Wars and Wild as knights in Lu
They have issues.
I have a lot of thoughts on Wild and Wars and their relationship (Order of this post is talking about saluting, Wild and Wars' different perspectives, memory issues, and fire) Rant time.
No saluting!!
So Wild took a formal- almost/awkwardly saluting pose when Wars confronted him in 'Entrance pt.2'
It's similar to the first time Wild addressed Wars as 'captain'. His left hand is up from where a salute should be, and his overall posture is awkward, with his shoulders and right hand raised, but it's clear he's trying to do a salute in the presence of a fellow knight.
In the second example his hand is behind his head, but his posture is very straight and his right arm stiff- he's again attempting a formal saluting position. Which is still awkward
It is less clear but his changes in posture clued me in. He goes from like a deer in the headlights to visibly sweating to straight backed and looking up at Wars- looking at the changes in his body language
Side note but I literally love how Jojo draws the champions tunic so much-
We can't see the action of Wild's body language in a comic, just the positions he went to. But he visibly leaned away from Wars before switching to a straight backed saluting-like posture. He's clearly freaked out, hence Twilight's face: >:(
I think that Wild taking somewhat military poses around Wars is important to their relationship issues because it comes from his struggle with memory and identity
.
So like. All of them have different perspectives
Wars
I adore Wars. He is baby and I love him. I think it is also important to acknowledge that he would not speak to any of the others this way.
And the scarf man cmon it's so pretty they are so cute-
Why is Wars talking to Wild like this? He's called him out and reprimanded him multiple times in front of the others. Wild has taken it well but tbh if it was Legend I think he would be on fire.
To some extent I think he is in captain mode. I think that he has trouble seeing Wild as not a knight. Wars gives Wild respect as a knight who sacrificed for his kingdom, but now it seems he's taking it away as a knight who's not doing well enough since he 'disregarded the plan'
At least I think that's the outside (or Wild's) view of it. But Wars internally really cares about Wild and he saw him run up to a giant and lose it. Different ways of showing concern perhaps?
Who wouldn't want to keep Wild from getting more scars?
I just. Don't doubt for a second Wars really cares about Wild- even if the way he's acting still isn't cool. He has no right to treat him like a soldier any more than the rest of the chain, and right now I think Wild is acting as the more mature person.
Wild
I adore Wild. He is baby and I love him. I think it is also important to acknowledge that although he is clearly making efforts after Twilight's injury, Wild has ignored Wars for the majority of Lu, by not speaking to him much, and not thanking or acknowledging Wars when he directly helped him. (Small example being walking with Hyrule not Wars when injured and not directly responding to Wars)
Wars cares about and respects Wild, but it seems Wild wants nothing to do with him, and he's been cold towards Wars for the majority of Lu. To Wild, Wars reminds him of his perceived failure. Which is valid feelings, but still not fair. And I think that ask is talking about these two.
The thing I love about this is each of them are right and wrong in some ways, leading to the tension between them. So fully blaming either of them is not logical
The rest of the chain is just vibing. Except twilight who's mad and wants them to just grow up, but. Heros of courage not wisdom @uniquevoidflowers ;)
And that ask- '''Are any of the Links ever jealous of another Link for adventures that were less difficult/life threatening?'' ''When you hear Wild say he 'hates' someone you'll have your answer.''' somewhat leads to my next point-
Wild's identity and memory issues exacerbate all of this
In Entrance, Twilight is being stressed and defensive, that's ok. What concerns me most is that Twilight has talked with Wild through stuff like this in his rough moments
Wild has tried to be formal several times- he is not very good at it
Four's face I can't didnwidkekfjej
Wild isn't and can't be 'him'- the same 'perfect' (<actually has crippling anxiety) knight he was before, and Twilight knows this. And I agree with him a bit, I think, that Wars is making things worse in Wild's mind by being that perfect soldier, and seemingly holding Wild to a standard he isn't
Wild's attempts at saluting is symbolic of that- Wars makes him feel like a failure trying to be the person he should be. But Wild shouldn't be anyone but himself.
Anyways. Fire.
Wars and Wild have issues, and I want them to work through all their relationship drama so they can reach their PEAK dynamic, which is obviously this
I mean like. We need these two to be friends
Anyways. Wild is in this constant state of identity crisis, and being around Wars has not been beneficial- neither of them is or has been showing the other the respect they deserve. Not as knights, but as people and brothers. They need a get along shirt.
All this Art is by Jojo @linkeduniverse au!
:)
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Trolling aside, i think there is some great importance as to why Gege chose this specific manner of panelling for the Yuji-Sukuna confrontation in JJK 264. We can't help but think that Gege's trying to show us some sort of a parallel between Gojo and Sukuna in this situation.
In JJK, there's this interesting notion of one's decision to go "North" or "South" as explained by Nanami during Gojo's death Flashback:
And we all know, that chapter of Gojo's death is titled as "Go South", which highly implies that Gojo chose to stay as who he was, as opposed to starting as something completely anew.
Now the interesting point in the Yuuji-Sukuna confrontation is that apparently...
....the destination for the supposed train within Yuuji's domain...is "North".
Which means that Yuuji's taking Sukuna towards the North.......
They're heading towards the North.....do you guys understand what that means?? For BOTH of them??? Q C Q
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Halloween prompts year 2 day 28
Thomas stared down at Bruce-no- Danny as he led him by the hand toward what he had dubbed as his "Secret Lair" which was just an old fall out shelter in the woods that had been well hidden and forgotten about. The door to it was old and still buried under years of dirt and plant growth, requiring Danny to phase them into it which made Thomas wonder how his grandson had found it in the first place.
Inside was surprisingly high tech. "You have a secret lair filled with all this equipment but don't have any weapons or armor?" Thomas asked, making mental preparations to fix that.
Danny sheepishly rubbed the back of his neck and explained his only allies were two other 14 year olds who were also untrained, unarmed, unarmored, and unsuper-powered which would explain why Danny was so excited to be working with an adult vigilante who at least knew what they were doing.
The kid didn't even mind when some of his more evil or harmful rogues "stopped showing up" thankfully no one would really question the reclusive Vlad Masters "going back to Wisconsin" only to never be seen again. No one saw much of him before coming to Amity Park, it made since he would become a hermit again once he had his fill of human interaction.
And if hes later found dead in his cheese castle? Well, the body had decomposed too much to really say what killed him. His will left everything to a Daniel James Fenton/Daniel James Masters which visibly infuriated Danny. Thomas mentally patted himself on the back. It was a good call to get rid of that one. The will was a surprise, though one that can only benefit Thomas in his crusade of protecting his grandson. Its not like he can return to a timeline that no longer exists anyway.
Unfortunately this doesn't stop the bats from hearing about "Batman" operating in a city in Illinois for the past few months...
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Dad always said I was like him
Meijack and Chilchuck Tims
Dungeon Meshi, Ryoko Kui
^ 1: Moony moonless sky, Fatima Aamer Bilal / 2: Bug like an angel, Mitski / 3: Woodtangle, Mary Ruefle / 4: The Third Hour of the Night, Frank Bidart / 5 & 6: FROM THE MAKERS OF "TWO-MOM ENERGY DRINK," IT'S "LET YOUR FATHER DIE ENERGY DRINK,", Daniel Lavery & Cecilia Corrigan / 7: Batman: Year Three (1989) / 8 & 9 : FROM THE MAKERS OF […], Daniel Lavery & Cecilia Corrigan / 10: Wilt, CJ the X / 11: How Do We Forgive Our Fathers, Dick Lourie / 12: Milk and honey, Rupi Kaur / 13: And My Father's Love Was Nothing Next To God's Will, Amatullah Bourdon / 14: Moony moonless sky, Fatima Aamer Bilal / 15: Someday I’ll Love Ocean Vuong, Ocean Vuong / 16: untitled, Joan Tierney
v 17: Drunk, The Living Tombstone / 18: unknown
When your father tried his best to provide for you but he worked all the time and even when he was home he was either tired or stressed and he’s always liked to get drunk to relax and cheer up. When you know he values work ethics and respectability so you grew up to be capable and quiet. And when he says you’re like him you’re sort of puzzled, does he really know you so little, or does he know himself so little? But you like the feeling of your father ruffling your hair so you accept it, and still you stand next to your mother just as silent and just as stoic as her during family gatherings. He leaves again and again and when your mother leaves him nothing changes, really. You wonder if it’s more telling that you know him better than he seems to himself or that you don’t know him as much as you wish you did, or that you don’t think about him all that much these days. Out of sight, out of mind. And he’s never really been there, even when he was there, after all.
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