#in case people missed it

[catmask]

SNAPDEX REPORT: WEEK 1

actually, i guess nows as good a time as any. heres all my pokemon warmups from the past 9 days! i wonder how long i can keep going

[endusviolence]

Rowling isn't denying holocaust. She just pointed out that burning of transgender health books is a lie as that form of cosmetic surgery didn't exist. But of course you knew that already, didn't you?

I was thinking I'd probably see one of you! You're wrong :) Let's review the history a bit, shall we?

In this case, what we're talking about is the Institut für Sexualwissenschaft, or in English, The Institute of Sexology. This Institute was founded and headed by a gay Jewish sexologist named Magnus Hirschfeld. It was founded in July of 1919 as the first sexology research clinic in the world, and was run as a private, non-profit clinic. Hirschfeld and the researchers who worked there would give out consultations, medical advice, and even treatments for free to their poorer clientele, as well as give thousands of lectures and build a unique library full of books on gender, sexuality, and eroticism. Of course, being a gay man, Hirschfeld focused a lot on the gay community and proving that homosexuality was natural and could not be "cured".

Hirschfeld was unique in his time because he believed that nobody's gender was either one or the other. Rather, he contended that everyone is a mixture of both male and female, with every individual having their own unique mix of traits.

This leads into the Institute's work with transgender patients. Hirschfeld was actually the one to coin the term "transsexual" in 1923, though this word didn't become popular phrasing until 30 years later when Harry Benjamin began expanding his research (I'll just be shortening it to trans for this brief overview.) For the Institute, their revolutionary work with gay men eventually began to attract other members of the LGBTA+, including of course trans people.

Contrary to what Anon says, sex reassignment surgery was first tested in 1912. It'd already being used on humans throughout Europe during the 1920's by the time a doctor at the Institute named Ludwig Levy-Lenz began performing it on patients in 1931. Hirschfeld was at first opposed, but he came around quickly because it lowered the rate of suicide among their trans patients. Not only was reassignment performed at the Institute, but both facial feminization and facial masculization surgery were also done.

The Institute employed some of these patients, gave them therapy to help with other issues, even gave some of the mentioned surgeries for free to this who could not afford it! They spoke out on their behalf to the public, even getting Berlin police to help them create "transvestite passes" to allow people to dress however they wanted without the threat of being arrested. They worked together to fight the law, including trying to strike down Paragraph 175, which made it illegal to be homosexual. The picture below is from their holiday party, Magnus Hirschfeld being the gentleman on the right with the fabulous mustache. Many of the other people in this photo are transgender.

[Image ID: A black and white photo of a group of people. Some are smiling at the camera, others have serious expressions. Either way, they all seem to be happy. On the right side, an older gentleman in glasses- Magnus Hirschfeld- is sitting. He has short hair and a bushy mustache. He is resting one hand on the shoulder of the person in front of him. His other hand is being held by a person to his left. Another person to his right is holding his shoulder.]

There was always push back against the Institute, especially from conservatives who saw all of this as a bad thing. But conservatism can't stop progress without destroying it. They weren't willing to go that far for a good while. It all ended in March of 1933, when a new Chancellor was elected. The Nazis did not like homosexuals for several reasons. Chief among them, we break the boundaries of "normal" society. Shortly after the election, on May 6th, the book burnings began. The Jewish, gay, and obviously liberal Magnus Hirschfeld and his library of boundary-breaking literature was one of the very first targets. Thankfully, Hirschfeld was spared by virtue of being in Paris at the time (he would die in 1935, before the Nazis were able to invade France). His library wasn't so lucky.

This famous picture of the book burnings was taken after the Institute of Sexology had been raided. That's their books. Literature on so much about sexuality, eroticism, and gender, yes including their new work on trans people. This is the trans community's Alexandria. We're incredibly lucky that enough of it survived for Harry Benjamin and everyone who came after him was able to build on the Institute's work.

[Image ID: A black and white photo of the May Nazi book burning of the Institute of Sexology's library. A soldier, back facing the camera, is throwing a stack of books into the fire. In the background of the right side, a crowd is watching.]

As the Holocaust went on, the homosexuals of Germany became a targeted group. This did include transgender people, no matter what you say. To deny this reality is Holocaust denial. JK Rowling and everyone else who tries to pretend like this isn't reality is participating in that evil. You're agreeing with the Nazis.

But of course, you knew that already, didn't you?

Edit: Added image IDs. I apologize to those using screen readers for forgetting them. Please reblog this version instead.

[poorly-drawn-mdzs]

The indescribable tension between an overworked and underpaid smut writer, and his biggest fan hater.

(for @frummpets)

[carebeardean]

Charles whose dad smashed his cassette tape with a hammer learns to navigate the backpack cause, like, he needs to be useful, yeah?

and this way Charles has everything Edwin needs, and if Edwin gets sick of him he’ll just.. he doesn’t know what he’ll do.

but then Edwin gets the record player.

he suggests, tentatively, that Charles might play some of his “queen” if he liked. after all, if they are to haunt potential realtors away from their new office, they may as well entertain themselves.

so they take turns, switching out; edwin likes opera. he shows Charles how to waltz, chiding Charles to stop looking at his feet til they’re gliding, whirling around like they’re in the movies. Edwin’s smile is small and pleased and lovely. (Charles attempt to get Edwin to headbang along to queen results in a sort of awkward rhythmic nodding. Charles loves him so much he could die again.)

And, like. Edwin doesn’t like clutter. he doesn’t bother with the random tidbits ghosts give them for solving cases.

until now, apparently.

now he comes back from trading at the goblin market with little useless things—a cursed rubix cube, records from bands Charles mentioned years ago.

Charles is so busy trying to subtly read his book on Edwardian courting rituals (disguised by Nikos discreet manga covers) that he doesn’t realize what Edwin’s set down in front of him. he stares at Edwin’s spiky handwriting, the tidy numbered list.

“I thought, perhaps, that we might—start a new tradition.”

Charles blinks, eyes stinging. “Mate, did you.. make me a mixtape?”

“Crystal assisted me, and while she was absolutely insuffer—“ Edwin staggers, catching him with a surprised little noise.

“I love you so much,” Charles says, muffled into his throat. “You’re my favorite person. I love you so much it hurts, sometimes.”

“Yes,” Edwin says softly, hands curling around his waist. He takes Charles weight like it’s nothing. “I believe I know the feeling.”

[mooneggtarts]

Thinking about these two made me either sad, happy, or in between those two..

[top5series]

[miwtual]

im so fucking tired of the disrespect gifmakers get on the gifmaker website

[royalarchivist]

undefined

Phil: Daedalus! Oh you - Oh it’s just reminded me of something, f**k. Ok Chat, quick heads up, it’s lore, it’s about lore. I was gonna have a line that I was gonna say, and I couldn’t say it because I was getting choked up when I went into Techno’s house. I was gonna talk about -- I was gonna mention very briefly about the code name that Techno gave me, “Zephyrus”, and how I initially wanted “ Daedalus” because I thought it was more appropriate. I was like “ Daedalus is probably --” like, I pitched Daedalus to him, and then he said, “No, I like Zephyrus.” [...] He was like, “Zephyrus suits you better.” So now you know, I was gonna say that, and then couldn’t. Amongst other things. It just reminded me, just seeing the name.

[zundely]

Having more dragon age thoughts- this time about my dwarves, and partially about Varric.

So, hot take to lead with- Oghren is actually a much better and more insightful character to criticse dwarven cast system and culture then Varric. The best dwarven companion we ever got is obviously Sigrun but I feel like this one is pretty much self-explanatory, so I feel much more compelled to talk through our two lovely dwarven gentleman.

First thing I want to say is that, while I usually feel need to say that I do not hold anything against Varric as a character, his disdain for dwarven culture is something that bothers me a little. Especially since he is one of 3 dwarven companions we get across whole 3 games, and by far the most popular one. He is actually pretty similar to Sera at times in a way he views his own heretige but the games refuse to address it. Which is a shame because I think his view on the culture he was basically excommunicated from before he was even born should be a bigger deal then some quips about beards and getting antsy any time he steps near a thaig. Like Varric clearly has some very very complicated feelings about all things dwarven- something that no so subtly is a mirror of his very very complicated feelings on his brother who was much more of a 'real dwarf'. It feels like in an attempt to distance himself from what his brother represented Varric also felt a need to distance himself from anything too dwarven. But at the same time we see that it's something he never really let's go off- he is moved by his ancestor's fate in Legacy dlc questline, he keeps up with dwarven politics, he will get a bit miffed at mere mention of him not looking your standard dwarf.

However since dwarven culture doesn't come up half as much as elven one in later games we never really get to do anything with Varric's internalized issues. It's just sort of becomes a running joke that he is "not like other dwarves, that guy he HATES deep roads and he doesn't have a beard". And while that in itself is fine, not all characters have to focus on their relationship with their culture it becomes an issue when Varric is the only companion representative of said culture through 2 out of 3 games. It means the game has much less opportunities to present us with fun lore in an organic fashion because Varric is too busy making sure we know he hates it here. Like why I am more tempted to take Iron Bull to a dwarven ruins the Varric.

Oghren was ultimately a much better point of reference for dwarves because he is a product of this environment and he is surprisingly insightful and self-aware about it. And despite the multitude of ways in which Orzammar failed him he still cares about it. He still takes a lot of pride in his heretige even if all it really brought him is being rejected for becoming the thing it wanted him to be- a killing machine.

And now I am stuck on one hand wishing that there will be SOMETHING done with Varric's not feeling dwarfy enough- on the other however if Varric will be the only dwarven companion in DA:D I am going to scream. I am sorry all the Varric fans, he is either coming back in an advisor style role or I do not want to see him . It sometimes feels like the writers are not comfortable with writing dwarves and they use the 'least dwarfy dwarf' Varric as a get out of jail card and I just want something new.

[dandelion-roots]

[Image description: a digital drawing of sklonda and pok gukgak from fantasy high, two goblins with shoulder length straight hair and short curly hair, respectively. they're touching foreheads and embracing, both of sklonda's hands in pok's hair, while one of pok's hands is moving sklonda's bangs off her foreheads and the other is clutching at her waist. we only see sklonda's face and the look of silent grief on it. in the background on pok's half is a stylized dragon's mouth with teeth digging into his shoulder, and on sklonda's side are sheets of paper. over the background on the left is text that reads, it's okay, and then on the right side in brackets it says, (it'll be ok). End image description]

[cerealmonster15]

when u have some developed avoidant tendencies and try to keep your distance from people to avoid the pain of the inevitable separation that you have grown so used to time and time again in ur life and you attempt to make your escape before any deeper talk of the future can occur but you also accidentally bonded like cats to the two guys you spent the majority of your high school time with and now you all have Bestie Status with each other and they are Not Going To Let You Escape So Easily because oops there are actual true and deep connections here no matter how hard you might try to deny it and you are in fact a character in a story about love and companionship and overcoming past hang ups and youve made meaningful connections with those around you and this time it's different because sometimes people do love you deeply and beyond the surface you project and actually you are in fact held together by the ties that bind or whatever.

hashtag relatable!!!!!

[nozomi-mats]

Lilith for Kelsey Amber Gray on Twitter!

[sparring-spirals]

I was initially clipping this to capture the overwhelmingly accurate, absolutely devastating hilarity of "you went for realistic, and sadly, you nailed it". And then just kept recording because I really fucking love the discussion about how to balance the line between like:

You are trying to tell a story that feels good and gives you the kind of lift you might be looking for in an explicitly fantasy story,

vs

How to ensure it still feels grounded and rewarding in a way where you can "bring this good feeling back to earth" at the end.

Like they're talking about TTRPG's but they clearly make parallels to other forms of storytelling/worldbuilding mediums, like movies, and. like. Yeah. Yeah.

Like the framing of "you really recreated the feeling of powerlessness..." and wanting the fantasy element to manifest in there being the clearer, straightforward ways to solve complex issues, vs trying to ensure that you can have a victory and it feels feasible and substantial and applicable in some way, and has something you can take out of the fantasy world and hold with you back on "terra firma".

Its tricky! Its a tricky thing to balance, and I don't think there's a single "right" answer nor should there be because it depends. It depends on the story, and the intent, and the setting, and the medium, and etc. Big fan of this framework to explain it.

[mariatesstruther]

okay but sarah celebrating tommy every year for mother’s day

[cozylittleartblog]

small PSA: if you shop at craft shows or artist alleys, please bring more than apple pay or a virtual card - especially if you're not comfortable entering your card number manually. not all of us have fancy card readers, so please also bring your physical card or cash, even if it's only as backup 👍

[magnusmadness]

hey friendly reminder to the entire TMA fandom that jonathan sims, the archivist, is asexual. he does not have sex with anyone. this is canon and stated in the show. please don’t erase that aspect of his character. please don’t erase asexuality representation.