I love your unhinged energy of your comics it's just *chef's kiss"
I wanna ask how you rig your chibi characters if you use a program or an app ಥ‿ಥ
thanks! 💚💜💚
I use Spine (professional version)! I'm pretty sure it's the same program the Twst devs use for the chibis; I decided to try reverse-engineering 'em basically because my license was just sitting around gathering dust, and I thought it'd be fun practice (this was before I tried to rig Meleanor's cape). it is an industry-standard program and, unfortunately, is priced accordingly, so it's a bit expensive if you're not planning on using it professionally -- there is a free trial, though I think you can't save/export anything in it? BUT it is truly excellent and can do a ton of super cool stuff, plus is genuinely just fun to mess around in, so I 10000% recommend it to anyone who is serious about getting into 2D rigging!
behold...the BONES...Najma and her billion discrete tassels...don't pay attention to all the extra bones from my desperate attempts to control Meleanor's meshes
One day I accidentally saw the spoiler and people were like "oh, but it was without a context, we have to wait for it!" and it made me truly curious to see what the whole scene was about
And let me tell you it turns out I was perfectly happy not knowing what it was about
(But you know, curiosity killed the cat. And I loved this scene, it was positively heartbreaking, angst in its finest form. Exactly opossite to what I expected to happen knowing this season was supposed to be quiet and gentle and romantic)
Imagine looking at a character whose entire premise is that in every stage of his life, he's made every version of himself into someone that inspires people to such a degree that EVERY SINGLE VERSION OF HIM has people wanting to literally follow in his footsteps in some way or another.....
And coming to the conclusion that like.....the most important things about him are the sum of all his trappings. His entirely homemade developed from scratch could not exist if not for what he already was and brought with him BEFORE crafting this newest version of himself trappings, with his greatest trait throughout all of it being his adaptability; his ability and willingness to roll with the punches and not try to simply weather any opposition or changes to his life but instead reshape himself as needed to better fit INTO whatever new shape his life and the world around him takes. All while managing to carry the most innate, fundamental and necessary aspects of himself from one version to the next. Thus every single version of himself is different but simultaneously every single version of himself is also undeniably the same person.
The strength of this character, to me, will always be that he can be so many versions of himself, he can become so many things, all without ever actually losing or discarding any of the aspects of himself he considers most essential, the things he's not willing to lose or give up just to keep going. Finding that road not taken by most, usually because most never even think to look for it as an option. But one that he's always able to find because the one trick he's mastered in his tumultuous life is threading that needle of not just digging in his heels in an unproductive way but rather being selective about when and where he makes a stand and decides "this is not a thing I'm willing to compromise about" but here are places and ways I can and will change and evolve and adapt in order to make it possible for me to hold onto these parts and keep them as they are.
And that's why its always so mind-boggling to me that so many writers can't seem to think of anything else to do with Dick Grayson other than invent some new reason for him to just....not be that person, or to like just take the character whose most basic fundamental trait he's NOT about to compromise on is willingly giving up his spot in the driver's seat of his own life.....and make him just a passenger in his own life and stories.
Dick Grayson at age nine....at age nineteen...at age twenty nine....the one core thread running through all versions of him is the only way he's standing back and letting you call the shots for him or putting him on the sidelines in some way is over his dead body.
HOW he goes about that, what that looks like, who he becomes and what aspects of himself he plays up at some times and what traits he lets fall by the wayside at other times when they offer less in service to his primary goal here....that changes constantly. He changes constantly.
But those changes are almost always (or at least they used to be/should be IN MY OPINION) made with the intention of keeping certain things about him or his life as consistent as possible.
That's the duality of Dick Grayson that I'm here for. The inherent contradiction of him that COULD allow for endless conflict and breaking new narrative ground in all sorts of ways if mined properly:
His eternal willingness to compromise....but only ever in pursuit of doubling down on the ways he's not willing to compromise.
Forever walking that tightrope in ways that only a kid born and raised in a circus could ever hope to.
Been watching through Link Click with my brother for Sibling Anime Night and, as this is my second watch, there are all these little details that are just driving me crazy. I have to remember not to say a darn thing because he doesn't know yet, but geez. They put some thought into this. They knew what they were doing.
Here are a few:
Qiao Ling telling Cheng Xiaoshi that Lu Guang is way more mature than him despite being the younger of the two.
Near the end of the first episode (in the sub), Lu Guang very insistently tells Cheng Xiaoshi to never ask about the future.
In the Noodle Lesbians episode, Cheng Xiaoshi telling Lu Guang, "Just because you don't see a glimmer of hope doesn't mean it's not hiding somewhere," and Lu Guang's expression fading into this soft smile as he chuckles, as if he's thinking, "It's just like you to say something like that."
In the basketball episode, how jealous Lu Guang sounds when Cheng Xiaoshi high-fives someone else.
When Cheng Xiaoshi runs out to start warning people about the earthquake, Lu Guang gritting his teeth and shouting, "You can't save them. They are already dead!" And then hurriedly lecturing Cheng Xiaoshi on how much of a fixed point death is no matter how much you might want to change it. "No matter how hard this is, you can't alter their fates!"
Lu Guang: "The future that we now know could completely disappear." (dub) "It could even cause the disappearance of the life we have now." (sub)
In the Aunt May arc, the three superheroes that our main three dress up as being the Star of Justice, Bringing Hope (Cheng Xiaoshi), Star of Courage, Conquering Fear (Lu Guang), and Star of Wisdom, Lighting the Way (sub)/Serving Knowledge (dub) (Qiao Ling). Gods, I could write an essay just on that.
I just... I just wanna grab some of these characters and shake them. Maybe slap them a few times. Why they gotta be like this?
Hello!! i just discovered your blog and firstly i wanna say that your art is gorgeous! <33 and secondly, if youre still taking requests could i get a lesbian/non binary cheetah? /nf
I made this Styanax drawing for a contest being ran by @medusacaptures for her 2nd Warframe creator program anniversary!! You can find the link to her post about it here! (though it's ending in like 7 hours as of writing this, oops lol)
You might also perhaps recognize the eyestrain colors from a certain Tennotober piece... :)
(...i was running out of time lmao)
Alternate colors:
Timelapse:
Kind of an unhinged one tbh lol, had a lot of struggles with the initial rough sketches as I tried to figure out what I even wanted this drawing to be. One of the recurring ideas was with something relating the parazon with Requiem mods with Styanax Tonatiuh, but it just felt like too big of a stretch and I couldn't figure out the posing fast enough