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justanotherwriter140 · 6 months

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Kung Fu Panda 4 - The Movie

The last really, really long discussion post (for now).

Major spoilers ahead!

This review is full of spoilers, so please refrain from reading through it until you've watched KFP4. I would highly suggest doing so, as I want everyone to form their own opinions without my influence. The movie has its flaws (some of which admittedly being a bit distracting), but it's a fun film that has things to offer.

Kung Fu Panda 4 is a fun movie (take that as you will) that takes its audience on an action-packed, surprisingly funny, yet relatively contained adventure on which Po doesn't really do much. It's an inconsequential, safe sequel that doesn't really hurt the franchise but adds close to nothing.

I had a good time watching the movie. It was obviously produced with its theater experience in mind and the action scenes especially reflected that priority. The humor was actually funny sometimes and I enjoyed Po and Zhen's dynamic. During the film, I was able to put most (most!) of my grievances aside and take the movie for what it is. I've discovered that the best way to watch KFP4 is with low expectations and an open mind.

I have a lot of things to say about KFP4, both complaints and compliments (though the former might be taking the forefront in this review), and I hope this review can help those of you who have seen the movie organize your thoughts. I've been having a lot of trouble with that specific aspect of things myself. Those who get it get it.

With that said, let's get into my full review of KFP4! I've been waiting for nearly 2 years to write this and I'm so excited to share every single thought.

I'm going to follow the format of my first discussion post and curate a bulleted list of my thoughts, followed by an analysis of each of these points. Keep in mind that everything I say is IMO and this is more of a rant post than anything else.

Here are my main points:

The Furious Five's role is comically minuscule in the context of the film. Their actions are inconsequential and add nothing to the plot (a confirmed last-minute add), and they have 30~ seconds of screen time. Shifu is also largely irrelevant.

Mr. Ping and Li's presence has little to no effect on the movie (though I won't complain too much because they were pretty fun to watch and this movie has bigger problems). In almost any scenario, I am adamantly against having characters present that don't add anything to the narrative; however, Mr. Ping is an exception. I love Mr. Ping. James Hong is a gem.

Zhen's screen time is not utilized well and her character is underdeveloped. She definitely wasn't annoying, but I didn't find her either compelling or funny enough to warrant the screen time she was given, especially considering it wasn't used to establish a backstory/strong motives. This makes me feel bad for the character because the movie kind of screwed her out of any substantial development.

The Chameleon, while complimented greatly by Viola Davis, is an underwhelming villain. Viola Davis is amazing in this film and I would suggest watching it for her performance if for nothing else, but the Chameleon is underwhelming considering the super cool concept behind the character.

The film feels very rushed. Apologies to those who disagree, but I think the pacing is atrocious and the final fight is anticlimactic. The movie felt like a word-vomit with no discernible intermissions that stops abruptly when the film ends.

I felt as though Po didn't change/grow as a person and the audience never had a chance to either bond with or relate to his character. His internal struggle is kept to a minimum and we don't spend a moment alone with him as an audience, which is disorienting and distracting. Watching the film felt like running into an old friend at the store who's too in a rush to have a real conversation.

The action scenes were strong with few exceptions. Creative art direction was utilized and I thought the martial arts choreography was entertaining and dynamic. I love the color palette of the film and many scenes were very impressive visually.

With my main points established, I do believe it's ranting time. Strap in, folks.

Let's start strong with the Furious Five: I'm gutted. Chagrined, despondent, crestfallen, etc.

The lack of the Furious Five negatively affects KFP4 so much, because not only does their absence hurt the atmospheric integrity of KFP as a franchise, it also forces KFP4 to bring in a slew of different characters—all while still noncommittally including the FF at the very end because I believe the marketing team required it—that clog up the cast a bit. It all goes to show how important strong, established side characters are.

The Furious Five are side characters, but the role of "side character" does not equate to being irrelevant, expendable, or exchangeable. I recognize that the Furious Five aren't super developed as characters beyond a handful of lines that allude to traits sprinkled sparingly among the members; however, I believe that the tiny bits of development we have been given have proved impactful in the past. Tigress's development in KFP2 is a prime example of how much narratively conscious changes (however small they may be) can positively affect these movies.

Because of limited runtimes, the Furious Five often operate as more of a singular unit than five individuals. Even so, I don't think discarding them is valid. They're so important to the KFP universe (to Po's universe!) and not having them with him feels so wrong. The Furious Five are fully integral to the heart of Kung Fu Panda, which is why I believe a lot of those who have seen the new movie have expressed something feeling "off" or something being missing.

I agree with this sentiment. To me, KFP4 didn't feel like a KFP movie. I don't need a Furious Five spin-off movie and I can be fully content with a KFP5 centered around Po's journey as an individual as was intended from the beginning, but he can't carry an entire movie on his back. As strong as he is in every sense of the word, he is only one character. He's the centerpiece of the franchise, but a centerpiece can only go so far without the rest of the design, so to speak.

For me, the Furious Five's absence is one of this film's biggest faults. It's huge and glaring. I know I'm not the only one who feels this way, either, because the friends with whom I saw the film refused to talk about any other aspect of the movie after seeing it. Seeing them at the end was better than nothing, of course, but it was a disappointing culmination after eight years of waiting.

That all is to say I feel robbed. Despite all of this, though, I understand that there were reasons why the Furious Five weren't included in the movie. I don't believe the production team would exclude the Furious Five unless they weren't given a choice.

Shifu and Po's dynamic continues to be thoroughly delightful but their interactions are short and simplified. I would have loved to see more of them in this film, especially considering the extreme relevance of teacher-student relationships in KFP4. I (somewhat) digress, though, because the idea of Shifu having to live at the Jade Palace with only Po for an extended period of time is hilarious enough on its own. Maybe that's what the short film is about!

The comedy is odd but has some jokes that stand out. Po maintains a healthy relationship with his inner sass, which I think makes him more fun to watch and kind of eradicates the man-child verdict. Some jokes don't land, of course, but I genuinely thought KFP4 had some funny moments. Mr. Ping was consistently awesome and Po had some good lines sprinkled throughout the film.

As for Mr. Ping, he and Li Shan are the subjects of the film's B-plot as they follow Po to Juniper City out of shared concern for their son's safety. In my mind, they don't add anything to the story that couldn't have been brought about by other characters, but they had their moments of being entertaining. I enjoyed their silliness and thought they had a cute dynamic if nothing else.

Speaking of other characters, I want to discuss KFP4's deuteragonist and why I genuinely feel bad about the way her character was treated.

I want to let it be known that I'm still not on board with Po passing the Dragon Warrior torch to another character. While I agree that his arc is now calling for him to have a student, I disagree with the notion of him retiring from his DW role.

As I stated in my first discussion post:

Didn’t the initial significance and nuance of the title come from the fact that there is only one person who can be the Dragon Warrior, because the concept of the “Dragon Warrior” isn’t so much a title as it is Po himself? The universe (Oogway) must choose the Dragon Warrior because they are a singular being of legend. It is one person, and that person is Po. Wasn’t the point of the first film that the title ultimately doesn’t really matter because there is no “secret ingredient,” so to speak? The title doesn’t actually give Po anything. “It’s just you,” Po says, and that was the resolution.

When it comes to Zhen as a character, contrary to what I predicted I would think of her, I thought she was okay. While I was still a bit distracted by how out-of-place her design looks, I wasn't truly annoyed by her at any point and she and Po had some cute moments. Even so, I think their relationship could have been a bit more refined and developed.

While it's evident that Po and Zhen are meant to have a teacher-student/mentor-apprentice dynamic, I think their relationship feels half-baked. There were parallels that contradicted one another and ended up being confusing come the film's conclusion, and the nature of their relationship seems to vacillate depending on the scene. Additionally, the strength of their bond goes from zero to one hundred within thirty-ish minutes and left me with a bit of whiplash.

We're shown that Po and Zhen care about one another, but we're never shown why. They have a brief conversation during which they bond over being orphans, and Zhen says at one point, "You're actually a good guy," but that's it. This obvious lack of development is a bit disorienting because we're later led to believe that Zhen and Po care very deeply for one another when there's almost nothing to back it up.

A scene that sticks out to me when discussing this is when Zhen attack-hugs Po in a way that explicitly mirrors Tigress's hug from KFP2. This happens around the beginning of the third act, and while it had the potential to be an endearing moment, I think it fell flat.

The impact of Tigress's hug was brought on by her character's hardcore nature and reputation of being heartless, further strengthened with the knowledge that she was hugging Po (which was obviously way outside her comfort zone) as a show of companionship and fundamental understanding. Tigress hugged Po because he needed someone to recognize his strive for closure.

Zhen's hug had little to no impact because she had no reason to do it and it didn't indicate growth. She hugs Po because she's sorry for betraying him and doesn't want him to be killed by the Chameleon, but neither of these things are newly-established via this hug; we have already gathered by now that Zhen regrets betraying Po and doesn't want him to get hurt.

The hug is far from the movie's weakest point, but I think it's unnecessary given the context. I'm big on hugs in movies (an underutilized form of platonic affection, in my opinion), but it didn't fit here. I don't hate it, and I see it as an honest effort to bring emotionality to Po and Zhen's relationship, but it seems arbitrary.

Zhen and Po's relationship has a lot of potential and I'd be open to seeing more of them in the future, but I think some more thoughtful development needs to occur before I can humor it further. Even so, I can see myself featuring Zhen in some future post-KFP4 one-shots—sparingly, of course, because we have a lot of Furious Five content to compensate for.

Overall, they had a cute dynamic and some sweet moments but I'm not attached. I'm on board with Po having a student but I think their relationship needs a lot more development, something that this film unfortunately didn't give them time to either accomplish or earn.

Now, onto the Chameleon!

The concept of the Chameleon's character is admittedly super interesting. She's the deuteragonist's fastidious mother figure who feels that Zhen owes her a debt and as a result holds her to an impossible standard. That dynamic had the potential to be so interesting but I didn't think it was explored at all. There is no indication of Zhen having any internal conflict about fighting the Chameleon, no emotional complexity between them at all; it's disappointing because I think it would've added a bit of earnestness to the film.

Additionally, the idea of a shape-shifting villain is versatile. A shape-shifting villain gives those telling the story a lot of room to experiment with the protagonist and different ways in which the main character can be challenged and tested. It's yet another good idea utilized poorly. Just one idea: the Chameleon could have disguised herself as one (or several) of Po's family, friends, etc. and brought to fruition a new arc with his character (seeing as he arguably doesn't have one in this film), but she only disguises herself as Zhen very briefly in the movie.

Furthermore, the Chameleon completely relies on the powers of previous villains to pose any sort of threat to the main characters. She summons Po's former nemeses from the Spirit Realm (despite there being little logic in doing so considering Kai's literal evisceration) and takes their kung fu abilities for herself.

An excerpt from my first KFP4 discussion post that I think is relevant to the point I'm trying to make:

I don’t think it would be in the best interest of anyone if the past villains were to come back in any way that’s not a flashback (even then, I’m not sure I’d see the point). In all honesty, I thought that the whole point of the villains was that they died and stayed dead. They were defeated by Po once and for all as a testament to the idea of establishing Po's character growth and journey as a person through the bad things he’s able to overcome. It’d be highly contradictory to the messages of the other films if these villains were to suddenly come back.

While there was an honest effort made to portray the Chameleon as intimidating, I never felt as though any of the characters were endangered by either her or her army of lizard henchman. She's a visually appealing character (aside from her eyes, which I thought more resembled those of a gecko than a chameleon) and I greatly enjoyed Davis's performance, but overall I don't see the Chameleon as a notable villain.

The return of Tai Lung (had he been on his own) had the makings to be an excellent story, especially considering the importance of teacher-student dynamics in KFP4. To see him interacting with Shifu would have been incredible and could have led to further closure on Tai Lung's end (because I think that's kind of what the team was going for anyway), but it didn't happen.

It was nice to see Ian McShane reprise his role, but I wish Tai Lung's characterization had been more reminiscent of the way he was in the first film and more complimentary of his overall character arc. Tai Lung isn't a one-dimensional villain with a singular goal and motivation, and I couldn't help but feel as though the complexity of his character was simplified for the sake of KFP4's narrative.

Tai Lung's presence in KFP4 may be odd, but Shen and Kai's appearances are even more so. Kai, if I remember correctly, was fully obliterated by Po, reduced to literal particles on screen (which is kind of wild now that I think about it). Shen being in the Spirit Realm makes sense all things considered; however, Po and Li had no visible reaction to his presence, which seemed a bit unlikely considering Shen's deeds. This plot hole can likely be attributed to the fact that Shen and Kai's cameos (to my knowledge) were last-minute additions to the movie.

I have to talk about the pacing. I have to. I'm sorry, bear with me.

To me, the film's pacing is erratic and disconcerting. While I can appreciate a quick-moving narrative that doesn't dawdle on storylines that aren't interesting/important, KFP4 kind of flings itself too far in the opposite direction and ends up being frighteningly fast-paced. Once the credits began, I felt like I had been holding my breath for the entire movie.

KFP4 is confusing because while the runtime is standard for a KFP movie, it feels incredibly short. At the same time, the film's story moves at a breakneck speed and leaves little time for heart and development. These things culminate into a barreling boulder of a movie that simply doesn't have time to let its characters, story, or audience take a breath.

A fast pace is not inherently negative, but I don't think it worked in the favor of KFP4. The KFP franchise has always been very emotionally grounded (and just very grounded in general), so to see a film in which emotion/heart takes an aggressive backseat in comparison to action and comedy is jarring. While I think it's unreasonable for fans to expect the same emotional integrity as the original films to be present in the current and upcoming ones, I still think there's room for Po to grow and I felt as though the notion of him developing further was brushed aside in this film.

As for Po's growth, I felt it was nearly nonexistent. The previous trilogy wrapped up his character's journey beautifully and I know that KFP4 was bound to struggle with this particular aspect of making another KFP film; however, just because the strongest pillars of Po's character are established doesn't serve as a valid excuse to reverse his development and repeat what he learned in KFP3.

In KFP3, Po learned firsthand that he is capable of spreading wisdom and teaching kung fu. He also learns that he is constantly growing and that change is inevitable; there is always something more to learn.

"If you only do what you can do, you will never be more than you are now."

"I don't want to be anything more, I like who I am!"

In KFP4, Po pushes against this narrative despite fully accepting it in KFP3, actively reversing crucial parts of his character development achieved in the latter. KFP3 was non-ambiguously about learning to cope with change and responsibility, and I can't help but feel like KFP4 is simply copying this message while not adding anything to it.

Additionally, I felt that KFP4's Po generally felt less personal than he has in the past. In every KFP movie up to the franchise's most recent addition, I felt very connected to Po as an audience member. I felt like I was truly seeing the world of KFP through his eyes. I consider this to be one of the franchise's most impressive feats; it's incredibly difficult to build a universe around a character without making the audience feel limited to one perspective and one part of the world.

With KFP4, I felt both limited and disconnected. The world didn't feel as vast and all-encompassing as it has in the past and Po didn't seem fully like himself. This could be me nitpicking (as I'm prone to do), but I can't recall a single moment in the movie in which Po was alone on screen. Scenes like these are crucial for me because I see them as a meet-cute between the character and the audience, a moment for us to cross the bridge into their world in a way that's silent and intuitive. These little bonding moments are absolutely integral to feeling connected to a character.

Po's dream sequence in the first KFP movie is one of the best examples of this. It presents his aspirations, alludes to his way of life up to the point of the movie, and showcases his personality. During Po's dream sequence, the audience is quite literally inside Po's mind; we're there with him, seeing what he sees, subsequently feeling what he feels. Po is a dreamer at heart and makes the audience feel like dreamers, too.

In KFP4, I felt like I little to no point of reference when it comes to how Po was feeling. I didn't feel immersed in him and his world.

I know I've been very "doom and gloom" throughout this post, which is an exhausting mindset for everyone involved. I want to end my critique with something positive because I think some praise is deserved. Let's just say the movie could have been a lot worse, the details of which I'm sure you're all well aware.

The color palette of the movie is beautiful and somewhat reminiscent of the first film. While the animation style of KFP4 is far more simplistic than its predecessors, I was very impressed with its use of shadow and light. Po's many faces were also hysterical, props to those who helped make him as expressive as he is.

Additionally, the movie's action sequences were clearly thought out and discussed in great detail. The experimentation with camera angles was really fun to watch and I enjoyed the majority of the film's fight scenes. They were fun, bouncy, and entertaining, and quite likely reinstated audiences's love of watching a cuddly panda kick butt.

Congratulations, you've reached the end! Thank you so much to all of you who took the time to read this unnecessarily long and detailed review. As long as I help someone translate their conflicted feelings into coherent thoughts, I'll call it a win.

I want to reiterate that I don't hate Kung Fu Panda 4 and I had fun while watching the film. It has its flaws and there are a lot of aspects that I dislike, but the effort of the crew is obvious and I greatly admire and respect the hard work put into the film by those who worked on it. This does not at all excuse my issues with the movie, but it's worth saying.

As for the future of the series, I only hope that the next installment is more considerate of the franchise's origins and why Po's story is being told in the first place. I fully believe that another sequel could be good given a strong, passionate crew with a great understanding of the characters and world (and I wouldn't be averse to some previous directors returning, just to put it out there).

Thanks again to those who took the time to read this crazy excuse for a movie review. Feel free to either disagree with me or add things in the replies/reblogs, I'm always looking for more thoughts to think.

Until next time!

#kung fu panda 4 #kung fu panda #dreamworks animation #kfp #kfp 4 #movie review #i'll add the actual picture of the furious five's cameo when i can get ahold of one of decent quality #my time has come #it wasn't THAT bad #i didn't love it #but it is what it is #it's a tentative 6/10 all things considered #free the five #perhaps i treated kfp3 too harshly #don't get me wrong the movie had good qualities and i can tell a lot of work went into it #a lot of missed potential imo #a lot of characters done dirty #i didn't even mention the score but i thought it was just okay #i wasn't wowed #i know close to nothing about composing though so i should probably just not even go there #credits were the best part both cinematically and musically #i feel mean but i'm not going to be dishonest #bc obviously you all simply must know how i feel about the silly panda movie #a more detailed version of the grievances i have w the dragon warrior plot can be found in my og discussion post if anyone's interested #as well as my thoughts on bringing back old villains #might make some edits to this in the future but this is all i have to say for now

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yourheartinyourmouth · 5 months

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husbeast pirated the new Fallout series and we’ve been binging it. it’s sort of uh…..shockingly violent, even for Fallout, but beyond that, i generally enjoy it.

#was t thrilled by the one moment of animal cruelty #that is not something i abide in my fiction period #but the sets are excellent #costumes are on point #they’re using practical effects where possible which is GREAT #i love practical fx #and it always ages better than cgi #theyre also using cgi obvs but it is very well done #and the world feels very true to the source material #props and stuff feel genuine but still a touch cartoony #which is perfect for Fallout IMO #they’re using sound fx straight from the games #over all i give it like an 8.5/10 #fallout #fallout tv series #lots of details & locations based on the games #Filly has a lot of Diamond City about it #love it

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why-animals-do-the-thing · 1 year

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What do you do if you see an animal/human safety issue while at a zoo?

A few days ago, I witnessed a lioness find a long piece of rusty wire a guest had shoved into a gap in the fencing… and before I could grab it from the public side, she pulled it through and began chewing on it! I knew how to find someone to address the problem, and she’s fine (they recalled the lions indoors and found where she had dropped it) but it made me realize it’s something not everyone would know as much about.

So, if you’re at a zoological facility and see a safety issue - dropped objects in a habitat, animals eating or playing with something they shouldn’t, people climbing fences or trying to pet animals - here’s how you report it:

Check if there’s staff in sight. Look for actual staff. Volunteers generally won’t be able to anything other than run to find someone who is staff.

If you’re with a group, have someone stay to watch if it’s something like an object falling in, while another person goes to alert staff. It’ll be important for them to know if it got swallowed or where it rolled in the exhibit.

Find someone with a radio! The fastest way to get information around the zoo is for staff to alert each other on the radio system. Keepers should all have radios. Education staff may or may not. Security will. Generally concessions people or ride operators don’t. Guest services, gift shops, and info stands might. I generally look for people who aren’t busy - and just ask “hey do you have a radio there’s a safety issue at X exhibit.” IMO this is the one time I personally think it’s okay to interrupt keepers while they’re working (as long as they’re not actively engaged with an animal for training or handling).

If you can’t find anyone, pull up the zoo website or Google maps listing on your phone and call the number. Whoever answers should be able to pass the information on as appropriate. Sometimes you get stuck in a phone tree - I normally just try pressing zero.

Once the message has been communicated I normally stick around (unless it’s an active emergency like someone in an exhibit) so I can tell responding staff what I saw and any details they need to know, like the color of a dropped water bottle.

In general, it is always way better for you to interrupt someone’s work or cut a line to alert staff to a safety issue than for an animal or person to get hurt. Some zoos have signs posted on grounds with a number to call if you notice a safety issue - it’s a great idea and I’d love to see all facilities do it!

#zoos #zoo visits #safety at zoos

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p0rk-guts · 7 months

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Velvette if she served cunt

Design breakdown below 👇🏾(BEWARE IT'S VERY LONG)

Alright going into detail about my gripes and edits. Like Velvette but her design is just. Not good to me. None of her (main) outfit details look like they fit to me— pinstripe pants + long fur coat paired with black crop top and scene sleeves? Skull earrings? TINKERBELL HEELS????? Tell me how any of that meshes well or even makes SENSE for the social media influencer persona she's supposed to have going on. Now that I think about it I'm pretty sure she's supposed to be clown themed... But I'm just gonna toss that idea out bc being a revered social media influencer and a clown at the same time just seems a bit oxymoronic to me, and the "clown" details aren't adding shit for me.

And don't think I forgot about her features. Pale ash grey skin and wavy hair at best. If she was supposed to be some type of creature where a nonhuman skin tone would make sense then maybe I could let it go?? But as far as I can tell she doesn't have an object or creature or animal theme like the other V's and if she does I shouldn't need to do detective work to figure it out. There is no reason for *any* of these poc characters to have grey skin, especially since they don't have any other poc features at all.

Sorry that shit gets me heated anyways. Onto my redesign. Gave her a more obviously black skin tone and textured hair bc I love a 30 inch buss down as much as the next girl but considering how there are no significant poc cast members with visibly textured hair I think she deserves to flaunt some coils if no one else will.

Ngl I'm not. A fashion girlie. Idk what's trendy idk what screams "influencer" so a lot of this was just throwing shit at the wall that I've seen around recently but it looks cute enough to me. And there was a bit of inspiration taken from Aliyahcore and ghetto fabulous fashion ❤️

If you can't tell this is shamefully inspired by lovesart23's Velvette reimagining because imo they had some outstanding ideas for Vel. I low-key stole their idea for those floating eyes in her hair that follow her around and help her keep tabs on shit it was just a superb idea for a social media overlord to me. I also took some inspo from @furbtasticworksofart 's redesign because vampire influencer sucking up the souls of her followers in exchange for content??? Too good (also the eyes were supposed to have bat/vamp wings I just forgot 😭) So yeah she's a vampire demon now. Without the features she was looking too human anyhow. Maybe she also feeds off of the energy of her followers through tech like after Vox mind controls them or whatever... Idk idk is that anything

Speaking of Vox, the screen glasses are meant to connect her to him w/ their color and shape while serving the purpose of being like a second phone she can post and check the web with. Like lovesart said in their reimagining vid, Vel doesn't really do more than pose for selfies and scroll on her phone when it comes to social media so in my head she's constantly flipping her shades on and off, using them to scroll and stay active, and they can show when she's not paying attention or respect to something/someone bc scrolling is more worth her time in the moment.

The hearts everywhere are also supposed to kinda represent social media likes + connect her back to Val w/ his heart patterns. That might've been what the hearts in her og design were for but. I just didn't like their placement bc I'm a nitpicker and a hater❕

I have so much more I could say about possible ideas for Velvette because I love evil black girls and I only want them to succeed in my media and I could treat her so much BETTER but I'll refrain bc this is way too long anyway.

Alright for reading/scrolling through all that rambling I offer you the sketches + some alt hair ideas I had

P.S. I'm very open to constructive criticism but if I see anyone just dick riding in my replies or rb's I'm just blocking you on sight ✌🏾

#hazbin hotel #velvette #velvette hazbin hotel #velvette redesign #hazbin hotel redesign #my art #digital art #character design

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ashxketchum · 6 months

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New collaboration with Loft & Amnibus was announced for Digimon Adventure!

Details about exact merch will follow soon, but the tweet states that the concept was decided by keeping the idea of 25th Anniversary in focus but the art itself is flower + wedding outfit themed. The collab will start in June which is considered a good month for brides in Japan and so we see many wedding themed anime illustrations get released during this time every year.

Now it is time for another certified Ayushi breakdown 🫡

Taichi and Agumon are seen holding Edelweiss, with a pattern of the flower drawn beautifully on Taichi's shirt as well. Edelweiss in Japanese Language of Flowers (Hanakotoba) is meant to symbolise 'cherished memories/大切な思い出' and 'courage/勇気', while in Western Language of Flowers it's meant to symbolise 'noble courage' and 'daring' - both of which are apt for our best leader 🧡

Yamato and Gabumon are seen holding Alstroemeria (Lily of the Incas, Peruvian Lily), and while the flower motif is not drawn onto his clothes, Yamato's coat's breast pocket is decorated with the flower as well. In Hanakotoba, Alstroemeria is meant to symbolise 'persistence/持続' or 'longing for the future/未来への憧れ', while in Western Language of Flowers it's meant to symbolise 'friendship' and 'devotion'. All meanings are apt for him imo, but especially persistence and longing for the future are very representative of his arc from the first series till Kizuna.

Sora and Piyomon are seen with Pink Carnations, with the neckline of Sora's jumpsuit lined with a bunch of the flowers. I personally love the visual of Sora in this pink jumpsuit, it plays into her slightly tomboyish yet extremely gentle personality so well! In Hanakotoba carnations symbolise 'innocent and deep love/無垢で深い愛' and pink carnations specifically symbolise 'love of a woman/女性の' 'passionate love/熱愛' and "beautiful gesture/美しいしぐさ'. In Western Language of Flowers carnations symbolise 'fascination' and love'. All meanings are pretty accurate for Sora, but red carnations are used to symbolise Mother's love in Japan so it would've been nice if they threw in a mix of red and pink to hint at her relationship with her mother!

Koushiro and Tentomon are seen holding Violet Sage, which at first glance I thought was Lavender. The flower pattern is also visible on his waistcoat and bowtie, which ties together his outfit very nicely! In Hanakotoba, Sage seems to have many symbolisations, 'respect/尊敬', 'wisdom/知恵', 'good home/良い家庭', and 'family love/家族愛'. But Blue (Violet) Sage specifically signify respect and wisdom. In Western Language of Flowers, Sage symbolises 'esteem', 'wisdom' and 'domestic virtue'. Again, a perfect choice for Koushiro, I personally would prefer to believe that they picked this not because of his crest but because of 'good home' and 'family love' since that part of Koushiro's arc in the first series was probably the most impressionable aspect of his character.

Mimi and Palmon are seen holding baby's breath, with Mimi's dress covered in a pattern of it. Even keeping my bias towards Mimi aside, this is possibly one of the prettiest outfit of hers till date, it genuinely looks like she's about to walk down the aisle as a flower girl for a very happy couple! In Hanakotoba, Baby's Breath or Kasumisou, symbolises 'pure heart/清らかな心', 'innocence/無邪気', 'kindness/親切', and 'happiness/幸福'. In Western Language of Flowers it symbolises 'everlasting love', 'purity of heart', and 'innocence'. All meanings apply to Mimi to the T, but they're also very apt for the whole wedding theme of the merch which makes this particular outfit + flower choice my favourite from the lot.

Jou and Gomamon are seen holding Violets or Sumire. I honestly struggled to figure out the flower for a while, at first glance I thought it was Periwinkle but since that was not mentioned in the Hanakotoba reference anywhere, I searched other people's interpretations and settled with Violets. His tie also has a cute pattern of the flower, and it makes me wonder if Koushiro and Jou went shopping for their outfits together! In Hanakotoba, Sumire symbolise 'modesty/謙虚', 'sincerity/誠実', and 'small happiness/小さな幸せ'. Depending on the colour, the symbolism can change in Hanakotoba, and purple Violets specifically represent 'fidelity' along with 'love'. In Western Language of Flowers it symbolises 'modesty' and 'faithfulness'. This is as Jou as a flower can get lol.

Takeru and Patamon are seen with White Gerberas. Like Yamato, Takeru's outfit doesn't have a pattern of the flower, but the Gerberas themselves are pinned to his suspenders. In Hanakotoba, Gerbera symbolises 'hope/希望' and 'always moving forward/常に前進'. White Gerbera specifically are used to symbolise 'hope' and 'honesty/律儀'. In Western Language of Flowers it is meant to symbolise 'cheerfulness' and 'beauty'. All meanings are accurate for Takeru, no comment needed!

Hikari and Tailmon are seen with Sunflowers. I personally feel that Hikari's outfit is a little too much compared to the rest, just the sunflower belt would've been enough but they added that extra line at the hem and it's kind of an overdose. In Hanakotoba, Sunflowers symbolise 'I gaze only at you/私はあなただけを見つめる', 'adoration/愛慕', and 'worship/崇拝'. In Western Language of Flowers, it symbolises 'adoration' and 'false riches'. I understand that they wanted to go with a bright or perky flower for Hikari but something like a Pink Aster which symbolises patience or Cosmos which symbolises harmony, peace etc. might suit Hikari better given the overall theme of the illustration. The only miss in the otherwise perfectly depicted theme and art!

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plutosfallenangel · 2 years

Text

Random Moon Sign Observations | pt.1

(*based on personal experiences and opinions. look at the whole natal chart to gain insight, just one placement isn't enough and some aspects/house placements can make contradictions to the below information*)

• Aries moon •

-makes more moves in the night (esp 12H)

-extremely protective over those they love

-when comfortable with someone they will make little noises and funny sounds, very animated beings

-feels emotions intensely, the most reactive to their own emotions and environment, in the physical body they feel every emotion deeply

-will jump head first into new passions or romances unless the chart indicates otherwise

-it's like pulling teeth to get their vulnerable side out, as time progresses they learn that they don't have to be the hard-shelled thing their early environments created and that being vulnerable is brave

-most will only have a few people reach their inner soft core in their lifetime

-artists in their own right, alone time is essential for the creative process

-inner competition with themselves, instead of seeing others as competition they will try to beat themselves and be a better version of yesterday

• Taurus moon •

-always around close friends, typically has 1 or 2 people they grew up with that they keep in their lives forever or atleast as long as humanely possible

-is it bad to say these people are pretty when they cry? I've never seen a Taurus moon ugly cry before

-extremely grounded, and extremely guarded

-have a hard time letting people into their innermost self or world, but once they do you won't be going anywhere anytime soon

-emotional support person for close friends/family

-has emotional support accessories

-bad smells can put them into a very bad mood, very sensitive nose

• Gemini moon •

-consistently stimulating themselves through conversations/books/video games/hobbies

-can struggle with consistent mood swings

-appreciates design and loves to build things/put things together

-can be the friend that knows everyone's behind-the-scenes drama

-witty and goofy people (my fav)

-they tend to bury themselves in a hobby when they're not feeling the best mentally (sometimes as a distraction without actually addressing what's wrong)

-asking questions can actually make them feel better, even if it's on random things, emotional support knowledge intake lol

-extremely good at problem-solving

• Cancer moon •

-the most emotionally guarded moon sign, and will guard their family/close friends emotions like their own

-sensitive yet sensual

-gives the warmest hugs

-remembers the smallest details for the longest amounts of time

-has to let their emotional body go with the flow and ride the "waves", once they feel an emotion come over they can't go around it.. they have to see it to the end

-if conjunct the asc their emotions are painted all over their face

-if you've ever made one mad, you know what those claws feel like... they are some of the most scary people to make angry.. imo

-sentimental daydreamers/ and dreamers

-most can't get over that one ex

-4 course meal @ 2am is to be expected, especially if liquor is involved

-one of the brightest imaginations next to Pisces, their memories are alive, well and extremely vivid

• Leo moon •

-once you get close to them, they can feel entitled to spending time with you (in my experience)

-can let things bottle up and EXPLODE

-I've noticed when they are passionate about someone they can keep a lot of those feelings inside and slowly reveal them overtime.. not as extravagant as some would think, but they will definitely make you feel like you're the only one in the world when they care about you

-spending time with them is so fun because they will make everything into a joke and silly

-the goofiest of the moon signs imo (they do it for the attention but I love it, give me more)

-can be very demanding emotionally from others, whether it's communicated or not

-expects the utmost loyalty and gives it back in return, even on small things.. these people are probably the most loyal

-will place people on a pedestal within their bright orbit, sometimes they can fall into people that give them a lot of attention, and not for the right reasons..

-the most generous (and they mean it)

-likes to do things that gets them recognized, even in a small town/group setting.. they want to play sports to get that trophy and team photo

• Virgo Moon •

-please for the love of god bring your own tums

-one of the biggest nurturers

-very specific style and aesthetic

-always on time, or at least their internal clock is

-the sleepiest employee

-out of all the mutable moons, I think virgo can sit and process their emotions the longest

-can also be the same moon sign to brush off emotional encounters until they've processed their end enough

-prone to addiction just like pisces/12H moons, using a substance as an escape, becoming an addiction most times because they strive for routine, and if something bad just happens to fall into that routine.. they can have a hard time removing it (emotional security in routines, even if the routine looks messy from an outsiders perspective)

-literal sweethearts (angels in their own right)

• Libra moon •

-the most loved in the room when they walk in, idk how to explain it

-can be a tad on the partner crazy side, hopeless romantic

-emotional support person for a lot of people but they do expect the same in return

-depending on what else is in the chart, they can become very codependent on another person and FAST.. they won't listen to anyone when it comes to their beloved

-similar to a gemini moon, they can struggle to find emotional balance, but this is mostly caused by allowing outside influences to effect their emotional body (ex: partners)

-when they're good, they're GOOD and when they're bad, they're BAD

-does the best when they're in a 1-1 setting bouncing feelings and ideas off another person, they tend to show up or call at the most random times to chat about something like their car insurance, almost like, can you listen to this idea and share what you think? (I love them for it)

-i know I said it before but, HOPELESS ROMANTICS 💔🔥

#astrology #astro community #astro observations #astrology observations #moon signs #astrology community #zodiac #astrology moon #astrology research

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httyd-art-requests · 9 months

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Possibly a Sculdron for a dragon request? I love them so much ❤️

(But if you don't wanna draw a Scauldron I also wouldn't mind seeing a Speed Stinger or a Triple Strike :))

Scauldrons are a very fascinating and very under-represented species imo. Thank you for requesting one!

Dragon #10 - Scauldron

I kept finding very contradicting images while I was looking for references?? Half of them didn't have the whiskers or back spikes, not even the official mobile game renders or animation models. The only game model that had all the details was the Wild Skies Scauldron, which is very funny to me.

Like I said: under-represented!

#how to train your dragon #httyd #httyd fanart #httyd scauldron #asks #dragon request #thank you for the request! <3 #dragon 010

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kevin-day-is-bi · 4 months

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Beginner's Guide to Batman (and Batman-related) Media

(based on my knowledge and the things I enjoy)

Live action Batman movies are very hit or miss. Most of them are fairly middling, but the Dark Knight Trilogy is generally pretty bad. Poor Bruce characterization, white-washing, inaccurate representations of Gotham, etc. I have several thousand words written on that trilogy, and many more on live action movies in general (all of which are accessible thru my pinned post). The Batman (2022) is pretty widely regarded as being good and accurate. It has a much more emo depiction of Bruce. A major pet peeve of mine is that I, personally, don't think it's a very good Riddler, but everything else is good.

As for shows, those are generally less accurate but more enjoyable. Gotham is not technically canon I don't think but it has better aesthetics, canon accuracy, and character design than every live action movie imo. It starts with Bruce seeing his parents' murder and goes up until he first decides to become Batman. Gotham Knights is a much more AU-style show, detailing the death of Bruce and how his adopted son (invented for the show) handles it. It also has Stephanie, Harper and Cullen Row, and Duela Dent, plus great queer rep. Heavily recommended for people who want to know more about general character personalities or who enjoy AUs. Titans has Dick, Jason, and Tim, and while I personally don't think that they did well with the characterization of the other Titans, the Robins are well-done. If you want a good idea of Dick right after he became Nightwing, you want to see Jason as Robin, or you like Tim pre-Robin, this is the show for you.

As for animated shows, the usually widely loved ones are Justice League, Justice League Unlimited, and Batman: The Animated Series. B:TAS is largely accurate to the comics at that time, though it plays a little fast and loose with the Robins (goes straight from Dick to Tim). Plus, it's the first appearance of Harley Quinn! Additionally, I enjoy The Batman (2005), though it plays with the timeline a little and targets a younger audience. Batman Beyond is amazing if you want to get into the future of Batman/Terry McGinnis universe. The accompanying movie, Batman Beyond: Return of the Joker covers Tim becoming Joker Jr.

Speaking of animated movies, there are a Lot. Standouts include the Batman Unlimited movies, which are some of the only ones to include Tim. They're very futuristic, so if you enjoy AUs or the science side of Batman, these are the ones. There are a lot of AU style ones, like Gotham by Gaslight (which I personally really love but don't think is anything particularly special outside of being interesting for characters), The Doom That Came to Gotham, and Batman Ninja. Batman Ninja isn't one of my favorites, but it is very good and has general good characterization. If you want to know more about how Barbara became Oracle but you don't want to read one of the most sexist comics ever, watching the Batman: The Killing Joke movie is a good way to do it. It frames the movie from Barbara's perspective and focuses on her story. If you want to know more about Damian, Son of Batman and Batman vs Robin are good. They detail him becoming Robin and his brush with the Court of Owls. Batman: Under the Red Hood is absolutely necessary viewing for anyone who likes Jason, as it details him coming back to life and becoming the Red Hood (along with having one of the all-time most depressing lines in-context ever).

When it comes to media that doesn't have Batman in it but is Batman-affiliated, Birds of Prey and the Fantabulous Emancipation of Harley Quinn is a really good post-Joker pre-Ivy look at Harley, and it has Helena Bertinelli (Huntress), Dinah Lance (Black Canary), Detective Renee Montoya, and an AU-ized Cassandra Cain. The show Young Justice, particularly the first season, is a really good look at Robin!Dick in non-Bat teams, as is the animated Teen Titans. Both take slightly different routes when it comes to his personality, but both are equally good (especially if most of what you know about Robin!Dick is "holy dental hygiene, Batman!" or his vague backstory). They also both provide introductions into other team families, particularly Young Justice, so if you've just gotten into DC via Batman and want to know more about other characters, YJ is the way to go.

My personal idea of best piece of media for any character:

Bruce Wayne

Pre-Batman - Gotham

Batman: The Animated Series

Alfred Pennyworth

Batman: The Animated Series

Barbara Gordon

Batman: The Animated Series and The Killing Joke

Kate Kane

Batman: Bad Blood

Dick Grayson

As Robin - Young Justice

As Nightwing - the Son of Batman/Batman vs Robin/Batman: Bad Blood trilogy

Jason Todd

As Robin - Titans

As the Red Hood - Batman: Under the Red Hood

Tim Drake

As Robin - Batman: The Animated Series

As Red Robin - Batman Unlimited: Monster Mayhem/Batman Unlimited: Animal Instincts

Stephanie Brown

Gotham Knights

Damian Wayne

Son of Batman/Batman vs Robin

Feel free to send an ask about a specific movie or show (or if you want a detailed list of everything a specific character has ever appeared in!) - I'm currently watching every Batman movie in existence and writing reviews literally so I can provide better recommendations to people (on part 41 rn). I will gladly provide more details about any movie or show. Also if you want to know more about specific media or what media a specific character has appeared in that is Bat-affiliated but is not a Bat, I probably have info! Anyone who's ever been a Titan, most Supers, most of the JLA, etc.

I can do another of these for comic recommendations if anyone wants bc I Do have opinions, I've just had some folks ask questions about specifically non-comic media recently!

#god do i really have to tag everyone #christ alive #bruce wayne #barbara gordon #kate kane #dick grayson #jason todd #tim drake #stephanie brown #damian wayne #cassandra cain #harley quinn

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softgrungeprophet · 1 month

Text

Radiant Black Rundown

(aka: Nadia is going to make a rec post for something that isn't Spider-Man or Spider-Man adjacent for once)

(aka "Please read Radiant Black")

(Radiant Black #10)

This is all subjective, obviously, but for me...

Positives:

All the characters are adults, ranging from their 20s (Eva), to 30s (Nathan, Marshall, Satomi), to 50s or 60s (Wendell)

The characters are specific. They have specific personalities, backgrounds, priorities and expertise. They are people with emotions and flaws and lives.

The main characters (Nathan and Marshall) are codependent vaguely homoerotic best friends with a slightly imbalanced dedication to one another (unrequited love?), plus some jealousy (drama!)

Despite occasional clunkiness, does a decent job at mixing humor and seriousness, angst, drama, etc. "Are you an angel?" "No, ma'am, I'm a millennial" did make me laugh.

Diverse characters and creators: Some co-writers include (but are not limited to) Cherish Chen, Melissa Flores, streamer Meghan Camarena, and Chicago local Laurence Holmes, and they're all very skilled at collaborating with each other and with Kyle to breathe life into the characters and their motivations.

And all of the Radiants are brunettes! (lol)

Not a lot of crossovers (basically none) despite being part of a larger universe (the Massive-verse), and not a ton of issue hopscotch (still some).

The stakes are often very personal (most of the time). These characters may have to save the world but they're also all kind of fuck-ups in some way, and are still mostly dealing with their personal and private lives and loved ones, which grounds it.

"Officially," only Eva is queer (afaik) but to me, Marshall also reads as pretty strongly gay or bi-coded, and Satomi gives off some kind of gender thing (to me). With a mix of actual queer WLW/lesbian romance in Radiant Pink and some interesting subtext in the main Radiant Black comics, plus whatever Radiant Red's got going on, I think there's a lot to sink your teeth into in that regard, or at least to go "AUGH" about LOL

Also there's real cool art—

(Radiant Black #17)

(Radiant Black #10)

(RB #10 again — issue 10 whips ass, okay? I have the UV-reactive fluorescent ink printing of this issue... and I don't own a blacklight, unfortunately 😂)

(Costa is the main artist for all of the above panels, with colors by Triona Farrell (#17) and Igor Monti (#10), but I'm a big fan of Ferigato's pencils on the Marshall-focused issues too, plus Lafuente and Muerto's work in Radiant Red is killerrrrrr)

Neutrals:

All the Radiants' eye markings are animated/emotive (except Yellow). Personally, I'm mixed on expressive masks and helmets. (Big shock, I know 😂) I don't dislike the animated eyes, and I get why they're useful, but I prefer the less animated helmet "faces" so far.

Cosmic world-saving stuff — If you know me, you know I tend to prefer street-level superhero stuff, but I think the high-stakes action works in Radiant Black because it's still grounded in the personal and still has that street-level element, so I'm not too bothered by this. (I also like sci-fi, which helps)

Negatives:

Some people over-emphasize just how groundbreaking and different Radiant Black actually is. Like I get it, hype it up, but sometimes it is a little funny to be like "this has never been done before!" and it's like, idk about that 😂

Occasionally it does lean a little into referential humor and quips, but it's got plenty of actually funny jokes, and the dialogue flows naturally most of the time and isn't just a vessel for snappy one-liners, thank God. But if you're like me, sometimes you may roll your eyes.

It takes some time to find its feet (imo), but even then it's still generally engaging. To me, issues 9 and 10 are where it really hits its stride and not long after that is where it takes off running.

There is some issue/series hopping — While there's not a ton of issue hopping, there are some minor details that make more sense if you have read some of the auxiliary issues/miniseries. Luckily, it's not a huge amount of reading.

Prison is where you go to atone 🤡 I didn't like it in Spider-Man: Redemption and I don't like it here lol but Eva seemed unimpressed in volume 4, so I'm hoping it'll have some nuance as I catch up.

Wonky numbering. It's not too bad (and if you read the trade paperbacks, it's a non-issue) but there is a plot thing that happens that means all the issues after #24 (until #30 and #30.5, afaik) have special numbering

(Radiant Black #11)

Radiant Reading List:

Note: here is a really great, in-depth, incredibly precise Massive-verse reading list put together by a fan — It has issue-by-issue and page-by-page instructions for the real chronology sickos out there, and is just a generally fantastic resource/timeline reference.

But here is my personal (way less precise) reading list for Radiant Black plus its auxiliaries, minus all the other stuff:

Radiant Black v. 1 (#1-6)

Radiant Black v. 2 (#7-12)*

Shift #1-4 (not #5)*

Radiant Red (#1-5)*

Supermassive (2022)**

Radiant Black v. 3 (#13-18)

Radiant Black v. 4 (#19-24)

Radiant Pink (#1-5)***

Supermassive (2023)

Radiant Black v. 5 (#25-27.5)

Radiant Black v. 6 (#28-30.5) (issues #30 and #30.5 will be out in October 2024, so volume 6 tpb probably not until the holidays if I had to guess... unfortunately for me 😂)

Shift #5****

Supermassive (2024)****

Notes:

*Okay, so.... parts of Shift and Radiant Red technically occur simultaneously w/ each other and also overlap some w/ Radiant Black #9 and #10, so you probably actually want to stop at Radiant Black #9, then do Shift and Radiant Red, and then return to Radiant Black at #10, but in my opinion, all that really matters is you read Shift before Radiant Red, whether you slot them between Radiant Black issues 9 and 10, or just read whole trades at a time, whichever you find more practical or convenient. I... did both lol

That being said: don't read Shift #5 until… later, as it was a very recent addition for the Shift collected edition and takes place significantly later in the main plot.

**Supermassive 2022 is a pretty simple single issue crossover mini-event/annual with Inferno Girl Red and Rogue Sun, and doesn't really require reading the others' stories nor does it really affect any real plot, but it does offer a tiny bit of context to Radiant Black's main storyline that I found kind of crucial lol — like is it Necessary? No. Does it clarify one (1) little detail? Yes.

***Radiant Pink can probably be read at any point after Radiant Black issue #12, but I happen to be reading it in this order lol

****The in-depth Massive-verse reading guide I linked earlier says to read Shift #5 in the middle of Radiant Black #28.5 and Supermassive 2024 between Radiant Black #29.5 and #30, so ideally... during volume 6, but since 30 and 30.5 aren't even out yet... well. Good luck!

After 30.5 is out I believe the Radiant Black team will be taking a hiatus iirc, which is reasonable.

There is not yet a Radiant Yellow mini, and idk when one will be released. There have been a couple of delays in the Massive-verse over the past year or so, for a variety of reasons (it's massive!), and I'm guessing Yellow's solo got pushed back. Hopefully it will be out sooner rather than later but we'll see! Obviously the teams creating all of this have been working their asses off so, you know, it happens LOL

Personally I'm subscribed to Kyle's newsletter, which is probably one of the best ways to get updates. It can and often does contain spoilers, but you can do what I do and just scroll really fast past them lol

In practice you can just mainline Radiant Black and ignore everything else and be fine, but I think the other Radiants, Shift and Supermassive offer useful context as far as character motivation and juicy stuff like that goes— Especially since Shift deals with the origins of multiple antagonists, and Radiant Red has some main plot implications for Satomi. Useful to know, etc.

Anyway. That got long, but hopefully not too long to be useful.

Stay Radiant ⦵

(Radiant Red #3)

#tried to make sure i used cool art without being OVERTLY spoilery #some of it's still *technically* early spoilers but not in a way where it's like ''oh no!! now i know the plot!'' lol #nadia reads comics #nadia reads radiant black #nadia's recs #apparently if you put a word in angled brackets in a tumblr post and save a draft... it will remove the entire word #same for copy pasting lol #IT'S NOT HTML pls tumblr i'm not even in the html editor view #radiant black

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namedr · 5 months

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What are your art inspirations?

Disclaimer: A LOT of RAMBLING

Honestly hard to answer, nowadays I don't really look at a lot of art anymore but mostly just movies.

Biggest inspiration over the years (from 2020 to 2022) would have to be Kan Liu. His painting style with mostly just the round brush and hard edges really spoke to me, especially when it came to lineart I was a massive fucking copycat lmao.

Around 2022 I also began falling in love with Sungmoo Heo. The perspectives and overall style just fucks so hard.

The most obvious inspo would have to be Seonhyeok Jeon though, who I still rip off blatantly.

In general I began taking art seriously around 2020, when I found Kan Liu, because I began training to compete in bodybuilding, which I did the next year. I began getting super interested in how the body and muscles work so I just drew those a fuck ton, and those anatomy studies ended up really helping my art skills in general.

Anyway! For animation... Hiroto Nagata and Q Kawa are big inspos.

This shit is so fucking RAW and HOLY SHIT when I look at how the perspective gets just in your face I always just think "what am I even doing man I have to PRACTICE". It's like watching a Zyzz or Ronny Coleman clip before doing a lift at the gym but for art, shit's motivational.

This cut in Ghost In the Shell as well is WOW, I think what speaks a lot to me is when an animation doesn't conform to what's standard in the medium and tries to push boundaries/be unique. Be it in this case through insane details, in the case of Mushoku Tensei through bg animation mixed with extreme foreshortening or just a crazy perspective and punchy movements in the Madoka clip.

Overall it's hard to say what else my inspirations are though. When it comes to manga and comics I can think of Batman Year One, The Climber by Shin-ichi Sakamoto, Ultra Heaven by Keichi Koike, Solo Leveling (big inspo in 2021) and Homunculus.

Also, even though everyone assumes it, I haven't played Cyberpunk 2077 or am that big a fan of the Blame! manga, I guess I just have a fairly similar artistic vision to both of those.

For animated fiction it'd be Spiderverse recently, Millennium Actress, Silent Voice and a million other anime I've forgotten the name of. Naoko Yamada's directing for Silent Voice or other anime like Hibike Euphonium and the Liz movie has always been amazing to me because she is able to express characters personalities through their body language, like they way they walk or stand, in a way I have never seen done before. Extremely recognizable and iconic style imo. A long time ago I used to be really into watching anime, but I don't care much for it anymore.

Other inspo would be this guy on twitter, his stuff is insanely cool https://twitter.com/be_myvu/status/1725069515107533178?s=46

It's like that Ralph Waldo Emerson quote - “I cannot remember the books I've read any more than the meals I have eaten; even so, they have made me.” I think throughout the years I've been so obsessed with all kinds of artists that I've taken in inspiration from everywhere. I cannot recall them all anymore, but they have made me the artist I am today.

Currently, like I said, I would consider movies to be my biggest inspiration because I find it interesting how cinematographers are able to stylize real life, which I'm trying to get closer to. If I could direct a movie, I would probably stop making art right then and there, but I'm not really working towards that goal anyway lmao. One day, being able to make a short film in animation would be something I would like to do though.

I'm not deep enough into the movie scene to get the street cred of being called an expert but I love them a lot. Fallen Angels made me fall in love with fisheye back then for example. Fight Club and The Batman have a grit to them visually that I find inspiring, and movies like Persona and Heat also come to mind when I think of movies I just love. I could look up my letterboxd for a more thorough answer but I feel I've already been writing way too long.

For video games, I guess you can imagine that I would say Signalis lmao. Besides that I can think of Subahibi (vn), Muramasa (vn), and Va-11 Hall-a for inspirations

Lastly, I guess huge inspirations are also a fuck ton of music. I mostly listen to either metal or hard techno, but I think I'll refrain from any more yapping.

I feel that this isn't really a great answer to the question, but it's the one I consider the most correct, because it's never as simple as just mentioning one artist. With a lot of these you wouldn't see a visual resemblence to my art, but in all of these I recognize a feeling that I also find in my own art.

Thank you for the question!

#inspos

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bonesandpoemsandflowers · 1 year

Text

my bohemian ass woke up at noon on a friday so I'm not firing on all cylinders yet, but there is this important distinction in the novel, The Phantom of the Opera, and the musical The Phantom of the Opera. I understand why a novel length distinction is cut for time and narrative tidiness for a medium that happens on stage, but I think people draw some very unfair, unflattering and incorrect conclusions from the stage that they port into their reading of the novel.

that is: Erik, the phantom of the opera, knows about Christine and Raoul's engagement and he's actually totally cool with Christine's plan. This is not incel behavior. This is not ~toxic masculinity~ or whatever contemporary bullshit you want to spew on the intentionally sympathetic monster in gothic literature. Raoul is supposed to leave on a naval expedition to the north pole. Christine's plan is to be engaged with him until he leaves. "This is a happiness that will hurt no one," she says. I don't have the exact quote for it but later on she relates how Erik knows and approves, at least of this intended to be limited engagement engagement. Why? Because he's the happiest of men with Christine, and he wants Raoul to experience that happiness. He does also expect Raoul to, you know, fucking leave when he's supposed to, but still. Christine and Raoul are romping around the Opera, kissing and crying together, and our ghost dude here is just like: good for them.

What sets him off is not the idea of a romantic rival. He does not, imo, feel "entitled" to Christine's love or whatever batshit nonsense the Erik-as-incel narrative huffs like paint fumes. What sets Erik off is how Christine has lied to him: not about the engagement, but about the degree of visceral disgust she feels for Erik specifically as a result of his deformity. She details, in graphic detail, how she closes her eyes instead of looking upon him, how she tells him that she only averts her eyes because she is in awe of his genius. She tells Raoul how horrible even physical proximity to Erik is, how grotesque his face is, how the horror of an animated corpse proclaiming his love to her is--well, horrible, and horrifying. Erik is on the floor, on his knees, kissing the hem of her dress, and Christine has her eyes closed the whole time.

I also think contemporary audiences can't handle that. They need Christine to be a pure and wholesome Good Girl (regressive bullshit), who is the victim of an evil evil man, and only the victim (also regressive bullshit). But also because she is a female character in the contemporary mind, she is allowed no flaws. She must reject Erik because he is a bad man. It would be ableist otherwise, yes? And the contemporary audience cannot handle lack of physical beauty being the reason. There can be no nuance to Christine's reactions. She is Good. Erik is Bad. That's all there is to it. The audience member is so sure that they themselves are above moral reproach, too. That's what is at stake here, also.

Never mind that Christine herself, repeatedly, notes that Erik is right when he says that if she thought he was handsome, she would stay. Never mind that when Raoul asks her if she would still love him if Erik were handsome, Christine declines to reply.

To be clear: this is not a Christine bashing post. I think her complexity here is fascinating. I hate a flat one note ingénue and that's not what she IS, and it pains me that fic authors write her that way, as if it's superior. No! Here she's human and she's magnificent! She's conflicted! Erik is alluring but also in ways that are no fault of his own, terrifying.

We gloss over the intended body horror of the novel. I know I do. I forget that he smells like rot and death, that he's cold and clammy to the touch, that he moans like a ghoul, that is supposed to have a gaping nose hole and eyes you can only see in the dark.

I don't think Christine is wrong to lie. But it's easy to understand, if you let yourself, how betrayed the monster might feel when he finds out about all this concealed disgust.

So, two points here

The rage upon being unmasked isn't just because he's unmasked and she broke a rule or whatever. It's the death of his whole gambit and his last hope, and Erik is, canonically, very smart. He knows this. He knows his face IS the issue. He knows it is THE issue. He reads Christine correctly in that the Angel of Music bit is ultimately forgivable in her eyes, and she likes that he brought down her favorite horse, she absolutely is there for their shared spiritual musical raptures. I want people to understand this: ERIK IS RIGHT about his own situation, a LOT of the time. He comes to some bad conclusions after, but in terms of understanding what's happening around him, he's accurate.

And so the rage and despair post Apollo's Lyre isn't "oh no, she loves Raoul," or even "how dare she, that SLUT," as some people make it out to be. It's the realization that he's been a monster to her this whole time. All this time he thought that she saw him as a man, and she has not. All the presumably good memories he has of her and her two weeks she lived with him are now revealed as lies. She's been enduring this whole time, not acclimating. She feels horror. She feels, again, disgust. She's shuddered at the touch of his hand in hers and put on a brave face and he's believed her up until this point, and he's having his physical inadequacies and his uncharacteristic naiveté described in excruciating detail to his romantic rival. He probably feels real fuckin stupid, on top of all else. He's been duped. He also feels disgusting and unlovable, because Christine has just repeatedly described him as disgusting and unlovable.

It is, of course, wildly incorrect to then decide to blow up an opera house about it.

But it's not entitled incel behavior and that's such a boring and contemporary narrative to shove a beautiful example of gothic literature into. Intellectually lazy and artistically myopic. I think most of us, if we're honest with ourselves, can think of a time we thought somebody liked us--maybe romantically or sexually but also maybe not, maybe just as a friend, as a bestie--and we turned out to be very wrong, because the person was just being polite or avoiding awkwardness or whatever. That is: they lied, in a very understandable and justifiable and socially expected way. And how did that feel, dear reader? Not great, right?

The point of the phantom of the opera is that it's a bunch of normal human experiences turned up to the max, dialed into a sublime hum that goes so hard it turns inhuman and terrible. It's that what makes a monster, what makes a man line, which is only interesting to walk if it's identifiably very human in parts. So Erik isn't just romantically rejected: he is rejected in just about EVERY way possible, besides his divinity of music. And this is supposed to the story of his entire life, over and over again, just most vividly and poignantly illustrated by his failure with Christine, when he most desperately wants to be just like everybody else.

And I think it's a shame to lose that very basic narrative and thematic point, but also a shame to lose the nuance of: Erik wants to share his happiness with Raoul. He loves Christine so, so much that he seems to find Raoul's lovesick desire very relatable. Of course, who wouldn't allow his fellow man a glimpse of heaven? And I just chose my words carefully there, if not the rest of the post. In his approval of Christine and Raoul's playful engagement, Erik is briefly engaging on a man-to-man level. He feels human about it. And when he feels human and accepted as human, instead of a walking horror show, he's immediately kind of gracious.

It's when he finds out that he's been a monster and not a man this whole time, in the eyes of his beloved and his rival, that he seems to go: I'll show you what a monster is.

#long post #poto #poto meta #gaston leroux #no proofreading we die like men #my personal belief is that you are absolutely allowed to tell a bunch of socially comfortable lies to get the hell out of dodge #when I'm like “so Christine lied” my intended undercurrent is AND GOOD FOR HER. GOOD JOB.#but also #my personal belief is also that he (erik) (the phantom) (whatever) is still very fuckable despite literally everything #text

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