#i'm 100% right and you can't argue with me
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coffeebanana · 9 months ago
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thought a little too hard about the tags i left on @trainsinanime's "alya salt" post so here's the miraculous grad school chemistry AU that abso-fucking-lutely nobody asked for
marinette's an org chem girlie, because she can effortlessly visualize molecular shapes and has great intuition for how they'd bond together. she draws reaction schemes in her sleep. her work station is a fucking mess and she spends her weekends sleeping at the lab to keep an eye on whatever reaction she's got going
adrien studies physical chemistry and/or or some form of spectroscopy. he'd love the puzzle of interpreting the data AND he would love the hands on aspects of tinkering with the spectroscopy set-ups. also maybe he gets to work with lasers
alya feels like an inorganic chemist to me. she's throwing random combinations of ligands together to see what sticks and she has a niche interest in X-ray crystallography. she and adrien commiserate over learning group theory. also, her and marinette's research groups share the same lab space. and thank god because she's stopped so many of marinette's experiments from exploding
nino's not even in the chem department, he's studying biophysics. but his thesis has to do with the effects of different types of radiation on plant growth, and he has to collaborate with adrien's lab group for spectroscopy reasons
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icewindandboringhorror · 3 months ago
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One of the interesting bits of trying to resume working on the game after so long is looking back at my ancient Draft Placeholder versions of an image from 4 yrs ago trying to remember what the hell I meant back then, to hopefully interpret it into some more final (ish..) form of the same thing .. making slow progress lol
#At this point I've decided it's just a consistent design decision to have the sketchy slightly wonky sort of art ghbjj#I simply don't have the digital art skills/tools/patience (mostly that) to do 100% digital things and have a Clean Polished Professional#Neat Looking Perfect Crisp Lines sort of thing like one would see in most games. I'm drawing everything in pencil half decently (not strict#ly making sure every line is straight or that the perspective even makes sense) and then scanning it in and coloring it on the computer#and that's about it. In another world I could hire an artist or two to do professional backgrounds and charcter art or etc. - but as I am#a mere penniless peasant hermit with functioning issues who has to do every aspect of everything themselves - I'm just going to do#what is possible within the time frame/my ability/etc. and then just be like ''ah you see! actually this is intentional~ it has a homemade#crafty hand drawn sort of charm about it - yes? this was the direction all along!!'' LOL#Which for the record I'm not like complaining that it's necssarily Bad or anything - more just I suppose not the Professional Polished#style you Typically see in a lot of things - again the like - sketchy unclean lines of it all.#(like I think usually people use some sort of symmetry tool to make sure that all sides of a box are neat and clean and have that#Professional Game Art type of feel about them - rather than 'this is a scan of scraggily pencil lines in which I did not even bother to use#a ruler or try to get them all that even' lol). So it's not that it's BAD really.#just I think.. perhaps ''unconventional'' compared to the examples of other#games I've looked at. BUT. the point is to convey an idea. I think your art has failed if you do not convey a concept properly. But so#long as it meets your purposes and is not SOO cluttered/scribbly that nobody can even tell what's going on (unless that IS your intention)#then like.. I think it's fine. You can tell a house is a house even if it's not polished. No worries. (<convincing myself)#ANYWAY.. also 'Nanyevimi Market Quest' is still SUCH a placeholder name but I genuinely can never think of anything else so#I've just been going with it for now ToT... There's no distinct actual throughline story/plot so there's no 'theme' to base a title#around. Kind of like how 'The Sims' is just called the sims because naming it like 'Sims: Downfall Of Pleasantview' (one of the#towns in TS2 i think) would be a weird misname since what happens in the game totally depends on what you choose to do with it#So you can't really name it anything THAT specific (a player might not even choose to have a house in Pleasantview. what then? etc).#So it's just like..uh well...GENERALLY speaking.. everyone is uh.. on a personal quest..vaguely.. which takes place in a Market street full#of shops.. and you are mostly talking to shopkeepers... BUT it's not just a Market Quest since it's also in a fantasy world.. so we need to#give the fantasy world name.. and that's about it. I'm just at a loss for anything else. Maybe the like 2 and a half playtesters I#manage to scrounge up will have better ideas ghhh.. 'Nanyevimi Quest: Get To Know Some Shopkeepers' 'Find A Job In Fantasy World' you could#say 'Market Adventure' but some would argue just having a bunch of conversations and wandering around is not much of a real adventure.#don't want to set people up for thinking there's any drama or combat or anything. 'Do Menial Errands For Mentally Ill Elves Simulator' ghjg#(also sidenote: the '''chibi'' style versions of the characters on the menu screen....EVIL.. that style is SOOO hard for me to draw in for#some reason.. I just can't get the proportions right/have trouble fully ''simplifying'' the design.. took me HOURS lol... aUGHh)
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sejarcus-archive · 4 months ago
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Can someone ask her to do this with Strabo Plinth, PLEASE
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thatsveryvortex · 7 months ago
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Writing Tools for Planning Your Story
I've tried tons of writing apps and sites, so you don't have to. Here's a list of free sites to plot out your novel, with my review and some images of how I use it.
Milanote
Milanote is like having a giant pinboard with folders. You can upload anything onto it [yes even your main doc] and then draw over it or connect things with lines and arrows
Milanote lets you add up to a hundred things for free, not including drawing. This is one of the downsides of the site as I've found myself reaching that limit recently.
For me, the best part is being able to draw over stuff, and the color swatches.
Milanote is a lot less structured than other sites I've used, and personally, I don't think their templates are worth using.
8/10 overall, Milanote is what I mainly use. Here are some pics of how I use it:
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Miro
Miro is a flowchart website mainly used for corporate jobs, however, it can be a great plotting tool for that reason
Miro has a lot of great starter templates if you are looking for a more structured freeform experience. It also comes with a blank page as well.
Unfortunately, I'd argue that it's a bit of a hard tool for beginners to use without a template, I've learned copy-paste is my best friend with Miro the hard way.
It's much better than most platforms at making timelines though.
It has a limit of three boards which is a bit disappointing but overall, I think it's worth the try.
5/10 Miro is very middle of the road for me due to the limited ability to customize things and the free limit. Here are some pics:
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[I wrote that part weeks ago, I am now fully using Miro and believe it's the best for making timelines and charts, I just wish it let me make more boards 8/10]
Hiveword
This might be someone's jam, I can't really say it's mine though.
First off, the unpaid version is really just a few boxes saying "Write a summary here." which makes it just not worth it in my opinion
There really isn't any way to customise things which is my favorite part of most of these softwares
I've barely used this, so maybe there's something I'm missing but
1/10, Just use Google Docs at this point, here's a couple pics
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World Anvil
People like this software, it's mainly used for tabletop, which is just a different way of writing adventure, and I've seen it recommended by authors.
Unfortunately, I'm going to disagree with a lot of people and say it's hard to use and isn't even really good at plotting.
I may be biased on this one as every time I've tried to use it in the past I've struggled. However, it seems like another just write it in a document and create a folder.
I'd say it's closer to an organizing tool, but even then just use something else.
3/10, I have nothing to say about it but maybe you'll enjoy it, all here are two photos
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Campfire
This is the one I think I've heard the most about, but have never actually tried.
right off the bat, I'm going to say this is 100% worth it, you'll see at the end with the photos but this is like if Miro and World Anvil had an organization baby.
It's extremely easy to understand, and it makes timelines, it's more for writing your whole book but idk about that yet.
7/10, its themes are really pretty but it limits how much you can do to 20 I believe. Here are the photos
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That's all for now, honestly, I think you should use Miro if you are looking to plot things out, and Milanote if you want to collect and organize your thoughts for writing, as that's what I do. Obviously what I like won't be for everyone, but hopefully, this helped you see some options
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dokyumms · 3 months ago
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seventeen's reaction to you overworking yourself (maknae line) !
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pairings: maknae line x reader (find the hyung line ver. here)
genre: fluff, suggestive ? (dino)
word count: 900
cw: overworking, light cursing
a/n: second part to the last reaction! tried to make this shorter and a little less angsty since i feel like i made the last one unnecessarily long. also thank yall so much for 100 followers!! i only started posting a couple days ago and i definitely wasn't expecting so many people to enjoy my work, i love you my kings ♡(˃͈ ˂͈ )
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dk - dokyeom will do everything in his power to distract you from whatever you're doing. hunched over your computer? he's pulling you up and asking to dance. you're at the office for way longer than usual? he's calling you and telling you he's fainted, just for you to rush home and be greeted by a bear hug that you'll never escape.
he does it all in a jokingly manner, but in reality he is so scared that you're pushing yourself too far. at one point he'll sit you down and plead for you to take off some hours, and of course you can't say no when he gives you those puppy eyes.
mingyu - mingyu waits outside of your office when you normally get out of work so he can surprise you with a night out. after 20 minutes of impatiently waiting, he realizes you've decided to keep working, again. so he walks in, ignoring all of the staff that gawk at the fact they've never seen someone so attractive walk into the office (maybe besides you *wink*).
when you notice someone peer over your cubicle, you look up to be met by mingyu's face.
"gyu? what are you doing here?" he frowns in response.
"to pick you up, of course! need to get you off this damn computer," he mutters, walking around the cubicle so he can shut down your computer. "hey! i really need to finish-" he cuts you off, "you've been doing this to me all week babe, you don't see that this isn't healthy?" when you try to argue against him, he shuts you down with, "you'd do the same if it were me, so please, let me take care of you."
the8 - you know minghao is going to be so pissed when you get home. it's around 1 in the morning, and you're just now getting out of the office. your phone is dead, but you already know your boyfriend has called you a multitude of times.
when you finally enter your apartment, you see minghao at the counter. he sighs before making his way to you.
"were you seriously working this whole time? don't you know how late it is?" you apologize, trying to explain why you decided to stay back, but he unexpectedly embraces you.
"i don't think you know how much you scared me. you didn't even answer my calls y/n," he mumbles into your hair, only humming at your response when you tell him your phone died. "come on, i'll give you a bath," he suggests, dragging you towards the bathroom without giving you a chance to respond.
seungkwan - when you call seungkwan to tell him that you'll be home late again, he's very, very upset to say the least.
"baby, this better be a joke. it's already so late right now! how will you get home? wait- don't answer that- i'll be there in 5 minutes. don't move a single foot! love you!" and then he hangs up.
you try to finish what you can before seungkwan calls you, "y/n! i'm here, and don't you ignore me to keep working because i'll drag you out here if i have to." you definitely do not want to test THE boo seungkwan, so you pack up quickly. when you get down to the lobby, you're met with a rather determined looking seungkwan? something like that.
"that's more like it, now let's go home, you've been ruining my sleep schedule," then he grabs your hand. sure, he said he wouldn't drag you outside, but he wants you home and asleep by 10:00 pm sharp tonight.
vernon - vernon respects the hustle, sometimes you gotta do what you gotta do. he sits next to you and proceeds to watch you unravel for the next 4 hours as you try to hold your group project together.
you're pacing back and forth in the living room, rambling on how you just finished an exam and the last you want to do is carry your group project. he realizes it's too much, so he gets up off the couch to give you a back hug.
"hey, it's okay. you don't need to push yourself like this." he says, swaying you from side to side. "hansol, this is really important,"
"i know, but i can't just watch you tire yourself out like this, at least let me help you," to which you comply because with the way he's holding you, you're lowkey in a daze.
dino - chan's plan to get you to stop working? seducing you, duh. well- it's actually his like 50th plan, his 49 other attempts doing a whole lot of nothing. you're on your bed, tapping away on your computer when chan suddenly crawls onto the bed.
"chan? what are you doing?" he shuts your laptop before pulling you in for a kiss. you're wide-eyed, unsure if you should try to pull away or let him do what he wants, a little surprised he's so determined to get you to stop working. tossing the laptop to the side, he pins you to the bed and starts kissing your neck.
"babe, my work..." you say, attempting to keep your priorities straight as he basically devours you. he chuckles, "i think i have a better way to spend your time," it's going to be another long night, but this time, it's not because of your work.
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ssentimentals · 4 months ago
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better late than never {jeon wonwoo}
pairing: jeon wonwoo x fem!reader
prompt: honestly? justin bieber's 'mistletoe' playing around everywhere i go
warning: none, pure fluff, enjoy my loves!
desperate times call for desperate measures. wonwoo would've been embarrassed by the whole ordeal if only he weren't so deep in his misery that even his friends agreed to go with this plan. the 'plan' is very simple - fill hoshi's apartment with as many as mistletoes as it's only possible without making it look very... obvious.
'it's almost february, it's going to be obvious anyways,' dino supplies unhelpfully. 'even if we put just one, it will catch everyone's attention cause it's a freaking mistletoe and we're way past december.'
'but that's why wonwoo bought the little ones,' mingyu argues and wonwoo could kiss him for being supportive. however, he only wants to kiss you, so he keeps his lips away from the tall giant. 'they are not very visible.'
'and isn't that a problem on its own?' hoshi mutters, holding one mistletoe up in front of his face. 'what's the point of hanging them around if they are not visible?'
wonwoo is going to cry. or combust. or do something equally illogical because they have three hours left before the party and his plan is in ruins so far. he knows you're going to come a bit earlier than everyone else just to help get the space ready for the celebration because you're sweet like that; he can't have you walk in here when they are plenty of unused mistletoes lying around.
'everyone shut up and start hanging these things around,' minghao saves the day with his decisiveness. 'tapes are on the couch. we don't have much time, c'mon. it's either this or bearing wonwoo's lovesickness for much more time and i honestly can't do it anymore.'
wonwoo rolls his eyes. 'i'm not lovesi-'
'you are,' hoshi interrupts, grabbing one tape and throwing another one in mingyu's hands. 'me and minghao will take kitchen and living room, you go do bathroom and bedroom.'
'oooh, we're gonna do bedroom?' mingyu asks, wiggling his eyebrows suggestively. 'jumping straight into the action, huh?'
dino sends him a disgusted look and then turns to wonwoo, taking two mistletoes from his hands. 'i'll go add those on the balcony, i think it's the best place for your confession.'
wonwoo swallows loudly, gripping one mistletoe which's left in his hand. because that's what it's all about here, right? for him to confess. when he first came up with this silly idea about mistletoes, it was just a joke. they were all a bit drunk, sitting in hoshi's kitchen, when wonwoo muttered that he needs a little push, some sparkle of magic to confess to you, to kiss you. and to his own surprise, his drunk mind came up with a wonderful idea - what is a better incentive to kiss than a mistletoe? fast forward one week he's here in hoshi's apartment, making sure that there is pretty much no place uncovered with the mistletoe and all he needs to do is to jsut get you alone and point on the mistletoe. in his dreams you understand what he means and kiss him. in case you will not get it, he's going to suck his fears up and confess. being honest, wonwoo dreads this scenario but he is prepared nonetheless - little note with words that are on the tip of his tongue all the time.
'done!' guys announce one by one. minghao grabs dino and goes to his car to take all the drinks, while mingyu comes over to him, wrapping one arm around his shoulders. 'it's such a cool idea, honestly. i think she will love it.'
'i agree,' hoshi comes closer, smiling. 'it's really cute. just don't fuck it up and like, not confess.'
wonwoo cringes. 'i'll try.'
mingyu laughs, slapping his back so strongly that wonwoo almost falls forward. 'you'll be fine, woo. anyone with eyes can see that you're into her and i'm 100% that she knows it too.'
'i think she likes you too,' hoshi says, always there to lift wonwoo's spirits. 'i mean, she willingly listens to you go on about your nerdy stuff, so. if that doesn't mean she likes you then i don't know what is.'
wonwoo is not sure whether to be thankful for his friends or go strangle them all. he opts for the first option and simply goes to help prepare everything else for the party, busying his mind with other things. it doesn't really work, his mind always comes back to you either way; wonwoo thinks it's kind of embarrassing, actually. it's like you're always on the background and you pop up in his head whenever he does anything random: cleaning the house? he remembers how you said you stress-clean sometimes. going out with friends? he snaps a picture of a pretty interior to send to you cause he knows you'll like it. eating something? if it's good he makes a mental noise of buying it to you so you can try it as well. your invisible presence in his life is so huge, he sometimes wonders whether you can feel that he's thinking about you. if you do then how does it feel for you? do you get a pang in the heart every time you see him too? do you also get nervous when he hovers nearby? do your fingers tremble a little from the desire to reach out, to touch, to caress lovingly? wonwoo is so out of this that it takes hoshi smacking him in the head with 'she is here, idiot!' to wake up.
'hi guys!' you sweetly wave to everyone and easily accept one-sided hug from mingyu before noticing him. wonwoo's heart skips a beat at the way your eyes twinkle at the sight of him. 'woo! hi!'
'hi,' he lets out a bit too breathless for his own liking. he steps closer and opens his arms, welcoming you warmly and holding you a little too tight. 'you're okay? do you want anything? water, maybe? or are you hungry? we have-'
'we don't have anything, pizza will arrive only in an hour!' dino shouts.
you giggle, effectively taking wonwoo's focus from killing dino to your cutest self. 'that's fine, i'm not hungry. is there anything i can help with?'
wonwoo sometimes fears for his heart. you're too sweet, too cute, too good - how is he supposed to hold all his feelings for you inside when you're like that? 'not really, but hoshi bought new stuff, let me show you.'
you follow him eagerly and doesn't even blink when he steps very close to you. wonwoo hopes that this is a sign of you being comfortable with him, you wanting him in your space. he asks how your day's been and while he's listening attentively, he mostly watches your reactions, needing to see if you notice mistletoes or not. there are four of them in the living room with one of them being literally taped to the tv (god, who thought it was a good idea?!) and your eyes sweep past them with no care. 'everything is so cool!' you comment on new action figures hoshi bought. 'very hoshi style.'
wonwoo nods. he's getting nervous, knowing that soon people will start coming up and they will take you from him because everyone wants a piece of you and he will lose you to the ocean of people and-
'do you want to go to the balcony?' he asks suddenly.
you blink. 'um- sure? yeah, okay, let's go.'
you pass the bathroom with a very obviously hang up mistletoe and you don't even bat an eyelash, which crushes wonwoo's hopes. you don't notice them. he should confess on his own. cradling note in the back pocket of his jeans, he opens the door for you and takes a subtle big breath before following you. he can do it. he's an adult, for god's sake. if he manages to pull all-nighters for weeks during midterms and come out alive then surely one confession will not kill him, right?
'woo?' you call, frowning. 'is everything okay? you look kinda-' you pause as your gaze shifts to somewhere above wonwoo's head. 'is- my god, is that a mistletoe?'
wonwoo holds his breath. 'yeah,' he croaks out, frozen.
you step closer and come up on your tiptoes, wanting to touch it. 'did hoshi forget to take it off? it's way past christmas.'
you make a move to presumably take it off, but wonwoo catches your wrist and slowly wraps his another hand around your waist. his heart is beating so loud he fears entire city can hear it; you simply blush at the proximity. 'wait,' wonwoo asks, clearing his throat. 'don't take it off yet.'
'okay...' you mutter, lowering your hand.
your beautiful eyes stare into his and it's really not fair; how can he remember the words from his note when you're looking at him like that? 'um.'
'did you want to discuss something?' you ask, somehow not commenting on his hand on your waist. 'you brought me here, so.. i thought you wanted to say something.'
dying would've probably been easier than this, wonwoo swears. he swallows, his fingers flex on your waist. 'we should kiss,' he ends up blurting out because head to mouth filter refuses to work. your eyes widen and you make an attempt to step back, but he doesn't let you, holding you securely in his arms. he lifts his head up: 'mistletoe, you know. it's a- tradition. yes, tradition.'
you look confused at first and wonwoo braces himself for a fall. you're going to slap his face and walk away, you're going to call him different names and-
'only because of the mistletoe?' wonwoo blinks at you, shocked. you clarify: 'we need to kiss only because of the mistletoe?'
he shakes his head. your expression softens and with care, you wrap your hands around his shoulders. 'why else then?' you ask quietly.
your eyes are so pretty. you are so pretty and you are so close, wonwoo is losing his mind. 'because i like you,' he confesses in a quiet whisper meant only for you. 'because i wanted to kiss you for a very, very long time.'
you don't slap his face. you don't walk away. you don't call him different names - instead you move just a tad bit closer but it's enough for the hope inside wonwoo's heart to flare up. 'how long?' you ask, searching for something in his face.
wonwoo hopes you can find adoration there, because that's what he feels. 'for so long that it's embarrassing how i confessed only now.'
your giggle is his favorite sound on earth. you lean closer, brushing your noses together. 'better late than never,' you mutter, trembling a little in his hold. 'right?'
wonwoo nods. tightens his arms around you. 'right,' he whispers before finally closing the distance and kissing you.
a/n: missed writing longer stuff, god! hopefully it's not awkward, i did write only small prompts in last few months and got kinda used to them :/ let me know if you liked it or not! <3 - nini
my other seventeen works are HERE
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catiuskaa · 1 year ago
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Game On, Game Boy.
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SUMMARY: dating someone from the opposing team is banned? So what? Minho isn’t dating that cute girl with the purple headset, they clearly hate each other! …wait, what? You never said it was her? O-oh… um, well…
REQUESTED! here by my pookie dookie @15092000volcano, who OMG LOVE YOU GOT SOME IDEAS™️ and i’m 100% here for it!
WC: 3.8k
CW: extensive use of curse words, use of petnames, gaming lingo that i won’t explain (sorry), a sneaky mention of changlix and a ridiculously explicit mention of hyunin because idk broski i just felt like it
[♦️★ 🎯 ★♦️]
“Are you sure this is the section you’re supposed to be in, Lee?”
Minho’s eyes turned darker and he chuckled a cold laugh that could’ve frozen the Han river over a hundred times.
No one noticed the slight smile he let out that was quickly hidden again.
“Look who it is,” Minho beamed a newly found energy, as if a dark, bad, and rude soul had just taken control of his mean smile. “If it isn’t other than the wrongly chosen personality hire of… mhh… I don’t remember… sorry, dollface, what’s the name of your team again?”
Behind him, a blond guy stared at him, eyebrows shot up, eyes wide. He turned around and faced one of his other team players.
“Hey, hyung. Does Minho know that girl?” Felix asked in a low voice. “He… doesn’t look too happy.” That was a nice way to put it.
Changbin rolled his eyes at the encounter, throwing his arm over Felix’s shoulders.
“Her username is something like ‘soondondori25”. Minho and her met a while back, in high school. As little as he’s said, one thing’s for sure: they really don’t like each other.”
Despite it not looking too good for the team the fact that its leader wasn’t behaving with their opponents, Seo huffed, not paying any mind to the arguing pair, unlike Felix, whose eyes stayed glued to his other hyung and the new girl, still going at each other.
"I bet you’re still using the overpowered weapon. Can’t really get past Nerf Bastian, can ya?” You stated mockingly, your cheeks red as you kept arguing. “I guess you need all the help you can get."
"Says the one who relies on camping. Can't face me head-on, huh?” Minho grinned with a sense of superiority, stepping forward. “Scared, dollface?”
You bit your lip, your eyes locked on his.
"You won’t need to worry about my team’s name, sweetie. I’ll make sure you never forget it.” Your stare would’ve burnt a forest just by staring at the grass for a bit too long.
“Still can't win without relying on cheap strategies, can you?"
Minho settled his hands on his pockets, halfly staring down at you, as if mocking your height.
“Wouldn’t you like to know.” You chuckled lowly. You said it with a smirk, which Minho was fast to return. “Still stuck on that low-tier character, right? It seems like you need to step up your game, buddy."
“Oh, please!” Minho passed a hand through his hair, his tone hinting mocked amusement. He bent down lightly, his face in front of yours. “You're just a sore loser who can't handle a fair fight. Go back to your corner and cry some more, dollface.”
“Keep telling yourself that. We both know you're just jealous I'm better at this game than you."
“Whatever helps you sleep at night, dollface. I still manage to win against you. Seems like you're just bitter about losing."
The battle of comebacks kept going on, both of you stepping closer to each other with each sentence, as if about to throw hands.
“Ah, fuck! They do this every year!” Someone from your team approached the both of you while cursing. You ignored him at first, but then halfly gasped, facing your teammate.
“Jisung, I swear he started.”
“Yeah, Jisung. I started.” Minho cackled mockingly. “Tell Santa so I don’t have toys this Christmas.”
Han squinted at Minho. “Sure. As if I fucking care.” He then turned to face you, handing you a red shirt. “Yours. We’re red for the first round.” He stated seriously, taking on the role of team leader.
Minho and you stared at each other deeply just as Jisung flew the scene, missing how you two were basking in the glow of shared secrets.
“I’m team red, bunny,” you snickered at him in a smug tone. “You know what that means.”
“Superstition is for the rookies, dollface,” he said, his smile confirming the nickname you gave him was well justified.
No one knew the troubles the both of you had gone through. That’s why you smiled, knowing that when the round ended and you were both done for the day, —when you won, of course—, your boyfriend would still owe you a kiss.
All this mean smack talk was purely for the benefit of the other rival teams. Minho was happy to let you prove yourself to those who couldn’t grasp the idea that a girl in sparkly, cute dresses and what some would call ‘over the top’ makeup belonged in the competition. Minho and you both knew that one of the toughest rounds would certainly be against one another. You know exactly how good of a gamer he is, and likewise, his team had already heard about how your team had broken records during trials —named team Levanter, even if your endearing opponent pretended not to know it—, but there was no real animosity here.
Not an easy thing to hide, considering that to you it was obiously noticeable how Minho’s eyes hadn’t left your lips in what seemed like ten minutes. But yeah. No animosity. Just a knack for competition. And a bet that decides who’s making dinner for the night, but right now…
Right now was about the fight.
Both team Levanter and team Thunderous were sat in places, red vs blue once again as several cameras from the streaming platform that broadcasted the event were turned on, recording each player while the ref briefly introduced them with a loud tone for the crowd.
“Levanter, ready?” He asked with a smile meant for the thousands and thousands of viewers streaming online as the camera focused on him shortly.
“Ready,” Jisung smirked, to which everyone in your team logged in the computers before you as a response.
“Thunderous, ready?”
Minho smiled in your direction, holding back a chuckle when he noticed you had already been staring, then threw a wink at him.
“Ready,” he said.
You two exchanged a glance, openly competitive, any other meanings hidden between you two and the red thread that joined your little fingers, a silent agreement breaking the rules —the same ones you broke barely half an hour ago, when his lips consumed yours, or that you’re probably going to be rehashing the whole gameplay in your shared apartment and no one will know.
(And sure, you might do other things, too.)
The sound blasted in your headset when you settled it in place. You gave one last look to Minho, and he mumbled towards you with a smile.
“See you on the other side, dollface.”
“You’re the worst.” An easy shorthand for love you.
He smiled, and there was a knowledge that made your heart smile too, because winning or losing, in the end, you were coming back to his arms.
Your hands tightened and you cracked your knuckles, settling them back in place, one over the keyboard and the other on the mouse. You were nervous, yeah, but not afraid. This was your comfort zone. This is your comfort zone.
“COUNTDOWN,” the ref shouted, the numbers showing up in the complete view in the big screen behind him. “STARTING IN 3…! 2…! 1…!”
[♦️★ 🎯 ★♦️]
The vehicle shuddered when you closed the door with a thud.
You two stayed in silence for a bit, merely listening to the rain as the droplets hit the car nonchalantly.
“Can I be smug about it?” You smiled cheekily.
“Just ‘cause I ain’t that much of a sore loser, you get two minutes.” He scoffed with fake annoyance, which wasn’t truly worrying because he didn’t put any effort on hiding his smile, too.
You snickered, turning your body to face him, teasing him even before starting.
“But you owe me something first, dollface.”
You rolled your eyes. “It ain’t even that good of a nickname, Min.”
But then his hand, always a little colder than yours, swiftly gripped you by your neck, fingers stroking your nape as you held back a shiver, easily less than an inch away from him now.
“Would you rather I call you buddy?”
You smiled, eyes wondering where to focus, in a trance between his eyes, deep and enticing, or his lips, sweet and so stupidly kissable.
“Hurt much?” You pouted mockingly. You were obviously not expecting him to bite your lower lip.
He laughed, a menace he was, but he was quickly winned over —dare I say once more— when you pulled him towards your lips by tugging at the collar of his shirt.
Minho smiled as you let him take control.
“Your two minutes are over.” He whispered over your lips, leaving a small peck on your forehead before turning to the steering wheel.
You were about to complain, but that was before his hand, a bit warmer now, was strategically placed just a bit further up your knee.
He gave you a playful side eye.
You rolled your eyes again, to which he chuckled.
“Before you start snickering and bitching about what you want for dinner, princess,” Minho started speaking with a smile, his hand not leaving your leg as he started the engine, “seeing as I didn’t go to the grocery store and neither did you, we’re doing take-out.”
“That’s so unfair!” You argued as he manoeuvred to get the car out of the parallel spot. You stayed silent until he did, faking a pout. “You made me buy groceries last time I lost.”
He cackled. “Because I drive, silly.”
You glared at him. He grinned.
“I’ll call your mom.” You threatened. “I’ll make sure she takes the cats with her the days you have free.”
He gave you a stare with wide eyes once he encountered a red light.
“But honey, those are my children too.” His fake tone of worry was too funny to not burst out in laughter, to which he happily joined in.
“Shits and giggles aside, don’t,” he smiled. “Last time you did she told my dad and he still makes jokes about it.”
You acted smugly as you fetched for the aux cord and plugged it to your phone, scrolling down through your music app.
“Of course he does,” you snorted with a toothy grin. “I’m amazing. And even if we’re doing take-out I will beat the shit out of you if you don’t make lasagna before Friday.” You threatened again with a silly smile. “You know I can.”
He snorted too, his hand playfully squeezing your leg for a second.
“I know,” he mumbled absentmindedly, tracing patterns over your knee. “But we’re getting sushi tonight.”
The idea seemed nice enough, so in a silent agreement you settled on a playlist you knew he’d sing along to. Just as Wonder Girls started to play, he giggled, his hand tickling your knee —something as ticklish as confusing, really—.
“Cheeky.” He snickered, unable to not join in to your efforts into making the korean lyrics make sense, singing for a fun time, not a long one, specially when after Tell me finished, the next songs calmed down the upbeat vibe and soothed it sweetly, your boyfriend humming only when he concentrated on the road ahead.
He shoved you one of his hoodies that he had kept in the seats in the back, because he knew you’d show up with clothing that as beatiful as you looked with it, he just clicked his tongue and tutted at you when you tried to enter the restaurant after he parked, and sneakily locked the doors. You squinted your eyes at him.
“Put that on, missy.” He snickered, eyebrows up. “As funny as the idea may seem, cold as a concept isn’t psychological.”
You chuckled at his commentary, and quickly threw it on, a silly smile on your face when you realized that it smelled like him.
“Sure, Mr Charmer.” You shook your head sideways, smirking once he unlocked the car and you could open the door. “For the record, pretty boy, I’m just doing it cause you left money on the pocket.” You cackled and skipped inside the restaurant, with him chuckling just a bit behind you.
The restaurant was fairly empty, saving a couple of tables that were reserved for later and other customers that had barely started to eat.
You hid the twenty bucks bill you found in your phone case, and Minho pretended to forget about it when he saw you grin. You smiled at him gingerly, thinking where would it be a good place to put the it in where he could find it later.
He let you choose from the menu, trusting your taste and letting you pick the items for the both of you, doozing off slowly, distracting himself with the strange tipping device that the restaurant had on the counter top. Upon inspection, it was clearly a lucky cat figure, that when coins were placed on its hand, he’d just… eat them…?
“To go, yeah?” the young man at the counter asked with a tiny smile, wearing a small name tag that read “JEONGIN” in big letters.
You nodded, but noticed ‘Jeongin’ gave your really-interested-in-the-stupid-ass-tip-animal-robot company a look, and you stared at Minho too, scratching your cheek absentmindedly.
“Is he with you?” He asked nonchalantly, merely starting small talk.
You smiled. “Yeah. A girl needs a wallet from time to time.”
He snorted, nodding in agreement. “He’s… something.”
“Thanks. He’s rescue.”
You felt a hand slither into the pockets of your hoodie. Well. Technically his.
“Stop telling people that.” He huffed, laying his forehead on your shoulder.
Jeongin snickered at the two of you. “My boyfriend is a rescue too,” he winked. “This is his uniform, because he used mine by mistake and stained it with soja sauce.”
“Oh. So you’re not Jeongin, I guess?” You chuckled gently.
“I’m Hyunjin.” He corrected with a smile. After a bit, he handed you your order in a plastic bag. “It was nice to meet you two!”
You waved back with a sheepish smile as you two exited.
[♦️★ 🎯 ★♦️]
“WHAT?!” You screamed, the mic on your purple headset able to catch it flawlessly, as in response you started hearing laughs.
You stared at the screen, the music lowering as your character approached your house —or what used to be your house—.
“Y-yeah,” Seungmin’s voice chimed in, who tried to explain once more in between laughs, “Changbin added landscape mods o-or something,” he chuckled. “The storms can start fires.”
“B-HUH?” You frowned, trying to extinguish the fire that remained around. “Fuck that! What the fuck was Notch onto with this bullshit?”
Felix and Changbin still were unable to speak, as they continued to laugh loudly in the call. You went to Discord for a second, and muted them both. “You guys, shut up!”
They were muted, so you couldn’t possibly know if they had listened to you —most likely not—. Going back to Minecraft, you went in your house, and started looking around in your chest room if you had any wood to spare to repair the ceiling.
“Motherf- I gotta go chop wood?” You scoffed. “Brother.” You were starting to get pissed off, so you breathed in, fixing your glasses in position and your mind went back to the stream, and you started talking to the chat while getting the materials.
“Shit, I ran out of torches,” you cursed, going on your inventory to see if you had more. Oops. You didn’t. And you didn’t have much food either. Suddenly, zombie noises started to blast in your headset, several arrows hitting you.
“Fuckfuckfuck,” you used your shield, trying to find your enemies. “Where is this bitch?”
Minho went to the kitchen, that was a door away from your streaming room, able to hear loud noises coming from inside. He raised his eyebrows, wondering what could be happening in the gameplay.
“MOTHERFUCKER?! I DON’T— FUCK THIS SHIT! IT’S DISGUSTING. HEY, IT’S DISGUSTING THAT- THIS FUCKING ASSHOLE. HE’S AN IDIOT. HOPE HE CHOKES ON LENTILS, FUCK!”
You stormed out of the room, encountering Minho barely a couple steps away from the door.
He blinked, puzzled. “I’m making lasagna…?”
You struggled to calm down, just knowing you didn’t want to lash out at him.
“Time-out?” He questioned, wondering if you wanted some time on your own.
You flinched when you finally realized he was in front of you, your shoulders lowering and your body physically relaxing as you sighed and shook your head sideways.
“A storm burned down part of my roof and then a creeper blew me up when I was trying to fix it.” You sighed. “And then Changbin stole all my materials.”
“Did you turn off stream?” He wondered soothingly, his hands cupping your face and lightly scratching the back of your head.
You shook your head again. “I just turned the camera and the mic off, but it’s still on.”
“And you want to keep playing?”
“Yeah.” You smiled, one of your hands traveling to his. “Thanks, Min.”
He entered the streaming room with you, his arms over your shoulders.
“Where is she though?” Changbin questioned. “She’s not answering.”
“Dude.” Felix let out in shock.
“Lix?” Seungmin questioned.
“Guys, look at her stream.”
Minho left a peck on your head and ruffled your hair.
“Text me if you need anything, yeah?”
You smiled. “Thanks, bunny.”
You put your headphones back on, moving the mouse to turn on the screens again.
…maybe the camera hadn’t exactly been turned off.
You stared at the stream, eyes wide open as the chat started going wild.
…oops.
[♦️★ 🎯 ★♦️]
catiuskaa, may 2024 ©
~kats, who now wants to go play some minecraft.
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ineed-to-sleep · 1 month ago
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Don't wanna be a bother but I bumped into ur touchstarved oc stuff and do you have any pointers for drawing in the touchstarved style? I can't really nail it down 100% but you do so... pretty please?
Hii yeah ofc, it's no bother at all no worries! You sent me this at the right time actually jsdhksd I'm in the middle of redesigning Emma right now and I've been taking a close look at the art style again, so it's all fresh in my mind!
Assuming you already have your design ready and have found a pose or composition you like, replicating the art style will probably come down to getting the lineart and shading to look similar.
About the lineart:
Probably goes without saying, but you'll need a pen with the opacity turned off to get the clean, ink-like lines. If you use CSP I recommend the default textured pen, which I think has a similar look, but honestly any pen will do.
The thing you have to look out for the most when doing the lines is the darkest shadows. It's a bit tricky to explain, and I think a lot of it comes with practice, but you have to look for the places where the darkest shadows would be, or where the light could barely reach. Once you spot them, instead of shading them you create a sharp shape and paint them black, like so:
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I also recommend varying the thickness of your lines, but not at random. Instead, try to keep lighting in mind while you draw them. You could draw one continuous thin line for something, and then only thicken it where it falls away from the light, or where it'd create an occlusion, or wherever you want a shape to stand out from another. A thick line will essentially either "push back" or separate things in space, while a thin line will pull it forward or make things look like they're closer together.
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You can also exaggerate the shadows in order to create more contrast. Like in the case of Kuras' sleeves and coat, for example- you could argue that some bounce light could still get in there, but with the shadows exaggerated it creates a really nice, clean shape. You can also separate these shapes from other lines by leaving a small space between them and the lines.
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The metal might look a bit different, but it follows the same logic as everything else- your darkest shadows will be pure black. It might look like it has more shadows but that's just because it's more reflective, so the light is usually concentrated on highlight and bounce light areas, so the tones around those areas will be darker.
About the shading:
From what I've noticed, it's all about keeping it subtle and simple. If you color pick the characters, you can see the variation between light and shadow is subtle and not all that contrasting. Most of the contrast is done with colors, not values.
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The light source is usually from the top right, characters are pretty well lit, and there's a little bit of a blue backlight from the left that helps them stand out against the backgrounds.
The shading is mostly sharp, cel shading, rarely blended. Wherever there's blending, it's usually subtle or a gradient
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They also use gradations to indicate color shifts, like the colors in Leander's coat. You can do this with the gradient tool or an airbrush.
I recommend picking 1 color for light, 1 color for shadow, and maybe 1 inbetween midtone to use sparingly in places where you want a very subtle shadow. You can go more fancy if you're trying to create something that looks more like the game's CGs, but if you're going for the same look as the sprites, it's better to keep it simple.
You can shade manually each part of the character, or you can try using a multiply layer. For multiply, I like shifting the color towards a warm or pinkish tone and keeping it light and desaturated to get a similar look as the sprites.
Highlights are used very sparingly, only on a few places like the nose, mouth, eyes, and a few on the hair. Maybe occasionally somewhere else, but only if necessary, like in the case of very reflective materials like metal, gold, glass and leather.
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The characters also usually have subtle textures on their clothes, and you can quickly create something similar by using a textured brush and an overlay or multiply mode. Like so:
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It's subtle, but makes a difference in my opinion! You can try this with a lot of different textured brushes to get the exact look you're going for.
That's all I could think of right now! If you have any questions or wanna know anything specific I didn't mention here, let me know!
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renskaji · 1 month ago
Note
Tomage 16 or 46 from the misc dialogue prompts, pretty please? thank you!! also congrats on 100 followers :D
renskaji’s 100 celebration
16: "It's a new law, look it up." 46: "And I'm here to save you."
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You're pretty sure it's impossible to really be mad at Jo Togame.
He's just so sweet, and gentle, and kindhearted. And maybe if you talked to someone he fought against, they'd disagree, but they don't see the Togame that you do.
You're lucky, really, that you're dating someone as catastrophically perfect as Jo.
But sometimes you want to argue with him, and he won't let you.
And okay. Maybe you're being a little petty, storming off from him after he told you he couldn't hang out at your house after school because he has a Shishitoren meeting. But you're also being dramatic on purpose, wanting to rile him up to see if you could rile him up.
"Stop following me," You toss out over your shoulder, schoolbag heavy on your arm as you make the familiar trek back to your house. Togame had been waiting for you at the front gates like usual, but you had bypassed him without word after finding out he wouldn't be making any extra time for you that evening.
And who could blame you for getting upset over missing out on time with Togame?
"No can do, sweetheart." He calls back lazily, like he's just as happy trailing after you as he would be at your side, holding your hand like he usually does.
"You're supposed to leave your girlfriend alone when she's mad, you know." You're arguing, but you also know your steps are slowly ever so slightly to let him catch up. Though it's not like he wouldn't be able to if you didn't—with Togame's height, he'd easily be able to meet your stride.
"Is that so?"
"It's a new law, look it up." You fire back, keeping your chin held high as you stride forward. It's a little pathetic, though, that you're listening close enough to the repetition of your boyfriend's wooden sandals clacking against the sidewalk to gauge how close he is without having to look.
But, like always, it's like your body has a magnetic pull toward's Togame's. You're slowing down until he's at your side, though you're still walking without looking over at him.
"So mean." He tuts, but you can hear the grin in his voice. "And I'm here to save you."
That catches your attention.
"Save me from what?" You whip your head to the side and glare at him, hating that your heart stutters at the handsome smile he's sending your way. You recognize the glint in his eye way too late to react, but you know he's plotting something.
"Your own attitude." He counters.
Now, Jo Togame has a reputation for going slow. For being a turtle among lions. And for the most part, you would agree with the general population that Togame has his own method of operation it's set to leisurely.
But his words are punctuated with a rare burst of speed he's known to have in a fight. He's not grappling, but he does seize your chin in one hand and holds you still so he can kiss you hard and fast. He's gentle enough to keep you from feeling any pain, but you can't move.
Not only he pulls back, lethargic grin back on his face while your's turns a bright shade of red.
"You're the worst, Jo." You don't mean it, so you soften the blow by chasing after his lips for another peck. He relents, because it's as close as he'll get to you admitting he was right about you having an attitude.
"I know." He slips your schoolbag from your shoulders and rests it on his own back. Your hand finds his easily, and he's tugging you forward without much more talk. "Let me walk you home, anyways."
You could let Shishitoren have him for the evening, if he promises to kiss you like that again.
You were after his attention, anyways.
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1moreff-creator · 7 months ago
Text
DRDT CH2 PT2: Full Analysis
While CH2 Part 2 was releasing, I chose to make liveblog-reaction posts to the episodes to record my immediate thoughts for posterity, but that meant that actual, coherent analysis was pushed to the side in favor of me freaking out over… everything going on. But goddamn; even accounting for recency bias, this might just be my favorite trial of any DR style killing game I’ve ever seen (though admittedly I'm working with a small sample size). So I felt it merited a bit more… cohesive analysis. That’s what this post is!
WARNING: This post is around 28k words long. Do not click "read more" unless you're ready for lag, and make sure to take breaks while reading if needed.
Spoilers for DRDT CH2. CW: Murder, suicide, hanging, execution, gun violence, self-harm, blood, stabbing (fork).
(Btw you can find my immediate reactions in my post masterlist. Not linking each individually here because I hit Tumblr's 100 link limit. I know, I know)
How do I even structure this? I guess I’ll start with the actual case itself, then go character by character because WOW.
Also, I hope you forgive that I can't put images for every referenced piece of dialogue (Tumblr 30 image limit when I catch you...), so I'll save them for when they're necessary and instead add links to the referenced quote in the episode.
The Case
Although I’ve made many posts talking about this damn thing, I don’t think I’ve ever expressed just how cool the actual mystery is. The evidence is all there from the beginning bar the note and alibis, introduced in a way that doesn’t make the method obvious, but that still allowed the audience to figure out the main aspects without much issue. Everything follows logically, and while there’s a few things that ended up being less important than some expected (that glove will haunt the fandom forever I fear), everything got explained in what I consider to be a pretty satisfactory way. It wasn’t obscenely complex or crazy, but I consider the method to be just right for a chapter 2 case.
Oh and the Nico case was cool too, even if half the shit in that crime scene will haunt me forever. Why were there two weights off to the side-? not important.
If there’s one critique I can give the actual discussion of the case (and this is legitimately the only real critique I have of this entire set of episodes), I’d argue that the way the method is presented is… weird. Like, I get why, DRDT is clearly more focused on character conflict than the murder mystery aspect, but there were still a lot of moments where it felt like Teruko’s thought process wasn’t explored properly, to the point where it sometimes felt like Teruko just… magically got the answers whispered to her by the ghost of Kirigiri.
As an example, take the ball of clothes over the rafters. Ace mentions the issue of getting the rope up there, and Teruko immediately jumps to the right conclusion of the seemingly completely unrelated ball of clothes.
To illustrate why this feels weird, let me tell you what my thought process was when I came up with the theory (because again, the evidence was laid out well enough that I did manage to call this, even if I got a fair bit of other stuff wrong). Obviously it's not the only admissible thought process, but it's a good example to see how I feel the presentation of evidence should have been handled.
We know Arei was hung from high up (Veronika’s account) -> We can confirm something happened on the rafters because the lights are broken -> Brainstorming how that could have happened (screening room connection? Secret ladder?) -> Perhaps something was thrown up there with the rope attached -> Ball of clothes.
In the series, however, we get:
Arei was probably hung from high (Veronika’s account) -> Discussion continues, literally the entirety of Nico's situation gets explained -> Ace brings up the issue for the first time like three years later-> Teruko immediately points to the ball of clothes -> The lights are only mentioned after.
You get what I'm saying? The progression doesn't feel as natural, because we immediately jump to the conclusion without discussing the evidence that leads to it. This also happens with things like the pulley method, where Teruko explains everything before bringing up the tape on the spinny thing, which is the only thing implicating said spinny thing in the method. And I feel like the reason quite a few people felt there should be more to the case is because the evidence wasn't presented properly.
That said, this is an extremely minor point. Again, DRDT is more focused on character drama than murder mystery, so I don’t particularly mind if I can nitpick a few things in the writing surrounding the mystery solving.
And oh boy, was there character drama this trial! Thank the gods I’m only covering Part 2, I think I’d die if I tried to talk about the entire trial as a whole.
Character Analysis
I’ll go in order, starting with the characters I feel had the least prominence, and making my way to the ones who really stole the spotlight this part.
Mai Akasaki
No content lol. Though this is probably a good time to mention that, in this post, I'll mostly ignore theorizing related stuff and focus more on straight up character analysis, even if the two sometimes intersect. Game Theory-like speculation will mostly be saved for dedicated posts :p
Xander Matthews
He got mentioned, but he’ll come up in David’s section so. Skipping him. 
Min Jeung
Well, there were a few references. Such as:
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Min: I'll fix your mistake! - Teruko: But I'll fix my mistake.
Something something, David-Xander vs Teruko-Min parallels, etc. And also:
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I like the visual symbolism that the images are effectively flipped (Teruko on the left-Teruko on the right and hugger on the right-hugger on the left, Teruko facing the camera-Teruko facing away), because the situations are inverted. In Min’s, the culprit hugs Teruko after she dooms them to their fate, and in Eden’s, a non-culprit hugs Teruko as she starts defending them. I did notice on first watch, but didn’t say anything because at the time it was still possible Eden was the culprit. Alas, the symbolism is consistent!
There's only one last thing to mention about Min. One tiny, itsy bitsy detail that probably has no lore relevance whatsoever.
MonoTV [2-16]: Now loading the default XF-Ture Tech personality drivers.
Min [BE1]: But one day, we were visited by the founder of that big company, XF-Ture Tech. He told my parents that he would sponsor me and pay for all of our expenses.
Oh yeah, MonoTV was created by the same company that sponsored Min as the Ultimate Student! Hey, what the fuck?
We'll get into it more later in the (I cannot believe I'm about to say this) MonoTV section (or rather the post linked to in said section), but MonoTV seems to have been created specifically for the killing game. This means there's a very real chance XF-Ture Tech is behind all this. That paints the sponsorship of Min as a strikingly shady thing (well, more than it already was), to the point there's a very real chance Min is straight up connected to the origins of the killing game, if not outright the mastermind. We'll have to see how this plays out later, since right now, we're still lacking a lot of critical context.
But hey! We might get more Min content in the future! I, for one, am very, very excited.
Charles Cuevas
Not too much character insight on this one, but he got a couple of cool moments. As always, funny, bounces well off Whit, very helpful in the trial, weirdly knowledgeable about jockeying (or maybe he just, like, thought about it, it’s not like most of what he says aren’t conclusions anyone could arrive at by simply knowing what horse racing is), and-
Charles [2-15]: I'm the only person reasonable enough to make that sort of judgement call. Everyone else who does so is being biased to the point of idiocy.
-it’s nice to see his pridefulness didn’t just go away after CH1! He’s neat :)
J Rosales/Moreno
Half of her dialogue this part is just her talking about how murder is bad. It’s fine, it’s just odd.
I guess if you want someone to point out murder’s bad, J’s one of the only real options, isn’t she? You need a confrontational character (so no Eden or Rose or Whit), who wouldn’t be a hypocrite (this eliminates Nico, Ace and Levi, arguably Hu since she defends Nico), who is mentally stable enough for their opinion to be held in high regard (this eliminates Arturo, David and Veronika, alongside half the cast), who is willing to derail the trial to talk morality (eliminating Charles and arguably Teruko), and who isn’t dead or missing (like Xander, Arei, Mai or Min).
Wait that’s the whole cast. Holy shit she actually is the only one that makes sense to be murder bashing how is this even possible. 
…Regardless, you could still argue that you don’t need someone constantly pointing out murder’s bad, meaning there could very much be a deeper reason J is being so vocal about it. Apart from possibly being setup for her to be primary support moving forward, I personally think all this points to her just having a very strong set of beliefs regarding most things, which we could already kinda infer anyways. 
Or maybe Mariabella killed a guy. Yeah, sure. Why not?
Veronika Grebenshchikoba
There were certainly a couple interesting Vero moments here, which is always fun. It was finally confirmed her secret was, as most theorized, the “took on your talent to distract yourself from the need to hurt yourself for fun” one. I mean, I feel like everyone called that one from the moment the curtain fell away from the screen with the motive secrets, but you get the idea. 
We also learnt she had a pact with Hu regarding their secrets, which I would love to learn the details of, and definitely makes me interested in where these Recap Foils are going, as well as-
Veronika [2-13]: After all, my own so-called secret isn't even the worst thing I've done. Isn't that so utterly disappointing of this motive?
… whatever the hell that means. Why’s she gotta be so ominous? (I love this about her).
The last notable scenes to point out are all the scenes where she's... Veronika, and I wouldn't have it any other way. Her psychoanalysis of Levi will probably wait for when I talk about him, and her help during the time Teruko was figuring out the murder method is appreciated, but specifically about her:
Veronika [2-15]: Swallow your pride and say that you're too weak, too stupid, and too incompetent to perform this murder. Accept the fact that no one thinks highly of you. Or defend your dignity at the risk of admitting that you're perfectly capable of committing this murder and continue to be our number one suspect.
I just think the voice acting in this line in particular is very auditorily pleasant so I wanted to point it out :D
But Episode 15 actually has a much more insidious Vero moment, which I felt was way more noteworthy. After Ace admits to the crime, he goes on his whole speech, which includes directly calling out Veronika's words as part of the reasoning why he killed, there comes a point when Ace calls himself a "piece of shit", and no one denies it. When that happens, Veronika smiles.
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Veronika: Oh my. How tragic.
She is such an awful person, just such a piece of garbage. I adore her.
Anyways, my appreciation of actually horrible women aside, we need to discuss the biggest question she leaves us. And that is "hey, why is her reaction to Ace's execution and Levi's almost death so different from her reaction to Min's death?"
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Veronika [about Min, 1-12]: Min died in such a cruel manner...
Veronika [about Levi, 2-16]: If Levi dies because of this... Kehehe... I'm sure I'll miss him, but... This is quite a way to go. I can't say I wasn't entertained.
Veronika [about Ace, 2-16]: Aha... Ahaha... How incredible...
So, after considering it for a little bit, I think we're lacking a little bit too much critical information on Veronika to confidently state why the hell her reaction is so different, but I can come up with a few different possible answers. I'll list them in ascending order of likeliness in my opinion, and we'll see just how wrong I am once we get more insight on her!
+Veronika cares more about Levi than Ace, and more about Min than Levi. This is because she just said Ace's execution was "incredible," while she mentions she'll miss Levi, and obviously looks genuinely distressed over Min. I see no actual reason to believe this, though, because I... don't think Vero and Min ever even interacted beyond the trial? So unless we're pulling some very strange Veromin agenda out of nowhere (or Veronika is Mai Akasaki), this doesn't work imo.
+Veronika was acting in T1, but doesn't care by the start of T2. Possible, and it's true that Vero was more self-conscious about freaking people out in CH1, but I'm not sure if there's enough evidence to truly say she was only pretending to be distressed by Min's death.
+Veronika's reactions are based on the executions (and execution attempt) themselves, not anything else. This is consistent with her specifically reacting to the way Min died ("Min died in such a cruel manner") rather than the death itself. She specifically says she'd be entertained by Levi's death, and is clearly entertained by Ace's. So, I guess she just finds Min's execution particularly cruel/boring? Does she... have wolf related trauma? Test related trauma? I don't know, but I think this fits decently well, so.
+Veronika's slowly getting worse. A logical conclusion from the fact that she reacted one way in T1, and another literally four days later. Certainly possible given her analysis of people shattering in the killing game, so for now this is the interpretation I'm going with.
Whit Young
.... Sigh. You're not even that important to this part, how are you still gonna require so many words of analysis?
Alright, let's start with the pretty infamous scene where he talks about drop hanging. I do want to make one thing clear; just because Whit talks for a pretty long time about drop hanging, it doesn’t mean he actually says anything particularly groundbreaking. Like, everything he says is very logically sound, which means they’re conclusions anyone could have drawn.
Like me. Because even though I don’t think I wrote them down explicitly, I did more or less arrive at the same conclusions as he did, and I don’t have any experience with drop hanging. I’m clarifying this because I’m on enough lists as it is just by firefoxing shit like “can turpentine knock you out” and “how long do people pass out after being strangled” I do not need any more allegations on my person! 
That said, I am also not a fictional character who exists within a story which follows narrative conventions (as far as you know, anyways). Whit is. And it’d be silly to instantly dismiss that the dev specifically chose Whit, a character who is otherwise not the most helpful in trials, to be the one to deliver this explanation, and without any interruptions no less. Even Teruko and Charles usually have one character or another finishing their explanations, like Levi when Teruko explained the slingshot or… Levi when Charles talked about jockeying. Huh, Levi kinda goated?
Thus, because the dev specifically chose Whit to give this explanation with no interruptions, we can infer that he may have a special connection to drop hanging. Given what we know, I find it likeliest that his mother committed suicide by hanging. At present, I don’t find much evidence that he would have attempted himself, though…
You know how Whit dyes his hair to look like his mom’s? And how Color Theory in LGI gives him (among other stuff) “degraded copy”, likely in reference to this? If his mother killed herself via hanging, do you think he would try to replicate that, too?
Food for thought. Again, not much reason to believe it yet. 
Other than that, there are... the allegations. The part started strong with MonoTV stating it let slide a rule violation because it was funny (especially weird given what we learn in 2-16, but Whit's not the only rulebreaker in the cast so we're chilling). And then, 2-16 happened.
Whit [seven seconds before Teruko's execution, 2-16]: Charles, stop talking and cover your eyes! [...] Whit [post Levi shooting]: Ah, crap. The smell of blood is really strong. Even though I told [Charles] not to look, he still...
And, of course.
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Whit: ...
Of course.
Alright, so let me start by the elephant in the room. The hand behind the back. The moment the cast learns the elevator doors won't open, we see Whit with his left hand behind his back. Many have assumed this means, understandably in my opinion, that he may be holding a remote control of some kind to close the elevator. In other words, Whit's the mastermind. But, while I consider him one of if not the best mastermind guess in the market, I don't think this is good evidence of it.
You see, there's no reason to believe such a remote would be required. By all accounts, it should be MonoTV's AI who is keeping the elevator closed with no need for outside interference, regardless of who the MM is. There is simply no reason to believe that any MM would have an "elevator manual stop" or even an universal remote (apart from J!MM for obvious reasons), because it should be MonoTV who is running this stuff.
As an aside, I will point out that, per the CH1 QnA, every character is right-handed apart from Teruko (lefty) and Arei (ambidextrous). You could use this to argue Whit shouldn't be doing anything with his left (the hand behind his back), but that's not good reasoning, as the sprite might just be drawn that way for aesthetic reasons and you're supposed to ignore handedness. Eden also used her left to rip out Xander's eye, apparently. I haven't seen anyone bring it up, but I have made this mistake before with a certain bat swinging Milgram prisoner, so I'm saying this to avoid others making the same mistake.
That clarified, however, the first point is still valid. Although I consider it perfectly possible, at present I do not believe Whit is holding anything behind his back.
Why does he pose like that, then? To answer that, perhaps it'd be better to answer what the deal with his other behavior is.
Because it's weird, right? Whit focuses on Charles even when everyone else, Charles included, are fretting over Teruko and Levi. And then, despite being able to brush off things like Levi's secret confession and Min's execution with nothing but a "that's wack," joking about rewatching said execution, etc., somehow the elevator being closed is what finally gets him to bring out the breakdown sprite?
Well, yes. And this shouldn't be all that surprising, imo. Because everything about Whit's reaction is perfectly in line with his previous behavior. Not to say it isn't weird (it is), just that it's weird in the way Whit's always been weird, and not in any new special way.
This is because every part of this reaction comes from the already established way Whit deals with tragedy; he avoids it, and moves on. You'll immediately think of Whit's mom when I say that, the way he omits her death whenever he speaks of her to the point he genuinely forgets that's a thing until a few seconds after the secret Rose received was brought into the conversation, but there's more examples that are actually closer to this situation. In particular, I want to direct your attention to the investigations in both chapters so far.
For the first trial, Whit spends literal hours hanging out with Charles while the Chemist has a breakdown, to the point he almost didn't investigate at all. This is excusable, of course; he was helping someone in need, and the culprit was thought to be obvious enough that investigation wouldn't be necessary.
The second, though, is perhaps a bit stranger. First, Whit doesn't look closely at Arei's body because he was busy comforting Eden, apparently. Alright, fine. But, hey, how did he try to comfort Eden after everyone started to filter in?
Whit [2-8]: There, there. Pat pat. Do you want to sit down somewhere else?
He immediately wants to leave the room. But, he's still trying to help Eden; maybe he's projecting? Because he'd want to leave the room if a loved one died, so he's asking Eden if she wants to do it?
Except, he does leave the room. He doesn't have any other lines in the playground past this point, and then he starts investigating with Charles, the one dude he knows won't enter the scene of the crime.
And you know when he splits off from Charles?
Whit [2-8]: If you're worried about Rose tampering with evidence, then all you need is another witness to watch over her, right? I can do that, since I'm here. I mean, unless Charles needs me for something.
My guy will genuinely do anything except investigate the playground.
And that's where the pattern starts to be noticeable. Whenever something bad happens, Whit finds any excuse he can to distance himself from the situation. And to be clear, they're usually good excuses; it makes sense for Whit to do all this in a vacuum, it's just odd that he constantly finds them. Other examples include him bringing up alibis when the note first comes up, and then, when he's pressed about it:
Whit [2-9]: Eden has [the note]. Ask her.
He doesn't even... want to have the responsibility of the note? Admittedly that could be for other reasons, but still.
With this pattern of avoidance in mind, the things he says in 2-16 are perfectly explainable. Instead of focusing on Teruko's incoming execution or Levi's injuries, he chooses to focus on Charles, because that's easier for him. He's once again finding an excuse to look away from tragedy.
By the way, I don't want to make it sound like Whit doesn't care about Charles as anything but an excuse to get out of thinking of bad stuff. It's pretty clear a big part of why Whit does the shit he does is that he genuinely cares about Charles as a friend (crush?). Whit probably does want to help Charles just for the sake of helping him, but it does come with the benefit of helping Whit avoid stuff he doesn't want to think about.
This whole avoidance thing is also why Whit is so perturbed by the elevator. When Levi gets shot, Whit probably hopes that they get to leave the trial room quickly to take care of him, at which point Whit can just avoid the situation entirely by just sticking to Charles like usual. But they can't. The elevator is shut. Not only does Whit probably realize that means they have to watch the execution, but it also means Whit is not able to get out of the room where a guy is actively dying, and sticking to Charles only lets him ignore the situation so much.
Why does he have his hand behind his back? Well, this is gonna sound like I'm on anti-Whit!MM copium (I swear I like the theory well enough), but I think he's simply balling up his fist out of stress. It's just that Whit "I don't want to talk about any problems ever and don't want anyone to ever know when I'm suffering" Young is instinctively hiding it so no one sees any sign that he might not be okay.
Does that make sense? Barely? Well, it's not like "emergency elevator shutdown button" is particularly more believable in my eyes, so that's the answer I'm going with for now.
Anyways. Jesus Christ Whit you're barely even relevant to this part how the fuck did you still force me to write so much about you.
Arturo Giles
I have less to write about Arturo than Vero and Whit because he's a bit more straightforward, but I'm still putting him here because he was more directly important this part. Speaking of, what notable things did Arturo do these episodes? Ah, right.
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Arturo [2-12]: You shut your whore mouth!
"I thought you were only doing necessary imag-" This one's necessary shut
I'm using this to talk about the big speech about his talent, that he started studying plastic surgery when he was 12 and that it's impressive he's a plastic surgeon this early in his life. Props to dev for addressing this, I know some people are irked when characters are in the medical field from way too early in life without good justification like this. The fact he started so young also adds to the theory that Arturo's home life sucked, because it'd be really odd for a 12 year old to already be planning to leave otherwise.
The way the cast keeps insulting his skill, even though as he's said several times over the course of the series, the shit they expect him to do is way beyond his area of expertise, is a good way to build up to the way the cast also dismisses Ace's intelligence and skills later.
Other than that, there was one more moment when Arturo took part of the spotlight. When Levi gets shot, despite everything that happened earlier, everyone still turns to Arturo to save the Stylist. This leads to one of the most human moments Arturo's given us since 2-10:
Arturo [post Levi shooting, 2-16]: I--! I'm not that kind of surgeon! I've told you, over and over, I have no experience with saving lives! Something like this! There's no way I can do it--
Apart from the stellar voice acting that cannot be pointed out enough times, Arturo's doubt over Levi's condition is certainly a good setup for CH3, I'm really interested in how he'll handle this. Especially because...
Do you think he'd think of Felicity, looking at Levi like that? Because just like Arturo ignored Felicity's feelings (to an extent) in pursuit of his dream, he also neglected to study the more standard medical knowledge in favor of becoming a plastic surgeon faster, and now he needs that standard medical knowledge to save Levi's life. Food for thought.
Arturo is definitely an interesting character to watch out for moving forward, he's certainly in for a very curious CH3. Final note:
Arturo [to Levi, 2-13]: How could you simply *forget* that you murdered your own family member?
Get it because the death of Felicity haunts him even though he didn't kill her himself- Man I love recap foils.
MonoTV
I cannot fucking believe that this hunk of metal is getting its own section, but it is. 2-16 what an episode you are.
Thankfully, I've already expressed most of my thoughts about this damn thing in this linked post, so I'll just refer you to that one instead of writing it all again. As a summary, there's quite a few lore implications to the fact that we now have a clearly stated purpose for MonoTV, a goal for the killing game, a connection to XF-Ture Tech (because MonoTV seems to have been specifically created for the game), and I'm really wondering why the hell the default XF personality seems to care so much about Teruko and where that could lead to in the future. Also, very curious where the theme of fate will be taken with it, as well as where dev is planning to take the fact that it seems to have feelings of grief and pain and maybe even cares about Teruko??? Or has compassion in general??? What is wrong with this dog-
Rose Lacroix
Btw I greatly appreciate everyone who colors her name rainbow, I see you and you're valid for it. I need to color code my highlighting though, and if I have to do rainbow for every word I highlight I will actually die. Also I would need to put in an epilepsy warning in my posts lol
Rose got a few nice lines, but when it comes to her, there's one big moment that's really on everyone's mind.
Rose [2-14]: Has it really gotten this bad? I think my brain is falling apart. I can't even recall what day it was when that happened. Levi: You can't remember? I was under the impression that your memory was the best out of everyone here. Rose: It's true that I remember everything I see. But that means that most of my memories are meaningless junk. The kind of thing a normal person would forget without a second thought. But I can't forget. My brain won't work the way I want it to. I can't draw associations so easily. Everything reminds me of something meaningless, and I get distracted. And the worst thing is that I remember it all in perfect detail. Xander's body. Min's execution. I can't even look at Teruko without seeing blood. I know I'm supposed to remember everything. I know I'm supposed to be smart. I know I'm supposed to be helpful. Yet I'm not. I... I'm sorry for being useless. Maybe if I tried harder, if I just got over myself--
Do I... need to talk about this, beyond pointing out how good the VAing is? Everything about it is heartbreaking, but pretty straightforward. It's an extension of the conversation she and Teruko had in 2-5, where we also throw in Rose's growing self-doubt and self-blame over everything that's going on around her. It adds into the theme of this cast pushing expectations on each other (like wanting Arturo to be a better doctor or Ace being too stupid to do a murder), throws in some parallels to Teruko and Hu and Eden (the self-blame sisters!!! *fire emoji* *fire emoji* *fire emoji*) and Xander (the survivor's guilt boy!!! *fire emoji* *fire emoji* fire emoji*), foils with J (J who rejects what others like Mariabella want from her VS Rose who internalizes the expectations and accepts the whole Spurling situation), there's the "a normal person would forget" wording that kinda connects her to Nico and Levi and David (the "feeling separated from other humans' experience" siblings!!! *fire emoji* *fire emoji* *fire-), obviously memory is connected with Charles and Teruko, etc.
You see why I don't always talk about parallels? I have to bring up every single character up every time because that's the shit that happens when your writing is this *fire emoji* *fire emoji* *fire emoji*.
The other thing is Nico, but maybe it's better to keep that for their section. Overall, just a fantastic feast for enjoyers of Rose angst.
Arei Nageishi
You know this trial went crazy when Arei got a whole ass character arc during it, and she's the dead one.
For this part in particular, the big Arei moment was obviously during 2-13, when we finally got to hear the end of the conversation between her and David. I'm not transcribing it, because I'm sure we all got the gist. Arei figured out one of the main themes of the chapter, that everyone is a flawed person, and that means that no one's ever too far gone. There's always a possibility of becoming a less shitty person, and that's sweet.
But beyond Themes, learning what Arei's mindset about good and bad people was really helps to understand her actions before this point, though I do find it interesting that the whole "sorting people into good and bad" mentality she had is actually pretty similar to the way she talks about people in her FTE, which is some fun consistency!
Arei [CH1 FTE]: Yup, that's right! I organize everyone I meet into categories of how I should bully them.
... Well the context's different but you get the idea.
Arei used this principle of "sorting" people into "good" and "bad" to deny herself the possibility of getting better, because trying to change is scary. Man I wonder why that rings a bell.
Teruko [to Whit, 2-2]: But if you start talking about me and saying that I could be a good person if only I make an attempt to change, then I'm going to stop you right there. Don't say that I could be a good person, because all it'll do is make me feel bad that I'm not.
Ah right because Teruko's a well written protagonist. And actually wait, isn't there someone else?
David [2-11]: "People can always change?" What complete bullshit. No one ever changes. People who are born lazy, useless and stupid will stay that way until they die. If you were able to "improve" yourself into a better person, then it only means you were a better person to begin with.
Ah right because David is a well written character. Carry on then.
I do wonder why she waited until night three after the motive handout to talk to David about it, though, instead of doing directly after the playground breakdown. Was it, like, she didn't want to confront it directly after and only got the motivation/courage/whatever after talking to Eden? And then couldn't find David until then? It's odd, but I imagine there's no, like, big reason behind it necessarily.
Eden Tobisa
Hey Eden sorry I suspected you as the killer for a year can we still be friends? :,)
There's two big Eden moments to take into consideration, one in 2-14, one in 2-16.
Eden [2-14]: Why... No one... believes in me... Why? I'm... Arei's killer? No... No way....... Hu: Eden? Please don't cry. Eden: This whole time I've been trying to hold myself together... because Arei died...... I wanted so badly for this all to be a dream, and for Arei to be alive and by my side.... But now, you all think I killer her? Why? I cared about her! Arei is... She could have been my friend! Why would I kill her?? Levi: Eden, please calm down... Eden: Why am I being accused of murdering Arei? I wanted to help her! I just wanted to be friends with her! Why would you say that I killed her? Is it because you think I hated her? That's not true! I didn't hate her! Teruko: Eden.
I'm gonna cut it off there and resume in a bit, partly so I can organize this better and partly to make absolutely sure I don't hit the Tumblr limit on characters in a single text block (because my entire blog is evidently dedicated to testing this hellsite's limits lmao).
There's honestly a surprising amount of nuance in this small breakdown. We start with re-establishing that Eden is someone who constantly tries her hardest to remain strong in the face of adversity, holding herself together as best she can when her newest friend just died and she's more or less blaming herself for it.
Then, while I always praise the voice acting (because it deserves it), I need to bring special attention to the sheer amount of emotion in that "Why? I cared about her!" Hearing Eden genuinely frustrated at the accusations on top of her sadness is heartbreaking, and just a wonderful display of humanity from a character who is at times almost inhumanly patient. Makes me feel bad for suspecting her, and she's fictional in our world!
On top of that, "she could have been my friend" is an interesting choice of words regarding Arei. This is where having hyper-analyzed all Eden lines comes in handy lol. Because taken at face value, it means that Eden recognizes that her relationship with Arei wasn't at a stage where she could genuinely called her a friend, given that as far as we know the last conversation they had was after the Arturo thing. Nice depth!
The rest is pretty standard, though again the phenomenal VAing still makes my heart ache. Continuing:
Eden: Teruko... I didn't kill Arei..... Do you believe me?! Teruko: Listen-- Eden: *sniff* I, I didn't do it! Please.... Believe me... This whole trial has been cruel to me.... Help me, Teruko... I can't stand it... I just wanted to help Arei.... I didn't kill her... Teruko: You know I can't just take your words at face value, Eden. Eden: Please, Teruko... You're my friend, aren't you? Friends help each other... So please, help me... I promise I didn't... I didn't kill her.... I'm innocent... Please trust me..... Please.....
AAAAAAAAAAA-
Okay with that basic reaction out of the way, because evidently the reactions didn't have enough "text screaming" for me to fully get it out of my system, this is just a really heart-wrenching scene. Just the combination of VAing, music and visuals, man... ouch. It's especially tragic when taking the following line into account:
Eden [2-3]: Teruko, relationships aren't transactional. It's not that I did something good for you that you should do something good for me.
The Eden hyperfocus comes in clutch again- Is it weird that being an Eden!Culprit believer for so long is making me appreciate her character more now that she's confirmed innocent? :v
Teruko has, up to this point, never outright claimed herself to be Eden's friend, at least not as far as I can recall. Hell, her lines following Eden's plea for help seem to completely disregard the idea.
Teruko [2-14]: So for now, I'm going to assume you're innocent. Eden: W-What? Really? Thank you so much, Teruko... Teruko: Don't... get me wrong. This isn't out of kindness or pity or anything else. This is only because you helped me in the last trial. I'm repaying your favor, and nothing else. That's why I'll trust you, just this once.
How much she means that is for the Teruko section. What's important is that this means that when Eden says "you're my friend, aren't you?", she is actively going against her claim that relationships aren't transactional. She expects Teruko to consider herself Eden's friend because Eden has done a lot of stuff to try to make that friendship work.
This. Is. Wonderful. Don't you love it when characters fail to uphold their beliefs when faced with a horribly stressful situation? Well, I love suffering, so I sure do! :D
To be clear, I'm not trying to paint Eden as a hypocrite or anything. She's right in saying that relationships aren't transactional, and is justified in asking Teruko to help her because she considers Teruko her friend, even if it's a slight contradiction. After all, what are humans if not a swirling well of contradictions, desperately arranging themselves like the magnetic moments of a metal to try to make the slightest bit of sense of a reality they hopelessly seek to understand-
Ehem. The point is I like Eden a lot :D
Speaking of wonderfully human moments, time to switch to the other big Eden character moment!
Eden [2-16]: This... This all could have been prevented, couldn't it? [...] Of course I know [we can't blame ourselves for Ace's murder]. Ace planned to kill Arei, and even before that, he was planning to kill me. Rose: Then how can you forgive him? Eden: I never said I forgave him. It's just that... The Ace that I met for the first time wasn't a murderer. I... I can't forgive him. He killed Arei, after all. She was innocent, and he killed her for unfair reasons. But... Those unfair reasons were unfair to him as well.
You know, we joke about how awesome it is that the entirety of the DRDT cast is mentally unstable (because it is), but it's also cool to see the one actually more or less functional member of society in the group being the voice of reason like this. Not to spoil anything, but I find her stance regarding Ace's murder as the most reasonable stance one could have, and it's always cool to see a character who has reasonable opinions every now and then. But having such an opinion is easy when you're outside the show and the characters are all pixels on a screen; the fact that Eden can still find it in herself to be charitable towards Ace's situation while not outright forgiving him for his actions is a really powerful statement about her strength and sense of morality. Eden could not stop catching Ws this part.
Anyways, here's a few more fun Eden moments this part gave us.
Eden [2-15]: Wait, but... Is Ace even capable of doing a feat of strength like that? He's injured, after all.
I just think it's sweet Eden tries to defend Ace even when she's the other prime suspect :)
Levi [2-13]: And if tomorrow it turned out you all had passed away, I'd care as much as if we had never met. Eden: But you're a good person. Why are you saying these things when it's clearly not true? You're so kind to everyone. You're always helping others out, even when it'd be easier not to. Like that time Ace almost died. You kept trying to help him, even if he always pushed you away. Isn't that what "a good person" does?
For all the Eden Ws, she had to take an Eden L. Come on, Eden, Levi doesn't need to actually care to be a good person, he just needs to do good things, you know this :(
It makes sense character-wise, though. Eden has a surprisingly strong belief system, which is heavily shaped by her emotional nature, so it makes sense that Levi's Deal of doing good things with no emotional attachment to them would throw her off.
Still cool of her to accept Levi as a good person even though she just learnt he killed four people, however. It's good characterization; despite her misunderstanding with the lack of empathy thing, she still chooses to judge Levi based on the things she's personally observed, as opposed to making assumptions over things she only has half the story for.
Man, she's just so mature and cool and awesome and not fucked up in any way! Now that the tape thing's been resolved, I can't think of a single thing that would make anyone think that she might be a little-
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Ah. Right.
Well, as a first reaction, this is definitely an Eden W in the oh so prevalent... DRDT powerscaling scene? She apparently managed to slash at Xander's eye, twice, with a fork. And with her non-dominant hand no less!
So... what the hell am I even supposed to do with this? Unfortunately, we're currently missing gigantic amounts of critical information regarding this situation, meaning I can't for the life of me come to any conclusions, at least not confidently. I tried to look at the pre-prologue dialogue to see if I could find anything, but...
Ouch... I really wasn't expecting her to attack me like that. I made a massive mistake to trust them. I can't rely on anyone. All by myself... I have to end the killing game. And even if I can't do that... I have to kill Teruko Tawaki. No matter what.
Fuck am I supposed to gather from this.
Uh... someone told Xander that Eden would be down with whatever plan Xander had to end the killing game if he just showed her whatever documents we're seeing in the Bloody Hands scene??? And she got too scared and just stabbed him with a fork??? Who is the "them" who told Xander this, a group of people, or a single person and Xander's playing the pronoun game? Or was it Nico???
Nico [1-9]: Are you really using unclear pronouns for dramatic effect? That's such a cliche.
Fuck it, locking in Nico as the one who told Xander to talk to Eden, just because that's the funniest possible reason Xander could have used "they" there. I doubt it's true, but it's gonna feed my God complex if I get it right, so-
Yeah, in case it isn't obvious, I have very little idea what this scene could even be about. Very excited to see where this could go :D
Nico Hakobyan
Nico stole the show for practically half of 2-14, so it's natural we should start at the main event.
First, the soft confirmation that Nico really did attack Ace with a plan to get away with the murder and escape as the blackened, particularly framing Hu by using her wire. This... vaguely contradicts something they claimed earlier, so we gotta discuss the implications.
Veronika [to Nico, 2-9]: Is this what you were envisioning when you tried to kill Ace? That the trial would happen like this, but with Ace instead of Arei dead? Nico: I didn't... I never thought about it... I... I never should have... done that...
Were they just... lying here? Did they mean something else?
My best guess to explain this apparent contradiction is that Nico thought about the trial in a more... impersonal sense? Like, when planning to kill Ace, they figured they should try to hide that so they didn't go down with him, but sort of... ignored that winning the trial would kill everyone else? It's hard to describe, but that's what I get from that line as well as:
Nico [2-14]: I tried to kill [Ace] because I don't like [him].
When they say they "never thought about the trial," they probably mean that they never thought about the full implications of it, even though they did plan for it. They knew in some level they were supposed to hide the murder if they did it, but things like escaping the killing game and actually getting everyone else killed didn't fully register. This thought process makes sense in my mind, I hope it makes sense in yours because I don't know how to describe it any better :v
Second.
Eden [2-14]: That's- That's so cruel! Nico, why? Aren't we all friends? If something was bothering you, you could have talked it out with someone else you trusted? Nico: ... Someone I trust? What are you talking about? I don't trust anyone here.
Fantastic bit of characterization here. Nico, despite being relatively civil to anyone they're not actively planning to kill, apparently trusts no one. However, I want to explore what exactly that means. Because it's not like Nico is paranoid they're gonna get killed per say:
Hu [2-12]: Nico does have an alibi. I was having breakfast and tea with them in their room early in the morning as well. Drop it, Ace.
I can think of few better opportunities to kill someone than being alone with them, in their room, at around 7:30 AM when it's still officially nighttime. Nico, at least, trusts that Hu won't kill them, though whether that's because they're confident they could survive anything she tries or because they genuinely trust she wouldn't try at all is up in the air.
Point is, Nico is distrustful, but not as paranoid as, say, Ace. Because of that, currently, I believe Nico's claim that they don't trust anyone is an extension of things they've said before; that they prefer animals because people are unpredictable. Really, Nico's lack of trust being interpreted as "not trusting people to react to their concerns properly" is very consistent with the way they've acted in the past, particularly their reaction to getting forced into revealing their secret, so we probably shouldn't be surprised.
Nico [2-6]: I thought you would laugh at me. I was worried you would pick up rocks and start throwing them at me or pick up clumps of mud and start throwing them at me.
Next point:
Nico [2-14]: You all are right. I tried to kill Ace and pin the murder on Hu. What else should I say? Ace: W-- "What else should I say"?? You tried to murder me. You fucking tried to murder me! And after all's said and done, you can't even say something as simple as "sorry"?! Nico: ... I tried to kill you because I don't like you. Even now, there's still no use to try and pretend that I like you. If I say "sorry," you're still going to hate me.
... Yeah.
Nico [2-2]: If you're having dinner and want someone to pass the salt, you can say, "Please pass the salt," or you can say, "Give me the salt." One of those things is supposed to be more polite than the other, right? But why? They both mean the same thing. They're just slightly different mixes of words. It's like that. I don't understand why some mixes of words come off as "rude," and some don't, even if they mean the same thing.
I don't even think I need to explain this further. I think it's pretty clear why Nico wouldn't apologize to Ace. Nico's just not to into social conventions.
Except:
Veronika [2-15]: What's wrong, Ace? You seem stressed. [Your neck injuries] are only wounds. What's the issue? Could it be that almost being murdered has traumatized you a little bit~? Ace: You think?! You think that almost being killed could have maybe given me a little trauma!? Nico: ... [Whispered voice clip: "I'm sorry"]
This one's... odd. Nico doesn't say it loud enough for Ace to hear, evidently, so it's just a genuine reaction to the harm they've caused. What could have triggered this change? Uh... maybe a little extra trauma dump will help? Let's pick up after where we left off in 2-14.
Rose [continued]: D-Do you even regret what you did to [Ace]? Do you regret what you were planning to do to everyone else? Nico: O-Of course I regret doing it! I'm not Levi, of course I feel bad about something like that. I'm not heartless! Levi: Heartless? Nico: That was the worst choice I've made in my life. I wish I had never done that. But looking back, I still understand why I did. I... I just can't stand being treated like that. My teachers, my classmates, my father... I don't ever want to relive what they did to me. It's because of those kinds of people that I can't be happy with who I am. That's why I hate Ace.
Okay cut off there. First, interesting to see Nico calling Levi heartless. I've seen it brought up that it makes sense for Nico, who struggles to relate to other people on a good day, to latch onto any defense of their "normalcy" they can, including "I'm not the weirdest person here" despite how hurtful that can be to say. That's some neurodivergent on neurodivergent hostility right there! Fun to see characters being flawed in new and unique ways /gen.
Apart from that, there's some nice reveals to Nico's backstory, which are always welcome. We already knew Nico was harassed because of their identity, but now we have names (as in, identity of aggressors); teachers, classmates, and Nico's father. That obviously comes with a question; was Nico raised by a single father, or did they have other relatives who were more accepting? For now, we got no clue.
But that final line is important, because I believe it's what explains Nico's whispered apology in 2-15.
Nico [already written]: It's because of those kinds of people that I can't be happy with who I am. That's why I hate Ace.
Nico's apology comes after Ace explicitly mentions being traumatized over the murder attempt, in particular in regards to his neck wounds. This can be taken as Ace revealing he's not happy with a part of himself (scars) as a result of Nico's actions. When abstracted this way, the comparison to Nico's situation (unhappy with a part of themselves (gender identity) as a result of others' actions) is much clearer. Nico apologizes for accidentally causing Ace a comparable trauma to their own. Which... I think makes sense from their point of view? People apologize when they do something hurtful they didn't mean to; Nico meant to murder Ace, so no apology for that, but they didn't mean the trauma, so they say sorry for it. Not that Ace heard it, but you know.
... That's a weird ass thought process, but I think it makes just enough sense to explain the apology. Let's finish the 2-14 scene.
Nico [continued]: Even so... I'm not a child. I know that murder is wrong. I'm not the victim here. I know that it was dumb to resort to murder. I don't even know what I thought I would have accomplished back then. I mean, I started regretting it as soon as Eden and Teruko saw me. I don't expect you to forgive me. Very few people ever do. So I don't see the point in acting sorry. ... That's the entire truth of my murder attempt. I don't have anything else to say.
So... "I don't even know what I thought I would have accomplished back then" seems to corroborate what I said earlier about Nico not truly grasping the full implications of a trial while they planned the murder, which is nice.
Nico's attitude over this ("I'm not the victim here") is nice to see, and makes me very interested in where their arc is going to go from here. Especially since Nico maturely accepting the blame is already causing friction between them and Hu (even if Hu doesn't seem to notice), and will likely continue to do so in the future.
Hu [2-14]: You all are too cruel! None of you understand how much stress Nico was under! And yet you continue to insist on bringing this up. Can't you see that you're traumatizing them? Nico: Hu, I-- Hu: Don't worry, Nico, I'm on your side. I'll always defend you. I can be reliable for you. You trust me, right? Nico: ... I never asked you to defend me--
... We're gonna have to talk about this in the Hu section.
Finally, "I don't expect you to forgive me. Very few people ever do."
Nico, what the hell does this mean? What have you done in the past that requires so much forgiving? What in the [DR2 CH3 killer]-?
Unfortunately, this is one of those "we're missing critical information" situations when we can't even begin to speculate what, if anything, this is supposed to mean. We'll move on and patiently yet eagerly await elaboration.
There's one more big thing to bring up in respects to Nico, and that's... Rose. For who knows what reason, Nico never gives an explicit answer to whether they actually were interested in learning to paint or not.
Rose [2-14]: Did [Nico] even want to learn to paint? Or to be my friend at all? Or were they only using me as a tool for murder? Nico: ...
Regardless of what the answer is, that's kinda weird. I'm leaning "no, they didn't want to learn to paint," because it sure would be a hell of a coincidence that they just happened to gain an interest in painting just when they're planning a murder that happens to require a painting supply.
That said, Nico does still seem to somewhat care about Rose, and probably would like to be her friend. At least enough to eventually apologize to her out loud.
Rose [2-16]: [Ace]'s right. Only Nico took [the turpentine] from me, and I really doubt they gave it to Ace afterwards. Hu: You're always attacking Nico like this! Nico: It's the truth, though. And Rose is right. I kept it. I still have the turpentine in my room. I'm sorry.
And it's not like anything this chapter erased the FTE:
Nico [FTE]: I was going to thank [Rose] for hanging out with me. I really enjoyed her presence.
So, while I can't know for sure, I hope Nicorose can make a comeback, at least in time for Nico to die so dev can inflict extra psychological pain on Rose! :D
Final highlight:
Nico [to Levi, 2-13]: If you said you killed [your father] because you just didn't like him, I could understand that. But you're saying you forgot about taking a life...
Apart from Nico obviously projecting their own murder motives on other people, do we think Nico ever considered killing their own father? I doubt they actually did, else that would probably be their motive secret (provided it's not a Veronika situation where their secret isn't the worst thing they've done), but I could see them considering it given how they talked about him and Ace in the same breath, and... yeah Nico sure did want to kill Ace alright.
Hu Jing
Hu was quite fascinating this part, wasn't she? For someone that actually ended up having zero relation to the murder, she sure had a lot of important character scenes. Let's start with the confirmation of a particular theory that really helps understand her character better.
Hu [2-13]: I've been quite selfish this whole time, keeping my secret because I didn't want you all to think less of me. Most of all, I wanted to lie to myself and pretend that I had no ties to the person that I used to be. I wanted to believe that the past never happened. But that's just self-centered. I've always been a selfish person, haven't I? I should put those feelings aside and do what is right. No, I should have done this from the start. I will share my secret as long as you all promise to immediately move on. I have Veronika's secret, and she has mine.
Well that's just sad.
I don't think I particularly need to analyze this, it's all pretty explicit. Hu wants to be relied on because she feels useless if she doesn't provide guidance:
Hu [2-11]: I have to be the one to give everyone guidance. That's the only thing I can do. If no one relies on me, then I won't be useful anymore.
And if it comes out that she's attempted suicide, then in her eyes, that makes her less reliable.
(Obvious disclaimer is obvious, the character's views don't reflect my own, there's no shame in having attempted suicide or needing help to keep fighting it, etc.)
As a result, she dislikes the memory of that "hopeless child" who attempted three times, and wishes to avoid talking about it if possible. Metamorphosis (butterfly) and rebirth (water by her name being "still lake") symbolism pulling through.
Also, while there's many reasons someone could attempt suicide, that little "I've always been a selfish person, haven't I?", especially combined with other statements she's made in the past, heavily implies her attempts were a result of self-loathing :( . Thus why she so desperately seeks value in herself by helping others, which is sorta crumbling as everyone she put her faith on (David, Nico especially) starts to reveal themselves as not-that-great-people.
Hence why I'm worried we might see a fourth attempt in the killing game. Her secret quote seems to go against the idea, which combined with some of her statements in the series proper make me doubt it, but y'know... The precedent's there.
Anyways, I'm bringing this up first because, again, it helps understand her other actions this chapter.
Hu [to David, 2-12]: Unacceptable! What on earth [sic] is your problem? I have had it up to here with you! Because this killing game requires us to live, you think you should just reject that notion and kill us all? You lied to me, manipulated everyone, and tried to make us all commit mass suicide! You really are the lowest of human beings. You have no right to decide whether I, whether any of us, live or die, all because *you* feel like you have no chance! If you're so bent on dying here, then die! But don't you dare try and make everyone else die with you. If we decide to continue living, then we will. It is not and never will be your decision as to what happens with our lives. David: ... Rose: Wow. Hu can be scary. Hu: ... I'm sorry to everyone else. But I've lost my patience. I won't apologize to David.
(Obligatory props to VAing ofc)
I mean, yeah, it makes sense for someone who used to be suicidal to be mad at David's bullshit. Especially considering that, in regards to "you lied to me, manipulated everyone here," the line I mentioned before about providing guidance continues like this:
Hu [to David, continued from before, 2-11]: I have to be the one to give everyone guidance. That's the only thing I can do. If no one relies on me, then I won't be useful anymore. You knew how I felt, and yet you... You... You toyed with my heart! All that time you acted like you were encouraging us to reveal our secrets to "prevent conflict." That was all a lie!
Assuming the whole "You toyed with my heart!" thing isn't referring to a conversation we don't have information on (which, to be clear, is 100% possible), it's possible that at this point in the trial Hu felt bad for going along with David's plan, especially since she might have believed it directly led to Arei's death. I think it's worth noting that she's one of the two first person to speak after Ace confesses, and she asks if he did it because of the motive.
Ace [2-15]: I killed Arei. That's exactly right. Shit, it sounds really bad when I say it out loud. Eden: Why? Why did you kill her? Why would you do such a horrible thing? Hu: Did you kill Arei because of MonoTV's motive? Because you wanted to keep your "secret" hidden--
Which could be read as her trying to confirm whether or not going along with David's plan was a good or bad idea, maybe?
Admittedly, "going along with David's plan" in her case literally just means "she told David, Nico and Teruko that people used to call her Julia," which you could argue is too small for her to genuinely feel like she contributed, but keep in mind the "you toyed with my heart" line is directly before a line referencing the "reveal the secrets" plan. At the very least, she didn't go against it, not in a significant way anyways.
If I'm right to be reading these lines the way I'm reading them (which, again to be clear, might be wrong), then David purposefully used Hu's desire to help and be relied on to get her to agree with his plan, or at least not go against it, or at least Hu feels he did. Whether he intentionally targeted her, or if his methods to convince the others to convince the cast of revealing their secrets just happened to strike a cord (zither pun not intended) with Hu, is still unclear, but both are possible.
So she's already incredibly pissed at him for that, then he says he wants everyone dead, yeah my girl's got the right to go off.
Though, speaking of Hu blaming herself for what happened to an extent:
Hu [2-16]: Arei wasn't killed because of an accident. Bad luck or not, Ace had made up his mind to go through with this murder! So we can't possibly blame ourselves for failing to prevent something like that.
This is after Ace confirms that the motive and David's BS had nothing to do with the murder, so Hu can fully deny blame for what happened. Which is relatively fair, it's not like being mean to someone makes you guilty if they then choose to kill someone, but it's also presumably really important for her mental stability.
Did any of that make absolutely any sense? Maybe. Hopefully.
And that's just all the Hu-only stuff. Because a big part of her character this chapter was defending Nico far beyond what anyone could possibly see as reasonable. I'll bring back the example I gave before, because I think it's by far the most extreme.
Nico [2-14]: Someone I trust? What are you talking about? I don't trust anyone here. Hu: Stop! Just stop it! You all are too cruel! None of you understand how much stress Nico was under! And yet you continue to insist on bringing this up. Can't you see that you're traumatizing them? Nico: Hu, I-- Hu: Don't worry, Nico, I'm on your side. I'll always defend you. I can be reliable for you. You trust me, right? Nico: ... I never asked you to defend me--
Like, this goes beyond unreasonable. Nico literally says they don't trust anyone in the killing game, but Hu still thinks they trust her for... some reason. And even though Nico says they never asked her to defend them, Hu continues doing it past this point.
The thing is, though... why? Like, I get the basics here, it's what we talked about earlier. Hu only finds worth in herself by being reliable, and she sees Nico as someone who needs her reliability, so she tries to defend them no matter what. Hell, she even specifically says "I can be reliable for you" in the quote.
But... is there a reason she's so adamant towards them in particular? She doesn't get like this when Eden starts being accused, even though they have a good relationship with each other. Apart from reciting Rule 10 when it first comes up, once that gets thrown into question, the only thing Hu says when Levi and Arturo talk about Eden possibly being the killer is:
Hu [2-14]: Eden? Please don't cry.
She never pushes back against David's claim that he saw the corpse, even though that would practically exonerate Eden via BDA; that's Nico who does that. And Hu never claims Eden is being traumatized by being accused even though she clearly takes the accusations a lot worse than Nico was taking them in 2-14.
So, like, what the hell? Is there a deeper reason she's so defensive towards Nico and not Eden, or am I just going insane?
Well, at this point, if such a deeper reason exists, I have no clue what it could be. I could speculate about Nico reminding her of someone in the past, be it herself or someone else, or maybe Hu just sees Eden as less "in need" because she's generally more stable and happier than Nico, but really, I have no way of knowing.
The thing I can talk about in regards to the Hu-Nico thing is its parallels to Veronika-Arturo and Levi-Ace.
Veronika-Arturo is funny because, well.
Veronika [2-10]: Arturo, you're... You're so... Fascinating. You're really entertaining. So I'll take your side. I don't care about morals. I don't care about whether people get hurt or whether they die. I just need to be entertained. If you become more and more irredeemable, then I'll only love you more~ I want to hear all about those terrible things you did with no justification. Arturo: For someone who's taking my side, you sure are making me look a lot worse!
I really love how a big part of the Vero-Hu recap foil so far can be reduced to the "I can fix them" vs "I can make him worse" meme :p There are their secrets as well, but that analysis will have to wait for further elaboration on them, presumably in CH3.
Meanwhile, Levi-Ace... will have to wait for the Levi section, because this is already getting quite long for Hu, and it requires a bit more context on his character.
Miscellaneous highlights!
Hu [2-14]: Hang on! Eden isn't the killer! Don't accuse her! Charles: Not this again. You can't keep blindly defending the people you hope to be innocent if you don't have evidence, Hu.
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Hu: I do have evidence! Why are you writing me off? All because I-- ... *sigh* Rule 10...
Damn she really gets defensive when you question her reliability huh?
Well, moving on. That was a pretty long section, hopefully the next one will be easier to write.
...
Oh. Oh no.
David Chiem
YOU
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WHAT THE FUCK IS WRONG WITH YOU?!
Genuinely what is this motherfucker's problem? Everything he does seems to contradict something he did before, for reasons unknown. The only way I can even begin to try to analyze this son of a bitch is to go through everything he does in the series in chronological order, because trying to figure out his thought process in any other way would drive me in circles harder than anything in LGI ever did.
The first thing David truly does that informs us on his later actions is forming a genuine and positive relationship with Xander. In case the LGI MV didn't make it clear that David genuinely cared about the Rebel, we finally got near 100% confirmation of why exactly David liked him so much.
David [2-12]: You, and everyone else listening. I do so kindly request that pretty please stop talking about Xander at all if you don't know what the fuck you're talking about. It pisses me off to no end. After all, it's still unbelievable to me... ...That I'm the only person here who remembered him. Even if you all lost a year of memories for this killing game, there's no reason you shouldn't have recognized who he was.
While we unfortunately don't get much more clarification, it seems David knew what Xander did to earn the title of Ultimate Rebel, and likely admired him as a result. As per Xander's numeral I in LGI, "I have always looked up to you."
This admiration is presumably why David was so adamant in the first trial that there was no way Xander really tried to murder Teruko.
David [Debate Scrum, 1-8]: Are you saying that Xander is a killer? I find that difficult to believe.
You might argue that maybe he was just trying to throw the first trial, the same way he tried to throw the second. But that's not possible.
This is where we get to Weird Point #1. David didn't want to lose the first trial.
Nico [1-11]: Ah, right. Min was going from the laundry room to the kitchen. That path crosses the computer lab. She would have seen Teruko's body if the door was open. Min: ... Ace: And why exactly would the fucking door be open? Nico: U-Um... David: I suppose Min may have arrived near the computer lab's entrance just as Charles left. If she was curious, she would have even gone out of her way to see what was happening in there.
If David was trying to throw, he wouldn't be the first to explain how it would be possible for Min to be involved in the murder. And this is only one example, there's other lines where he specifically suspects Min. Apparently, he simply cannot handle a bad bitch winning (committing murder and trying to sacrifice 14 lives for her own benefit).
However, something in David shifts upon seeing Min's execution.
David [1-12]: I... I've seen enough. There's no point in keeping my hopes up anymore. We are all certainly going to die here.
This line is said pretty somberly.
Which is weird. Because not four days later, David will be trying to throw a class trial, which will kill everyone and him. Interesting detail about that, David doesn't seem to believe that the blackened will escape if they actually voted wrong, based on this line.
David [2-12]: 15 lives. Some of them are very dear to you. And your own life as well. Is there anything at all that could be more important to you than those 16 human lives?
Where he seems to imply a wrongful vote will cause 16 deaths.
But the thing is, it's not just the trial, is it? David also tried to instigate a murder through his "reveal all motive secrets" idea. That's what he does during the majority of CH2, starting in 2-4, just two days after Min's execution. Now, it's fully possible that at this point, he wasn't yet planning to throw the next trial, but rather, he was just doing this to hide his own secret. He certainly considers losing his "speaker persona" a genuine sacrifice, so it isn't unbelievable that he'd hope for a murder even if he was planning to win the trial if it happened.
David [2-12]: Even so... Lying about all that wasn't easy. Even I like to have good relations with others, however fake they might be. And I had to throw that all away. I know that no one will ever trust me, believe in me, or look up to me again after this. But doing "good" things requires sacrifice. Sometimes that sacrifice is being seen as "a good person." That's what I learned from Xander. Even if doing something will make you hated, if that action is for a greater good, then it's an action that you have to take.
(By the way, his views of goodness as martyrdom are quite interesting and I'm curious to see where it will go, but currently we don't have much more than this line for insight on it)
However, I don't quite think that he just wanted to keep the others' goodwill; I think he was already hoping to throw from the moment he started instigating the murder. And this is where we need to ask; what was it that made David switch up? What happened between the first trial and the second that made his goals change from surviving to... whatever he's cooking now? Because in case it wasn't clear from how I'm talking about it, I don't believe David gave the real reason for his throwing to the class. Let's look at the "confession."
David [2-12]: Ugh, fucking fine. You want an answer so badly? Any answer? ... I...
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Ah... We're... in a television show, after all. That's... what MonoTV said, right? "Entertainment" is an ongoing show. If Min successfully got away with the very first murder and escaped while we all died, then isn't that way less interesting for a TV show? What's the point of roping 14 other people into one murder, only to kill them all off immediately? The killer is supposed to fail and be executed. We're all supposed to catch the killer, again and again, and participate in trial after trial. You're *supposed* to try to survive. All of you who are trying to solve these class trials to continue living on are playing straight into MonoTV's hands. [Confident] As if I'll accept that. I don't care how low I'll sink, or how despicable I'll have to become. I'll do anything to carry on Xander's ideals by ending this killing game, even if it means that I have to dirty my hands.
Although I wrote it all out, I want you to focus on the start: ".... - I... - Ah... We're... in a television show, after all." Even beyond the meta argument that it's unlikely we'd actually get the answer to why Xander wanted to win the class trial this early in the series (which is a valid argument, but I prefer to theorize without meta reasoning), that hesitation should tell you everything. The way it's written, it makes it seem like David is hesitating because he's making everything up on the spot, up to the "Ah..." potentially being the exact moment David figured out what angle he wanted to take. Given he's already admitted to both being manipulative and wanting to get everyone killed, this is the only reason I can see for why he'd hesitate to give such a relatively simple and "reasonable" (as in, it logically follows even if it's still insane) answer.
So, now we have two questions. What does he actually want to achieve by throwing, and why did he only start pursuing it after the first trial ended?
Well, let me say first that I don't think we're supposed to be able to answer these questions yet. Obviously; we're dealing with shit very closely connected to some pretty large, overarching mysteries of the series, which we probably won't get full answers for until much later than CH2. But we can try to speculate the general direction of what the answer will be. Let's look at another one of his lines to try to do just that.
David [2-13]: Achoo! Ah--Bless me! Also, excuse me! Wow, thank you for your support, everyone!
(I only included that line because it's fucking hilarious and I didn't want that to go unappreciated :p)
I have another interruption~ Hu: ... David: Teruko. Own up your [sic] goddamn secret already. You are the last person to do so. [...] Teruko: ... My family. David: ...
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So, just like everyone who is somewhat deep in the DRDT theorizing community, I don't think this is true. I am pretty sure David has Teruko's secret, that secret being "How could I even select what secret to be your motive? Just about everything you've done in your life is worth killing for. The killing game is all your fault." There's many reasons beyond the weird ass David sprite pictured above, which many have already covered, but as a quick overview: the family secret ("you're constantly blaming yourself for the death of your parents and siblings. It doesn't matter that it's not your fault, just that you didn't go with them") fits Xander better (see: Bonus Episode 2, Xander's secret quote being the definition of survivor's guilt), the family secret mentions "siblings" plural when Teruko's only claimed to have one brother, we don't know what happened to Teruko's parents and brother when we know Xander's family is dead, Teruko didn't believe David when he said he got Xander's secret so she probably suspects the killing game one is hers, "this killing game is all your fault" is consistent with the second anniversary art code ("It's all your fault" in a picture which only features Teruko reaching out to presumably-Mai's hands, which disappear), etc.
So now we have four questions, because evidently I'm quite bad at this. Apart from the two mentioned before, we need to ask why David lied about the secret he received, and why he was happy when Teruko answered with the family thing.
But sometimes, one question can answer others. The reason I'm bringing this up is because I believe David's heel turn was likely motivated in some way by receiving Teruko's secret. Take a look at his immediate reaction when the secrets are first handed out.
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Pretty frowny, huh? Yeah understandable given the secret he received is "hey the killing game is all the girl that Xander tried to kill's fault." Unfortunately this is the only reaction David has to any of the secrets, as the rest of his dialogue after this is just explaining J's secret. Well, and this:
Eden [2-1]: Then let's end the killing game before [the motive secret reveal]! Nico: Eh?! David: Optimistic as ever, Eden. I'll do my best.
Which is kinda funny in retrospect. Yeah, he sure did do his best to end the killing game before the secret reveals.
Tangent aside, the important thing is that David wasn't necessarily surprised by Teruko's secret, but rather, uh... Well it's hard to read him on expression alone. Frustrated, maybe? Possibly mad that Xander didn't succeed in killing her? It's also worth noting that this is shortly before Teruko goes into her whole "I don't plan on leaving" shtick, which includes the following tidbit (and yes David is in the room to hear this).
Teruko [2-1]: And I'd recommend that you drop that foolish optimism for making it out of here alive. With 100% confidence, I can say that... You will all die down here without ever seeing the outside world again. Ace: This bitch is totally out of her mind. Teruko: I'm not saying this out of ill-will. It's simply how this story works. You all have the misfortune of being "characters" in a story where I'm the "protagonist." Because of that, you're all doomed.
What's so important about this? Because I believe that, in David's mind, this proves Xander right. It proves that there is something off about Teruko, that he probably did have a good reason to attack her, that the note he received wasn't complete bullshit. If there is any single thing that would get David to follow Xander's footsteps, regardless of whether he has the full story or he's just doing what Xander was trying to do even without knowing the reasons the Rebel made the moves he made, it would be getting confirmation that the person he tried to kill specifically has something suspicious going on.
Especially because David does, in fact, seem to have a very weird fixation on Teruko.
David [2-14]: As long as there's a possibility that the evidence is false, as long as there's even the slightest reason to distrust others, then Teruko cannot trust Eden. Isn't that right, Teruko? Teruko: ... David: It's in your nature to distrust people. Everyone you know has already betrayed you. There's no one in this world who won't hurt you. Even the people you love will turn their backs on you in the end. You know that well enough, don't you? So distrust in others. Because that's the only way you know how to live. Teruko: ...
(Obligatory props to VAing ofc)
... Alright so it's five questions. Because how does he know all that?
Let me knock that one out quickly, though. Right now, I don't think this is solid enough reason to suspect that David knows more about Teruko than he's letting on. I could be wrong about that and David could just be aware of her entire backstory, but I currently don't believe that.
Instead, I think this might actually be an extension of his talent, in a way. The joke that he gave Teruko a "demotivational speech" is funny, but I also think it's actually on the right track. David knows the right things to say to someone to inspire them, to push back against their insecurities, as he did with Arei in the playground breakdown. Thus, it logically follows that if he's able to identify emotional weakness to push against it, he would also be able to exploit it.
Or, try, at least. He actually fails pretty spectacularly, since Teruko ends up trusting Eden anyways, and I don't think there were any reverse psychology 5D chess moves on David's part given his immediate reaction to Teruko's 2-14 speech to Eden.
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Like, that's the face of a man who tried to be slick and failed miserably.
(And in case it isn't clear, I don't think his lie of seeing the body had anything to do with the trial, he did it just to fuck with Teruko)
In any case, what happened here is that he figured out the (relatively obvious, it doesn't take an Ultimate to see this) trust issues that plague Teruko, and is trying to make them worse in order to... uh... fill in the blank I guess. One option I've considered is that he knows something about how her luck works, that it hurts people she likes, so if she doesn't trust anyone then her luck's effects will be concentrated entirely on Teruko. However, that requires a pretty deep understanding of something he shouldn't have that much info on, so I don't find it that likely. Also I'm not 100% sure if this is how her luck actually works so there's that.
Yeah, unfortunately, at this point I struggle to see exactly what David's angle is here, which is probably intentional given, again, CH2. However, it does somewhat tie back into what we were talking about. Along with everything else I've mentioned, this fixation on Teruko's trust makes me believe that David's heel turn is at least partially motivated by receiving her secret.
And if we once again combine questions 3, 4 and 5, we can actually arrive at a new conclusion. We know David's hiding Teruko's secret, we know he's happy that she's not calling him out on it, and we know that he has a vested interest in getting her to distrust others. With all these combined, I believe that David is trying to look for a way to manipulate Teruko specifically as a backup plan if the cast managed to win the trial, which they did.
By getting her to distrust others, she'd isolate, making her an easier target for manipulation as she wouldn't have anyone to fall back on if David starts getting to her. And the secret is good blackmail, pretty straightforward why he he hasn't revealed it yet. That's also why he's happy she helped him keep it hidden; he can pull it as a card to make her seem less trustworthy and isolate her further. "She lied about her secret, she was trying to hide it." If she had been honest and said that neither the family nor the poison secret fit her and that someone lied about their secret, it would make her look comparatively better once the secret came out. In other words, it makes the blackmail even better, especially because now David knows for a fact that she wants to keep it hidden.
That brings up to question 6: why does David want to manipulate Teruko in the first place? And this is where we finally reach a dead end, because again, CH2, we're not gonna get all the answers yet. I have less than zero idea what David will try to manipulate Teruko into doing, when he will make his move, what his end goal is, or any other question you can imagine. I have my doubts that he'll succeed, obviously, but of course that depends a lot on what his final angle ends up being.
So, let's recap.
David knew of Xander before the killing game, admiring him because of his work as the Ultimate Rebel. As a result, David tried to establish a good relationship with Xander once the killing game started.
David originally rejected the idea of Xander attacking Teruko out of denial and nothing else. He had genuine faith his friend wouldn't do that. David wanted to catch the correct blackened in the first trial.
Upon receiving Teruko's secret and hearing her speech about everyone dying as a result of misfortune, David begins to believe Xander was in the right, and chooses to pursue what he thinks Xander was trying to accomplish. This includes trying to instigate a murder and admitting to killing Arei.
David lied about his motivation to throw the trial. I don't know if he's specifically trying to kill Teruko, or if he thinks everyone in the cast needs to die for some reason, or if he genuinely has no idea what Xander was trying to do and he's just following his actions blindly, or if it's something else entirely; whatever motivation he actually has, it's not what he said.
As a backup plan if the cast manages to win the trial, he hides Teruko's secret and plans to manipulate her via blackmail, for reasons yet unknown. This is why he's happy that she also keeps it hidden, and why he tries to build her distrust in others.
And that's the basics of what I believe regarding his actions... related to throwing the trial and Teruko. We still have one more David Moment TM to deal with.
David [about the Arei conversation, 2-13]: ... Nothing. Absolutely nothing. I didn't say anything to her, and she didn't have much to say to me either. Arei simply got annoyed with me and left without saying anything else. Nothing else happened between us, I promise. Eden: You promise? You absolutely promise, you didn't say anything to her? David: One hundred and one percent, I promise. Ace overheard everything, and what he told you all was the entire truth. Does that satisfy you? Eden: ... That's... a relief. That you didn't make her feel bad, I guess.
So, question 7, why does he hide the truth from Eden? I doubt he suddenly gained an interest in progressing the trial without further interruption. He's also not doing this for Eden's sake; what Eden wanted to hear was that Arei walked out of that conversation still hoping to change for the better, which she did. Hearing that Arei still wanted to "be less shitty together" even after knowing David's a manipulative asshole would have made Eden very happy.
But David doesn't want to hurt Eden, either. If he did, he'd lie and tell Eden that he said something that made Arei run out crying and having lost all hope, or something. I also can't really think of anyone else who would have much of a reaction either way, since as bad as it sounds to say it, Eden's more or less the only person who was genuinely invested in Arei's progress. Maybe "the blackened," but if David doesn't know who the blackened is, there's no way he'd know how they'd react, so it's likely not because of that.
So, if David doesn't hide the truth for the sake of the trial, and he doesn't lie because of Eden, and he doesn't lie because of anyone else, then he's lying for his own sake. I believe that David is trying to hide how much he genuinely cared about Arei, and probably doesn't trust himself to be able to tell the story without giving the game away.
And to be clear, he did genuinely care about Arei. If his immediate reaction to her death doesn't convince you, his breakdown after hearing the Arturo-Eden-Arei story should.
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David [2-8]: Of course. Of course this would happen.
David [2-10]: If Eden and Arei really had that conversation, then it explains a lot. I had my doubts. A clearly suspicious note, asking her to meet alone and with no explanation as to why. During a *killing game* of all times. What kind of person would fall for such an obvious trap? You'd have to be shortsighted, naive, foolish, senseless, downright idiotic. ... Unless, of course, you were Arei. That girl wanted desperately to prove herself as a "friend" to Eden. And yet she completely lacked any experience with what "friends" were actually like. Of course it never occurred to her that handing out suspicious notes was not something that normal people did. What could she know about "friendship," after all? Someone like her, who had not once experienced kindness in her entire life up until now? Even if she had her misgivings about something so suspicious, she must have pushed it aside due to her unwavering faith in her blossoming friendship. A friendship that she didn't understand in the slightest. It's... It's so... Ahaha. It's just so foolish. For someone to take advantage of Arei like that. It's absolutely unforgivable. All she wanted was to change. What a reprehensible person this killer is. I look forward to seeing their painful execution.
(Do you think all this talk about "suspicious notes" is making him think of Xander with the suspicious note he received? Don't know, maybe :p)
Between David hiding the end of the conversation and the whole "Arei was a temporary weather spell" line, it seems he's really committing to the role of someone who doesn't care about Arei.
There are many reasons he could be doing this, but I believe he's just pulling a Teruko: Showing no vulnerability, because if he did, then maybe people would actually try to reach out to him. And then they'd get hurt like Xander and Arei; quote one of the Hamlet quotes in LGI (one of the eight lol): "I did love you once. You shouldn't have believed me." And/or David would need to confront how awful he is to try to change and better these new relationships.
Because it's a lot easier to be an irredeemable asshole who will never get better, than to confront the reality that he can, just that it's hard. Cue parallels with Arei and Teruko and Ace and you get the idea.
Final note, completely unrelated.
Whit [2-12]: Hey, hey, you could say those fish were a... red herring? David: Ugh! Goddamn it, Whit, does everything you say have to be made into some shitty dumb joke?! You're actually really fucking annoying! Shut the fuck up!!
Question 8: Why is David so pressed about Whit's jokes? At the moment, my only guess is that Whit's attitude of always remaining positive enough to crack jokes reminds David a bit too much of his "cheery" persona, which also is supposed to always remain optimistic in the face of adversity, and David either hates that because he hates himself, or because he's envious that Whit can hold that optimism without trouble (as far as David can see). I lean on it being a combination, where he does hate his "cheery" persona, but also wishes he could genuinely be like that, but it's very hard to tell atm.
Alright that took way too long. Can't wait for this all to be proven horribly wrong the next time we get any solid info on David!!!
Levi Fontana
Hey Levi sorry for calling you an accomplice for like a year are we still cool? :,D
Although Levi had a lower amount of Big Moments than David, I consider them more impactful to the chapter. And when you're talking Levi, you're talking 2-13 and 2-16. Let's start with the former.
Levi [2-13]: The secret that Arei received, "You're a murderer, and you hold no remorse...." That's my secret. [Cast reactions] If you were wondering, it's not in my legal records. The court struck it from the records. Ace: No shit! There's no way Hope's Peak would have scouted a murderer! Levi: Don't make the mistake of switching cause and effect.
Let's take our time with this one, it's a long speech. First, nice to see we called this secret, it's nice. Also, I'm not the first to point this out, but it's a neat bit of characterization for Levi to first talk about the legal side of his secret instead of anything more related to emotions; he only really cares about the effects things have in the present (that'll become explicit in a bit), so the first concern he thinks of are the legal repercussions.
Then, Hope's Peak... Hope's Peak why are you this shady. Between Rose's situation, the Ultimate Contest for Eminent Students, and now this, it's now three times they've specifically targeted people in vulnerable positions. Four if you count Teruko, but that would imply they rigged the lottery for the Lucky Student, which I would believe but we currently don't have evidence for. No wonder Xander has issues with them, they're cooking something weird.
Rose [1-4]: I'm sure Hope's Peak wants me to become some sort of appraiser or forgery detective with the skills that I have. Taking some offending youth and turning them into a productive member of society would be a pretty good look for them.
Unnamed Classmate [BE1]: Why would Hope's Peak announce [the UCES] 12 years before it would actually take place, when all the would-be contestants are just children? Min: Because they wanted the contest to hang over the heads of kids like me for 12 years, from childhood all the way into high school. They wanted to single out those who were obsessive enough to spend their entire lives preparing for this one test from childhood.
Unnamed Classmate [BE2]: If you set out to do something, then never give up on that, no matter what obstacles may stand in your way. Even if it's risky or against the rules, as long as it's for a good cause... I'll trust that you know to do the right thing. Xander: Yeah. Of course. That's why I've come to Hope's Peak, isn't it?
We currently have no clue where this is going, but I'm noting it for further reference. Let's pick off from where we left.
Charles [continued]: Care to explain yourself? Levi: At the time, I was confronted by three guys who tried to start a fight with me. I believe they were some old enemies. I killed their leader first, which may have been justifiable as self-defense, but then I tracked down his two remaining friends several days later and beat them to death. J: "Old enemies?" "Leader"?? Were you in the freakin' mafia or something? Levi: No. J: ... Levi: ... J: Are you not going to elaborate?? Levi: I don't particularly think I need to elaborate. After all, that happened in the past and has nothing to do with Arei.
One question this speech leaves us with is "why did Levi track down the other two after killing the leader?" We don't have enough info to tell for sure, but I assume it's a matter of safety? Like, Levi thought those two would try to attack him again if he left them alone, so he needed to make sure that didn't happen. I think that makes enough sense for me not to lose sleep at night over it, but of course I'm open to being wrong.
Also, this is the point where Levi's pure pragmatism becomes apparent. "It's not important right now, so why would I elaborate?" A philosophy which is born from his lack of empathy which will be discussed later. This pragmatism is probably why he's the one to argue that Eden was in an advantageous position to kill Arei; the logistics of murder come before emotional aspects in his mind, which is understandable.
Eden [continued]: Who... Who did you even kill? Levi: They were three guys... a few years older than me... Uh... I don't remember their names or who they were.
Do we think Levi knew their names at one point and forgot, or did he somehow track down two people without learning their names? I find the former more likely, just wanted to point that out.
Levi [continued]: I was a bit of a delinquent when I was younger, so they could have held a grudge against me for any reason. Maybe I smashed their windows and robbed them? Or, wait, maybe something to do with that car I blew up once? Rose: That's... kind of a lot to admit all of a sudden.
One thing I always enjoy is when the character who reacts to cut off a monologue has some kind of connection to the thing being discussed. Like, of course Rose is surprised at everything Levi is saying. She's out here being haunted by the crimes she committed, to the point where the debt she put her family in is her motive secret, and then this other guy has broken All the Laws and is just admitting it openly lol.
Levi [continued]: I've forgotten most of the details, as I haven't though much about it since I was cleared of my charges. Sorry, I can't really remember why that happened. Arturo: How could you forget something so important? You can't even be bothered to remember their names? Did you not care that you killed three people?
Speaking of matching reactions to character, Arturo "I feel unending guilt over the death of my sister who I did not even directly kill" Giles cannot conceive how someone else isn't haunted by the lives he took, more recap foiling at eleven.
Veronika [continued]: You say that your backstory and secret aren't relevant to this trial, but they are. That second part of your secret, that you "felt no remorse" for killing people... If you don't care about murder, then you'd have a much easier time killing than anyone else here. You may even be unbothered by the fact that passing the trial would mean everyone else's execution. After all, you seem completely detached while admitting not only to murdering 3 people, but to several other crimes as well. Almost as if you didn't care about any of this. At least not from a moral standpoint, that is. Levi: I won't deny it. That is indeed how I feel. Ace: You are one sick bastard. What could you possibly say in your defense.
This is the first big hint of Levi's low to non-existent empathy, but I'll wait until it's fully elaborated on to discuss it in depth. Also this hints to Ace business that will be discussed in his section. Why am I even writing here.
Levi [continued]: That incident happened when I was in my junior year of high school. My junior year was also the year that Hope's Peak scouted me as the Ultimate Personal Stylist. To my understanding, it would have reflected poorly on Hope's Peak to recruit a murderer, so they pressured the court into not pressing charges.
I do wonder now why Levi even started styling in the first place. By his own admission he's pretty new to it, though he's got at least a year or two of experience if he was scouted in junior year (I think? USA why can't you fucking number your grades like sensible people I don't know what "junior" means without firefoxing that shit). Maybe a job he picked up after disownment? Though that heavily depends on when and why he got disowned in the first place; was it because of his father's murder, the murder of the three dudes and the court case just took a while, or was it something else? Questions to mull over, but can't answer without further info.
Levi [continued]: Err... Hang on. Now that I've thought about it a little more, my motive secret may not be referring to those guys. It could also be referring to the time I murdered my father. J: Wait, you-- YOU WHAT?! Levi: It's quite difficult yo tell what these motive secrets truly mean because they're all phrased so vaguely... It's a bit of a bother. J: No, fuck that noise! Go back! The hell you mean, you fucking killed your dad? Levi: Correct. I simply forgot about it up until now. That would make four people in total that I've killed, not three, I think...? Arturo: How could you simply *forget* that you murdered your own family member? Nico: If you said you killed him because you just didn't like him, I could understand that. But you're saying you forgot about taking a life... Levi: It wasn't that important. Not even the police cared about a man like him, so nothing came out of it. I truly just forgot.
(why is everyone blue you're fucking up my color schemes-)
Back to the whole "appropriate reactors" thing, while I've already mentioned the Nico thing, I think it's cool J (the anti-murder spokesperson with a bad relationship with her mother) specifically says 'dad,' while Arturo generalizes to 'family member.' Someone's being reminded of his past~
I find this admission pretty funny for a few reasons, and very interesting for many others. Funny because my guy is complaining about the vagueness of the motives while admitting he killed his dad and not elaborating in the slightest. Interesting because... why did that happen? Levi doesn't respond to Nico's comment, so it seems like he didn't particularly dislike his father or anything? Especially in the context of the way he's talked about his family in the past.
Levi [responding to Eden, 2-1]: No, not at all. It's for the best that neither I nor my family see each other ever again. Eden: Eh? If you don't mind me asking, why? Levi: Why? My father, my mother, my brothers... We were all bad influences on each other. That's all that needs to be said.
I mean, Levi's father probably wasn't a shining beacon of hope or anything, given the police didn't even investigate his death, but like... lumping him in with the mother and the brothers, and just saying they were "bad influences" instead of, like, genuinely shitty people, it all makes it sound like there's no specific grudge against the father. Which makes sense, right? Even his father would feel like a stranger, as Levi will describe later. I really wish we get some elaboration on this, because I'm pretty curious about what kind of situation would lead Levi to this. I did try to check what's caused Levi to snap before, see if I could figure out what could have prompted it:
Ace [1-9]: What's the damn point of this whole trial if we're going to make choices based on dumb crap like that?? You useless shit-for-brains! Are you even taking any of this seriously?! Whit: Huh? Am I taking this seriously? Nah, not really. Ace: YOU--! Levi: Ace, calm down. You are not helping at all with this argument-- Ace: You shut your damn trap too, Levi!! I'm done with you trying to play the moral high ground by pretending to be some peacemaker! "Oh dear, oh my, calm down, everyone. Let's not fight, alright? Aren't I such a level-minded pacifist?" Stay the hell out of this if you know what's good for you. Levi: ... Ace: That's right. Shut your damn mouth, you coward-- Levi: Fuck. Off. Ace. How far do you want to push it? Do you think that I don't have a limit to my patience? I would gladly strangle you right here and now to shut you up if I were allowed. But if you're the coward I know you to be, then you should back up before you dig your own grave. So shut. Your mouth. Before I shut it for you.
Uh... Personal attacks against Levi? Yeah I have no idea what the hell his father could have done to prompt the murder. As usual, we're missing too much critical information to make a call on it. I'm gonna wager a guess that Levi didn't plan the murder, but rather it was an in the moment decision, but again I have no actual way to be sure.
Levi [continued]: Frankly speaking, I see no reason to remain hung up over some incident that is long past, especially as it ultimately had no impact on my life. Eden: You forgot about all of the things you did simply because you didn't face any consequences? That's incredibly selfish! Shouldn't you feel even a little bit bad? Those were human lives you took! I don't know what happened within your own family, so I can't pretend to understand why you killed. But even then, I'm sure those other people had families and friends who cried over their deaths!
Again the responders; remember how Eden feels guilty over both Min and Arei's death even though she never "faced any consequences" for them (mainly because she didn't actually do anything wrong but you get the idea)? Yeah that.
Levi [continued]: *sigh* I wonder if I should really tell you the truth, or if it's best to keep it to myself. I don't know how you all will see me after this. Teruko: You've already admitted to murdering 4 people. If you insist on not being completely honest with a secret this bad, then you're going to be the next one on the chopping block. Out with it.
Considering the stuff he says later, it's interesting to me that Levi seems to be more worried about revealing his lack of empathy than admitting to murder, especially with the knowledge that he's only doing this because he thinks being honest will make him "a good person."
However, I think it makes sense. Amongst the cast, there's already several people who either killed or tried to: Xander, Min, and Nico. But a lot of the others still speak of them in good terms; David talked about how good of a person Xander was for several minutes, Eden has made it clear she still misses Min, and Hu still defends Nico. Not to mention that Levi himself already threatened to kill Ace, and got called "a good person" by Eden just a few hours later. That means that, although admitting to murder will probably make the others more wary of him, there's precedent that Levi will still have people who stick by him after all's said and done.
Meanwhile, as far as Levi can tell, he's the only one who doesn't understand empathy in the slightest. And that means he has no way of telling how the others will feel about him if he reveals it, which is why he's more nervous about it than the murders. It plays on the themes of feeling disconnected from the rest of humanity that characters like Nico (via gender identity) and David-
Tally 5 Page: "... I wasn't capable of ever becoming human in the first place."
-have going on, which is definitely something that's cool to mull over. I hope these three get some kind of interaction about this in the future.
By the way, as always I'm just kinda guessing why Levi does the things he does and says the things he says, I could always be wrong.
Levi [continued]: It's not really that I don't care about killing people. Rather, it's more accurate to say that I don't care about people at all. No matter how much I hear about such things like empathy or compassion or love, none of those concepts resonate with me. Are those emotions really universal? The idea that people naturally "care" about others is a completely foreign concept to me. Nico: Eh? What are you saying? Levi: Judging by your reaction, I suppose that's a bad thing. But I wouldn't understand why. On the other side of this planet, there's a person who's suffering. Maybe they're even drawing their last breath. But none of you care, do you? Why would you? They're a stranger, after all. You don't know them. Their life holds no consequence for you. For me, everyone I've ever known is that distant stranger. It doesn't matter how long I've known you, how much we've done for each other, or even if you were my own father... You're still a stranger to me. And if tomorrow it turned out you all had passed away, I'd care as much as if we had never met.
So here's the big reveal, bolded text and all. Levi has extremely low empathy. I'm not gonna try to assign any specific disorder because I'd have no idea what I'd be talking about, but the empathy thing is pretty clear. I'm also no authority on whether this would be good representation for that or not, but for what it's worth, I think it's done pretty well. Levi's perspective is presented neutrally, in a way that shows his lack of empathy doesn't inherently make him a bad person, but not shying away from some of the real effects that can come from it (combined with other factors of course), such as the whole 4 murders situation.
I also like the way Levi describes it. It does a good job of getting the audience to understand his feelings, while still holding quite a bit of characterization in there. For example, the reason he gives for why the cast wouldn't care about the stranger on the other side of the world is because "their life holds no consequence to you." Even when trying to speak from the others' perspective, his understanding of why someone would care about someone else is still shaped entirely by what tangible effect that person has in the other's life, in a way sorting people by "holds consequence/holds no consequence."
Eden [continued]: But you're a good person. Why are you saying these things when it's clearly not true? You're so kind to everyone. You're always helping others out, even when it'd be easier not to. Like that time Ace almost died. You kept trying to help him, even if he always pushed you away. Isn't that what "a good person" does? Levi: In all honesty... I don't personally care what happens to Ace. Whether he lives or dies is none of my concern in the end. Ace: ...?! Levi: But it is a "good" thing to make sure someone else doesn't die, even if I personally do not care about the outcome. I truly believe that. But I adhere to that principle out of duty, not sentimentality. Does that make any sense?
So I'm gonna do a funny here and skip Ace's reaction to this, because that's more for the Ace section than this one. I also already talked about Eden's reaction to this.
Instead, I'll focus on Levi, particularly the question of "does Levi actually care about Ace?" To answer that, it'll be helpful to get the full Veronika Breakdown TM.
Veronika [continued]: Hm hm... I understand now. You're quite the interesting person, Levi. From what I've seen of you so far, your personality has been awfully inconsistent. It's like you don't know how to act. Trying to act like "a good person" without any intuitive sense of what's good or bad is hard, right? For someone like you, who lacks compassion, it must be quite difficult to pretend to be nice. You're always guessing as to what a normal human would do in your situation. You're so awkward in social settings because you can't tell what other people want. You act like a big pushover because if you go the other direction and stand up for yourself, you won't know where to stop. You offer to do things for others because you've observed that "good people" help others, and you parrot noble assurances without understanding why. Such things like that. Not only are you trying to act without a script, but you don't even understand the story. And you slip up constantly. Levi: You explained it better than I could. You really have an intuitive understanding of other people, Veronika. That's a trait I envy. The way I see it, it would be beneficial if I was "a good person." Then other people would trust me and not pick fights with me anymore, and they'd do things for me because they "liked" me. If I was a good person, then I wouldn't have to live a life full of violence anymore. I did everything so that I could have a better life.
Okay hold on there's a bunch to talk about here. Let me do that before circling back to the Ace Question.
Veronika is thankfully good enough at describing the stuff she said that I don't feel the need to elaborate on that. It's basically just a perfect read of Levi's actions so far under this new frame of someone who lacks empathy yet still is a good person. His awkwardness, his outbursts towards Ace, him being sort of a pushover, everything. I also like the little comment of Levi envying Vero's understanding of people, it's neat characterization.
Aside from that, there's also cool contrast between the way Levi sees being a good person as a sort of purely pragmatic social contract (being good leads to a peaceful life and ensures others help you) and Eden, which as referenced earlier sees friendship in a purely emotional and non-transactional way. Not exactly fully comparable, but close enough, and still worth mentioning given the chapter starts with a conversation between the two of them about how they're good people. Both of these have their merit, the point is that, in the end, no matter the reason you have for doing good things, regardless if it's out of sentimentality or just duty, doing good is enough to be a good person. While still of course keeping in mind Arei's message that no one is effortlessly good 100% of the time, and simply trying to be as good as you can be and improve on your flaws is enough.
Also, "I did everything so I could have a better life," huh?
Arturo [referring to Felicity's suicide, 2-10]: How is it possibly my fault that I wanted to live my own life!?
Get paralleled, idiot >:D
Wanting better things for yourself can end up having good effects on others (Levi being good to the cast), or negative (Felicity dying), fun contrast.
But I'm beating around the bush. The question I asked earlier, does Levi actually care about Ace?
Well, there's definitely room for interpretation, but my read is... well, not in the usual way. I mean, Levi explicitly says he doesn't particularly care if Ace lives or dies, so that's kind of a giveaway that he still very much does not feel empathy towards him. To better understand Levi's perspective, it might be helpful to analyze the previously mentioned Hu-Nico and Levi-Ace parallels.
Fandom has long since grouped together Hu and Levi as the "parental figures" of the group, and while I don't particularly enjoy applying familial relations to friendships, there's some basis for the interpretation. They both (to varying effect) commonly act as peacemakers and moderators in the context of the group, but have had this position compromised by emotional outbursts (Hu's defense of Nico and Levi's threats to Ace). Hell, there's even parallels in the way people react to some of these outbursts.
Levi [after the previously linked outburst, 1-9]: I'm terribly sorry for that, everyone. Please continue discussing as you were earlier. Ace: So scary!!
Rose [reacting to Hu's "fuck David" outburst, 2-12]: Wow. Hu can be scary.
To be fair the 2-12 outburst is far more justified than a lot of Hu's others, but you get the point.
They both act this way for similar reasons; to control the cast's perception of them. Hu wishes to be seen as reliable in order to feel useful as a way to counteract her suicidal tendencies and self-loathing, while Levi wishes to be seen as a good person for the reasons he states (to live a peaceful life where others do things for him). And in order to do this, they've both chosen to focus on one person in particular to "protect" or help in some way; Nico for Hu, Ace for Levi. The reasons for this are different mind you, but the effect is similar enough.
However, while it's still unclear why exactly Hu is so adamant about Nico in particular, we kind of know why Levi is focused on Ace. Simply put, before the second trial, Ace was sort of the only person who had legitimate reasons to dislike Levi, at least in Levi's mind. Because of the death threat in trial one of course. Most people haven't really expressed an opinion on Levi either way, but they're civil and at least neutral towards him. Hell, Eden even specifically says Levi's a good person after the death threat, and since she's a pretty rational person, it follows most of the cast would see him that way as well, given how quickly they all moved on from the death threat.
Ace was the exception, however. Ace was very explicitly (and understandably) pissed at Levi for the death threat, so he stood as somewhat of a threat to Levi's goal of being seen as a "good person." Levi trying to fix things with Ace is an extension of this goal, and I don't think there's much else to it. Even to the very end, Levi's frustration at Ace doesn't come from a sense of betrayal or sadness or remorse for not being able to stop the murder, or anything like that. Levi only gets frustrated at his inability to understand Ace, which we already knew from his envy of Veronika's psychoanalysis abilities is a point of insecurity for him.
Ace [2-16]: I just needed a reason to stay mad at you, any reason at all, goddamnit! [sic] Levi: Why? Why do you have to force yourself to be angry at me? You just said you know that you're in the wrong, so why do you still do it?! I don't understand. I can't understand you, no matter how hard I try.
Levi, under this reading, still doesn't "care" that Ace is about to die, not in the way Eden felt bad about Min's death for example. He's frustrated that he's trying to be a good person towards Ace, and it isn't working for reasons he can't grasp. More on those reasons in the Ace section.
I am very curious as to how he'll react to Ace wanting to speed up his execution to try and save his life, and I predict Levi will probably try his best to honor Ace's memory and his sacrifice, but as always, out of duty and not sentimentality. Sorry Acevi fans, hope you still find a way to make it work :/
Since we're on the topic (and Ace's section is gonna be long enough as is), I'll talk about the other side of the Hu-Nico and Levi-Ace parallels, the way the "protected" act in respects to the "protectors." The main point of contrast is that, originally, Ace specifically sought out Levi for protection, while Nico never asked Hu for it.
Teruko [1-2]: Since when were you two so friendly? I distinctly recall yesterday a certain someone being terrified whenever Levi came near him. Ace: Whaaaat? Me, scared? Are you just making things up? Teruko: ... Ace: Okay, fine. Yeah, Levi's scary as hell! But I realized that MonoTV is even scarier than Levi! At least Levi is sorta safe to be around. And I like to be safe, you know?
Nico [to Hu, 2-14]: I never asked you to defend me--
Then comes the aspect of "betrayal" in both these relationships, where the roles are flipped. It's Levi who originally "betrays" Ace by threatening him, while it's Nico who "betrays" Hu by trying to frame her with the wire. However, Ace takes this betrayal much more personally than Hu, getting mad at Levi while Hu continues to defend Nico. As a result, Ace gets a bit of a victim complex, while Nico fully acknowledges blame for the murder attempt. Etc.
Okay time to continue with 2-13 because no we're not done with it.
Levi [continued]: After listening to David, I concluded that a good person would also be honest, even if the truth makes them look bad. Ace: You're taking advice from David of all people? Look at this asshole! David: Try looking in a mirror before you talk, Ace. Levi: I thought David was a prime example of a good person. Is he not? David: Wow, you really don't understand people at all, do you. Levi: I don't want to distract you all from this case any further. So, I apologize for this tangent.
Another really cool bit of characterization here. Levi struggles so much with understanding most people's sense of morality that he still thinks David "I actively tried to kill everyone here by pretending to be the blackened" Chiem is a good person. There's also the quick implication that David doesn't see himself as a good person, but I feel we're well past the point where that's news.
We also get the reason why Levi even said all this; he thinks being honest will help him be a good person, and presumably only brought it up after the whole David thing got resolved because "good person" David was (eventually) honest with both his motive secret and the reason he tried to get voted out. Or, rather, Levi thinks David was honest on the latter. Fair ig.
Levi has a few other lines in this part, but the next most striking thing to talk about is, fittingly, not a set of words, but an image.
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Levi's protective streak has always been a big part of his character, and now he's literally taken a bullet (or 5) for Teruko. Just for the record, I imagine he'll survive, because there'd be no real point to most of the end of 2-16 if he didn't.
The big question around this is, naturally, why did Levi jump in? Obviously, it's not that he particularly cares if Teruko lives or dies, not from an emotional standpoint anyways. It could also just be Teruko's luck somehow manipulating him the way it seems to have influenced Min somewhat, but I can't see that as the only reason this happened. So, like most people, I believe he feels he owes Teruko.
Teruko [1-2]: No... I should be the one apologizing. It's my fault you got hurt. Levi: What do you mean? Without your warning, I could have gotten fatally injured. I should thank you that my wound is not more severe.
Teruko warning him in the prologue is the most obvious case where Teruko saved Levi, especially since it parallels this scene. Teruko saves Levi from execution, so he returns the favor. However, we also need to keep in mind that, without Teruko carrying, these people would not have made it through the trials, so Levi might feel he owes her for that too. And "good people" repay their debts, don't they?
Very interested in seeing where Levi's character goes from here!
Teruko Tawaki
You know a series is doing something right when the protag has so much shit going on in a trial where she didn't even have strong relationships with either the victim or the killer. Now, a big chunk of her screen time was devoted to crime solving, so her section might end up smaller than Levi's even though I consider her more important, but the order of this analysis is kinda all over the place anyways :v
I'll go in the order of Teruko moments as they appeared, though I'll skip the whole "fix my mistake" thing since I already mentioned it in the Min section.
David [2-12]: Xander is a good person. He's the only good person I've ever known. I swear, I'll follow in his footsteps and-- Teruko: And get everyone killed in the class trial? Xander is a good person? Are you hearing yourself right now? What virtuous reason could he possibly have for trying to kill me and everyone else here? David: I'm sure he had a good reason. I believe that he did. Xander is not the kind of person to do anything for frivolous purposes. Teruko: You *believe* that he had a good reason!? Hah! Based on what? The 3 days you spent with a fan who was too infatuated with the ideal of you to treat you like an actual human-- David: SHUT UP!
She says all this like she wasn't play-acting her Xanruko fix-it AU with cacti, like, two days ago lol.
Teruko Cactus [2-3]: That's right. Give up now, and surrender. Then I'll consider letting you live. Xander Plant: Teruko... I've changed my mind. I promise, I will turn my back on whoever made me do this and stay by your side from now on. Do you forgive me?
I don't actually have much to say about this. Teruko's complicated feelings about Xander aren't exactly news; genuinely angry at him for attempting to murder her, also genuinely upset that things didn't go better. No wonder David's uncritical view of the guy ticked her off.
2-13 had a lot of murder solving from Teruko, which is cool but not crucial for character analysis. Meanwhile, 2-14 had quite a bit more going on.
Rose [2-14]: I... I'm sorry for being useless. Maybe if I tried harder, if I just got over myself-- Teruko: Rose. Don't blame yourself anymore. You are helpful. It's because of you that I can solve this murder. Besides... I'm as much to blame as you. Maybe more, even. If only I listened to you when you said the tape was missing, then maybe I would have realized the truth of this case much earlier. Once again, I've made a stupid mistake. I simply wanted to believe that I could make it through this killing game without relying on anyone else. That I could be dismissive of everyone around me without consequences. So I refused to listen to anyone other than myself. I thought that if I did that, then I could avoid a repeat of the last trial, where I had made the mistake of trusting people too much. But now I'm making different mistakes instead. Again and again, I keep messing up this class trial with hasty assumptions and overlooked evidence. So... Rose: ... Teruko: ... Thank you, Rose.
Yuri stays winning.
Again, it's hard for me to add any commentary when Teruko's just... explaining all the themes out loud. We go back to the idea of Teruko fixing mistakes that she seems to have taken to heart from Min's CH1 breakdown (YURI STAYS WINNING), which ties into the idea of self-betterment that Arei's scene conveyed; and we basically have Teruko stating a reworded version of her secret quote, "It is an equal failing to trust everybody, and to trust no one at all." It makes me wonder how Teruko will behave moving forward. Will she trust a few select people? Will she continue to keep other's at arm's length, but being slightly more open? Well, based on what she does with Eden, it seems Teruko is willing to trust select people until the situation merits distrust, which is a pretty solid way of looking at things.
Speaking of that.
Eden [2-14]: I just wanted to help Arei... I didn't kill her... Teruko: You know I can't just take your words at face value, Eden. Eden: Please, Teruko... You're my friend, aren't you? Friends help each other... So please, help me... [...] Teruko: Eden. Eden: *sniffing* Teruko: Eden. Pick up your head. Look at me. At this point in the trial, since I've narrowed Arei's killer down to just two suspects, I'm going to pursue each suspect individually under the assumption that they're the killer. That way, I can see if any evidence matches up to them only. [...] So for now, I'm going to assume you're innocent. Eden: W-What? Really? Thank you so much, Teruko... Teruko: Don't... get me wrong. This isn't out of kindness or pity or anything else. This is only because you helped me in the last trial. I'm repaying your favor, and nothing else. That's why I'll trust you, just this once. Eden: Teruko... T... Thank you, Teruko... Teruko: ... Let go of me.
YURI STAYS WINNING!!!
That's what I was talking about. Choosing to trust Eden over Ace, but being willing to turn suspicion on the Clockmaker if Ace turns out innocent. A very reasonable approach! We love character development in this house.
That said, Teruko is still being a bit of a tsundere, with the whole "repaying a favor" thing. Levi parallels anyone? Well, not exactly, since Teruko does feel empathy towards Eden, but close enough. What's more interesting is that Teruko is using the exact transactional logic that Eden warned her against, which is intriguing setup for the future when it becomes more undeniable that Teruko is definitely not doing this just to repay a favor.
Also, the Trauma remains. Teruko telling Eden to let go fully completes the parallel to the Min scene, where she says the same thing (among others). I imagine our girl won't be too receptive of hugs for a while.
Before we get to the next big moment, real quick, we gotta fulfill our "Teruko's life is miserable" quota.
Teruko [to Ace, 2-15]: And three. You took the tape for first aid. Arturo: That's ridiculous. Who uses non-medical tape for first aid? That's sickening. Teruko: It's not that weird. I do it all the time.
Alright quota fulfilled. Let's move on. In this case, I'll skip to when Teruko gives up on the "show me your injuries Ace" line of reasoning.
Teruko [2-15]: No. It's fine. That's not a very fair line of logic, so forget it. You were almost murdered, after all. I should have understood that.
I don't know why Teruko really thought this line of logic was even worth following in the first place, but it makes sense for her character to ignore Ace's possible emotions in favor of the trial. But it's also cool to see her backing down when she realizes the harm she may be causing, especially as someone who has very notably hid how much her own murder attempt affected her, and in particular the wound that came from it.
Teruko [2-15]: The point of this trial is to determine who the killer is, not to determine every single little detail of what happened. It doesn't matter that you're not convinced. It's not going to help you, nor change your fate. No matter how you feel or what you think, nothing will change. [...] I've been fighting this entire trial to find the truth using real evidence. And when I make mistakes, I own up to them. What have you contributed? Show me some concrete proof of your innocence. Otherwise, shut up and stop wasting everyone's time. Ace: ... Teruko: Are you silent now? What happened to all those things you were shouting earlier? Don't you have anything to say for yourself? Ace: ... Teruko: Any evidence, any deductions to show that you're innocent? Come on, Ace! Don't you want to live?! Defend yourself!
So, a few things. First, regarding that second paragraph. "It's not going to change your fate"? "Nothing will change"? We'll circle back to it, but it seems Teruko is projecting how she feels about her own fate (before the Levi incident at least) on Ace. You could even say-
Literature Girl Insane: Even if we cry make noise shout go mad - this world won't change!
The foils ever.
Anyways, I assume that's why Teruko gets so worked up over Ace remaining silent. She sees a bit of her situation in trial 1 (almost murdered, suspected as the killer) in Ace, so her emotions run high with both the frustration of a long trial and the bad memories this is probably bringing up. At least, that's how I interpret it.
Also another mention of correcting mistakes, which shows up one more time before the episode ends, which I already mentioned as being tied back to Min and Arei; alongside with another "fate" drop. "Fate" is becoming the new "good person" isn't it :p
Teruko [2-15]: Confront the mistakes you've made. Then accept death. That's the fate of everyone who choose [sic] to participate in this killing game.
Also I find it endlessly funny that Teruko's reasoning for the Closing Argument being necessary reads a lot like "this is a DR trial we gotta do this, it's in the contract." Consider me amused.
But I've beaten around the fate bush enough. Let's get all of that over with in one fell swoop.
Teruko [2-16]: It's just... misfortune. That's why Ace killed. That's all.
Teruko [regarding her execution, 2-16]: What's the point [of running]? I should have known this would happen. [...] Even if I shield myself behind others, even if I search for an escape, it always comes down to this. I have to face the consequences of my actions. There's no escaping that. [...] Arturo: What are you talking about?? You're going to be killed!! Teruko: Killed? I doubt it. As if something so kind could happen to me. [...] I won't die, even if MonoTV puts a hundred bullets in my body. I'll only be badly injured. Possibly lose a body part. Maybe I'll even end up in a coma for months. [...] But I won't die. I never will. There's nothing I can do but accept my fate. It's what I deserve, after all. [...] I was perfectly willing to get shot. I thought I didn't have to care about what happened to other people, and especially not about what happened to me. I thought that if I lived alone and died alone, nothing would stain my conscience. Even if that was a selfish way to live. But even so...
Teruko [to MonoTV, 2-16]: Can you really say it's fate's fault for everything you've done, and pretend that you hold no blame in the matter? I have always said that my misfortune, my personality, the choices I make, everything was all a product of a bad luck that I can't control. That I grew up in such terrible circumstances, so I was destined to grow up to be a terrible person. That everyone else abandoned me, so it's not my fault that I'm alone. I want to say it's fate's fault, and that I had no choice in the matter. But, even so... Even so... Everyone. Xander, Min, Arei, Ace. Maybe even Levi. Is it my fault that they died? [...] MonoTV: You have to decide the answer for yourself. Teruko: Whether it was the fault of fate, or my fault... I already knew the answer. I had known what the answer was since a long, long time ago.
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Alright I made myself sad, so something's been achieved, I guess. Poor Teruko :(
Just to start somewhere, we get confirmation of Teruko's suicidal tendencies in the present, which was already implied strongly enough, but now she straight up says she considers death something "kind to her." Just sad in general, but I wonder if there will be some discussions of it with the fellow suicidal characters like Hu. In fact, I wonder if that's the reason that Hu was the one to see the scar on Teruko's back during 2-2; so she'd have a vague idea of Teruko's backstory for some interaction in the future.
But the main point of these scenes is Teruko's relationship with the concept of fate. She basically goes through an entire character arc from the moment she says Ace's murder was just misfortune to right after Levi jumps in to save her. Basically, she used to blame fate (or "bad luck") for everything she did and what happened to her, thinking that just accepting this fate would allow her to live more easily. Especially noticeable because part of her "bad luck" is being betrayed, which gives way to her trust issues.
Teruko [2-2]: If I get in a car, it'll crash. If I stand in a construction site, it'll crumble to dust. If I trust others, they'll turn their back on me.
Hence her internal monologue about "living so nothing stains my conscience." If everything that happens to her is fate's fault, then she doesn't have to change, she doesn't have to confront her faults. Even when she talked about accepting the consequences for her actions, it was always in the context of accepting her fate. If she just accepts whatever consequences her actions bring, then she can excuse herself from fighting back against that, which is an easier way to live, but as she says, could be considered selfish. What's easier for Teruko is not always best for others, exemplified perfectly by Levi protecting her; Teruko chose not to fight her fate, and it got Levi hurt. Funnily enough, this somewhat parallels Hu feeling selfish for not sharing her secret, which is fun contrast. Hu is more justified in not sharing her secret, so it shows that feeling selfish for doing things that are good for you can be pretty bad. Meanwhile, Teruko shows that not taking others into account can also end up hurting people.
Of course, the whole "not fighting fate" thing also obviously parallels Mr Literature Boy Insane's feelings on the whole thing, to the point where they have practically the same character flaw. Believing themselves and others unable to change as a result of fate is the way they try living with themselves, because of the whole self-loathing thing, but that means they're resistant to changing their flaws. MonoTV says similar things, but it's a machine so it's not so much a flaw as just the nature of its character. It was a flaw Arei had, though, but she grew out of it through Character Development, similarly to the way it's implied Teruko is growing out of the "all fate's fault" mindset in the last inner monologue. You might also notice that tying fate into self-betterment allows you to draw a connection to the theme of admitting mistakes and fixing them, tying to Min who is also connected to the concept of fate through her entire backstory of being "destined" to be the Ultimate Student from the moment her family accepted XF-Ture's Tech contract, and obviously Min contrasts Xander who is all about fighting fate as the Ultimate Rebel, and that's without mentioning all the other "fate" bullshit going on and-
Yeah you get the idea. Too much peak for me to write it all out.
Very excited to see where Teruko's character goes now that she's not going to blame her bad luck for everything now. I worry she'll swing too hard the other way and end up blaming herself for things she shouldn't, but oh well, that's just more character development to be had.
That was the biggest Teruko thing, but there's still more to cover.
Teruko [to Ace, 2-16]: If you can't [attack MonoTV]... If you can't do that, then tell me, why did Arei have to die?! Ace: ... Teruko: It's because unlike Arei, *you* couldn't make amends with the people you made enemies out of. *You* were too scared to confront the people you hurt, say you're sorry, and promise to be a better person. So instead you took out your own personal problems on other people by murdering someone who had nothing to do with you! Arei died because you're a coward, Ace!
Uh... someone's projecting~
Teruko [already linked, 2-2]: But if you start talking about me and saying that I could be a good person if only I make an attempt to change, then I'm going to stop you right there. Don't say that I could be a good person, because all it'll do is make me feel bad that I'm not.
Damn it's almost like she hates herself because she already knows deep down that her mindset is flawed and so when she sees someone else behaving like she does/did she gets upset at them that's crazy :O
(I mean it's not 1:1 because Teruko never did anything as bad as Ace, but the point stands :v)
Final note, as always, voice acting was peak, just that there's too many good examples to point them all out one by one. Same with Levi btw, I think I forgot to mention it in his section.
Teruko continues to be probably my favorite protag of any DR or DR inspired story, though as always I'm working on a small sample size. Really excited to see her development in the future!
Ace Markey
Well if it isn't the man of the hour! It's only natural the blackened gets to close things out. Let's do the same thing as we did with Teruko and go by (mostly) chronological order.
That includes the quick, retrospective observation that a lot of Ace's behavior in the trial and investigation now needs to be re-analyzed with the understanding he's the blackened. It mostly just adds an extra layer to Ace's constant accusations towards Nico, though, since Ace didn't really do much most of the trial. The only other notable thing he did was revealing David's secret, and even then, nothing too big. I know it's a bit silly to go so hard on Nico when David is almost easier to frame, but this is Ace we're talking about. He's emotional and not quite the most strategic, so nothing weird there.
Although, speaking of Ace knowing about David's secret, why did he not hear the end of the Arei-David conversation? I doubt he's hiding it, because he doesn't really have a reason to, so apparently he just, like, left. I guess he just didn't care enough :p
Finally getting to PT 2 itself, we have a 2-13 speech we skipped earlier, don't we?
Levi [2-13]: I don't personally care what happens to Ace. Whether he lives or dies is none of my concern in the end. Ace: ...?! Levi: But it is a "good" thing to make sure someone else doesn't die, even if I personally do not care about the outcome. I truly believe that. But I adhere to that principle out of duty, not sentimentality. Does that make any sense? Ace: You... Hah. Hahaha. You-- You fucking piece of shit. Levi: ... Ace: I was right all along. That you felt bad for me... That you actually wanted to help me... That even if everyone here treated me like shit, there was at least one person who still cared about me... That shit's too good to be true, isn't it? Yeah, good thing I didn't fall for that in the slightest. Not one bit. I was totally right all along to burn our friendship-- No, I can't even call it "friendship." There's only one person in my whole life who I've ever been able to call my friend. That I ever thought, even for just a short time, that you and I were "friends" is an insult to his memory. I probably sound real pathetic admitting that. But I'm not nearly as pathetic as you. After all, you're a piece of trash who probably has never had a single friend in your life. Levi: ... Ace: Got nothing to say to me now? That's fine. Hey, Levi. I really hope you fucking die.
Okay there is... so much to unpack there. Let's... start by the smaller thing, which is the Taylor Riley drop in "there's only one person in my whole life who I've ever been able to call my friend." This guy's name was revealed in a now deleted CH2 PT1 QnA answer, alongside with the name of a friend of Veronika's who gave her her green triangle earring, Alyssa Belyaeva. We got main series confirmation of the name in one of the graves of Thanatophobia, alongside the names of Elliot Cuevas and Felicity Giles.
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We know... zero about Taylor, apart from the fact that he was Ace's friend and is now very evidently dead. Thankfully, we get a bit more context on his death by one of Ace's comments:
Ace [2-16]: Execute me right now, you hear me, MonoTV? MonoTV: ... Ace: Because... Because Levi is gonna fucking die, and I'm going to have a third goddamn death on my hands!
Third, huh? Arei, the hypothetical Levi death, and presumably Taylor. Sure, the third could be Ace himself, but I feel the line makes a bit more sense with Taylor.
So, Ace blames himself for the death of Taylor. Given he liked the guy, probably not intentional murder, but who knows what the hell he did. At this point, we really have no way to deduce the way Taylor died or how Ace could have caused it somehow, though. Maybe we'll get some answers in the Bonus Episode? Hopefully :p
But that's the easy part. The hard part is Ace's feelings towards Levi. Immediately, we can tell the whole "I never thought you cared about me, not one bit" thing is a complete lie, not just because the line itself is extremely unconvincing, but because of something Ace says later in this episode.
Ace [to Levi, 2-13]: You piece of shit. I can't believe there used to be a time I actually liked you.
So, yeah. Similarly, based on the fact that Ace wanted MonoTV to speed up the execution to try and save Levi's life despite his fear of death, we can infer that Ace is also lying when he tells Levi "I really hope you fucking die."
No, Ace really does care about Levi. For the reason stated at... some point in this analysis; Ace feels safer around Levi. And that creates a bit of a problem for him, because if he wants to escape the killing game, he's gonna have to kill Levi to do it. It's unclear if that's the reason he originally pushed Levi away, "burning their friendship to the ground" in his words, or if he just didn't want to trust him after the death threat in trial 1. However, guilt over trying to get Levi killed is definitely part of why he says this:
Ace [2-16]: I knew... I knew that I wasn't allowed to call [Levi] a murderer. I had no right to act betrayed, because I was the one who betrayed everyone. But still, I...! Levi: Why-- Ace: But still, I--! I don't care what it was! I don't care if it made me a hypocrite! Even if I was completely in the wrong, and even if it made my life worse! I just needed a reason to stay mad at you, any reason at all, goddamnit! Levi: Why? Why do you have to force yourself to be angry at me? You just said you know that you're in the wrong, so why do you still do it?! I don't understand. I can't understand you, no matter how hard I try. Ace: Good! Stay that way! I hope you never understand me, even after I'm buried a billion miles deep in the ground and you're weeping at my grave, you piece of shit!
Ace tries very hard to find reasons to hate Levi because he's afraid of growing close to anyone in the killing game, mostly because he thinks he'll be betrayed, but by the point he starts plotting murder, also because he's trying to kill them all. Being close to them is a good way to feel more horrible about himself than he already does.
To be clear, the reason I say the first reason is more important is because I think I can more or less pinpoint the moment Ace starts thinking about murder, and by that point he's already trying to cut Levi off.
Ace [2-2]: In this killing game, everyone is out to get me. Especially people who love picking fights with me, people like you [Teruko] and Levi. I can't believe I wasted my time with all that dumb shit like arm wrestling and running around screaming at meaningless stuff. I was fucking stupid to not take this killing game seriously from the start. I'm done with being everyone's kickable scaredy cat. The only thing I should do is look out for myself and myself alone.
Well he sure did take the killing game seriously after this point now didn't he?
Obviously, this is a pretty direct parallel to the way Teruko tried pushing everyone away in this chapter, and the way David pretends not to care about Arei after the magical girl transformation. More on this whole thing in a bit.
The relationship between Levi and Ace is one of contrast. Levi, who doesn't actually care about Ace the "usual way", chooses to try to get closer to him. Meanwhile, Ace cares about Levi maybe too much, and his fear of this attachment drives him to push Levi away. The yaoi truly is doomed with this one. Moving on.
Ace [to Nico and Hu, 2-14]: You two are a real fucking joke. It would have been one thing if Nico gets away scot-free with trying to kill me, but now they apparently also have a fucking defense brigade to shield them from even having to think about the fact that they're a murderer. Who's gonna stick up for me, huh? No one. Because I have a spine and I don't need other people to lie to me constantly to keep me happy.
Ace [to Nico, 2-14]: You tried to murder me. You fucking tried to murder me! And after all's said and done, you can't even say something as simple as "sorry"?!
Ace [to Teruko, 2-15]: Were you convinced by Eden because she had a little sob story ready? Should I start crying and wailing too to change your mind? Teruko-- No, everyone here. You're always attacking me for stupid reasons. Everyone always has it out for me. That pisses me off. All of you piss me off.
Ace [2-15]: You all actually think I'm too goddamn stupid to accomplish anything? Do you really think I'm 2 seconds away from choking on my own spit and passing out?
This is where we start to see Ace's persecution complex on this part, which was already alluded to in the previously linked 2-2 Ace quote. He thinks everyone is out to get him, and to an extent, he's not horribly wrong. Very few people in the cast have favorable opinions on Ace, and he knows that if he gets revealed as a murderer, that "few people" will likely turn to "no one." I mean, not even Levi wants to defend him.
Ace [2-15]: Hah... I expected everyone else to get on my ass, but for you of all people to think I'm the murderer... What happened to ever wanting to make things up, huh? Besides, between you and me, we both know who's really a murderer.
And hell, Nico's already tried to kill him! Ace is the victim in that situation, even if he did "start it."
Which gets us to one of the most interesting moral quandaries this trial presents us with, Milgram style. Because the thing is, Ace has given the cast reasons to dislike him. Ever since the start, he's been confrontational, insulting, and just generally not the most delightful person to be around. Especially to Nico, who he specifically targeted to bully. Obviously it doesn't justify being horrible to him back, including things like Hu's slap and Levi's death threat, and especially Nico's murder attempt, but... well, if people don't feel about Ace the same way they feel about some of the calmer cast members, there's a reason for it.
How justified is the cast in the things they say about Ace? How much of it is Ace's responsibility, and how much is it the cast's? How much responsibility do they hold for creating the hostile environment that pushed Ace into murder? How does the mastermind and the killing game itself factor into this valuation? These are all interesting questions the series asks us to ponder on, and by their nature don't have any one right answer. Especially because "blame for a thing that happened" isn't a number that can be evenly divided by percentage, it's a very complicated and subjective thing. J puts it pretty well in her speech to Ace in 2-15, giving her perspective as well.
J [2-15]: Maybe I was too harsh on you. Me and everyone else here, I don't think a single one of us stopped to think where the breaking point is. ...But. Murder is unacceptable, no matter what. Your problems might be awful, and they might be the worst in the world, but they're still not so bad that killing 13 people is acceptable. You can't be forgiven as a murderer just because your life sucks.
My personal opinions on this are probably best saved for when we get the full picture in just a moment.
And speaking of the full picture, since Ace's persecution complex feeds into his fear of death, why don't we skip right into the big speech?
Ace [already linked in the Hu section, 2-15]: ...... God damn it. I'm such a piece of shit. [...] You're right. I'm screwed. There's no way I'm making it out of this trial alive. I just... wanted to stall for time. I'm scared of dying, I really am. [...] I killed Arei. That's exactly right. Shit, it sounds really bad when I say it out loud. [...] Hu: Did you kill Arei because of MonoTV's motive? Because you wanted to keep your 'secret' hidden-- Ace: Hell no! I don't give a damn about that motive, or my dumb little secret, you idiot fuckwad! Who do you think I am, you?! *sigh* That wasn't why I killed her. I was scared of dying, that's all. [...]
Quick thing, but I think it's cool that the motive really had jack shit to do with the murder. Hate to bring the guy up so much, but it helps make David's "plan" of revealing all the secrets unequivocally wrong, which I feel is important for some of the themes of the chapter. In particular, the idea that gets pushed that everyone should be allowed to reveal their secrets at their own time, aka privacy is important. Nico's public secret reveal happened before they were ready to share, and that was a bad thing, after all. And a lot of the conflict in this chapter came from MonoTV giving the motives in general.
Ace [continued]: I'm definitely going to die in this killing game if I don't escape. Everyone hates me, right? Because I'm a volatile asshole who can't help but pick fights and make people mad at me. Veronika was right. If pushed to kill, everyone would feel the least guilt if they killed me. They might even have some sort of grudge. I wouldn't be surprised. When Nico tried to kill me, that just confirmed it. There's a part of me that's a little pissed that Nico didn't succeed back then, because that would have saved me the trouble of having to go through this stupid-ass farce. Although I'd be real fuckin' pissed if they *did* successfully kill me. I'm kind of pissed at Nico for trying to kill me, either way. Nico: ...
Interesting to hear part of Ace wanted Nico to succeed. It certainly speaks to a great level of defeatism, where everything is horrible and death would be preferable, which parallels Teruko nicely. That defeatism for Ace comes partly from the persecution complex discussed earlier, and some other stuff we'll talk about in a moment.
Ace [continued]: But still! If I didn't kill someone and escape... then I was going to die. I'm fucking terrified of dying! I can't sleep at night because I keep thinking about how I'm going to die young in this goddamn killing game! I didn't want to die! I want to live. Just like everyone else. Live, and escape this killing game, and go back to my shitty life where I can't do anything on my own because I can't control myself. Back to that life where I can't do anything but a sport that I hate because I suck shit at everything else. I was forced into that fate, to kill someone because I'm scared. It was either that, or I would be killed first. There were no other options for me, because I'm a coward who can't fight my own fate. [...]
I think an underrated part of Ace's character is just how much damn symbolism is hidden in his talent.
The first connection is the more or less obvious "if I didn't kill someone, I would be killed first" mentality, where Ace literally views the killing game as a race to be the first blackened to get away with it. But that's almost an extension of the other connection.
You hear it from him here; he feels he completely lacks control of his life, that it's all decided by a fate he can't control, the same way that a jockey doesn't walk on their own, but rather is carried by a horse to their destination. And it's no wonder that this feeling of lacking control is referenced in his secret quote, "I don’t know what to do with myself anymore." After all, it's this feeling of lacking control of himself and his situation that causes him to seek control of anything he can, be it bullying Nico because he sees them as an easy target, distancing himself from others because it's easier to control his feelings that way, killing someone because it's the only way he can control his place in the killing game, or anything else I might be forgetting.
And this fear of lacking control is probably part of his fear of death, isn't it? Because no one can control what happens after death. Maybe yes, maybe not, but regardless, Ace's thanatophobia is pretty evident. I mean, it's the name of his execution, and it's a fitting one. Ultimately, Ace's fear of death is what gets him killed, both metaphorically because it's the reason he became a blackened, and literally because he dies of a fear-induced cardiac arrest. That, alongside with the incredible art and banger music, is why I consider Thanatophobia one of, if not the single best DR style execution I've ever seen. Simply peak.
Ace [continued]: Do you think I give a crap about you all? Why would that matter to me? No one gives a crap about me either! None of you even respect me enough to think I was capable of killing Arei! In fact, that made me feel way less guilty about killing-- [J makes her anti-murder speech] Ace: ... I know that [I can't be forgiven]. I'm the one who murdered Arei, so of course I know that. Arei... She was a piece of shit too. Just like me. Even if she said all that nice bullshit to Eden, there was no guarantee that she really was going to change and become a good person. Maybe if she lived, then by tomorrow she'd be right back to her annoying bitchy self. ... But at least she was trying. And I can't even change one thing about myself. Not my shitty job, not my shitty personality, nor my shitty life. I really am a piece of shit, huh?
At the end of the day, Ace is his own worst enemy. What really gets Ace killed (apart from the already mentioned fear of death) is the inability to change, to see the flaws in the way he behaves himself and try to better himself. Or, rather, he does see the flaws, he knows he's a target of the killing game because of his aggressiveness and that he drove himself into a corner out of fear, but he considers himself incapable of changing that. Changing is difficult, and Ace is scared to even try. Like he says, maybe Arei couldn't have managed it either, but she was trying. And that's what ultimately separates the two.
In case it isn't obvious, my take on who's to blame for everything that happened is pretty much squarely on Ace. Sure, there were things the others did to Ace which aren't justified, but you can't blame people for disliking someone that knows he's unlikable and cannot find it in himself to try to change that. Arei tried to change; she died a good person. Levi tried to make amends for trial 1; he's a good person too. The tragedy of the situation is that Ace himself could have been a good person too, because everyone can be, but it's a decision that must be made, as Eden put it earlier in the chapter. And it's a difficult one, too difficult for Ace.
Teruko, David, all these people... they can also be "good people," in the sense of always trying to be "less shitty together" in Arei's words. Ace is a cautionary tale of how not doing so can end up really, really badly.
Which is the setup for Teruko and David's continued foiling, isn't it? Teruko will presumably look at all of Ace's flaws (lack of trust, unwillingness to change, accepting fate without fighting it) as pitfalls to avoid, because of how similar the two of them acted in CH2. Meanwhile, David, since he heard Arei's speech and knows just how hard she tried to change, will see those same flaws as strengths. In his eyes, Arei died because she trusted the note, because she tried to change, because she tried to defy her nature. At least, that's my prediction. Where all of that will go is anyone's guess.
But, how do we know that Ace could have been a good person? How do we know that it isn't David who is right, that neither Ace nor Arei could have ever gotten better, had they simply tried? Well, simply put, because in the end, Ace does start changing. As a final, tragic note, Ace's ability to confront fate and try to correct his flaws only surfaces when it's far too late. And not only when he punches MonoTV, though that also is a good example of it, but also when he chooses to face execution quicker in an attempt to save Levi.
Ace [already linked, 2-16]: Execute me right now, you hear me, MonoTV? MonoTV: ... Ace: Because... Because Levi is gonna fucking die, and I'm going to have a third goddamn death on my hands! Arturo: E-Even then, there's no guarantee that he'll live--- Ace: Shut up! What the hell are you talking about? Aren't you a surgeon? Can't you fix him? Arturo: I--! I'm not that kind of surgeon! I've told you, over and over, I have no experience with saving lives! Something like this! There's no way I can do it-- Ah! Ace: SHUT UP! Shut up, Arturo! You *can* save his life! Shut the fuck up! Stop saying you can't do it, because you can! Don't you understand? I'm going to die right now, and you're going to live! So decide whether you want to at least *try* and put in some fucking effort for once, or keep making excuses for yourself like a sniveling coward for the rest of your life. I don't even get to make that decision anymore! Stop complaining, you whiny little shit! Grow some fucking balls and save someone's goddamn life, asshole! Because you can!
There's layers to Ace's shouting barrage at Arturo. Obviously part of it is just Ace trying to convince himself that Arturo can save Levi so he can die with a relatively clearer conscience, but there's also a sort of self-awareness of Ace's faults in the things he says. Try swapping "save Levi's life" for "be a better person," and pretend it's being said to Ace by someone else who is about to die.
You *can* [be a good person]! Shut the fuck up! Stop saying you can't do it, because you can! Don't you understand? I'm going to die right now, and you're going to live! So decide whether you want to at least *try* and put in some fucking effort for once, or keep making excuses for yourself like a sniveling coward for the rest of your life. I don't even get to make that decision anymore! Stop complaining, you whiny little shit! Grow some fucking balls and [be a better person], asshole! Because you can!
Because moments ago, it was Ace who was making excuses like a coward for why he felt he would never be a good person, and why he had no control over his shitty personality that made everyone hate him and made him a target of the killing game, etc. He never put in the effort to change because he thought it was pointless, that he was unable to, and didn't realize the falseness of that preconception until he was faced with death. Seems I was on the right track when I connected his thanatophobia to his issues with control; death robs him of the decision to try and be a good person ("I don't even get to make that decision anymore!"), which he hadn't even realized he had until that moment.
It's no wonder Ace was a popular survivor guess; he could have changed, could have been a good person. And despite the harm he's caused, the way he robbed Arei of the opportunity to do what he couldn't and attempt to change, the intention he had of killing everyone in the trial, his death remains a tragedy for the hypothetical of what could have been. Maybe if Levi had managed to properly reach him the way Eden reached Arei, this could have all been avoided. But alas, Ace didn't accept the hand strectched out to him, and now it's too late to fix things.
I said during my reactions that I felt just as emotional during Ace's execution as I did with Min's, which was certainly true and very impressive given my massive bias towards the Ultimate Student. And while I can't say that I'll miss Ace as much as I miss Min (because come on), I'll certainly hold him close to my heart for as long as I live regardless.
As a final note, holy shit the voice acting. If I pointed out every line where the acting for Ace was spectacular, I would be here all day. I doubt I need to elaborate on this; the sheer perfection of the performance should be obvious to anyone who can hear it. Godspeed Seth Raffield, you truly were incredible. Can't wait to hear what you do in the Bonus Episode, provided there is one.
---
I am free! Holy shit that took way too fucking long. I need to figure out a better way to do this shit for later chapters, because geez. You have no idea how much Tumblr's drafts lagged because of this shit, I had to write the final sections in different drafts and copy paste them over because it was unbearable. Not to mention hitting the goddamn link limit which is just clinically insane from me. Anyways, if you somehow managed to read all of that, I feel genuinely sorry for you. You know you can be a good person if you try, right? There's no need to punish yourself like this.
I'm being silly, of course. Thanks for reading, hope you enjoyed!
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gay-jesus-probably · 2 years ago
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Let me just preface this by saying everyone is allowed to have their own opinions, TOTK is a really fun game, and I'm glad that other people have been able to enjoy the story as well.
...But I'm being dead serious with my complaints about the narrative being 100% imperialist propaganda. And I'm getting really tired of people replying to those posts by saying it can't be imperialist propaganda, because imperialism is bad and the game says that Hyrule is the good guys.
Like, guys. That's not the argument you think it is. Yes, I am aware that the game tells us Ganondorf is a flat, one dimensional character with no ambitions, interests or motivations beyond destroying the entire world for the hell of it, and also it's totally not racist because he's green, not brown like literally every other member of his race. Unfortunately literally all of these things are kind of the entire goddamn problem.
See, the thing is, everyone trying to make these arguments is accepting the game at face value. Hyrule is the perfect and almighty nation chosen by the demigod Zonai, and whose royal family has the right to rule due to their divine heritage. The other races exist to serve the glory of Hyrule, and they're happy to do it. Ganondorf is pure evil and must be stopped at any costs.
But that's not how anything works. The story informing me that Hyrule is the ultimate good that has done nothing wrong is the whole goddamn reason why I don't trust Hyrule at all. There's always more of a reason than that. And the game fucking suggests there was more going on! Ganondorf mentions Rauru has repeatedly 'invited' the Gerudo to become Rauru's subjects, and let's be clear here, it doesn't matter how peaceful those 'invitations' were, when the guy who owns every single magical nuclear missile in the world repeatedly demands you surrender to him, there's always going to be an implied threat of 'do it or get magically nuked'. Just that power difference alone shows us exactly why Ganon would feel threatened enough to invade. It's because Rauru was holding a gun to his head, and Ganon was expected to just trust that he'd never pull the trigger.
And yes, even if it wasn't intentional Hyrule was always threatening to wipe out the other nations, considering the entire royal family walked around openly wearing their magical nukes as cute accessories. If they couldn't be safely hidden away, there wouldn't be four other secret stones sitting untouched in a vault until the last second.
But that's never acknowledged. Of course Hyrule is the only nation with the right to the secret stones; even if other races get to touch them, they can only have them if they swear eternal blind loyalty and servitude to the glory of King Rauru and Princess Zelda. Ganon wanting to have one magical nuclear bomb out of a stockpile of eight of them is proof that he's dangerous and evil. I mean my god, what if he just walked around all day wearing a magical nuke and using its power for his own benefit, that would be terrifying. It's only okay when Hylian royalty does it.
And you can't argue that Ganon betrayed his own people, considering we don't get to know fucking anything about his relationship with his people. He's shows as the leader of the Gerudo, we're told he's a hero to his people, he has soldiers that loyally follow him into battle... and then oh nevermind, they all hate him and will spend eternity trying to atone for sharing a race with him. How did the entire race do a complete 180 in the span of at most a few months? Who cares, what's important is that now they accept they exist to serve Hyrule so they get to be the good guys now and we don't need to know why they were following Ganondorf, or why they stopped following him.
Basically my point is that yeah, I fucking know how the game insists everything went down. That's the entire reason I think it's imperialist propaganda, because the entire story feels like Hylian propaganda to conceal and justify some horrific atrocities that caused all of this. I literally do not believe that I'm getting the story through reliable narrators, especially considering that the only people allowed to actually tell me the story are all the characters that have the most reasons to be heavily biased in favour of Hyrule.
When the game shows me protagonists that have a massive amount of power and control over the entire world, then says the bad guy doesn't like that system just because he's evil, and literally nothing and nobody in the game says anything to oppose that take, I have some questions about what the fuck the story isn't telling me. And I'd really appreciate it if people would stop trying to argue with me just by telling me to stop asking those questions.
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evertidings · 3 months ago
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question about N's route, and please do not take this as me complaining as I adore their route thus far, but I've noticed that in almost every one-on-one scene w/ them, the focus is at some point on Blane. Ofc they're besties so it makes sense that Blane comes up now and again, but I imagine my hunter sighing whilst desperately trying to flirt with N and they bring up Blane again. (The real reason for the Blane-Hunter rivalry lol)
I'm rambling, but is it intentional that N brings up Blane so often? While N is brought up in Blane scenes, it's not nearly as common. I remember there's a line when you're looking at N's file about Caine's only comments about N really being about Blane, and there's an option to dislike them due to their proximity to Blane implying other IAOS members might do as well, so is N being reduced to Blane a plot point? And (my real question) will future N scenes be just abt N? 😭 Again, I adore both N and Blane, and I am 100% not complaining as I love your writing, but I'd love some N scenes that aren't just talking about Blane or our rivalry w/ them. I can't really tell if it's a narrative thing bc Blane is more immediately important to the story, a result of N's love of Blane, or a result of N's insecurites. I love you, N!! N, let me love you!!
It’s a narrative choice! N will absolutely not be reduced to a Blane subplot (if that were the case, they wouldn’t be an RO). Their constant mentioning of Blane has to do with N’s arc of coming out of Blane’s shadow.
As a child, they were ignored by their parents and treated as a ghost. At IAOS, despite being so well liked, because Blane is a more dominant personality, coworkers overlook them and associate the two together.
It’s frustrating. But while N argues that they want to be noticed as N and not “Blane’s partner,” they’re also the one playing into it. They don’t even realize it, really. It’s become so natural to talk about Blane, partially because they have a lot of love for them but also, because they’re subconsciously living behind that shield. They want to be perceived but at the same time, they’re scared of it. The moment they stop talking about Blane so much is how you know they’ve learned to accept attention for themself.
I understand wanting to hear N talk about something other than Blane, but at this stage, it’s not happening yet. The most I can say right now is that you’ll be able to give them nudges past the romance lock and throughout book two. Hope that was helpful ! <3
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rangerpippin · 2 months ago
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the Mark S. / Mark Scout arguing scene cannot come SOON enough
can you imagine yelling into the camera. do you even know what you put me through. you left me in a hellish prison and forgot all about me. I'm a person. I'm a person. I'm a person. let me live my life even though we can't both do it at the same time.
can you imagine yelling into the camera, into yourself, do you even know what I've been through. you're the only one who can rescue the person who is the other half of my heart. I love her. I love her. I love her. I'll never be okay again as long as I live until she is safe. lead eurydice out of hades even though you'll never ever ever be able to look back at her even once she's out. even though it means leaving you there. please.
what right does mark scout have to ask this of mark s?
to give up his love for helly r and his agency and in some ways his very life just to get gemma out so that reintegrated mark can live the life with her that only mark scout wants and longs for
but on the other hand. on the other hand
can you imagine being mark scout. you lose this person who is the other half of you. who you love more than life. and it breaks you so horribly that you do this thing. the only way you feel like you can go on is if the only part of you not squandering his hours as quickly as possible in numbness and drink and migraines and sleep has forgotten all about her in order to survive. the only part of you that will ever be okay again is the part that will never really be you again. and what if then you learned that she's alive, she's alive, you haven't lost her, you can be alive again, but the only one who can save her is the part of you that you cut off to save him from being choked to death on the grief. what if you begged him to save her. but because you shielded him from the grief that was the vengeful ghost of your love for her, he cannot love her now. what if you begged him to love her. and what if he said no.
mark scout just wants back the beautiful, love-filled, joy-filled life that lumon stole from him. mark s just wants to keep the life that he's clawed together from the nothing that he was given.
it's so impossible a situation because they both need 100% of the pie and there's only enough for one of them to get what they need
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cpvnksabm · 6 months ago
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Things I Think RTC Did Well In Disability Rep (in 2016-2018 scripts)
exactly what it says in the title. i'm not touching on the pre-2016 scripts because i dont know enough about them and i'm not talking about the 2022 script changes for obvious reasons.
disclaimer, this is all my own opinion as one disabled person, other people may feel differently and that's fine.
Ricky's disability in general
Ricky is a young person who uses mobility aids. He can't talk, implicitly due to dysarthria. He has a degenerative disease, specifically a rare disease which is heavily implied to be neuromuscular. And it's stated outright that his disease is lifespan-limiting and that he's dealt with his own mortality in life.
And all of these things are very underrepresented!
I'm not going to claim that all of these things were explained perfectly or explored in detail in the canon. But just having them on-stage, in my opinion, is a big deal in itself. And it's also a big deal that Ricky is a main character, who has the same character depth as the abled characters, when so many characters like him are reduced to ableist props for other characters' story arcs.
I understand there's been some confusion about the specifics of ricky's disability, in the fandom. And I know part of the confusion comes from the fact that the script didn't explain everything, and glossed over most of the details. But honestly? The fact that so many RTC fans didn't initially understand parts of his disability - such as the fact that it's likely neuromuscular, or the fact that his inability to speak is implied to have a physical cause - just makes it more important that these things were represented on-stage in the first place. They're so underrepresented, little-known, and poorly-understood that many people don't pick up on them even when they are represented!
Just showing these underrepresented disabled experiences on-stage has potential to help a lot of disabled people feel seen, which matters.
Ricky as a victim of ableism
Okay, this one might be controversial, but i'm speaking from the heart here.
Ableism is a huge part of Ricky's backstory and character - the whole Zolar thing is stated to be a coping method to deal with isolation & cruelty. Throughout the musical Ocean infantilizes him in dialogue, and in her song she argues point-blank that he has no reason to be alive due to his disability. The rest of the choir aren't perfect either - sure, nobody else says anything ableist, but they're all bystanders to Ocean's overt ableism, nobody really holds her accountable or acknowledges that what she's saying is fucked up. On top of that, Ricky says after his song that nobody listened to him while he was alive which, combined with the whole choir being shocked upon learning about his deeper thoughts, pretty clearly implies that they all ignored him previously.
And it's so fucking realistic.
Look. I'm not saying that Ocean's ableism was ever handled perfectly in canon. I am saying that when I saw a post-2022 production with the able-bodied Ricky script, I got a sinking feeling in my gut when we got to *that* part of WTWN and I realized the ableist lines had been removed/replaced. Because facing ableism is a huge part of my disabled experience that I barely ever see even acknowledged in media, let alone represented accurately, and the more I face ableism in real life the more I feel I can relate to Ricky, and that is so important to me.
Depicting bigotry in fiction is always difficult to do right - it's a rough balance between "this is not okay and we should not imply that it is" and "many people believe this is okay, wrongly, and that needs to be shown accurately". Sure, you can make it so the antagonist character is overtly ableist and every sympathetic character explicitly says "I do not agree with your ableist views!" and that way it's 100% clear that the ableist actions are wrong. But real ableism isn't just like that. Sometimes real-world ableism is a group of perfectly nice people who just never think about the disabled kid, or how he's doing or whether someone should talk to him, because they've been taught to ignore him. And sometimes it's a girl who swears to God that she's a good person, who considers herself an ally, whose voice stays sweet and kind as she switches between talking to her disabled classmate like he's 5 years old and claiming he doesn't deserve to live.
I think the brutal honesty of ableism in RTC is important. Yeah, it's pretty fucked-up when you think about it - Ocean openly sings about why Ricky shouldn't live, every ableist character is presented sympathetically, nobody is ever actually held accountable for ableism on-stage - and that's just like real life. I'd like to think that it could act as a wake-up call to some abled fans, who are similar to Ocean (+ others) and who could learn to understand the flaws in their worldview when they realize you're not supposed to agree with what she says in WTWN. But even more importantly than that... it makes me feel seen, in a way that I couldn't feel if Ricky's experiences with ableism weren't shown so realistically.
SABM, like, all of it
Do I even need to explain this? Disabled person has a whole furry-themed musical number. That's cool as fuck. God I wish that were me.
Okay, seriously. I think SABM is wonderful and important for a number of reasons. Like all of the character songs, it's important for expanding Ricky's character - not only is it a main glimpse into his interests, but it sets up for us to learn more about his personality and the selflessness that would later lead to the touching Savannah scene. It shows us his deep internal thoughts - it confirms that he has deep internal thoughts - and explains how he's been coping with the ableism he faces.
SABM is weird. I like that. I like that Ricky gets to have weird interests and a weird self-insert fantasy, while being disabled - I like that being disabled isn't treated as his "weird" trait, such that giving him weird interests as well would be "too much". Because that happens a lot! Disabled people are expected to be completely average in every other way to "make up" for our disability. And, yeah, SABM is kind of horny - and that makes sense! Ricky is a teenager, he's in his final year of high school, most people his age do have sexual fantasies. Other characters also reference sex in various ways so it makes sense that Ricky would. And I think it makes sense for SABM to be weird because part of Ricky's backstory is being ignored and isolated due to his disability - that's the sort of thing that, long-term, can leave people without a clear reference point for 'weird' and 'normal', or just leave them having no reason to care about being 'weird' because they're ignored anyway.
But also, if I may get analytical for a moment. Throughout the musical until SABM, Ricky faces a lot of ableism from Ocean, which isn't really commented on - she infantilizes him, both by assuming he's incapable of deeper thought/understanding and by being shocked at the idea that he might talk about porn or sex, and she also argues that he doesn't have a reason to live with his disability. Ocean is a flawed character and an unreliable narrator, but for the first half of the musical, you could be forgiven for thinking maybe you're supposed to agree with her and view Ricky as some pitiable child.
And then in comes Ricky's introduction, followed by SABM. And clearly Ricky isn't mentally a child, in any way - he's developed a whole complex story with deep worldbuilding so that he can imagine himself having sex with alien catgirls. But it also makes it clear that Ricky does have valuable ideas to contribute and, heck, just things he enjoys - which feels significant to me when a few songs ago it was being argued that there's no reason he should be alive.
As I said earlier, the ableism Ricky faces is extremely realistic and relatable to me. And SABM makes it clear that Ocean's ableist views about him are untrue and harmful, without breaking the realism for her to turn directly to the audience and say "By the way, you aren't supposed to agree with most of what I say about Ricky - I'm an unreliable narrator speaking due to my own biases!"
Basically - SABM is a subtle deconstruction of all the ableist things said to/about Ricky throughout the musical. It's an incredibly important part of the musical and an important way to represent a disabled character. And it's also a fucking bop.
Why this is important
Representation matters. That's a concept that has been explained a lot, by people who can articulate it better than I can - I won't fully explain here, just google "why does representation matter".
Look - over the years, many aspects of RTC's disability rep have been criticised in various ways. And a lot of that criticism is completely justified. Many topics were handled confusingly, not fully explained, and not properly explored like they could have been; erasure was pretty much baked into the script, with Ricky becoming able-bodied in the afterlife, and while some productions have tried to alleviate this by retaining his mobility aids nobody has found a workaround for his inability to speak in a genre where it's important for him to sing; and in recent years his disability has been entirely erased from the script, in an incredibly ableist way.
I'm not saying RTC is perfect; far from it. But if I thought there was no value in RTC's disability rep, and Ricky was just some offensive caricature, I wouldn't be in the fandom.
In fact, it's because I love Ricky and see him as valuable disability rep that I think it's important to criticise the parts of the musical that aren't handled well & the issues with disability erasure. RTC had good disability rep - that's why I think it should be improved, why it can be improved, and why i think we should fight against erasure. That's a big part of why I hate the 2022 script changes! Because they erased something that was important to me!
A lot of the things I loved about RTC in the first place are things that I frequently see glossed over, or downright erased, in fanworks. I think sometimes people don't realize the significance of these details, so I wanted to share why I think it's important! Some of these details really need more exploration and more love!
Overall, I think it's important to understand that media can't always be sorted neatly into "good representation" or "bad representation". And that talking about the good things and criticising the flaws can both be important. I really wanted to share my perspective on this topic. Thanks for reading!
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thedomesticanthropologist · 2 years ago
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I present to you: at no point in the game is Astarion actually ready for a romantic relationship
Tav is the first person he drank from
The first person he has consensual sex with after 200 years
And he says to them: no one is like you. You're YOU
He genuinely believes that Tav is the *only* person who would be this way, even if it isn't true. He does fall in love with you, he does want you, but I present to you the idea that if things hadn't gone down EXACTLY as they had, Astarion NEVER would have initiated a partnership/romantic relationship for YEARS after escaping Cazador for good.
The man is coded for survival, for self-preservation, and is inherently selfish by nature. It is only because Tav gives selflessly and determinedly reinforces wanting to be with him that he caves in and allows it, but if you try to leave he's thrilled. This is for the best he says, you don't deserve this facade from me he says.
"I don't know how to be with someone even if I want to. I want this to be real but I don't know what real is. I need to not have sex right now"
In act 2, if you break up with him, he agrees with you. He thinks it's the right thing for you because hes not ready. He won't say this unless you initiate a break up but how could he possibly let go of the best thing that's happened to him in his entire undead life? He wouldn't toss out the treasure of you even if he didn't feel ready.
It really does take a patient, calm, supportive Tav to get him in the end, and he DOES want you, I'm not arguing that
I'm arguing that that man is not ready for a committed relationship, doesn't know what a healthy relationship looks like, and in an ideal situation if he thought he had time and options in his life and if he felt safe he would have focused 100% on himself first for a VERY long time.
The tadpoles, the adventure, the pressures of the battles, the fighting the revenge the ascension and the ritual he has to fight or succumb to the fact that the sunlight is gonna nerf him again- all of this contributes to the perfect scene where Tav gets him right "out the gate", first by being a mark and a target and then by simply *not breaking it off with him*
And yes he's in love to the best of his ability to know what love is at this point
And yes he wants you very much
But the man is going through the biggest whiplash of his life and I can say with confidence that he's not... *Ready*. And after all is said and done, Tav will have to continue to be patient with many things with him. There are still a lot of hurdles. He may be with them for a long time before he wakes up one day and realizes, really really realizes, that he's ready.
The power dynamics are off, they're imbalanced. How could he say no to a perfect mark that gives him everything ? Blood, sex, waits when sex is off the table, never breaks up with him never leaves no matter how he rails against them? He can't. He won't, and he doesn't want to, but that doesnt make him emotionally ready for what a genuine relationship is.
He has to learn it, with you, over time, but I don't think he'd jump into learning that and going for it and seeing it as worth it if the situation were in any way different
Without the perfect storm of events, I don't see Astarion jumping into "commited relationship" to be clear, I'm not saying that he isn't capable of feelings or doesn't want tav it's just
It doesn't *seem* to match his character or his struggles to me. For a man that is completely self serving, he accidentally catches feels and then doesn't have the strength to cut you loose even though his act 2 confession is practically him asking you to leave him. If you take the Araj route in particular, he VERY plainly lays his shitty behaviour on the table as if daring you to punish him for it... Or maybe just expecting.
In his spontaneous scene it's softer, it's I love you but I don't know how to do this. And still if you say "I don't think you're ready to be in a relationship" he immediately agrees. In act 3, if you've stuck to him the whole time like glue, he never wants to let you go. Again, I think this level of connection is impossibly rare and everything had to happen as it did to get you there, but the power balance is off still. He says partner, equal, and he wants that. And he WILL get there
But he not only has to struggle with his past, his issues, his trauma, he has to struggle with the power imabalance that you're his Savior. YOU defeated Cazador. YOU protected him in camp and didn't stake him on sight. YOU fed him from thinking creatures for the first time. YOU are one of "a very few select people" who have had sex with him and not been slaughtered immediately afterwards.
You're everything to him
And by the end of the game you already see him trying to shift that power imabalance because HE SEES IT. If you say you'll protect him he WINCES and disagrees, he doesn't want that. He doesn't want to be below you, but he sees himself that way anyway. And to me, that's the sign that he wasn't ready, he still isn't ready,
But he will be, one day. And I think that makes it a better written romance than thousands I've read, because it's not perfect. There's grey areas. There's things that can make you uncomfortable. There's parts of it that aren't healthy and won't be for a while. Who knows how long until he feels like he's your equal? Until he feels like this relationship is something he ever would have chosen if things were different?
But he does choose you. He does. He wants you. He'd just never have gotten the chance to if it hadn't been "right place right time" imho
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allthingsfangirl101 · 3 months ago
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Misery Loves Company – Charlie (Set It Up)
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Charlie's POV
"Umm... I moved your lunch to Ai Fiori's," I started listing. I hesitated before adding, "Kiki wants to go over divorce papers."
"Okay, you can tell Kiki she can light herself on fire."
"And if she calls or. . ."
"You tell her she don't divorce me." I took a subconscious step back when he abruptly turned around. "I divorce her. Call my lawyer and tell him to counter-serve her for serving me."
He turned back around and continued walking to his office. "I don't know if legally. . ."
"What is this?" He asked gesturing to the supplies I brought in this morning. "I hate it."
"This is your son's science project," I chuckled as I stepped around him and got behind my desk. "It's a fun play on 'when life gives you lemons. . .' I'm using lemon battery to power. . ." I stopped talking when he walked away, into his office. I sighed before jogging after him.
"Where's my dinner?" He asked as he sat at his desk.
I paused, going back to the conversation we had outside the other office building. "Did you want dinner? Because you said. . ." I paused when he glared at me. "No problem," I stuttered as I backed out of his office. "Coming right up."
With that, I ran. As I got to the lobby, I heard one of the other assistants arguing with the food delivery guy.
"I order from you guys like three times a week," she sighed. "You know that I'm good for it. I have three credit cards. Can I write a check?"
The assistant was Y/N. She works for Kristen on the top floor. I've run into her every once in a while. We take turns being the last to leave.
"Cash only," the delivery guy sighed.
"What if I pay you triple. . . tomorrow?"
"Cash only."
"What if I told you this face was a mask and I'm a 100-year-old gypsy who will curse your family for generations?"
"Cash only."
"What grocery store doesn't serve saffron-infused Kobe beef cooked medium rare?" I asked the guy on the phone, snapping out of focusing on Y/N when the guy told me no.
"I can't go up there and ask for cash, so my options are for you to help me or for me to commit a felony."
I felt bad for only a second went the idea popped into my mind. "Hi," I said when I got to them. "Whose food is this?"
"It's mine," Y/N answered.
"You got $31.32, it's yours," the delivery guy answered.
"I have cash," I gasped as I grabbed my wallet. "I have so much cash."
"No," Y/N tried to intercede. "Hey, hey. That's my boss's dinner. If I'm not upstairs in two minutes with that food, I will get fired." My guilt came back as I saw the pleading in her eyes. It went away when she asked, "Can I borrow some money?"
"No," I said instantly. "This is my boss's dinner. If I'm not upstairs in two minutes, I'm gonna be fired."
"No, you won't," Y/N said, rolling her eyes. "Look at you. You'll just swoop in with your lacrosse stick and your fraternity connections. You'll keep getting promoted for no reason. I need that food."
I maintained eye contact with her as I handed the guy cash. "Thirty-two dollars. Keep the change. Thank you."
I didn't ignore the guy rolling his eyes before he left.
"Is this happening?" Y/N asked the retreating delivery guy. "I will not forget this."
"Whatever," he brushed off.
"Wait. Sir?"
It took me a second to realize she was talking to me. "Sir. There are two dinners. One for me and one for her, so we could split it. I can take one to my boss and you can take one to yours. Please. This is DEFCON 5."
"DEFCON 5's the good one," I said. "Everything's safe, international travel's fine."
"DEFCON 1!" She yelled, slightly cutting me off. "You know what I mean."
I sighed, slightly hesitating before asking, "What are the meals?"
"Okay," she said, taking out the boxes of food. "I'm gonna take her the truffle mac and cheese. You can have the burger."
I took it from her and looked at her like she was crazy. "Are you insane? I won't give him a plain hamburger. He has taste."
"Okay," she said, taking it back. "I'm gonna fix this, okay?"
I watched, my hands on my hips, as she knelt down and started scooping mac and cheese onto the burger.
"See what I'm making?" She asked, still busy working. "It's a truffle cheeseburger with kale. The burger could win awards. Pickle is my dinner."
"No, no, no," I cut her off, kneeling next to her.
"What?"
"I won't give him a truffle cheeseburger without a pickle." I was kind of surprised when she handed it back. We stood up and started heading to the offices. "I wanna be paid back tomorrow, 8 percent interest, liquidity preference."
"Do I look like I can afford interest?" Y/N scoffed. "I steal my toilet paper from the office bathroom."
"You should learn to keep cash on you," I said as I stepped into one elevator and she stepped into the one across from mine.
"You should remember to order dinner before everything closes," she shot back.
"You know that pickle?" I asked, clearly confusing her. "That aforementioned pickle? That wasn't for my boss. That was for me."
I smirked as I took a bite out of the pickle. "You're a monster," she said as the elevator doors closed.
* * * * *
That was the first "conversation" I had with Y/N. The next day, she came down to Rick's office and paid me back. We ended up talking for over twenty minutes. It would've been longer if Rick hadn't screeched my name.
Over the next few weeks, we ran into each other. It seemed like I saw her several times a day. From what I can tell, Y/N's been working for Kirsten for three years. She told me after we first met that she always wanted to be a writer but was too nervous to give Kristen anything she's written. I semi-bullied her to get her to show me something. She's really good. I almost sent Kristen her article but Y/N proceeded to jump on my back to steal her computer back.
We soon discovered that we were both miserable and it felt oddly validating to confide in each other. We got closer the more we confided. Whenever one of us had a moment to eat, we ran to the other's office and snuck them food.
The more I hung out with her, the harder I fell for her. I never said anything, though. I'm pretty sure she was dating this guy. I haven't asked her. I've noticed her getting texts from someone. She usually gets excited but tries to hide it. She can't hide the pink rising to her cheeks.
Besides, it's not like I had time to date. Rick has me running around, following him all over the place, doing everything he wants. Even if Y/N was single and she was into me, I wouldn't have time to take her on a date and spoil her. I'd end up running out on our date because Rick needed more beer or was already drunk and no Uber would take him home.
Y/N doesn't deserve that. She deserves a man who would always put her first. No matter what. I'm not sure I could do that, even though I'd want to. I'd want to drop everything for her, run to her side, and do anything she needed to be happy.
I glanced out the window and saw Y/N following Kristen inside the building. Even from all the way up here, I could see Y/N's head nodding to whatever Kristen was saying, her hand flying across the page in her perfect handwriting as she took notes, her smile as she was storing away pieces of what Kristen was saying to help her be a better writer. Even from all the way up here, I could see that I was pathetically and completely head over heels for her.
* * * * *
I sat at my desk, completely in awe at Rick's most recent temper tantrum. I ran my fingers through my hair for the twentieth time in the past five minutes. I knew my hair was a mess but I didn't care. Until. . .
I heard her heeled boots and knew it was her before I even looked to the side.
"What are you still doing here?" I asked, sleep evident in my voice.
"That was my question for you," she chuckled as she walked over and sat in a chair across from my desk. "I was heading out when I saw your office lights still on. And Rick's car was gone but yours wasn't. Is there a reason you're trying to be here all night?"
I pointed to the destroyed science fair project.
"Let me guess," she sighed, "Rick had one of his famous temper tantrums."
"Yep," I grumbled. "Life gave me lemons, and I used it to battery-power lemonade."
"Can you fix it?" She asked slowly as she scanned the destruction.
"No. It was a masterpiece, and now he's not even getting a ribbon." I paused when I looked up to see her staring at me with pity in her eyes. I refused to let her waste her night when she didn't need to. "Go, get out of here. Save yourself. Go spend time with your boyfriend."
I studied her as she nervously played with her hands. "I don't have a boyfriend," she mumbled.
"What?" I asked, not meaning to sound so surprised. I cleared my throat before asking, "I thought you were seeing some guy. You get these texts. . ."
"Oh," she gasped. "That. Well. . . It's not. . . It wasn't. . . Nothing happened. We went on like two dates, had plans for a third but. . ."
"Let me guess," I sighed, "work came up?"
"Doesn't it always?" She scoffed. She looked off to the side and seemed to be talking to herself as she mumbled, "I thought he was different. He always asked about my work, seeming genuinely interested. But, I guess he was more the type that needed all the attention without the work. And me? My guy may need to work a little too hard to get my attention."
"You're worth it," I blurted out. Y/N's head snapped toward me and it was clear that she didn't think I'd heard her. "I just mean. . . The right guy won't mind."
"The right guy," Y/N sighed. "Something tells me as long as I work here, I won't be finding my 'right guy' any time soon."
I watched as she started cleaning up the destroyed project. I was about to tell her that she didn't have to do that when she said, "We need a new project. Whole new thing."
"It's late," I sighed. "I can handle this. You go home. You're free."
"Hey," she said, pointing her finger at me. "Misery loves company, right? I'm not leaving you to suffer alone."
I watched her as she walked over and picked up some of the lemons. My chest felt tight as she laughed, "I honestly did not know that someone could do this to lemons with their bare hands."
We moved to the employee lounge and worked on some random project involving milk, soap, food coloring, and Q-tips. I had no idea what Y/N was doing. All I could focus on was how she was so focused on the project while still maintaining a full conversation with me.
"Have you shown Kristen anything yet?" I smirked when Y/N looked up at me and glared.
"No," she said through her teeth. I opened my mouth to say something, but she cut me off. "We've already talked about this, Charlie. It's not time yet."
"When?" I challenged.
"Just not now," she said slowly.
"Y/N," I said gently. "Have you written anything yet?"
Y/N looked down, focusing a little too closely on the glass plate of milk in front of her.
"I haven't written anything or finished writing anything," she mumbled, not looking at me. "My days are so long and so exhausting it's like when I have time, everything I write is. . . bad."
"That is probably not true," I tried to comfort her. "I've read some of your stuff."
"My college stuff," she brushed off. "And it is true. I think I wanted to impress her and I wanted her to like me, so, it's just like, I worked so hard at being this great assistant and making sure she was happy that. . . I don't know, feels like I might have lost any writing skill I ever had."
"Well, that is definitely not true," I sighed, sliding off the couch and sitting on the floor, across from Y/N. "You're a terrible assistant."
I felt relieved as I made her laugh. The tension in the room seemed to lighten.
Y/N showed me the experiment and we quickly wrote up a poster and a short essay. We were cleaning up when the tension suddenly returned.
"Can I ask you something?" She said, suddenly focused on what she was doing. "And you promise not to get mad?"
"Of course," I said, scooting closer to the small table between us. Little did she know that I could never be mad at her.
"Why do you work for Rick?"
"Because he can open doors for me," I shrugged. "I've spent three years doing every shit errand imaginable. I can't quit. I'd have to start all over, and all of this would've been a waste. Rick is the most respected VC of all time, so if he makes me an analyst, I can get a job anywhere. He can turn me into. . ."
"Him?" She cut me off. "You really want to turn into Rick?"
"What's wrong with me turning into him?"
"Rick is a horrible person, Charlie," she said, the look in her eyes soft. "You really want to spend your days, yelling at an assistant, making them miserable so you can make some money?"
"Well, I. . ."
"That's not you, Charlie." She stood up and finished putting away the supplies. She said one more thing to me before leaving the office.
"I know you, Charlie. And you are nothing like Rick. I hope you stay that way."
* * * * *
The next day, I debated heading down to Kristen's office to see Y/N but ended up chickening out. After Y/N left last night, I went home but couldn't fall asleep. I spent all night thinking about Y/N giving up her night to help me. I overthought the conversations we had; what she told me about the guy she dated, what I confessed to her about my job, what she was worried about with her writing skills, and, most importantly, her hoping I don't turn into Rick.
I wasn't paying attention as Rick listed off what he (we) were doing this weekend. I didn't care. All I cared about was what Y/N was doing this weekend.
"I can't fly to Mexico with you," I cut him off.
"Excuse me?" Rick scoffed.
"I have plans," I said, struggling to not lose my nerve.
"With who?" Rick laughed but I could see the anger behind his eyes.
"Y/N, from Kristen Stevens's office upstairs."
"The assistant?" Rick laughed. I gripped my hands into fists to try and control my anger.
"Yeah," I said, taking off my headpiece and tossing it onto my desk. "The assistant."
"Charlie!" He called out to me as I left, but I didn't turn back. I wasn't sure if I would have my job tomorrow, but I didn't care. I was too impatient to wait for the elevator so I ran up the stairs. By the time I got to the top floor, I was out of breath. I didn't care. I had to see her.
I ran through Kristen's office, not caring how insane I looked. Finally, I found her. Y/N was walking out from behind her desk and slowly down the small hallway, coming toward me. She looked up and froze when she saw me standing there, panting.
"Charlie," she stuttered. "Are you. . . Are you okay?"
"Yeah," I smiled. "I think I just quit."
"You what?"
I slowly walked toward her as I explained, "Rick was going on and on about going to Mexico this weekend and told him I couldn't."
"Why couldn't you. . ."
"Because I have a date with Kristen Stewart's assistant."
"You have a. . ."
I smiled as I closed the gap between us. She studied my eyes as I reached up and took off her headset. I tossed it behind her. We didn't look away as it clattered onto her desk but fell to the floor. I grabbed the files out of her hand and tossed them onto a filing cabinet to my left.
"Charlie. . ."
I grabbed her face gently and pressed my lips to hers. I felt her gasp against my lips, but she slowly started to kiss me back. I let go of her face and wrapped my arms around her waist, pulling her closer.
"Y/N, I need you to. . ."
We broke apart when Kristen came into the hallway. Over Y/N's shoulder, I could see Kristen struggling to hide her emotions.
"Actually, never mind," She said, looking between Y/N and me. She started to walk into her office but stopped in the doorway. "Y/N, why don't you head home for the night?"
"Are you sure?" Y/N stuttered, finally pulling out of our embrace. Kristen glanced at me with a smirk on her face.
"Absolutely," she said before turning back to Y/N. "And don't worry about coming in tomorrow until 9."
"Okay," she said hesitantly.
"And Charlie?" Kristen said, turning her attention toward me.
"Yes?"
"Take care of my assistant."
I looked back at Y/N to see her face turning pink. I reached up and moved some hair out of her face, my hand lingering on her cheek.
"Don't worry, Kristen," I said. "I will."
"Charlie," Y/N stuttered. "We both work. . . A lot. How are we. . . How are we going to maintain a relationship when we both work 18 hours a day, sometimes more?"
"We'll find time," I tried to reassure her. "Think about it. We already do."
"What do you mean?" She asked but I could tell she was coming around to the idea.
"We sneak each other food. We check on each other when we're both working late. We go out and get our boss's coffee at the same time. We are constantly texting and IMing all day."
I grabbed her face and pressed my lips to hers. I felt her smile as she started to kiss me back. She grabbed my suit coat and pulled me closer. When we broke the kiss, we leaned our foreheads against each other.
"I don't want to cancel dates and leave you wondering if I really care about you," Y/N said, her voice soft.
"I will never wonder that, Y/N," I insisted. "I know that you will make time for me. And I hope you know that I will make time for you. We can make this work."
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