so much to me. i need to walk around in a circle and scream

[silverselfshippingchaos]

man. I'm always so worried that my ship with S.eifer is out of character and just generally not good

[mythvoiced]

-. unfortunately for wenzhe and ESPECIALLY unfortunately for me, ko.ha.ku ichim.ura seems to work a lot more for his animated faceclaim than the guy who was the literal cause wenzhe even exists, so how y'all doing