#just not a positive review

[standreamy]

Tales of Shadybug and Claw Noir quick review (SPOILERS)

I have very mixed opinions on this special, mostly negative.

As always I personally think there are several writing issues. First of all, the fact that most of the pre-established lore rules, at least what little they did enstablish, were ignored for moving the plot forward in this special and for giving the vibe of "bad guys", probably justifying it with the multiverse. If the only difference was supposed to be in the roles of protagonist and antagonist, then not so many things should change, like the weapon and their purpose. Furthermore, I find it absurd that the issue of the 5 minute limit is actually being explained to us for the first time after 5 seasons, clearly invented on the spot. There are a lot of things where we're told we should know, but in truth nothing was said before in the series. I feel like the multiverse is not something we HAD to learn about before, but the consequences of breaking the 5 minute rule? Yeah.

A lot of use of the shock value without really enstablishing what will make it shocking and touching eventually.

We also see very little about the alternate world. Marinette basically chooses that route because it's assumed that Alya didn't sit next to her at the beginning of the year (it's apparently also said in the novel that she became an orphan, but that's not explained or shown here). Adrien instead, because his mother died and he wants to bring her back (Although it is clearly stated before in the special that he didn't know about the Wish before coming to that universe). While also it's interesting to see the roles swapped, seen how it was treated in the main series, I don't quite like that it's implied that one of the Agreste family would necessarily be a toxic figure (as we don't see other usiverses being both positive figures), especially if in that case Gabriel was caring and capable of going through mourning.

The basic idea of the special was interesting, but I don't quite enjoy how it was handled...

This deserved more space and more insight on the other world, to help us empathize with characters that Thomas wanted us to cry with. There are scenes that would be very nice, but it needed better bases in my opinion. The only thing I promote is the storyboard of certain scenes and the soundtrack.

I also enjoyed Giulia Andrada and I think Kanae Kondo? (It seems her art)

Ah, the final "reformed" Ladybug costume is better than both of the original in my opinion XD

[neveromininart]

⚔ An immortal is dead and you're holding the murder weapon. ⚔

Sunset Phoenix is an action/mystery comic about an immortal kingpin and her criminal spy who were framed for the murder of a rival, and are trying to find the real killer before time runs out and the city succumbs to war.

Also I made it and worked hard on it and I think you should check it out because it's cool :)

[hellmandraws]

Not gonna lie, I'm super excited about the upcoming One Piece live action series! It's out Aug 31 on Netflix. I actually think it's gonna be good! 🤞🤞🤞

[padmestrilogy]

teehee

[maggiegrace]

#books #self publishing #authors of Tumblr

derramei meu coração nas páginas, depois de três longos anos, de amor, desgosto e cura. Este livro de poemas está completo e pronto para ser compartilhado. do meu coração para o seu, aproveite.💜🐝📖

Obrigado pela ajuda

mulher levanta mulheres 💕

Você pode encontrá-lo aqui

[randomgirlyoudontknow]

No one will probably read this, but as a long-time fan of ATLA (as in, I literally watched the show as it aired in 2005-2008), I wanted to share my thoughts on the live action. Let it be known that I am far from an ATLA purist––the original certainly had its own flaws and aspects that didn't age well, in retrospect. Despite the generally negative reviews I've seen from the fandom, I was actually very satisfied with this adaptation! But I’ve seen people saying that the characters were butchered, that it’s a soulless and superficial reproduction, and those who liked the live action aren’t capable of thinking/watching critically, which I wanted to push back against (I mean, I’m working on a doctorate in literature…I am quite literally incapable of watching anything uncritically).

The shift in tone to a darker, more mature one was a positive change, imo. It is definitely a much angrier show than the original, even if some of the characters were not as fiery as they should have been (*cough* Katara *cough*). Overall, while there were certainly decisions made that I didn't agree with (mainly related to pacing and narrative), I thought the cast and crew really captured the spirit of the original, and even added depth and nuance to parts I felt were initially lacking.

In general, I really appreciated the added emphasis on the cost and suffering of war and imperialism, as well as the depiction of the physical effects of bending. Now, I realize this is largely a matter of personal preference––for example, I'm very interested in depictions of war in fiction (I mean, my dissertation partially covers the impact of WWI on avant-garde art & literature, so...). But I've seen several claims that the live action glorifies war and violence in a way that is meant to traumatize the viewer, and I simply don't think that's true? While the original handled war, genocide, trauma, etc. in a phenomenal way for a kid's show in the early 2000s, it was also still sanitized when it comes to death and injury, to an extent that I feel like we, the viewers, almost lose sight of the fact that bending KILLS. Sure, we were exposed to its after effects, like the death of Katara and Sokka's mother or Zuko's scar, but there's something to be said actually seeing and acknowledging the very palpable danger that something like firebending presents.

I've even seen someone say that the show's depiction of "gratuitous violence" constitutes a "profound misunderstanding" of the source text, which I think is frankly a bad faith take. The death and violence, though more realistic, is still not a major focus of the show, nor is it glorified in any way. A glorification of violence would look like indiscriminate killing and maiming for the sake of edginess (looking at you GOT). We would see graphic depictions of death and injuries, which simply does not happen in this show (they even joke about the fact that we never see anyone die in Ember Island Players). War and fighting are still treated with the same depth and gravity as the original, only this time, the severity of its consequences isn't obscured from the viewer.

I also thought the show's handling of trauma (especially Katara's) was excellent. The choice to have Katara's mom's death revealed in flashbacks (specifically when around firebending) was something that really stood out to me. And the new characterization of Bumi, which I realize was quite unpopular, was another change I quite appreciated. His bitterness and cynicism seemed more in-line with someone who had endured 100 years of war and the suffering of his people at the hands of a brutal imperial force. Lastly, I was pleased to see the narrative attempt to address the role Iroh played in the Siege of Ba Sing Se (something that was absolutely missing from the original). The Earth Kingdom soldier confronting him and calling him a butcher was a powerful moment, for me. I truly hope the show continues to dive into this aspect of his character in future seasons.

Speaking of characters, I loved that we got extra background and insight into several of the characters. Zhao, for example, was unexpectedly quite funny, and his actor really did a phenomenal job of fleshing him out and making him feel like a real person (as slimy and smarmy as he was) rather than a stock, cartoon villain. And I have to give kudos to the actors who played Sokka and Zuko––they both did an incredible job of embodying their respective characters, in a way that felt highly reminiscent of the original. In particular, I thought the handling of Zuko's backstory was truly outstanding––perhaps even better than the original.

All in all, I felt the live action did a really nice job of balancing the darker sides with the light. While I've seen fans complaining that the show doesn't have the same goofiness and lightheartedness, I actually thought the humor worked really well––it was one of the few times I felt the overly ironic, Joss Whedonesque one-liners actually fit. Sure, the humor was a lot drier and more toned down than the original, but I nonetheless thought it carried the show's spirit well (loved that they let Sokka say “ass” not once, but twice). There were moments when I genuinely laughed out loud! I also appreciated how, despite the more mature tone, hope, friendship, and harmony still remained the most important aspect at the end of each episode.

There's a lot of room for improvement, but I was overall very satisfied with the live action, and I'm very glad that the series has been renewed. I'm very excited to see what the cast and crew does with the rest of the show!

[godmademeinmspaint]

Going to say this now even though I barely post here::::: Adaptations are never meant to be a 1:1 recreation of the original source material. The goal is never to recreate the exact same experience in a different format, the whole point of remaking something in a different format is to make something new.

I don’t understand why people are out here acting like the new Netflix ATLA walked onscreen, shot the original with a 44 and declared itself the new ATLA. I’m not saying you can’t criticise anything about it or any other adaptation, I just think a lot of people need to remember that an adaptation that gives you the same experience and explores the exact same themes and doesn’t elaborate on or look at things in different angles would be utterly pointless.

[highabovethecloudssomewhere]

I just read “Loveless” by Alice Oseman as someone who’s aroace and I am. Struggling.

I was expecting to love the book and I’m so, so happy to see aromanticism/asexuality in the public eye, but as far as the story/characters went I was really struggling. Maybe I’m too old for it but I found it… very lackluster. The characters felt deeply one-dimensional and I did not like the protagonist at all.

If any of you have read this book and really enjoyed the characters, I would love to hear more about it. Maybe I’m just missing something. But also if any of you have recommendations for LGBTQA+ media with engaging characters and an engaging story I would love some recommendations.

I also just watched Nimona for the first time and I absolutely adored it. Would absolutely recommend it to anyone.

[blizardopoly]

i need everyone reviewing strange darling to take a breath. this movie isn’t the second coming of christ lol. the cinematography was gorgeous, the nonlinear storytelling was phenomenal, and the acting was briefly beautiful in select scenes, but the dialogue was clunky. it occasionally took me out of the movie. that’s all i have to say lol

[sevenines]

ive never seen this before. what the fuck. why? "you can make your gay wedding as long as the queer character isn't the leader anymore. the boy has to be the leader." what??

[soul-from-another-era]

Are you okay? no mf i just finished 25 21 series.

[ladyloveandjustice]

Winter 2024 Anime Overview: Metallic Rouge

Metallic Rouge

Premise: There are a robot-alien-whatever race called Neans and they're really oppressed and all that, you've heard about Detroit Become Human you know how it is. Rouge is a Nean who's been tasked by her brother with killing the Immortal Nine, super powerful Neans who want to not be oppressed and are willing to kill the humans that use them as slaves. Rouge's partner is Naomi Orthman and she's pretty fun. Eventually, Rouge sort of starts to wonder if ruthlessly killing her own people who are fighting oppression might be a bad thing actually.

Man what a mess. Kind of a fascinating, ambitious mess, but it's so bad. (If you're a fan, I encourage you not to engage with this review, you have better things to do than upsetting yourself for no reason).

I was attracted to this because like, it's focused on two women with really cool character designs! And they get to fight and be cool and have a vitriolic best buds kind of partnership! Naomi is pretty charming. The show does often LOOK good, and there's some genuinely cool animation moments, I'll give it that.

However, I realized fairly quickly that the story was a hodgepodge that didn't seem to have much of a grasp on even the basics of writing, but by that point I wanted to see what stupid plot twist it'd pull next. I don't know if it was a good decision but it sure was a decision I made. It means I get to write a review where I can be mean which is always easier than trying to convey how good a show is, I guess because less pressure.

The story starts in media res in a very confusing way. It does (attempt to) explain things a bit in later eps, but you never really stop having the feeling you've just been plopped in the middle of an ongoing story. I think it's very likely, that like so many shows, this was supposed to be a 26 episode show but it was cut down to 13 because anime originals sadly don't get to be that long anymore.

I don't think a longer runtime would have made the plot less stupid and frustrating, but it probably would have made the show a little better and some events have more impact. But rather than cut some events to let the story breathe, the show insisted on cramming a ridiculous amount of plot twists into a short runtime, meaning they never had time to land and you had no reason to care about most of the characters.

The approach to the Neans was a total mess especially. Very badly written for the most part. The Neans are literally slaves. Because of the Asimov Code (literally naming it that in universe is pretty funny I'll admit) they have to do whatever humans say, and most of the humans ruthlessly abuse them, use them as shields when there's danger, often steal their life giving nectar for kicks and leave them to die horribly, the police gun them down all the time, and also a huge amount of them are in a forced labor camp on Venus where they either die from the horrible conditions, (often falling directly in lava or being irradiated or whatever) or they just work until their bodies give out. (It definitely doesn't help that two of the Neans we see killed most horribly are Black-coded.)

DESPITE ALL THIS, the story inexplicably tries to both sides it for most of the anime. Some of the Neans are actually really evil because they'll do violence to escape their oppression! That's so bad, they're just as bad as the humans, they're really mean and randomly murder their own allies! Rouge is genuinely presented with the dilemma of "you can free the Neans and maybe they'll rightfully want revenge and kill some humans and society will ~be in chaos~ or you can just let your own people continue to be enslaved and horribly killed and abused every day. And she's like "hmm I dunno. Both sides have a point. yeah I think freeing them could be bad". Incredible. (Granted it does come around a little in its conclusion when some characters randomly change their minds, but it's way too little too late)

If you couldn't tell, Rouge is a really nothing character who it's hard to sympathize with thanks to her baffling choices, except for in a couple episodes that were genuinely charming and fun and made you think "hmm maybe it would have been fun to see these characters get into some shenanigans". Naomi at least has a fun personality, and I had a little bit of crush before her character mostly went down the tubes with everyone else.

Naomi and Rouge's dynamic could be pretty fun and was definitely the best thing about the show (and the only times Rouge showed any personality was with Naomi and a spoiler character), but the show insisted on speedrunning their conflicts and separating them constantly despite that dynamic supposedly being so central to the story, so.

But really, as I said, the most entertaining part of the end of the show was seeing how many ridic plot twists it could cram in, most of which had no impact because you didn't care about the characters, they didn't make much sense, and there was very little to set them up. EVIL ALIENS, EVIL FAMILIES, THIS BORING CHARACTER HAS SECRETLY BEEN PULLING THE STRINGS BECAUSE REASONS, that kind of stuff.

But I have to leave off telling y'all how one plot twist in the final episode is undone LITERALLY 30 SECONDS LATER because of something a character did off screen. also it's done two minutes before the episode ends. It's so funny I have to tell you.

SPOILERS

---

Rouge pressed the button that frees all the Neans. Then a character who hadn't done much but I guess is the big bad now pops up and is like "Rouge you freeing the Neans was all part of my plan because you activating the device actually infected them with an EVIL PROGRAM AND NOW THEY WILL FIGHT FOR THE EVIL ALIENS!! Rouge was like "wha?" but then the Neans glowing red evil eyes immediately turned off and the brother was like "actually I anticipated it and hacked it offscreen they're actually free." And the villain just leaves without really reacting. Amaaaazing.

---

So yes, wouldn't recommend this show unless you really like watching trainwrecks, and despite how amazing a trainwreck it is, there are stretches where it's just a slog.

(God, this review ended up longer than I thought. So much carnage and crumpled metal to describe. But now I'm officially free.)

[jakeperalta]

I'm sorry to this author who is probably just trying very hard to promote something they worked hard on but my god nothing has ever made me want to read a book less than this advert

[bluegraywilde]

Wish me luck

[charliespringverse]

i think it should be possible to scream without making any noise or disturbing anyone or inviting any questions . just sometimes . as a treat .

[wolfythewitch]

Me and phlpost we are having disagreements we are having discourse