#if you really want to hear about it

[arsenicflame]

Bonus round! Do you use a queue tag?

[bishicat]

You believe me like a god I'll destroy you like I am

:-).

[featheredadora]

[pokeberry5]

(who's gonna save you, hero?)

i love whump fics where tim ends up on the ropes alone and doesn't know if anyone's gonna reach him in time

i really really love leonardo romero's inks and jordie bellaire's colors from the "i am the gun" mini telling the zur-en arrh backstory (in batman issues #128-130), so this is another loose style study

i had this frame in mind specifically, altho i couldnt quite commit to the hard inks

ALSO the concept was loosely based off the issues in legacy ('tec (1940) #698-99) where tim goes undercover and then gets nabbed by lockup and his comm cuts off in the middle of telling nightwing what's going on, which also gave us this great (but misleading) cover

[poorly-drawn-mdzs]

Teehee! (Spritesheets your Wangxian)

[scribefindegil]

As much as I adore conlangs, I really like how the Imperial Radch books handle language. The book is entirely in English but you're constantly aware that you're reading a "translation," both of the Radchaai language Breq speaks as default, and also the various other languages she encounters. We don't hear the words but we hear her fretting about terms of address (the beloathed gendering on Nilt) and concepts that do or don't translate (Awn switching out of Radchaai when she needs a language where "citizen," "civilized," and "Radchaai person" aren't all the same word) and noting people's registers and accents. The snatches of lyrics we hear don't scan or rhyme--even, and this is what sells it to me, the real-world songs with English lyrics, which get the same "literal translation" style as everything else--because we aren't hearing the actual words, we're hearing Breq's understanding of what they mean. I think it's a cool way to acknowledge linguistic complexity and some of the difficulties of multilingual/multicultural communication, which of course becomes a larger theme when we get to the plot with the Presgar Translators.

[cynomain69]

i cant believe sethos is debuting on a haitham banner!!

[lorephobic]

“the class commentary in saltburn was shit” WHAT CLASS COMMENTARY???? NOT EVERY MOVIE WITH RICH PEOPLE HAS TO OR SHOULD HAVE CLASS COMMENTARY. EMERALD FENNELL KNOWS VERY WELL THAT SHE IS NOT THE RIGHT DIRECTOR FOR A MOVIE ABOUT CLASS COMMENTARY WHICH IS WHY SHE DID NOT WRITE A MOVIE ABOUT CLASS COMMENTARY.

[slavhew]

And I just have to tell you that I

Love you so much these days,

[laurents-secret-diary]

oh damen we're really in it now.mp4

[skippersthecat]

I was thinking about how Saiki's friends would react to finding out about all the trauma and abuse he has suffered throughout his life, but the one that got to me the most was Nendou. Of course all of Saiki's friends would be upset and angry to hear about how the incident in 2nd grade affected Saiki or the torture Kusuke put him through, but Nendou would be absolutely devasted. He legitimately sobbed at the idea that Saiko was leaving PK Academy, someone who he was barely even friends with. He clearly feels so deeply for the people in his life. Imagine how heartbroken he would be to find out the boy he considers to be his best friend went through so much pain and is still dealing with the psychological trauma. The boy Nendou blooded himself and almost broke his back for to protect from a falling bookshelf. He loves Saiki so much and already feels a responsibility to protect him. Knowing that his best buddie was going through so much this whole time would break him. Nendou may not be the smartest when it comes to most things, but he is one of the if not the most emotionally intelligent character in the series. He is very in tune with and comfortable expressing his emotions, which is the exact type of person Saiki needs. I think Nendou would make it his personal mission to make sure Saiki knows he is loved and that his friends are there for him.

[cringesnail]

Idk if people know how often Etoiles talks about other creators so. Here's Etoiles complimenting Bagi for a whole minute (Ft Guill, red subtitles)

[booasaur]

Special Ops: Lioness - 1x07

[cacaocheri]

we both deserve to be happy

in case anyone is wondering, it gets easier. it gets so so much easier and i hope you find the love you're looking for

[skitskatdacat63]

2009 Abu Dhabi Grand Prix - Sebastian Vettel(ft. Mark Webber & Jenson Button)

[carpe-mamilia]

Ghosts’ Larry Rickard Explains Why They Chose the Captain’s First Name

Photo: Monumental,Guido Mandozzi

It couldn’t be a joke. That was one rule laid down by the Ghosts creators when it came to choosing a first name for Willbond’s character. Until series five, the WWII ghost had been known only as The Captain – a mystery seized upon by fans of the show.

“It was the question we got asked more than anything. His name,” actor and writer Larry Rickard tells Den of Geek. “Once we got to series three, you could see that we were deliberately cutting away and deliberately avoiding it. We were fuelling the fire because we knew at some point we’d tell them.”

In “Carpe Diem”, the episode written by Rickard and Ben Willbond that finally reveals The Captain’s death story, they did tell us. After years of guessing, clue-spotting and debate, Ghosts revealed that The Captain’s first name is James. At the same time, we also learned that James’ colleague Lieutenant Havers’ first name was Anthony.

The ordinariness of those two names, says Rickard, is the point.

“The only thing we were really clear about is that we didn’t want one of those names that only exists in tellyland. It shouldn’t be ‘Cormoran’ or ‘Endeavour’. They should just be some men’s names and they’re important to them. The point was that they were everyday.”

Choosing first names for The Captain and Havers was a long process not unlike naming a baby, Rickard agrees. “It almost comes down to looking at the faces of the characters and saying, what’s right?”

“We talked for ages. For a long time I kept thinking ‘Duncan and James’, and then I was like ah no! That would have turned it into a gag and been awful!” Inescapably in the minds of a certain generation, Duncan James is a member of noughties boyband Blue. “Maybe with Anthony I was thinking of Anthony Costa!” Rickard says in mock horror, referencing another member of the band.

Lieutenant Havers wasn’t just The Captain’s second in command while stationed at Button House; he was also the man James loved. Because homosexuality was criminalised in England during James’ lifetime, he was forced to hide his feelings for Anthony from society, and to some extent even from himself.

In “Carpe Diem”, the ghosts (mistakenly) prepare for the last day of their afterlives, prompting The Captain to finally tell his story. Though not explicit about his sexual identity, the others understand and accept what he tells them – and led by Lady Button, all agree that he’s a brave man.

Getting the balance right of what The Captain does and doesn’t say was key to the episode. “It wasn’t just a personal choice of his to go ‘I’m going to remain in the closet’,” explains Rickard. “There wasn’t an option there to explore the things that either of them felt. That couldn’t be done back then – there are so many stories which have come out since the War about the dangers of doing that.

“We wanted to tell his personal story but also try to ensure that there was a level at which you understood why they couldn’t be open, that even in this moment where he’s finally telling the other ghosts his story, he never comes out and says it overtly because that would be too much for him as a character from that time.

“He says enough for them to know, and enough for him to feel unburdened but it’s in the fact that they’re using their first names which militarily they would never have done, and in the literal passing of the baton”.

The baton is a bonus reveal when fans learned that The Captain’s military stick wasn’t a memento of his career, but of Havers. As James suffers a fatal heart attack during a VE day celebration at Button House, Anthony rushes to his side and the stick passes from one to the other as they share a moment of tragic understanding.

“From really early on, we had the idea that anything you’re holding [when you die] stays with you. So it wasn’t just your clothes you were wearing, we had the stuff with Thomas’ letter reappearing in his pocket and so on. And the assumption being that it was something The Captain couldn’t put down, it felt so nice to be able to say it was something he didn’t want to put down.”

Rickard lists “Carpe Diem”, co-written with Ben Willbond, among his series five highlights. He’s pleased with the end result, praises Willbond’s performance, and loved being on set to see Button House dressed for the 1940s. He’s particularly pleased that a checklist of moments they wanted to land with the audience all managed to be included. “Normally something’s fallen by the wayside just because of the way TV’s made, it’s always imperfect or it’s slightly rushed, but it feels like it’s all there.”

Rickard and Willbond also knew by this point in the show’s lifetime, that they could trust Ghosts fans to pick up on small details. “Nothing is missed,” he says. “Early on, you’re always thinking, is that going to get across? But once we got to series five, there are little tiny things within corners of shots and you know that’s going to be spotted. Particularly in that very short exchange between Havers and the Captain. We worried less about the minutiae of it because you go, that’s going to be rewound and rewatched, nothing will be missed.”

The team were also grateful they’d resisted the temptation to tell The Captain’s story sooner. “We’d talked about it every series since series two, whether or not now was the time, but because he’s such a hard and starchy character in a lot of ways you needed the time to understand his softer side I think before you had that final honest beat from him.”

“What a ridiculously normal name to have so much weight put on it for five years,” laughs Rickard fondly. “Good old James.”

From Den of Geek