#i'd have to learn a bunch of stuff

[rapidhighway]

behold, sonic and knuckle climbing a cliff. what will they do

[elizabeshi]

I always want to post more art, but I'm so bad at time management...

[clorofolle]

Mint

[earthbovndmisfit]

if i had a nickel for every time a fave of mine has been some blond gay gay homo gay badass and bad bitch who can be deadly af, is good with handguns, good at close combat, has dozens of dangerous men under his command, has a soft side that he will show only to those few that he wants to show it to, falls deeply in love with the buff brunet bisexual guy who kicked his ass in front of his men, then forms a deep and close bond with said brunet bi guy whose name starts with Jo and develops a Very Ambiguous relationship with him, devotes his life to him and remains loyal to him and him only for the rest of his life, always doing everything in his power and beyond to ensure the wellbeing of his beloved and protect his legacy...

...i would have two nickels, which is not a lot, but it's such a Very Specific combination that its actually weird that it's happened twice

[if-one-of-us-falls]

.

[longroadstonowhere]

paradoxcase hat auf deinen Eintrag geantwortet

“we don’t know if these scrapbooks can be handled”?

i ended up going with "they are not currently fully assessed for what would be appropriate levels of handling by the general public", which still feels like awkward phrasing but at least is a phrase full of words i know are okay for a professional context

[justlemmeadoreyou]

rain-kissed* (footballer!harry x

nerd!y/n)

summary: y/n and harry, former rivals turned reluctant partners, find unexpected chemistry. heated glances, playful banter ignite a spark. a near-tragedy makes y/n confront feelings, and...will they be reciprocated? ft. lots of mutual pining

words: 6.1k

warnings: Angst, fluff, mentions of a major injury, cursing, kissing, hints of smut, mutual pining.

Y/N groaned as she walked into the lecture hall for her literature class. "Are you kidding me?"

There in the very front row sat Harry Styles - captain of the football team, president of one of the biggest frats on campus, and certified douchebag extraordinaire. His feet were obnoxiously propped up on the desk in front of him as he laughed loudly with his friends. 

"This class is gonna be a nightmare," Y/N muttered, taking a seat as far away from Harry's circle as possible. She couldn't stand arrogant jocks like him.

Class started and the professor cleared her throat loudly, shooting Harry a pointed look until he dropped his feet to the floor with an eye roll. "Alright, since this is an upper-level lit course, we're going to kick things off with a big group project."

A collective groan went through the class. Group projects were the worst, especially when half the group didn't pull their weight. Harry raised his hand lazily.

"What's the project, Millers?"

The prof narrowed her eyes at Harry's casual address but proceeded. "You'll be analyzing the themes and formatting an anthology of poems, plays, and short stories from a particular era or movement. I'll be assigning the groups and topics."

Y/N mentally prepared herself to get stuck doing all the work as usual for her group when Millers started listing off the pairings. 

"Styles and Y/L/N - you'll be covering the Romantic period."

Y/N's head whipped up in horror as Harry scoffed loudly. Of course they'd get partnered up. This was quite literally her worst nightmare.

"Fucking kill me," Harry grumbled, slumping back in his seat rudely.

"I'd rather work alone," Y/N couldn't stop herself from retorting. Immediately, Millers zeroed in on her with a stern look.

"I don't recall there being a choice, Ms. Y/L/N. Unless either of you plans to drop this course, I suggest you learn to work together effectively."

Gritting her teeth, Y/N forced out a tight, "Yes, Professor."

Harry was already texting rapidly on his phone, not paying any attention. This project was going to be utter hell.

The rest of the semester only proved Y/N right about what a nightmare it would be to work with Harry. Their first meeting to divide up the work went about as well as could be expected - which is to say it was a total disaster.

"Look, I don't have a bunch of time for this bullshit poetry stuff," Harry kicked back in a creaky chair, looking entirely too at home in the empty classroom they'd claimed for their work session. "How about you just do the whole thing and I'll, like, proofread it at the end or whatever?"

Y/N stared at him incredulously. "Absolutely not! This is a hugely weighted project, Styles. I'm not doing all the work myself."

He shrugged impatiently. "Why not? You seem like a big ol' nerd who'd be into this."

Biting back a retort, Y/N forced herself to remain calm and reasonable. If he was going to act like a damn child,she had to be the adult in the relationship–or whatever this was.

 "Forget it. We're going to split everything 50/50 whether you like it or not. I'll take the poetry analysis and you can have the plays. We'll swap sections to proofread before compiling the final thing."

Harry made a face like she'd asked him to perform surgery. "Do I have to? Plays are so boring."

"Don't care," Y/N said flatly. "You're pulling your weight on this one way or another."

With a melodramatic huff, Harry finally agreed and they were able to separate the reading materials and due dates before parting ways, both dreading the long weeks ahead.

Except...after trading several heated email chains and a couple disastrous coffee shop meetups, something shifted. Maybe it was the punctuality that struck after virtually living in the library for a week straight. Maybe it was how they both surprised each other by not being complete idiots about the subject matter. But at some point, the bickering and resentful silences turned to a bearable truce and even - dare Y/N think it - a hint of reluctant respect between them.

Y/N had assumed Harry was just another brainless party bro who skated by on his looks and family money. But to her surprise, he actually had intelligent insights into the Romantic poets and playwrights - even if he still whined about having to read "this dramalogy crap." 

And Harry, who had fully expected Y/N to be an uptight, pretentious book nerd, found himself caught off guard by her whip-smart analysis...and her unexpected sarcastic quips that had him stifling laughs more than once during their study sessions. He called her nerd instead of her usual name, but was now slipping back to using Y/n more often.

"Oh my god, you did not just say that about Lord Byron!" Harry snickered as Y/N made another scalding comment about the poet's arrogant womanizing. 

"What? The man was an infamous manwhore by all accounts," Y/N shrugged unapologetically. "Self-important dickhead thought his brooding and philandering made him a genius."

Harry gasped in mock offense. "How very unromantic of you, love! Have you no poetic soul?"

Without missing a beat, Y/N deadpanned, "I prefer to admire poets who didn't give the clap to half of London."

The startled laugh that burst from Harry's lips was so warm and uninhibited that Y/N felt an unexpected little flip in her stomach at the sight. Whoa, what was that?

Shaking it off, she hid her face behind her book again, tamping down an oddly giddy–sort of feeling. Just because she'd managed to find Harry slightly less insufferable lately didn't mean anything.

And so it went, their bickering gradually becoming more lighthearted and playful rather than biting. The weeks ticked by as they somehow formed an unlikely...friendship? Bros? Sure, they'd go with that for simplicity's sake.

At some point, they started expanding their hangouts beyond just study sessions too. Grabbing food after class turned into actually sitting together, Harry regaling Y/N with stories from his frat's latest shenanigans as she pretended not to be entertained. 

On the rare nights Y/N wasn't holed up writing papers, she started joining Harry and his boys at their favorite dive bar, quickly becoming the calm voice of reason trying in vain to talk them out of their next boneheaded plan.

"Come on, PlainJane! Live a little!" Harry teased, throwing an arm around her shoulders at the bar. 

The rowdy group cackled at Harry's horrible attempt at a literary-themed nickname for Y/N, as per tradition when any new face got absorbed into their friend circle. Personally, Y/N thought it was a lame pun, but she secretly loved how easily she'd slotted into their bizarre fratty family...and maybe especially how Harry always seemed to plaster himself to her side whenever they went out.

The camaraderie and effortless banter flowing between them should've been a huge red flag that something was shifting. But Y/N was quite stubbornly oblivious, as was Harry in his own way.

At least, that was until their big group presentation day rolled around. They'd been prepping and quizzing each other for weeks, reviewing notes and analysis essays till they were cross-eyed. Harry had really stepped up, much to Y/N's surprise, retaining way more than she'd expected about the playwrights and their major works.

The whole lit class was spread out in the lecture hall, with bullet-pointed notecards and thick anthologies ready as the first group took the floor. When it was finally Harry and Y/N's turn, they moved to the front in sync, Harry shooting her a subtle wink as he grabbed the microphone first.

"Buckle up, kids - this is how you do a proper literary presentation," he drawled cockily.

Y/N rolled her eyes on reflex, biting her lip and bumping his hip with hers in playful admonishment. "Shut up and just start already."

Neither of them noticed the amused looks being swapped by their classmates at their easy rapport. Or Millers leaning back with a knowing smirk, clearly recognizing the chemistry flying between her formerly antagonistic partners.

For the next hour, Harry and Y/N launched into their meticulously prepared overview of the key figures and works emerging from the Romantic period. Their back-and-forth was flawless yet casual, almost playful at times with little ad-libs and jokes only they were in on.

At one point, Harry lightly mocked Lord Byron's arrogance with a pompous impression that had Y/N doubled over giggling into the mic, barely choking out the next lines through her laughter. When she managed to catch her breath, she shot him a look that was equal parts fond exasperation and...something more heated.

There was a noticeable spark between them that had clearly evolved far beyond the adversarial classmates they'd started as. And if anyone could miss that subtext, it became blindingly obvious at the end when they seamlessly transitioned into their concluding remarks, standing shoulder to shoulder.

"So in summary, while the Romantics may have been a pretentious bunch of melancholic lads-" Harry began.

"-their pioneering works cemented their place as quintessential figures in literary history," Y/N picked up without missing a beat. 

They shared a grin before finishing in unison, "And that's the tea, no cap."

A surprised burst of laughter rang out from their classmates at their cheeky sign-off, even the prof hiding a smile behind her hand. Everyone could see it - the easy chemistry, the almost electric undercurrent between the former rivals.

Everyone, that is, except Harry and Y/N themselves. 

As they moved to return to their seats amid the applause, neither seemed to register the weighted looks and muffled whispers following them. Harry just ducked his head with an almost bashful smile, still riding the high of how flawlessly they'd worked together. While Y/N felt her cheeks flushing under the weight of what she convinced herself was just residual adrenaline.

In the weeks after their wildly successful presentation, that same strain of electrifying connection only grew stronger between them. You'd never know they'd spent the first half of the semester low-key loathing each other based on their current vibe.

Now, when Harry's frat brothers tried to rib him about his "study buddy" at their typical dive bar hangout, he just threw an arm around Y/N's shoulders and proudly declared, "More like my brain twin!"

Y/N would just duck her head with a bashful grin, pointedly ignoring how her heart did a little somersault at both the affectionate nickname and Harry's easy touch.

Or like when they sprawled out on the quad between classes, passing a bag of chips back and forth as Harry ranted about his coach riding his ass over the big rivalry game next week. Without even thinking about it, Y/N would reach out to squeeze his knee consolingly as he huffed out his frustrations. It was such a simple, natural gesture between them now that she didn't even register the slightly stunned look Harry shot her before clearing his throat gruffly.

Even their friends couldn't resist commenting on their respective obliviousness at this point.

"Bruh, Y/N literally lets you call her 'love' without punching you in the dick," Niall pointed out bluntly one night when Harry claimed, once again, he and Y/N were "just friends." His Irish buddy arched a skeptical eyebrow. "Pretty sure she wants to ride your lancer if you know what I mean."

Harry smacked him hard while trying not to get flustered. "Shut the fuck up, asshole."

While on Y/N's end...

"Sooooo, when are you gonna admit you have a huge crush on Styles?" Her friend Riley asked point blank over brunch, making Y/N nearly choke on her mimosa.

"What? No I don't!" She insisted a little too quickly, refusing to meet Riley's all-knowing gaze. "We're just...really good friends."

Riley hummed disbelievingly. "Right. And I'm the Queen of England."

Y/N opened her mouth to protest further before clamping it shut as her mind started helplessly rehashing all her favourite little moments with Harry over the past few weeks. His warm, anthracite eyes crinkled at the corners when he laughed at her jokes. The proud grin he'd get whenever she successfully understood something he'd tried explaining. The way she felt this inexplicable magnetic pull to stay pressed into his side for as long as possible whenever they hung out...

"Oh my god," she breathed out, smile slipping as the enormity of her revelation dawned. "I'm in love with Harry fucking Styles."

That's not to say the smitten epiphany immediately changed anything between the two. Well, maybe it made their lingering hugs and casual touches go on for a few beats too long. Or had them both shyly stealing glances when the other's back was turned.

***

Mostly though, they just continued their cozy, obliviously pining routine of late night FaceTimes and weekends holed up studying together for finals. All while Harry's team prepared for their annual football rivalry game - the biggest matchup of the season that would make or break their championship chances.

The night before the game, Y/N found herself inexplicably anxious as she sat in the stands amid a drunk, raucous crowd. Harry kept shooting cheesy grins and double finger-gunged winks her way whenever he trotted past her section, clearly buzzed on adrenaline.

"Go get 'em, superstar!" She shouted at one point, laughing as Harry blew her an obnoxious kiss before getting back in the huddle.

The energy in the stadium was electric and infectious, Y/N finding herself caught up in the cheers and chants despite not being a huge football fan normally. Something about watching her...Harry out there gave her swirling butterflies low in her belly though.

As the intense game raged on, Y/N was on the edge of her seat, nails digging into her palms whenever Harry took a brutal hit or made a heart-stoppingly risky play. At one point he got absolutely leveled by a linebacker twice his size, his helmet bouncing sickeningly off the turf.The roar of the crowd faded into the background as Y/N watched in horror as Harry's body slammed violently into the turf. She felt her heart stop as he didn't immediately get back up after the brutal hit.

"Harry!" she screamed, her voice drowned out by the gasps of the other spectators. 

The medical team rushed out onto the field as Harry lay unmoving. Y/N's hands shook with fear as she watched them carefully roll him onto a backboard and load him into the ambulance. She felt tears streaking down her cheeks as the ambulance pulled away, sirens blaring.

After what felt like an eternity, she finally received word that Harry was going to be okay. The doctors said he had suffered a severe concussion and possible spinal injury from the whiplash of the hit. He would need weeks of rest and recovery.

Y/N rushed to the hospital, desperate to see him. When she entered his room, her heart broke at the sight of Harry's battered body hooked up to various machines, a cervical collar immobilizing his neck.

"Harry..." she whispered, taking his hand gently in hers. "I'm so sorry."

Harry's eyes fluttered open at the sound of her voice. "Y/N? You're here..."

"Of course I'm here, you idiot," she tried to joke, blinking back more tears. "I was so worried about you."

A small smile tugged at his bruised lips. "I'll be okay, love. Harry is a thick skull, remember?"

Y/N rolled her eyes but couldn't help grinning at his terrible joke. "Don't scare me like that again, Styles. I don't know what I'd do without you."

A look of tenderness crossed Harry's face that made Y/N's breath catch in her throat. But before either could say anything further, the doctor entered to check on Harry's condition.

***

Over the next week, Y/N diligently stayed by Harry's side in the hospital. She helped feed him, kept him company, and supported him through the difficult early recovery stages. Harry quickly grew restless being cooped up, but every time he tried to get out of bed against doctor's orders, Y/N was there to scold him.

"You heard what the doctor said, Harry. You need to rest and let your body heal properly," she chastised him one day as he tried to get up.

Harry groaned in frustration. "But I'm going stir crazy in this damn bed! I feel fine, Y/N, honestly."

"No, you don't," Y/N said firmly. "You could have had a serious spinal injury. You're lucky it wasn't worse. Now lie back down before I get the nurses to strap you in."

Grumbling, Harry reluctantly complied, though he continued to hate being so confined and immobile. Little did Y/N know, he was already hatching a plan.

A few days later, Y/N arrived at the hospital only to find Harry's bed empty. Her heart leapt into her throat as she rushed to the nurses' station in a panic.

"Where is he? Where's Harry Styles?" she demanded.

The nurse gave her an apologetic look. "I'm sorry, he checked himself out against medical advice earlier today."

"What? No, he can't have!" Y/N cried. She knew immediately where he would have gone.

Sure enough, when she ran across campus to the football practice field, she found Harry standing on the sidelines in his gear, acting as if nothing had happened. White hot fury blazed through her veins.

"Harry!" she yelled, storming toward him as the first raindrops began to fall. "What the hell do you think you're doing?"

Harry turned with a cocky grin as he saw her approach. "There's my favourite nerd. What's got your panties in a twist, love?"

"You insufferable asshole!" Y/N exploded, not caring that they had an audience of his confused teammates. "The doctor said you needed weeks of rest and recovery! You could have permanently injured your spine!"

Harry rolled his eyes. "Relax, babe, I feel great. Probably just overreacted with that whole backboard and neck brace nonsense."

"Are you kidding me right now?" Y/N seethed, hands balling into fists at her sides. Rain began pouring down around them, quickly soaking them both, but she didn't care. "You're incredible, you know that? You have zero self-preservation! No regard for your own safety and well-being!"

"That's a bit dramatic, don't you think?" Harry scoffed, though his casual demeanor faltered slightly under her furious glare.

"Dramatic? You could've been paralyzed, Harry! Doesn't that mean anything to you?" Her voice broke with frustrated tears. "Don't you understand how terrified I was watching you lying there, not moving? I thought...I thought I might lose you."

Something flickered across Harry's features then. His cavalier mask slipped for just a moment, allowing a flash of guilt and tenderness to shine through that sent Y/N's heart lurching treacherously. Then it was gone, the wall snapping back into place.

"Well, I'm right as rain now, so you can quit your worrying," he said gruffly, turning his back on her.

That was the final straw for Y/N. She grabbed his arm and whirled him around to face her, not caring that they were getting drenched by the downpour.

"You're so fucking reckless with yourself, Harry! Like you have zero self-preservation or even an ounce of common sense! Do you have any idea how scary that was to see you lying there, not moving? How I thought..." Her voice hitched, throat growing too tight to continue as burning tears pricked the corners of her eyes.

Through the rapidly blurring vision, Y/N registered Harry staring, chest heaving like she'd actually winded him with her outburst. His hands hung frozen at his sides, knuckles going white as he watched her come completely unraveled. And still she wasn't finished.

"You can't just keep putting yourself in danger like that! Pulling stupid fucking stunts and flipping off your own safety like it doesn't matter! Because it does, Harry. It matters so much to...to me," she finished in a thick whisper, finally allowing a tear to escape and streak down her flushed cheek.  

A weighted silence stretched between them, Y/N struggling to regain her ragged breathing as Harry continued gaping at her, utterly shocked by her reaction. Waves of tension rippled through the small space separating them.

Finally, after what felt like an eternity but was probably only seconds, Harry seemed to recalibrate. His expression went utterly blank for a beat before, out of nowhere, his eyes hardened into flashing jade. When he spoke, his tone was laced with a chilling detachment.  

"Why?"

Y/N blinked owlishly. "W-What?"

"Why the fuck do you care so much, huh?" Harry exploded, eyes flashing as he aimed his scathing hostility directly at Y/N. "Last I checked, I'm not your boyfriend or your family. I'm just some dumb jock you study with, right?"

Y/N flinched at the biting sarcasm, feeling tears prick her eyes anew at his harsh dismissal. But Harry was on a roll, fists clenching and unclenching as he visibly wrestled with...what? Anger? Fear? She couldn't tell, but his next words sliced deep regardless.

"So why do you get to flip out and pass judgment every time I take a hit, huh? You think I don't know how to handle myself out on that field?"

"That's not what I-"

"No, clearly you don't think I have any sense of self-preservation or whatever psychobabble bullshit diagnosis you want to armchair next!" Harry barreled over her attempted protest, voice rising in a sharp crescendo. 

He took a menacing step closer, using his full height to loom over her in a move that likely would've been intimidating...if his eyes didn't look so pained and conflicted behind that mask of bitter anger. "Tell me, Y/N - what gives you the right to freak out like that, huh? To look at me with those scared eyes like you have any claim over whether I live or die or-"

"Because I love you, dammit!" The confession exploded from Y/N with the force of a meteor strike.

A stunned silence fell over the field as Harry gaped at her, mouth hanging open in shock. Even the rain seemed to pause in the heavy tension between them.

After several moments where Y/N felt her panic rising, Harry finally found his voice again. "You...you what?"

Y/N took a shuddering breath, bracing herself. She had come too far to back down now.  

"I love you, Harry," she repeated, slower and more sure this time. "I have for a long time, you idiot. But you're always so reckless and careless 'bout your own safety. You take stupid risks and shrug it off like getting hurt is no big deal!"

She stepped closer, feeling tears mingling with the raindrops on her cheeks. "Don't you understand? The thought of you being seriously injured, or worse...it terrifies me. Because I couldn't handle losing you. You mean everything to me."

Harry continued staring at her, eyes blown wide and lips parted as if her confession had utterly short-circuited his brain. Y/N pressed on, needing to finally unleash all the feelings she had kept bottled up for far too long.

"I love your stupid jokes and your kind heart. I love how passionate you are about football, even if it drives me mental sometimes. I love the way you always smell like sandalwood and make me feel so safe when I'm with you. I'm in love with every obnoxious, laddish, reckless part of you and I can't keep ignoring it anymore."

She let out a wet chuckle, wiping futilely at her drenched face, her hands still shaking. "So yeah, that's why I care, you absolute wanker. That's why seeing you get hurt destroys me every single time, because the thought of being in a world without Harry Styles in it is just too much for me to bear!"

The words hung heavy in the rain-soaked air between them. Y/N watched Harry open and close his mouth a few times, clearly struggling to find a response. For once, his swagger and cockiness had completely deserted him as her feelings poured over him in an unstoppable tide.

Just when the silence was becoming too much for Y/N to bear, Harry finally seemed to find his voice again.

"You...you love me?" he rasped out, the disbelief and wonder evident in his tone. "Like, you're in love with me?"

Y/N felt her cheeks flush hot despite the cold rain. She gave a small nod, unable to meet his intense gaze. Her heart was thundering so loudly in her ears, she barely registered the shouts and hoots coming from Harry's teammates who had witnessed the whole emotional outburst.

"Shut it, you wankers!" Harry barked over his shoulder, never taking his eyes off Y/N.

In two long strides, he closed the distance between them until they were mere inches apart. Y/N's breath caught in her throat as Harry reached up with one hand to gently cup her jaw, tilting her face up toward his.

"Y/N..." he murmured, emerald eyes searching hers intently. "Why didn't you ever say anything?"

She let out a shaky laugh, leaning into his touch despite herself. "And ruin our friendship if you didn't feel the same way? I couldn't risk that, Harry. You mean too much to me."

Something blazing and tender flickered across Harry's face at her confession. Slowly, giving her every chance to pull away, he leaned in until their foreheads were resting together. Y/N shivered at the intimate proximity, at the way his familiar woodsy scent surrounded her completely.

"You daft woman," he murmured, the words fanning warmly across her lips and making her shiver for an entirely different reason. "Don't you know there's nothing I want more than for you to be my girlfriend? To be able to love you the way you deserve?"

Y/N's eyes fluttered closed at that, her heart feeling fit to burst from her chest. She had spent so long forcing herself not to hope, not to read into the heated glances and lingering touches she shared with Harry. Could he truly feel the same earth-shattering connection she did?

Her eyes blinked open again at the feeling of Harry's calloused thumb brushing reverently across her rain-soaked cheek. He was staring at her with such naked adoration and longing that it stole the breath from her lungs.

"I'm so bloody gone for you, Y/N," he confessed roughly. "Have been for ages now, if I'm being honest. Thought maybe I was imagining things between us or reading too much into it since I couldn't fathom someone as incredible as you wanting a mug like me."

Y/N opened her mouth to protest, to reassure him that she wanted every infuriatingly charming part of him, but Harry pressed on before she could get the words out.

"Then today, hearing how scared you were when I got laid out...how you thought you could lose me?" He shook his head slowly, curls dripping rivulets of rainwater down the sharp planes of his face and throat. "Don't know how I didn't see it before, love. The way you care about me, put up with all my shite...it's because you love me. Isn't it?"

It wasn't really a question, more like Harry was testing the words out for the first time and savoring the way they sounded. A thrill went through Y/N at getting to be the one to put that Look of rare, hushed awe on his handsome face for once.

"Yes, Harry," she answered anyway, both hands coming up to cradle his beloved face. "I'm desperately in love with you. The good, the bad, the reckless...all of it."

A crinkly-eyed grin stretched across Harry's lips then, brighter and more vibrant than Y/N had ever seen before. He wasted no more time closing that minuscule distance between them, capturing her mouth in a searing, all-consuming kiss.

Y/N gasped against his lips as the dam finally broke, months of too-long denied want and need bubbling over in heated waves. Harry's hands slid into her soaked hair, angling her head to deepen the embrace as he licked hungrily into her mouth. Y/N clung to him just as fiercely, fingernails scraping against his scalp and shoulders as if trying to physically pull him closer.

They were both panting harshly by the time they wrenched apart, sharing the same air in the infinitesimal space between their swollen mouths. Y/N felt drugged by the glazed, predatory darkness swimming in Harry's blown pupils,by the intimate glide of their rain-drenched bodies.

"Fucking finally," he growled against her lips before diving back in, one large hand splaying possessively across the small of her back.

Y/N hummed in ardent agreement, getting lost in his dizzying taste and scent and touch once more.  It felt like a cosmic star had been reborn between them, the force of their crashing inevitability obliterating all the hurt and confusion from before.

Neither was sure how long they stayed like that, trading desperate, drugging kisses amongst the pouring rain. But eventually, Harry pulled away just enough to nose his way along Y/N's jaw, lips dragging hotly up to her ear.

"Let's get out of this downpour, hmm?" he husked, teeth grazing her shell and making her shudder. "Got some making up to do for being such a blind tosser."

Y/N pulled back just enough to catch the incandescent fire blazing in his darkened gaze. Her breath hitched at the onceiled promise flickering there, at the tips of his wicked fingers already slipping beneath the drenched hem of her top.

It seemed she wasn't the only one who had been harboring some pent-up longing and hunger.

Still, there was one loose end she couldn't resist tugging before allowing Harry to whisk them away...  "Does this mean you're finally going to start taking better care of yourself?" she asked archly, arching one pointed brow. "No more stupid, reckless stunts for my idiotically brave footballer?"

Harry audibly groaned, dropping his forehead dramatically against her clavicle as his hands flexed with bruising force against her hips.

"Whatever you want, love," he conceded gruffly. "No more injuries or shite, I swear it. Now can we please get the fuck out of here before I embarrass myself further by ravishing you in the mud right in front of my teammates?"

Y/N gave a squeak of surprise as Harry abruptly ducked to gather her up in his arms, hitching her legs around his waist in one fluid movement. He sealed his wicked promise with another lingering, molten kiss that left her head spinning.

"Now, where were we..." he growled darkly before striding determinedly off the field, Y/N clinging just as fiercely in his embrace.

The teammates' raucous catcalls and laughter faded into the rainy background as Y/N tucked her face into the curve of Harry's neck, savoring his familiar sandalwood and smoke and the feeling of being wrapped in his arms at last.

She was never letting him go again. Not if she had any say in it.

♡~~~♡~~~♡~~~♡~~~♡~~~♡~~~♡~~~♡~~~♡~~~♡~~~♡~~~♡~~~♡~~~♡

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[shslpunkartist]

Hihi! I know you probably had been told this before but thank you for the System AU. As someone who is a system as well, your AU makes me and my alters feel so validated. You done such a great job that I still find it hard to believe you're not a system yourself. I respect you a lot for this because it shows that you actually done your research and that you care! Thank you! 💖

Thank you, this means a lot to me as well! My imagination may go above and beyond with ideas, but I'm glad that both that and my lil research makes you feel validated. I always wanna do that whenever I make characters with traits that I'm unfamiliar with, such as different conditions or identities.

[kitchenwitchtingss]

50 KITCHEN WITCH TIPS TO MAKE YOU FEEL MORE WITCHY

(And other useful things I've learned over the years)

Hi! This is a list of dos, don'ts, tips, tricks, and other fun things that I've learned over the years. I always love finding more effective and efficient ways of doing things so if you have any cool things you'd like to add, leave them in the comments or reblog. I'd love to read it.

Anyways... On with the list ^_^

Light candles around your kitchen space (just make sure nothing flammable is near you)

Annotate your cookbooks with the correspondence of the ingredients.

Mediating is really good to calm the mind before cooking.

Cut oranges and lemons thinly, dry them, and hang them with twine around your kitchen

Need a cleansing tip? Open all your windows near your kitchen. Let some fresh air in.

Cutting sigils into apples, pie crusts, and carved potatoes.

Save lemon and orange rinds, freeze them, and then use them to clean the garbage disposal.

Make infused oils and honey: Things like garlic honey, lavender honey, herb oil, sun oil, moon oil, dandelion oil, and other different edible oils are very fun and useful to make.

Hid sigils in pages of your cookbooks and kitchen witch journals.

Add some plants! Snake plants and spider plants don't need too much light, and growing your own herbs in your kitchen is awesome too. Basil, lavender, thyme, aloe vera, rosemary, etc. are good fits. You could also add some plants that require more sunlight on the kitchen window sill. Like cacti and succulents.

Bring crystals into your kitchen space such as rose quartz, clear quartz, amethyst, or whatever you want the space's intentions to be.

I keep a small money tree on the sill, along with cacti for luck and protection.

Make a simmer Pot! Mostly because it makes the whole house smell good, easy, and fun.

Stir clockwise for best results!

Learning how to pickle things is actually pretty witchy. Plus, anyone could do it as it requires absolutely no kitchen experience. You could pickle any vegetable, even if you don't like pickles. I originally learned this after having to take shelter from a natural disaster. A person brought a bunch of stuff and taught us how to pickle things with different spices and herbs. Very fun!

Decorate your kitchen with your favorite stuff. Crystals, decor, heat mits, that cool mushroom cake stand you've been eyeing at the World Market for the past 2 weeks, cool looking curtains, sun catchers. Why stop there? Paint the walls, hang shelves full of marked-up cookbooks that are a little too well-loved and thumbed through.

Wanna be the person that has the amazing-smelling house every time people come over? Syrups take some time to simmer down, it's actually a pretty good time to leave it on the stove to simmer. Since syrups have a lot of aromatic ingredients, it acts as a really good-smelling simmer pot.

Hang up herbs to dry with twine from cabinets that are rarely used.

Invest in that new set of plates and cups.

Homemade jams, butter, sauces, and syrups are your best friend.

Crochet or knit your own dish rags, pot holders, etc.

Don't pour extremely hot things into a glass that's not Pyrex, it will break, and you will be very sad about it.

Don't cook anything while extremely upset or emotional (For safety reasons)

Make recipes you want to make, not just because you'll like the effect. Make it because you think it's tasty.

Chinese Five Spice works in place of herbs for protection and luck spells a lot of the time! It's cheaper to buy 1 spice than 4 different spices that total up to 15 dollars when you could just spend 3-4 dollars.

Take a shower before cooking (I don't know how to explain this one other than it makes you feel better)

Don't use microfiber/plastic material clothes on hot burners, it will fuse to the burner and melt. It is VERY hard to get off.

I don't know if I need to put this one but I did see someone do it so nonstick pan = wooden utensils and plastic utensils, metal pan = metal utensils. Do not use a metal spoon in a nonstick pan, please. It can make you very sick.

Keep your pets away from hot oil, open ovens, and hot pans.

You can proof bread dough in the fridge overnight if you don't have the time to bake, or want to eat fresh bread right in the morning.

Need a quick witchy meal for dinner in 12 minutes? Use premade tomato pasta sauce and doctor it up with thyme, rosemary, and garlic, for protection and distilling stagnant energies. Serve with pasta of your liking.

You can substitute Butter for Crisco/shortening, buttermilk for 1 cup of milk + 1 tbsp apple cider vinegar or lemon juice, and heavy cream for 1 cup of half and half plus 2 tbsp of butter.

Use leftover animal bones to make bone broth

Teach yourself the art of bread scoring (It's fun, and you can show it off to your loved ones!)

Collect and hoard your own and others' family recipes.

Sometimes the food doesn't have to be a spell, sometimes it just makes you feel good and you don't know why.

Listen to your favorite music in the kitchen, it makes the monotonous things like chopping veggies move faster.

Invest in a vegetable chopper if you don't like chopping vegetables.

Find a really good hot cocoa recipe and make it once a week. Master it. Just for your own happiness because hot cocoa is really good. You could also be the friend/family member that makes the best hot cocoa ever.

Focaccia Bread Lasts a very long time, and it's very easy to make!

Keep a first aid kit near where the oven is, in case of burns, cuts, or serious injuries where time is everything.

Quick Bread and no-rise loaves are simple for beginners, tasty, and take little time. They also feel very witchy to make.

Study a bit of Herbalism! It's fun and really helps better understand the herbs you're putting into your food.

While something is boiling, put your wooden spoon over the pot to minimize the chance of something boiling over.

Try a bit of coffee magick, it's simple to get into, and gives you a boost of energy to take on the day!

If you're over 21, wine-making is a very interesting way to celebrate the sabbats. Just with that, make sure you KNOW what you're doing. With anything fermented, there's always a risk if you don't store things correctly. Apple wines, strawberry wines, dandelion wines, etc. all very cool to experiment with. If you're not over 21, vinegar is a similar way to experiment.

Hang up some witchy things, sigils, photos, cool magnets, and other things that give you joy on your fridge. (Sometimes if you are lucky they have some fun magnets at five below)

If you live in the US, for some reason, there are a lot of books in the book section dedicated to witchcraft and spirituality. At least where I live. And they are all under 5 dollars!

Teas are the cheapest and easiest things you can practice being a kitchen witch.

[krisp-xyz]

Was experimenting with halftone effects after watching this video and it almost has spiderverse vibes honestly. I actually learned some neat things about why printers use CMYK instead of just CMY so I thought I'd share !!

So in our optimal little computer space, Cyan (0,255,255), Magenta (255,0,255) and Yellow (255,255,0) all multiplied together gives us a perfect black (0,0,0) Awesome! The issue is that ink colors irl arent exactly perfect like this, and color is a bit more complicated irl compared to how computers represent it, so they aren't the greatest at combining into black if they aren't those perfect CMY values:

Left: CMY

Right: CMYK

(thats not even black, its a dark blue in the original image but dark colors just look so much richer)

An important step to make sure you arent doubling up on the black values though is to divide the image by it's own "value" (the max of all 3 color channels) that way the value is equal to 1 everywhere, and you're letting the black ink take care of the value on its own.

Left: CMY (normalized value)

Middle: K (black)

Right: Combined

Now obviously the grids of dots cant be aligned perfectly with each other because you'd just get a bunch of black dots in unwanted areas, but if the grids are misaligned, then some dots become more prominent than others which tints the whole image. This was an issue because older printing methods didn't have great accuracy and these grids were often misaligned.

The solution was to rotate these grids such that they can move around freely while getting rid of that tint effect if they aren't perfectly aligned :D

(I have no idea how they came up with these angles but that might be something to look into in the future who knows)

SPEAKING OF MISALIGNMENT

I wanted to implement that in my own filter to get some cool effects, and I discovered another reason CMYK is better than CMY for lots of stuff !!

With CMY, you're relying on the combination of 3 color channels to make the color black. This means if you have thin lines or just details in general, misalignment can make those details very fuzzy. Since CMYK uses a single color of ink to handle value, it reduces color fringing and improves clarity a lot even if you have the exact same misalignment as CMY!

Left: CMY

Right: You guessed it! CMYK

(yes these comparisons have the exact same color misalignment, the only difference is using a fourth ink color for black)

ANYWAY I just thought there was a lot of cool information in this tiny little day project, I also just think it looks really neat and wanted to share what I learned :3c

EDITING BECAUSE THERE'S ONE MORE THING I WANTED TO ADD

So, I talked about how to get K in addition to CMY instead of just CMY, but how exactly do you separate CMY from an image in the first place?

Well, CMY is a subtractive color space, meaning the "absence of color" is white, compared to RGB where it's black. This makes sense because ofc ink is printed on white paper. You can use dot product to get the "similarity" between two vectors, and this can be used to separate RGB actually! Using the dot product of a color and red (255,0,0) will give you just the red values of the image. This is cool though because if we get the dot product of our image and the color cyan (0,255,255), we can get the cyan values from our image too! If we first divide our colors by their value to separate the value from them, then separate CMY using those dot product values, and using K for our final black color value, our individual color passes end up looking like this:

While it's called a "subtractive" color space, I find it more intuitive to treat white as the absence of color here, and then multiply all these passes together. It makes it much easier to understand how the colors are combined imo. Notice how cyan is the opposite of red: (255,0,0) vs (0,255,255) and magenta and yellow are the opposites of green and blue respectively! This means you can actually kinda get away with separating the RGB values and just inverting some stuff to optimize this, but this example is much more intuitive and readable so I won't go too deep into that. THANKS FOR READING I know it's a very long post but I hope people find it interesting! I try my best to explain things in a clear and concise way :3

oh thank you I realized I should probably add an eyestrain tag

[cdlum]

I just wanted to say I think your art style is awesome! I was wondering if you had any tutorials on how you draw anatomy in your style (hips and legs especially)? Sorry if there's already one posted and I just didn't see it 🥲. Happy New Year :>

thanks for the kind words. i tend to draw people pretty stylized and then some so a good bit of artistic licence gets used. these tips are just what i use so feel free to take them with a grain of salt. with anatomy in particular you can kind of talk in circles because human/animal bodies are that complex so ill just zone in on the points you specified. here's a little image with a bunch of pointers:

the above image condenses a lot of the points I'd make, but basically the key parts are to start with the bare essentials and build up that complexity. using a line of action is a good way to get a quick, rough start. you draw a line out in the general direction of the pose and do your best to adhere to it to give the pose a sense of flow.

you can also draw smaller, thumbnail versions that throw a lot of caution to the wind but capture the basic energy of what you're going for. even having a tiny little stick figure version of your idea can make for a good guideline of where to take it forward.

when it comes to actual limbs, you wanna consider how they integrate and work together, kind of like how chains do. you can see on some of the parts of pear i've drawn out these wireframes to kind of portray how the mass of her legs works in a three dimensional space. for aspects like the waist/hips, i use that X technique i highlight above a lot, particularly for the lower torso. a lot of the times, even when drawing a character totally naked, imagining them wearing things like skintight underwear can help a lot to guide you in the right direction.

its also a good idea to consider things like gravity and weight to a degree. humans are essentially big meat sacks and gravity is always pulling down on that, but theres all kinds of aspects that effect that, such as character build or clothing. pear technically isn't naked in this, but i've tried to imagine her as such and take that into account.

if you are drawing digitally, don't be afraid to take advantage of the convenience you get with that workflow. you can retry and iterate on things a lot faster that pen and paper, and do things that aren't really feasible at all when it comes to editing and modifying your existing work. things like resizing certain bodyparts, instantly flipping the canvas, or using selection tools to completely adjust the positions of parts of your drawing. to give you an example heres a timelapse with all the little edits i made just to this demo drawing:

you don't have to use these techniques linearly, either. sometimes ill have a really solid idea for a piece in my head, and go back to basics with certain elements if they’re not coming out right or i just want to brush them up a bit more. some of the tutorial-y parts i added in i didn't actually use during the drawing but often do use so they're there just for demonstration. not every drawing i do starts as building blocks or a really basic version, often ill just start with a face and build it out from there.

i always encourage liberally using references (this can include yourself) and trying out stuff like life drawing or looking at things like existing photographs of real people/places/things if you can, the more you use learning material the better you'll draw up a mental inventory in your head that you can rely on more and more. some of these tips are things i've learned from other artists over the years (the chin one especially i remember seeing a tutorial about lol), so this is a lot of knowledge i've amassed from other sources over time myself. there are plenty of times ill use all sorts of reference material and its all in service of arriving at the final destination as smoothly as possible. learn by doing, as they say. hope this helps!

[secretgamergirl]

How a Computer Works - Part 1 (Components)

I am about to teach you on a real fundamental, connecting up electronic components level, how a computer actually works. Before I get into the meat of this though (you can just skip down below the fold if you don't care), here's the reasons I'm sitting doing so in this format:

Like a decade or two ago, companies Facebook pushed this whole "pivot to video" idea on the whole internet with some completely faked data, convincing everyone that everything had to be a video, and we need to start pushing back against that. Especially for stuff like complex explanations of things or instructions, it's much more efficient to just explain things clearly in text, maybe with some visual aids, so people can easily search, scan, and skip around between sections. It's also a hell of a lot easier to host things long term, and you can even print out a text based explainer and not need a computer to read it, keep it on a desk, highlight it, etc.

People are so clueless about how computers actually work that they start really thinking like it's all magical. Even programmers. Aside from how proper knowledge lets you get more out of them, this leads to people spouting off total nonsense about "teaching sand to think" or "everything is just 1s and 0s" or "this 'AI' a con artist who was trying to sell me NFTs a month ago probably really is an amazing creative thinking machine that can do everything he says!"

We used to have this cultural value going where it was expected that if you owned something and used it day to day, you'd have enough basic knowledge of how it worked that if it stopped working you could open it up, see what was wrong, and maybe fix it on your own, or maybe even put one together again from scratch, and that's obviously worth bringing back.

I'm personally working on a totally bonkers DIY project and I'd like to hype up like-minded people for when it gets farther along.

So all that said, have a standard reminder that I am completely reliant on Patreon donations to survive, keep updating this blog, and ideally start getting some PCBs and chips and a nice oscilloscope to get that mystery project off the ground.

Electricity probably doesn't work like how you were taught (and my explanation shouldn't be trusted too far either).

I remember, growing up, hearing all sorts of things about electricity having this sort of magical ability to always find the shortest possible path to where it needs to get, flowing like water, and a bunch of other things that are kind of useful for explaining how a Faraday cage or a lightning rod works, and not conflicting with how simple electronics will have a battery and then a single line of wire going through like a switch and a light bulb or whatever back to the other end of the battery.

If you had this idea drilled into your head hard enough, you might end up thinking that if we have a wire hooked to the negative end of a battery stretching off to the east, and another wire stretching off to the east from the positive end, and we bridge between the two in several places with an LED or something soldered to both ends, only the westernmost one is going to light up, because hey, the shortest path is the one that turns off as quickly as possible to connect to the other side, right? Well turns out no, all three are going to light up, because that "shortest path" thing is a total misunderstanding.

Here's how it actually works, roughly. If you took basic high school chemistry, you learned about how the periodic table is set up, right? A given atom, normally, has whatever number of protons in the core, and the same number of electrons, whipping all over around it, being attracted to those protons but repelled by each other, and there's particular counts of electrons which are super chill with that arrangement so we put those elements in the same column as each other, and then as you count up from those, you get the elements between those either have some electrons that don't fit all tight packed in the tight orbit and just kinda hang out all wide and lonely and "want to" buddy up with another atom that has more room, up to the half full column that can kinda go either way, then as we approach the next happy number they "want to" have a little more company to get right to that cozy tight packed number, and when you have "extra" electrons and "missing" electrons other atoms kinda cozy up and share so they hit those good noble gas counts.

I'm sure real experts want to scream at me for both that and this, but this is basically how electricity works. You have a big pile of something at the "positive" end that's "missing electrons" (for the above reason or maybe actually ionized so they really aren't there), and a "negative" end that's got spares. Then you make wires out of stuff from those middle of the road elements that have awkward electron counts and don't mind buddying up (and also high melting points and some other handy qualities) and you hook those in there. And the electron clouds on all the atoms in the wire get kinda pulled towards the positive side because there's more room over there, but if they full on leave their nucleus needs more electron pals, so yeah neighbors get pulled over, and the whole wire connected to the positive bit ends up with a positive charge to it, and the whole wire on the negative bit is negatively charged, and so yeah, anywhere you bridge the gap between the two, the electrons are pretty stoked about balancing out these two big awkward compromises and they'll start conga lining over to balance things out, and while they're at it they'll light up lights or shake speakers or spin motors or activate electromagnets or whatever other rad things you've worked out how to make happen with a live electric current.

Insulators, Resistors, Waves, and Capacitors

Oh and we typically surround these wires made of things that are super happy about sharing electrons around with materials that are very much "I'm good, thanks," but this isn't an all or nothing system and there's stuff you can connect between the positive and negative ends of things that still pass the current along, but only so much so fast. We use those to make resistors, and those are handy because sometimes you don't want to put all the juice you have through something because it would damage it, and having a resistor anywhere along a path you're putting current through puts a cap on that flow, and also sometimes you might want a wire connected to positive or negative with a really strong resistor so it'll have SOME sort of default charge, but if we get a free(r) flowing connection attached to that wire somewhere else that opens sometimes, screw that little trickle going one way, we're leaning everyone the other way for now.

The other thing with electricity is is that the flow here isn't a basic yes/no thing. How enthusiastically those electrons are getting pulled depends on the difference in charge at the positive and negative ends, and also if you're running super long wires then even if they conduct real good, having all that space to spread along is going to kinda slow things to a trickle, AND the whole thing is kinda going to have some inherent bounciness to it both because we're dealing with electrons whipping and spinning all over and because, since it's a property that's actually useful for a lot of things we do with electricity, the power coming out of the wall has this intentional wobbly nature because we've actually got this ridiculous spinny thing going on that's constantly flip flopping which prong of the socket is positive and which is negative and point is we get these sine waves of strength by default, and they kinda flop over if we're going really far.

Of course there's also a lot of times when you really want to not have your current flow flickering on and off all the time, but hey fortunately one of the first neat little electronic components we ever worked out are capacitors... and look, I'm going to be straight with you. I don't really get capacitors, but the basic idea is you've got two wires that go to big wide plates, and between those you have something that doesn't conduct the electricity normally, but they're so close the electromagnetic fields are like vibing, and then if you disconnect them from the flow they were almost conducting and/or they get charged to their limit, they just can't deal with being so charged up and they'll bridge their own gap and let it out. So basically you give them electricity to hold onto for a bit then pass along, and various sizes of them are super handy if you want to have a delay between throwing a switch and having things start doing their thing, or keeping stuff going after you break a connection, or you make a little branching path where one branch connects all regular and the other goes through a capacitor, and the electricity which is coming in in little pulses effectively comes out as a relatively steady stream because every time it'd cut out the capacity lets its charge go.

We don't just have switches, we have potentiometers.

OK, so... all of the above is just sort of about having a current and maybe worrying about how strong it is, but other than explaining how you can just kinda have main power rails running all over, and just hook stuff across them all willy-nilly rather than being forced to put everything in one big line, but still, all you can do with that is turn the whole thing on and off by breaking the circuit. Incidentally, switches, buttons, keys, and anything else you use to control the behavior of any electronic device really are just physically touching loose wires together or pulling them apart... well wait no, not all, this is a good bit to know.

None of this is actually pass/fail, really, there's wave amplitudes and how big a difference we have between the all. So when you have like, a volume knob, that's a potentiometer, which is a simple little thing where you've got your wire, it's going through a resistor, and then we have another wire we're scraping back and forth along the resistor, using a knob, usually, and the idea is the current only has to go through X percent of the resistor to get to the wire you're moving, which proportionately reduces the resistance. So you have like a 20 volt current, you've got a resistor that'll drop that down to 5 or so, but then you move this other wire down along and you've got this whole dynamic range and you can fine tune it to 15 or 10 or whatever coming down that wire. And what's nice about this again, what's actually coming down the wire is this wobbily wave of current, it's not really just "on" or "off, and as you add resistance, the wobble stays the same, it's just the peaks and valleys get closer to being just flat. Which is great if you're making, say, a knob to control volume, or brightness, or anything you want variable intensity in really.

Hey hey, it's a relay!

Again, a lot of the earliest stuff people did with electronics was really dependent on that analog wobbly waveform angle. Particularly for reproducing sound, and particularly the signals of a telegraph. Those had to travel down wires for absurd distances, and as previously stated, when you do that the signal is going to eventually decay to nothing. But then someone came up with this really basic idea where every so often along those super long wires, you set something up that takes the old signal and uses it to start a new one. They called them relays, because you know, it's like a relay race.

If you know how an electromagnet works (something about the field generated when you coil a bunch of copper wire around an iron core and run an electric current through it), a relay is super simple. You've got an electromagnet in the first circuit you're running, presumably right by where it's going to hit the big charged endpoint, and that magnetically pulls a tab of metal that's acting as a switch on a new circuit. As long as you've got enough juice left to activate the magnet, you slam that switch and voom you've got all the voltage you can generate on the new line.

Relays don't get used too much in other stuff, being unpopular at the time for not being all analog and wobbily (slamming that switch back and forth IS going to be a very binary on or off sorta thing), and they make this loud clacking noise that's actually just super cool to hear in devices that do use them (pinball machines are one of the main surviving use cases I believe) but could be annoying in some cases. What's also neat is that they're a logical AND gate. That is, if you have current flowing into the magnet, AND you have current flowing into the new wire up to the switch, you have it flowing out through the far side of the switch, but if either of those isn't true, nothing happens. Logic gates, to get ahead of myself a bit, are kinda the whole thing with computers, but we still need the rest of them. So for these purposes, relays re only neat if it's the most power and space efficient AND gate you have access to.

Oh and come to think of it, there's no reason we need to have that magnet closing the circuit when it's doing its thing. We could have it closed by default and yank it open by the magnet. Hey, now we're inverting whatever we're getting on the first wire! Neat!

Relay computers clack too loud! Gimme vacuum tubes!

So... let's take a look at the other main thing people used electricity for before coming up with the whole computer thing, our old friend the light bulb! Now I already touched a bit on the whole wacky alternating current thing, and I think this is actually one of the cases that eventually lead to it being adopted so widely, but the earliest light bulbs tended to just use normal direct current, where again, you've got the positive end and the negative end, and we just take a little filament of whatever we have handy that glows when you run enough of a current through it, and we put that in a big glass bulb and pump out all the air we can, because if we don't, the oxygen in there is probably going to change that from glowing a bit to straight up catching on fire and burning immediately.

But, we have a new weird little problem, because of the physics behind that glowing. Making something hot, on a molecular level, is just kinda adding energy to the system so everything jitters around more violently, and if you get something hot enough that it glows, you're getting it all twitchy enough for tinier particles to just fly the hell off it. Specifically photons, that's the light bit, but also hey, remember, electrons are just kinda free moving and whipping all over looking for their naked proton pals... and hey, inside this big glass bulb, we've got that other end of the wire with the more positive charge to it. Why bother wandering up this whole coily filament when we're in a vacuum and there's nothing to get in the way if we just leap straight over that gap? So... they do that, and they're coming in fast and on elliptical approaches and all, so a bunch of electrons overshoot and smack into the glass on the far side, and now one side of every light bulb is getting all gross and burnt from that and turning all brown and we can't have that.

So again, part of the fix is we switched to alternating current so it's at least splitting those wild jumps up to either side, but before that, someone tried to solve this by just... kinda putting a backboard in there. Stick a big metal plate on the end of another wire in the bulb connected to a positive charge, and now OK, all those maverick electrons smack into here and aren't messing up the glass, but also hey, this is a neat little thing. Those electrons are making that hop because they're all hot and bothered. If we're not heating up the plate they're jumping to, and there's no real reason we'd want to, then if we had a negative signal over on that side... nothing would happen. Electrons aren't getting all antsy and jumping back.

So now we have a diode! The name comes because we have two (di-) electrodes (-ode) we care about in the bulb (we're just kind of ignoring the negative one), and it's a one way street for our circuit. That's useful for a lot of stuff, like not having electricity flow backwards through complex systems and mess things up, converting AC to DC (when it flips, current won't flow through the diode so we lop off the bottom of the wave, and hey, we can do that thing with capacitors to release their current during those cutoffs, and if we're clever we can get a pretty steady high).

More electrodes! More electrodes!

So a bit after someone worked out this whole vacuum tube diode thing, someone went hey, what if it was a triode? So, let's stick another electrode in there, and this one just kinda curves around in the middle, just kinda making a grate or a mesh grid, between our hot always flowing filament and that catch plate we're keeping positively charged when it's doing stuff. Well this works in a neat way. If there's a negative charge on it, it's going to be pushing back on those electrons jumping over, and if there's a positive charge on it, it's going to help pull those electrons over (it's all thin, so they're going to shoot right past it, especially if there's way more of a positive charge over on the plate... and here's the super cool part- This is an analog thing. If we have a relatively big negative charge, it's going to repel everything, if it's a relatively big positive, it's going to pull a ton across, if it's right in the middle, it's like it wasn't even in there, and you can have tiny charges for all the gradients in between.

We don't need a huge charge for any of this though, because we're just helping or hindering the big jump from the high voltage stuff, and huh, weren't we doing this whole weak current controlling a strong current thing before with the relay? We were! And this is doing the same thing! Except now we're doing it all analog style, not slapping switch with a magnet, and we can make those wavy currents peak higher or lower and cool, now we can have phone lines boost over long distances too, and make volume knobs, and all that good stuff.

The relay version of this had that cool trick though where you could flip the output. Can we still flip the output? We sure can, we just need some other toys in the mix. See we keep talking about positive charges and negative charges at the ends of our circuits, but these are relative things. I mentioned way back when how you can use resistors to throttle how much of a current we've got, so you can run two wires to that grid in the triode. One connects to a negative charge and the other positive, with resistors on both those lines, and a switch that can break the connection on the positive end. If the positive is disconnected, we've got a negative charge on the grid, since it's all we've got, but if we connect it, and the resistor to the negative end really limits flow, we're positive in the section the grid's in. And over on the side with the collecting plate, we branch off with another resistor setup so the negative charge on that side is normally the only viable connection for a positive, but when we flip the grid to positive, we're jumping across the gap in the vacuum tube, and that's a big open flow so we'll just take those electrons instead of the ones that have to squeeze through a tight resistor to get there.

That explanation is probably a bit hard to follow because I'm over here trying to explain it based on how the electrons are actually getting pulled around. In the world of electronics everyone decided to just pretend the flow is going the other way because it makes stuff easier to follow. So pretend we have magical positrons that go the other way and if they have nothing better to do they go down the path where we have all the fun stuff further down the circuit lighting lights and all that even though it's a tight squeeze through a resistor, because there's a yucky double negative in the triode and that's worse, but we have the switch rigged up to make that a nice positive go signal to the resistance free promised land with a bonus booster to cut across, so we're just gonna go that way when the grid signal's connected.

Oh and you can make other sorts of logic circuits or double up on them in a single tube if you add more grids and such, which we did for a while, but not really relevant these days.

Cool history lesson but I know there's no relays or vacuum tubes in my computer.

Right, so the above things are how we used to make computers, but they were super bulky, and you'd have to deal with how relays are super loud and kinda slow, and vacuum tubes need a big power draw and get hot. What we use instead of either of those these days are transistors. See after spending a good number of years working out all this circuit flow stuff with vacuum tubes we eventually focused on how the real important thing in all of this is how with the right materials you can make a little juncture where current flows between a positive and negative charge if a third wire going in there is also positively charged, but if it's negatively charged we're pulling over. And turns out there is a WAY more efficient way of doing that if you take a chunk of good ol' middle of the electron road silicon, and just kinda lightly paint the side of it with just the tiniest amount of positive leaning and negative leaning elements on the sides.

Really transistors don't require understanding anything new past the large number of topics already covered here, they're just more compact about it. Positive leaning bit, negative leaning bit, wildcard in the middle, like a vacuum tube. Based on the concepts of pulling electrons around from chemistry, like a circuit in general. The control wire in the middle kinda works in just a pass-fail sort of way, like a relay. They're just really nice compared to the older alternatives because they don't make noise or have moving parts to wear down, you don't have to run enough current through them for metal to start glowing and the whole room to heat up, and you can make them small. Absurdly small. Like... need an electron microscope to see them small.

And of course you can also make an inverter super tiny like that, and a diode (while you're at it you can use special materials or phosphors to make them light emitting, go LEDs!) and resistors can get pretty damn small if you just use less of a more resistant material, capacitors I think have a limit to how tiny you can get, practically, but yeah, you now know enough of the basic fundamentals of how computers work to throw some logic gates together. We've covered how a relay, triode, or transistor function as an AND gate. An OR gate is super easy, you just stick diodes on two wires so you don't have messy backflow then connect them together and lead off there. If you can get your head around wiring up an inverter (AKA NOT), hey, stick one after an AND to get a NAND, or an OR to get a NOR. You can work out XOR and XNOR from there right? Just build 4 NANDs, pass input A into gates 1 and 2, B into 2 and 3, 2's output into 1 and 3, 1 and 3's output into 4 for a XOR, use NORs instead for a XNOR. That's all of them right? So now just build a ton of those and arrange them into a computer. It's all logic and math from there.

Oh right. It's... an absurd amount of logic and math, and I can only fit so many words in a blog post. So we'll have to go all...

CONTINUED IN PART 2!

Meanwhile, again, if you can spare some cash I'd really appreciate it.

[agender-witchery]

On Project Moon

Hey, this is gonna be long, I'm putting most of it under the cut. This post is about the recent firing of VellMori from Project Moon, I know that it warrants some tags for triggers, but I have no idea what's commonly used, so if I miss something, please tell me.

Additionally, I have written this up in a way that if it escapes the target audience of Project Moon fans, it can still be understood, so with that in mind, there will be Library of Ruina spoilers.

The tl;dr for those who don't wanna read the full thing is that Project Moon was put in a very bad position with some violent extremists targeting them and that I'm not happy about any of what happened.

So, for those unaware, Project Moon has fired VellMori, the CG artist for Limbus Company. Now, a not inaccurate statement that can be made from this is "Project Moon fired a woman for being a feminist" but this is... somewhat reductive. Let's immediately get out of the way that VellMori did absolutely nothing wrong. Some people have said she is a TERF. I've seen no evidence of this. Some people have said she wished death on all men. I've seen no evidence of this.

What I HAVE seen is that VellMori thinks sexual abuse is bad. Now, why would this lead to a firing? The short answer is that a bunch of violent incels, one of which was literally dressed as a clown, came knocking at their office doors.

See, Limbus Company has a "beach" event coming up. In this event, we are getting a water themed outfit for two of the characters, one male and one female. For Sinclair, the guy, he has been given an EXTREMELY slutty mechanic's outfit. For Ishmael, the woman, she has been given a very skintight wet suit outfit. Now, I wanna take care to note that VellMori is the CG artist - she had no hand in these designs, a man made them. I would also like to mention that both outfit designs are amazing, and I will be including them at the end of this post for reference.

Now, upon revealing the wet suit design for Ishmael, a bunch of whiny incels on what is basically Korean 4chan got upset that Ishmael, instead of being in a bikini as is usual for gacha games, was wearing a wet suit. Nevermind that the designs in Limbus Company have always been conservative and that the Sinclair design is the most skin we've ever seen and it's just an open shirt. Again, the wet suit is still super revealing, it's skin tight and this is literally the first design of her that doesn't make her look flat chested. They're not rioting over the lack of sex appeal, they're specifically mad that it's not a bikini.

The incels come to the conclusion that the lack of any skin being shown on Ishmael's outfit is a result of evil feminism. No, I'm not exaggerating. They initially begin harassing the artist who is actually responsible for drawing the outfits, but upon learning that he is a man, set their sights on VellMori because she's a woman, and being an artist is good enough I guess. What they do from here is they start digging and digging and digging on VellMori's twitter, making use of archived pages because many of the "offensive" tweets had been deleted.

I'd like to take a moment to point out that VellMori never actually tweeted anything out here - it was all retweets from a 4-6 year old archive, and retweets that have been long deleted. These retweets contain such transgressive statements as "I'm sick of misogyny" and "If being against patriarchy makes me antisocial, then so be it" and just... mirroring back to men what those men were saying to women. Some people would like to have you think she was calling for death to all men. She wasn't. She ALSO retweeted all this stuff while she was a teenager and well before she worked for Project Moon.

Nonetheless, the incels had decided that feminism was the reason Ishmael had a wet suit and not a bikini and they had found a feminist working for Project Moon. It is at this point that we must take a brief detour and talk about Library of Ruina, Project Moon's previous game.

See, in Library of Ruina, one of the protagonists, Angela, has this whole arc about escaping her abuser and becoming a human. Yes, she is literally a robot, but Project Moon isn't exactly a stranger to symbolism in their stories and a feminist reading of Angela is ridiculously easy. The main antagonist in Library of Ruina is Argalia, the Blue Reverberation, and his crew is called the Reverberation Ensemble. Every member of the Reverberation Ensemble is a violent lunatic who each want to reinforce the status quo in their own unique shitty way. In addition to this, typically in order to reach the titular Library, you would need to be invited. The Reverb Ensemble are the "uninvited guests", the ones who managed to reach the Library and knock down the door without an invite.

Why am I talking about this? Well, the incels decided to start calling themselves the Reverb Ensemble, and referring to each other using names of the Reverb Ensemble members such as Pluto, Elena, and Oswald. Having taken on the moniker of the uninvited guests, they then showed up to Project Moon's office to protest. Over the lack of a bikini. Now, remember how I mentioned someone was dressed up as a clown? One of the Reverb Ensemble members, Oswald, is a clown with an extremely tenuous grip on reality. So much so, that his ideal world is one in which there is no meaning whatsoever. That is the character they chose to dress up as. This is either a case of extreme self awareness or extreme self unawareness.

Eventually, the incels were let into the office possibly as a form of damage mitigation to prevent the crowd of protestors from getting any bigger. This was a questionable decision, but they had a group of violent incels at their doorstep either way, and I don't exactly have full details on this. Regardless, Project Moon had on their hands a group of violent protesting incels, who they felt compelled to let into the building, and who had demands including the firing of their feminist employee. (7/28 update: a translation of the transcript posted to DCInside has surfaced. Please check the reblogs for it. Project Moon was verifiably threatened.)

So while "Project Moon fired a woman for being a feminist" isn't inaccurate it also isn't the full picture. More appropriately, it'd be "Project Moon fired a woman because a group of violent incels who weren't satisfied with a form fitting wet suit instead of a bikini showed up to their office demanding that an artist who did not make the wet suit design be fired because she retweeted some feminist stuff 5 years ago while she was a teenager".

I'm not happy with this. None of this is good. People are allowed to be feminists, and Project Moon stories have always presented progressive ideas to anyone with half a brain to do some basic literary analysis. I can understand why they would cave to the demands of people who were threatening them and showed up to their actual place of work, but at the same time, that's someone's livelihood gone and proof that in the future, the same sorts of people can use the same sorts of tactics to bully Project Moon into doing whatever they want. All of this sucks.

For those who would like to see the retweets in question alongside translations: https://twitter.com/danghwangs/status/1683884236888223744

And for people who would like reference as to what the artworks these incels were up in arms about, Ishmael in the wet suit and Sinclair in the mechanic's outfit.

[pien-art]

-FAQ-

Hello! I've gained a whole bunch of followers lately and I've been getting a lot of questions about what my setup is, what brushes I use, what my process is like, etc, so I thought I'd make a post about it to answer everyone's questions at once !

Putting them under the cut <3

How long have I been doing digital art:

I've been drawing digitally for about 5 years now i think? But before that I've been drawing and painting traditionally literally since the moment I could pick up a pencil.

Set-up:

It's just me and my ipad and apple pencil laying on my bed. I wouldn't even know where to begin for those whole multi-monitor/screen setups ;-; I draw only with Procreate

Brushes:

I've put the ones I use most in the first image! I tend to play with different brushes from time to time to get different textures, but generally i use the same few for most of my drawings/styles. My favorite one is the Peppermint Brush, for sketching. I use it in every drawing i make! I always sketch with it, and often do the line-art with it as well! And it makes for a nice textured brush for rendering as well! (i used it for a lot of rendering of the armor in this drawing)

The brushes in the image above are:

medieval style: inking - Ink Bleed (for line-art) artistic - Quoll (for coloring)

general style: calligraphy - Chalk (coloring/rendering) sketching - Peppermint (line-art/sketching)

realism: calligraphy - Shale Brush (full rendering) Also using the shale brush for smudging and erasing when drawing realistic

How/why do you choose a base color:

I tend to look at a few different things when deciding on a base color/color palette.

the overall color of the reference pic

the color i associate with who or what i am drawing

the feeling/vibe i want to give off with that drawing

color has a BIG impact on the vibe of a drawing, so it is something i keep in mind when im drawing.

Using a color as a base to start, helps a lot with my drawing process. It helps me pick out other colors so they match better. It helps me get light/dark values right. And the chalk brush i use, has gaps between the strokes, so the base color will always come through a little. Having the same color come through in the entire drawing, helps pull all the colors together if that makes sense? I always start with a solid base color when i am painting traditionally as well!

Advice:

PRACTICE!!! just keep drawing and practice. I know this is such generic advice but truly practice is The Way. Learn from other artists but don't compare yourself to them. Everyone's artistic journey is different and there's no "good" or "bad". And most importantly make sure that you have fun when you're making stuff :3

[am-i-the-asshole-official]

🎶🎻 let's see if this actually helps me find this later

WIBTA for marking up my friend's sheet music?

ok so I (15m) have a friend (17f) and we both play cello in the classical music ensemble at our school. we have both been playing cello for approx 7 years. we had very different musical upbringings: she learned to play cello in a class with a bunch of other kids, and from what I gather there were many other instruments and the teacher took kind of a hands-off approach, which is typical for the kind of elementary school she went to. I, on the other hand, learned through private lessons (which I don't think I'm better for, it's just different) and my teacher (who I still take piano and cello lessons from) is a little bit obsessive when it comes to correct technique and stuff. I care a little less about technique than my teacher, but I definitely developed quite a few of her habits: I always pay really close attention to what the sheet music tells me, especially dynamics and which direction my bow needs to go in, or how many notes I'm playing in a bow stroke. part of this is because that's what the composer would have wanted and also because when I started my teacher would make me mark everything, and I mean EVERYTHING in my sheet music. we're talking fingerings, bow markings, highlighting every chreschendo and decrescendo, putting the counting in for all of the rhythms and more. now I typically only mark super important things, like if I keep forgetting a note or something, and I rarely mark my cello sheet music in ensembles, though everyone has seen me mark my bass music, since I'm new to bass.

Recently, since it's about 2/3rds of the way through the school year and we have a good group, my ensemble has been playing more challenging stuff. the parts or more intricately layered and dynamics are a pretty big thing, especially for the cello section, since we basically have one line for half of a piece which is just to play some half notes that crescendo and decrescendo over and over. and it's like, all we do, like it's a pretty big part of the song. the issue is that my friend just kind of ignores the dynamic markings and bowings in the music and what the other cellists are doing (there's three of us, including me and her and she sits in between us) so she just kinda plays the piece at the same volume. the whole time. and it's written right there. and she's heard me play it solo without the ensemble before, so in theory she knows how to do it. and after seven years of playing the cello, you should have the bow control to play quietly.

now, this wouldn't annoy me so much if her ignorance wasn't a recurring thing. last year, we played aquarius with the jazz ensemble and we both really liked the piece. except we had this one part. we had to play a bunch of tied whole notes in the beginning. just two in a row and then we'd change bows. (if you don't play an instrument, a tied note is basically when the note is played over two measures, in this case we would play the same note fore eight beats, and then reverse the direction of our bow) now, I can hold my bow in one direction for eight beats. it's not fun or easy and I'd rather play a melody or bass line to begin with, but if you're playing quietly (like we were supposed to be) you can maintain a pretty steady pace for eight beats in one bow. my friend NEVER did this. she would just run her bow back and forth on the note until we moved on to the next and then do the same there. and I'm talking like she'd play maybe ten notes while we played one. which, obviously, through off the rhythm. we weren't as close last year and I didn't know she'd been playing as long as she had, so I ignored it. but, she kept doing it and she still does. I've confronted her about it multiple times, saying how it's like if you breathed half way through a note on a wind instrument, how it messes us up because her bow will go in a different direction than the other cellos and hit me in the elbow a lot, and how it makes us look weirdly messy. every time she just kind of says okay and walks off.

now, I think my friend could benefit from having her sheet music marked like my teacher used to make me, because clearly just mentioning it to her is not enough and as we move on to harder music it's making us look worse. so, wibta if I brought some extra pens and highlighters and reminded her to circle or highlight different dynamic, rhythmic and bowing notations if she doesn't play them the first few times?

What are these acronyms?

[ask-maxie-boy]

Goonion's Ghoul (Part 3) [dp x dc]

(A/N we switching the official name of the goonion to The First Universal Henchmans' Union. Just makes sense, thank y'all for the advice)

(Parts 1 & 2: here) (Part 4: here)

"Before we begin, I'd just like to clarify a few things. Mainly, can I ask for your preferred name?"

"Is that a joke?"

"Well, I figured it would professional to come out and call you Mr. Cobblepot, but seeing as we're talking about a... certain aspect of your enterprises, I wasn't sure you wanted your legal name in the records. The Union takes confidentiality very seriously."

Oswald Cobblepot looked down at the scrawny boy in front of him. This was the guy that had Eddie shaking in his boots? He tapped the ashes off his cigarette into the ashtray, and scoffed. "Doesn't matter to me, as long as you remember who you're talking to before you open your mouth."

"Of course! As you wish, Mr. Penguin."

There it was. That smile just a bit too wide, just like Riddler had said. Oswald Cobblepot wasn't an amateur, he wouldn't let something like that throw him off balance. "Alright, kid, lets cut to the chase. Whats this all about a Union?"

"Oh, Mr. Penguin, I had thought you heard! The First Universal Henchmans' Union is a recently formed collective of working class freelance goons, henchmen, and grunts of all different colors."

"Hweh! And what do I care if a bunch of simpletons wanna have a party together?"

The kid's head tilted, a sickening crack! ringing through the room. Just for a second, its eyes seemed to glow.

When you deal with bats for so long, little things like that don't sway you.

"If they're so little to you in your mind, then surely anything they might ask of you shouldn't be that hard to swallow?"

The temperature in the room seemed to drop, as the thing's face tried to imitate inquisitiveness.

Good. The Penguin likes it cold.

"You can toss away the whole intimidation shtick, boy. I didn't get to be where I was by bending over to every ignoramus who thinks they can get me to do what they want."

When you deal with Bats for so long, you start to pay more attention to little expressions. The way the shadows suddenly fall onto the boy's blue-eyed, black haired face as he tilts his head downward makes The Penguin's flinch, just for a moment.

"I promise you sir, the Goonion is a very real, and very serious organization."

Cobblepot sneers, cigarette holder angling upward, as he taps his umbrella on the ground. "I pay my people well. My lounge is up to code, too. You don't have a damn thing on me, and here you are trying to pull the wool over my eyes. Well listen here, boy, you don't run an operation like this in Gotham without knowing fear. Fear is watching every shadow, looking for the pin pricks of light. Fear is the cracking of bones in the room over as you know the jig's up. Fear is watching Gotham's shadow spawn appear from the darkness, promising the only thing he wont do is kill you. You're way out of your league if you think I'll bend to such a cheap trick."

When you deal with Bats for so long, you learn to keep your eyes open. You keep track of exits, you look for little disturbances, keep your ears ready for even the softest sound.

You pay attention to that little voice that says you're being watched.

"Mr Penguin, do I need to remind you just who these 'simpletons' are? They're the men who carry your goods to and from your lounge. They're the ones who rig up the Riddler's bombs, traffic weapons in and out of the city. What happens when deals go south, when plans are canceled partway though?"

When you deal with Bats for so long, you watch the shadows. They practically live in them, entering and exiting like they're made from the stuff. Anything that might give away their position.

The shadows are dancing. Pulsing with something even darker than Gotham. He swears he can hear the sound of a bat gently hitting someone's hand. Distant laughter, not natural, almost forced.

"You know, Mr. Penguin, The Joker is easily one of our worst offenders. One of his more interesting complaints is the lack of security in regards to chemicals. See, he doesn't really care much if there's missing inventory, or what happens after his plan, as long as there's enough for what he needs." A vial flutters between its fingers, eyes almost bored as a forked tongue slides between sharpened teeth. "I wonder, where does it all go?

Eyes, green as emerald and as bright as the sun burn into Ozwald's. A grin stretches wider, wider, quite literally from one ear to the next filled with jagged teeth. "Do you want to find out?"

...~☆~...

"...My... smoking habits."

"Yeah, honestly. Its like you said. Most of your stuff is up to board, and your workers are fairly happy. Its mainly just an issue for henches with asthma, though secondhand smoke isn't something most people enjoy."

"You did all that over my cigarettes?!"

"its fairly understood that the Iceberg Lounge is not a smoke-free area, so you can do as you please there, but when it comes to abandoned warehouses or other places of business, we ask you please refrain from smoking."

"I can't believe this."

"For what its worth, the goons understand its part of your whole outfit, and are willing to compromise. We have a list of alternatives that visibly resemble a lit cigarette, and will fit in your holder, but wont actually release any smoke..."

@akikkobara @thegatorsgoose @addie-lover-of-stories @apointlessbox @screamingtofillthevoid @semiprofessionaldumbass @sailor-goddess @malice-of-the-sunrise @savaton @spikedlynx @emergentpanda-blog @starlightcat04