#jane eyre 2020

[greengableslover]

It was an evening of grey fog that had crept in from the gulf, swathed the harbor, filled the glens and valleys, and clung heavily to the autumnal meadows. Through it the sea sobbed and shuddered.

period drama + fog/mist

THE SECRET GARDEN (1993)

JANE EYRE (2011)

EMMA. (2020)

PRIDE AND PREJUDICE (2005)

ANNE WITH AN E (2017 - 2019)

THE HANDMAIDEN (2016)

THE WOMAN IN BLACK (2012)

BRIDGERTON (2020 - )

[twiensat]

.

[violaobanion]

PERIOD MEN IN DISTRESS *:･ﾟ✧ Poldark (2015-2019), created by Debbie Horsfield The White Queen (2013), dir. James Kent, Jamie Payne & Colin Teague Emma (2020), dir. Autumn de Wilde Bridgerton (2020-), created by Chris Van Dusen Boardwalk Empire (2010-2014), created by Terence Winter Peaky Blinders (2013-2022), created by Steven Knight Pride & Prejudice (1995), dir. Simon Langton Jane Eyre (2011), dir. Cary Joji Fukunaga

#perioddramaweek2023 // day 7: free day

[didanagy]

Lovers of series and movies. Part 1.:

1. PRIDE AND PREJUDICE (1995): Lizzy and Darcy

2. PRIDE AND PREJUDICE (2005): Lizzy and Darcy

3. PRIDE AND PREJUDICE AND ZOMBIES (2016): Lizzy and Darcy

4. EMMA (2020): Emma and Knightley

5. PERSUASION (2022): Anne and Captain Wentworth

6. NORTH AND SOUTH (2004): Margaret Hale and John Thornton

7. JANE EYRE (2006): Jane and Mr. Rochester

8. BRIDGERTON season 1 (2020): Daphne and Simon

9. BRIDGERTON season 2 (2022): Kate and Anthony

10. BRIDGERTON season 3 (2023): Penelope and Colin (photo season 2)

[mathilde-with-an-e]

My lovelies, I am still alive and kicking!! No promises but I have no less than three videos currently in progress. Hopefully they will be published over the summer if all goes to plan.

A Sherlolly/Jane Eyre mashup! Yes, that one!! Mentioned many moons ago but that is well under way! Using the music from a show Louise Brealey appeared in: A Discovery of Witches. A brilliant show that everyone should watch.

A Siegfried/Audrey tribute. The music has been chosen (but keeping it a secret because it would be giving too much away) and I am enjoying every second I’ve figured out so far. They are such a delight.

A Ted/Rebecca tribute. Combined with another one of Cumberbatch’s finest. I found that a scene from The Electrical Life of Louis Wain captured the essence of who Ted and Rebecca are to each other very nicely. I can’t change what the show did, but I can honour the love that these two shared.

Stay tuned! 💛

- Mathilde

youtube channel

[ladygi]

Emma Woodhouse

From the novel Emma by Jane Austen

[bobbyinthegarden]

My Review of The Secret Garden (2020)

Spoilers for The Secret Garden (both the book, and this film), and Jane Eyre by Charlotte Brontë.  

I said that I wanted to do some in-depth reviews of the various different adaptations of The Secret Garden (the film versions and other retellings), and I thought it might be fun to work my way (roughly) back in time, beginning with the most recent adaptations, and working my way back in time. I do plan on also reading some of the sequels/retellings/graphic novels that exists as well, but I’m going to start with the film adaptations.

So… I re-watched The Secret Garden (2020) and I have some thoughts.

Before I get into all of my opinions, I’d like to highlight this clip of Mark Kermode talking about the film, I think he hits the nail on the head and is very fair about the film, I agree with him, here’s a link.

There were some things that I liked, which really stood out to me about the film, it is gorgeous, the aesthetics, set design and costumes are all really great, both for the interiors and the exteriors. The film looks beautiful, cinematography and editing were also good, the camera movements feel very dynamic and the editing around many of the more fantastical elements in the film was also clever. Likewise with the performances; nobody here is going to win any acting awards for this film specifically, but none of the performances are bad. There’s an Aurora song in the closing credits. I’m an Aurora fan, so that was nice.

There are things to like here, and I’m sure if I were a child watching this film with no prior knowledge of The Secret Garden, that I would have enjoyed it well enough, though I don’t think that it would have stuck with me in the way that The Secret Garden has stuck with me since I was a child.

The films has made A LOT of changes to the source material. I said in my review of the 2015 adaptation of Heidi that I’m not of the opinion that absolute fidelity to the source materials is necessarily the best way to adapt a novel to the screen. There are plenty of adaptations that I like which deviate significantly from their source material, either in tone or plot, Bladerunner and The Shining are both good examples of this, and in my Heidi review I also mentioned Anne with an E, which alters the tone of the original Anne of Green Gables to great effect. So the fact that this adaptation of the story makes changes to the original is not a great sin in itself, I simply feel that a lot of the changes that they do make are underthought and, in some cases, confusing.

For example, the events of the book have been moved forward in time, taking place in 1947, rather than the Edwardian Era. This could be an interesting change, as 1947 was the year that India gained its independence from Great Britain, and so could be used to serve as a commentary on the colonialism that is present in the book. It doesn’t though. The updated setting adds nothing to the story. @marysfoxmask​ made a really interesting post about this which I’ll link here, and I entirely agree, and I don’t think I need to add anymore commentary on the topic.

@isfjmel-phleg​ also wrote an interesting post unpacking her thoughts about this adaption and I agree with many of her points too. Here’s a snippet from that post:

Making Mrs. Lennox and Mrs. Craven sisters/twins is straight out of the musical and 1993 film, and it’s overdone. Lilias was Mary’s father’s sister, which actually is more thematically appropriate (of course she’s unrelated to the woman who’s the book’s worst example of parenting), and I’d like to see a version where this is the case. What if it’s Mary’s father who’s distant from grief over losing a sibling? There’s room in the text for that interpretation; he’s said to be “always busy and ill.”

And I completely agree with that as well. Mary’s character arc shifting from a story about a neglected and emotionally stunted child finding spiritual and emotional growth through the cultivation of a garden, into the story of a child who needs to reconcile with her dead, neglectful mother, seems like an extremely odd interpretation to me. Both Mary and Colin’s parents get way too much focus here and are framed much more sympathetically (they even show up as ghosts), to the point where the relationship between the two sisters feels like a more significant presence than the relationship between Mary and Colin. As a consequence of giving the parents more emphasis, there are a number of characters from the book whose roles are reduced, particularly Ben, who is not present in the film at all, and Dickon, whose role in the story is greatly diminished, we don’t even meet him until 50 minutes into a film - and we meet Colin at 25 minutes in (which annoys me personally, since Dickon is my favourite character in the book). All of this leaves Dickon feeling like a mostly superfluous addition to the story, which is a shame because I know Amir Wilson can turn in a good performance when he needs to.

One thing that Mark Kermode talked about in the video that I linked above is the framing of the ‘magic’ in the story. Here’s a quote from that:

“When we find the magical garden itself (…) what you get more of is the sense that this is the garden of [Mary’s] imagination, the garden of her dreams, and there is a magical element, which is played the up […]. What you lose is the central theme that is in the novel which is that toiling in the garden, it’s working in the garden, that makes the garden have it’s restorative powers.”

Here the ‘magic’ is much more literal, treated more like a mystical forest or fantasy realm (like Narnia) rather than a place that the characters might care for. This, to me, is the fundamental most flaw of the film, as it just completely disregards the themes of its source material, opting instead for a story that is significantly more escapist and fantastical in tone, rather than the grounded story of the novel.

Okay, heading into very spoiler-y territory now, so if you don’t want to know what happens in the end of the film, stop reading now. I’m also going to spoil the ending of Jane Eyre, so be aware of that.

Final warning.

So, in this version of the story, the house burns down at the end. On a level, I do understand why this change was made, it gives the third act a greater sense of danger and ups the stakes quite a lot. I very firmly believe that Frances Hodgson Burnett was heavily influenced by the Brontë sisters when writing The Secret Garden, there are a number of similarities between both Wuthering Heights and Jane Eyre, and I plan on writing a whole post about that at some point. For now, we’re just going to focus on Jane Eyre. Jane, like Mary, is an orphan, who goes to live at Thornfield Hall, a vast house in the moors. During her stay, she frequently hears mysterious wailing and crying in the night. In The Secret Garden, this is revealed to be coming from Mary’s sick cousin Colin, while in Jane Eyre, it is revealed to be a woman named Bertha, who is the wife of the master of the house, Mr Rochester, and who is plagued by violent insanity. At the climax of Jane Eyre, Bertha sets fire to  Thornfield Hall, burning the house to the ground. I am almost 100% certain, that  Misselthwaite being set on fire in this adaptation, is a nod to the influence of Jane Eyre on the original book – in this case, it is Mr Craven who sets fire to his own house, in a fit of drunken confusion and grief. As an element of the story, I don’t hate it, but I don’t think it was set up very well either. It just kind of happens randomly. Fire isn’t established within the narrative at all, it’s not set up, and it’s not part of a motif either. It’s Chekov’s gun, but you never see the gun before it goes off. In Jane Eyre it works since fire is a frequent motif within the story, often used as a metaphor for Jane herself, as the narrative repeatedly associates her with images of fire, brightness, and warmth. It could have worked here, but it mostly just feels random and not very well thought out.

With all of these underthought changes, I think that the thing this film suffers most from is the fact that it is an adaptation of The Secret Garden. The film disregards many elements the plot, themes, setting and characters of the original book, but fails to truly divorce itself from the source material. I think that the resulting film would have been better if they had simply disregarded the book entirely  and instead used the story as inspiration to create something new and original. But that’s just my opinion.

I’m sure that I’ll have more to say about this film in the future, but I’ll sign off with another quote from Mark Kermode’s review, which sums up a lot of my feelings quite well:

“It’s a strange mix. It’s perfectly fine. I don’t think it’s one of the classic, timeless adaptations, but it is a story that will always work if you treat it with a certain degree of respect […]. It’s not great, but it’s not bad, it’s a perfectly workable adaptation of something which I’ve seen adapted better.”

I couldn’t agree more.

[burningflash]

Thank you help me please

[britneyshakespeare]

you know what it is. i talk about how vain he is and how he only talks about himself and that is the impression a lot of people have of him and it is the impression i favor leaning towards. he has a very coded way of self-disclosure; he often seems like he's trying to impress people but i know him to be not-the-most-assured in a lot of ways. when i first complimented him on his poetry and told him how much i liked a few pieces (and i loved some of what i read before i knew his last name, so when i read his poetry i did not assume the person whose poetry i so loved was, well, that retired male model i met in passing every now and then). when i told him that. he was very moved by it.

and i do talk about how vain he is; i do say he only talks about himself; but every now and then when he does say something about me it is not at all hidden that he does admire me. some of what he says that seems to coded to impress me or to get my validation, i know he is doing this towards me because he thinks im this smart poetry girl. and i am? i am that, he's not wrong. i think it makes me feel hopeless to think that he really does respect me and care what i think of him because i'd rather he didn't. i'd rather him be this charming but shallow pretty boy which i think he has been seen as by a lot of people throughout his life. despite that he is hardworking, despite that he has (or at least tries very hard to have) an intellectual side. perhaps what he says about himself is so often coded to please me even while it is fishing for my attention, and i want to see that as a reflection of his own self-regard but i don't know that it is.

i don't know that it's not, but i don't know that it is either and as neither of us is very frequently vulnerable with the other, it's not fair for me to say which is the case. or even that there's a "which" like it can't be both. i don't know that he admires me; i don't know that he sees me as this girl who is (or at least used to be) very charmed by him. i do know that he always comes to me and asks me about poetry because as far as he's told me, i'm the only one who has ever cared about his. for all i know that could also be bullshit, but then why should i assume it is either? i'm quite unfair to him in my assessments of him. i do have to admit, he has never actually seemed to have a disrespectful or unfair assessment of me.

[dogdayaftersun]

in honor of mother's day here are some stills from some of my mother's favorite films

[from left to right] moulin rouge (2001); jane eyre (2011); emma (2020); pride & prejudice (2005); twilight (2008); harry potter (2001-2011)

[greengableslover]

period drama + capes/cloaks

LITTLE WOMEN (2019)

THE DUCHESS (2008)

ANNE OF GREEN GABLES (1985)

EMILY (2022)

EMMA. (2020)

ANNA KARENINA (2012)

PORTRAIT OF A LADY ON FIRE (2019)

JANE EYRE (2011)

THE MUSKETEERS (2014 - 2016)

[asoftepiloguemylove]

DOESN'T MATTER 'CAUSE IT'S ENOUGH TO BE YOUNG AND IN LOVE

Mitski My Love Mine All Mine // Blade Runner 2049 (2017) dir. Denis Villeneuve // E.E. Cummings Collected Poems // Jane Eyre (2011) dir. Cary Joji Fukunaga // &TEAM FIREWORK // Joan Tierney The Elektra Complex // pinterest // 怪物 Monster (2023) dir. Hirokazu Kore-eda // pinterest // Taylor Swift invisible string // unknown // 刻在你心底的名字 Your Name Engraved Herein (2020) dir. Patrick Kuang-Hui Liu // Frank Ocean End/Golden Girl

[violaobanion]

PERIOD DRAMA + SLUTTY SHIRTS

Pride & Prejudice (2005) dir. Joe Wright Bridgerton (2020-) created by Chris Van Dusen War & Peace (2016) dir. Tom Harper Poldark (2015-2019) created by Debbie Horsfield Atonement (2007) dir. Joe Wright Jane Eyre (2011) dir .Cary Joji Fukunaga Peaky Blinders (2013-2022) created by Steven Knight Pride & Prejudice (1995) dir. Simon Langton

[artfilmaesthetics]

coffee in film ☕️

✧ ‘Don’t Worry Darling’ (2022) dir. Olivia Wilde

✧ ‘Minari’ (2020) dir. Lee Isaac Chung

✧ ‘Jane Eyre’ (2011) dir. Cary Joji Fukunaga

✧ ‘Atonement’ (2007) dir. Joe Wright

✧ ‘Aftersun’ (2022) dir. Charlotte Wells

✧ ‘Knives Out’ (2019) dir. Rian Johnson

[thyme-in-a-bubble]

a list of some spring movies/series 🌷

spring is here!! and so is your friendly neighbourhood little organisation freak of a goblin to give you a list of some spring movies and series. as always, just close your eyes and point somewhere on this little list, or even put the numbers in a generator and go with whatever the result is ♡

summer | autumn | winter

🐝 ‧₊˚ ⋅ movies ⋅˚₊‧

mary poppins (1964)

the sound of music (1965)

aristocats (1970)

alla vi barn i bullerbyn (1986)

my neighbour totoro (1988)

kiki's delivery service (1989)

a league of their own (1992)

the secret garden (1993)

pride and prejudice (1995/2005)

whisper of the heart (1995)

clueless (1995)

my best friend’s wedding (1997)

parent trap (1998)

10 things i hate about you (1999)

notting hill (1999)

she's all that (1999)

but i’m a cheerleader (1999)

bring it on (2000)

miss congeniality (2000)

spiritied away (2001)

the wedding planner (2001)

legally blonde (2001)

princess diaries (2001 + 2004)

spy kids (2001-2003)

maid in manhatten (2002)

bend it like beckham (2002)

tuck everlasting (2002)

school of rock (2003)

how to lose a guy in 10 days (2003)

something’s gotta give (2003)

13 going on 30 (2004)

finding neverland (2004)

howl’s moving castle (2004)

saving face (2004)

the notebook (2004)

imagine me and you (2005)

nanny mcphee (2005)

penelope (2006)

miss potter (2006)

step up (2006)

she’s the man (2006)

bridge to terabithia (2007)

enchanted (2007)

atonement (2007)

stardust (2007)

ps i love you (2007)

wild child (2008)

made of honour (2008)

ondine (2009)

bride wars (2009)

valentine’s day (2010)

tangled (2010)

leap year (2010)

easy a (2010)

from up on poppy hill (2011)

jane eyre (2011)

crazy, stupid, love (2011)

what to expect when you’re expecting (2012)

remember sunday (2013)

saving mr banks (2013)

about time (2013)

now you see me (2013 + 2016)

love, rosie (2014)

testament of youth (2014)

kingsman (2014-)

paddington (2014 + 2017)

far from the madding crowd (2015)

burnt (2015)

brooklyn (2015)

cinderella (2015)

the man from u.n.c.l.e. (2015)

lady chatterley's lover (2015/2022)

creed franchise (2015-2023)

me before you (2016)

mother’s day (2016)

this beautiful fantastic (2016)

the light between oceans (2016)

paterson (2016)

how to be single (2016)

hidden figures (2016)

gifted (2017)

dunkirk (2017)

ocean’s eight (2018)

life itself (2018)

peter rabbit (2018)

christopher robin (2018)

tomb raider (2018)

set it up (2018)

crazy rich asians (2018)

spider-verse movies (2018-)

1917 (2019)

the art of racing in the rain (2019)

can you keep a secret? (2019)

booksmart (2019)

someone great (2019)

endings, beginnings (2019)

emma (2020)

enola holms (2020-)

the last letter from your lover (2021)

the world to come (2021)

🌼 ‧₊˚ ⋅ series ⋅˚₊‧

little house on the prairie (1974-1983)

moomin valley (1990-1992)

greys anatomy (2005-)

gossip girl (2007-2012)

skins (2007-2013)

the great british bake off (2010-)

new girl (2011-2018)

brooklyn nine-nine (2013-2021)

the fosters (2013-2018)

the 100 (2014-2020)

jane the virgin (2014-2019)

outlander (2014-)

grace and frankie (2015-2022)

poldark (2015-2019)

critical role (2015-)

howards end (2017)

girlboss (2017)

she's gotta have it (2017-2019)

the bold type (2017-2021)

mr. sunshine (2018)

queer eye (2018-)

crash landing into you (2019)

the witcher (2019-)

dickinson (2019-2021)

sex education (2019-2023)

bridgerton (2020-)

ted lasso (2020-2023)

nevertheless (2021)

abbott elementary (2021-)

flatshare (2022)

[serial-serializednovelreader]

I think that adaptations who leave Quincey out or make him a horrible person (see 2020 Dracula) miss the point. He's not just a comic relief. he's the oathmaker. He swears to Lucy when she rejects him he'll always be her friend, and he follows through. He swears to Mina he'll not rest until SHE rests, and he follows through. He swears he will kill Dracula to Jonathan, and they shake hands, and he follows through. He gives Dracula one of the two fatal bows, and bleeds and dies, like he swore he would, for those he loves.

Wow, Anon. That was beautiful. You came to my inbox, absolutely destroyed me, and I'm thanking you for it. /pos

You're so right, though. He is the oathmaker, he follows through on his promises no matter what. Also, the Oathmaker is such a cool title is that a thing I missed?? Can that be what we call him forever now if we don't already??

But here I am, doing the exact same thing as the producers/directors, writing him off as comic relief (I did a little more than that, but still)!! I am truly sorry to Quincey, he is not just that and he never was. So thank you, Anon, for reminding me again why I love him so much. Perhaps one day, there will be an adaptation where he's actually appreciated.

As a side note, they made him a horrible person in 2020 Dracula?! Ugh, I started watching it and could not get through it after they killed Jonathan off -- I didn't care if they resurrected him or what, I was done. I just couldn't keep watching Now I don't want to do it even more if they ruined Quincey too!!!! BBC stop trying to be edgy with classic literature challenge (impossible). What are they going to do next? Make a Jane Eyre series where Jane's the wife in the attic the whole time? I shouldn't even write that cause they'll probably think "wow, that's a great idea!" :/