#if anyone has anything to add i'd love to hear

[skydigiblogs]

Digimon and Disability

Realizing I can't think of any Digidestined characters from any anime that are implied or stated to be physically disabled. Might just be me not remembering right, but idk? I know the series explores a lot of psychological topics, but I just can't really think of a character who deals with a chronic physical condition while the screen is on them.

The reason I'm thinking about this is because I want to design a cane you could imagine seeing in the Digital World (as a person who uses mobility aids, I kind of want to draw my sona with a cane sometimes), and, like... the closest I can think of in terms of a main character with disabilities is Hikari/Kari.

I haven't gotten to the Dark Master arc yet, but I know her getting severely ill was a huge plot point, and it's also heavily implied that she missed out on the first trip to the Digital World because of a cold (which is reasonable, even if you aren't disabled and deal with difficult periods of illness). At the same time, though I know that she gets used as a mouthpiece for the light when she's ill in Machinedramon's city, so??? I'm not sure what to think of that.

I also can't really say if that's backed up in 02 or other sequels because I just don't remember them that well at the moment.

The only other anime character coming to mind with a confirmed disabling condition is Thoma/Thomas's sister in Savers, but what I do remember doesn't instill me with confidence in the treatment of her character as a person with a disability. I'm sure I'll have more to think about in terms of her when I get to that part of Savers.

And the only example of Digimon I can think of are, like, Jijimon and Babamon, and that's only because they have walking sticks they use to whack shit with. Which like... ehhhhh. We'd really be putting the bar on the floor if we counted those two as disability rep, I think.

I also guess that Erika in Digimon Story Cyber Sleuth: Hacker's Memory counts but... I also don't know how to feel about that one as disability rep. Between her, Thoma's sister, and even Kari, their respective illnesses (regardless of how chronic they are) always seem to end up with emotionally constipated older brothers who feel obligated to "protect" their "weaker" sibling.

I at least like Erika as a character, and I do think CS:HM does a little bit more to interrogate what that means for her, but I still have no way of naming what Erika was even sick with in the first place. Wikimon doesn't even have a summary of her symptoms, and from what I recall the jist of her disability was "if I get too stressed, I pass out." Which. I know people who experience that due to things like seizures, but I still can't help feeling a little bit miffed that Ericka really is the closest to disability rep I can think of in the series.

I'd like to see more of us in the series, if only because it would make me feel a bit more welcome in my favorite series.

[i-desire-r0b0tz]

I had some revelations after playing through Violence

So after my buddy and I played through violence when it was released a few weeks ago I had this whole ramble/spiel and I made a few connections I haven't seen anyone posting about so I'm gonna post them now, sorry if they're a little disorderly I'm ripping it off of discord

-Cause Imperfect Hatred was obviously a reference to Gabe and his whole rant about "You’ve taken everything from me, machine. And now all that remains is PERFECT HATRED." But it was very obviously imperfect hatred and he realized that he doesn't actually hate V1

So in regard to 7-4 and the Earthmover being the final boss for the layer of violence we learn through previous logs in violence that every machine in the war is built to counter the previous machine built, and through this we know v1 was built to destroy the Earthmovers. That v1 was created with the intention of being able to destroy things so much greater than itself from the inside out. It kind of reminds me of what we as the player of v1, are doing to hell, If hell is a living thing as it's sorta been hinted to be then maybe v1's purpose or driving motivation in hell is to dismantle hell at it's heart of it and the Earthmover was foreshadowing of what the rest of act 3 is gonna be.

Why do I think that has solid standing?

What's interesting is what that means for act 2, v2 fights v1 to try and get it's arm back and get revenge, v1 takes something from it again but more importantly v1 kills it. What this means when applied to Gabriel is that he fights v1 to try and earn back his holy light, his grace, and he loses again. I think the death in this instance in regards to Gabriel was a spiritual one instead of a physical death. His faith in god dies, the illusions he's forced himself to believe in have died. The boss music for Gabriel is quite literally called "The Death of God's Will", with Gabriel in the first act referring to himself as "...the righteous hand of the father" and his first warning to v1 being "Turn back, or you will be crossing the will of God." And in a way v1 is responsible for taking that faith from him too, like how v1 took v2's second arm.

So actually I'm not sure we're gonna be fighting Gabriel as much as maybe we'll be fighting and destroying the heart of hell itself for the ending of act 3. But that's just a theory and some connections I made

[paris-geller-was-straightwashed]

M*A*S*H 4077 & DND

guess who started their m*a*s*h rewatch around the same time they've gotten into d&d and now cannot stop thinking about the utter chaos and hyjinks of The Gang trying to play a campaign. it starts with none of them really super into fantasy roleplay, but they're all So Fucking Bored they might as well play to have something to do.

it started off imaging just what role they'd each play, but now I couldn't stop myself from imaging each person's race, class, AND, just for fun, the dice they'd use!

hawkeye: isn't that bothered about races, probably either an elf or just a human. class is paladin, relating the paladin's 'call for good' something like the oath doctors take to always help and heal patients, no matter what (and, let's be honest, probably feeds into his egotistical nature at being a naturally skilled surgeon, as if he was 'called'). cannot be Asked to care about ability scores (only to deeply regret it when he's nearly off'd the first battle) except for pouring most of his points into charisma. mostly likely of the party to Fuck his way out of a confrontation (no matter the other's gender #bihawkrights). spends most of the campaign messing around and forgetting what his spells are, but when the party hits a serious battle, is the first to throw himself in and use any spells to help his friends before himself. originally wasn't that interested in the game, but overtime becomes one of the ones who gets really into it, screaming across the board at ppl's bad roles and cheering & trying to pick ppl up in glee when they win. dice of choice:

(just the most wack-ass coloured dice I could find, metaphor for the inside of his brain (also this way he can tell if anyone tries to conceal any as theirs)).

radar: while interested in the fantasy stuff (being a comic reader), was a little intimidated with all the math & rules involved until hawkeye and bj convince him. part of me thinks he could be a halfling or dwarf, but then I think he might enjoy being a humanoid creature like a minotaur (farm boy) or a satyr bc of his love of animals. class is bard, where he carries/plays the drum. enjoys and gets really into the story, but is always flummoxed when it comes to the battles, asking what everyone else thinks his character should do (only for everyone to yell back several different answers). always needs a couple of seconds of mental math to add his modifier to dice rolls (me too radar) but when the party comes across a riddle or puzzle, is usually the first to figure it out. keeps trying to pick up small creatures to put them in his sack. is not allowed to talk while people make their roles bc of too many times where he's predicted the number before they can read the dice (the moment of hawkeye's saving role during a Big Bad battle was kind of ruined when radar elatedly jumped up at the nat20 before the dice even left hawk's hand). dice of choice:

(cute little puppers!)

margaret: at first is staunchly against it, calling it childs' play, but eventually is worn down by hawk & bj and is also so bored, she gives in. thought she might be an elf, but in the end chooses genasi, picking fire power. chooses the fighter class, leaving hawkeye to make a remark that gets a dice thrown at his head. doesn't really get super into the meta of the game or the story (often tells the dm to get on with it and cut to the action) but does love to play, where it overtime becomes a good outlet for anger ('the demon tries to approach you, margaret what do you-' 'I SLICE OFF HIS KNEECAPS WITH MY BATTLEAXE!'). is a good player until the roles don't go her way ('you only rolled a 10, so your attack doesn't hit-' 'SCREW YOU! KLINGER GIVE ME YOUR 18 ROLE!'). is pretending like she isn't having fun but everyone can see through her. dice of choice:

(these seemed the most like margaret, elegant but not too girly).

henry: is also peer-pressured into joining. picks barbarian class so he doesn't have to think about spells. tries to pick human bc all the other races were 'too complicated' but got told due to his class, he has to pick a more built character like an orc, so an orc he ends up being. but he's bad at it, often either trying to escape a battle or by being a peacemaker, trying to persuade the monster out of battle but with such a low charisma score, it usually ends up with him getting clonked over the head and margaret jumping in before he's killed. keeps trying to give his gold to poor peasants they meet along the way. doesn't understand any of the mechanics. rolls so many nat1's that nobody will switch dice with him anymore, thinking his are cursed. the game is often more stressful for him then not, but he enjoys the time with his friends. dice of choice:

(I dunno, for some reason when I think of henry I think of a dark orange/amber).

potter: prolongs joining, thinking he's too old for it, but is also peer-pressured and eventually caves, thinking it'll be good for morale. chooses dwarf and for his class to be an old wizard. doesn't understand half the rules, spends most of the time muttering under his breath as he goes over the manual, radar (un)helpfully leaning in beside him to explain. but once he gets the hang of it is a good team member; is the only other person besides margaret to take the hints and puzzles seriously and without him (+her) the party would probably be making circles lost in some boundless woods somewhere. cheers his teammates on when they make a high roll or powerful move and only occasionally has outbursts ('well colonial sir, you need a 16 or higher to cast-' 'MULE FRITTERS! I said cast magic missile and that's an order!!!"). dice of choice:

(same thing - when I think of potter, I think a dark blue).

charles: the last of the group to get into it. completely refused and repeated that 'he was far too smart for that kids' stuff' and everyone was wasting their time. but when someone had to dip out of the campaign last minute to deal with a medical thing, charles was brought in as filler with the promise of a day's R&R. at first I thought high elf, but switched to dragonborne, of the noble variety of course. chooses sorcerer (blessed with some innate magic, as his ego prefers). constantly complains about the needless complexity of the rules and why bother having ability scores when it's the modifier that counts???? is always arguing with the dm on his rolls. uses up half of his turns to use mage hand to steal hawkeye's things or cast ray of sickness on him when he's being annoying - but, when it comes down to it, is one of the more strategic players and has gotten them out of many sticky situations. like margaret, is pretending he isn't having fun, but isn't immune to jumping up with the others over a saving nat20 role, at one time even excitedly picking up a confused radar. in the end, swallows his pride to shyly ask if he can join the party finally ('you know, it'll, uh..it will give me something to do during those boring intervals, and clearly this group needs all the brains it can get..' '..charles, you wanna come play with us?' 'well, if I must..'). dice of choice:

(the snootiest of dice, a pure gold colour).

mulcahy: also initially intimidated by the mechanics, but is happy to play a game with his friends. a possible half-elf or maybe a wise owlin. cleric, obviously. gets invested in the storyline, often applauding the dm's story or asking 'what happens next???" only to be told to wait till the next meet. one of the few who has actual healing spells and probably the only reason everyone didn't die in their first battle. a nerd who enjoys solving the puzzles. actually gets into the lore and one time had a deep, 2 hr conversation with radar & hawkeye about the disenfranchisement of some of the races and the hierarchy of the class/rule structure within the fantasy realm, and how it relates to theirs. the next day, radar came to his tent to show him a little sketch he did of his character in cleric robes, shrugging it off, but mulcahy loved it so much he pinned it up on his tent walls. dice of choice:

(inspired by one of my favourite mulcahy lines, when he's talking about missing holding services in real churches - 'I am rather fond of stained glass', which I always think of whenever I see stained windows. tried to pick the ones that emulated the colours best (also would've liked maybe a light, forest green colour; it just feels mulcahy-esque to me).

klinger: one of the first to join bc what else what he gunna do but sit in his tent, sewing up pantyhose? rogue class, of course, relating to the 'urchin' background. changeling race, so that way with his class he can hide at any moment, and also, as he says, 'can perfectly match his outfit no matter what he looks like!' tries to follow the storyline but doesn't have the attention span for it, half the time guessing the wrong answer to any clue or puzzle (will come and poke the dm awake in the middle of the night with his patrol gun, claiming to have figured it out). second after hawkeye to try and Fuck his way out of a situation. cannot do math to save his life, making margaret often rip his dice away from him to add it herself. will gang up with hawkeye to use his pickpocket skill on charles. resourceful enough to have tricked the villains multiple times and gotten away with it but will also roll to try and kick the villain in the nuts to see what happens. dice of choice:

(these just screamed klinger to me; I like the dark, 'masculine' colour contrasted with with the colourful flowers).

bj: thought I missed him? well, I saved the best for last bc bj...is the dm! ha ha! no one really in particular stood out, but after thinking on it, he seems like the best fit. first, I was thinking of the episode 'the kids' where he gets really into the story he's telling, full of voices and sound affects and all. and secondly, our kindly mustacheo'd doctor loves Mind Games and pranks - what better way then stringing his friends along into one big, zigzag puzzle? bj loves nothing more then having his friends on the edge of their seats, only to pull out a bad guy the group thought they got rid of months ago, glee in his eyes watching them combust into screaming and table flipping. getting a thrill during off hours, hearing hawkeye & charles hastily whisper across bunks to each other on the campaign thinking he can't hear them, or getting shaken awake by margaret in the middle of the night, demanding answers. he spends hours planning out the campaigns in the tent (and finding new places to hide his papers from hawkeye), sometimes writing peg about it and occasionally - if the timing of the mail is right - using her suggestions she writes back. but mostly, bj just loves watching his friends have a good time - cheering each other on and hollering with each battle won, feeling proud of them for everything accomplished (when he doesn't have to babysit hawkeye & charles from casting spells on each other, trying to answer radar's 49th question on how rolls work, or keep margaret from solo fighting the demon fifteen levels above her). dice of choice:

(idk, these just feel 'bj hunnicutt' to me).

other camp members: - frank: was only let in Once after margaret begged hawk & bj, saying it was only fair. initially picked human bc 'they're clearly the purest and most civilized race!!' (causing eyerolls), quit thirty minutes in after being told he couldn't be a fighter 'cause they already had margaret and that he couldn't just 'set all his abilities to 20', calling them all nerds and angrily throwing a d20, only for it to bounce back on the tent beam and hit him in the eye. - some of the nurses have occasionally filled in, but otherwise don't play outside of margaret (most of their time was filled up with hawkeye using his character to flirt with theirs). one time nurse kellye filled in; she played a cute little halfling druid, and her and radar teamed up to help rescue all the forest animals, much to the groups chagrin. - zale & igor: permanently banned. both tried to eat the dice on a dare.

campaigns are held twice a month in the swamp, with drinks and stale pretzels to go around. use to sometimes go all night but after one too many nights of clambering arguments over each other's rolls, the whole camp banded together to force a curfew. while the game only exists within the swamp's quarters, they'll once and a while jokingly call each other by their character's names (and if you're margaret, one time accidentally using it to call hawkeye to surgery, which he now never lets her live down). during the last campaign of the story, radar pulls out another drawing he did - this time of everyone's characters, standing valiantly over the dragon they slayed. it now has a place of honour hung in the swamp.

[gxrtyz]

You know I feel like there's this common narrative surrounding the trans community (especially perpetuated by non-trans people) in that a persons' transness is always a trait which can be noticed or observed in some way. And I'm talking about like, even in the positive/ally sentiments type of way -- not just people being dicks about clocking. The whole narrative of 'trans person who always could tell they were their gender' is a big central part of it, and even when that's unraveled as rightfully non-universal I feel there's adjacent yet less overt ideas that still perpetuate themselves around trans-related conversation in other unspoken ways

[ven0moir]

... DID KAREN LISTEN IN ON BYLER'S CALLS? Okay so hear me out

HER SIDE EYE HERE AT TED'S COMMENT ... like, she knows something. i doubt she knows about Byler per se but she knows something we don't know or at least suspects something. Like she did in S1 before the Wheelers learned about El.

WHAT THE HELL HAPPENED DURING THOSE PHONE CALLS? one thing Karen and i have in common is that we're both nosey af i need to know what the heck those two talked about. bc i understand this moment:

was when they both had butterflies for the first time / established that 'mutual understanding' thing they got going on, but i've always felt that something meaningful may have happened during those phone calls to prompt Will to draw that painting. So i get the feeling those phone calls matter for further context.

circling back to Karen, Mike telling Karen "how many times?" literally makes it canon that this moment in S3 was NOT the first time Karen listens in on HIS phone calls specifically.

so i do think this either means Karen having listened in on their phone calls will be brought up in s5 for some reason involving exposition, or we will literally hear their phone calls .... through a recording.

During a moment of action / when something else is going on. Just LOVE the theme of people listening in on private phone conversations, huh? And guess what scene comes RIGHT AFTER THIS ONE? Yup. MIKE ARRIVING AT CALIFORNIA.

We know phones / phone calls have been lightly associated to Byler especially in S4 but now let me introduce to you the idea of them being SPIED ON while having those phone calls, by Karen (intentionally) AND Hawkins Lab/military people (by chance/coincidence)

this is right now my favorite theory i have came up with, bc honestly it is SO much fun finding clues about it. And i feel like whatever conversation they had will be relevant somehow. and this all might be a reach but a part of me feels like i am onto something. perhaps we will have a karen/mike parallel to nancy's conversation with her in s3.

I'll keep updating this if I find more evidence of Karen spying on their phone calls but if anyone else has anything to add that I might've missed I'd greatly appreciate it!!

[akutasoda]

I'd like to request Mammon, Lucifer, Diavolo, + whoever you want to add, with a reader who instinctively kinda hides behind them if there is any Threat or if they're scared/shy, bc that would actually be so cute. (ᗒᗣᗕ) (oo, not a event request btw :33)

demon shield

synopsis - how they react to you hiding behind them

includes - lucifer, mammon, diavolo

warnings - gn!reader, fluff, wc - 556

lucifer ★↷

the very first time you did so, he turned his head to stare at you in utmost confusion and bewilderment. he questioned you and merely sighed before continuing on with what he was previously doing. he didn't exactly mind but he needed to get used to it.

eventually he got used to you hiding behind him and now if anyone asked about it, he immediately shut them up and took their attention away from you. afterwards he'd check up on you and ask if there would be anything you'd like to go do.

lucifer would get noticeably more protective if you hid behind him because of a threat. yes, his pride absolutely soared knowing you chose him to protect you but he always didn't want you getting hurt at all. that threat wouldn't last too long either.

he'd always protect you, and he doesn't care that you hide behind him.

mammon ★↷

he always looked at you in pure confusion when you hid behind him a few times. mammon didn't exactly clock onto what you were doing or even why you were doing it. he never brought it up after but he always questioned you in the moment.

mammon was extremely flattered by the fact that you would choose him to hide behind when need be - although he played it off as his usual ‘of course you'd choose me! i was your first!’ so you'd never hear it from him. but also when you hid behind him, it seemed to give him a grand amount of courage.

all of a sudden, he has the ability to stand up to anyone and anything. if you're nervous or shy, then he has no problem in getting rid of the cause. and if you're in danger, he suddenly will do anything and everything to keep you safe, despite the consequences and his own worries.

diavolo ★↷

at first, diavolo just thought you were a nervous person. he didn't mind that you hid behind him and in fact he took it in stride, he loved and found it so endearing that you trusted him so much to the point where he became your human shield (or demon in this case…)

diavolo would always protect you no matter what and so if you hid behind him, it would become his mission to protect you - he had a bigger figure than yours and so you could quite easily hide behind him perfectly and safely.

it became a common occurrence at events held and attended by diavolo, to see you by his side or more specifically hid behind him. sometimes, the events could be a bit much for you and you'd become nervous or shy and opted to shield yourself away. diavolo neverminded one bit. who was going to say anything anyway?

and if anything he enjoyed being able to protect you, even if it was simply to provide you a moment of respite by hiding behind him. if you ever hid behind him because of a threat, that threat wouldn't last long.

[fawnforevergone]

The Ultimate List of Dante References in Hozier's "Unreal Unearth" !!

Hello and welcome to my new-and-updated ultimate compilation of all 'Inferno' references I found in Hozier's new album! If I think of anything else, or if anyone else suggests something, I will be sure to add it, but, for now, enjoy this ridiculously long (you've been warned) list I made!

Since I didn't wanna make a post for every individual song and spam you all, the songs are separated by their respective circles! I hope that organises stuff a bit more :]

Usual disclaimer: I could be wrong about some stuff! I've read 'Inferno' and try to stick to the objective references, but sometimes I let subjective interpretation bleed through. If anyone has any corrections for anything, just lmk!! Okay, cool <3

DESCENT:

"De Selby (Part 1)"

We start the album not in the circles, but instead at the Gates of Hell. One of the main themes of Inferno is darkness, and these first two songs are embodiments of that.

The lyrics mention the idea of this being a "new empty space", suggesting that Hozier is being introduced to the feeling of Inferno through the relationship he's singing about, and, so, we begin the descent.

"The likes of a darkness so deep that God at the start couldn't bear." God is obviously a large theme of Inferno and is, biblically, the creator of light, hence the absence of it in Inferno. In fact, the first three stanzas all reference the heavy darkness of the threshold and its estrangement from God.

The Irish/Gaeilge lyrics roughly translate to: "Although you're bright and light, you arrive to me like night fall. You and I, together. You and I, metamorphized. Although you're bright and light, you arrive to me like night fall. The art of transformation is a dark art." The imagery of light and dark mixing together mimics the idea of walking from the brightness of Earth into the darkness of Inferno.

This entire album appears to be the recounting of a relationship and how it feels like walking through Inferno. Here we see the beginning of this relationship, of Hozier losing himself to the threshold.

"De Selby (Part 2)"

Part one appeared to be the step through the gates, whereas part two seems to be Hozier being enveloped by the threshold. In 'Inferno', Dante says the entrance to Hell is a darkness that no stars could shine in. We hear this shift from Earth to Unearth through the production alone; the weightlessness of part one falling into the heavy grunge of part two.

"Your heart, love, has such darkness, I feel it in the corners of the room." The theme of dark continues, as it will through the entire album, but, this time, Hozier feels it radiating from within his lover rather than the space around them. Though, him saying his lover carries darkness is not an insult. This extra depth to his lover is something more to know, something more to love. This idea actually differs from Dante, who sees the darkness as deceitful.

"I want to be so far from sight and mind." Inferno is a lawless place. He would be far from sight due to the darkness, and far from mind due to the insanity that persists within the circles.

"Let all time slow, let all light go." This lyric shows me that he has been submerged in the threshold. Again, the lack of light, but also the slowing of time. Punishment after death is eternal, something that time has no grasp on. Hozier is willing to let these aspects take a hold of him.

"I'd still know you not being shown you, I'd only need the workin' of my hands." Christianity is a heavy theme of Inferno, and this lyric plays on the proverb 'Idle hands are the devil's workshop', a proverb Hozier also hinted at in his song "No Plan" (from 'Wasteland, Baby!') - "My heart is thrilled by the still of your hand."

Now, though, Hozier's hands aren't idle, instead the opposite, his hands are working as God intended. Drawing us back to that idea we were given at the end of part one, we get the feeling that Hozier is bringing something light/Godly to Inferno, and he and his lover are fusing the ideas of Heaven/Earth and Hell.

FIRST (LIMBO):

"First Time"

We now enter circle number one, 'Limbo'. Limbo is an uneventful circle for those not worthy of punishment but also not fit for Heaven. It is mainly for those who do not believe in God, the unbaptised.

Firstly, to get to circles, Dante and his guide, Virgil, must be chaperoned by the Greek Psychopomp Charon down the river Acheron, and we see that in Hozier's first couple stanzas.

"And the soul - if that's what you'd call it, uneasy ally of the body - felt nameless as a river, undiscovered underground." This appears to be Hozier mentioning the river Acheron, one of the five rivers of the Underworld that surround Hades, and, in 'Inferno', are used to transport the souls of the dead to their respective circles.

"The first time that you kissed me, I drank dry the river Lethe." The river Lethe is another one of the five rivers, and is one that causes anyone who drinks from it to forget everything they know. Hozier is simply saying that kissing this person wiped his mind clean, similar to the end of "De Selby (Part 1)" where he mentions partaking in a transformation.

"Some part of me died / Some part of me came alive the first time that you called me 'Baby'." Relating to the previous quote, souls that drink from the river Lethe usually do so before being reincarnated, so they forget their past life. Hozier seems to experiment with the idea of being reborn by his partner's love for him - an idea prevalent throughout his entire discography.

"To share the space with simple living things, infinitely suffering, but fighting off - like all creation - the absence of itself." This lyric tells us that we should not ignore the privilege of living just out of the fear of dying. This lyric is reminiscent of "All Things End" and the circle of Heresy. Since Limbo is home to those who don't believe in God, the theme of Heresy is a very fitting one.

SECOND (LUST):

"When I was young, I used to guess 'Are there limits to any emptiness?'" The punishment for those in Limbo is to exist eternally with the curse of a hollow, empty feeling meant to represent the lack of God in their lives. This punishment seems referenced in this lyric.

[ i ended up thinking about this song more so if you want even more "first time" content, here ya go: "first time dante references." ]

"Francesca"

Into circle number two, 'Lust', we have the story of Francesca Da Rimini, a woman Dante spoke to during his visit to circle two. Francesca fell in love with her husband's brother, Paolo, and when her husband discovered the affair he murdered them both.

Hozier seems to be singing from the perspective of Francesca/Paolo but throughout the album we see Hozier liken his lover to aspects of Inferno - darkness in "De Selby (Part 2)" or Lucifer in "Unknown / Nth" - so the story of Francesca and Paolo is fitting as another metaphor here.

"Do you think I'd give up? That this might've shook the love from me?" Even in Hell, Paolo and Francesca physically cling onto another. They do not let their death affect their love.

"My life was a storm since I was born. How could I fear any hurricane?" The punishment in Lust is an eternal storm meant to replicate the throws of passionate love - a storm also depicted in the production of the end of this song. Hozier/Francesca/Paolo says that it's impossible for them to care about this punishment when life was already as treacherous as it was.

The whole chorus emphasises the imagery of Francesca and Paolo not being able to let go of each other.

"When the heart would cease, ours never knew peace. What good what it be on the far side of things?" Francesca and Paolo lived their love secretly and anxiously, so what good would peace be in the afterlife when they've already become accustomed to difficulty?

"Heaven is not fit to house a love like you and I." In the opening songs of the album, Hozier describes his lover as darkness, akin to something God cannot bear. Due to the depth of his lover, the mix of light and dark they've made, he believes Heaven would crumble beneath the weight of their relationship. That something as corrupt as Inferno is the only place suitable for them to live.

"I, Carrion (Icarian)"

Still in circle two, Hozier plays on Dante's own metaphor. In Canto 17, Dante refers to his own dread of descending Inferno to the same dread that the 'ill-fated Icarus' must've felt on his fall from the sky.

Hozier twists this, instead comparing his love to the hope Icarus must've felt as he flew towards the sun. He said, during a live show, this song is based on the idea hat Icarus never realised he fell, and woke up dead, too clouded by joy to realise what had happened.

"If the wind turns, if i hit a squall, allow the ground to find its brutal way to me." Again, we mention the storm of circle two. Lust is also said to have treacherous terrain - sharp rocks and jagged stone - that seems to be hinted at in the second half of this lyric.

"While you're as heavy as the world that you hold your hands beneath." This imagery seems reminiscent of the Greek Titan, Atlas, who holds up the Earth on his back. Dante talks about seeing Titans and Biblical Giants at the transition point of circle eight to circle nine, 'Fraud' to 'Treachery', which makes this lyric a sad hint to where Hozier will end up finding his lover; Taking the place of Lucifer in the deepest part of Inferno.

THIRD (GLUTTONY):

"Eat Your Young"

We enter the third circle of Inferno, 'Gluttony'. There are no specific references to Inferno, but the concept of gluttony is apparent. Hozier does what he frequently does throughout this album; He refuses to see the sin as "right or wrong" as Dante so stubbornly implies.

Hozier often divulges in a grey area, a spectrum or sale of severity, when it comes to the sin. Hozier's perspective seems more nuanced than Dante's, seeing sin as layered rather than objectively bad. In this specific song, he displays the different sources of hunger in humans, and where the line should be drawn.

"I'm starvin', darlin', let me put my lips to something, let me wrap my teeth around the world." We start, and reference back to in verse two, a sexual hunger, a harmless passion between two people. This is an innocent side of the sin, not deserving of the punishment of Lust which is to be ripped apart by Cerberus (the three-headed dog from Greek mythology) for all eternity.

However, Hozier moves onto the hunger of politics.

"Pull up the ladder when the flood comes." The government refusing to help the people when the sea levels rise.

"Throw enough rope until the legs have swung." When you don't have a ladder, you use a rope. This lyric plays on the notion of when governments give the impression they are helping, but are only making things worse - a take on the saying 'Give someone enough rope and they'll hang themselves', since what else are they meant to do with it?

"Skinnin' the children for a war drum, puttin' food on the table selling bombs and guns." The hunger for power manifests in war.

"It's quicker and easier to eat your young." Here, Hozier uses the common saying in a more literal sense, saying that if these politicians are hungry enough to destroy the world, they may as well physically eat their young, since it'll have the same effect.

FOURTH (GREED):

"Damage Gets Done"

This song takes place in circle four, 'Greed'! The title of the song alone is already very meaningful. In circle four, the main punishment is that the inhabitants are split into two groups and are forever forced to charged into each other and fight. Dante describes them are being so injured and damaged that they have become 'unrecognisable'.

The song is about greed within the changing of the world. It's about growing up and losing the naivety and innocence you once had, no longer able to ignore the burden of politics and money. Hozier and Brandi sing about the excitement of being young and in love, but, with the rise of inflation, it's hard to exist like that anymore - You need greed to survive.

"Wish I had known it was just our turn being blamed for a world we had no power in." This seems to be a reference to two things. One, the idea that governments blame the people for their own poverty, and Two, the idea of arriving in circle four by no fault of your own. It's not their fault they wanted more money with the world being how it is, but, nevertheless, they're being punished for it.

"I haven't felt it since then. I don't know when the feeling ended, but I know being reckless and young is not how the damage gets done." They talk about the enjoyment of the love they're singing about fading, and how they miss that, but they know that, again, this is not their fault. They know they didn't change, the world did, and they won't take responsibility for their 'sin' when all they did was adapt.

As aforementioned, the inhabitants of the fourth circle suffer extreme injuries, so Hozier saying "I know being reckless and young is not how the damage gets done" is him saying "I know that we are not at fault for being served the punishment of Greed."

FIFTH (WRATH / ANGER):

"Who We Are"

We enter the fifth circle, 'Wrath', where the inhabitants spend their time fighting to stay at the surface of the river Styx, another one of the five rivers of the underworld.

"Falling from you drop by drop." / "To hold me like water." These lyrics obviously give the idea of water, representing the river Styx.

"Or, Christ, hold me like a knife." This lyric comes in quite loudly, Hozier's voice strengthening with it. The subtle blasphemy of "Christ" and the violent imagery of "knife" comes across as a sort of anger. Being held "like a knife" is representative of how those is Wrath must feel - like they are something particularly dangerous, but still desperate to be held.

"We're born at night, so much of our lives is just carving through the dark to get so far." Again, this theme of darkness that is so frequently displayed in Inferno is mentioned again. After this song comes "Son Of Nyx", which Hozier said was the transition into the darker half of the album, and Nyx is the Goddess of the Night. Being "born at night" would make Hozier the son of the night, the son of Nyx. This gives the impression that, if the album is following on chronologically, this is the point where the relationship portrayed in the album begins to fray as Hozier starts to be consumed by the darkness.

"And the hardest part is who we are." Those in the circle of Wrath possess a 'savage self-frustration' that Hozier seems to represent throughout this whole song - A fierce annoyance with the way he and his lover let things go: "We sacrificed, we gave our time to something undefined", "Chasing someone else's dream", Etc.

SIXTH (HERESY):

"Son Of Nyx"

We have no lyrics for this song (though you can hear him faintly saying some things, one of which is him saying "who we are...") but we know it takes place in circle six, 'Heresy'. Heresy is a belief or opinion that is contradictory to religious doctrine, especially Christianity. As aforementioned, Hozier said this track is a transition song meant to replicate a descent into the darker half of the album.

Nyx is a Greek Goddess and is often known as the personification of night. She had many children all representing different things but the title would essentially mean 'The Son Of Night', and, as dissected in the previous song, we can see that Hozier sees himself as reborn into the darkness.

Once again, darkness is a large theme of Inferno, but Hozier saying in circle six that he is the Son of Night is particularly meaningful due to the association of light with God. He has been reborn as something that could not be further from God, something that opposes the idea of God, something of a Heretic.

Nyx was feared and respected by all, including Zeus, and, though I believe there is no reference to her in Inferno, she was described as residing in the dark recesses of the Underworld, which is heavily incorporated into Inferno.

"All Things End"

This song does not have many overt references to circle six but definitely incorporates the idea of heresy. As mentioned, heresy is an idea that contradicts (especially, but not always) Christianity. In this song, Hozier talks about the ephemeral nature of all things, particularly romance.

"When people say that something is forever, either way it ends." Whether it be death or a break-up, God doesn't plan for you to be able to spend eternity with your lover.

"Movin' on in time and taking more from everything that ends." Hozier, however, argues that things still have meaning beyond their end. That, even after moving on, we will remember and learn from the things we have lost.

"Just knowin' that everything will end should not change our plans." Throws back to the idea of the second verse of "First Time". If you avoided something just because it was going to end eventually, you would never achieve anything. That's like refusing to finish a movie just because you don't want to get to the credits.

When this concept of ignoring the end comes to death, we ultimately cross the concept of God. There are many rules people follow in religion, avoiding certain things because they are against 'God's Will'. Although this practice can be kept in moderation, it can quickly become self-imprisoning.

Not living your present life out of fear for an unproven afterlife can be limiting, especially if you dictate who you love due to what supernatural punishment may or may not follow. Hozier sings that we should not let God's plan interfere with what we need from life, allowing ourselves to indulge in love even if it will end - ultimately, Heresy.

SEVENTH (VIOLENCE):

"To Someone From A Warm Climate (Uiscefhuaraithe)"

This song places in circle seven, 'Violence'. Violence is split into three subcategories, or 'rings'; Violence against others, violence against self, and violence against God. I believe this song gives an overview of all three.

With this song, we recognise that the title says "To someone..." and Hozier said this song was a gift to someone who was from a geographical warm climate, but there is also a lot of heat in circle seven.

"A joy, hard learned in winter, was the warming of the bed." Throughout this song, Hozier describes himself as cold, and his lover as warm. The idea of warming the bed is a concept Hozier mentioned in his song "Nobody" (From 'Wasteland, Baby!') where he sings that, if he had a choice between the warm bed of his lover or performing on stage, he'd go home to the bed. Since this song comes after "All Things End" (the break-up song), this call back to "Nobody" could be instead referencing a permanent distance, rather than a temporary one (like the temporary distance in "Nobody").

"And, darlin', all my dreaming has only been put to shame." This could have two meanings. One, Hozier waking from a dream about his lover to find them not here. Or, two, Hozier's expectations of his lover falling short as their relationship has finally fallen through. These expectations could be a form of violence against self, the second ring, as he set himself up for heartbreak.

"And I wish that I could say that the river of my arms have found the ocean. I wish I could say the cold lake water of my heart- Christ, it's boilin' over." As mentioned, Hozier is cold, his lover is warm. His wishes he could find something to to fill the loss of his relationship, but he still feels the heat from his lover in every part of him.

"It's boilin' over." References the river of boiling blood in the first ring, violence against others, Hozier could be talking about the way his partner loved him, how that was almost an act of violence with how hard it is to now let go.

"Butchered Tongue"

This song has less references to 'Inferno', and is more of a commentary on the act of violence itself. Hozier sings of places and cultures lost to the violence of man, and he mourns this deeply.

"To say 'Appalacicola' or 'Hushpukena', like 'Gweebara'. A promise softly sung of somewhere else." This grieving for a time when native land wasn't colonised and culture wasn't violently erased is prevalent throughout the song.

In the second verse, he sings very strongly of the brutal acts inflicted upon Irish rebels by the British forces in the Wexford Rebellion of 1789. As we know, Hozier is from Ireland, and he incorporates both the Irish language and history into this album, and recounting such violent acts for this song feeds into the grieving of what has been lost: "Between what is lost forever and what can still be known."

In the context of 'Inferno', it feels as though Hozier is listing the sort of actions that would land someone within the circle of Violence whilst also appreciating the efforts those above ground take to preserve erased culture. Altogether, the song is a very moving commentary on modern violence.

EIGHTH (FRAUD):

"Anything But"

The eighth circle is 'Fraud', split into ten subcategories that are positioned around the circle in trench-like ditches, known as 'Bolgia'.

"I wanna be loud, so loud, I'm talking seismic," follows up with, "I want to be as soft as a single rock in a rain stick." Who he wants to be fluctuates between moderation and severity. He is changing, unreliable, possibly referring to bolgia one, Panders and Seducers. Seducers tend to 'lead astray', as Hozier's unreliable narration does.

The punishment of bolgia one is to be marched backwards and forwards rapidly whilst being whipped, very much evoking the imagery of a stampede: "If I were a stampede, you wouldn't get a kick." This alludes to the fact that if Hozier were sent to hell for the various sins he commits for his lover, he wouldn't resent them for it at all.

"If I was a riptide, I wouldn't take you out." The second bolgia of Fraud is for Flatterers, 'the act of giving excessive compliments, sometimes for romantic courtship'. Obviously, the song is filled with these compliments.

"I hear He touches your hand and then you fly away together. If I had his job, you'd live forever." The imagery of "fly away" gives the idea of ascending, perhaps to Heaven, as hinted at again by the idea of the longevity of living. Bolgia three is for Simoniacs, those who would sell church roles, offices, or sacred things. This seems to fit with Hozier saying that if he had a divine role, he wouldn't follow protocol, he would allow his lover immortality.

Simoniacs were sinners because they were disobeying God's trust, because the selling of divine roles would lead to corruption in the Church. Hozier is using this hyperbolically, saying that if someone were to sell him the role of God, he would most definitely be a corrupt power.

"I'd lower the world in a flood, or better yet I'd cause a drought." In bolgia four we have Sorcerers. Although Dante used this term in a more logical sense for fraudulent sorcerers - false prophets, fortune tellers, those who lied about the plans of God - Hozier uses the term in a supernatural sense. Sorcerers were punished for trying to interrupt God's prerogative, whereas Hozier is blatantly saying he would summon another flood, usurping God's plan overtly.

"I'm talking seismic." The bridge that leads to bolgia seven was collapsed by the great earthquake and, as we know, seismic activity leads to earthquakes.

"Worry the cliff side top as a wave crashing over." There happens to be a cliff near the entrance of circle eight that a large waterfall plunges over.

"Abstract (Psychopomp)"

This song appears to be the crossover point from circle eight to circle nine that I mentioned when discussing "I, Carrion (Icarian)". Before we get to that, the title itself is significant.

A psychopomp is a chaperon of death; Someone like the Grim Reaper, or Charon from "First Time", or Dante's guide through Inferno, Virgil. Here, Hozier is describing the act of hitting an animal with your car as taking on the role of a psychopomp, whilst also relating this idea to the act of letting a relationship die, leading it from life to death.

In the crossover point from eight to nine, Dante and Virgil stand and look at the large well that leads down to circle nine, 'Treachery'. The Titians and Giants burst out of the well, to big to fit, but their feet stand stubbornly in Treachery. I believe that, at this point in the album, Hozier stands here, too. He's visited all eight circles, and has one last place to go before he leaves Inferno, and ultimately his lover, behind. This song is him realising he has to let his relationship end, he has to act as a psychopomp for his love.

"Sometimes it returns like rain that you've slept through." Circle nine, 'Treachery', is a frozen over lake, aka a memory of water, similar to the residue of rain. With viewing this song as the predecessor to "Unknown / Nth", we can take this as a hint of what's to come.

"The Earth from a distance." Since Inferno is arranged in rings (like a circular staircase), Dante could feasibly look up and still see where he started his journey. The same way Hozier could look up and see where his relationship began, "De Selby (Part 1)", The Gates.

"Streetlights in the dark blue." We have the mix of light and dark again, as mentioned in the opening track, referencing back to Hozier and his partner falling in love.

"Darling, there's a part of me I'm afraid will always be trapped within an abstract of my life." Of course, Hozier is talking about the memory of the animal hit with the car here, but the way this relates to circle nine is beautiful. As we'll properly dissect with "Unknown / Nth", sat within the most central point of circle nine, the deepest part of Inferno, is Lucifer, the fallen angel. Lucifer was thrown down to Hell from Heaven, and found himself trapped in Treachery, his body too big to escape. Dante says that the more he struggles, the more stuck he becomes.

That moment he was struck down to hell is a moment he finds himself forever stuck in, just as Hozier is saying here. In the next song, Hozier relates his lover to Lucifer, but these lyrics are a gorgeous mirroring of Lucifer's experience, and another hint at the final circle we will now head to.

NINTH (TREACHERY):

"Unknown / Nth"

Okay, buckle in.

The ninth circle, 'Treachery', is also one split into subcategories, yet Hozier appears to be singing about the centre. The frozen over lake of Treachery gets more frozen the closer you get to the centre. The inhabitants start half-submerged in ice to fully plastered in it. Throughout Inferno, and the deeper we descend, a soft breeze becomes a strong wind, that, as we reach the centre, we find is caused by the violent flapping of Lucifer's wings. Here he sits, stuck and chewing on Judas, another one of God's biggest betrayers.

After "Abstract (Psychopomp)" Hozier is now exploring the final stage of his relationship. The circles of Hell had mirrored the love he once had, and Treachery is where it shall be buried. He also represents his lover as Lucifer, though not maliciously. In interviews, Hozier spoke about the song being about a heavy betrayal he suffered from someone he truly loved, and likening this to God and Lucifer is just heartbreaking.

"You know the distance never made a difference to me." The song is about knowing someone in their entirety, discovering their best and worst parts. Hozier uses Inferno to talk about the tiresome journey of finally knowing someone. He says he would've made the trip all the same, that he would've walked this far for his lover no matter what.

"I swam a lake of fire, I'd have walked across the floor of any sea." This mirrors the previous lyric, but also references specific parts of Inferno. The are many fires in Inferno, particularly in circle seven, 'Violence'. The sea floor lyric reminds me of the lake of Treachery. Though a surface, not a floor, the lake would still be below any seabed, since Inferno is geographically below the Earth.

"Funny how true colours shine in darkness and in secrecy." You guys are probably sick of hearing me say it but... Darkness is a big theme in Dante's Inferno. It is meant to represent the deceiving nature of humans when light is not being shone. Secrecy is a running thread through 'Inferno', too, as Dante finds many people he thought had done no wrong residing there. Hozier is simply saying how (sarcastically) funny it is that he only truly knows his lover in the remains of their relationship; How he only knows them after seeing them in their cruellest form.

"Where you were held frozen like an angel to me." There are many angel lyrics, but this one specifically references the ice of Treachery. The fallen angel is indicative of Hozier's experience: Seeing someone he regarded highly, even heavenly, falling from that pedestal and turning into something that couldn't be further from God's work.

"You called me angel for the first time, my heart leapt from me. You smile, now, I can see its pieces still stuck in your teeth, and, what's left of it, I listen to it tick. Every tedious beat going unknown as any angel to me." Hozier references his ex-lover chewing on his heart the way Lucifer chews on Judas. He listens to it somehow still ticking, however slowly, and at the end of the song we hear something akin to a heartbeat. The beats are "going unknown as any angel to me" since he can no longer recognise his own heartbeat after it has been mangled by another, and, since he mistook someone alike Lucifer to an angel, the idea of angels must be "unknown" to him.

"Do you know I could break beneath the weight of the goodness, love, I still carry for you? That I'd walk so far just to take the injury of finally knowing you?" We again have this imagery of walking far, referencing the journey of Inferno, and, even though he's aching with the realisation of who his lover truly is, he can't help but be grateful that he does now know them, no matter how painful that may be. That he would do this all again if it meant he at least got to the answer of who they are.

His weak heartbeat follows him through to final track as we begin the Ascent.

ASCENT:

"First Light"

The title is very meaningful for the Ascent. The song references both Dante and Virgil's ascent and the creation of light by God himself. Dante and Virgil leave Inferno through a tunnel that Lucifer left in the Earth as he was thrown down to Hell, and they emerge on the other side of the hemisphere. This song signifies Hozier stepping away from the relationship as he also makes that journey out.

"One bright morning changes all things." Dante is disorientated when he exits Inferno. He'd become so accustomed to the darkness that he asks Virgil, 'How is it that the sun progressed so rapidly from evening to day?' Hozier seems to recognise here that his relationship is no longer fit for him, that the darkness has become too encompassing, just as Dante realises on his ascent.

"The sky set to burst, the gold and the rust, the colour erupts...the sun coming up." Not only does this give the imagery of the birth of light, but it also represents Dante's view on his exit: 'Until...I saw the lovely things the sky above us bears. Now we came out, and once more saw the stars.'

"Like I lived my whole life before the first light." Hozier says that the darkness from his lover was so overbearing that it was hard to believe he'd ever felt light before - that light could not have exists with a darkness this heavy alongside it. It is a call back to "De Selby (Part 1)" - "A darkness so deep that God at the start couldn't bear."

"One bright morning comes. Darkness always finds you either way, it creeps into the corners as the moment fades." He speaks of bringing light to a moment between them, but has it quickly smothered by the darkness inherent in his partner. Another call back, this time to "De Selby (Part 2)" - "And your heart, love, has such darkness, I feel it in the corners of the room."

"After this I'm never going to be the same, and I am never going back again." This lyric is heart-breaking. Hozier states that Inferno has changed him, but he has no wishes to re-enter it. At the beginning of this album, he was begging for the likes of Inferno - "De Selby (Part 2)": "Let all time slow, let all light go." - and now he is desperate to get away from it. In "Francesca", he said, "At the end, I'd tell them, 'Put me back in it.'", yet, now, he's at the end, he's ascended, and he has no desire to go back at all.

He is letting go of his lover because he recognises that this pain was not worth it, that this love was not worth the punishment he received, so he leaves.

---

That was Hozier's Inferno !! I hope this was helpful to some people since it was very fun to make (I'm exhausted) and it's very enlightening to see how these lyrics relate to Inferno (I'm heart-broken) !! Okay, wooooo !! Enjoy !!!

[ramblings-of-a-chaotic-neutral]

I wasn't planning on posting this today, but this idea came to me today and I must share it! (I'm still working on my special au to celebrate two big tumblr milestones! Hopefully it'll be done by the end of the week!)

With all of the dehumanizing propaganda labelling magic users as "inhuman monsters" that Uther spread during the purge, people who are attracted to magic users are probably labelled as deviants. In Camelot, saying "yeah I'd bang a wizard" is considered completely taboo. But that doesn't stop people from fantasying about what they can't have.

This, of course, spawns a whole genre of steamy romance manuscripts featuring evil sorcerers kidnapping fair maidens and falling in love with them, powerful wizards seducing innocent princess with their dark magics, dark and broody warlocks tricking naive ladies into becoming their lovers through a devil's bargain, etc. These cheesy romance manuscripts are quite popular with the ladies of Camelot, as they have a forbidden aspect to them in both the owning of such stories and the material of the stories themselves. Plus, when you're a noblewoman trapped in a loveless political marriage, the fantasy of a dark and powerful magic user becoming enamored with them and stealing them away is quite the appealing fantasy.

To many people in Camelot, magic users become the ultimate forbidden romance fantasy, being (in their imaginations) secretive and powerful creatures who can use their magic to exert their will and their dark desires on their innocent victims.

The few people in Camelot who have actually slept with magic users don't help these rumors either, as they only add fuel to the fire. Gwaine certainly has plenty of stories to share about how much fun sorcerers and witches can be in bed with their magic, and the people in the tavern listen with rapt attention and furious blushing when he tells those stories.

But when tales of Emrys, the last dragonlord and the most powerful sorcerer to ever live, travel from the druids to Camelot? The wizard-fuckers in Camelot went wild.

Within a couple weeks, there were dozens of steamy (and VERY imaginative) romance novels and manuscripts written and passed around Camelot, all revolving around the mysterious and brooding warlock Emrys.

As people's dirty imaginations ran wild with what Emrys might be like, the general perception of Emrys became more and more ridiculous. According to some of these stories, Emrys was a seven foot tall brooding warlock whose magic made him irresistible, forcing people to succumb to his will.

Pretty much everyone in Camelot gets their hands on one of these manuscripts or hears about them. Gwaine has his own collection of them, which isn't too shocking to anyone, but, to everyone's surprise, Merlin starts collecting some of those stories too (to make sure that no one else gets their hands of such embarrassing material, but people just assume that he has some sort of kink). He even blushes whenever someone mentions them (out of mortification).

Eventually, Arthur finds out about his kingdom's dirty fascination with this Emrys guy because people kept teasing Merlin for his crush on Emrys. Arthur demands to know who Merlin has fallen for (for security reasons, of course, not because he's jealous). It's at that point that Gwen and the knights have to tell Arthur that his entire kingdom (including Merlin apparently) has been thirsting over a hot mysterious sorcerer that no one actually knows anything about.

Arthur almost blows up when he hears this, furious that his entire kingdom has been having dirty fantasies about a dangerous man who's most likely their enemy! And don't even get him started on how Merlin, his Merlin, has the audacity to be more attracted to this Emrys than Arthur himself! This is outrageous!

However, no matter how much Arthur tries to point out to Merlin that being attracted to Emrys is a bad idea and nothing will ever come of it anyways, he still keeps on catching Merlin with those dirty manuscripts about Emrys! (Because Merlin is still trying to secretly get rid of them all).

Eventually, Arthur gets frustrated enough that he'll try anything to get Merlin's attention away from Emrys. He thinks over how he could do that for a while, until one day he overheard two ladies of the court talking about how much they enjoyed it when their partners in bed roleplayed as a powerful magic user like Emrys, and Arthur begrudging came to a solution.

The next day, when Arthur catches Merlin reading a story about Emrys and blushing wildly again, Arthur clears his throat, looks a mortified Merlin dead in the eyes, and asks, "if I took you to bed and pretended to be Emrys while doing so, would that finally get you over your ridiculous attraction to this criminal of a sorcerer?"

Arthur was perhaps a bit too blunt in his delivery, as Merlin promptly started choking on air after Arthur's question in lieu of an answer, much to Arthur's annoyance. You see, as much as it would irritate Arthur to have to pretend to be another man, let alone an enemy sorcerer, in bed, Arthur had a plan.

Arthur obviously needed to rein in Merlin's lust before his servant did anything stupid (like fall into bed with an actual dangerous sorcerer), and what better way to do that than slake Merlin's lust himself? Truly, Arthur was the most generous king there ever was (ignoring his own rampant attraction towards Merlin). And once they were in bed, Arthur would prove to Merlin how great and how proficient a lover he is, and any thoughts of Emrys (or any man who wasn't Arthur for that matter), would be forgotten immediately in the face of how superior Arthur is!

Arthur mentally pats himself on the back for coming up with this genius plan as Merlin's coughing fit finally ends.

"Arthur, why on earth would you even ask that?!"

"Because you're clearly enamored with this sorcerer, so perhaps this will finally get that stupidity out of your system!"

They go back and forth like this for a while, until finally Merlin, to his own shock, agrees to Arthur's proposal. Arthur feels alight with victory for a few minutes, until he realizes that he'll have to learn how to act convincingly like a powerful sorcerer for one night. At that point, Arthur goes out to buy some dark robes for himself to hopefully get more into character, and even "studies" some of those spicy manuscripts to get an idea of what Merlin would be expecting.

Arthur barely managed to finish one of them from how scandalized he was at their contents. Why were these so popular with his subjects?! Still, Arthur soldiered on, reading more and more of the embarrassing romance manuscripts until he finally felt confident in what Merlin was looking for.

Of course, when the time came, Arthur was terrible at roleplaying as a sorcerer, but Merlin didn't mind one bit (most because Merlin was torn between laughing hysterically or being embarrassed beyond belief at at Arthur's poor impersonation of a poor interpretation of Merlin himself, so he decided to instead just enjoy being with Arthur).

And that's all for now! I'm thinking about doing a continuation of this later on, where Camelot (who's been thirsting over Emrys) learns that Merlin had been Emrys all along. Please let me know if you'd like to see that one day!

And, as always, thank you for reading through my ramblings! :D

[chamomiletealeaf]

This was kind of inspired by the conversation @captainswhore and I had about Price getting horny watching you wash his car in a bikini lol but I decided to write this with Soap.

Warnings: tit fucking, playful banter, suggestive gestures and innuendos, Johnny makes reader orgasm from water pressure from a hose 🫣

Soap on leave seeing you, a cute little thing at a charity car wash washing someone's car and imagining how you'd look all soaked and wet from the sudsy water while you washed his 4 Runner (@brewed-pangolin has me fully convinced Soap has a 4 Runner).

You're wearing a white T-shirt and a pretty little yellow bikini underneath it while you and your friends wash people's cars for donations for veterans.

Soap sees the sign and smirks to himself, knowing he could probably get himself a private show watching you wash his car if he pulled the military card on you.

He pulls up and you go up to his car letting him know about the cause and asking if he'd be willing to donate in exchange for a car wash.

He smiles at you and says:

"Of course lass, I'm a soldier myself. This is very sweet of you." He says as he shows you his identification.

Your eyes light up as you smile big.

"Oh! Then you don't need to pay anything! I'd be happy to wash your car for you for free sir!" You say so enthusiastically it almost melts Johnny's heart.

Then he smirks devilishly as he lowers his voice a little bit.

"Say, if you insist on washing this dirty ol' thing for free then I gotta give you something in return at least huh bonnie." He says and you blush, noting the smirk on his face and tone of voice in his suggestive statement.

"Oh no sir, don't worry about it, I'd be happy to do it for nothing in return. Least I can do for all of your service." You say, then add one more thing quietly after looking around to see if anyone would hear, but your friends are busy with other customers.

"If you'd like, you can drive around back and I can give you a private show." You say, feeling more confident and he smiles.

"Sounds lovely lass." He says, and you bite back a smile then direct him around to the back.

You grab a bucket and sponge and walk back to meet him.

When you get back there, you're surprised to see that he's outside of his car, leaning against the wall waiting for you and he notices your shock.

"What? I'm getting a private show, might as well make sure I see all of it." He says and you giggle, the handsome man making you feel ditzy.

You turn on the hose and spray his car, not giving him what he wants just yet.

"So, what exactly do you do in the military?" You ask him, trying to start conversation.

"Classified honey." He says, crossing his arms and you try to discreetly rub your thighs together at the pet name.

"Ok well, how long have you been in the military?"

"Since I was a lad. Been there for a long while." He says, and the hose suddenly changes pressure and spats out water against you, wetting the front of your white t shirt.

You yelp as the water seeps into your shirt, exposing your yellow bikini underneath which makes Johnny bite back a smile.

"Sorry." You giggle. "Wasn't expecting that."

He watches you rinse down his car then you grab the soap bucket and wring out the sponge, some soapy water getting on your thighs and dripping down.

"You know, my callsign is Soap." He says, and you look at him puzzled.

"Really? Why's that? Or is that classified too?" You say smugly teasing him, and he laughs.

"Smart wee thing aren't you." He says and you wink at him.

"My real name's Johnny." He says, and you say your name back.

"I'm y/n." And he repeats it back with a smile.

"Pretty just like you." He says, and you blush.

The sight of your white shirt being soaked, sticking to your chest and the sudsy water dripping down your thighs making your skin glisten has Johnny adjusting his pants where he stands watching you, and you notice, but you love it. He was so hot. It's not everyday you see a man as fine as him, so you took advantage of the situation.

"Ugh shirt's getting in the way." You say, and slowly strip the now soaking shirt off of your body.

Johnny then takes a seat by the lawn chair next to him and leans back with his arms crossed and legs open, really taking in the sight in front of him.

"Fuck" He whispers under his breath as the water and soap drip down your pretty body.

You walk around the car in front of Johnny and lean forward, bending over to exaggerate your scrubs of the sponge on the hood of his car giving him the perfect view of your ass and covered pussy obstructed by the yellow fabric.

You bend down to dip the sponge in the bucket and stay bent over for as long as you can, really letting Johnny get a good look at your ass and thighs before you come back up to continue washing the car.

Johnny watches with his lips slightly parted and he adjusts his hips in his seat with a grunt, his pants getting more and more uncomfortable by the second.

You then move to the hood of the car so Johnny can see the whole side of your body as you seductively wring the excess water in the sponge out onto your chest, the soapy water running down your body.

Johnny reaches a hand down to palm the bulge in his jeans as he grunts out an audible "fuck" and you giggle again, pressing your chest against the hood of the car as you wash it.

You continue teasing Johnny as you wash his car, then go to grab the hose to rinse the soap off.

You then move to the side of the car in front of Johnny again after turning on the hose, and rinse the soap off your ass before rinsing the car.

"You wanna help me rinse?" You turn back with puppy eyes and ask Johnny, and in record timing he's stood up and pressed to your back.

He watches the soapy water run down your ass and the backs of your thighs and he can't take it anymore. He grips your hips and makes a satisfied grunting noise.

"Well fuck me dolly, aren't you a little tease." He says into your ear as you push your ass back into him with a giggle.

"C'mon, help me out. Can't wash this car all by myself, sir." You say, and Johnny moans at you calling him sir and wiggling your ass against his now rock hard dick.

Johnny lets go of your hips and goes to unbuckle his belt and pulling his thick cock out of his jeans, and you giggle again as you feel it slap against your lower back.

Johnny kicks your feet out and slaps your ass, the suds sticking to his hand from the impact and flying off from the speed he takes his hand away.

You yelp and Johnny laughs.

"Aww wasn't expecting that were you bonnie?" He says as he slides his cock between your thighs, making you moan.

"This ok?" He whispers, and you whimper, pushing back against him, urging him to continue.

Johnny smiles against your ear and he begins to thrust, fucking your thighs nice and good, the soapy water making his cock slide easily between them.

Johnny leans back gripping your hips as he watches how the impact of his hips against your ass makes your ass and thighs jiggle and he grips your hair, pushing you down against the car hood.

"Such a fuckin' tease aren't ye." He says and you moan, his cock sliding between your thighs hitting your clit perfectly through your yellow, skimpy, bikini bottoms. "Such a bonnie little thing. Bet this pussy is even prettier aye?" He says then smacks your ass again before he continues to fuck your thighs harder.

You grip the sponge in your hand and push back against him with a whimper, blissed out from the feeling of him and his words.

"Turn around. Need to see these tits." He says, then grips you by the shoulders to spin you around, suds sticking to your chest.

"Fuck me." He says, and you smirk, pushing your tits together to tease him yet again, which sets him off.

His eyes darken as he grabs you by your elbow and pulls you to the chair behind him as he sits down.

"On your knees. Gonna fuck these perfect fuckin' tits. All soaped up and ready for me."

You get on your knees and tug the tops of your bikini top down a bit so that your nipples are barely peeking out of them. You then grip Johnny's cock and give it a few tugs before sliding it between your tits, the string of the bikini restraining his cock from moving out from between them.

You start to bounce up and down on your knees, not caring about the painful gravel digging into your skin as you titty fuck him.

"Oh my god fuck. That's it. Bounce those tits on me." Johnny moans and throws his head back.

You continue to fuck him with your tits, looking up at him with puppy eyes and a smirk, the soapy water beginning to soak his jeans under your breasts.

You look down and watch the tip of his cock appear and disappear between your tits covered in soapy water and you moan at the sight.

Johnny is a mess above you, panting like a dog with his cheeks flushed and he watches you titty fuck him in your skimpy little bikini and he swears he's never seen anything so fucking hot before.

"Cum on my tits." You whimper out, and Johnny moans.

"Want you to cum all over my tits. Please sir, need it so bad." You say, and Johnny moves your hands from your tits so he can squeeze them together now to fuck them himself. You move your hands to his thighs and let him use your pretty body.

Johnny squishes your tits together and thrusts his hips up into them and you stick your tongue out, catching a tiny lick to his tip every time he thrusts.

"Most perfect fuckin' tits I've ever seen. Gonna make a mess of them. Gonna cum all over these bonnie tits hm? That what you want dolly? Want me to fuck your tits nice and good?" Johnny moans out to you and you nod with a whimper.

You go to untie your bikini top, letting it loosely fall around your tits, and Johnny grunts at the sight of more of your chest being exposed.

"Yeah just like that. Such a good girl, makin' herself all pretty for me." He says, his thrusts getting messier and the mixture of water, soap, and precum smacking against your tits making a loud sloppy noise.

"Open your mouth honey. Stick out that tongue for me. Thaaat's it. Such a good girl aren't ye. Fuck I'm gonna cum. Such a bonnie fuckin' sight." He says as you stick your tongue out, waiting for him to shoot his cum all over your mouth and tits.

Johnny thrusts a few more times before his cheeks flush and he cums so hard he shoots his cum onto your tits and tongue, and some even getting up onto your cheek, which makes you giggle.

He's vocal, and loud, but you think it's adorable. He looks so fucking hot sitting above you like this, his cock nestled between your tits.

"Fuck lass. That- You're fuckin' amazing." He says as he bends down to help you off the ground and into his lap.

You place your forehead against his as he comes down from his orgasm.

"Wanna rinse me off?" You ask, nibbling his ear.

"Fuck you're dangerous aren't you dolly. Dirty wee thing." He says with a smile and you giggle.

You get off his lap to hand him the hose but he grabs you by the hips so you sit down in his lap, back against his chest.

"Wait you're gonna get wet!" You exclaim to him with genuine concern and he pinches your cheek, thinking you look so fucking adorable looking at him like that.

"Don't you worry about that lass. Lemme take care of ye now. You've been so good to me now haven't you." He says as he spreads your legs to rest each one over his knees.

He brings the hose up to your chest and watches over your shoulder how the mess he made along with the soap washes away and he coos at you.

"See? Isn't that better honey?" He says, and you moan at the feeling of the nice cool water against your skin during the hot summer day.

Then, Johnny moves the hose down your body slowly, rinsing off your torso and thighs and making you wiggle as he gets closer and closer to your pussy.

He smirks as an idea pops into his head.

"How 'bout we move these out the way hm? Let me make you feel good yeah?" He says into your ear as he plays with the bow on the side of your bikini bottoms and you nod in anticipation of what he's going to do next.

Johnny unties the bow holding your bikini bottoms up on your hips and he pulls the fabric away from your pussy. You blush as you realize you're on display for him and he laughs darkly at the sight of how wet you are.

"Can tell yer so fuckin' wet even with all this water on ye."

Johnny rubs your thighs and playfully pinches and smacks your clit before he runs the water stream over your pussy.

"Oh fuck." You moan and arch your back against him.

"Uh uh, sit still for me aye?" He says as he grips your thigh from under your knee to keep it open.

Then, Johnny turns up the water pressure on the hose and directs the stream over your clit and you yelp in pleasure.

"Ah oh my god! Johnny!" You say in surprise but you can't help your eyes from rolling back from how good the water pressure feels against your clit.

"That feel good bonnie? Feels nice up on your cute wee clit like that doesn't it." Johnny coos in your ear as you whimper.

Johnny's pants are completely soaked but he doesn't care, not when he's got a sweet pretty little thing like you wiggling and moaning in his lap.

"Yeah that's it. Keep those legs open for me. Wanna see you cum." He says, hand still holding your thigh open against him.

It doesn't take long for the pleasure to build and your at the edge.

"Oh Johnny. Fuck I'm- Oh my god I'm gonna cum." You whimper out with tears pricking at your eyes from how good it feels and how hot it is to be held in his lap like this.

Johnny turns to whisper in your ear but he keeps his eyes on your pussy being sprayed by the hose.

"Do it bonnie. Cum for me. Been so good. Lemme see that pretty little pussy throb." He says, and that's all it takes for you to cum.

You throw your head back and your eyes unfocus as you cum, legs shaking in Johnny's grasp.

You cum so hard you feel your cunt pounding between your legs and Johnny watches as your clit twitches.

"Yeahhh that's it. Yeah just like that dolly. Cummin' all nice and pretty for me." Johnny says, talking you through your orgasm.

Johnny leaves the stream going for a few seconds before turning it off.

"You ok lass?" He asks, and you nod panting, leaning your head back against his shoulder.

"C'mon, let's get you a dry shirt. Don't want you to be cold." He says as he strips off his shirt and pulls it over your head to dress you.

"There. Looks better on you than me." He says with a smirk and you laugh.

Johnny ties your bikini bottoms back up and you then try to get up but your legs shake, so he catches you and holds you up.

"Woah careful now." He says, strong arms wrapping around you.

You compose yourself and you both walk towards the car. He walks you to the driver's side then open the door, rummaging through the glove box for something. He pulls out a notepad and pen and writes something down before ripping the page out and handing it to you.

"Here. Maybe we can go on a proper date sometime." He says, and you take the paper, realizing it's his number.

"I'd love that." You say, smiling up at him. "Considering you made me cum my brains out." You add, making him laugh.

He hops into his car and turns to you to say something before closing the door.

"Oh and uh, hopefully your friends don't notice your shirt. Or the state your legs are in." He says smugly, and you playfully hit his chest while rolling your eyes.

"Ugh, get out of here, before they actually notice." You say, and he closes the door and rolls down the window.

"Hopefully your friends don't notice your pants." You say to him referencing his soaking wet jeans.

"They'll probably be too blinded by how shiny my car is to notice." He says with a wink and you blush.

"Call me tonight?" He asks, and you nod. He then starts the engine of his 4 Runner and drives away after blowing you a kiss jokingly and you roll your eyes again.

You made your way back to your friends and they were so busy with customers they didn't notice you were gone. Hopefully they don't notice the paper with a certain soldier's number sticking out of the bow of your bikini bottoms, or the way you had a silly smile on your face for the rest of the day.

Washing cars was the best thing you and your friends ever did.

[bedoballoons]

I’m back

I’m not sure if you write wlw or nblw/gnlw or anything like that but hear me out

anyway I was thinking, imagine the (fem! Or gn!) mechanic reader (yes my genshin self insert is a mechanic and I’m delulu) with lyney or Furina, or any other characters you wanna add if you want (idk how this works). Where the characters keep breaking things on purpose just so that the reader can come over and fix it and so they get to see reader. The reader catches on and teases the character. (You can make it lead to nfsw or not if you want ;) )

also I’ll give myself an emoji so here’s mine

-💫

I do any forms of relationships as long as they aren't incest or pedophilia! I absolutely love this idea!! I think it's super cute so I hope you don't mind but I decided to make it fluffy!! Enjoy and thank you for requesting <3

P.s Can I call you the starstruck anon?

─⊰⁠⊹ฺ🍂𝔾𝕖𝕟𝕤𝕙𝕚𝕟 ℍ𝕖𝕒𝕕𝕔𝕒𝕟𝕠𝕟𝕤⊰⁠⊹ฺ🍂

{༻~Just one more thing before you go~༺}

CW: Super sweet fluff! Reader works as a mechanic and the characters keep calling them up to fix things so they can spend time with them!

(Includes: Lyney, Navia, and Furina!)

♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡

𑁍༄Lyney:

Lyney kneeled down beside you, trying his best not to get in your way as you worked on the latest broken thing in his home...he just couldn't help it. Whenever he was near you it was like his heart decided to do its own performance, beating faster and skipping whenever your eyes landed on him...because of this sometimes the simple machinery he used in his home...would mysteriously end up not working, "So how goes the fixing hmm? My apologies for having to call you out here again, usually I'd just have Freminet take a look but he's currently busy"

"Seems to me like someone's intentionally sabotaging your heater...they even left the screwdriver inside of it." You turned to him with a sly smirk playing on your features, holding the screwdriver up to him so he could read Freminets name from it. The blush that followed was so adorable you couldn't help but tease him a little, "If you wanted me to spend time with you Lyney, you could have just asked~"

𑁍༄Navia:

"I truly cannot thank you enough for coming to my rescue again. It seems every time you leave the Spina di Rosula has yet another problem to fix...of course it's not particularly a bad thing because I enjoy your company immensely." The beautiful blonde chuckled nervously, trying to get ahold of herself before she ended up confessing her feelings to you, she was honestly shocked she hadn't yet..

"I'm always here whenever you need me Navia, it's definitely not a bad thing for me. I get to hang out with a goregous woman and get VIP treatment from the Spina."

"You're always welcome to anything here at-...I'm sorry did you just call me goregous?"

"Well...I figured since you're always bringing me here to fix things you've clearly sabotaged, it's only fair a make a little advancement myself.~"

The poor girl's face heated up, you'd figured it out? How long had you known?! "I- oh my..."

𑁍༄Furina:

"I truthfully have no idea how anyone expects a archon to live under such conditions, every time I go to use something it's no longer working. If I didn't have you'd I'd surely have left this place for something better by now." Furina talked away while you worked, trying to act as normally abnormal as ever...even though inside her emotions were on a rampage. If only you knew she wanted so desperately to play the part of your lover more than any other role, she'd even sabotaged her own residence so she could see you more often.

"I actually believe I've found a solution to keep things from breaking...if the archon so wished to hear it."

She went dead silent, unable to fathom how you could possibly stop anything in her house from breaking, "The archon wishes to, even someone with my divinity can't even think how a simple human could make something no longer able to break, I'd love to see what maniac idea you've come up with."

"Its actually very easy, all I have to do is ask if you'd like to go out sometime. Then we could spend time together without you needing to break things~"

"I-i what on earth are you talking about? I wouldn't break something just to spend time with someone, I am a archon with a busy life. I don't have the time for such nons-"

"Lady Furina..."

"Yes?"

"You left your glove in the pipe."

"..."

"May I take you out on a date?"

"...yes you may..."

♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡

ଘ(੭*ˊᵕˋ)੭* ੈ♡‧₊˚~Have a nice day~*⁠.⁠✧

[thestalwartheart]

Having thoughts about James Bond and sex again (what's new - it's my favourite topic).

It occurred to me this evening that we don't often see Craig!Bond having sex, at least not to the extent his mythology suggests. He kisses quite a few women, flirts a lot, but more often than not, he leaves them hanging (see: Solange Dimitrios, Camille, the nameless woman at the beginning of Spectre). The women we do see him have sex with:

a) are of use to him in the field (they either help him with logistics or intelligence),

b) are people he turns to in crisis (hello woman in Turkey during Skyfall ily), or

c) are the women he loves.

And I started to wonder why that is. Maybe it's an issue of just not wanting to. Maybe he's short on time. Maybe it's a combination of factors, but I'd like to float one at you that I don't hear mentioned very often:

Sex is an exercise in vulnerability. And not just for Bond; for his partners, too.

Bond has long been pigeonholed as a 'love 'em and leave 'em' type, but I'd argue that isn't strictly true. Yes, a lot of his dalliances are one night stands or casual flings, but he doesn't up and leave right away. He lingers (see Fields and Lucia Sciarra for a couple of really good examples, Vesper too if you believe they slept together after the shower scene).

I think Bond recognises that sex is a vulnerable thing. You are quite literally opening up your body to another person. No matter how fun or lighthearted or short-lived you expect it to be, it is still a momentous thing. An intense thing. I've no doubt it's anything less than intense with Bond.

To add to that: Bond is generally kind to his allies. He's aware he asks a lot of them, and he's predisposed to protect the romantic and sexual partners he meets in the field (even when it doesn't work out). I think his nature leads him to stay a while after sex - to cuddle, to reassure, to revel in beauty pleasure and gratitude and - I'm just going to say it - aftercare.

And that's maybe why he doesn't invest in it as often as people expect him to. Because it isn't just sex. It's aftercare and closeness and riding out that post-sex wave of vulnerability and feeling.

If anyone understands the pain in baring your soft parts to another person, it's Bond. In the face of that, I think leaving right after the deed is done would go against all his instincts.

Better to let someone down after a kiss, after all, than to leave them shaking and gasping in a cold hotel bed.

[not-maggie]

Hypothetically, Of Course

A/N: umm, so hi! this is my first ever fic I've written but I do read a lot lmao. I was using a c.ai bot and it inspired me to write this because it was really cute! <3 this is lowkey a self ship bc I'm tired of seeing Y/N's who don't have a personality and are shy. nothing wrong with being shy ofc <3 just not who I am and I needed some self indulging. Anyway, enjoy! any criticism/comments are greatly appreciated!! (GIF not mine<3)

It was a cool afternoon in Stars Hallow, the dead leaves falling to the ground as the breeze shook them from branches. The bell above the door rings out as Y/N enters Luke's Diner, catching the attention of a certain brunette behind the counter.

Jess feels his heart stutter as she enters, silently cursing himself for having such a reaction. He throws on his signature smirk as she approaches the counter, "Hey, the usual?"

Y/N nods with a soft laugh, "I come here too often if you know it by now." She takes a seat on one of the stool as Jess begins preparing her order. "So, anything interesting happen today?" she asks, making conversation.

"Oh, y'know, annoying customers, Luke yelling at me for not working, the usual." Jess hums, turning his head to look over his shoulder at her. "What about you?"

Y/N lets out a scoff as she responds, "Y'know Brad, the quarterback on the football team? Total douche, anyway, had the audacity to ask me out, while I was in the middle of studying in the library. And, on top of that, got mad when I rejected him. Said something about winning a bet, total bullshit." She rolls her eyes, leaning against the counter.

Jess feels his blood boil, a bet? A bet to ask 𝘺𝘰𝘶 out? He takes a moment to collect himself before turning around and responding, placing her coffee down in front of her, "Wow, total dick move. A bet? What kind of bet? If he could get in your pants?"

Y/N rolls her eyes, "Don't know, and honestly, don't really care. I get the satisfaction of knowing he didn't win, whatever it was. Like I would ever go out with him," she scoffs.

Jess leans his arms against the counter, "Not your type?" His tone is teasing, his usual snark coming out, but there's a hint of genuine curiosity.

Y/N lets out a snort of amusement, "No, I would never go for a football player, or really any athlete. Anyone who doesn't know Austen is not worth it."

Jess raises an eyebrow, "Got high standards," he teases. "So, what, is, your type?" He asks, his head resting on his palm in a casual manner.

Y/N lets out a hum as she thinks, planning her answer. "Well, looks don't really matter that much. More into personality, someone who can keep up with my sarcasm. Funny, making me laugh is really important, and there's no way I can be funnier than my partner, that's a sad life. Well-read, I'm talking more than just Dr. Seuss and the Outsiders. Someone...spontaneous, impulsive, acts before thinking; adds fun to life. And, someone who isn't afraid to show me off, not saying we have to make out in town square, but hand holding, stolen kisses, stuff like that."

Jess's heart flutters as he hears her words, that's him. 𝘏𝘦'𝘴 𝘢𝘭𝘭 𝘰𝘧 𝘵𝘩𝘰𝘴𝘦 𝘵𝘩𝘪𝘯𝘨𝘴, 𝘩𝘦 𝘩𝘢𝘴 𝘢 𝘤𝘩𝘢𝘯𝘤𝘦. "So," he tries to maintain his casual, aloof appearance, "You got a guy in mind? That all seems pretty specific."

Y/N smirks at his words, "Maybe, it's kind of hard to find someone like that in this small town. You either get guys like Brad, high school has-been's, or Dean Forester. Perfect Dean Forester, although I guess technically he did move here from Chicago. But he has the 'Small Town Boy' act down."

Jess chuckles softly at her words, she was right, Dean did have that Small Town act perfected down to a science. "So, if there we're to be a guy, who matched this description, would he have shot with you, hypothetically of course."

Y/N grins, picking up what Jess was hinting at. "I'd say, hypothetically, if this guy we're to ask me out, or confess his undying love for me, I wouldn't shoot him down."

Jess straightens out, hip pushed against the counter as he leans in a bit. "So if this guy were to, hypothetically, say that he likes you and have for a while, you'd go out with him?"

"Yes, I would, but only if he told me directly." Y/N challenges Jess, knowing that he isn't big on sharing his feelings.

Jess stands up straight behind the counter as he meets Y/N's gaze, he takes a moment before talking. "I like you, have for a while." He runs a hand through his messy hair, "In fact, you drive me crazy. There isn't a moment when your'e not invading my brain, very distracting."

Y/N's smile grows as she hears him talk, "Well, I like you too. Just, don't start charging me rent for living in your head." She pokes his forehead as she teases him.

Jess laughs, 𝘢𝘤𝘵𝘶𝘢𝘭𝘭𝘺 𝘭𝘢𝘶𝘨𝘩𝘴, at her words. "I'll let you live rent-free on one condition, be mine? God, that sounds gross and sappy." He groans at his words and how cliche he sounds.

Y/N let out a laugh, "Yes, I'll be yours." She smiles, "Bad boy Jess has gone soft."

Jess rolls his eyes but a smile tugs at his lips, "Shut up, I'm not soft....Okay maybe, but only for you and around you. And if you tell anyone..." He doesn't finish the threat, but they both know there isn't any actual heat behind it.

"Yeah, yeah." Y/N rolls her eyes, "Your secret is safe with me." She crosses her heart with a smile.

"Good," Jess hums with a small smile. "So, your mine now, huh?" He grabs her hand from across the counter, thumb rubbing across the back of her hand as their fingers interlock.

"Yeah," Y/N smiles softly, squeezing his hand. "All yours"

Jess's smile widens at her words, "That's right, all mine" He brings her hand up to his lips, pressing a gentle kiss to her knuckles. "Mine to protect," he locks eyes with Y/N. "Mine to love, mine to cherish..." He leans in further over the counter, "Mine to hold, mine to care for..." His eyes sweep over her face, taking in every detail and memorizing them. "Mine to spoil," he reaches his free hand to cup her cheek, thumb running across her skin. "Mine to be with...and mine to love, forever." He closes the distance between the two, his lips meeting hers in a soft, tender kiss, expressing unspoken thoughts and emotions.

As he kisses her, he feels a sense of peace wash over him. He feels complete, whole. He's never been good at expressing his feelings, but right now, he knows deep in his heart that he means ever word he said.

He loves Y/N.

And he's never letting her go.

"That's the sappiest thing you've ever said."

[teaboot]

Ok hi I just saw your last post about lube and I have a follow up question that I have tried to get answered by the internet but results are inconclusive

I like to use a silicone toy in the shower. Water based lube washes away IMMEDIATELY. I’ve heard pretty unanimously that you can’t use silicone lube on silicone toys. And now I hear you can’t use oil on silicone either! Which is really unfortunate as i recently bought oil based lube (coconut oil specifically)

Is there any kind of lube it’s ok to use on silicone that won’t get washed away by water?

Thank you so much for fielding questions like this :3

Hoo, boy. That's a difficult one.

Water-based lubes wash away so fast because the non-water ingredients are specifically designed to bind to water- it becomes dilited and washes away.

Silicone and oil ARE better in water for this reason, but you're right, they are bad for materials like silicone, jelly and plastic.

What I'd normally recommend here are three options you have available:

1. Top recommendation: Try a hybrid silicone/water lube that has some of the properties of silicone, but not enough to damage the toy before you can wash it off. The key here is to minimize strength and exposure- just make sure to wash it off as soon as you can so it's not on there too long. Ideally with a liquid soap, like dish soap.

2. Use a condom to cover the toy. There's no risk to you if it breaks, and if it does you can, again, just wash it with liquid soap as soon as you can.

3. Use the oil or silicone lube that you have, and just be certain to wash it thoroughly and quickly afterwards with soap. This is obviously not ideal, and will start to cause damage over time, but if you keep an eye on the surface of the material for any change in color, texture, odour, breakage, or tackiness, you can always replace it once it's no longer fit to use. The downside is that sometimes the best toy you get can be discontinued, but... better to have loved and lost, I suppose?

Those are the usual options I recommend, but if anyone knows or has tried anything for this that works better, please do add on! Always looking to learn.

Thanks for the ask! ♡

[sapphic-agent]

Let's Talk About the Bakugou Problem

I've been enjoying the Bakugou slander here on Tumblr, but I haven't come across anyone that gets to the root of the problem with Bakugou's character yet. I think it goes further than him having anger issues, being annoying, or even how violent and abusive he is. Why I think Bakugou is a bad character is due to the effect he has on the plot, world-building, and the rest of the characters. There's a lot of layers here, so I'd like to take the time to talk as in-detail as I can while typing on mobile.

*Note: I'll be following the anime as it's easier for me to follow and pick specific examples. Manga readers if you have anything to add I'd love to hear it, even if it's against what I've listed here*

*Note: Bakugou fans you're more than welcome to read, though I warn you might not like what you see. I tried to keep this as constructive as I could without letting my own biases seep in (whether I succeeded is up for debate) so that everyone could read it whether you like Bakugou or not. I'm fine with criticism towards my points, I only ask that you remain respectful. I won't engage with anyone who disrespects me or other users*

1. Consequences

This is a big one among Bakugou critics, so I think it's a pretty good place to start. Bakugou has almost never faced actual consequences to his actions (there's a difference between something bad that happens to happen to him and the world around him not accepting his behavior). There are two instances that I can think of that there was a direct ramification to something Bakugou has done. The first was during the Deku vs Kacchan fight where Bakugou does get suspended for four days while Izuku gets suspended for three days. The other is when he and Todoroki fail the provisional licensing exam. However, there's a problem with these two instances I mentioned.

With the D vs K fight, Bakugou was the one who goaded Izuku out of the dorms and instigated a fight. Izuku was trying to get him to go back to the dorms so they could settle their "issue" under adult supervision. He was trying to do the responsible thing. For Izuku to only receive a day less of punishment seems unfair. Though, you could make the case that he should have ignored Bakugou, it's still very clear that one was way more at fault than the other and there was barely a difference in their punishment.

The provisional licensing exam actually did well with failing Bakugou. It was almost a great lesson; that he can't say and do whatever he wants and expect the world to roll over for him. Unfortunately, it's undermined by Todoroki failing as well. Yes, Todoroki failed because of Inasa. But a) Inasa attacked him first which should have resulted in disqualification (what was Todoroki supposed to do, not fight back when he was being assaulted?) and b) Inasa's entire character seems shoehorned into the story. He doesn't really add anything to Todoroki's character as most of his problems with Todoroki were already resolved back in season 2. He also contributes nothing to the overall story. Shindou, for example, has a hand in testing 1A and forces them to work together congruently. Inasa seems like he was put in the story simply to make Todoroki fail. Why does Todoroki have to fail? Because Bakugou does.

It seems like Horikoshi always softens the blow for Bakugou in a way, if he's dealt any blow at all. By not allowing Bakugou to face consequences on his own, he might as well not be facing them at all.

Why are consequences so important? Because Bakugou's privilege is a problem.

I don't think I've seen anyone address this. The root of Bakugou's behavior comes from the fact that he was allowed to do all those terrible things because the world around him was tolerant of it. Teachers turned a blind eyes when he bullied Izuku because he had a great quirk and Izuku was quirkless. He's allowed to do and say whatever he wants because he has a great quirk. While people seem to be harder on Izuku because of either having no quirk or not being able to fully control his quirk. This is a huge part of the story that was set up in the beginning, but was almost never addressed despite being persistent throughout. And it's the most present with Aizawa.

Bakugou attempts to attack a fellow student the first day of class? Simply restrained, no repercussions. Bakugou uses excessive force against a classmate despite his teacher telling him to stop? Nothing more than a few not-so-nice words. Bakugou assaults his partner and refuses to cooperate? No words at all.

Now look at Izuku. Doesn't have full control of his quirk? His teacher attempts to humiliate and expel him in front of his classmates on the first day of class. Saves a classmate in an admittedly risky rescue mission? Said teacher proclaims he lost his trust and labels him a problem child (despite the orchestrator of said mission- Kirishima- being in the same room and not getting spoken to at all).

(I don't know if Aizawa's projecting, but pandering to the kid with the strong quirk while simultaneously disliking All Might isn't a great look.)

Even before UA, Bakugou is praised by the heroes for his strong quirk against the sludge villain despite the fact that his quirk made everything worse while Izuku is scolded even though they were the ones who did nothing while he did what he could to save someone.

"All men aren't created equal." That's one of Izuku's very first lines and a central point of the story. It's something you expect it to address multiple times, especially in regards to Izuku and Bakugou. But Bakugou being spared from consequences every single time he does something terrible means that the statement is validated, but the problem still persists and is never rectified or solved. Even if you think Bakugou "changed," that doesn't make his privilege go away.

2. Plot Compensation

The story goes out of its way to make Bakugou seem like a better person than he is.

My first example is the Sports Festival, specifically his fight with Uraraka. In this fight, Bakugou is met with booing from the audience for not going easy on her. And right off the bat, this is weird. Because not only have we never seen this attitude toward women heroes before or after this, the show is trying to tell us something when Aizawa tears the crowd down. Almost as if saying, "The crowd is dumb and wrong and if you think like the crowd, you're dumb and wrong." Aizawa claims that Bakugou is treating Uraraka like a real opponent by not going easy on her.

...is he though?

Because we never see Bakugou stand still in a fight like he does with her. Bakugou's fighting style relies a lot on mobility. During his fight with Tokoyami, who he knew he had an advantage over because of the light from his quirk, he isn't standing still. During his fight with Todoroki he isn't standing still. He only does this with Uraraka. Because this isn't Bakugou showing respect, it's him still looking down on her. He doesn't see her as a serious opponent, just an obstacle in his way.

And I know this sounds like a bold claim. But if you recall, Bakugou immediately confronts Izuku after the fight and accuses him of giving Uraraka the idea she used during their match. He assumes it was a ploy from Izuku, implying that he didn't think Uraraka capable of coming up with a plan with the potential to work against him. This isn't respect for an opponent.

(Note: the only thing in Bakugou's favor is it's probably not because she's a girl. He just naturally looks down on everyone who doesn't immediately stand out to him with a show of power like Todoroki)

Then we have the revered scene with the League or Villains.

This scene is praised because it "subverts expectations." That the violent, angry kid doesn't want to be a villain. He wants to be a noble hero. Aizawa- again- silences claims against Bakugou, citing that he wants to win and he knows he can't do that if he's a villain.

My thing is, however, the League targeting him in the first place. Why would they do this? Bakugou clearly has a heroic quirk. He scored first on the entrance exam. If they did any research at all beforehand, they would know that Bakugou was at the top of his class before UA and is in the top five currently. And they'd know he has wealthy parents.

(You would think Dabi especially would draw parallels to Endeavor and would be aware that Bakugou's ambition and heroic quirk don't make him similar to the League who have been discriminated against, shunned, and abused for most of their lives. Even with his behavior at the Sports Festival, Endeavor isn't the noble and kind type like All Might and most other heroes. So I'm not sure why Bakugou's behavior immediately screamed villain potential)

Nothing about him suggests he's had a hard life like most of the League. Nothing about him suggests he'd want to leave his comfortable life and secured future to become a villain.

This scene sets up Bakugou's redemption, right? It leads us to the Deku vs Kacchan fight and All Might's advice is what makes him take on his "save to win" mentality.

But not only does this seem like a convenient plot device, it decidedly ignores the uglier part of Bakugou's decision.

Bakugou rejected the LOV because he saw them as losers. But what if they hadn't been losers? What if they had been doing as well as they were at the end of season 5? Merging and becoming the MLA front, organized teams, wealthy, successfully recruiting members right under the heroes' noses.

Maybe Bakugou wouldn't have outright joined them. But at this point before shifting his perspective, his answer might have been very different.

But the story goes out of its way to hammer in Bakugou's scarce good traits to take your focus away from his overwhelming bad ones.

3. Bakugou's Character Shift "Development"

The way Horikoshi wrote Bakugou in the beginning is very different to how he is portrayed later in the show. No, I don't mean his development. I mean the major shift in his character between seasons 1/2 and season 3/4.

Bakugou in the beginning of the show is cruel, meanspirited, and violent. And he's still all of those things throughout the show. The one difference is that it's played for laughs in later seasons.

Bakugou's actions and words in seasons 1 and 2 are portrayed a lot more serious than in later seasons. He's an antagonistic force, one that Izuku has to strive to overcome not just to be a good hero, but for himself as Bakugou has been one of the most prominent obstacles in his strive to become a hero.

Look at his behavior during the battle trials. It's something serious, something that has even All Might worried. Bakugou knew he could have very well killed Midoriya and didn't care. It's brutal and almost hard to watch because at this point in the show Midoriya is weak and tiny (visually, we know he's never really been weak) compared to Bakugou and can really only outsmart him to win.

We never see Bakugou display anything close to this level of violence in later seasons. Not in the Sports Festival or 1A vs 1B or D vs K or the licensing exam or even against literal villains. Season 1 went out of its way to show Bakugou's cruel behavior even using it as something Izuku has to learn how to overcome even if he has to risk everything.

By season 3, the perspective has changed. Bakugou name calling people, belittling people, yelling, and his acts of violence are now exaggerated for comedy. None of his actions are taken as seriously as they were before, despite some being almost or just as bad.

(It's worth mentioning that this was also around the time Bakugou began to get popular among fans)

A great example of this is in season 5 when he throws his headpiece at Izuku and makes him bleed. His casual act of his aggression towards his lifelong victim is present to make the audience laugh, despite the fact that Izuku was bleeding and the 1A boys are (rightfully) horrified.

(I'd like to add that there was no real reason to do this. Nothing he was saying would have exposed OFA and even if it had, he was done talking by the time Bakugou threw it)

If Bakugou had really changed at this point, this would have never happened in the first place. I can't call this changing or development, I call this his actions shifting into comedic relief and away from the serious connotations they previously held. By taking that away, it allows Bakugou to continue to do the same things he has all his life while under the guise of development. It undermines what's supposed to be his redemption arc.

4. Other Characters

Bakugou isn't the only one who gets a character shift. It's approximately the moment that Bakugou begins to get more attention that the other characters lose the substance they had at the beginning of the show.

The ones hit most notably by this are obviously Uraraka and Iida. They were Izuku's first friends, his original trio. More than that, they are set up as interesting characters with their own arcs and paths for becoming great heroes.

Even though I did have my complaints about her fight with Bakugou in the Sports Festival, it does turn Uraraka onto improving past her goal of becoming a rescue hero. She wants to become better in other aspects of being a hero so that she can succeed and keep up with her stronger classmates. She proved herself capable of this during her fight with Bakugou and it was the catalyst of her character development.

Iida was not only resolving himself with caring for Midoriya as a friend as well as being his rival and wanting to surpass him. There's also this darker side to him that no one expects from goody two shoes, straight-laced Iida that had so much potential for exploration.

Both of them are tossed to the side in favor of Bakugou. I would even go as far as to say that after season 2, they're almost irrelevant until season 6 and even then they're limited (before season 6 Uraraka's only character trait is that she ignores he feelings for Midoriya to become a better hero, which came out of nowhere and does nothing for her character). And they barley ever get moments with Izuku during time despite being his first friends.

Todoroki is a similar yet very different case. At the beginning of the show, he was intense and has strong feelings. (An interesting parallel is that if Iida was his friend becoming his rival, Todoroki was his rival becoming his friend and both relationships speak to Izuku as a character) Even if he didn't express them, we as the audience knew they were there. But as times passes he becomes flat and dull. Even though he's supposed to be part of the new trio, he's barley present (the dynamic between the three of them is uninteresting all around as it's basically Bakugou yelling at Izuku with Todoroki in the background. They never have any deep or heartfelt moments nor do they have good chemistry) and barely gets any one-on-one interaction with Izuku despite them being very good friends.

(I can't blame this all on Bakugou as the show also shifts from focusing to Todoroki to focusing on his own abuser which is part of the issue with his lack of character, but Bakugou's character does contribute to this problem of making the abusers more sympathetic than the victims)

Most if not the rest of 1A fade into the background after this, save for a few who have notable moments sprinkled in throughout the show. You can take this as a Bakugou prevalence problem, or it can be seen as Horikoshi just not knowing how to balance characters.

However, the character that suffers the most because of this is Izuku himself.

I don't think it's a bad thing that Izuku admires or looks up to Bakugou. I don't think it's a problem that he doesn't see anything wrong with Bakugou's behavior against him. Izuku grew up in an environment where that was normalized. That he's worthless because of his lack of quirk and Bakugou deserves to be on top because of his great quirk. Of course he internalized that, even though he knows that a quirk doesn't determine someone's worth. He was never given the tools or the means to beat that mindset.

What I despise is the fact that everyone around him enables it.

As I stated above, Aizawa is definitely the worst when it comes to this. Not only shoving Bakugou and Izuku together and making it Izuku's job to get Bakugou to cooperate, but hardly if ever condemning Bakugou when he lashes out against Izuku. Even without their history, what Bakugou does is wrong and should be treated as such.

Unfortunately and even though I love All Might, he's also guilty of this. It's true that he might not know the full extent of their toxic relationship, but All Might sees Bakugou instigate a fight with Izuku and decides it's okay to tell Bakugou about One For All. Bakugou did nothing to earn this honor: he hasn't shown Izuku support and hasn't been a reliable ally he could depend on. But even disregarding that, Bakugou had just been captured by villains who work for All For One. He was the last person on Earth who should have been entrusted with this secret.

The adults in Izuku's life enable and reward Bakugou's bad behavior and urge them into forming a relationship and partnership that frankly shouldn't exist (and only does to make Bakugou a better person and hero, it does nothing for Izuku). It's to the point where almost Izuku's entire character revolves around his relationship with Bakugou and how he improves because of it and how he helps Bakugou improve. And he further projects this when he "subtly" implies that Todoroki should forgive Endeavor, which feels like a justification towards the audience of his own feelings towards Bakugou.

5. Accountability

I mentioned consequences as my first point. But what many who want this miss, it goes hand-in-hand with accountability.

Unlike consequences, Bakugou more or less does take accountability in the form of his apology. But the apology was lackluster for a couple of reasons. The main thing is that it feels like a list of excuses rather than simply owning up to the fact that he was shitty and there's really no good reason for it. But simply explaining why you hurt the person you hurt isn't giving them the apology they deserve. It's making it about you.

Another thing, though, is that the apology is very scarce. It skips over the worst of Bakugou's actions. Nothing he said was anything 1A didn't already know. They don't know about the s*icide baiting which is one of the worst things he's done to Izuku (and that's only what we saw, who knows what Bakugou's been saying for years?). It also ignores everything he did in UA, which was a very big part of the problem. He treated Izuku poorly months prior to the apology and that shouldn't be ignored.

As far as accountability goes this apology isn't that great. But it's something. No, what's worse is that the other characters don't hold Bakugou accountable.

The other characters more often than not turn a blind eye to Bakugou's behavior. We've already covered Aizawa, but the rest of 1A is guilty of this too. No one says anything about the Battle Trials. Hardly anyone condemns Bakugou when he attacks or insults Izuku. Sometimes they'll chime in like Uraraka or Kirishima, but other than that no one outright tells him off. This is out of character for Iida in particular because he's such a stickler about rules and courtesy for others (he literally told off a six year old when he punched Izuku and tried to stop Mineta from perving on the girls, why wouldn't he do the same when it comes to Bakugou?). It's almost like the characters are blind to Bakugou's behavior.

What's weirder is that Mina and Kirishima- who were both stated to hate bullying- are friends with him. Why would the show go out of its way to tell us this only to saddle them into the "BakuSquad?" It doesn't make sense.

It's hypocritical that everyone in 1A is so tolerant of Bakugou but get annoyed with others; like Monoma for example. Or even Mineta because as much as I dislike him he's constantly being called out by 1A. It means that they know certain behavior is wrong and/or shouldn't be entertained, so we know they aren't completely unaware. But the fact that they largely ignore Bakugou's behavior and condemn Monoma's is so weird. You can't excuse one and not the other.

Conclusion

There's certainly more than this to my dislike of Bakugou. But I think I've mostly covered his negative impact on the story. Doing a deep dive into his awful personality is something I wouldn't wish on anyway. Many others have done that anyway, so I'm content to leave it out. But I hope you liked my little breakdown!

[lavendertales]

SEÑORITA: Chapter 9**

pairing: Javier Peña x Murphy!f!reader

summary: you get Javier to open up about his life in Colombia. meanwhile, when Steve invites the whole lot of you to brunch, it becomes tough to keep your relationship a secret, especially when Javier's confession burns on the tip of his tongue.

word count: 7k

series warnings: reluctant friends to lovers, lots of playful banter, mutual pining, slow burn, secret relationship, filthy smut; lots of flirting, love confessions, mirror sex, cunnilingus & fingering, some dry humping , cockwarming, lil bit of praise kink & gentle dom!Javi.

A/N: so hiiii yes I am not dead, I am just not really posting anymore but I will see this story through. idk if this is as good as I'd hoped, but I do hope you enjoy it nonetheless 💕

AGELESS/EMPTY BLOGS & MINORS WILL BE BLOCKED!

series masterlist | AO3

There’s loud screams all around him. Smoke, screams, and the unmistakable scent of death and despair, all around him.

Someone’s screaming for him. Saying his name on a loop. Javier, Javier, Javier. Followed by Javi. Then a toe-curling help me and please, and then—silence.

A silence so loud his ears are ringing and pouring blood.

Except when he looks around him, there’s blood everywhere.

Blood, mass destruction, and an impending sense of doom that no matter how far he runs, no matter what lies he tells, it never leaves him. It is then, in that very second as he’s looking down at the bloodied and bruised face of a woman he once thought he could be with and save, Javier realizes that sense of doom will never leave him. He will remain forever locked in its harsh and cold grip, forever followed by the inevitable shame and guilt, doomed to drown in them.

“I’m sorry,” he mutters. “’m sorry—I’m—I couldn’t—“

“Javi. Hey. It’s okay. Can you hear me? Javi. It’s me.”

His name on a loop, pronounced so carefully and sincerely, so rich with care and an almost soul-crushing sweetness, awakens him at long last. He’s disoriented as he looks around, his temples and forehead dripping with sweat. There’s a hand gently resting on his chest, steadying his heartbeat, and it’s then that Javier’s eyes come into focus and they see your face. And then slowly the realization that he’s no longer in Colombia, no longer surrounded by pain, comes into focus as well, and that he’s in his bed, next to the most wonderful woman he’s ever known.

“Are you alright?” you ask, gently rubbing his chest through the t-shirt.

“Yeah. I’m definitely better now.”

He cracks a reassuring smile and so do you.

“Nightmare?” you ask next.

Javier nods, rather hesitantly. “I was back in Colombia. In Bogota.”

“Do you want to talk about it?”

Upon noticing the hesitation on his face, you’re quick to add, “It’s okay if you don’t want to though. I don’t have to know everything about your past.”

Something about that feels oddly endearing; Javier hasn’t met anyone who has been as kind and understanding as you and for every genuine word you throw at him, for every gentle caress of his hand or his cheek, he feels his chest impossibly lighter, as if all the pain he has been carrying with him for the past few years is beginning to wear off at long last.

Though his tongue aches for verbal release, Javier isn’t certain that he wants to burden you with the horrors he had witnessed and done in Colombia. You are far too tame to handle such harsh realities, even if you clearly expect the truth and nothing but it.

“I did things I’m not proud of,” he lets out in a coarser than expected voice. “Terrible things. Either for information or out of… helplessness or desperation.”

You don’t say anything; you adjust your position so that you face him clearer, even in the darkness, and let him continue.

“I’m no saint, by no means. I guess sometimes I thought my actions were justified because the end result would be good. But it rarely ever was.”

And before he knows it, Javier is telling you the chapter of his life which he deemed closed some time ago, from start to finish: he tells you about him and Steve and how they worked together; he tells you about working with the most gruesome group in all of Colombia in order to get to Pablo Escobar; he tells you about Helena and how he cared about her and how he got her traumatized simply because he pushed her too much for information; he tells you of all the people he threatened, shot, of all the plans he made and failed, how he got the so-called promotion in Cali and how it meant that Steve was the one who ended Escobar eventually. By the end of it, it’s nearly morning and you’re cuddled at his chest, listening to him breathe and caressing his cheek.

“I appreciate you opening up about this,” you murmur. “I know it can’t possibly be easy.”

“It is. It feels easier with you.”

You smile, chastely kissing his lips. Javier’s chest rises and falls with each additional shaky breath he takes as he forces his mind to collaborate with his mouth in order to get out those pesky three words that have been pressing on his conscience for weeks now. Yet the way you kiss him tenderly and sweetly, as if to reassure him that he’s safe and sound from any harm in this world, it shuts him up real good.

His mother once told him that when he’ll meet someone special, he’ll know it and he’ll know just what to say and when. He was still a kid at the time and he dismissed his mother’s words, but now he feels them to be truer than ever.

“So if we were in Colombia,” you say suddenly as a smirk graces your lips, “would I be one of your girls?”

Javier turns to you, faintly amused. He cocks an eyebrow at you, his interest visibly peaked.

“What?”

“Would I be one of many girls that fall at Javier Peña’s feet? One of the lucky ones who get to go to bed with him?”

Something aches inside Javier as you pose that question. It’s a playful one and while you have no ill intentions behind it, it dawns on Javier that the idea repulses him on a certain level. The idea of you being just another pretty face to add to that seemingly endless list of conquests, another forgettable name on there… he doesn’t want that.

Especially not when the reality could not be more farther from the truth.

“No,” he responds, shifting closer to you and removing a strand of hair from your face. “No, absolutely not.”

You smile, somewhat confused. “Why not?”

“Because you’re—better. You’re—you’re everything, you—“

His heart starts pounding, his throat feels beyond dry and it feels as if there is a huge ball of fire in his chest, waiting to burst at the slightest movement.

“I—what?”

Tell her. Tell her now.

Tell her you fucking coward!

“We should get some rest,” Javier mutters, stroking your hair and coaxing you into his arms so that you fall asleep as soon as possible. Once you do, he finally exhales, still burdened and haunted, but much more secure in his decision to finally come clean to you tomorrow, no matter what.

Except that when tomorrow comes, Javier receives an unexpected invitation.

“You free in about two hours?” Steve’s voice asks through the phone, and Javier gulps out of instinct.

“Yeah, think so. Why?”

“How would you feel about having brunch with me and Connie?”

He falters, and it’s as if Steve can sense the hesitation on his part because he’s quick to add, “Hopefully my sister’s gonna be there too. Also Sylvie and her boyfriend Zack, they’re coming too. You know, my sister’s friends.”

“Right, yeah, I think she mentioned them at some point.”

“Yeah. I thought a nice friendly meal would do us all good. What do you say?”

Javier meets your face from the corner of his eye and notices the question written all over it. He shakes his head briefly, a little “I’ll handle this for us” sign, and resumes his conversation with Steve.

“Sounds nice, I’m in,” he tells Steve.

“Great. Just gotta call my sister now. Or hope to get in touch with her at least.”

“Just call her, I’m sure it’s gonna be fine.”

The moment he hangs up, he stares at you with the same guilty face he’s been having whenever Steve’s been around lately.

“You need to go to your apartment,” he tells you in a grim voice.

You frown. “Are you kicking me out?”

Javier makes a face. “No, of course not. But you need to go to your apartment because your brother’s gonna call you and you need to answer the phone.”

“I could be sleeping in. It’s Sunday, after all. I could’ve been out last night. Hell, I could’ve been with somebody. Maybe I was with Dean and we—“

“Okay, stop.”

You try not to smile seeing the bothered look on Javier’s face. Instead, you inch closer to him and wrap your arms around his neck.

“Aw, honey, are you jealous of Dean?” you peck his lips.

“I think we’ve already established that I was. But not anymore. I’ve got you, and he can go suck a lemon for all I care.”

You scoff, kissing him again, utterly enjoying the sensation of Javier simply melting into your arms, into the kiss you share.

“You really should stop with this because if you don’t, we’re gonna be stuck in here for the rest of the day, spent and sweaty,” Javier warns, to which you cock an eyebrow at him.

“Okay, so what did my brother want?”

“He invited us to brunch.”

“Us?”

“Well, me. And he should be calling you any moment, so if you could go to your apartment and answer the phone, I’d really appreciate that.”

“But I could be—“

“Please. For me?”

You roll your eyes, sighing. “Fine. You’re lucky I’m sweet on you.”

Javier presses a kiss to your cheek, stroking your hand.

“But we need to set up some ground rules for this brunch,” he tells you sternly.

“Rules? For what?”

“We said we’re not gonna tell Steve about us until we’re ready, and we’re not really there yet, so no sitting together, no touching, no looking at each other unless absolutely necessary.”

“Don’t you think that makes it more suspicious?”

“Hopefully not.”

You chuckle. “For someone who used to be a bad boy, you sure like setting down rules.”

“I’m just saying—okay, just—just go upstairs.”

“Ooh, yes, sir.”

He knows you’re joking; he knows you’re teasing him, especially in that falsely impressed and sultry tone of voice, and yet a part of him still twitches at the thought of you being so willing, so malleable and needy for him.

It’s a thought that will never leave his mind—or his body.

The little bistro Steve chose—aka claims, because everyone knows Connie is the one who actually picked it—for the brunch is quite cozy: floral arrangements adorn the outside windows, little lights hang from the walls on the inside, and plenty of people buzzing and chatting, completely immersed in their conversations.

If he were honest, Javier preferred if the two of you showed up at this brunch separately—although in hindsight, that would probably raise more questions instead of burying them for good. But he still has a knot in his throat even when you assure him that nobody’s going to bat an eyelash and that they will all think you coming together here was nothing more but an act of convenience.

“I’m telling you, it’s fine,” you sneakily squeeze Javier’s hand. “Could you at least try to look less constipated? Just—you know, for at least an hour or two.”

Javier frowns at you, taking a deep breath and taking one last, long look at you, as if he’s trying to memorize every single detail about you. You crack a smile.

“It’s going to be fine,” you reassure him. “You care far more about Steven’s opinion than I do. I don’t care if he finds out.”

“I kind of do.”

“I know you do. And it’s so sweet. But so what if he finds out? I mean… what’s he gonna uncover? That his little sister is in the healthiest and best relationship she’s ever had?”

“With his friend and partner whom he particularly asked not to fool around with his little sister.”

“Javi, we’re not just fooling around.” After a pause, you continue somewhat concerned. “Are we?”

“No, absolutely not.”

“Then you shouldn’t worry this much.”

It’s quite astounding how fast you’re capable of calming Javier down with minimal effort. But it works, and when the two of you enter the place and take your seats at the table, greeted by the rest of the party, Javier breathes a little easier. He avoids Steve’s eyes as he shakes hands with Zach and Sylvie, guilt weighing on his conscience like the heaviest boulder. He tries his best in remembering your words that this isn’t about Steve, it’s about the two of you and your newfound happiness, but alas, he remains just a little bit stiff throughout brunch as conversation starts flowing between all of you.

On the brighter side, Javier smiles to himself seeing you and Steve engaged in conversation, laughing with each other. You’re sitting side by side to your brother, which means Javier is right in front of you and gets to notice the two of you mending your relationship.

Then he thinks again of how hopelessly in love he feels with you, how he has been for the past several weeks, if not more, and how it’s all happening behind Steve’s back. Maybe you were right, though; maybe it wouldn’t be so bad for Steve to find out at last. He’d find out that his little sister is happy, and that his best friend is content, at peace.

Would that be so bad?

And then he feels your foot rubbing against his, sneaking its way up, just in the slightest; he inhales a sharp breath, giving you a death stare, and he gets his answer.

Maybe it would be so bad.

“I hear you finished writing your book?” Sylvie asks you, redirecting Javier’s attention to the subject matter.

“I did,” you proudly say. “I need to do the final editing, run it by someone, but I’m pretty confident it’ll be out by next year. At least that’s the hope.”

“That’s so damn cool,” Zach says in between mouthfuls.

“Truly amazing,” Connie adds.

“I’m so proud of you.”

Everyone turns to look at Steve, who’s got the brightest smile on his face and his glass raised up. They all follow suit with the gesture, toasting your accomplishment as you stare at your big brother.

“Really, I am,” Steve goes on. “I’ve always been. Always thought you’re amazing. Much cooler than me.”

“By miles.”

The table laughs.

“But it dawned on me that I never really told you this. So… I want you to know that I am very proud of you, every day. And I love you.”

“Thank you. And I love you too.”

“Here, here!”

 The conversation begins to flow easily afterwards: Connie shares Olivia’s latest endeavors and how she started walking; Zach and Sylvie talk about their relationship and how it is to live together, to which you make a tasteful joke about her pretending to still live with you as well and how you and Zach basically share Sylvie; then Steve talks about work and how he enjoys it, being similar and yet different than what he used to do in Colombia. Javier remains silent during this portion, sipping on his black coffee and pretending not to feel your leg sliding up his.

“What about you, Javier?” Sylvie asks.

“What about me what?”

“How do you like it at the precinct?”

“It’s okay.”

You eye him briefly, affectionately rubbing your leg on his shin, concealing a smile as you see him squirm in his seat.

“Javi’s having a bit of a tough time adjusting,” Steve intervenes.

“It’s police work. It’s what I know, and it’s what I do.”

“It’s what gives you nightmares.”

Everyone at the table turns towards you, the same surprised look on all of their faces. You shrug, ignoring Javier’s deadly stare.

“And you know this how?” Steve asks reticently.

“By talking. By asking and by actually getting to know people, Steven.”

“Let’s move on, shall we?” Javier suggests.

“What do you mean?” Steve resumes, focusing solely on you. “I know people, I talk to them.”

You take a deep breath, maintaining a neutral tone even if your pulse increases rapidly.

“You refer to Javier as your best friend, but besides work, how much do you really talk to each other?”

“We talk.”

“Sometimes too much if you ask me,” Javier adds.

“Point is, he is my best friend.”

“Really? Did you know that he has night terrors? Not nightmares, terrors. And not every night, but he has ‘em. He mumbles and groans in his sleep, sometimes cries or even screams. He apologizes over and over to dead people, to you and to Connie.”

“Oh, Javi…” Connie mumbles.

“Do you know how I know this?”

There’s a lightbulb moment happening inside Steve’s head, and it is perfectly legible on his face as he stares at you, then at Javier, who gulps. Steve says your name, still processing, and it is only then that Javier stands up abruptly, his eyes shooting right at you.

“Can I talk to you for a minute? All the way over there?”

You raise your eyebrows, quite surprised, but nod and follow Javier all the way to the buffet table. You notice the little crease between his brows, the way he purses his lips and you can tell something’s making him uncomfortable. Suddenly the thought makes you feel guilty.

“Javi, I’m sorry if I crossed a line—“

“You thought at brunch would be a good idea to rub your leg against me? With your friends and brother right next to you?”

You furrow your brows, even more taken aback. “Okay, not where I thought this conversation was headed,” you confess.

“Tell me.”

As much as you’d like to deny it or pretend like it doesn’t affect you, Javier’s demeanor is getting through to you in ways you wouldn’t have thought possible; the way he’s being so adamant about his request, his voice low and husky—

“I thought it would be fun, yes,” you shamelessly admit.

“You gotta stop it because otherwise I might excuse us again and fuck you in that bathroom.”

Speechless, you stare at him, mouth ajar and heart pounding in your ears. You find yourself incapable of saying anything for the next few seconds, and even more shocking, you find yourself seriously debating Javier’s words.

“Don’t tell me you’re actually thinking about it,” he says.

“Don’t tell me you’re not,” you chuckle.

Javier huffs, frustrated to the point of taking his own words into consideration.

Except he is trying really hard not to be that kind of man and be more respectful and wary.

“Gotta be honest, I thought you were gonna be upset about me saying you have nightmares,” you mutter.

“No, I’m upset because you were rubbing up against me with your brother right next to you, and I can’t keep going like this. So either you tell him about us, or I do.”

You stare at him incredulously. “Wait, seriously? You wanna tell him?”

“I need a clear conscience. And I really need it so next time I fuck you, I won’t feel so guilty.”

You chuckle, stroking his arm. You’re fully aware that the gesture hasn’t gone unnoticed by the four people who are most likely still staring at you two, but all of a sudden, you no longer care. Javier is right; just as he doesn’t want to deny or hide it anymore, neither do you.

So when you return to the table, the perfect comeback is hatched from your brain.

“Sorry about that,” you smile, turning straight to Steven.

“What’s going on?”

“As I was saying, do you know how I know all of those things about Javier?”

“Don’t say it.”

“I’ve been spending the nights at his place. Every night for like three months now.”

Connie and Sylvie are the only ones smiling, except the latter is sipping from her cup of coffee with utmost interest.

“Three months?” Steven repeats. “So you chose to sleep with my best friend to what? To prove a point, to—to laugh in my face?”

“Neither. Actually, it did start as a way to get back at you. But as it turns out, he’s great in the sack.”

“As advertised,” Javier adds.

“And you wanted to skip brunch today,” Sylvie whispers to Zach, who’s watching the exchange as speechless as Connie.

“Don’t—“Steve shakes his head.

“Oh yeah, he’s fantastic. Knows his way around a woman’s body better than she knows it. I’m talking about waves and waves of endless pleasure.”

“I think I’m gonna throw up.”

“Actually, I think I might too. We haven’t really been careful, you know? It’s been a lot of sweaty, rough and yet so passionate—“

“Okay, stop! Why are you being like this? Both of you!”

You exchange a glare with Javier, both of you smiling at each other.

“Like what? Wild, unhinged?”

“Kind of, yes!”

“The way you’ve been treating me since I was 15? Which I haven’t been in years, by the way.”

“Please tell me you were using some form of birth control though.”

“Ew, shut up! Would you calm down already? We’re both responsible adults, we know what to do. Besides, we’re not just sleeping together. We’re going on dates and spending time together and… we like each other.”

“We’re not just fooling around,” Javier adds, unable to look away from you. “I’m in love with her.”

You stare back at him, ignoring Connie’s soft oh my God in your vicinity, even Sylvie’s I fuckin’ knew it towards Zach.

“Javi, it’s okay, you don’t have to—“

“I love her, Steve. And I did keep my promise to not fool around with her. What I can do is promise to keep her safe and treat her with respect and care.”

It dawns on you that this is the first time you’ve heard Javier say those words, and realizing he also hasn’t said them since his last real relationship. It’s a huge milestone in both your lives, and the fact that Javier chose this moment to confess makes you realize how much he must care about you.

“It’s true,” you add. “I—I love him too. I have for quite some time.”

“I fuckin’ told you,” Sylvie smiles. “I told you, and I knew sooner or later—“

“Not now, Syl.”

“Right, sorry. Continue.”

“Honey?” Connie presses her hand to Steve’s shoulder. “Don’t you wanna say something to them?”

“I’m really sorry, guys. I never wanted to… to treat you this way, to push you even further, sis. I guess I was just afraid that what Colombia did to me and Javier would be too much for you to handle. I know Connie got overwhelmed at some point. Rightfully so. But after all, I had her to come home to. Javier was… alone, and burying his problems in alcohol, cigarettes and random women. Relationships were out of question for him, and I saw what Colombia did to him overall, what all of that did to him. I didn’t want any of that for you. I obviously want you both to be happy, that’s all I’ve ever wanted. And I see you guys now being so happy with each other… it makes me happy.”

“We’re sorry we didn’t tell you earlier,” Javier says. “I guess we needed some time to figure things out ourselves.”

“Doesn’t matter now. Point is, I know my sister, she’s an amazing woman, and I—I missed the angle where that might be something good for Javier. Which it clearly is. And clearly he was full of shit when he said you’re not his type.”

“Just out of curiosity,” you intervene, “what exactly is Javier’s type?”

“The usual sexy, sultry woman.”

You raise your brows, to which Steve panics. “Not that you’re not! I mean, not that I think you as my sister are sexy… okay, this is weird, let’s move on.”

“Yeah, let’s.”

“I meant, you’re more the next door girl kind of woman, I suppose, and Javier usually went for the ‘right in your face sexy’ kind of a woman.”

“Relax, I know. I’m just teasing you.”

“Yeah, it’s what you do best.”

Everyone laughs, with Connie affectionately rubbing Steve’s arm.

“But listen, as glad as I am that we are talking about this and being open and mature about it, please do be safe, okay?” Steve says, and you make a face. “Also I know this goes without saying, probably—hopefully—but please don’t have a baby just to spite me.”

“Steven—“

“Please, I’ve learned my lesson, I swear. I promise I’ll be good! I’ll stay out of your relationship, just don’t—“

“Steven!”

“I’m not totally ready to be an uncle. I need to mentally prepare myself for a baby that’s half Murphy, half Peña.”

You roll your eyes. “Would you relax? We are not there yet. We may never be there. I don’t know. I don’t know what the future holds for us, but for now we’re good the way we are. Plus he’s teaching me Spanish too.”

“Oh, that’s nice.”

“But don’t worry, we only do it when I get a full sentence right.”

Seeing the scandalized look on Steve’s face, you burst into laughter, and the rest follow suit.

“I’m kidding! Oh my God, it’s so fun messing with you.”

“Something is seriously wrong with you.”

You can’t help but share the laughter with the rest of the company, never quite managing to capture Javier’s eyes in your direction, not even on the way home. It only hits you the weight of the words that had been hastily, yet calculatedly, been spilled at the brunch table among friends and family once you get the inside of his apartment. You look around, finally allowing the day’s events to hit you, and then you turn to look at Javier, a warm smile gracing your face.

He confessed to everyone present that he loved you, standing up to your overly protective older brother.

“What’s going on?” Javier asks.

It somehow still surprises you that he’s able to capture the concern on your face, even when it’s not there. You’re not concerned this time around. Quite the opposite; you’ve never felt more at ease and more impressed by a partner. Granted, not that you had many serious relationships in the past, but this right now with Javier, it has so much potential to be something grand that it astounds you.

“About what you said before,” you start, your heart thrumming in your ears. “At brunch.”

Then it hits Javier as well. He inhales deeply, steadying himself.

“Right. So here’s the thing,” he clears his throat. “I’ve only ever said those words once before, and as we know, it didn’t end very well. Okay, in all fairness, it wasn’t paradise city from the beginning, it was more of a masked—that’s not the point. Anyway—“

You conceal a chuckle, staring at him with anticipation and a warmth that exceeds any expectation.

“I’ve only said those words once,” he resumes, “and I did mean it at the time. But I wasn’t really… in love when I said them. It didn’t feel like it should. But now, I think for the first time in my life, I feel those words the way they should feel. I thought I’m the kind of guy who doesn’t do relationships because I suck at them and there was never any time back in Colombia but… I think I just needed to find my match.”

You take his hand into yours. “Javi…”

“I’m serious. I’ve never met anyone so witty and funny, so—so badass. Frankly you could probably kick my ass and I’d be hella turned on.”

You don’t stifle the hearty laugh that escapes your mouth this time, and it triggers the same reaction out of Javier.

“The point I’m trying to make is… I meant what I said. I didn’t just say it to shut Steve up. I—I do love you. The best that I can, which I don’t think is near enough to what you deserve, but… I’m trying to do better, to—“

You cup his cheeks, kissing him tenderly. Javier blinks surprised at you, and his flustered face with his big brown eyes is so sweet it weakens your knees.

“You’re doing just fine, Javi,” you reassure him. “Are you kidding me? You’re so attentive and sweet and—and I love you too.”

Javier blinks in surprise again. Somehow it slipped right by him that you could reciprocate his feelings, hence why he’s rendered speechless for several seconds.

“What uh—I mean… you do?” he finally asks.

“I do. I love you. I should’ve said it sooner, I think, after you turned my story into a book. That’s… kind of when I knew. I guess I chickened out.”

“You chickened out? Why?”

You sigh. “Because… I never said the words before.”

“Wait, you never said ‘I love you’ to someone?”

You shake your head, slightly shuddering. “Well, you know my dating history and patterns, so none of those boys stuck around long enough for me to actually develop real feelings. And there was never any real connection between us. All we really had—“

“Ah, okay, I can—I can visualize what you had.”

“Aw, honey, are you jealous?”

“No. Just… not really a fan of picturing you have sweaty sex with some douchebag.”

“How about if I have some sweaty sex with a very good man?”

Though his interest visibly peaked, Javier still gulps at the notion of being referred to as “a very good man”. It’s the lie he’s told himself countless times back in Medellin and Cali and Bogota, and the same lie he operated under with the hope of excusing his horrid choices. But to hear now as something factual, something that someone as wonderful as you actually believes in…

“You could,” he finally says, stepping closer to you.

His hands roam around your waist, teasing from the small of your back; shivers run down your spine, prickling your skin.

“Is this how you were with the women back then?” you dare ask.

“Why the sudden interest?”

You shrug. “Not sudden. I’m a writer. Everyone has the potential to be an interesting character. Besides, I find the Javier stories fascinating.”

“That so?”

“Mhm.”

“Well, that Javier isn’t really around. All he was good for was some fast and rough outlet for release and… not much more.”

“So I take it that dominant, needy Javier is gone?”

He raises his brows, chuckling at the way you’re sneakily handling him. A part of him still fears this power you hold over him, but a bigger part of him is thrilled even by the still of your hand, let alone the way you’re capable of handling him.

He’s never had that, he realizes; he’s never had a woman meet him right where he’s at, handle him like a pro and then some more, and he enjoys it far more than he would’ve expected.

“I meant gone as in… gone on a vacation, not dead.”

You smile, teasingly playing with the hem of his shirt.

“That what you need now?” Javier teases.

“I want whatever you’re comfortable with giving me.”

That’s what ultimately sets him off. So when he finally kisses you, it’s rugged, needy and asserting dominance, but there’s also something very tender in the way Javier is holding you, pulling you into his body. Javier’s sole focus right now is exposing more of you to him, feeling you as close as humanly possible; therefore, he doesn’t tell you just how affected he is by your choice of words. He doesn’t tell you that this is the weakest, yet strongest he’s ever felt. If someone were to ask him how he feels, he’d easily reply “disgustingly happy”, words which he never used before.

He doesn’t tell you any of this; he lets actions speak louder. Calloused fingers, accustomed to manhandling and roughhousing, caress and cup your ass. With each passing second, the kiss you share deepens further, his pulse quickens and his jeans become more and more constricted. Never mind that it’s the middle of the day, in broad daylight; Javier wants—needs—to marvel at every inch of you, exactly as it is.

“Whatever you want from me,” he tells you through a shuddering breath as he slowly undresses you, “it’s yours. Anything.”

Javier surprises himself at how malleable he finds himself to be, caught under your spell, but he does not care one bit. When you look into his eyes and see his blown out pupils, you know he means it. You feel his words to be true.

You smile as you close your eyes and pull him in for another hasty kiss, stumbling your way to the bed. Javier strips you slowly, stealing kisses down your body while a breath catches in your throat. The sun shines right through the big windows on this crisp fall day, so there’s nothing to hide. It’s only when Javier’s hands finally pull down your panties and expose you to him that you notice you’re facing the mirror hanging from the wall of his bedroom. You shiver and on cue, Javier’s hungry eyes look up to meet yours. He smirks—because of course he does, son of a bitch.

“It’s a great view, isn’t it?” he murmurs, tentatively licking a stripe up your pussy.

His eyes don’t leave you when you sneak another glance at the mirror: it’s not huge, but big enough to fit your naked body and Javier’s head right between your legs. No good words cross your mind, even if your mind is in overdrive, begging your mouth to release some form of verbal speech. Your knees buckle and your heart beats rapidly when Javier takes his first taste. It feels like the first time he’s ever done this, though it’s really old news by this point. Recently you thought Javier’s existence is limited to one place and one place alone, and that is in between your legs, based on how much he loves spending time down there—whether he’s snug inside you or eating you out.

“Watch how gorgeous you are when you come on my tongue,” you hear Javier’s voice, lustful and dark.

“Presumptuous, aren’t we?”

You laugh a little, but it quickly fades when you feel two digits moving slowly in and out of you, a tongue collecting the slick gathered in your most sensitive spot. His nose nudges your clit, his whole mouth is seemingly buried in your pussy, and all you can do is moan helplessly, let one of your hands grab a handful of his hair and keep your eyes locked on the way your body curves and aches at his mercy. God, he’s so needy, so eager to please you and to give you orgasms; almost like this is his purpose in this world.

“Does it feel good?” you hear his husky voice.

His fingers feel like they’re splitting you open while you nearly fall apart in his mouth, and at the same time it’s not enough. It drives you insane.

You nod frantically, locked in the same trance of watching yourself getting ate out by Javier.

“With words, señorita.”

Oh fuck. You hadn’t expected that, certainly not the reaction it triggers out of you.

“Yes,” you exhale. “It feels so, so good, Javi.”

“Good. Touch yourself.”

Though your mind is in a haze, you’re able to follow his instruction. Your hand bolts to your clit, rubbing in circling motions. That, paired with his fingers pumping in and out of you and his mouth like a hot furnace devouring your pussy, it doesn’t take that much longer to get you to where you desperately need. Seeing you like this, being able to make you feel this way, it’s all getting to Javier too; he’s gotten so hard by this point it’s borderline masochistic how much pain he’s voluntarily taking in, so he unconsciously starts to rub against the edge of the bed. The friction is so good, but nowhere near enough. It’ll have to do for now, he thinks. He needs to get you off first.

A moan is harshly ripped from the back of your throat, your legs jerk and nearly trap Javier between them as pleasure jolts throughout your body. It’s electric, overwhelming, and simply unmatched. It’s too much all at once, to look in the mirror and see how painfully needy you are for this man, how beautifully fucked out you look in at this very moment. You notice his hips, desperately humping the bed, unbeknownst even to himself.

Javier pulls out his fingers, only his tongue remaining on your overly sensitive area, the strokes of it now gentler. You tug on his hair to make him attentive, and when he looks up, you see his face contorted in a mixture of delight, pleasure and neediness. And just like that, your body aches again, only this time for something more.

“Ah fuck,” Javier groans in his fast attempt to dispose of his clothes. “Didn’t notice I was—“

He sighs right as you smile, taking in the sight of a naked Javier, all in broad daylight for you to savor. He’s so hard now it almost pains you, so when you make a motion to get to him and stroke him, Javier nearly swats your hand away.

“Why not?” you ask with a pout.

“Because it’s gonna be a fucking miracle if I last more than a few seconds and I wanna be inside you when we come.”

You raise your brows. “We?”

“What did I tell you in the beginning that you’ll always have from me?”

“At least two orgasms.”

“I live up to my words.”

He’s wrapped the condom around his cock, now crawling in between your legs, the place he has claimed as his own and by far the most incredible place he’s ever resided in. He’s done this plenty of times before now, it’s nothing new; and yet, this very moment which reeks of anticipation and desire, this single moment in time when his hand is curled around his cock, guiding himself to your already soaked entrance, Javier wishes he could freeze it, keep it to himself forever.

When he slides right at home, deep inside you, you both moan in tandem. And it is the most damnable, beguiling and intoxicating sensation he’s ever known.

Probably because you’re not just another girl passing through his life and his bed. You’re not another random face or a number to the list of women he’s been with.

You’re the woman he loves, the woman he’d take a bullet for if he had to, the woman he’d move mountains for.

“Javi?”

You have this ability to bring him back with his feet to the ground whenever he tends to wander off, and Javier is nothing if not grateful for it, particularly now.

“Can you move? Please?” you plead and it’s so sweet he could come just from that.

Javier chuckles, the sound resembling that of a madman—and he supposes he is one, in a sense.

“Keep lookin’,” he instructs, a little bit of his Texan roots slipping in his tone as he starts to roll his hips. “Want you to watch how good you take me. How—beautiful you are when you take me.”

The grip you have over his shoulders tightens as his hips pick up a moderate pace, pounding into you with a mixture of greed and love. The more he sinks into you, whispering sweet nothings and giving the occasional order, the more you feel pressure building inside your belly. You do as he says, watching your body writhing beneath his in the mirror, and you shudder. His back covers a lot of the frame, so you mostly notice him from behind, pounding into you, and your nearly limp body underneath, taking him as he is giving himself to you.

The sensation of having him atop of you is stellar, something almost like it was meant for you and you alone; Javier’s stealing the occasional kiss from you, his hips more erratic with each additional thrust and his mouth whispering that he’s so close, so fucking close.

“D’you see?” he manages to get out through a wicked smile. “See how—how fuckin’ good you look hmm?”

“Yes—yes, I see it—“

“Mhm—good girl. My good fuckin’ girl.”

Javier loses any train of thought, be it rational or not, and when his orgasm finally hits, it’s all too much and too sudden, and when he can’t stop cussing or thrusting furiously into you, you cup his cheeks and tell him a simple “I love you”.

And he lets go, almost violently.

He’s struggling to catch his breath when he feels you spasming around him, and there’s pride to be felt even when he’s dumbfounded that you came almost at the same time.

“I’m sorry,” he says, and you make a face at him trying to regulate his breaths. “I was kinda hoping… I’d last longer.”

You kiss him sweetly, gently, still feeling him ache inside of you. “It’s the sexiest thing,” you murmur.

“Having the endurance of a teenage boy?”

“No, the idea that someone needs you this desperately they can’t hold themselves in one piece. I love that. And I love you.”

Javier pecks your lips. “I don’t think I’ll get used to you saying that.”

“You should.”

“I love you too.”

You stay snugged up like that for who knows how long, while the sun rays beam down on your naked bodies. And then it starts to get dark, and you’re on Javier’s lap, slowly riding him and kissing him, aiming for nothing in particular but intimacy.

previous | next

tags: @pedrostories @psychedelic-ink @milkymoon2483 @ifall4dilfs @casa-boiardi @fallenkitten @jenispunk

[peacheeeliz]

019. "sohee!" we all say in unison (wc: 1k)

“Heyyyy Yuyu,” you draw out, leaning back in your chair with a bright smile. You brought your knees up to your chest, wrapping yourself up in a thin blanket. Aside from the shuffling you could hear coming from Yuyu's mic and the soft music you were playing, your apartment was quiet. Sungchan was still out with his friends, filming his next YouTube video, leaving you alone and bored in your shared apartment.

“Heyy,” he responds, a soft laugh leaving his lips. “I saw everyone's posts. I'm guessing you're feeling a little bored?”

“Ah, you can read me so well,” you say, sighing. “I was going to just sit back and watch some drama, but then I remembered I had a lovely friend who I could talk to.”

“Flattered that you thought of me,” he begins, cheeks heating up just slightly. “Disappointed that I was second to dramas.”

“No one can beat Song Kang, sorry,” you tell him, shrugging.

“Or Yunho?” He adds, prepared to blush even more at your response.

“Oh my God, not even Song Kang can beat him,” you gush, giggling. “So, all in all, you probably fall into… third place?”

He has to stop himself from laughing again, “ouch. Third place, really? You wound me, Y/Nie.”

“Don't worry, you're the first in my heart of guys I've actually talked to,” you tease, despite the fact that your heart skipped a beat at the nickname.

The blush spreads to his ears, and he resorts to hiding in his hands. “You wouldn't leave me the moment you met Yunho?” He questions, testing the waters.

“Depends on how quickly he can pass the NDA,” you joke, hearing the man choke on his laugh. “Kidding, kidding. Of course, I wouldn't leave you, or anyone else, for that fine specimen of a man.”

He's able to calm down from his coughing fit, brought back by the sound of your own light laughter. “You should go to one of their performances, then,” he starts. “Maybe he'll see you in the crowd and just fall head over heels for you.”

“Yeah, I wish,” You scoff, shaking your head. “I even flew to LA to see those guys at Coachella, and still, nothing. Thanks for fuelling my delusions, though. You're a real one for that.”

“Wait, you flew all the way over there to see them?” He questions, surprised this is the first he's hearing about all of this. He earns a quiet ‘mmhmm,’ in response, allowing him to continue. “That's crazy that you'd fly all that way just to see them.”

“Well, it was a good excuse to get everyone together and to see all those artists,” you explain, smiling fondly at the memories of you and your three friends traveling to the States. “I did it for their Summer Sonic performance too. That was just before we met, I think? Yeonjun, Sungchan and I flew up and met Giselle for the festival.”

“You must be a super ATINY or something,” he comments, almost hearing the bright smile playing on your lips as you respond.

“Something like that, yeah,” you let out, cheeks reddening at the realization of the topic. “Enough about me and my obsession, please talk about something else.”

He finds your pleading endearing, “it's alright. I think it's cute,” he tells you. “But, if that's what you want, then of course,” he pauses, thinking of another topic. He goes quiet for a bit, before continuing. “You talk to a lot of streamers, right?”

“I mean, kind of, yeah?” You answer, pulling forward to rest your chin in your hand. “I talk to you and the other guys the most, but I still interact with a lot of other streamers. Why?”

“What if one of them were to be, I don't know,” he pauses again, taking in a deep breath. “A celebrity?”

“A celebrity?”

“Yeah, like not streamer celebrity, because that'd technically be all the streamers you talk to,” he continues. “I mean like, idol celebrity.”

You take a moment to respond, really thinking your answer through. “I guess I'd be excited, yeah,” you tell him, letting out an awkward laugh. “I don't know, really, that's such an odd question to ask.”

“You wouldn't be mad at them or anything?” He asks, eyes shaking as his questions continue. “Like if their identity as a streamer was a secret but you found out? Or something like that…”

“Of course not, no,” you answer truthfully. “Their identity was obviously a secret for a reason, and if anything, I should be honored that they'd share their identity with me. It means they trust me enough.”

Yuyu stays silent as he takes your answer in, a small smile playing on his lips. He takes another deep breath, not too sure what to say next.

“Is there something you need to tell me?” You tease, wondering why he would bring all this up in the first place.

Before he can say anything else, Sungchan bursts through your bedroom door. “We’re home!”

You jump right out of your blanket cocoon, and you can hear the shuffle of Yuyu jumping out of his chair through your speakers. “Jesus Christ, Sungchan,” you pant, your hand covering your beating heart. “A little warning next time.”

“Sorry, Y/Nie,” he smiles softly at you. Sohee joins him in the door, sending a bright smile your way. “Sohee's here.”

“Hi Y/N,” the shorter boy says, waving quickly at you.

“Hi Sohee,” you return, your eyes softening at the boy's smile. “How ‘bout you two start dinner? I'll join you guys in a bit, okay?”

The two boys nod and leave you be, but you can still hear their bickering as they make their way to the kitchen. You let out a sigh, turning yourself back around to your computer.

“Sorry about them, Sungchan brought a friend over,” you tell Yuyu, shaking your head. “As much as I love them, they sure have a lot of energy.”

He lets out a light laugh, “you should go and join them. I'm sure the boys here are going to want some dinner soon, as well.”

“Oh, uh, sure yeah,” you say. “I guess I'll talk to you tomorrow then?”

He smiles softly, “Yeah, I'll talk to you tomorrow. Have fun with the boys.”

“You as well,” you tell him, and the call goes dead.

Yunho leans back in his chair, his smile faltering as he stares up at the ceiling. “Fuck.”

synopsis ⤏ you're trying to peacefully build your starter house on the empires server when your neighbor so rudely (accidentally) kills you, starting the biggest war on the server just one day in.

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