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#important context there.
technoxenoholic · 2 years
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apparently the average person can walk about 7 kilometers in a day every day so i'm still not meeting average with my Highest Distance In A Day Record (6km as of yesterday, and i was definitely pushing it in the last 1–1.5 so maybe i will not try that again for a very long while)
but like, considering only 2km total was my boundary for "pushing it" most days when i started doing daily (with a few exceptions) walks this past spring, i am actually making huge progress. so. personally, i'm considering this a very huge win.
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beif0ngs · 7 months
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alright look, i just wanna know who is the writer that came up with the dumbass idea of replacing the line “Ever since I lost my son, I think of you as my own” with “Lu Ten would have been proud to have you as his father” in this scene for the Netflix live action series???
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quantumshade · 3 months
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there's an interesting thing rtd said from the commentary about the "real mom" line:
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i get not liking the line but like. it's an intentional mistake and an intentional character choice, and something we'll return to in the future, and that seems like important context to have when talking about the episode.
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halcyon-autumn · 5 months
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Huge L for Helio this episode I gotta say. Something about meeting that guy makes people want to go worship a dead lesbian
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warriorbarnes · 7 months
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this had me crying real tears
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hold on I'll make this my personality for 3 months
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catcrumb · 11 months
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so much sorrow and horror and disgust in my heart. i have no words. peace and freedom for the people of palestine. those who have cheered on and profited from and turned a blind eye & uncaring heart to apartheid and genocide must face justice. i could make a list of atrocities - 42% of housing units destroyed - the white phosphorus - the hospitals and bakeries and places of worship - there is no water. fuel. electricity. the list goes on and on and on. this is the result of an apartheid enforced by a colonial state. i cannot imagine how the people and their families must be feeling. one of my dumb little drawings does very little i know. but it's what's in my heart
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dykedvonte · 5 months
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The Ghoul: Ain’t ya tired of bein’ nice? Don’t ya wanna go ape shit?
Lucy, going ape shit mind you: No! I’m tired of everyone being so mean all the god dang time!
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rin-tezuka · 26 days
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"Everything queer is fluid" I do not know how to explain to you that Not Liking Men needs an explicit label.
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tritoch · 5 months
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i know a lot of people (very understandably) dislike the paladin job quests in ffxiv, particularly HW, but i do think it's fun that, now that the pre-ShB MSQ revamp is complete, paladins now have a very cool and thematic in-game storyline that happens without a word being spoken: the development of passage of arms.
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none of the below is directly stated in the script, but imo it's a fairly obvious gloss on what the game presents, if you assume a paladin warrior of light. spoilers for all expansions through the end of 6.X.
in the new version of steps of faith, as vishap breaks through each ward protecting ishgard from attack, lucia mounts a final desperate effort to hold him back, with a very familiar looking animation:
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but even lucia can't hold back vishap's flame alone, so the temple knights surge forward to assist her. their efforts make the shield visually more powerful and larger. the temple knights here band together in defense of ishgard, and their knightly resolve to protect their home is the difference between victory and defeat.
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lucia and the knights do ultimately succeed in defending the last ward, as you have to defeat vishap before their shield falls or you lose.
later in heavensward, obviously, we will get ffxiv's most famous (failed) attempt at blocking something with a shield.
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this moment can be read as fairly impactful on the warrior of light's development; as i've noted elsewhere, after the trauma of watching haurchefant bleed out in their arms at level 57, at level 58 paladins learn to channel their magic into healing (and it's called "clemency," or mercy. mercy for whom? who was guilty?), and as someone pointed out on that post, at level 58 dark knights used to get "sole survivor", letting them heal in response to a marked target's death.
for a time, you literally carry haurchefant's shield with you, and 3.3 very much literalizes in genre fashion the idea that even when you are standing alone, your fallen friends stand with you. you don't need to call any allies to stand at your side and raise their shields with you because they are already there, in spirit.
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stormblood marks a pretty important turning point in the warrior of light as a combatant, in my opinion, and the text makes this clear in several ways. first, in pretty much all your jobs, you've now far exceeded your trainers and are pioneering new techniques. this is no less true of paladin, which for 60-70 abandons any trainers at all for you to show off your peerless skills in a tournament.
second, stormblood is straight up a story about you getting stronger. at level 61, zenos kicks your ass. at level 70, you kick his ass. why? because you fought and got stronger and developed incredible new techniques and became a one-man army.
for a lot of classes, this story lines up nicely with the big rotation changes or flashy new finishers on the way from 60 to 70. SMN is now busting out bahamut and casting akh morn; RDM gets verflare and verholy; DRG starts harnessing nidhogg's power directly through dragon sight and nastrond.
the tanks are divided in two: warriors and gunbreakers get huge damaging upgrades at 70 in the form of inner release and continuation, each of which lets them hit the same button many times for lots of damage and satisfying animations. paladin and dark knight get more protective abilities; dark knight gets the blackest night, and there's been plenty said about that already by pretty much everyone.
paladins get passage of arms. instead of a relentless new attack (and you get requiescat at 68, which is a way bigger deal for your dps rotation), your big reveal at 70 for zenos in your fight in ala mhigo is a superior way to protect your party, a shield that lets you stand for your allies so they never have to fall for you again. it's lucia's same shield, except you need no allies' shields to reinforce you, proof of your martial prowess and your ability to transcend limits, and perhaps in truth a reminder that you never really stand alone.
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in many respects passage of arms should really feel like a paladin signature move to you now if you are playing it at this point, because you should be popping it in pretty much every fight (you are using your mits, right...?). basically every FFXIV fight has at least one big AOE with downtime that warrants passage of arms usage, usually after the mid-fight add phase with slowly filling bar. since that AOE usually drops during downtime, there's no reason not to pop passage of arms (which otherwise restricts your movement and actions), and even on normal, sometimes every little bit counts on a damage check even if it means dropping DPS (thinking here of harrowing hell P10N on release, which was...less consistent for a lot of roulette parties than you might hope).
so from 70 onward, passage of arms is in a sense a paladin warrior of light's signature move, and certainly the one a player gets to most actually enjoy (since if you're using it, you're by necessity not doing anything besides moving your camera and admiring your sick animation). it doesn't have any competition in terms of spectacle until confiteor, and those you're usually throwing out in the middle of movement.
it's such a signature, in fact, that the only other person shown using your one-person version of passage of arms is your greatest admirer, who studied your legend for over a century.
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and it's when he fails (should've popped arm's length, bud) that the warrior of light decides they can't let their friends fall for them, and sends them away with the transporter beacon. this is all wrong: you were meant to die for them, not the other way around. yours is the shield that stands between your allies and defeat. it is you who will win this passage of arms and break your opponents lance. and you do.
and then later, when they need to quickly establish zero's domain as a place of fallen grandeur, the home of someone who once believed in heroes but is now a cool and cynical vampire hunter d, what do they use? a decayed statue of someone in the paladin endwalker gear doing the passage of arms animation, of course.
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from a visible instantiation of knighthood as a joint effort to defend what is sacred, to a tribute to the fallen friends whose memories stand by you and animate you, to a symbol of the wol's power as emulated by their allies or darkly mirrored in other shards.
not bad for a mit button you hit once per fight and otherwise never think about!
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poorly-drawn-mdzs · 2 months
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The Quest Continues...
(part 1- part 2)
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hellspawnmotel · 1 year
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remember when I did this?
well I did more
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wayslidecool · 1 year
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kakyoinyoungpope · 7 months
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Ratio MD
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farshootergotme · 1 month
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This dialogue will always confuse me.
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"I know the other heroes, I know them all. I'd have them do it, but they can't. They'd fight, but eventually they'd give up, they'd give in."
Are you telling me nobody—no other hero—has as much determination as Dick Grayson?? Isn't willpower the whole Green Lanterns' thing?? I know there are other factors that made Dick a convenient choice for the mission, but is this point that I don't really get.
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overtake · 1 year
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broken bone solidarity
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