#its both lol

[qiinamii]

we'll do fine.

[existing-ramblings]

which one..

[bionicboxes]

this is the dynamic they have going on in my head.

[oooocleo]

more bugfae character design! these characters were created together w @forever-halone !

patreon

[ofswordsandpens]

I fear that "fire bending didn't come easy to zuko" and "zuko isn't a prodigy" (both true) has somehow snowballed into "zuko is a bad or at best average fire bender".... which simply isn't true, especially by the end of book 3

[starry-bi-sky]

Danielle and Danyal's meeting... very, very quickly goes very sour from, basically, the moment Danny steps into his room and finds Ellie sitting on his bed (strike one) and reading the comic books Tucker introduced him to (strike two). By the time she's looked up to address him, Danny has the door locked, and a hand hovering near the knife hidden under his shirt.

She gets her third strike when Danny, in a voice that could make the mountains tremble, demands to know how she got into his room, and she lies (with uncertainty of her decision growing in her chest) that Jazz let her in. Danny's hand shifts closer to his weapon, and he turns towards her fully, and says that Jazz would never let someone he didn’t know into his room, and who was she.

(Vlad Masters had underprepared Danielle for her meeting with Danny -- not out of any completely direct malicious intent, but he failed to mention just how... 'touchy' Daniel could be -- he failed to mention the scars littering up his arms, unhidden by the hoodie tee he meets Ellie in. He failed to mention that along with those scars, that Danny was visibly lean, capable of doing very real damage without the use of his powers.)

(He tells Ellie that he’s adopted, and that he is observant and clever, but ungrateful and has a bad attitude.)

Her final strike occurs when Ellie, trying to keep her facade of cheeriness, tells him that she’s his third cousin once removed. Immediately, Danny has his dagger pulled out, and Ellie finds herself with the cold metal of a blade pressing against her throat.

Danyal 'A.G' Fenton hasn’t killed since he arrived in Amity Park. At first it was because mother told him to keep a low profile, and killing would do the opposite of that. But, he's been slowly learning from his sister and friends over the years the value of human life. So it's become a combination of keeping his head down, and also that life has value to it.

But. That doesn’t mean he can’t kill, nor is he opposed to doing it if the situation calls for it. It just means that he doesn't do it. And ‘Danielle’ is an unknown in his room, claiming to be family to him, and appearing uncannily similar to him and his family. Either someone hired her and she was trying to pass herself off as a relative to him because that someone realized Danny was the biggest threat, or, his false death has been compromised, his mother was unable to tell him, and the league was aware he was alive.

No matter how he looks at it, this Danielle was a threat to him, his sister, his friends, to Damian, and to the Drs. Fenton. Danyal Fenton doesn't kill, but he has no problems doing so.

(Ellie, pinned under Danny’s knee and the blade to her neck, is too terrified to think of phasing out of his hold. Not that it would help, he would just chase after her.)

“You have broken into my home, dared to lie to my face, and when I demanded to know the truth, you dared lie to me again." Danny's scowl could cower even Skulker, his glacier blue eyes burning. "Your continual breath has been a favor from me, that I have graciously allowed, from the moment you entered my room, dahkil."

"So I will ask one more time," he hisses, "who. are. you."

Danielle, only a few months old, unprepared for the ice storm that is "Daniel" Fenton, and his clone in only flesh and blood, and not memories, immediately breaks. And tells him that she was his clone, that Vlad sent her to come capture him, and to please not kill her.

Danny's face twists with anger, Ellie thinks he's going to kill her anyways. Instead, he withdraws his knife and gets off her, stringing out curses in Arabic as he sheathes his weapon back into its hiding place faster than Ellie can blink.

He switches to English as she is collecting her bearings (and contemplating fleeing), and Danny paces the room like a tiger in a cage. "--of course that wretched, arrogant, peacocking little ingrate would do something so infuriating. I should have driven my sword into the shrivel of his heart when I had the chance--"

Ellie, for a moment, thinks of leaving while he is distracted. And starts to slowly creep away. But Danny notices instantly, and whirls on her. His too-bright eyes bore into her head: "Where do you think you're going."

"...I'm leaving."

And Danny scoffs at her, "Why? So you can fly back to Masters and tell him that you failed to capture me, and that I know that he cloned me?" He says, and Ellie remains silent -- that's exactly what she was going to do. "He will destroy you within seconds."

Of course, Ellie rears back in offense, and she finds the footing to glare at him. "He would not! He's my dad, he loves me!"

Danny gets in her face, glowering back with an equal intensity. "He does not." He snaps, "Vlad Masters has not a soul in his body nor a heart in his chest. He would sooner cut off the hand that helps him stand, than to take it along with him."

"If you're really made of my blood, then I will teach you only this: we bow not our heads nor our hearts to anyone." Danny's too-blue eyes narrow, and his voice dips into a hiss, "Especially not to a conniving snake like Masters. Your heart: cut it off, or cut it out. He will sooner leave you to bleed."

Then, he unlocks the door and drags her out before she has much time to act. And as he drags her down the hall he shoots Sam and Tucker a text, and they meet up at Nasty Burger. Ellie is a spitfire, but Danny has her too intimidated to leave.

"This is Danielle," he tells them bluntly as he corners her into the booth, "she's my clone. Masters created her."

Ellie is with them for a week, and somehow throughout that time, Danny manages to actually get her to like him throughout that time. He's callous, blunt, and full of sharp edges that you can cut yourself on. But when he's not spitting venom, he's fretting.

When he drags her back to the house after being with Sam and Tucker, he pulls her to Jazz's room and opens the door to tell her the same thing. "This is Danielle." He says upon abruptly opening the door, interrupting Jazz's studying as he pulls Ellie inside. "She is my clone, Masters created her. She needs clothes."

Then he turns and leaves, shutting the door behind him. Ellie, in that moment, thinks that now's her chance to flee. But Jazz then squeals, and she is trapped in new arms, shaken around by Jazz Fenton, excited for a sister.

(Ellie finds herself complaining to Jazz that night, shoved into old pajamas. She's in utter disbelief that Jazz could care about a jerk like Danny.)

("He's rough around the edges, but Danny does care." Jazz tells her, combing through her hair with her fingers. "We've been working on it ever since he joined the family, but Danny warms up slowly. He's usually less stoney; I think your arrival spooked him.")

("Spooked him?" Ellie repeats, she doesn't believe it at all. "He has a funny way of showing it, he threatened to kill me!" And she turns around just in time to see Jazz's press her lips into a line.)

("He's... very protective. He'll deny if you ask him, but he worries a lot." Jazz's fingers find her hair again. "What I do know for certain though, is that he wouldn't have kept you here if he wasn't worried about you at least a little bit.")

(Ellie doubts it.)

But Ellie is indeed there for a week, and the day after her initially rocky introduction with Danny, he is a little bit kinder to her. Still kinda a bitch, but he's less harsh to her, if... almost uncomfortable around her. Flighty, kinda.

Whenever she gets mouthy at him though, he looks oddly smug about it and, infuriatingly enough, praises her attitude. He is very, very annoying. And still kinda terrifying. But hearing him shout insults via puns at someone during a ghost fight that happens that week lessens the intimidating factor,,, a little bit.

Things go about,,,, relatively,,,, similar to canon. In the sense that it ends with Ellie defecting from Vlad because she finds out that Danny was right and that Vlad didn't actually care about her. (And that Jazz had been right too; Danny, in his weird, mean way, had been worried about her as well)

Danny looks out of his depth as she talks about how he was right, and he cuts her off with a vaguely uncomfortable clearing of his throat. And gives her the most awkward, but genuine apology he can muster.

"I should've used more tact when telling you about Masters, and I... apologize for threatening you when we met. I was..." he makes a face like he's sucked on a particularly sour lemon, "worried. First about my family, and then later about you."

(Ellie will be damned: Jazz was right)

Before Ellie leaves, Danny puts a hand on her shoulder and tells her: "I wasn't kidding about what I said to you when we first met: you are of my blood, and as such, you do not bow your head nor your heart to anyone."

Ellie looks at him, thinks about the last week, and smiles like she's caught him in a trap. "What about Sam and Tucker then? And Jazz?"

Danny smiles, it's awkward and tilted, like his face isn't used to the gesture. "We bow not our hearts, but that doesn't mean we can't share."

[buttercupbuck]

"you know, my therapist says everyone needs a safe space, a place where you can fully be yourself"

[image description: 2 large gifs of evan buckley and eddie diaz from 9-1-1.

gif 1: from season 6 episode 12. in the diaz home, eddie (out of frame) watches buck sleep on his couch, his arm draped across the sofa.

gif 2: from season 7 episode 5. at buck's apartment, the camera pans as eddie, holding his phone, turns to face buck as buck rounds the corner of his kitchen island.

/end ID]

[volatilemask]

ULTRACATS // VIOLENCE (the rest of them, anyways) ALL CATS

[sp0o0kylights]

Part Two / Part Three

Ao3

It's 8:45 am. 

The Red Barn, which is neither red nor a barn, has been open since 7, catering to the early morning crowd with rounds of coffee and pancakes.

It was no Benny's, but given the size of Hawkins and the lack of alternatives?

No one was complaining. 

They were all too happy someone had opened up another watering hole for the working class man (or lass, as Foreman Shelly will dutifully remind you) which meant the place was packed with both day and night shift regulars, passing each other in staggered waves. 

It also meant Wayne was sharing the packed breakfast counter with a warehouse worker by the name of John Cheese on one side and Police Chief Jim Hopper on the other.

He doesn't mind it.

Wayne's a man on a budget thinner than his shoelace, but he's also a man who understands that small indulgences need to be made in life or you didn't truly live it.

This is how he convinces himself to get a coffee at the Barn after work everyday, reading the morning newspaper and chatting with the other regulars before he heads home.

Bonus, it gets him out of the rapid-fire franticness that is his nephew in the mornings.

(All the love in the world wouldn't change the fact that all that Eddie came with a lot of noise. 

The kind of noise that was a tried and true recipe for a headache right after a long shift.)

As a trade off, Wayne went to bed early so he could wake up in time for dinner with Eddie.

 It was a nice little system that worked for them. 

A routine Wayne was reminiscing fondly on, when the pager on Chief Hopper started to chirp. With a sad moan, the man fished out a few crumbled bills and threw them on the counter, abandoning his coffee to trudge out to his truck.

This was not unusual.

Particularly recently, given they were but a scant few weeks past that whole mall ordeal. A fact all too easy to remember when one caught sight of the Chief’s still healing face. 

What was unusual, was when he came storming through the doors a minute later, face now a furious shade of red with his hat clenched in his hand. 

The energy in the room shifted, taking on something a little watchful as Hopper swept his gaze from side to side, like a dog on the hunt.

Judging by the way he stilled when he caught sight of Wayne, the latter assumed he found what he was looking for and could only pray it was the person behind him. 

(He liked John, but Wayne had enough trouble this year and he wasn't looking for any more.) 

"Munson." Hopper called, striding over and dashing all his hopes. There was a choked fury emitting off him, and given the way John audibly scooted his chair away, Wayne knew everyone had clocked it. 

"Chief." Wayne greeted, inclining his head towards him.

Idly he wondered what the hell his nephew had done this time.

'So help me if he stole all the town's lawn flamingos and put them in that damn teachers yard again….'

Wayne didn't even get to finish his threat, the Chief was already next to him. 

"Mind if I have a word outside?" 

Dammit Eddie.

"Ah hell, what's he done now?" Wayne asked with a sigh, eyeing the coffee he had left morosely. 

There was still almost half of it left and the pot had tasted fresh for once. 

"What?" Hopper said, and then Wayne got to watch as the man ran through an entire chain of thoughts, each one punctuated by things like; "Oh," and "No. " 

"This is something else." He finished, flushed and fidgeting, anger making him antsy. 

Wayne stared up at him. 

"Something else?" He repeated, not sure he heard.

"Yes, something else." Hopper snapped impatiently, before leaning forward, voice dropping low. "This doesn't involve your nephew, but we both know you owe me for how many times I've let that kid off, Wayne. That's a damn big favor I've been doing you and I'm calling it in." 

If it were any other cop, it'd sound like a threat.

It was Hopper though. The same Hopper who Wayne had gone to school with.

They'd never been friends exactly, but they had been friendly and remained so. Even now, after Wayne had taken Eddie in, who’d gone on to be an undeniable pain in the local PD’s ass. 

Hopper really did let the kid off easy. 

Wayne really did owe him. 

So he put down his coffee with a sigh, passed his newspaper over to John and stood up, motioning for Hopper to lead the way. Got into the Chief’s truck when he waved him in, and didn’t make a big fuss when Hopper tore out of the parking lot like hell was about to open up under them. 

"Not a lot of the kids involved in the mall fire could be identified, but a few of them were." Hopper started, which felt nonsensical given the utter lack of context. 

Wayne hummed to show he’d heard. 

“Some of them got banged up more than others, and a lot of people wouldn’t be surprised if they didn’t make it.” 

A pause, Hopper white knuckling the steering wheel as he swung the truck hard around a turn. 

“For certain people, those kids dying is the preferred outcome.” 

A mix of fear and warning swopped low in Wayne’s gut. 

"Jim." Wayne said, dropping the use of a last name because if any situation called for it, it was this one. "What exactly are you saying here?" 

The Chief chewed on his split lip. 

"I know you're smart, Munson. I know you, and plenty of others are aware that something's happening, been happening in this town." 

Which was a hell of an understatement if you asked Wayne. Plenty of the upper classes might be able to bury their heads when it came to the military parading about and the flow of “accidents” they brought in their wake, but then, they didn't see all the other signs of trouble. 

The absolute oddity that was Starcourt’s construction. 

How it had been built using primarily outside crews and anyone who'd taken a singular look at the site could tell you they were building it weird. 

Weird as in it looked like it would have a multi-level basement, and not what a mall should have. 

Then there were the constant electrical problems. The backups upon backups that failed. The late night delivery vans headed out to the Hawkins Lab. 

The things in the woods that kept spooking all the deer and the weird markings they left behind that unnerved even the hardest of hunters. 

This didn’t even touch the Russian military that more than one reputable person swore was hanging around. 

The very same Wayne himself had seen, on more than one occasion. 

(And you couldn’t deny it; those boys were military. Past or present, it didn’t matter. They moved like a threat, and Wayne treated them like one, staying well clear.)

"Yeah." Wayne admitted. "I also know better than to stick my nose in it." 

"That makes you a smarter man than me.' Hop complained under his breath, but the anger was self directed. 

"The point is, there are some government types crawling around, doing shit they shouldn't be doing, and more than a few of them are in the business of making people disappear.” 

This was absolutely not where Wayne had thought this was going. 

Hopper took a breath. Than another.

A third.

It was starting to make Wayne nervous, in a way he hadn’t felt since a social worker had brought Eddie to him for the last time and final time. It was the feeling that things were about to shift in a way that would change the course of his life. 

"Steve Harrington is sitting in my office right now, beat to absolute shit.” Hopper admitted.

Wayne gave him the floor to talk, letting him go at his own pace without interruptions. 

“He's there because some of those government types finally figured out his parents are never fucking home.” 

Wayne sucked in a breath. 

"We both know his parents, Wayne. Harassing them to come back and take care of their kid won't work, and frankly, I’m beginning to think all the phone lines are tapped anyway.” He winced here, like voicing such a thing pained him, and Wayne understood.

It sounded a little too out there, a little like he was buying into a conspiracy. 

Except he wasn’t. Wayne knew he wasn’t. 

Jim Hopper might have been an alcoholic, a man living in pain and unconcerned with his own life, but if there was one thing he was solid for, it was shit like this.

He didn’t jump to conclusions. Didn’t believe the first thing people told him. Even at his worst, he did the work to see what was really happening, and made his decisions from there. 

(Even if that decision was to accept the occasional bribe, or drive an intoxicated 13 year old Eddie home instead of hauling his ass into the drunk tank.) 

“Harrington won’t admit it, but he’s got a hell of a concussion if not a full blown brain injury and he’s not reacting as well as he should to Suites trying to run him off the road.” Hopper continued. Angrily, he added, “Damn kid didn’t even come to me until they tried to break into his house last night.” 

His fingers squeezed the wheel so hard Wayne heard the leather creak in protest. 

“I’d take him, but my cabin is being renovated from…” He trailed off, heaving a sigh.

 “A storm, so me and my kid are bunked with the Byers right now and we’re full up.” 

Hawkins hadn't had a storm like that in years, but Wayne wasn't going to call him out on the blatant lie. 

“I need a place to stash him for the next few weeks, until I can work with some of the higher ups sniffing around, and get them to call off their attack dogs.” 

“And you want to stuff him with me.” Wayne finished. 

“I know you don’t have the room.” Hopper admitted easily, stopping his truck at a red light and locking eyes with the other man. “But I also know you’ll be the last place anyone would look for him.” 

'Ain’t that the damn truth.'

“You’re really gonna go this far for a Harrington?” Wayne asked, instead of the million of other questions leaping to the forefront of his mind. 

This one, he figured, was the most important. 

“He’s not his dad.” Hopper said, as firm as Wayne had ever heard him. “He’s not either of his parents, and he saved my little girl.” 

Wayne hadn’t even known Hopper had another little girl, but he also knew better than to ask where the guy had found one. 

It wasn’t his business, just as nothing else Jim was involved in, was his business.

Except, apparently, Steve Harrington. 

“I’m gonna need my own truck if I’m takin' Harrington home.” Wayne said easily, instead of bothering to ask anything else.

If Jim said the kid was different than his daddy, then he was--because when it came to things like that, Jim didn't lie.

No point in it. 

“I know. Just needed to talk to you first, without anyone overhearing.” Jim said, before swinging the police truck around and heading back to the Barn. 

“I’ll stay in contact with you, and I’ll make sure Harrington pays you for the pleasure of your hospitality. Just--” Here Jim cut himself off, looking like he was struggling an awful lot with the next thing he wanted to say. 

Once again, Wayne waited him out.

“Don’t let Steve fool you. He’s good at fooling people, letting them think he’s okay. Too good at it, and between the two of us, I have a real good idea of the reason why.” 

A memory came to Wayne unbidden, of Richard Harrington and Chet Hagan, beating some poor kid in the highschool bathroom bloody. The grins on their faces as the poor guy wailed for them to stop.

How they almost hadn’t. 

“Alright.” Wayne agreed.

Hopper swung back into the Barn's parking lot, and Wayne moved right to his own beat to shit truck, ready to follow Jim back to the police station.

He wasn’t a praying man, not anymore, but Catholisim wasn’t a thing that let you go easy. 

He found himself sending up a quick prayer, fingers flicking in a kind of miniature version of the sign of the cross. 

Considering his own kid’s history with Harrington, and the sheer small space of the trailer? 

Wayne had a feeling it was needed.

[tubbytarchia]

I don't know what this is all I know is that LimL Joel makes me really emotional

[totalshockwaves]

2013: *fall out boy comes back*

monkey paw curls and my chemical romance disbands, leaving millions devastated

2023: *fall out boy comes back, again*

monkey paw flips off brendon urie, and frees ryan ross from having to see him continue to butcher his old band

[qiinamii]

quite the poet, quite the inspo

[airoarts]

"yellowfang? what are you doing in bluestars den? well its none of my business" -fireheart, probably

[ID: a digital painting of Bluestar and Yellowfang, two battle-scarred gray cats, from Warrior Cats. They are cuddling in loaf positions in a den with sunlight streaming in, looking towards the entrance with slight smirks. The image is drawn in a semi-realistic art style with soft colors and shading. End ID]

[detectiveforfree]

wearing each other's merch ;)

[ithinkimauggie]

Mm, yes... The one you call Benrey...

I've been advised by my employers that, his true nature is on something of a "need-to-know" basis...

And you, Doctor Freeman, do not need to know...

ayo fuck this painting lol have another cropped vers

[rendevok]

Bite me <3