#john d halls

[yourspeirs]

John D. "Cowboy" Halls

[mostlysignssomeportents]

Kitchensink callithump linkdump

On July 14, I'm giving the closing keynote for the fifteenth HACKERS ON PLANET EARTH, in QUEENS, NY. Happy Bastille Day! On July 20, I'm appearing in CHICAGO at Exile in Bookville.

With just days to go before my summer vacation, I find myself once again with a backlog of links that I didn't squeeze into the blog, and no hope of clearing them before I disappear into a hammock for two weeks, so it's time for my 21st linkdump – here's the other 20:

https://pluralistic.net/tag/linkdump/

I'm going to start off this week's 'dump with a little bragging, because it's my newsletter, after all. First up: a book! Yes, I write a lot of books, but what I'm talking about here is a physical book, a limited edition of ten, that I commissioned from three brilliant craftspeople.

Back in March 2023, I launched a Kickstarter to pre-sell the audiobook of Red Team Blues, the first novel in my new Martin Hench series, about a forensic accountant who specializes in unwinding tech bros' finance frauds:

https://us.macmillan.com/books/9781250865847/red-team-blues

One of the rewards for that campaign was a very special hardcover: a handmade, leather-bound edition of Red Team Blues, typeset by the typography legend John D. Berry:

https://johndberry.com/

Bound by the legendary book-artist John DeMerritt:

https://www.demerrittstudios.com/

And printed by the master printer JaVae Berry:

https://www.jgraphicssf.com/

But this wasn't a merely beautiful, well made book – it had a gimmick. You see, I had already completed the first draft of The Bezzle, the second Hench novel, by the time I launched the Kickstarter for Red Team Blues. I had John Berry lay out a tiny edition of that early draft as a quarter-sized book, and then John DeMerritt hand-bound it in card.

The reason that edition of The Bezzle had to be so small was that it was designed to slip into a hollow cavity in the hardcover, a cavity that John Berry had designed the type around, so that both books could be read and enjoyed.

I offered three of these for sale through the Kickstarter, and the three backers were very patient as the team went back and forth on the book, getting everything perfect. Last month, I took delivery of the books: three for my backers, one each for John DeMerritt and John Berry's personal archives, one for me, and a few more that I'm going to surprise some very special people with this Christmas.

Look, I had high hopes for this book. I dote on beautiful books, my house is busting with them, and I used to work at a new/used science fiction store where we had a small but heartstoppingly great rare book selection. But these books are fucking astounding. Every time I handle mine, my heart races. These are beautiful things, and I just want to show them to everyone:

https://www.flickr.com/photos/doctorow/albums/72177720318331731/

As it happens, the next thing I'm going to do (after I finish this newsletter) is turn in the copyedited manuscript for the third Hench novel, Picks and Shovels, which comes out in Feb 2025 (luckily, I had enough time to review the edits myself, then turn it over to my mom, who has proofed every book I've written and always catches typos that everyone else misses, including some real howlers – thanks Mom!):

https://us.macmillan.com/books/9781250865908/picksandshovels

Of course, the majority of people who enjoy my books do not end up with one of these beautiful hardcovers – indeed, many of you consume my work exclusively as electronic media: ebooks and (of course) audiobooks. I love audiobooks and the audio editions of my books are very good, with narrators like Amber Benson, Wil Wheaton, and Neil Gaiman.

But here's the thing: Audible refuses to carry my books, because they are DRM-free (which means that they aren't locked to Audible's approved players – you can play my audiobooks with any audiobook player). Audible has a no-exceptions, iron-clad rule that every book they sell must be permanently locked into their platform, which means that Audible customers can't ditch their Audible software without losing their libraries – all the books they purchased:

https://pluralistic.net/2022/07/25/can-you-hear-me-now/#acx-ripoff

Being excluded from Audible takes a huge bite out of my income – after all, they're a monopolist with a 90% market share. That's why I'm so grateful for indie audiobook stores that carry my books on equitable terms that Audible denies – stores like Libro.fm, Downpour and even Google Books.

This week, I discovered a new, amazing indie audiobook store called Storyfair, where the books are DRM-free and the authors get a 75% royalty on every sale:

https://storyfair.net/helpstoryfairgrow/

Storyfair is a labor of love created by a married couple who were sickened and furious by the way that Audible screws authors and listeners and decided to do something about it. Naturally, I uploaded my whole catalog to the site so they could sell it:

https://storyfair.net/search-for-audiobooks/?keyword=cory+doctorow&filter=any

These books are DRM-free, which means that no matter who you buy them from, you can play them in the same player as your other DRM-free audiobooks. You know how you can read all your books under the same lamp, sitting in the same chair, and then put them in the same bookcase when you're done with them? It's weird – outrageous even! – that tech companies think that buying a book from them means that they should have the legal right to force you to read or listen to it using their technology exclusively.

If you let your Storyfair audiobooks touch your Libro.fm audiobooks, they won't get cooties! Audible is like a toddler that won't let their broccoli touch their peas – only that toddler is also a rapacious monopolist that keeps 75% of every sale.

The fight for fair audiobooks is one of those places where the different parts of my professional life cross over: activism, digital media, art, writing the web, and breaking down complex technical subjects for a mass audience. I've just signed up to a six-year project to combine all those facets in a structured way, in collaboration with Cornell University.

Cornell just named me as their latest AD White Professor-at-Large. This is a six-year appointment that involves a series of week-long visits to Ithaca to lecture, run seminars, meet with colleagues, collaborate on research, and do community performances:

https://adwhiteprofessors.cornell.edu/

We've tentatively scheduled my first visit for early September 2025, to coincide with the Ithaca Book Festival, and we've got big plans, roping in multiple departments at Cornell, the local alternative school and local colleges, doing talks at the fair as well as at the university, and (we hope!) squeezing in a stop in NYC on the way home for a day at Cornell Tech. I'm so excited (and honored) to be working with Cornell (and getting a chance to visit Moosewood Restaurant, whose cookbooks taught me how to cook!). Watch this space.

Authorship has always been a political act, but never moreso than today, with waves of book-bans sweeping the country. One of the heroes of those bans is Maggie Tokuda-Hall, who made headlines when she publicly excoriated Scholastic for demanding that she remove references to racism from her kids' books in order to make them more palatable to reactionaries:

https://www.npr.org/2023/04/15/1169848627/scholastic-childrens-book-racism

Tokuda-Hall has stepped up the fight, co-founding Authors Against Book Bans, an org that provides training and support for author/activists so they can fight back against book bans at library board and city council meetings:

https://www.authorsagainstbookbans.com/

Authors Against Book bans is looking for members! I signed up last week, within seconds of having Tokuda-Hall give me the pitch when we ran into each other in Oakland at the Locus Awards. Are you an author? Sign up too! They're especially interested in branching out beyond YA and kids' authors (though they want those kinds of writers, too!).

Book bans affect us all. Even if you personally are never stymied when you visit your library and discover the book that you want to read has been removed by a swivel-eyed loon with terminal groomer-panic. The bans sweeping our country mean that our neighbors and loved ones are being denied literature by these cranks. There are people in your life who are losing out on the possibility of a life-changing literary adventure (which is why the far right hates these books – they want to be sure no one encounters the ideas between their covers).

The realization that you have to live in a society with people who are harmed by injustice, even if you personally escape that justice? It's the whole basis for solidarity.

Americans are living through a multigenerational project of stamping out solidarity and insisting that we only ever view ourselves as individuals, with no stake in the plights of our neighbors. That's how the US got the most expensive, least effective health care system in the world. And even if you are in the vanishingly tiny minority of Americans who are happy with their health care, you live amongst people who are being killed by the system around you.

The health system is a perfect example of how monopolization drives more monopolization, and how that comes to harm the public and workers. Health consolidation began with pharma mergers, that led to pharma companies gouging hospitals. Hospitals, in turn, engaged in a nonstop orgy of mergers, which created regional monopolies that could resist the pricing power of monopoly pharma – and screw insurers. That kicked off consolidation in insurance, which is why most Americans have a "choice" of between one and three private insurers – and why health workers' monopoly employers have eroded their wages and working conditions.

A new study in American Economic Review: Insights puts some quantitative spine in this tale, tracking the relationship between hospital mergers and skyrocketed health-care prices:

https://harris.uchicago.edu/news-events/news/consolidation-hospital-sector-leading-higher-health-care-costs-study-finds?itid=lk_inline_enhanced-template

The researchers investigated 1,164 acute-care hospital mergers, finding that while the FTC only challenged 1% of these, they could – and should – have challenged 20% of them, based on the agency's own criteria for merger scrutiny. The researchers blame the rising costs of hospital care directly on these mergers, and point out that Congress has historically starved the FTC of the budget it needed to investigate these mergers. The annual additional costs to the American people from these mergers exceed the entire annual budget of the FTC.

It's not just hospitals: the entire investor class is hell-bent on spending their way to monopoly. Nowhere is that more true than in AI, where hundreds of billions are being poured into bids to attain permanent dominance through scale. Writing for their excellent AI Snake Oil newsletter, Arvind Narayanan and Sayash Kapoor inject some realism into the AI scale hype:

https://www.aisnakeoil.com/p/ai-scaling-myths

Narayanan and Kapoor challenge the idea that throwing more data at large language models will make the better: "With LLMs, we may have a couple of orders of magnitude of scaling left, or we may already be done." They are skeptical that this can be fixed with synthetic data (whose use is limited to "fixing specific gaps and making domain-specific improvements"). They also point out that if returns from data slow, then returns from adding more compute or making bigger models might also be throttled.

They reserve their most skeptical take for "AGI" – the idea that LLMs are going to achieve consciousness. This is a fundamentally unserious idea, one that they unpack in detail in their forthcoming book:

https://press.princeton.edu/books/hardcover/9780691249131/ai-snake-oil

One thing I'm hoping for from the book is some analysis of the material usefulness of AI hype – what purpose does the hype serve? I mean, obviously, hype is useful if you're looking to suck up investor capital, or flip an investment to a greater fool. But there's a specific character to AI hype: namely, the claim that AI will displace labor, which is really a claim that a bet on AI is a bet on the increasing wealth of capital at labor's expense.

In other words, AI is a bet on oligarchy. In America, that's a pretty safe bet, and the odds just got even better, thanks to a string of brutal Supreme Court decisions that legalized bribery, banned most regulatory enforcement, and made being alive and unhoused into a crime (Poor Laws 2.0):

https://prospect.org/justice/2024-06-29-whos-gonna-check-supreme-court-chevron-separation-powers/

But amidst all those gimmes to the rich and powerful, there was one notable exception: the SCOTUS ruling on the Purdue Pharma bankruptcy. Purdue was the family business of the Sacklers, a multigenerational dope-peddling dynasty that went from super-rich to stratospherically rich by kickstarting the opioid epidemic with their blockbuster drug Oxycontin.

The Sacklers sold mountains of Oxy the old fashioned way: by lying. The lied about its efficacy and they lied about its safety, and they helped kill hundreds of thousands of Americans. Eventually, this caught up with them, and Purdue lost a bunch of court cases and was forced into bankruptcy.

That's where things get gnarly: the Sacklers took the already-sleazy world of elite bankruptcy to a whole new level, with a set of breathtakingly sleazy maneuvers that ensured that their case would be heard by the one judge in America who would let them off the hook:

https://pluralistic.net/2023/08/11/justice-delayed/#justice-redeemed

That judge was Robert Drain and the Sacklers were the blow-off to a long and shameful career in public "service." The Sacklers incorporated a subsidiary in White Plains, NY (in Drain's turf) precisely 181 days before filing for bankruptcy, then claimed that this empty small-town office had been the company HQ for more than six months. Then they hid machine-readable metadata in their filing that tricked the court's database into assigning the case to Drain:

https://pluralistic.net/2021/08/07/hr-4193/#shoppers-choice

The reason the Sacklers were so horny for Drain? He was a notoriously generous source of "nonconsensual third-party releases." These would allow the Sacklers to permanently end every lawsuit against them without having to declare bankruptcy. Instead, they could take their (ruined, hollow) company through bankruptcy, throw a small fraction of their personal fortunes into the pot, representing fractional pennies on the dollar of what they owed to their victims, and walk away with tens of billions and eternal protection from any future suits.

In other words, they could stiff their creditors and keep the loot. Which is exactly what Robert Drain gave them – before retiring from the bench to get a two-orders-of-magnitude pay raise at a white-shoe firm that specializes in representing corporate mass-murderers like the Sacklers.

That's where it would have ended, but for a surprising ruling from the Supreme Court, which threw out the nonconsensual third-party release deal and put the Sacklers back on the hook to pay the victims of their many, many crimes.

As ever, the best source of analysis and explanation for elite bankruptcy shenanigans is Adam Levitin of the Credit Slips blog:

https://www.creditslips.org/creditslips/2024/06/purdue-pharma-decision-a-big-win-for-mass-tort-victims.html

Levitin has a prediction for what's going to happen next. He rejects the predictions of Sackler apologists, who say that this is going to add years or decades to the already too-long wait for compensation that the Sacklers' victims have endured. Instead, Levitin says that the Sacklers will almost certainly transfer billions more from their personal fortunes to the settlement pot and beg for consensual releases from their victims. In other words, they'll go from dictating terms to asking for them.

So the settlement will stand, but it will be larger, and victims who don't want to take it won't have to – they'll be able to sue. In other words, this ruling "does not prevent deals in bankruptcy. It just changes the terms of what those deals."

This has implications for other mass-murderers and corporate criminals, like Johnson and Johnson (who tricked women into dusting their vulvas with asbestos):

https://pluralistic.net/2023/02/01/j-and-j-jk/#risible-gambit

And the Boy Scouts of America, who let pedophiles abuse children for decades:

https://pluralistic.net/2023/12/05/third-party-nonconsensual-releases/#au-recherche-du-pedos-perdue

Both J&J and BSA carved out nonconsensual third-party releases in the mold of the Sacklers' deal, and both briefed the Supreme Court, warning that if the Sacklers were forced to pay what they owed, J&J and BSA's victims would also be entitled to far larger sums. Go ahead and threaten us with a good time, why doncha?

The Sackler decision is a real bright spot at a dark time for corporate impunity. It's always nice to see big corporate bullies getting a bit of a comeuppance. Another one of those comeuppances was just delivered thanks to a classic fatfinger error.

A Microsoft engineer accidentally released the sourcecode to Playready, the company's flagship DRM product:

https://borncity.com/win/2024/06/26/microsoft-employee-accidentally-publishes-playready-code/

Microsoft's DRM doesn't do anything to protect the interests of creative workers or even the companies that employ them. As a Microsoft rep admitted on stage at a presentation in 2006, the purpose of Microsoft DRM is to prevent small startups from entering the market, ensuring that Microsoft and its "rivals" can safely divide up the world without worrying about disruptive competitors:

https://memex.craphound.com/2006/01/30/msft-our-drm-licensing-is-there-to-eliminate-hobbyists-and-little-guys/

I was there that day and reported on the remarks, prompting both Microsoft and its rep to furiously deny that they'd ever said this, despite multiple witnesses who heard it. This was just a couple years after I gave a viral talk at Microsoft about why the company shouldn't use DRM:

https://pluralistic.net/2024/06/18/greetings-fellow-pirates/#arrrrrrrrrr

By 2006, it was clear that the company was all in on DRM, and today, DRM is the centerpiece of Microsoft's anticompetitive strategy, and Playready is the centerpiece of Microsoft's DRM. The source-code leak is doubtless going to give rise to lots of grey-market tools for stripping DRM from all kinds of media:

https://security-explorations.com/microsoft-playready.html

You love to see it! Now I'm doubly looking forward to this summer's security conferences, including Defcon, where, for the first time, I'll be emceeing the charity poker tournament to benefit EFF:

https://www.eff.org/deeplinks/2024/06/betting-your-digital-rights-eff-benefit-poker-tournament-def-con-32

This should be very fun – and funny – especially given how little I know about poker (I have been specifically selected on that basis, for the comedy value). Every player gets a custom EFF poker-deck, and the winner gets a treasure chest filled by EFF board member Tarah Wheeler, including "emeralds, black pearls, amethysts, diamonds, and more."

I like to close these linkdumps with something fun and uplifting, and I'd planned to end things with the poker-tournament, but then my pal Raph Koster announced that his game studio Playable Worlds had dropped its first announcement of Stars Reach, an open-world MMO like no other:

https://www.raphkoster.com/2024/06/28/announcing-stars-reach/

Raph is a legend in MMO design circles, whose credits include Ultima Online and Star Wars Galaxies. He wrote the definitive text on how games work, A Theory of Fun, that's does for games what Understanding Comics did for comics:

https://www.theoryoffun.com/

Stars Reach is stupidly ambitious. It consists of truly open worlds, modeled to an absurd degree of fidelity:

We know the temperature, the humidity, the materials, for every cubic meter of every planet. Our water actually flows downhill and puddles. It freezes overnight or during the winter. It evaporates and turns to steam when heated up. And not just our water — everything does this. Catch a tree on fire with a stray blaster bolt. Melt your way through a glacier to find a hidden alien laboratory embedded in the ice. Stomp too hard on a rock bridge, and watch out, it might collapse under your feet. Dam up a river to irrigate your farm. Or float in space above an asteroid, and mine crystals from its depths.

The game is fundamentally a climate story, whose lore has humanity seeded around the galaxy by a powerful alien race called the Old Ones, only to have humans bust through the planetary limits of every world they were given. Now the Old Ones are giving humans another chance to try smarter ways of sustaining ourselves on new worlds, with the aid of powerful robots call "Servitors."

Because this is a Raph Koster game, it's got a bunch of extremely satisfying play dynamics:

A classless skill tree advancement system, where peaceful play matters just as much as combat

An intricate player-driven economy where players can craft their way to fame and fortune

An accessible yet deep combat system, where you can choose whether to play using action aiming or more forgiving homing shots or lock-on targeting

In-world player housing that lets you build and customize your home and form towns… and enough room for everyone to have a house

A single shardless galaxy, with both space and ground gameplay… in fact, you can build that house on an asteroid, if you want

The ability for a group to govern a planet, and define its laws, whether you want a peaceful home or a PvP free for all

Stars Reach is not playable yet, but the company's looking for gamers to give them feedback and steer the development:

https://starsreach.com/

OK, that wraps up the week's links. I'm gonna get one more edition out on Monday, god willin' and the crick don't rise, and then I'll be off for a couple weeks. Enjoy your summer!

Support me this summer on the Clarion Write-A-Thon and help raise money for the Clarion Science Fiction and Fantasy Writers' Workshop!

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/06/29/pasticcio/#professor-at-large

Image: James St John https://flickr.com/photos/47445767@N05/40894047123

CC BY 2.0 https://creativecommons.org/licenses/by/2.0/deed.en

[blinkiesreal]

[sesiondemadrugada]

Dracula (Tod Browning, 1931).

[bkenber]

'National Lampoon's Vacation' Movie and 4K Review

The following review was written by Ultimate Rabbit correspondent, Tony Farinella. When it comes to comedy in films, I’m well aware of the fact it is subjective.  In fact, film criticism as a whole is subjective, but I feel as though with comedy, it is especially subjective. What I find funny in film, you might find painfully stupid and vice versa. When it comes to the National Lampoon films…

[adamwatchesmovies]

Harry and the Hendersons (1987)

I’ve had some bad experiences with Bigfoot movies. I remember enjoying Abominable, which is basically Rear Window with a Skunk Ape. Sasquatch, with Lance Henriksen is so bad you’re better off forgetting it. Most examples of the "genre" either fall into the offensive category. At best you'll get something so bad it's good again (I recommend Nightclaws if that’s what you’re looking for). After all these horror movies, it was a surprise to find a gentle, family friendly and charming Abominable Snowman film in the form of Harry and the Hendersons even more surprising is that it's good!

While on a family hunting/camping trip, the Hendersons – father George (John Lithgow), mother Nancy (Melinda Dillon) and their two children Sarah (Margaret Langrick) and Ernie (Joshua Rudoy) – hit a Sasquatch with their car. Unaware that it’s merely knocked out, they strap it to the roof of their vehicle and bring it home.

Created by Rick Baker, “Harry” is a marvellous special effect. You can’t tell whether it’s someone in a suit and makeup or an elaborate electronic. I’m sure it’s a mixture of both but the creature’s movements, its facial expressions, the way it’s shot make it completely convincing. If I didn’t know any better, I’d swear they actually had a Sasquatch on-screen.

This is not a frightening film at all, but if you’re looking to make one, you’ve got to see the way director William Dear handles Harry. You are slowly teased the design. As the Hendersons peer over what they think is a carcass that would send any cryptozoologist into an ocean of ectasy, you see just enough to wet your appetite. You’ll be on your tiptoes trying to peer over the edge of your TV to see Harry’s face and when they finally show the creature in its full glory, you’re blown away. The special effects give Harry a wonderfully expressive face that conveys emotions you instantly relate to. Even without any dialogue, Harry becomes an instantly lovable entity.

The film also features a surprisingly strong character arc for John Lithgow’s character, George. A run-of-the-mill picture would have an obvious change that goes something like this: at first, he doesn’t like Harry. Maybe he wants to kill, or sell the creature for money. By the end, he’d consider Harry a friend or a member of the family. In Harry and the Hendersons, the character is deeper than that. We learn about George's relationship with his father (M. Emmet Walsh), what made him the man he is today and where he’ll go in the future. John Lithgow is a great actor and it’s satisfying to see that he isn’t simply walking around in a dumb role while shenanigans happen around the house. There’s a moment where he spends time drawing a promotional poster for his father’s store and the way that plays out hit a strong cord with me.

There are plenty of laughs and warm emotions found throughout the film. Even the villains are not really that bad and the conclusion resists the obvious, lame decisions we often see in children’s films. Instead, it opts for the right choice and pursues the tone it’s had throughout all the way through.

I’m not going to call the picture a classic. You can’t help but compare the film to E.T. and this just isn't on that same level. Some of the characters are dropped halfway through and not all of the jokes work… but that’s ok. It's the perfect pick for a family movie night that includes both the young and the old. (On VHS, April 24, 2018)

[denimbex1986]

'Andrew Scott’s mesmerising performance in Netflix’s neo-noir Ripley has received critical acclaim.

The veteran actor – who got his start in the 80s in an ad for oat brand Flahavan’s – has proven his diverse acting skills over the years.

For those who think he looks familiar, that’s because he probably is, from his roles in everything from Band of Brothers to Fleabag.

Here’s everything you need to know about the talented Mr Andrew Scott:

Andrew Scott is an Irish actor

Andrew Scott was born in Dublin, Ireland, in 1976, according to Rotten Tomatoes. He was raised in his hometown with his father working in an employment agency and his mother an art teacher, per The Independent.

Besides playing the memorable villain Moriarty on BBC’s hit series Sherlock, he also played John D. Hall in Band of Brothers, and was in All of Us Strangers, Spectre, Victor Frankenstein, 1917 and more, per his IMDB profile.

Scott stunned the theatre world with his impressive acting when he played a total of eight characters in Vanya, an adaptation of Anton Chekhov’s 1898 tragicomedy, at the Duke of York’s theatre in London, per The Guardian.

He’s very private

Scott, 47, rarely makes comments about his personal life, telling the Independent in 2013, “I am a private person; I think that’s important if you’re an actor. But there’s a difference between privacy and secrecy, and I’m not a secretive person.”

In 2020 he told UK GQ: “One thing I’d really like to change after the pandemic is people’s attitude to social media. It’s about real connection, not just to filter everything.”

According to Yours, the BAFTA-winning actor is based in London but has a home in Dublin too.

Is Andrew Scott dating anyone?

According to Hello!, Scott is currently single. He was previously in a relationship with writer Stephen Beresford, until they split in 2019, per the same source. Scott publicly came out as gay in an interview with The Independent back in 2013.'

[badmovieihave]

Bad movie I have Rush Hour 1998

[spryfilm]

Blu-ray review: “Arabian Nights” (1942)

Adventure  Running Time: 87 minutes Written by: Michael Hogan Directed by: John Rawlins Featuring: Jon Hall, Maria Montez, Sabu, Leif Erikson, Billy Gilbert, Edgar Barrier, Shemp Howard, Thomas Gomez, Turhan Bey, Elyse Knox, Acquanetta and Carmen D’Antonio Scheherazade: “I would swear I have seen this man before. But where?” Ali Ben Ali: “Maybe in your dreams.” Critical…

[theartofangirling]

part 3 of the 2023 version of this post: adult books!

part 1: middle grade books | part 2: young adult books

this is a very incomplete list, as these are only books I've read and enjoyed. not all books are going to be for all readers, so I'd recommend looking up synopses and content warnings. feel free to message me with any questions about specific representation!

list of books under the cut ⬇️

yerba buena by nina lacour

if we were villains by m.l. rio

everyone in this room will someday be dead by emily r. austin

i want to be a wall by honami shirono

portrait of a thief by grace d. li

the thirty names of night by zeyn joukhadar

on earth we're briefly gorgeous by ocean vuong

love & other disasters by anita kelly

take a hint, dani brown by talia hibbert

boyfriend material by alexis hall

almost like being in love by steve kluger

the charm offensive by alison cochrun

something wild & wonderful by anita kelly

red, white & royal blue by casey mcquiston

something to talk about by meryl wilsner

honey girl by morgan rogers

one last stop by casey mcquiston

once ghosted, twice shy by alyssa cole

kiss her once for me by alison cochrun

a spindle splintered by alix e. harrow

finna by nino cipri

every heart a dooryway by seanan mcguire

the starless sea by erin morgenstern

under the whispering door by tj klune

space opera by catherynne m. valente

light from uncommon stars by ryka aoki

dead collections by isaac fellman

the city we became by n.k. jemisin

light carries on by ray nadine

an absolutely remarkable thing by hank green

feed them silence by lee mandelo

summer sons by lee mandelo

upright women wanted by sarah gailey

lavender house by lev a.c. rosen

fried green tomatoes at the whistle stop cafe by fannie flagg

the seven husbands of evelyn hugo by taylor jenkins reid

a master of djinn by p. djeli clark

witchmark by c.l. polk

a marvellous light by freya marske

a restless truth by freya marske

when women were dragons by kelly barnhill

plain bad heroines by emily m. danforth

a lady for a duke by alexis hall

infamous by lex croucher

passing strange by ellen klages

even though i knew the end by c.l. polk

the chosen and the beautiful by nghi vo

whiskey when we're dry by john larison

wake of vultures by lila bowen

silver in the wood by emily tesh

the once and future witches by alix e. harrow

the kingdoms by natasha pulley

a tip for the hangman by allison epstein

she who became the sun by shelley parker-chan

the song of achilles by madeline miller

spear by nicola griffith

this is how you lose the time war by amal el-mohtar and max gladstone

gideon the ninth by tamsyn muir

some desperate glory by emily tesh

all systems red by martha wells

a psalm for the wild built by becky chambers

the mimicking of known successes by malka older

winter's orbit by everina maxwell

fireheart tiger by aliette de bodard

empress of salt and fortune by nghi vo

legends and lattes by travis baldree

the house in the cerulean sea by tj klune

other ever afters by melanie gillman

the priory of the orange tree by samantha shannon

a day of fallen night by samantha shannon

a strange and stubborn endurance by foz meadows

the unbroken by c.l. clark

real queer america by samantha allen

fun home by alison bechdel

in the dream house by carmen maria machado

better living through birding by christian cooper

why fish don't exist by lulu miller

[fandom]

Musical Acts

⇆ㅤ ||◁ㅤ❚❚ㅤ▷||ㅤ ↻ 

Taylor Swift

BTS

My Chemical Romance

Stray Kids

Lana Del Rey

Harry Styles

Ghost

Fall Out Boy

Hozier

Louis Tomlinson

ATEEZ

SEVENTEEN

Panic! At The Disco

Kanye West

ENHYPEN

TWICE

Tomorrow X Together

Lil Nas X

SHINee

EXO

Joker Out

Greta Van Fleet

Megan Thee Stallion

NCT 127

DJ Crazy Times

Beyoncé

Rihanna

Paramore

Olivia Rodrigo

BLΛƆKPIИK

NCT Dream

Janelle Monáe

Queen

Le Sserafim

Red Velvet

LOOΠΔ

Boygenius

Mitski

The Beatles

ITZY

The 1975

æspa

Elvis Presley

SZA

Lovejoy

Dolly Parton

Phoebe Bridgers

The Mechanisms

Dua Lipa

Niall Horan

Agust D

Käärijä

Earth, Wind & Fire

IVE

Arctic Monkeys

Kai

Monsta X

Lizzo

WayV

One Direction

Paul McCartney

Moonbin

Astro

Smash Mouth

David Bowie

NewJeans

The Mountain Goats

John Lennon

Rammstein

5 Seconds of Summer

Weird Al

Jack Harlow

George Harrison

Gorillaz

Britney Spears

Dreamcatcher

Jack Antonoff

Fiona Apple

Snoop Dogg

(G)-IDLE

Miley Cyrus

Cardi B

Sabrina Carpenter

Lady Gaga

Fleetwood Mac

Drake

Kelly Rowland

Ariana Grande

Chloe X Halle

Metallica

Lil Kim

Normani

Nirvana

Led Zeppelin

Blind Channel

Jihyo

Ciara

Jimmy Buffett

Halsey

NCT U

This is a newly-combined list! Yay!

[celestialprincesse]

Just going to leave this here and then sneak away! K bye! 🎀🩰

John Price is a man who runs on instinct. After years in the forces, he has to be. He's learned that the feeling in his gut is almost never wrong, and learning how to trust it is a skill. Right now though? He's wishing that his stomach would stop roiling. He's so anxious he feels like he might actually be sick. Kyle sits earnestly at his side, hunched over in the plastic hospital chair nursing a long gone flat vending machine Coke.

They've been tuning out your screams for a good three hours now.

Something within John breaks with every guttural cry that sounds from under the doorway. He's heard so many countless screams of agony from faceless people. They've been and gone in his head like a passing storm. Yours, he thinks, will stick for a lifetime.

Realistically, he knows that you're safe. Receiving the best care you possibly can, safe within the walls of the modern private hospital his insurance more than covers. He also can't help but remind himself just how complicated giving birth can be - and you're so delicate to him.

He's not actually sure when Kyle got here, having been running on autopilot since your contractions started yesterday. All the boys love you just as much as you do them, and when he'd messaged their shared group with a simple: > On way to hospital now. they'd been so shit scared.

Each one of them had opted to take up shifts staying beside their captain in the hospital, waiting earnestly for if they were at all needed. Johnny had picked up groceries, claiming that he' d best know what to get for a new mum, seeing as he's the only one besides Price who actually has sisters, and a niece of his own. None of them would ever admit that they also wanted to be the first to see little baby Price, and to check in on his wife who'm they'd grown to love so much, but there'd definitely been attempts on all three sides to work out when the baby would approximately pop, so that they could time their stint accordingly.

"Think she's okay in there?" John croaks, lifting his head from his palms, squinting at the fluorescent hall lights with a tired grunt.

Kyle swallows the sip of Coke in his mouth before responding. "She's a trooper. I think if anyone can handle having a baby, it's your missus."

Hours later, your small hospital room falls silent, and John is immediately up on his feet, back ramrod straight, everything alert. And then, a baby cries. It's a little hiccuping whinge at first, but then his baby seems to find their voice, wailing up a storm.

"You should go. See them." Kyle prompts quietly, noticing his captain's reverie as he just stands there staring at the closed door.

Nurses file out one by one, whilst he makes his way in, a dazed sort of look on his face as he sees the swaddles blanket you hold close to your chest, gurgling softly as tiny fat fists reach out to your nose.

The stillness in the room is like time stops entirely, only finally broken by a soft "Hey." as your husband makes his way quietly to your side.

"Hi." You breathe, a soft smile blossoming on your tired face, scooting along in the hospital bed so he can sit beside you.

The reverence on his face as he looks down towards the face of such a small creature is a look only talked about in fairytales. A look that tells you that your baby is the luckiest child in the world to have a dad like John.

"She's a girl." You laugh softly, noticing the look on John's face, the one that says he's holding his tongue.

"Oh, my baby girl." Tears spring to his cerulean eyes as he brushes a gentle finger down the soft slope of her tiny nose.

For a moment, the two - three - of you sit in total stillness, entirely enraptured by the tiny human you currently keep held so closely to your chest. Until there's a quiet, tentative knock on the door.

"Mrs Price? Can we come in?" Kyle's voice comes softly from the other side, but before you can even finish your "Yes" not just Kyle, but also Simon and Johnny are practically barrelling into the room, barely able to contain their intrigue as they lock eyes with the little blanket wrapped parcel they've been waiting nine months to meet.

The minute you invite them to look at the sleeping face of your daughter, they're practically tripping over themselves to see the much anticipated baby Price.

"Looks jus' like her mam." Johnny observes, whilst Simon just stares, and Kyle busies himself with taking a picture of you, John and your baby girl.

"Bought 'er a present, mrs Price." Simon admits a little sheepishly as he pulls a haphazardly wrapped parcel from his coat pocket. A stuffed ghost teddy only just the size of your fist. "To remind 'er that uncle ghost is always looking out for her."

You're practically crying at the thought behind his gift, carefully side-hugging the lieutenant with the arm that's not holding your daughter.

"We're all here for her. And for you. Always. One for one and that."

[stacitroilo]

THE HAUNTING OF CHATHAM HOLLOW Tour Wrap-Up #bookrelease #ghost #mystery

THE HAUNTING OF CHATHAM HOLLOW Tour Wrap-Up #bookrelease #ghost #mystery #GRATITUDE

Well, the tour for our latest release, The Haunting of Chatham Hollow, is over. We had a wonderful time chatting with you and truly hope you had as much fun as we did. To those of you who missed the entire tour, I’ll have a link to all our stops at the end of this post. We hope you find a moment to visit one or more of them.To those of you who made it to a select few, we’re grateful you took the…

[doyoulikethissong-poll]

Yes votes / Artist - Song title / Poll number / Showdown votes / * Showdown Winner

95% A-ha - Take On Me #91 - 45.2% *

94,8% Boney M. - Rasputin #37 - 49,3% *

94,6% Beethoven - Symphony No. 5 #223 - 16,5%

94,3% Dolly Parton - Jolene #110 - 43,1% *

94,1% Britney Spears - Toxic #04 - 51,9% *

94% Green Day - American Idiot #264 - 29,6% *

92,8% The Rolling Stones - Paint It Black #236 - 20% *

92,5% Outkast - Hey Ya! #260 - 49,6% *

92% Fleetwood Mac - The Chain #116 - 44,4% * 92% The White Stripes - Seven Nation Army #268 - 19,7%

91,5% Stevie Wonder - Superstition #261 - 15,9%

91% The Cranberries - Zombie #323 - 44,8% *

90,9% Smash Mouth - All Star #336 - 62,2% *

90,6% Louis Armstrong - What a Wonderful World #301 - 20,9%

90,3% Michael Sembello - Maniac #227 - 6,2%

90,2% Dead or Alive - You Spin Me Round (Like a Record) #163 - 30,8% *

-

89,1% Kansas - Carry On Wayward Son #171 - 51% *

88,6% Bon Jovi - Livin' on a Prayer #307 - 25,1% *

88,3% Harold Faltermeyer - Axel F #289 - 18,4%

87,9% Madonna - Like a Prayer #313 - 34,6% *

87,8% The Weeknd - Blinding Lights #233 - 14,4%

87,6% Gotye featuring Kimbra - Somebody That I Used to Know #267 - 15,1%

86,8% Gnarls Barkley - Crazy #206 - 17,3%

86,6% Amy Winehouse - Back to Black #190 - 32,9 *

86,3% Chumbawamba - Tubthumping #82 - 24,9%

86,2% AFI - Miss Murder #306 - 16,8%

86,1% Mary J. Blige - Family Affair #308 - 5,5%

86% Chuck Berry - Johnny B. Goode #53 - 18,6%

85,6% Santana featuring Rob Thomas - Smooth #205 - 19,1%

85,5% Dido - Thank You #120 - 5,6%

85,3% Ricky Martin - La Bomba #132 - 8,3% 85,3% Billy Idol - Rebel Yell #197 - 23,9%

85,2% Queen - The Show Must Go On #142 - 20,9%

85% Green Day - Basket Case #47 - 27,6% *

84,9% Ramones - Blitzkrieg Bop #41 - 15,8%

84,7% The Cardigans - Lovefool #135 - 24,2% *

84,5% Elvis Presley - Can't Help Falling in Love #136 - 18,8%

84,4% Daryl Hall & John Oates - Out of Touch #67 - 31,4% *

84,3% Blur - Song 2 #222 - 18,6%

84,2% The Sweet - The Ballroom Blitz #226 - 15,8%

83,8% Kylie Minogue - Can't Get You Out of My Head #302 - 15,8%

82,7% Nightwish - The Phantom of the Opera #144 - 8,6%

82,6% Junior Senior - Move Your Feet #76 - 6,5%

82,5% Blackstreet featuring Dr. Dre and Queen Pen - No Diggity #249 - 37,8% * 82,5% Robert Miles - Children #270 - 2,9%

82,4% Myrkur - Tor i Helheim #54 - 7% 82,4% Tracy Chapman - Fast Car #145 - 32,5% *

82% Backstreet Boys - I Want It That Way #105 - 19,2%

81,9% Blue Swede - Hooked on a Feeling #152 - 17,1% * 81,9% 3 Doors Down - Kryptonite #167 - 15,1%

81,7% Daft Punk - Around the World #231 - 18,2%

81,6% N Sync - Bye Bye Bye #52 - 26,9% * 81,6% Shakira featuring Alejandro Sanz - La Tortura #269 - 4,8%

81,5% Israel Kamakawiwo'ole - Somewhere Over the Rainbow #42 - 16,7%

81,1% Metallica - Enter Sandman #200 - 32,5% *

80,7% Jamiroquai - Virtual Insanity #72 - 17,9%

80,6% Fatboy Slim - Praise You #237 - 6,5%

80,5% Pixies - Where Is My Mind? #148 - 13,5% 80,5% Roxette - The Look #225 - 5,7%

80,2% Oasis - Wonderwall #157 - 16%

80,1% Soundgarden - Black Hole Sun #119 - 14,9%

-

79,9% Dee Dee Sharp - Mashed Potato Time #326 - 0,7%

79,8% Christina Aguilera - Candyman #228 - 5,9%

79,6% Fats Waller - Ain't Misbehavin' #179 - 7,1% 79,6% Deep Purple - Smoke on the Water #238 - 7,2%

79,4% Falco - Rock Me Amadeus #185 - 23,2% 79,4% Enrique Iglesias - Bailamos #304 - 6,2%

79,3% Rick Astley - Never Gonna Give You Up - #Bonus Poll

79,1% Runrig - Gamhna Gealla #281 - 4,5%

78,8% Shakira - Ojos Así #75 - 7,5% 78,8% MUCC - Libra #263 - 1,7% 78,8% The Platters - Only You (And You Alone) #315 - 3,8%

78,7% The Jacksons - Blame It on the Boogie #220 - 15,8%

78,5% Kaoma - Lambada #57 - 4,2%

78,4% Danny Elfman - This Is Halloween #05 - 13,9%

78,2% Panic at the Disco - The Ballad of Mona Lisa #78 - 18,5% *

78% Panjabi MC - Mundian To Bach Ke #64 - 5,3% 78% Wang Heye - Windy #298 - 3,3%

77,8% Plastic Bertrand - Ça Plane Pour Moi #318 - 11,3%

77,7% Tenacious D - Tribute #201 - 23,6% * 77,7% Meat Loaf - I'd Do Anything for Love (But I Won't Do That) #325 - 11%

77,6% Jimi Hendrix - All Along the Watchtower #95 - 13.1% 77,6% Nirvana - The Man Who Sold the World #118 - 10,7%

77,2% Psy - Gangnam Style #255 - 22,4%

77% Elton John - Goodbye Yellow Brick Road #22 - 29,4% * 77% Kesha - Blow #38 - 12,1%

76,9% The Verve - Bitter Sweet Symphony #271 - 32,5% *

76,6% Santiano - Gott muss ein Seemann sein #276 - 7,6%

76,4% Salt-N-Pepa with En Vogue - Whatta Man #134 - 15,1% 76,4% George Michael - Freedom! #219 - 17,2%

76,3% Johnny Cash - Hurt #81 - 35,6% * 76,3% Red Hot Chili Peppers - Otherside #92 - 8.2% 76,3% The Offspring - Gone Away #143 - 5,9% 76,3% The Longest Johns - Hoist Up The Thing #169 - 7,8%

76% Foo Fighters - The Pretender #111 - 14,2%

75,9% Queens of the Stone Age - No One Knows #87 - 12,9%

75,7% Nothing but Thieves - Is Everybody Going Crazy? #113 - 3,7% 75,7% Warren G featuring Nate Dogg - Regulate #244 - 9,2%

75,5% Tarkan - Şımarık #94 - 3.1% 75,5% Lenny Kravitz - Are You Gonna Go My Way #246 - 24,6%

75,4% Jerry Lee Lewis - Great Balls of Fire #188 - 8,8% 75,4% Arash featuring Rebecca Zadig - Temptation #332 - 2,2%

75,3% The Doors - Light My Fire #319 - 15,3%

75,2% Eiffel 65 - Blue (Da Ba Dee) #147 - 14,2% 75,2% Duran Duran - Ordinary World #257 - 14,2% 75,2% Anastacia - Not That Kind #335 - 3,1%

75,1% Kent - Kärleken Väntar #202 - 4,3%

74,9% Måneskin - Off My Face #151 - 7,9%

74,8% Måneskin - Zitti e Buoni #16 - 33% * 74,8% Fiona Apple - Criminal #329 - 9,6%

74,6% Nat King Cole - Nature Boy #09 - 7,2% 74,6% Within Temptation - Stand My Ground #165 - 6,4% 74,6% Pink - Who Knew #166 - 8,4%

74,5% Crazy Town - Butterfly #275 - 8,8%

74,4% Go_A - Shum #177 - 18,7%

74,3% Arash - Tike Tike Kardi #137 - 2,6%

74,2% Nelly - Hot in Herre #278 - 11,5%

73,6% Paula Abdul - Straight Up #156 - 6,2%

73,5% Tina Turner - GoldenEye #195 - 10,1% 73,5% Shaggy - Boombastic #262 - 4,5%

73,4% Babymetal featuring F.Hero - Pa Pa Ya!! #322 - 7,8%

73,3% Beck - Loser #124 - 16,4% 73,3% Massive Attack - Teardrop #187 - 17,4%

73,2% The Avalanches - Frontier Psychiatrist #232 - 8,2%

72,9% Britney Spears - Break the Ice #300 - 13,6% 72,9% Prince and the Revolution - Raspberry Beret #328 - 7,2%

72,7% Iggy Pop - Lust for Life #199 - 7,6% 72,7% Whitney Houston - I Have Nothing #218 - 11,9%

72,6% Evanescence - Imaginary #44 - 13,5%

72,5% Gackt - Vanilla #282 - 16,8%

72% Robbie Williams - The Road to Mandalay #129 - 3,9%

71,8% Billie Piper - Day & Night #173 - 5,6%

71,7% Lil Green - Why Don't You Do Right? #34 - 1,8%

71,6% Bad Lip Reading - Seagulls! (Stop It Now) #209 - 18,5%

71,3% Leila K featuring Papa Dee - Rude Boy #288 - 3,6%

71,2% Mötley Crüe - Dr. Feelgood #309 - 4,9%

71,1% Cab Calloway - Minnie the Moocher #130 - 14,4% 71,1% Ladaniva - Jako #259 - 2%

71% Udit Narayan - Bholi Si Surat #141 - 1,5%

70,9% Nine Inch Nails - Closer #93 - 22%

70,8% Eric Clapton - Tears in Heaven #295 - 8,2%

70,7% Ryan Gosling - I'm Just Ken #159 - 12,4%

70,6% The Lightning Seeds - You Showed Me #59 - 2,7% 70,6% Savage Garden - To the Moon and Back #83 - 7%

70,5% Queen - Mustapha #29 - 11,4%

70,4% Soggy Bottom Boys - I Am a Man of Constant Sorrow #26 - 22,3% 70,4% Metallica - Wherever I May Roam #77 - 8,6% 70,4% Johnny Cash - Don't Take Your Guns to Town #298 - 12,9% 70,4% Franz Ferdinand - Fresh Strawberries #324 - 3,3%

-

69,9% MUCC - Ryuusei #19 - 7,4%

69,6% Michael Crawford, Barbra Streisand - Put On Your Sunday Clothes #311 - 6,2% 69,6% Eagle-Eye Cherry - Save Tonight #321 - 7,2%

69,5% Spooks - Things I've Seen #104 - 0,8%

69,2% Flo Rida feat Kesha - Right Round #02 - 6,2%

69,1% Dogstar - Breathe Tonight #251 - 1,4% 69,1% Tanita Tikaram - Twist in My Sobriety #291 - 6,7%

68,9% Era - Ameno (Remix) #24 - 4,8% 68,9% M.I.A. - Paper Planes #229 - 19% *

68,8% Nat King Cole - When I Fall in Love #215 - 9,4% 68,8% Maroon 5 - Makes Me Wonder #216 - 8,5%

68,5% Linkin Park - Bleed It Out #63 - 23,9% 68,5% Snow - Informer #139 - 4,7%

68,4% Iggy Pop - Real Wild Child (Wild One) #305 - 2,5%

68,3% Run-DMC featuring Aerosmith - Walk This Way #127 - 10,9%

68,2% Limahl - The NeverEnding Story #60 - 9,8% 68,2% Nelly Furtado - Maneater #160 - 17,1% * 68,2% Abhijeet - Ole Ole #193 - 1,7% 68,2% Three Days Grace - Now or Never #337 - 6,9%

68,1% Stromae - L'enfer #89 - 9,8%

67,9% Urban Symphony - Rändajad #90 - 2,2% 67,9% Papa Roach - Getting Away with Murder #339 - 8,3%

67,8% Muse - Endlessly #107 - 9,4%

67,7% Poornima - Channe Ke Khet Mein #253 - 1,3%

67,6% My Chemical Romance - Sing #80 - 17,3%

67,3% “Weird Al” Yankovic - White & Nerdy #43 - 16%

67,1% Ice Nine Kills - Welcome To Horrorwood #280 - 7,6%

67% Avicii - Hey Brother #164 - 13,9%

66,8% Jamiroquai - Deeper Underground #258 - 5,3%

66,7% The Hives - Two-Timing Touch and Broken Bones #58 - 2,7%

66,6% Antique - Opa Opa #213 - 2,5%

66,4% Kiss - Heaven's on Fire #338 - 2,9%

66,3% System of a Down - B.Y.O.B. #128 - 26,2% *

66% Texas - Summer Son #154 - 2,6% 66% Tarkan - Şıkıdım (Hepsi Senin Mi?) #292 - 3,6%

65,9% Otis Redding - Cigarettes and Coffee #279 - 4,9% 65,9% Måneskin - Mammamia #283 - 22,2% *

65,8% Cliff Edwards - When You Wish Upon a Star #85 - 2,2% 65,8% Pātea Māori Club - Poi E #286 - 9,3%

65,7% Modern Talking - Brother Louie #50 - 4% 65,7% Ivan Campo - Dice Man #181 - 1,2%

65,5% All Seeing I - Beat Goes On #256 - 1,7%

65,4% Harry McClintock - The Big Rock Candy Mountains #131 - 6,7% 65,4% Jessica Folcker - Tell Me What You Like #247 - 2,1%

65,2% Eimear Quinn - The Voice #32 - 2,5% 65,2% 2Pac featuring Dr. Dre and Roger Troutman - California Love #121 - 8,3% 65,2% Radio Company - Drowning #172 - 2,2% 65,2% Sabrina Carpenter - Espresso #208 - 7,1% 65,2% Kiltro - All The Time In The World #224 - 2,4%

65,1% Samantha Mumba - Gotta Tell You #242 - 4,1% 65,1% Timbaland featuring Nelly Furtado and Justin Timberlake - Give It to Me #310 - 2%

64,7% Bloodhound Gang - The Bad Touch #162 - 9%

64,6% Gorillaz - Stylo #61 - 15,8% 64,6% Duran Duran - The Chauffeur #133 - 7,1%

64,4% Alice Cooper - Poison #01 - 10,5% 64,4% Depeche Mode - It's No Good #101 - 9,1%

64,2% Ace of Base - Happy Nation #192 - 3,8%

64,1% Destiny’s Child - Jumpin’, Jumpin’ #51 - 12,7%

64% 2 Unlimited - No Limit #182 - 3,2% 64% 30 Seconds to Mars - Battle of One #183 - 3,9% 64% Jack Johnson - Banana Pancakes #330 - 3,3%

63,8% Kongos - Come With Me Now #17 - 15,9% 63,8% A. R. Rahman - Jai Ho #40 - 4,6%

63,7% Eminem featuring Nate Dogg - 'Till I Collapse #239 - 2,1%

63,6% Björk - Army of Me #214 - 19,7% * 63,6% Aaliyah - Try Again #217 - 7,6%

63,4% 50 Cent - Candy Shop #320 - 12,2%

63,3% Dua Lipa - New Rules #126 - 10,6% 63,3% Smashing Pumpkins - Zero #327 - 5,1%

63,1% Olly Murs - Heart Skips A Beat #106 - 2,2% 63,1% David Bowie - Life on Mars? #235 - 16,9%

63% Moby - Why Does My Heart Feel So Bad? #123 - 3,8%

62,6% Métisse - Boom Boom Bâ #287 - 4,2%

62,4% 30 Seconds to Mars - Fallen #30 - 5,5% 62,4% Beastie Boys - Intergalactic #153 - 16% 62,4% The Castells - Some Enchanted Evening #207 - 1,3%

62,3% Childish Gambino - This Is America #71 - 18,2% 62,3% the Chemical Brothers - Galvanize #191 - 7%

62% Billie Eilish - No Time to Die #168 - 5%

61,7% Korn - Did My Time #194 - 6% 61,7% Ginuwine - Pony #297 - 12,8%

61,4% The Prodigy - Breathe #112 - 4,5%

61,3% Blue Stahli - One Last Breath #99 - 1.8%

61,2% Verka Serduchka - Dancing Lasha Tumbai #284 - 14,5%

61,1% Wham! - Everything She Wants #108 - 6,5%

61% Skunk Anansie - Weak #196 - 4,3%

60,7% Gyllene Tider - Sommartider #274 - 2,2%

60,6% Lordi - Hard Rock Hallelujah #70 - 9,9% 60,6% Kwoon featuring Babet - King Of Sea #115 . 0,5%

60,4% No Doubt - Sunday Morning #265 - 4,1%

60,3% My Chemical Romance - Bury Me In Black #294 - 19% *

60,2% Toni Braxton - You're Makin' Me High #155 - 1,4%

-

59,2% Reol - The Sixth Sense #266 - 1,7% 59,2% Puscifer - Rev 22.20 #334 - 5,4%

58,9% AC/DC - Hail Caesar #158 - 3,2% 58,9% Linkin Park - Waiting for the End #272 - 16,9%

58,7% Duran Duran - The Wild Boys #21 - 9,6%

58,5% Nova Twins - Antagonist #68 - 4,5%

58,4% Ava Max - Torn #331 - 2,8%

58,1% Madonna - Live to Tell #184 - 3%

57,6% Coldplay - Hymn for the Weekend #234 - 4,4%

56,8% Mendez - Adrenaline #23 - 1,2% 56,8% Sash! - Ecuador #73 - 1,7% 56,8% Anouk - Nobody's Wife #176 - 2,2%

56,7% George Michael and Mary J. Blige - As #62 - 3,2% 56,7% Kelis - Trick Me #175 - 4,2%

56,6% Nikka Costa - Like A Feather #48 - 0,6% 56,6% Nick Cave and the Bad Seeds & Kylie Minogue - Where the Wild Roses Grow #103 - 5,7%

56,3% Beyoncé - Work It Out #340 - 5,2%

56,1% Margaret Berger - I Feed You My Love #117 - 0,8%

55,9% Blur - Coffee & TV #56 - 9,7%

55,8% Kool & the Gang - Too Hot #277 - 3% 55,8% Chris de Burgh - The Lady in Red #314 - 4,2%

55,7% Big Brovaz - Nu Flow #65 - 0,9% 55,7% K’s Choice - Everything For Free #79 - 1,2% 55,7% AISHA and Jamison Boaz - Love the Subhuman Self #211 - 4,2%

55,5% System of a Down - Fuck the System #293 - 16,1%

55,4% Moby - Natural Blues #07 - 2,5% 55,4% Janet Jackson featuring Q-Tip and Joni Mitchell - Got 'til It's Gone #146 - 2,2%

55,2% Rammstein - Engel #35 - 7,3%

55,1% Maximum the Hormone - What's Up, People?! #138 - 10,6% 55,1% Eros Ramazzotti - Più Bella Cosa #290 - 3,6%

55% DJ Jazzy Jeff & The Fresh Prince - Summertime #273 - 4,9%

54,6% John Lennon - Imagine #203 - 5,3%

54,5% Billie Myers - Tell Me #86 - 0,9% 54,5% Lana Del Rey - High by the Beach #186 - 4,4%

54,3% Chthonic - Takao #285 - 2,9%

54% Aqua - Turn Back Time #28 - 8,2%

53,9% Ardis - No Man's Land #88 - 0,9%

53,5% Kylie Minogue - Confide In Me #13 - 5,2%

53,4% Apashe - Lord & Master #170 - 1,5%

53,2% Sugababes - Overload #312 - 4,3%

53% LL Cool J featuring Boyz II Men #243 - 3,4% 53% Maxim featuring Skin - Carmen Queasy #245 - 3,2%

52,8% Madonna - Who's That Girl #18 - 9,8%

52,7% Aerosmith - Falling in Love (Is Hard on the Knees) #84 - 3,5% 52,7% MUCC - Daikirai #161 - 2,1%

52,2% Marilyn Manson - The Fight Song #49 - 2,1%

52,1% DJ Shadow - Six Days #180 - 2%

51,6% Bomfunk MC's - Freestyler #14 - 6%

51,5% Foals - Tron #210 - 1,6%

51,3% Mariah Carey - The Roof (Back in Time) #46 - 1,4% 51,3% Mori Calliope & Reol - 虚像のCarousel #55 - 5,6%

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49,9% Basement Jaxx - Where's Your Head At #31 - 6,9%

49,8% Shaggy - Hey Sexy Lady #122 - 4,1%

49,7% Warren G & Sissel - Prince Igor #20 - 2,2%

49% Billie Eilish - NDA #10 - 2,6%

47,7% Massive Attack - Angel #39 - 5,9%

47,5% Adam Tensta - My Cool #11 - 1%

47,4% Slipknot - The Blister Exists #100 - 2,6%

47,3% The Lonely Island featuring Michael Bolton - Jack Sparrow #221 - 9,1% 47,3% Burna Boy featuring 21 Savage - Sittin' on Top of the World #248 - 1,9%

47% Seether - Fuck It #74 - 2,6%

46,9% Rhiannon Giddens - Way Over Yonder #102 - 1,2%

46,8% Spiritbox - Rotoscope #66 - 2,6%

46,6% Sabrina Carpenter - Feather #25 - 4,6%

46,5% Stray Kids - Slash #316 - 4,1%

46% Prince - The Greatest Romance Ever Sold #69 - 2,6%

45,6% Jimmy Cliff feat Lebo M - Hakuna Matata #06 - 2%

45,3% Youssou N'Dour and Neneh Cherry - 7 Seconds #212 - 3,3%

44,9% Alcazar - Physical #254 - 0,9%

44,3% 3T and Michael Jackson - Why #114 - 0,7%

44,2% Tones and I - Dance Monkey #178 - 6,1%

44,1% Scooter - Friends #230 - 0,8% 44,1% Darren Hayes - Hero #252 - 1,2%

43,9% The Prodigy - No Good (Start the Dance) #08 - 2,6% 43,9% David Bowie - I'm Afraid of Americans #33 - 8,5% 43,9% Faithless - Insomnia #109 - 2,9%

43,8% Jonas Brothers - Only Human #204 - 2%

43,1% Atari Teenage Riot - Speed #317 - 4,1%

42,7% Fatboy Slim - Weapon of Choice #12 - 16,3%

42,6% Eminem - Rabbit Run #27 - 2,9%

42,1% Mariah Carey and Boyz II Men - One Sweet Day #296 - 3,8%

41,5% Destiny's Child - With Me #198 - 3,2%

41,2% Diana Ross - If We Hold On Together #241 - 10,8%

40,6% Michael Jackson - Will You Be There #45 - 2,3%

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39,8% Alanis Morissette - I Was Hoping #96 - 1.6%

38,8% Wyclef Jean - Gone Till November #36 - 1,1%

38,5% Bright Light Bright Light featuring Mark Gatiss - Next To You #174 - 0,8%

37,9% Ariana Grande - Yes, And? #140 - 1,8%

37,6% Babylon Zoo - Spaceman #189 - 2%

36,5% Jedward - Luminous #125 - 1,4% 36,5% Elton John - I Want Love #240 - 2,1%

35,3% Noporn - Geleia de Morango #150 - 0,3%

35,1% 30 Seconds to Mars - Midnight Prayer #333 - 1,1%

34,6% Ena Mori - Fall Inlove! #149 - 0,4%

33,3% Ryan Gosling - Put Me in the Car #15 - 3,2%

32,4% Take That - Babe (Return remix) #303 - 0,3%

30% Darren Hayes - Spin #03 - 0,6%

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29,1% Addis Black Widow - Goes Around Comes Around #250 - 3%

29% Dreamcrusher - In Due Time #98 - 0.7%

28,2% BTS - Life Goes On #97 - 1.8%

[sesiondemadrugada]

Dracula (Tod Browning, 1931).

[newyorkthegoldenage]

Wastebasket designed by Donald Deskey, 1928. Wood, paint, silver leaf.

Deskey was one of the leading American industrial designers of the 20th century. His work was strongly influenced by the European Art deco movement, especially after he visited the Paris World Fair of 1925. It was upon returning to America that he became a designer, seeking to bring home some of the innovations he had observed. He is best known for his modernist and streamlined approach to the interiors of Radio City Music Hall, commissioned in 1930 by John D. Rockefeller, and for his packaging designs, which shaped the appearance of everyday American objects from the 1940s onwards.

Photo & text: Cooper-Hewitt Smithsonian Museum