#it feels like all the protagonists line up with the gods

[dazzlerazz]

Me figuring out the story of the game just a few dialogue boxes before it feeds me that information

[perfectly-clear-from-here]

if life was perfect there would be a tranquility base hotel + casino film. send post.

[wickedghxst]

finally finished sottr. 4.6/10 that marketing campaign did this game dirty by making me think it’d be good. no wonder i ignored it for 6 years…

[yoru-no-seiiki]

DOG BLOOD （狗血）

YANDERE! PROTAGONIST x SADISTIC! LOVE INTEREST! READER

tw/cw: everyone’s gender is up to interpretation. dddne, yandere themes, violence, suggestive content

but what if you were never the villain, but a love interest.

MINORS/AGELESS BLOGS ARE STRICTLY FORBIDDEN FROM ALL MY POSTS!! LEAVE OR I WILL BLOCK!!

CASSIEL was a bored, lonely person. Through countless of timelines and people they’ve been with, none have piqued their interest in the slightest.

Even you.

But as a love interest, it was your job to keep them well — interested. Engaged. Entertained by the thought of romancing you.

But they never did.

They always ended up completing the game without touching a single person. Not any of the romancable options nor even the concubines offered to them in their conquests. A solitary existence.

You could only smile as a façade to hide your frustrations, as in some timelines they saw it fit to kill you.

“You . . . “

Your lines were as followed,

‘You can use me however you’d like.’

You said it at least a hundred times now. Your diction, tone, gestures were always perfectly replicated. It was the one line you could say that didn’t result in a horrific torture and death.

But this time, you felt nothing. Fear left you long ago. What was the point of being careful when you knew every outcome of every action and decision?

“You’re bored are you not?”

Cassiel’s head swiveled so quickly you were almost worried it would come right off.

You did the same thing you always did. You climbed their lap. Your hand around atop shoulders. Your face next to their ear.

In many other lifetimes, it’d end with them shoving you off. Maybe even, breaking your legs before outright killing you.

And yet this time it was as different. Stiff.

Your pointer finger grazes across their jaw, to their lips, and then their nose bride as you studied their beautifully crafted features. The protagonist was the Gods’ favorite after all, you never truly had the opportunity to savor that perfectly sculpted face.

“Lie down, be good, and we can have some fun. Shall we, your highness?”

The night was long. The two of you were inexperienced, but you weren’t about to let go of such an opportunity — your stamina be damned.

Adrenaline carried you throughout the night. Their highness’s wet eyelashes and swollen lips were another point of motivation. As they came undone underneath you several times, it all ended when curiosity took hold of you once more and your hands reached their throat.

And you squeezed. Wrenched all the air out of their throat.

Finally, a familiar sight greets you as the world collapses. Because what would it be without its protagonist?

[ RESET COMPLETE : BEGINNING CONSCIOUSNESS UPLOAD ]

You awoke again, back to the same place and time. Your eyes flicked to your hands.

Your heart fluttered.

You reached climax after climax with the royal. The protagonist you sought after for what felt like hundreds and thousands of years.

But nothing felt better than the moment you ended their life instead. The power you felt. You were utterly drunk on it.

In any case, after that event, you slowly began realized how soft the protagonist truly was. The conqueror of the world melted like a puddle when you took the charge, and almost evaporated when you’d coddle or pamper them afterwards.

You also slowly began to realize how much more you needed to get that high once more. Simply killing them wasn’t enough. You wanted them to feel betrayed. You wanted them to scream in horror once you flayed them alive. You wanted them to cry out in fear when you’d chase them down and re-create those times when they’d torture you.

But then, you would catch a smile here and there. In moments where it wasn’t supposed to exist. Cassiel moaning during the times you’d cut open his arms in an attempt to study their body’s anatomy better wasn’t something the pleased you at all. It took away the pleasure of your hobby. The joy you’d receive when you had them to play within your hands. The ecstasy of being the one to bring about pain to your torturer’s favorite.

“Stop making sounds you’re distracting me.”

“My . . . hah . . . apologies. It just feels . . . amazing.”

You paused. Your movements frozen as your mind processed what they just said.

Tch. Turn-off.

©️ yoru.no.seiiki - yun | 2023

taglist: @the-dumber-scaramouche @justkouisenough @rxflen

[morallyinept]

I don't rant very often - it's negative energy that I don't want or need in my life - but I feel that as a fan of Pedro Pascal, I'd like to take a moment to highlight what being a fan actually means.

As clearly, some people, some "fans", have demonstrated having a hard time grasping that concept...

Being a fan of Pedro Pascal means I enjoy his career, his portfolio of works.

Sure, I enjoy his physical looks too; the man is certainly as handsome as they come, let's be real here. Yes, I find him attractive.

More importantly, I enjoy what Pedro stands for; his beliefs, his passions. He stands up for injustice, he is an LGBTQIA+ advocate and friend. He is a feminist. He is politcal. He's proud of his heritage.

Is Pedro perfect? Do I believe the sun shines out of his ass? No, he's human and has flaws and off days like the rest of us.

Ain't no-one that is perfect, babe. That's delusion talking if you truly believe that.

I enjoy that Pedro inspires me to be a better human being.

Being a true fan, to me, means only positive things.

It means respect.

It means respecting Pedro's boundaries, be that in person, or online.

It means respecting Pedro's privacy. He has the right, just like any one of us, to a personal life seperate from his career.

Pedro doesn't have to answer to you, me, or anyone else about his private life.

You are not entitled to him, or his time, just because he is a celebrity. (God, I fucking hate that word.) He does not owe you anything, and nor should he be expected to.

Pedro Pascal is a human being.

As a fan of Pedro, I will not write fanfic about him. Only his characters, because his characters are primarily the reason why I admire Pedro. His characters are how I discovered Pedro to begin with.

He can make me laugh, cry, fall in love, wince when he loses an arm, gasp when he double crosses the protagonist. I can survive a fungal apocalypse with his characters by my side.

That's an incredible testament to his talent as an actor that no matter what role he plays, I don't see Pedro on the screen. I only see his characters.

It's his job and he enjoys it. As a fan, I enjoy his craft.

If you do write about Pedro, that's up to you and I am not going to judge, but for me personally, it's a hard no. And I won't be reading any of it either, sorry.

As a fan of Pedro, I can draw the line between fantasy and reality. Meaning, I would never go out of my way to invite, devise, plant myself in deliberately, or exploit a situation where Pedro is in my personal space, or I in his.

Firstly, I'm a realist. And secondly if I ever met the guy, chances are I'd walk right past him and not even notice. (It's happened a lot, not with Pedro but with other actors etc... I live in the capital, there are a lot of them here.)

And thirdly, I am not a stalker.

I would never intentionally track him down in another country whilst he is working or vacationing, and then post about how slighted I am on IG that he told me to politely leave him alone because I was too persistent in getting too close. I would never relocate and uproot my life just to live near him in the hopes we bump into one another and fall desperately in love. 🙄

This is real life people, not a movie.

This kind of behaviour from Pedro's so-called fans is questionable, and frankly concerning to anyone with a sane mind.

I would also never bully or belittle anyone because their fan account is more popular than mine. I would never actively enforce or seek to enforce the deliberate closure of any fan accounts because I am petty or jealous.

Unfortunately this has happened and I am sorry to have heard about those who were affected by it - you did not deserve that.

Sadly, all these things have happened. For real. And it's utterly gross behaviour from, in most cases, fully grown women who are old enough to know better.

We are all here to enjoy and support Pedro, so why is that such a hard concept to grasp? Why does fandom have a toxic corner?

I'll tell you why.

Because thanks to social media, and platforms like Tumblr, it's all too easy to sit faceless behind a keyboard and do and say whatever you want, without any real consequence.

There are always a few bad eggs, in any fandom, who feel they are superior, that they know everything. That because they found a new image or a clip first that they are entitled to police everything. That they are entitled to dictate how fandom should be run.

I've got news for you; you're not.

Fandom is inclusive, sharing, a creative hub for ideas, inspiration. A place to forge friendships, relationships because you have common ground. The coming together of like-minded individuals to celebrate and endorse their admiration for their idol in a safe, non-threatening place.

A place for creativity to flow, for confidence in yourself to grow. To create original stories from canon, to create unique head canon because we don't want these lovable characters to die. To paint amazing pictures. To get excited over Pedro's new projects and discuss your favourites.

That's fandom. That's being a fan.

Being a fan doesn't mean creating, spreading, peddling or posting harmful material that 1) is frankly abhorrently disgusting and is not only insulting to Pedro, but also his family, his friends etc... and 2) could also be potentially damaging to his career.

I am referring to the vile deepfake of Pedro currently doing the rounds now on Tumblr because some idiot thought it was funny to clog up our timelines with it.

I don't want, or need, to see that, thanks.

And whoever created it originally should be fucking ashamed of themselves. I would wholly encourage you to report and block any accounts that have done this.

Imagine how you would feel if your face, your image was used and violated in that way.

You'd be outraged, right? Hurt? Sickened?

This kind of manipulation of AI is exactly what the WGA and SAG-AFTRA are concerned about and were/are striking for.

What Pedro is striking for, and then someone has the gall to pull this sickening stunt.

It's what artists are concerned about. What writers are concerned about. AI wasn't created to be abused in this way.

So, what makes you think that all this behaviour is acceptable to do to a man, who is nothing but generous and kind?

A man who would give you help, no questions asked, if he ran into you, in his own words:

And you have the audacity to call yourselves fans?

A man who, if he knew, what his "fans" do, I'm certain he would be absolutely disgusted and not condone any of it.

☝🏻Let me make it abundantly clear:

If you have looked for, deliberately searched for, posted, jerked off to, liked or shared that vile deepfake clip, video, pic - whatever the fuck it is - in any way then, YOU ARE NO FAN OF PEDRO PASCAL.

And I am certainly no fan of yours.

Do better. Don't be a dick.

[aromantic-diaries]

Yknow I feel more represented by characters who aren't confirmed to be aro/ace or even written as such, but can still be interpreted that way because of how they're characterized, rather than characters who are confirmed to be aro/ace through word of god while the actual story has no implications of that character being aro/ace beyond them not having a love interest. The latter kind of waters it down to not wanting to date or have sex which isn't really all there is to it. I get that not all representation has to be a 100% accurate, deep and touching depiction of the aro/ace experience, but that doesn't mean completely ignoring the character's identity beyond not giving them a love interest.

I will elaborate with two examples under the cut

So for the word of god representation, let's take Lilith Clawthorne from the owl house as an example. I think she's a great character, I liked her, and I think the owl house is a fantastic show that deserved better. However I don't think of Lilith as good representation because the only real confirmation we have is outside of the actual show. It's not in the canon material, she doesn't have a love interest but she's not even the only character who stays single so that doesn't mean much. She isn't shown to be any different from anyone, her being aroace isn't really relevant in any way. I'd say the best word for describing this type of representation is Passive. We know she's aroace because it was confirmed outside of the show, she doesn't have a love interest, but it doesn't really go beyond that. I get that the show was cut short and maybe it would have been elaborated on more but that's just a generous assumption on my part. My point is, I don't really see any real aro or ace experiences reflected in her character, neither mine or anyone else's. She doesn't really represent any actual aspec experiences at all which is why I don't consider her to be good representation. I still understand the community's attachment to her though, we take what we can get and what we get is very little. So while I love the owl house, the aroace representation is pretty dissapointing compared to the great representation of other queer identities and I'm kinda bummed that the aroace character still gets sidelined in an otherwise very queer friendly show

For another example I'll bring up my all time favorite, Rudy Waltz, protagonist of the book Deadeye Dick by Kurt Vonnegut. Deadeye Dick is not a feel good story. The story is dark, bitter and the conclusion is no different. Still, I would describe it as oddly comforting and pretty funny at times. So what does that have to do with anything? Well, our Rudy can very well be interpreted as asexual and probably aromantic as well. He isn't referred to as such, he describes himself as a neuter, the author states in the preface that the protagonist's disinterest is a metaphor for his own declining sexuality, and the book was written before the term aromantic was even coined. However, as an aromantic asexual reading the book, I could not help but deeply relate to Rudy's lack of interest in ever having sex or finding a romantic partner. I felt kinship with him as he described knowing how many people there are who are just like him and yet they go unnoticed by most people, because I was one of those people. I related to him and the way his disinterest in sex was met with such confusion from another character. Despite not being described as such, Deadeye Dick is very much in part an asexual and an aromantic story because the protagonist's experiences line up with that of someone on those spectrums. You could argue that calling him aroace is problematic due to him fitting a negative stereotype due to his emotional detachment, or that he only fits the label because of said detachment, but that does not change the fact that he is still better representation than a character who was confirmed outside of the story with no real implications. I see myself in Rudy more than I do in Lilith because Rudy actually feels like an aroace character

Anyways, rant over. Feel free to disagree with me

[mauvewalker]

You know one thing I’ve noticed being parroted around a lot are about how ‘sweet’ the strong boys are, just repeating what the protagonist Rhaenrya views her sons as she has stated it within the show herself. (Which is fine as people are entitled to their own opinions). I suppose it doesn’t help with the way the team black boys have been casted, younger actors & an actual teen matching the character’s age, looking all cherub/innocent like with the awkward hairstyles emphasises their youthful ages & the framing by show is heavily in the favour of the blacks.

Compare this to the team green boys Aemond and Aegon (both phenomenal actors perfectly cast to portray them) but considering Aemond is supposed to be a teen what 16 or 19? (the show-runners can’t seem to do basic maths, lol) however, as an audience member subconsciously Aemond is viewed as an adult & treated/judged as such with his actions. Again the negative framing by the show of him in manipulating the GA perceptions of the teams, I’m really surprised they didn’t play a villainous theme tune as like with Darth Vader every time he appeared on screen but I think that would have been a-bit too obvious, lmao. It’s not like the camera framework & Aemond’s get up in black, heavy smirking in the background isn’t already doing so.

Anyways having watched the show, I happen to be believe that they are not these sweet harmless little princes, in particular, Jace hides a much darker personality, imo. For instance, in the courtyard back at Kingslanding with Luke he says “it doesn’t matter what they think” so on the surface you could argue oh how sweet he is trying to comfort his brother but shows his self-entitlement in viewing the other lords/people as beneath them & we know Rhaenrya has told him “you are a Targaryen that’s all that matters” so it has been instilled in him this belief in the Targaryen exceptionalism being closer to gods than men because of their dragons. Also, that line mirrors young Rhaenrya with “their wants are of no consequence” about the small folk again showing self-entitlement & an attitude that would make them poor future leaders.

Jace having this belief instilled in him, I feel it would explain why they all picked on Aemond because whilst Aemond may be a legitimate true-born prince who was undeniably a Targaryen with the Valyrian looks, what didn’t he have? A dragon!! so Jace with his inferiority complex/issues & superiority complex combined, knowing he was a bastard targets/bullies Aemond unfairly for this (for being what he should have been if he was fathered by Laenor) to make Aemond feel bad, inferior & inadequate like him, which they were successful in.

As we saw this made Aemond risk his life attempting to claim a dragon with helaena saying “he did it again” (hinting that Aemond at 10-12 risked himself numerous times) and it was shown twice with his failed attempt with dreamfyre & his successful attempt with vhagar. As Rhaenyra has instilled in him being a Targaryen is the most important BS & the biggest symbolism of this is having a dragon. So, when Aemond finally claims a dragon, Jace is now unable to see or convince himself as better than or being more Targaryen than Aemond.

Hence, his anger when they all jumped him 4v1 beating him & when Aemond was managing to defend himself & calls them for what he is “a bastard” Jace’s rage comes out, not because he thought Aemond was going to kill Luke with a rock as he had lowered his hand holding it. It was Aemond saying “lord strong” which made him pull out the knife & slashing with the intent to kill him. Again Aemond managed to defend himself & the knife dropped on the floor, so obviously Aemond lifts the rock up again to use as a deterrent as there is now also a knife bought in the fight. The strong boys shared a glance & threw sand in his face blinding him & Luke slashed his eye.

We all know what happened after, they didn’t get punished for it, viserys sided with them reaffirming his favouritism & threatening to remove tongues for questioning their legitimacy. Rhaenyra didn’t care to discipline them for it, thus, reaffirming their self-entitlement that they are correct in their behaviours & did nothing wrong.

Another example of Jace self-entitlement, inferiority complex & bullying behaviour was during the toast speech. It was Aegon who pissed him off & some with an optimistic view would argue his toast was trying to bury the hatchet with “fond memories of our youth”, however, he was looking at Aemond with a slight smirk knowing full well it may have been fun for him it was not for Aemond- he was targeting him again when it was Aegon who bothered him & Aemond was minding his own business. The reason for this? Because he is comfortable to be looking down/belittling/bullying Aemond.

Again, with the dance with helaena, some would argue how chivalrous of Jace for feeling sorry for Heleana being alone but it was to piss off both Aegon & Aemond. Moving on, with the speech & then Luke laughing at the pig, Aemond loses his temper, rightly so. As all he was trying to do during the dinner was ignore them, both Jace & Luke have triggered him with the past, so he gives the infamous strong speech, to push back & give them a taste of their own medicine.

Jace is the one who then loses his temper & his first typical reaction when he does?? is to be physically violent & throws the first punch & which side does he purposely target?? Aemond’s blind/injured & vulnerable side of his face. The punch was laughable, Aemond didn’t even spill his drink & with one push was thrown down. Exactly like his younger behaviour showing no growth, he get back up & during this altercation, Luke had tried to join to gang up on Aemond again. So both brothers are unable to take the heat that they dish out & fight fairly 1 to 1, but, really what could’ve Luke have really done, lmao.

They should of known when they saw Aemond earlier that day in the courtyard training. At the time, it’s clear both strong boys didn’t know it was him (with the typical targaryen blonde hair they maybe could of mistaken him for Aegon) & were super impressed with his prowess/skill, before he turned around with the eyepatch & their faces said it all, like ‘oh shit’ & then soured that the person who they perceived weaker/beneath them during childhood is a skilled swordsman, unlike them. Another thing that Aemond has/is that the strong boys don’t to add to Jace’s list, alongside having both of a mix of a inferiority complex & superiority complex, a ‘sweet prince’ he is not.

[peachypede]

I will never not be bitter about how Kamado is portrayed as an shitty guy in the fandom and Volo is uwu pretty boy he was just feeling angsty when he tried to destroy the world and kill protagonist with giratina uwu

Rant below

Kamado, yes, made a horrible decision. He had his reasons. He saw his whole village destroyed by pokemon when he was young and never wanted that to happened again, Beni says they watched their family and friends DIE, so he gave in to his paranoia and banished the protagonist. It’s not an excuse, but he has his reasons for doing so.

And what does Kamado do when he realizes he’s wrong? The man get down on his hands and knees and BEGS your forgiveness. He does the Dogeza, the bow in Japanese culture that is the ultimate form of apology and respect to the other person. Kamado eats dirt and is basically saying “I fucked up so bad and I am so very, very, very sorry.” The Dogeza also is performed to show high respect, so Kamado is basically telling you as well that you far surpass his position. Your emperor levels of worthiness and strength. I think the amount of how embarrassing and humble this pose is is lost to people in the Western culture but this is a BIG apology and possibly even the BEST apology Kamado could gives since it’s an apology beyond words. He also apologizes to everyone else, telling them they were right and he was wrong.

"I acted on ill-considered presumptions and drove you from the Galaxy Expedition Team, forcing you to face great hardship alone…”

And you change Kamado. He becomes more willing to delegate and work with other people. He follows your lead. Hell, he has a line after you beat him on Prelude Beach where he basically calls you a god, that’s how much this dude respects you now.

"Perhaps you are a divine being yourself, sent to bring us gifts from above…”

The guy takes no credit for the victory on mount coronet, he says it’s all you!

"I know I've no right to say this... But we are truly fortunate to have been able to count you among the Survey Corps' ranks. If you had not joined us, we would have fallen on Mount Coronet. We would have lost our home. We would have lost our future."

He is a truly changed man in the end.

"I used to think that Pokémon were terrifying creatures. You've helped me see otherwise."

Volo on the other hand? Tricks you, betrays you, and then tries to KILL YOU. Kamado was always upfront from the beginning that he didn’t trust you, but Volo? He’s buddy-buddy with you to take advantage of you.

And he’s the reason why this all happened! He created the rift, displaced pokemon and hell some people since Ingo obviously fell in through this rift too (People blame Arceus for this :/ ) and nearly killed everyone in Hisui with rampaging nobles and origin forme Dialga or Palkia.

And in the end, Volo doesn’t apologize at all. The dude doesn’t even change.

"Someday, I'll solve every riddle in the legends of Hisui's Pokémon. And on that day, I'll stand before Arceus at last—No, I will CONQUER it! No matter how many years, how many decades, how many centuries it takes me!"

I’m just fully convinced at this point that it 100% has to do with Volo being pretty and Kamado not being that attractive.

My hot take of the new year: Kamado is WAY better husband material than Volo could ever be.

Anyway my rant is over…no hate on Volo lovers, I do think he’s a fun character to rotate like a chicken on a spit in your brain but this has been my biggest grievance in the PLA fandom.

[scribefindegil]

Rewatched Confession Arc recently because I love crying and also feeling all the weird calcified emotions around my heart shatter in real time and I found myself really focusing on Toichiro's line, "I just need to do what he did for me last time." The actual thing he says this about (turning himself into a vessel to absorb Mob's energy) doesn't happen, but the concept, the idea that everything people do for Mob during this arc is a reflection of what he's done for them, is I think a really crucial component of the narrative.

Mob tells Teru that he's just an average person (and sees through the "protagonist of the world" fantasy to recognize the insecure part of himself he's subsumed), and later Teru tells ???% that he's just an average person (and sees through his rampage to recognize that "Mob" is still in there, which is what wakes him up). Mob sees Ritsu reject their entire relationship after getting carried away with his powers but unflinchingly affirms that they're brothers and he loves him, and later Ritsu is the first one to accept that ???% is truly his brother and not a separate entity. Mob refuses to let Toichiro escape the consequences of his actions by dying, and then Toichiro does the same to him. Mob looks at Reigen on the bridge in Separation Arc and knows the best and worst of him and accepts him for who he is--but not completely.

That's the thing about all of them; what Mob did for them wasn't enough at first. There's this block that keeps it from being resolved until they're able to turn around and offer it back to him. Teru couldn't help but put Mob on a pedestal, which kept them from truly connecting. Ritsu couldn't communicate with Mob in the way he needed to in order to resolve their traumatic history. Toichiro still thought that the best way to make up for what he'd done was to sacrifice himself. Reigen couldn't come clean about his lies, so as much as Mob tried to accept him, all the hurt was repressed instead of resolved, and it didn't do anything to help Mob accept himself.

That can only happen at the end, when everyone takes turns reflecting back what Mob had given them in a way that lets them finally reach apotheosis--and gives Mob the tools he needs to resolve his own character arc.

Teru knocks him down from the pedestal, realizes that he's average and tells him so, and although ???% can't accept that yet, it's true. He's just another person like everyone else. His powers don't make him a god or a monster. And Teru also wakes "Mob" up, recognizing that trapped part of him and fighting tooth and nail to reach him.

Ritsu finally faces his trauma and accepts that it was his brother that hurt him way back then, refuses to let himself be hurt again, and vows that they'll stop avoiding their problems out of fear. And it's this that finally makes Mob face the fact that ???% is a part of himself.

Toichiro chooses not to sacrifice himself to stop Mob, forcing both of them to continue to live despite the hurt they've caused instead of taking the easy way out.

And Reigen tells the truth.

Reigen breaks open the huge unspoken gulf between them and tells Shigeo the same thing everyone else has been saying: You're just like me. This isn't unique; this doesn't make you special or monstrous or divine. This is what every single human has to deal with. We are all made of contradictions, and we all try to hide from them, but that's no way to live. You just need to accept yourself. So he does. And he accepts Reigen too.

[drconstellation]

First-Order Archangels

Part 1: Maybe You'll Spot An Archangel

GABRIEL: I told you you could ask. However, I am the only First-Order archangel in the room, or, you know, the Universe, so I'm not gonna answer so much. But you feel free to knock yourself out with all the asking.

While I was writing my meta series The Passion Of Jimbriel it became fairly obvious to me there was something more going on between Crowley and Gabriel in S2 than just the numerous pointers to Crowley's pre-fall angel status. They are acting as both parallels and foils to each other, and in places you can swap their characters and get the same story at a different time – and that just opens up a whole new window of context and insight into things. For pre-reading, see this meta from @vidavalor that nicely lists some obvious parallels. It doesn’t mention everything though, so I’m going to discuss parts in more detail.

A foil is a character who contrasts with the protagonist, to highlight or differentiate certain qualities between the characters. Crowley and Gabriel do this because they have come from essentially the same place, and share some story elements, but they still end up in different places.

There is a lengthy original discussion about Crowley's pre-fall angel status here, for pre-reading. It points out the obvious and some not so obvious points that ops have noticed in S2 telling us about Crowley's pre-fall status. Rather than just go through them all again, I'd like to look at some other scenes in S2 that also tell us something about both the similarities and the differences between these two high-powered entities as I go along. In addition, I’ve done a series of posts looking at Gabriel as a shoulder angel (links at the end of post,) because quite often he’s on the demonic left-hand side – which makes sense when you realize he’s a Crowley parallel.

Take the arrival of Gabriel to Whickber St and the bookshop. I’ve already mentioned this parallel story line a couple of times now, but lets look at it again in more detail. It mirrors the opening of S1E1 where the serpent climbs the wall of the Garden of Eden, morphs into a demon and starts to converse with the angel standing on the wall.

Back in the present day, we have a Gabriel, who also tends to present on the sinister-side, walking up to the gate of the present day Garden (the bookshop), which is still guarded by the same angel as it was 6000 years ago, and basically tells Aziraphale he has “fallen.”

How to we know this? It is a reference to the Fall of Man, when Adam and Eve ate the apple the serpent offered them, they suddenly became aware of their nakedness, and hid from God. Gabriel has already upset the love-apple tomato cart on his way to the door of the bookshop, its a sign of the chaos to come.

The fallen angel is not sure of his name, so he prompts with a question…

And asks for shelter under the (reluctant) angel’s wing..

But there is one thing he does know, the one thing that drew him to Aziraphale in the first place:

AZIRAPHALE: Then why did you come to my shop? GABRIEL: I don't know. I just thought I should. You know what it's like when you- when you don't know anything at all, and yet you're totally certain that everything would be better if you were just near one particular person?

Later, Aziraphale realizes that he must give Gabriel a new name to hide him – because fallen angels take on a new name, don’t they? Just like Crowley did.

Then we get a confession:

Which is what Crowley loves about Aziraphale as well - that bit of unpredictability, because you know how humour kind of works? It throws the unexpected at you.

Early on in S2 we find out they are both in trouble: first His Royal Smugness, then Our Hero himself. Our view is turned upside down, with the angel made the bad guy and the demon the good guy who needs to win. But both of them are being hunted by Shax.

Then we get one of the early clues pointing to Crowley's high status as an angel:

SHAX: A miracle of enormous power happened last night. The kind of miracle only the mightiest of Archangels could've performed. CROWLEY: Mm? SHAX: Somewhere very close to your friend's bookshop. Are you telling me you don't know what caused it? CROWLEY: How'd you know I didn't do it?

Shax stalks and threatens both of them, sometimes at the same time:

Another parallel Gabriel and Crowley shared in S2 were associating their identity - no, lets rephrase that - "essence" was one description I've seen - with boxes.

Gabriel arrives with a box that strategically covers his front, and quickly tosses it aside once Aziraphale opens the door to the bookshop. It lies forgotten until Gabriel mentions it a while later. Inside it is the fly from Beelzebub - an object from Hell - so it really needs to be 'invited' across the threshold of the bookshop by Aziraphale to be able to enter. The box initially appears to be empty, Once inside, the fly is free to roam. It has a message written on one side of it.

The same goes for the matchbox. Message included.

ah, wot? you say. Yep.

The matchbox represents Crowley, probably in more ways than one, but I'll just go through the stuff relevant to this meta here.

I notice I'm not the only op to connect the line from the Book of Job on the side of the matchbox with Crowley. The line is from Verse 41, which talks about Leviathan. Among the various shapes it is described to take is a great sea serpent. This deserves its own meta for further discussion, which I plan to do after this one, because yes, Crowley is Leviathan in disguise, but there is much more to it than that. But for now, just know that the matchbox is Crowley.

Once you know this, it makes sense that Muriel finds it - a discarded cardboard box by the front door to Heaven - and deals with a material object that shouldn't by rights exist in Heaven. Then a certain demon finds Muriel lurking outside during the siege on the bookshop at the end of S2E5, and talks them into letting the certain demon be escorted up into Heaven where he doesn't belong, where he's free to roam around - only he needs a guide because he's not sure where to go. Ah Muriel, you poke the Serpent, he's going to poke you back. Good thing he likes you, and it just was a gentle nudge.

Two empty boxes, two cases of memory-loss. That is what S2 seems to suggest to us at first glance.

Gabriel's seems to be the most straight forward in hindsight - find the fly and restore Gabriel to his original "Gabriel-ness." But its more complicated than that. When pushed to remember, his lilac eyes return and another voice can be heard speaking through him of the past. This happens twice, with the second one being part-prophecy. What is really triggering these episodes of channeling? Is it God or someone else speaking through him? We really aren't sure at this point in time.

Then there are questions around Crowley's memory. Did he have his memory wiped when he fell? Was it wiped repeatedly? Was it not wiped at all, and he just pretends he doesn't remember? Neil has even said he is an unreliable narrator about his own Fall, so who are we to trust at this point? Crowley does seem to understand in the end some of the problems Gabriel is having with his absent memories and that brings them to a temporary truce.

Both Aziraphale and Michael inspect their respective "empty" boxes, and neither notices anything obviously amiss. Gabriel's box just seems empty to Aziraphale, he takes no notice of the fly container in there, and archangel Michael tentatively inspects the matchbox brought to them by Muriel but nothing seems out of place there either.

Crowley's change in costume in Heaven during his little infiltration caper with Muriel is also another clue to his past status as an archangel. He has a silvery-gray suit, similar in style to Saraqael's to reinforce the link with them, but at the same time he is also mocking the other archangels and their elite status. We've assumed for a while now that the appearance of the tactical turtleneck signals that Crowley is up to something sneaky or spy related, but I'm starting to think it also relates to a bit of a power play (and Crowley certainly laid the power on for Mr Brown in the pub!) Looking back at S1, Gabriel's not adverse to wearing one either when he needs to be at his worst (or best. Your choice.)

The way one dresses is a way of expressing and reinforcing authority, and its something both Gabriel and Crowley do without much thought. They have been used to being in a position of power and/or independent authority for much of their existence, and I would say that even if Crowley is a few steps down now from where he started, and he's more cautious around those higher ranking than him than he used to be, he still retains that knowledge of what its like to be at the top.

Crowley's usual near all-black costume is a form of power dressing in itself. Whether is was in the past, when black was an expensive color to buy and maintain in clothing, or in the present day, we are still respectful of those in a stylish cut of black.

Gabriel's impeccable tailoring as Supreme Archangel also commands respect. So it's no wonder that one of Gabriel's first requests on regaining his memories was to ask for new clothes! He wasn't just being the vain archangel we believe him to be (although, I think there is still some of that) you also need to consider the elements of the reference characters that went into his shop assistant character: Granville, the belittled shop assistant nephew from the sitcom Open All Hours, who got stuck with all the shop duties from his uncle and felt like life was passing him by, and the silly Monty Python gumbies, that complained of hurting brains - lovable and much loved characters, but not ones you'd really want to be forever. We all want to be loved, but we want to be respected as well.

For all his fierce posturing around Gabriel, there is a brief moment in S2E3 where Crowley backs down and treats Gabriel as an equal - and that is reflected in a change of dress as well. His outside jacket off and sleeve-garters on, Crowley sports a look we haven't seen since S1 when he was home alone in his Mayfair flat. He patiently explains gravity to a curious Gabriel and then describes his "Operation Lovebirds" plan to his puzzled companion. He admits he hasn't "done weather in ages." It's just a quiet, charming moment, watching two ex-archangels get along together.

You're smiling, aren't you?

This meta continues in Part 2: Foils of War, where the differences between Gabriel and Crowley get explored in more detail, and how Aziraphale and Beelzebub act as mirrors to each other a few times as well.

This meta is part of a series on Gabriel: Gabriel as a Shoulder Angel: S1 Study S2 Study Part 1: Ep.1 The Arrival and Ep. 2 The Clue S2 Study Part 2: Ep.3 I Know Where I'm Going and Ep. 5 The Ball S2 Study Part 3: Ep.6 Every Day

First-Order Archangels Part 2: Foils of War

First-Order Archangels Part 3: Seeing Eye to Eye

[riririnnnn]

Can we talk about him?

Oh god this sweet springchild deserves so much more love than what Fandom gives him.

It's only been, I guess, a month of me joining Tumblr, so I can't say what you all think here, but as far as I've seen in other places, I got to say that he is hated/trolled for no reason at all.

Yuki would've been a green flag, scratch that, he would've been the greenest forest if he were a real person.

I understand that

THIS

is one of the first manga panels we got of him, and yeah, I agree that he feels like that one annoying teacher's pet in our classes, but considering the environment of BLLK and the fact that they all literally have their soccer career in line, I don't think so that he did anything wrong. Besides, he didn't try to put anyone down, he is only asking for a reason.

Then we have this panel:

It seems annoying again, but considering his backstory, both the above panels start to make a lot of sense.

To be honest, even without his backstory, the above panel was justifiable since Noa himself said that he judges by number and if Yuki has a better number data then obvi-fucking-ously he has the right to ask such a question.

Also, why we don't talk more about his backstory?

Do you all understand how devastating it is to lose a dream all because of a situation or a circumstance that is completely beyond your control? Imagine working hard for something only to lose it all just because of something that you did literally nothing to deserve.

Further, he had it easy as a model you know. In a country where the average male height is 5'7'', his 6'0^½'' height is surely a great advantage, yet he decided to fight for his dream. How cool is that!

Also, sometimes, I think that if Isagi were not to be the protagonist, then how bitch-y everyone would've considered him.

Like,

WHAT THE HELL, MY BOY!?

I understand that he didn't know about his medical condition but still!?

In their argument in the changing room, I do think that both of them were right in their own way: Blue Lock was literally made for strikers, and, at least according to BLLK ideal, what type of striker passes to someone else!? And seeing things from Isagi's perspective, he did the right thing!

And I also think that Chris was a big bitch for blocking Yuki's goal like that and top of that, also calling it/him pathetic.

Why is he posing like he just solved the global food crisis? Like, what the fuck, my man? That boy hasn't even completed his teenage years, HAUL YOUR OLD WRINKLY ASS OUTTA THERE!

And after that Isagi passes him a goal too and yada yada, but Yuki acknowledged it right away. He also came to apologise and accepted his mistakes.

Just look, look, LOOK!

How sweet he looks. Like a pathetic wet cat. Oh lord! I want to protect him.

And do not dare to come at me by saying, "IsAgi ofFeReD hiM a pLaN bUt wHeN hE aSSisTeD hiM yUki acCePTEd iT."

Like bro, first of all, shut up. Second of all, imagine being in the soccer field and someone passes you the ball, what are you going to do? Run the other direction or something? Brah, Blue Lock taught the boys to be egoistical not stupid.

Just stop hating him.

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.

One time when I was thinking about Yukimiya's headcanons, I was like, "He might actually be blind one day, so I think he is learning sign language."

Then after a long pause I was like

...oh

[cure-icy-writes]

i think the reason i like the murderbot diaries so much is because the dystopia feels very real and relevant in a way that no other "oppressive government fearmongering" has, and because murderbot is such a compelling protagonist.

this is an autistic person who is struggling and angry and terrible at having emotions. it lives in a capitalist hellscape where people are disposable. it's traumatized as hell, but it's easier to consider itself disposable than confront the terrifying reality of personhood.

(it confronts the terrifying reality of personhood.)

it likes escaping into fiction. it has a fucked up relationship with pain and its own body. and it reads so strongly as disability coding to me, how it doesn't see the bullets or the chunks missing as horror but merely annoyance. it's fundamentally different from those around it, in ways that they struggle to understand. (they make a distinct effort to understand.)

this is an autistic person who is not like you, who suffered in ways that you cannot understand, in ways that would horrify you. this is just another tuesday.

this world is not kind. there is legal fine text that destroys lives and there is hereditary indenture and contract labor where you're forced to still pay for preventative medical care out of your paycheck and no one says slavery, but everyone knows what it means.

these people are kind. they will watch your favorite shows to help understand you, they will forge documents to give abandoned people their freedom, they will allow you to be near them because they like you. these people are proof that there's love in the world, and you can come out of your shell if you are ready to see yourself as a person.

science fiction is one of the genres that has the potential to be amazing, but is quite often just plain shitty to disabled people. and, to people in general? "oooooo look how scary it is, people have all their basic needs fulfilled by technology!" when technological advances are what gave housewives the time they needed to actually get jobs and put together the feminist movements, when this new technology that the narrative regards with such disdain could provide disabled people with newfound mobility and independence.

it speaks of a truly dismal view of humanity, the belief that without strict labor under capitalism to keep us all in line, we would just fall prey to our vices. and I think it also speaks to a loathing of one's self, to think that humans are not capable of self regulation, to think that pain and suffering and punishment are somehow moral and virtuous. that humans need to be punished constantly, that suffering will bring them closer to something like god, to something like goodness.

but murderbot doesn't do that. murderbot says, "i have seen humans do horrible awful stupid things. they can't be trusted with weapons or security and they shoot me all the time and it sucks. but they make stories and art. the people in the entertainment media gave me the tools to contextualize my own emotions. they are my coworkers. i don't care about them. i got shot in the back protecting them but i didn't care about them. okay fine maybe i care a little. they're annoying. i'll eviscerate anyone who hurts them. they're mine."

[txttletale]

(Other than the really weird bit about "Male presenting Doctor") what were your thoughts about the specials?

pretty mixed bag, pretty messy, but good overall. i think they were very obviously a nostalgia trip for people around my age lol and it worked! i loved seeing tennant and tate back onscreen together, their chemistry hasn't aged a bit, and honestly just watching doctor who that wasn't written by chris chibnall was a breath of fresh air. they weren't boring, like seasons 11 and 12 were, and they didn't go too far off the other end into nonsense like flux did. characters want things again! the show can let itself just be silly! i was literally cheering out loud when donna and the doctor were just saying random scifi gobbledegook at each other for like a solid several minutes during the star beast.

the structure of the specials kind of baffles me. i love wild blue yonder--i think it's definitively the best of the specials as a standalone, it's absolutely fantastic, creepy and atmospheric and bringing things around to RTD's strength, which is well-written characters interacting with each other and letting good actors just act. but at the same time i dont understand why it exists? it feels like...idk. imagine if you watched the star wars original trilogy but instead of the empire strikes back the middle film was just a feature length film about luke and han surviving on an ice planet with no reference to anything that happens in the last film except the two characters' relationship. and then the next film was still return of the jedi, unchanged. it felt like that

i liked all the weird campy silliness of the star beast and the giggle, and they were both very fun! neil patrick harris gave a fantastic performance, there are a lot of very memorable sequences from the giggle, but it's very very all over the place. so many threads get kind of picked up and go nowhere. the toymaker's haunted house dimension goes nowhere. RTD's eyerolling social media commetnary goes nowhere (thank god tbh but yknow im illustrating something here). even the toymaker kind of goes nowhere, after ncuti gatwa shows up he's bascially an afterthought who loses by dropping a ball. obvious parallels to david tennant's first episode with that ball scene could be made, but just... aren't. it feels like load-bearing sectikons of the plot and themes were cut out to make room for a backdoor pilot for the stupid fucking UNIT spinoff

oh and it goes without saying i fucking hate all the UNIT wank in the star beast and the giggle. i hope space nine eleven 2 happens to their stupid fucking avengers tower i cannot stand kate stewart who is constantly a murderous bonehead (in the giggle alone she gets two pepole killed by not listening to the doctor and assuming that this teleporting godlike entity could be restrainted by Two Guys) who is both in and out of universe just a boring nepo baby with no merit of her own

um. i still dont know what happened with the regeneration. i think the implication is that when david tennant dies hell time travel back to become ncuti gatwa inside himself--at least the rehab dialogue seems to make that implication. but it's not really explained or explored? baffling. i do think that fourteen getting to settle down and live a peaceful life with his friends is cute.

oh yeah and the ask said other than that but goddd there was some good stuff in the star beast and honestly with the state of the UK media i will take any perspective on trans people that includes baseline human erespect but some of those lines made me cringe so bad. anyway overall i am cautiously optimistic for the future of the show--oh ncuti was fucking great did i mention that i instantly bnought him as the doctor he owned the scene, the moment he was there it was clear he was the protagonist, and i liked the church on ruby road well enough too--i am cautiously optimistic but i worry that a big UNIT-shaped tumor will devour huge chunks of it and it'll be annoying. also russel t davies is like 60 and i just dont want to hear what he has to say about twitter so im not looking forward to dot and bubble

[gritees]

unlovable

a/n: not proofread. for all my girls out there who hate themselves 🫶! this lowkey just so i could make myself feel better 💀 beware of shitty grammar! wc: 618

angst, oikawa tooru x reader

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sometimes you wonder how you bagged a guy like oikawa. the star athlete with hundreds of fans. he's pretty, built like a god, kind, witty, and so many other things that you can't even list out.

sometimes you wonder how he could smile at you, how he could kiss your cheek and ask about your day so lovingly, or how he could go out of his way to stand in line for two hours to buy your favorite pastries.

you're not pretty. sure, you're definitely not ugly, but you'd consider yourself average. if someone saw you on the street, they'd walk right past you because you were just another girl. nothing worth doing a double take for or asking for your number. you're not not stunning, gorgeous, breathtaking, or whatever he calls you everyday. you know you're not and you've come to accept it. it's why you begin to think he's just saying things to make you happy.

you're not an incredibly kind or sweet person. you don't forgive and you definitely don't forget. sure, you hold the door for some or help your classmates with homework problems, but far from the kind of female protagonist shown in the mangas or animes. you're not willing to forgive people who have hurt you in the past nor are you willing to sacrifice yourself for them. you don't have the golden angel halo above your head and you're selfish sometimes. you're a bitter person and incredibly angry at the world.

you're not an ambitious woman working to build an empire. you study and work hard to live an average life with a comfortable salary. nothing lavish, nothing big. you don't keep going in the face of difficulties, you give up. the first time you failed to cook a dish, you gave up immediately. because no one has time to wait for the water to finish boiling, ‘why can't i just drop the damn pasta in already.’

you just don't see any part of yourself worth loving. you're unlovable. you're just so painfully ordinary. and it's why you don't understand why he chose you, out of all great and beautiful girls out there.

but tooru sees so many things about you worth loving. he sees the good in you and he thanks the heavens everyday for giving him the opportunity to be with you. after you fall asleep, he makes it a routine to kiss every knuckle and scar and whisper all the things he loves about you. when you turn away from him, he gazes at you with the most loving eyes that anyone who sees would throw up from the raw emotions he holds for you. when you're not around him, he looks up at the stars and prays that you're safe and happy.

and when he notices how you avoid looking at yourself in the mirror or begin shying away from speaking about yourself or look enviously at other girls, he's quick to remind you.

“i want to make you see that you are worth loving. you don't see it now, but i promise you will. stay with me and i'll show you all the great things about yourself. i'll kiss every inch of your body until you forget what it's like to hate every inch of it. i’ll show you if it's the last thing i do.”

you're no honda tooru or female protagonist in a manga. but that's ok because you don't need to be. you'll stay the bitter and fragile person you are. laughing when people fall, crying when someone yells at you, but being loved by oikawa tooru makes it all worth it. and slowly, you begin to see yourself in a different light.

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a/n: reality is that a man can't fix you. wish it was so simple that someone loving you can make all our insecurities go away but it is what it is. at least fanfiction me is happy 🤷🏻‍♀️

YOU GUYS ARE BEAUTIFUL AND I LOVE YOU!

[hms-no-fun]

so, (SPOILERS FOR FIONNA AND CAKE but its relevant to the question but im gonna put a bunch of line breaks just in case lol)

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so fionna and cake ended with fionna basically being like, you know, youre RIGHT god, if magic came back my wish would simply be twisted and it would suck, there will be no rule breaking miracles! I will now work as a struggling minimum wage employee in seattle and Be Happy about it. i sure am glad the threat of losing everyone i know and love set me straight!! sorry to send u this really random thing the ending just felt like such a slap in the face and i wanted to ask someone who knows that exact Seattle Struggle. this is absolutely me appealing to the Writing Gods to back me up that the ending wasnt very good lmao but if i have a direct line to the craftsgoat i simply must use it for something stupid at least once

FULL SERIES SPOILERS FOR FIONNA & CAKE AFTER THE BREAK!!!

i really disagree with your read on the ending. it didn't feel like "just struggle with seattle minimum wage forever and be happy about it" at all to me! the whole instigating incident was that fionna wanted to transform reality into something that she personally thought would be better, without taking into account the fact that other people exist and have internal lives just as complex as hers. she comes back to her original world to find marshall and gary holding hands, explains to them the magical adventure she's been on and the fact that their world is about to transform into something unrecognizably magical, and they receive this with abject horror! fionna doesn't know whether simon becoming ice king again will erase marhsall & gary's burgeoning relationship, which makes her realize that in her quest to escape the boring, oppressive reality of working odd jobs to make ends meet, she's only ever focused that energy on how to make things better for her.

i really want to dig into this because it's a key theme of the show. there is a destructive selfishness innate to the "heroes" of this universe, who feel entitled to the joyous empowerment of being able to defeat anyone and everyone they see in open combat. cake has a whole musical number about this! simon's arc in the last two episodes was betty grabbing him and shaking him until he finally asked himself, how would my life have been different if i'd just once let the woman i loved steer the ship for a while? and then of course we see the lich in a reality where he succeeded in eradicating all life, only to find himself desiccated and without purpose, begging the god of chaos for an answer it cannot give. brian david gilbert's ice prince seems perfectly put together and successful, until the reveal that he's outsourced his madness to someone who didn't accept the terms of the crown's curse. this didn't solve the fundamental problem, it just inverted the roles of its expression by making princess bubblegum into the mad candy queen. nothing about the status quo has changed, simon has simply given himself a more dignified role in it.

this is a story about what happens when people in struggle behave as though they are the protagonist of reality. when fionna says "this is the world i want to fight for" she's not fighting for the right to get another shitty minimum wage job. i think you've really missed something by accepting that conclusion when cake the cat is right there saying that her magical self IS the version of herself she wants to live as. being a normal house cat for her was, arguably, a form of body dysmorphia, and the show lets her keep that magic at the end! the thing is, their world IS changed by the events of the show! the status quo is altered!

like, what do we actually see everyone DOING when the credits approach? we see this entire disconnected community banding together to rebuild the city together, and we see a huge crowd of protesters outside marshall's mom's place demanding that she lower rents. we see people connecting with other people, including three outcasts from other universes escaping to this more boring one for their own safety. i loved this ending honestly, because it felt to me like an attempted refutation of the very idea that you can magically transform reality into something better overnight. if fionna'd gotten her original wish and made her world into, like, candy world, then... what? let's say they play it as like, at last people are freed from the shackles of capitalism and everyone just gets to be weird funky critters going on adventures or whatever. what would that, as art, actually say? what would that mean to us in the real world? if we're going into this cartoon looking for some kind of revolutionary energy (which IS present in the text, much to its credit), what actionable or symbolically resonant message are we supposed to take from a story that resolves its problems with magic? at that point, it ceases to be relevant as anything more than pure fantasy, because it has abandoned any connection to the material reality WE are trapped in.

i don't want to magically transform the world overnight. this whole show goes out of its way to explore how trying to transform the world overnight, in a world where such a thing is possible, is a really fucking bad idea for a whole host of reasons. regardless, such things aren't possible in our world. so going into the finale, my worry was that they WOULD turn fionna's world into another candy world and just say, ah, the revolution is when you think the right things so hard that the material plane bends to your will.

that's neoliberal thinking. that's like the essence of the failed leftist project of the "end of history" era from the 90s onwards, when marxism was systematically rooted out of academic cultural analysis and replaced with the delusion that if you can just get people thinking the right things, you can affect change in the world. well here we are, it's 2023 and all that magical thinking has got us is a world on fire and a civilization of human beings so thoroughly disempowered that they would literally rather pretend to be a tortured anime protagonist than exist in this boring, shitty, violent reality. you can't think your way out of oppression. raising labor consciousness is, at best, step one. you want to know why unions are winning big right now when they've been completely useless in this country for decades? it's because they've stopped giving a shit about optics they can't control and remembered that the boss's value does not exist without labor. you do not necessarily need marxism for this, marxism is simply the most accurate articulation of the fact that workers who make the things a capitalist sells can kneecap the capitalist by refusing to make the things they want to sell. change doesn't happen with the publishing of a book or whatever, it happens when enough people in real life press their material demands hard enough that someone in charge is left no choice but to listen.

so for me, fionna & cake ending the way it did was a huge relief, because it wasn't espousing magical thinking. the solution to fionna's ennui and economic anxiety was not to just get another job and be happy to live in the world as it was-- it was to create a sense of shared community and struggle, uniting the not-seattleites in their survival of a near-apocalypse and using it as a jumping off point for fundamentally transforming the state of that world as it exists. fionna had to realize that her problems are everyone's problems, and that making her life personally better at the expense of everyone else's agency is just an act of kicking the can of responsibility down the road indefinitely. no one who gets their wish in this show is happy to have gotten it, or avoids punishing others who didn't ask to be involved.

the "canonization" of fionna & cake felt like a reaction to the idea that we in our world are permanently isolated from the fictional realities we create where change seems to come so easy, and the powerlessness that can engender. instead this show is saying, okay, let's say we are in continuity with these fantastical realities. what do we actually DO with that? how do we make this world more fun, more interesting, more fulfilling for everyone to live in? the answer is the same as it's always been, and no other answer would ever feel satisfying: you do it by organizing the workers against the current arrangement of the state with the explicit goal of transforming it for the better.

what does simon do at the end when he gives fionna her world to her? he says that no one person should have that responsibility, that it's been in one person's hands for too long. so he gives it to her in the form of a dandelion, whose blown seeds merge with and become part of everyone trying to survive the scarab's attack. the idea here is that while no single person ever possesses the power to transform the world on their own, the world itself belongs to all of us, and it is within our power to transform it together. those who hoard power want us to believe that this is not the case precisely because the basis of their power is fraudulent and maintained through the violence of the state.

as someone who does live in seattle for better and worse, as much as i do wish i could make literally anything better right the fuck now by whatever means necessary... the fact is i can't. and it does no one any good to labor under the assumption that i or any other individual has that kind of absolute transformative power. the solutions are all right there, and they are simple, materialist propositions whose only difficulty lies in how successfully we've been propagandized to think that the individual is God, or at least speaks on His behalf. there's no thinking our way out of this pickle, and no one's gonna do the hard work for us.

as to the question of how you actually get people in real life to get together and do all that hard work... well, personally i think it's unfair to ask a 10 episode cartoon show to give you any kind of actionable advice on that front. i might even go so far as to say that such an expectation is an expression of the very same magical thinking which the show tries to push back against! in any case i liked it quite a lot and i hope this rambling answer encourages you to revisit the show and reconsider some of your takeaways

[ystrike1]

The Evil Grand Duchess Has a Secret Life - By Lee knockknock (7.5/10)

So, you're dead. Want to do God a favor, so you can have an excellent afterlife? A veteran actress gets hired by Heaven to play the role of Duchess in another realm, with another secret agent as her partner. Nothing goes as planned. Her partner, the Duke, knows nothing of the plan and he's madly in love with her. How will she find time to fulfill God's wish, with him hot on her heels?

Elise was born a sad orphan, but she made her life great. She became a successful actress, and she still managed to keep her old friends in her life.

She's beautiful. She worked hard. She's perfect. She didn’t forget about the little people along the way. The first chapter is literally her covered in gold and compliments....

....but sadly she is terminally ill. With six months left.

Her best friend murders her too, for unknown reasons. How unfair. She fought day and night to be somebody, and she died alone like everyone else. She felt alone, when the man she trusted the most shoved a poison needle into her.

Heaven tells her to play the role of Duchess Elise. She is a famous beauty who uses her body to seduce and torment her stepbrother. Her poor husband, Blake, is a background character who defends her out of duty. Elise must torment the incoming protagonist as well, by using Blake's good name to get away with bullying.

So, why is she here?

The Gods seem to control all realities here. They want their "stories" to end the right way, so they hire actors to ensure that their favorite main characters become happy.

Duke Blake is a cold and dutiful man. The angelic angel inside him doesn't have many lines in the script. Elise thinks he's on her side. She thinks he's a great actor, but that's not it. There is no agent inside the Duke, and the character has gone wrong.

He loves his wife. She is not just a partner to him.

She finally realizes he's not a fellow actor when he throws her on the bed. All of his romantic lines seem so real. They are.

Her angel partner is inside Lucas, the main character, which is very bad. The Upper Realm wants the story to go as planned. That cannot happen with an angel inside the male lead. Angels are bad actors. That's why Elise got hired. Angels play only the most minor of roles. They are supposed to observe for the gods. Lucas can't act for shit. Elise has to teach him in secret, and her husband gets jealous as a consequence.

Actually, he gets very jealous.

Elise was originally killed by her best friend Cain. Cain drank poison right after he murdered her. It's starting to look like her followed her into the other realm. He's the one messing up the story. He's doing it to be with her. Duchess Elise is healthy, rich and beautiful. She's not sick like old Elise. Cain did something to get Elise a new body.

The Gods even mention this is a problem. Transmigrators have been bending various realities to get the lives they desire, and it's a problem for the gods, because humans are supposed to die. It's cheating when their spirit floats off to rule a kingdom somewhere else.

By the way if this theory is true Cain is an extreme yandere, because he's lying. He is pretending to be Blake, and he's very controlling.

Elise is not an angel. This is her first and only mission. Her only chance to get a favor from God. She wants to send Cain to hell as her reward. She has no clue why her friend would murder her. He knew about her incoming death. He didn't let her enjoy her last precious days. She wants revenge.

The angel must start acting like Lucas. The story is about to fly off course. The Prince is wrong. The royal succession is already a mess. The Prince was supposed to be an evil womanizer, but someone else is in the princely seat now.

Elise tries to teach in between possessive arguments with Blake.

I'm kinda surprised that she hasn't guessed the truth yet. Blake is too obsessed with her.

She kisses Lucas to follow the script.

By the way, Elise has no feelings for Blake. She thinks he is the perfect man and stuff, but she's here on a mission. She knows she won't be here forever. Currying favor with God is way more important. More possessive things happen after the kiss.....and Elise gets a brilliant idea...

....it's very dumb.

She decides to use Blake, who seems loyal, to fix the holes in the story. She is going to flirt with him, and seduce him more, even though she sees him as a tool.

That's going to backfire.