#let's keep up the good work folks

[marimayscarlett]

Not to sound dramatic, but I'm going to continue my obsession with Richard Zee Kay from Rammstein and Emigrate in 2024. It just feels the right thing to do.

And you know what? This is the energy we need. This is the spirit we should maintain, because anything less wouldn't be appropriate. We have 2024 now, and you know what this means?

It's the 30th anniversary of Rammstein 🖤

So I welcome you into a year filled with even more obsession, enthusiasm and thirst, because that's what this band deserves in this iconic year 👏🏻 Let's hope for a good one for the band and us fans 🥂

[the-eclectic-wonderer]

I just finished watching S2E13 The Stan Who Came To Dinner, and there's a scene I didn't remember before in which Stan asks for Dorothy's forgiveness for all the times he cheated on her, because he wants to face his operation with a clear conscience. Which is,, yikes, of course, but also not the thing I want to talk about right now.

What surprised me is that Dorothy seems to be shocked at his revelations? It seems like she really didn't know about Stan's infidelity? I mean, the whole dialogue begins with her saying:

"I've already forgiven you for that, Stanley. Besides, in the grand scheme of things, it's not bad to wait 38 years to make your first big mistake."

I initially thought his mistake was divorcing Dorothy (since his line before this one is 'I love you, Dorothy. That sounds crazy because I walked out on you, but it's true.' ), but then he admits that the divorce wasn't his first mistake, because he's cheated on Dorothy before -- and she seems genuinely taken aback:

"I cannot believe this. I cannot believe that I am hearing this. I always assumed something like this could happen, but..."

And this was so strange to me, because I always sort of assumed she did know. She even caught him one time! In S7E8-9 The Monkey Show, she recounts this episode about Stan:

"[...] I rehearsed my speech and I made arrangements to meet him at a coffee shop. I got there five minutes early and caught him necking with a waitress."

So... she does know (of at least one time)? But then, why didn't she say anything?

I feel like there's three possible answers:

She really doesn't know. She thought the incident with the waitress was a one-time occurrence, and she's believed him all throughout their marriage when he said he was 'going at a convention' or 'working late' or whatever excuse he used to cover his actions.

She's lying to him in the S2E13 scene -- and she's lied to him all throughout their marriage. She does know about his affairs, and never confronted him because she wanted to keep their marriage and their family together more than she hated his guts; she didn't want to rock the boat, so to say. What shocks her in the S2E13 scene is that he's admitting this stuff out loud, with plenty of details.

She lied to herself all throughout their marriage. As trustful of him as Dorothy can be (and as trustful of him as she was in her youth, especially), she's also a smart cookie, and Stan's not really the sharpest tool in the shed. It's hard for me to believe that she never figured out that he was cheating on her, especially after catching him with that waitress; it's easier to think that she forced herself to believe his gaslighting, as part of her efforts to be a good wife to him. When Stan (sort of...) comes clean, she's shocked because it's sinking in, in real time, that she was right.

I'm not sure which option is more likely; I feel like it's probably a mix of the three. At the beginning of their marriage she likely didn't think it possible and believed everything he told her; once she caught him with the waitress, she had a sort of transition phase where she tried to believe he was faithful to her even though she knew the truth, deep down, and then by the end of her marriage she was over it, and simply chose not to let him have it. She's shocked in S2E13 because she can't believe he's admitting this stuff out loud, but she doesn't seem as shocked (and angry) as she would be if she was just finding it out in the moment, imho.

I also feel like her knowing about his infidelity doesn't change the meaning of the first mistake line, because, well... he's always come back before. He's come back to hurt her again and again, but he has come back -- and then she gets a phone call, and suddenly, for the first time, he's not coming back anymore. It's the one time that's so devastatingly painful it eclipses everything that came before -- no wonder she counts it as his first mistake.

[arts-butthound]

Dragon Age: The Veilguard | Official Reveal Trailer

It actually dropped. Huh, miracles do happen

[savage-rhi]

I'm very much a, "fuck yeah and fuck you, I don't need validation! I'm me, cunts!" kinda fella, but sometimes I could use support.

[weaselle]

i had to make a solution for this for myself, mostly because of depression, but it makes a nice How To for folks who are low on spoons or could use some help in the kitchen.

Fortunately i was a professional cook for over a decade. UNfortunately the first post i made explaining it was suuuuper long. Let's see if i can do better

So you select any protein that you can cook in a frying pan -- chicken breasts, ground beef, pork chops, sausages, steak, chicken thighs, whatever. You also select one or two types of veggie (mushrooms or tubers also work, i just did this with potatoes and carrots for dinner tonight).

[i like cooking for vegetarians, but this is how i cook for myself when i'm low on spoons - perhaps i'll do another post for meatless meals]

You'll also need some kind of oil, and a sauce or two of your choice in a bottle. All cooking gear is a large frying pan with lid (i prefer non-stick) a spatula, a cutting board, and a knife.

You cut the veggies into bite size pieces, cut up enough for two meals. One kind of veggie is fine, or you can do mix two or three

Put frying pan on medium heat with a little oil. Tubers or mushrooms or go in the pan a few minutes before the protein. 2 portions of the protein goes in the pan, about 5 minutes with lid (don't worry you can still get a good sear on both sides)

Now flip your protein if it's flip-able and add normal veggies, put the lid back on another five-ish minutes.

Take your protein out and put it with one portion of the veggies in a microwave safe container. That's going to be your lunch tomorrow. Put the other portion of protein on a plate to rest (you have to let a cooked protein sit a couple minutes before you serve it or when you cut into it all the juices run out and it goes dry - the liquids thicken as it cools, preventing this drying out if you let it rest, the goal is to serve it very warm but not hot hot)

While it's resting, pour some sauce from your bottle in the pan with the rest of the veggies and turn up the heat. A single sauce/bottle is fine, i like to get fancy and mix a couple. Two examples of personal favorite mixes are 1: bbq sauce and a hot sauce like sriracha 2: roughly equal parts low sodium soy sauce and worcestershire (makes something similar to a teriyaki sauce) A swallow of wine is almost always a great option if you want to add that to your sauce too, just add it to the pan before the other sauces so the alcohol has time to burn off.

...

Here is the important bit. While your veggies are finishing, wash your cutting board and chef knife. Then when you dump your veggies and sauce over your protein on the plate, while it is still too hot to eat, you wash your frying pan and spatula before you eat. Now the only dishes you have left to do are your plate and fork. Maybe a steak knife.

...

The whole thing takes about 35 minutes even with washing the dishes, and that includes your lunch for the next day- just pour a different sauce on and stick it in the microwave for a couple minutes (or five minutes back in the frying pan) and you have a full healthy lunch with a different flavor

You can use this technique every single meal and it yields hundreds of combinations, from pork and potatoes bbq, to salmon and broccoli teriyaki, to chicken and zucchini in a soy glaze.

It will keep you down to less than an hour of kitchen time per day total for both lunch and dinner including all dish clean up, uses the least dishes, the least effort, requires the least technique, and is, depending on what you pick out, very affordable

here are a couple more examples from this month; i didn’t take pictures of the salmon i did recently, but you get the idea

it's not super fancy, but it is easy, affordable, quick, and any flavors you want. Hope this helps some folks

Happy Cooking!

[facts-i-just-made-up]

Not A Joke, Not Unreality:

A company called Quantum Fiber (under Century Link) recently set up my home town for fiber optic internet. I got them a month ago and aside from a few outages it was decent.

Last week, it went out. They sent me a super specific time it would be back-

They failed to make it and sent another, minutes later.

And another when that failed.

And over the week, more and more.

I called and they just read me the same email out loud. They offered no escalation or resources. Every time, they fail. I have not had internet for my house in a week, and this morning I got this one-

I looked into other people having the same problem and found this-

Edit forgot link

That's not something called a "766" line, that's them fucking up my city 766 times. This company is fucking shit, and I'm sick of this. I've filed an FCC complaint but those take a month to even get a reply.

So I'm hoping my 173,365 followers can help make this show of their ineptitude and callousness go viral. Please.

They are in a time of massive expansion into many new states and cities. I am asking anyone so inclined with a few minutes to spare to find your town or state's government information technology office or liaison, or just a local government representative of any kind, and write them a quick note stating that this company destroys town utilities and offers absolute frustrating failures of service in return.

If you have Quantum Fiber and have been similarly failed by them, please file an FCC complaint. You might at least get a free month out of it.

If you work with a news source or popular blog, please boost this however you can.

If you are on any app on which they are present, please feel free to write or tag them and let them know they have failed their customers and cities they work with.

Please do not engage in threats or harassment of any form. Keep this legal, civil, and proper so that it can create a legal basis and record of good citizen interaction on the part of this company's victims. I am asking for help in a grassroots campaign, not a violent or prank-filled heap that just gets people in trouble. AND DO NOT FOR ANY REASON EVER PESTER THE WORKERS, PHONE REPS AND TECHNICIANS THEY HAVE OUT THERE. This is the corporation's fault, not the poor folks they employ who they likely try to make take the backlash.

If you have any other ideas on how to hold a mega-corp responsible for the shit they put their customers through, please comment and recommend. I am sick of this shit. I know there are worse things happening and even worse companies doing horrid things right now. But maybe this one is new/small enough that a viral campaign can kick them where it hurts and get them to act more responsibly to their customers and safely to the places they work.

Please help if you have time. Please spread this in the hopes they see it and get off their butts and fix their horrible shit. Any random reblog or post on any platform might be the one their investors hear of.

Thank you anyone for anything you can do.

-Ari

[arolesbianism]

Hi gamers guess who's thinking abt unit swap stuff again. Shiho and Saki discussing who would be best fit to play the cast in their musicals knowing full well they're going to assign Honami to the main character like they always do and the Saki will insist on playing the main villain like she always does and then Ichika gets stuck playing every other character while also playing the trumpet like he always does

[penshachi]

love seeing justified on my dash

like i've never seen it but it does hold a special place in my heart anyway

[waffled0g]

Everyone gets “The 90s” look wrong and I hate it

Couple years ago I saw these two board games at the store back to back. Well, not saw them per se, but ya know. Spied them out of the corner of my eye. And for a moment without reading the text, I couldn’t tell you which was which decade at first. Funny. Either they were in a rush to get these out the door or they wanted their throwback trivia game boxes to look uniform. I didn’t think too much of it.

Only, from then on I started seeing it MORE. Every time someone markets a 90s or 80s throwback...

Goddammit they’re identical! What??! How did we let this happen? As a 90s survivor and a designer, this drives me up a wall.

Look, I know I’m late to the party to complain about “the 90s look” when we’re just starting to get sick of the Y2K nostalgia train. But c’mon, the 90s were not The 80s: Part Two™ 

Trust me when I say that we weren’t all wearing neon trapezoids up until the year 2000. The 90s look being peddled is so specific to the tail end of the 80s and an early early part of the 90s - a part of the 90s when it wouldn’t stop being the 80s. This is Memphis design being conflated with the wrong decade.

Keep reading for a long ass graphic design history lesson and pictures of old soda and fast food.

Specifically, the look is Memphis Milano, self-named by the Italian design house Memphis Group. Starting in the early to mid 80s, they made all sorts of furniture, fabrics and sculptures that were like a Piet Mondrian grid painting under heavy radiation. Their whole deal was defying the standards of existing industrial design up to that point on purpose. Chairs had weird arches, bookcases would be in strange alien colors, unusual materials like plastic or elastic were used in place of metal or wood, that sorta thing.

Memphis quickly became the signature look for the decade. You can tell something’s influenced by Memphis design from it’s telltale trademarks:

Clashing, neon colors.

Use of diametric shapes.

Contrasting patterns like zebra print stripes, confetti squiggles and checkerboards.

It wasn’t long before Memphis Milano-inspired design was everywhere in 80s pop culture:

It was a special time, yes.

I was a kindergartener at the tail end of the 80s, so I knew Memphis mostly through the lens of kids media. Toys, clothes, games, tv shows used it like candy colored catnip. Cable channel Nickelodeon more or less adopted the Memphis aesthetic as their signature in-house style and practically built a monument to it at a Florida theme park:

I think this is why folks mistake what decade Memphis is representative of - 90s staples like Nick, Saved By The Bell, Fresh Prince - they all stayed around much longer than the design trend’s expiration date. 

Couple that notion with the fact that companies are slow followers to design trends. Something gets popular and they want to get on the bandwagon? Gotta wait for the ink to dry, gotta wait for the production molds to be made. It would take a few years for them to completely work Memphis outta their system.

Now, this is not to say Memphis is bad! Personally I’m a fan of the aesthetic, if my neon-drenched artwork wasn’t a tip-off already. But it is a trend, and trends never last forever.

So what took the Memphis Milano look down for good? This part’s up for debate, but I personally think it had something to do with this dude:

It’s that grunge music from Seattle that’s so popular with the kids these days dontchaknow.

Once Smells Like Teen Spirit hit in 1991, the Nirvana tone drove the rest of the decade. Clean geometry became weathered, grainy and organic. Bright neon pastels became more bold. Bubblegum pop music sounded fake and manufactured. Attitude and apathy was authentic. Whatever.

Things got grungy. Things got grimy. Olestra was invented.

I think the best way to visualize this transition is how Cherry Coke entered the decade and how it left it:

1992 Memphis on the left, 1998 grunge junkie on the right. Fitting that the 90s would end with a design that looked like Darth Maul’s lungs.

Okay, so what should 90s retro design look like?

Continue on to PART TWO! Spoilers: No VHS filters or vaporwave needed, but maybe bring an antacid.

[shotmrmiller]

(secret lovers but simon will not be kept a secret.)

you hadn't liked him from the get go. amongst the regulars that frequent the place you work at serving drinks, had been him; a burly, massive figure that commanded attention even though his clothes were nondescript and blended into the shadows created by the sickly, flickering lights overhead. his broad shoulders were squared, imposing, the fabric of his faded jeans stretched taut over his knees, tapering down to his scuffed sneakers.

him appearing a menace isn't what made him stand out. it doesn't even make him special, to be honest. one too many rowdy oafs call this hole in the wall a haven, seeking solace at the bottom of a thick glass.

it's the very air around him. it's heavy, muted, as if absorbing sound and movement. that one time you had the displeasure of personally handing him an beer, it'd felt suffocating, pressed down on you, made it hard to breathe. the stillness had been almost palpable, the usual hum of the bar nought but a distant buzz, even the clank of the chilled glass on the table had seemed muffled.

you'd felt the drink slosh over the rim in your haste to get away, retreat, escape. he hadn't even glanced your way and you'd been overwhelmed.

fucking hell.

and that's not the worst of it. the way he looks at people is unsettling. his beady eyes glint with a manic, rabid hunger, fixated on any bare legs that come into his field of view, as if he sees nothing but prey. that turns the discomfort that pricks at your skin into disgust.

revolting bull of a man is a pervert to boot.

(sometimes he comes in with others, 3 much more approachable, charismatic men that pop that personal bubble of oppressive silence he brings with him with their boisterous laughter and lively chatter. they're good folk except for when they want to act like your eyes are on your chest.)

so it's a true shame you spent weeks snarking about how foul he is when he's one of the best lays you've ever had in your life. (and continues to be.)

it's all discreet, of course. you can't be caught having a thing with the man you'd cursed up, down and sideways because he wouldn't stop staring at the tits you let him come on that same week.

you wouldn't even know how to explain how all of this started. that'd he'd been a surprised you and strong armed a belligerent drunk off the property for you a while back? that he'd happened to be around when your car got a flat, pulled out a jack from the bed of his truck and told you to sit your 'pretty arse' inside while he changed it? or that after the nth night of him being the very last patron, you realized he'd only leave after you were done with restocking and ready to close up shop?

you kept it all of it on the down low. pretended you couldn't feel his eyes on you, boring holes into the side of your head while at work then garble out his name through the fingers you're drooling over after work.

and it stayed that way for a while. he never stayed longer than you let him (not like that meant anything, he barely let you out the bed to pick up the door dash before he sat you on the countertop and lapped at your sore cunt until you came.)

he rarely used his phone so there was no worry about sudden texts while you had friends around.

it seemed a fine thing at the time. but then he started sitting at the bar top instead of his usual corner haunt, occasionally calling you over with a curl of his fingers (the ones he had you lick clean last night.) he stopped being a total lech, keeping his eyes glued onto you and you only, being so blatant about it that your co-workers offered to walk you to your car later.

embarrassing. you'd meant to give him a talk about laying off the intensity of his stare but it slipped your mind when he slipped into you from behind while fisting your hair.

when your boss is the one that gives you the stranger danger talk, even though you have said strangers love bites mottling the junction of your shoulder, you decide that enough is enough. so after your shift, you ask to speak with him.

only to have him snort in your face.

"don't think so."

before you get to say anything else, he's sitting you on the hood of his truck, legs hooked over his shoulders, eye level with your bare pussy because he'd stuffed your knickers into his pocket before work.

the first glide of his tongue between your folds is deliberately slow, tip catching the bundle of nerves at the top. your palm stings from digging your nails into it.

the second sends a shiver licking up your spine, his hands dimpling the soft of your thighs to keep you from squirming.

"look at me."

your body reacts instinctively at the low, grating tone of his voice and you're peering down at him before your mind can even catch up.

he nips at the sensitive skin of your inner thigh. "best get used to 'avin' me 'round." this was no conversation.

the tips of his fingers grazing over your wet heat, gently prodding the entrance. when he sinks them in, scissoring, thrusting, you realize he's not going to let you come.

this isn't a reward. this is about to be your punishment.

slick glistens on his knuckles under the streetlight as he undoes the zipper of his jeans, the sound of the metal teeth deafening in your prickling ears.

simon puts his hand close to your mouth like he's done in the bedroom, and you spit on it, like you've done in the bedroom.

the searing (but oh so good) burn is both familiar and not when you take him to the root, a shuddering breath escaping your quivering lips at the sensation of him filling you until the seams feel like they're becoming undone.

he lowers his head to nose your sweat-slick temple, large hands flat by your sides. his breaths warm your throat as he speaks.

"i won't be your dirty little secret, pet."

a hand creeps up to the nape of your neck, claiming a fistful of hair. simon pulls a sibilant hiss from you when he tugs hard enough to ache.

ouch.

"can't shove me in a closet and pocket the key." he rolls his hips once, twice before widening his stance.

oh.

oh no.

"now be good and let me take what's mine."

there'd been no arguing with him before he fucked you in earnest, and certainly not after when he takes you home, spend dripping onto his seat on the way there, where he makes you ride him on the driveway, only letting you go inside once he felt he got his message across.

(message understood.)

the next morning you wake to sore thighs, a throbbing pussy, a dry mouth and a text from your boss.

i've got cameras outside the place, by the way. go home next time.

at least you didn't get fired 🥴

[muffinlance]

The feral cat gator of a 13 year old freshly scarred Zuko being forcibly adopted by the foggy swamp tribe! Bonus points if they willfully ignore the fact he's a firebender and treat him as a very strange waterbender bending-wise

It was Earth Kingdom ships that drove the metal one onto the reefs, so when the little thing came crawling up through the marsh spitting and hissing and dressed in red, they knew it weren’t no earthbender. No matter how much mud it had tripped in, trying to find where the ground stopped sucking at its feet.

“Wow-ee,” said Old Earl, “that sure is one way of keepin’ off the ‘squito-chiggers.”

And they all watched from Big Earl’s porch, sitting or rocking, as them bugs came for the all-you-can-eat and ended up on the bar-b-que.

“Sure is some weird bending,” said Little Earl, who was taller than Big Earl, but when they'd been twelve and they’d wrestled for the title it hadn't been Little Earl who’d won.

The little thing looked maybe twelve, too. And he was little little. But he had that same look like he was going to shove someone’s face in the mud until they said otherwise, as he stood there all panting and dripping and just realizing they’d been watching him this whole time.

“It’s firebending,” the one-kid mud-wrestler said, as bugs kept pop-snapping into flames around him.

Old Earl cupped a hand over his ear, like he couldn’t hear. And he kept doing it, while the kid got louder and louder about that bending of his, but quieter and quieter about looking at them like they were his next bugs.

“Oh, firebending,” Old Earl said, nodding like he’d only just got it, when the kid had stomped straight up to his chair. “Right, right, Old Jane’s got fire-water-bending, too. Why don’t you take him to her, boys.”

“It’s not-- ugh,” shouted the kid, but maybe he only had the one volume. Certainly only had the one volume for stomping, even though stomping was what got a fellow’s shoes shoved down so deep in the mud they’d be seeing them again as mole-shrimp hats. Not that the kid had shoes. Neither did Earl, Earl, or Earl. ‘Cept for Fancy Earl, but he’d gone off to Ba-Singing-Se, to be fancy.

Anyway, Old Jane was the best at turning anything and everything into fire water, which was the kind of thing a fellow called his or her liquor when they wanted fancy folk to keep right on walking. Was really good for making shouty little firebrands take their naps, too, which let Old Jane get her glowing mitts all over that fresh burn of his. And the love-bites from the shark-wrasses that had probably been half the reason the kid had come a-shore all a-shouting in the first place.

“Nope,” diagnosed Old Jane, when the kid woke back up. “That’s just how he talks. Mother was a screamer-bird, I’d say.”

“You take that back about my mother,” screamed their screamer-bird, who had pretty good hearing for someone who’s ear had lost the same fight as his eye. Anyway, Old Jane had done the best she could about both, and nothing was on fire that shouldn’t be, and she had that extra quilt she’d been working on that needed a body under it

And the waves and the shark-wrasses had all the rest of the kid’s crew

So sure enough they set their little screamer-bird up with a nest and let him cry loud as he wanted.

Anyway, if there was one thing Earl Earl Earl and Jane knew, it was how to make a joke so good the other person didn’t even know it were a joke.

“Firebending,” their little fledgling shouted, and waved his arms around, like all that fire pointed at no one was going to get them startled off.

“A-yep,” nodded Old Earl. “That there is some fire-water-bending. Just like Old Jane.”

Old Jane wasn’t the kind of gal who showed off, but she wasn’t the kind who missed no cue, either. She swirled a lick o’ liquor out of her latest barrel and twirled it ‘round and straight into her mouth, and when she spit it out, it looked so much like the little bird’s breath-o’-fire that he didn’t even notice the spark rocks she kept on her fingers as jewelry. No one did, ‘til they’d seen the trick a few times.

The kid’s mouth hung open so low and so long, a moth-tick flew in. That was some kind of life lesson, that was. The swamp was good at sending those.

The Earth Kingdom sent troops a-stompin’ through, losing boots and scaring catigators out of their sunning spots left and right, askin’ all rumbly about those fires they’d spotted, and if anyone from that shipwreck had made it on shore, and talkin’ about how there’d be money in it for them if they made that last answer a “yes,” sounding like Fancy Earl and all his talk about commerce and living standards.

“Got a few parts of them ship people in the lagoon,” Big Earl said. “Probably still floatin’ if you want ‘em. But we better bring the shrimp-minnow nets, ‘cuase they’ll just slosh on through the turtle-sturgeon ones.”

“...No thank you,” the head stomper said, like sayin’ polite words made a fellow a polite man. He’d tracked those boots of his right up onto their porch without so much as a scuff on their mud rug. Even the kid had used the mud rug. “And the fire?”

“Oh,” said Little Earl, with a grin, “that was Old Jane.”

And she did her trick again, only less tricky, so they could see the spark rocks real good. “You boys want some fire water?” she offered. “It ain’t blinded no one who wasn’t already headed that way.”

They didn’t want any, which was grand, ‘cause she hadn’t really been offering.

When the last of them had gone stomping off back to the kind of land that let people stomp it, it took them two whole hours to lure out the catigators from under the porch. And their little screamer bird, too.

“...Why didn’t you turn me in?”

“What?” asked Old Earl, cupping his ear.

“Why—”

“What?”

“—didn’t—”

“WHAT?”

“—you—”

“Speak up, boy,” Old Earl said. “I never heard such a quiet child.”

And boy, did that set their bird back to singing.

[peachysunrize]

Owned ⥃ Prince Regent!Aemond Targaryen

Summary: After nearly following Silverwing to Dragonstone mindlessly, Aemond comes back to the keep to posses you, his Queen once more.

Warnings: 18+ mdni! A tad bit dark!Aemond! There is noooooo plot, brainless smut, absolute filth and dirt and fucking, rough Aemond, possessive Aemond, READER IS AEGON’S WIFE!! public sex! Balcony sex inspired by Aemond’s scene s2e7, breeding, no prep, Aemond is mad and angry, very very rough sex, please tell me if I’ve missed something! English isn’t my first language<33

Word count: 1.5k

My other works

A/n: no words. No plot full of porn. Enjoy my freaky folks! Thank you @thekinslayed for feeding my delusions🤭 Reblogs & comments are appreciated🩷 also not a word is beta-ed.

You watch the buzzing city silently from the council room’s balcony, sighing when the large shadow of Vhagar looms over the sight, her screech cutting through the air with force. You can feel the restlessness in her, it must be Aemond who is raging from inside as he guides her outside the city towards the hill where she rests most of the time. 

You look down at the castle’s grounds; the chill in the air has become a nuisance for the gardeners, bringing the flowers to their deaths faster than expected, just like how the infection spreads through your husband’s body.

With another sigh, you look at the hill Vhagar lands on, the ground shaking beneath her heavy weight. You know it will be some time until Aemond arrives at the castle, but the idea of him being enraged with how a dragon was claimed and the Blacks now have the upper hand makes you worried; you do not know how to calm the wild dragon within him.

You wait until you crane your neck and see him returning on the horse, barging through the castle gates before he jumps down from the saddle, taking long strides towards the entrance with fury bursting through his veins.

Fiddling with your hand, you hear his rushed footsteps approaching the council room, each step has your heart racing — with what? You do not know, or you do not wish to acknowledge it. After all, this silly little affair that the council has bestowed on you to produce an heir has turned into something more, or at least the numbers you have warmed each other’s beds cannot be counted with fingers anymore.

Your head snaps towards the direction of the door, watching as Aemond walks past the guards, ordering them to go out with bark in his tone, fists clenching and unclenching as he tries to keep his anger at bay, but ultimately fails, and the next thing you know is the heavy chair of the council is being thrown and Aemond slams his fists on the table, groaning in anger and frustration.

“They have more dragons,” he whispers, but you hear the sound of his rough breathing, “they can end this war if I do nothing!”

“My prince, you should—“

“I should what?” He looks up from the marble table, glaring at you with his good eye, “Listen to your advice? Letting my council run the realm while I do fucking nothing?”

“Maybe you ought to put your arrogance aside for once—“

Aemond walks towards you on the balcony, his face hardening as he grabs your jaw tightly, smirking as he sees your lips quivering not in fear, but more in determination to show you are more than what the council wants you to be. And with your pretty thighs rubbing together, he knows how every minor actor of his has you putty in his hands.

“My arrogance, My Queen, is the only reason the walls of this castle haven’t fallen yet,” he leans down, his nose brushing against yours roughly as he whispers against your lips, “Not everyone can sit prettily in a gown and wait for her prince regent to come and fuck an heir inside her.”

“Your arrogance and bruised ego are why they have more dragons than us. You could have kept your ambitions from blinding you at Rook’s Rest, maybe then, our King would be able to fight with you at the battlefield—“ you are cut off by a gasp as he turns you around and bends you over the balcony stones harshly.

Your chest comes in contact with the cold stone and you slap your hand on your mouth as a loud moan erupts from your lips when Aemond presses his entire body to your backside, feeling the hard bulge in his pants rubbing against your covered thigh.

“My ambitions are why your filthy inappropriate fantasies have come to life,” he leans over you, his teeth finding their way to the sensitive skin of your neck, sinking into the flesh without a single thought, “did you not tell me you wish it was me taking you every night instead of my brother? Yes, yes, it was you. Just as it is you who will take my cock until my seed has taken root, and my babe — our future King —  licks at your womb.”

You bite down on your fingers hard, grinding your hips back into his crotch as soon as he pushes the layers of your gown up to your waist, chuckling when he sees you shivering the moment your bare heated sex is exposed to the open air.

“We should not be doing this here! What if someone hears?” You ask Aemond, throwing your head back when he swipes his fingers through your wetness, humming before he reaches for the loops of his belt, pulling his pants and breeches down before he grabs his cock, stroking it a few times to full hardness.

“Let them hear, let them hear their queen doing her duty. There is no better way to show them how the heir to the throne was conceived,” he replies, one hand bracing himself on your shoulder blades to keep you completely bent over and unable to move while the other lines up his thick leaking head with your entrance before he enters you swiftly with one smooth stroke.

“Aemond!” You cry out, your fingers falling from your lips as he sets his pace, fucking you recklessly and with abandon, not caring if anyone hears you, or better, sees you. 

“Yes, My Queen? Already screaming my name? I almost pity my brother, almost. Gods know if you have not screamed “Aemond”  in his ears,” he smirks to himself when you grab the edge of the stone, your body moving with each thrust.

“Fuck, fuck—“

“Yes, that’s right—“ he groans, his hand gripping your hip tightly, “you were always mine, fucking mine. Even when you shared his bed, you were thinking of me, wishing and praying that one day you will be owned by me.”

“Yes, My Prince, yes!” You moan, not thinking if anyone would hear you, it did not matter anyway since the words of your affair and marital activities have reached the whores of the Flea Bottom.

“Oh, sweet Queen of mine, I have possessed you; first with words, now with my cock. We only need a babe to seal our bond,” he reaches around your body, finding your pearl in seconds as he starts rubbing quick circles on the nerves, making you arch your back and meet his thrusts as best as possible.

You can only nod at his words, truly succumbing to his and your desires once and for all, the pleasure only adding to his determination to fuck you, and you to show your devotion to him.

“They have more dragons, I have a cunt worth dying for. I guess I shall win this war.”

Suddenly, the doors to the council room open, and the cupbearer drops the jar of wine on the floor when he sees the two of you on the balcony, you moaning and Aemond fucking you. 

The sound catches Aemond’s attention immediately, pulling out of you slowly before he waltzes towards the balcony doors, looking the man dead in the eyes and cock out before he demands; “Out, now,” and slams the doors shut.

He comes back, his fingers wrapping around his dick before he sees you straightening your back a little. He has no time for silly little games, his balls are aching and the image of your swollen cunt is too much for him to let you go and find a better place to resume your activities.

“Aemond—“

“Hush you,” he pushes you back down, bending you over once more before he thrusts his cock back into your welcoming cunt, groaning in sync with your shriek as your warmth envelops his length, “just take it, yes, take it. No one can stop me from taking what’s mine. I will fuck you day and night for fortnights to come, I will have you, mark you as mine until everyone smells me on you.”

Even the idea of it has you shaking and trembling as your peak hits you hard and fast, the pleasure rushing through your veins as you gush around his cock. Hands bracing your body on the stones, you cry out his name, drawing Aemond closer to his high.

He follows not long after, grabbing your waist with both hands before he hammers himself into you roughly, stilling his hips harshly against yours, caging your body between his and the balcony stones as he empties his balls inside you, ropes of his cum painting your inside while he throws his head back, chest rising and falling rapidly.

There is no doubt in your head anymore, that Aemond has possessed you in more than one way, more than one place. After all, he will go to war barehanded if he can come back home to you and your heavenly cunt.

[copperbadge]

Recently I ran across an article about an art center that was doing creative expression classes for people with disabilities. Not that unusual, I've encountered that and trauma-oriented art therapy before, but it was the first time I'd come across the idea since getting diagnosed with ADHD. While the class was aimed more at high-needs disabilities, it occurred to me that I could -- if I wanted -- make non-prose art about being disabled.

Outside of my work in scene design I've never been much of a visual artist because I've never felt I had the combination of "something to say" and "a meaningful way to say it", but I started to question how meaningful and complex I really had to be to just make some statements about having ADHD. I can do it in prose, after all.

So I started thinking about how you would talk, in visual language, about things like time blindness, shame stemming from undiagnosed disability, the shift in behavior that medication can induce. Ways to express my condition to people who don't experience it. I still didn't really know how to build the pieces but whenever I went to an art museum I'd think about how I might do a gallery installation. The centerpiece of my mental gallery was a pair of barcodes, one marked "Neurotypical" and one marked "Neurodivergent".

[ID: An interior view of a small booklet, with pages marked 1 and 2, showing barcodes -- on the left, labeled Neurotypical, and on the right, in slightly weirder configuration, labeled Neurodivergent.]

And then I thought, why not make a zine? Nothing you're thinking of couldn't be put in zine form instead of on a gallery wall.

[ID: The booklet continues to pages 3 and 4; on page 3 is a postage-style label reading AUTISM with up arrows on either side, and on page 4 is a QR code labeled ADHD. The QR code technically should work but it just dumps a block of text I wrote about having ADHD into a browser.]

I grew up with zine culture in the 90s and I always wanted to make one but much like with visual art, I never felt like I had the right kind of thing to say; either I had too much to say or too little, and anyway I wasn't confident that what I wanted to do wouldn't just come off as trite and obvious. But you can make a six-page zine out of a single sheet of paper, so I did: I made Helpful Labels For Strange Brains by idab zines, a division of Extribulum Press. (i--dab is a term for a cuneiform tablet that contains a royal communication.)

[ID: The last two pages feature the same image -- a cereal bowl with a spoon in it, the spoon containing a single Adderall pill. One image, however, is captioned "Wake up. Pour yourself a cup of iced coffee. Fix a bowl of cereal. It's going to be a good day." while the other is covered in a detailed ADHD-style step-by-step process for the same actions, culminating in "It's going to be a day like that."]

I'm pretty pleased with how it came out -- the art all looks intentional and it still has that "taped this together after school" aesthetic I remember fondly from the 90s. And the confines of six pages, each only a few inches square, offers a good structure to keep things clear, simple, and meaningful.

[ID: The cover of the zine, labeled "Helpful Labels For Strange Brains" in a kind of esoteric stampy font.]

Especially nice is that if you wanted to you could just hand out the flat sheet, and let folks fold it into a booklet or not -- there's instructions for folding it on the back of the zine. Additionally I have some sticker backed printer paper so I could print it such that you could literally turn the labels into real labels.

Anyway if you want it, here ya go. You can print it on a single sheet of paper and follow the instructions on the back to fold it. I thought about selling it but I do not have the spoons to do a bunch of printing and folding and shipping.

[ariaste]

Apparently there was some lil drama in Good Omens fandom again about people being deeply nervous and scared of the end of Season 3, and I wrote this in the replies of one of the asks that Neil Gaiman answered, but I feel like it is deserving of being crossposted into its own post (in a slightly expanded form) so folks actually see it.

cmere, good omens fandom, we're having an intervention. a Come To Jesus talk, if you will.

First of all, I'm literally begging the fandom to:

learn what personal boundaries are, especially around parasocial relationships with strangers. (Suggestion: When sending asks to authors you like, use "polite work email" etiquette, not "joking with a friend" etiquette. The latter comes off REAL weird sometimes, and sometimes outright mean/rude/bullying).

take a couple deep fucking breaths

embrace the philosophy of The Author's Intent Only HAS To Matter To The Author, It Does Not Have To Matter To YOU. If you do not like the author's intent, you can say "hmmmm no thanks" and write some fanfic. That's what it's for.

Friends, Romans, countrymen..... Stop trying to make Neil Gaiman responsible for your happiness. For one thing, that is an absolutely unfair and cruel burden to put on a stranger who doesn't know you. Neil is only responsible for Neil's happiness. You're responsible for your own happiness. In fact, do not rely on ANY external source to guarantee your happiness, not even very nice people like Neil, not even your significant other, not even your family members. Yes, those people might be able to help you with your happiness, but they cannot guarantee it. Expecting a third party to guarantee your happiness is how corporations exploit you, and it is the source of all media trauma. Take agency over your own joy! Don't give away your power! Plan to DIY your personal ideal ending!

Neil is not telepathic, Neil cannot know all your hopes and dreams and wishes, nor SHOULD he be expected to know them, nor does he have space to know them. He is busy with things like his own and Terry's hopes and dreams and wishes. Their hopes/dreams/wishes are just as valid and important as yours, aren't they? Yes, they are. So calm down. caaaaaaaallllllm dowwwwwn.

Yes, I love the show very much too, but at the end of the day it is just a story. And the great thing about stories is that you are empowered to retell them in a different way. It is not real, so if you end up unsatisfied by S3, then blithely impose your own reality and build your own joy. It's not like it's the End Of The World or anything (lil fandom joke there for you)

And look, if you read this and you're feeling Mad and Upset or Frustrated about it, that is a symptom that you are maybe feeling a little stung in your Media Trauma parts. I am sorry that other stories have let you down in the past, and I really sympathize that you are feeling scared about the fate of this story that really matters to you. You've invested a lot of love into it! I really understand the fear! You don't want to be hurt again, and that's super understandable and normal.

But bestie, literally the only way for you to find a story that's exactly perfect for you and that won't hurt you at all is for you to write it yourself. I know that sucks to hear, but it is the truth. If you keep pinning a hope of perfection on other people's stories, you will keep getting traumatized by the media you consume. Love other people's stories for what they ARE, not for the stories that you WANTED them to be -- the same way that we love people, you know? You have to let a person be their own person; you can't force them to be someone else. That's fucked up, so if you notice that you keep trying to do that, maybe go to therapy so you can be that Someone-Else person for yourself (or, if you can't afford therapy, read some self-help books from the library or find some good channels on Youtube who make content that might help with that (I really like JulienHimself)).

If you need a story to be something big and important for you, if you are seeking catharsis and healing from a story that matters to you and you're really scared that you won't get it, then open a Word document and start typing. You can do it. You're a human being, and you evolved to tell stories. Literally it's a species specialization. You got this. It's gonna be okay, because you're going to seize the means of production and MAKE it okay. Yes? Yes.

Good Omens S3 will be what it will be. It will be what Neil wants it to be and what Terry would have wanted it to be. Period. That IS actually the highest achievement and the most noble and admirable accomplishment that we can hope for. And hey, maybe what they want overlaps with what you want, and that will be wonderful! But that will be merely a happy coincidence. The only person who can TRULY center your wants is YOU. So stop trying to trap Neil into doing it, please, because he's busy and it's not his job, AND because your wants do matter and you deserve to have someone who can give your wants their 100% full attention (aka you. that's you. only you can do that. Not even your best friends in the world can do it. Not even your mom can do it, at least not if you're old enough to know how to read.)

It's gonna be okay. Really. Really, it is. No, stop typing the snarky melodramatic reply. This is not the time for jokes; I'm being serious. It's going to be okay. Neil Gaiman can only break your heart exactly as much as you allow him to do so. That's how art works. You have to consent in order to be affected by it, and you can withdraw your consent at any time. You're going to be okay. I promise. As long as you choose to claim your own agency and your own empowerment as an individual, then all will be well and all manner of things will be well.

[corkinavoid]

DPxDC Danny's Strange Gifts to the Bats

So you know how it's common knowledge to not accept any gifts from the Fae? Well, even if the batfam knows about it - I mean, they've dealt with a lot of otherworldly stuff, besides, you shouldn't take things from strangers no matter if they are Fae or not - they might not always abide by it. Unknowingly.

The trick is that you never know if it's a gift or not when you're dealing with the fair folk.

So things start appearing in the Wayne manor. Nothing out of the ordinary, really. A book left on the table in the library, a vintage teacup in the kitchen drawer, a cat toy with some real bird feathers. No one pays them much attention. After all, when you live in a family this big, you don't really keep track of who brings home what.

The book was probably left by Jason. The teacup is most likely Alfred's new addition. The cat toy is totally Damian's. It's not the first time and surely not the last when one or another member of the flock brought something to the manor. The book is put on the shelf, the teacup is now Steph's favorite, and Alfred the cat really likes those feathers.

And then, one day, they all get down for breakfast. Damian is the first to appear, with Alfred the cat in his hands, then comes Dick, who stayed in the manor for the weekends, and Steph, who was here for the movie night and decided going home was too much work. Tim comes to the table with a tablet that is quickly put away the moment Alfred starts serving food. Bruce and Duke come the last, taking their seats, and it is almost like a signal for everyone to start eating. After all, everyone is here now. It is peaceful and quiet, a rare but not unwelcome occurrence that Bruce greatly appreciates.

That is, until a few minutes later, Damian appears in the doorway.

"Good morning," he greets, and everyone at the table freezes.

And then does a double take.

Damian is in the doorway.

Damian is also sitting in his seat, eating waffles, the only one who did not stop when the other Damian appeared.

There are two of them.

Damian-sitting-at-the-table looks up to Damian-standing-in-the-doorway and smiles. His face is stuffed with waffles.

"Goov movning, bvothev," he greets back, and before anyone else can react, Damian-in-the-doorway clicks his tongue.

"You are in my seat. Move."

"I don't see your name on it, therefore it is not yours," argues the other one, not moving from his place. Yet now, when everyone can see his eyes, they finally notice the difference. The one sitting at the table has blue eyes.

Tim all but jumps up from his seat, slamming his hands on the tabletop:

"You-" he nearly chokes on his words, when blie-eyed Damian looks at him, and then at everyone at the table with a confused frown.

"But I thought you liked the vintage films for your camera that I got you? And those four-leaved clovers?" He asks, looking almost hurt. The normal, green-eyed Damian looks thoroughly disappointed:

"Have you been accepting my brother's gifts, Drake? You're lucky they were not courtship gifts."

"Court-" Tim sputters in the middle of the word, looking between the two.

Bruce lets out a long, absolutely resigned sigh. Was it too much to ask for just one, single normal morning?..

Long story short, Danny, being a fae and also just generally a little shit, kept leaving gifts for Bats all over the manor, and they all unknowingly accepted them one way or another, so now Danny has the power to ask for something in return. He chooses to just come to the manor and dump the fact that he is going to live here on them at breakfast. Technically, he just ended the long line of gifts by giving the last one, himself.

| <-prev | next-> |

[disgustingtwitches]

MDNI

Working at a restaurant with 141!(Part 5)

The shithead owner decides that he needs to sign up for a "restaurant renovation" show. Chaos ensues.

"A fucking TV show?"

Gaz frowns while polishing glasses.

"Told him it was a bad idea."

Price shrugs, lighting a cigar. You are horrified, being on the screen for millions of people to see was nerve wracking. And it'll be the first time you meet the owner.

"Restaurant renovation... Lik' he gives twa fucks aboot renovating this shitehole."

Johnny ashes his smoke and passes it to you. You take a deep drag and sigh, this is gonna be a disaster.

~

Cameras are set up everywhere, everyone's mic'd up, there are too many people in too small of a space. Some obnoxiously loud man introduces himself. He seems to be an amalgamation of every TV host you've ever seen, wearing too much cologne and too much hair gel. He puts a hand on your shoulder,

"The place looks terrible but at least they got something nice to look at here."

He flashes a smile, cheap veneer blindingly white. You awkwardly laugh while Price steps in, introducing himself. You scurry away to the back where the rest of the boys are,

"I want everyone to be on their best behavior today. No fucking around. Don't make me look bad."

The owner is a bland man, average height and weight, with a shitty haircut and wearing an ugly flashy shirt. He turns around and briefly introduces himself, he already smells like liquor. Great. He gets waved over to get interviewed by the host. You and the guys watch from the other end of the restaurant. It's quite embarrassing, the host pointing out how run down the place looks, the menu is confusing and overwhelming, and then asks if he's drunk,

"I can smell the alcohol from here Carl... it's only 11am buddy."

The owner stutters and blinks,

"I- just uh, just a crazy night is all."

The host stares, unconvinced. Carl shifts awkwardly in his chair. The next segment was ordering food apparently, so you were up. You walk up to the table as the host asks you a barrage of questions,

"How would you say the fish is here? Is everything fresh? What do you think of the steak? Do you have any recommendations?"

When you say you only ate the fries from here and he laughs loudly,

"That is not a good sign folks!"

He stares at the camera, showing off teeth that were too big for his mouth before you walk off and punch in the order. There's a cameraman recording John and Simon cooking,

"Steak and potatoes."

John reads the slip out loud, they move around the kitchen while the owner watches. For such a simple dish there's a lot of chaos, Carl is yelling at them to move faster and cook properly, John is busy arguing with Carl and burns the steak, Simon plates up the food and hands it off to you. You place the plate down in front of the host,

"Oh...oh my God..."

You keep a straight face, hands behind your back. The host looks back up at you,

"Does the food usually come out like this?"

There's a tone of disgust and concern, his eyebrows turned up, you shrug. He stares back down at the filet and cuts into it,

"It's very impressive that one is able to overcook such a large piece of meat. That takes...skill."

You watch concertedly as he picks up a piece and puts it into his mouth, it looks like he wants to cry.

He goes on to complain about the quality of the food to the camera as he walks to the kitchen,

"At least it's clean back here. I've seen kitchens in wors- is that a fucking pigeon?"

Sure enough, there is. How the fuck did it get in here?

"Oh! I just left the door open to let some fresh air in..."

Carl awkwardly tries to catch the bird while the boys watch amusedly, even the camera crew stifle a laugh.

"Christ Almighty, what is wrong with you man?"

The host shakes his head, watching the whole scene in disbelief. Eventually, the bird is out of the building and the sweep of the kitchen continues.

"Food is not expired, everything is stored properly, it's all very well organized. I was honestly expecting worse."

The host walks up to the bar next, plucking up bottles and examining them,

"So, Kyle is it? How long have you been working here for?"

"Just a little over five years."

Gaz leans against the bar. There's a gasp and the host waves the camera over,

"Look at this shit,"

He points at the label,

"Expired in August,"

You look over at Gaz and Soap, they look like they're about to piss themselves, holding back laughs.

"Of 2012!"

The host looks disgusted,

"Why didn't you throw this away?"

"Carl told me to not toss anything."

Kyle shrugged. Soap is almost in tears, shaking, trying to bite back a howl of laughter.

The next two days are like this, you don't know why Carl hasn't pulled the plug on this fiasco yet,

"I think he's getting drunker as the days go by."

Johnny says, ashing his cigarette. There's a nod from Simon,

"I think he enjoys being embarrassed, seems like the type to get off on that."

'The big finale' as the host calls it, means getting a new menu, refreshing the cooks(John's) skills, and cleaning out the bar. The place is opened and there's a line out of the door. It's overwhelming, the customers are putting on a show, acting like dickheads and sending everything back even when there's nothing wrong with the food. Simon and John are on top of everything, putting out food as fast as possible, Carl is shitting himself running around the kitchen like a headless chicken. The night goes by fast and everyone is at the bar,

"So the cooks are for the most part competent, the waitress is amazing, and the bartender is well... The man can do no wrong. The problem here is you,"

The host points at Carl who is fucking sloshed swaying back and forth,

"I genuinely think this restaurant would be better off without you."

Carl starts bawling. The host is visibly uncomfortable. The boys and you are looking at each other. Then when all the cameras and lights are gone, it's all back to normal. Carl is looking for reassurance from anyone and you and the boys just pack up and head home, Price patting him on the back,

"You'll be alright."

~

A few months later, you're all sat on the couch watching the TV. Johnny's over the moon pointing at the screen,

"Look thare A am! See hou sexy A look?"

He's smiling and waving at the camera in the background of the scene where Carl is crying his eyes out. That gets a laugh out of Gaz,

"You're a sick bastard, Soap."

Once the episode dropped, the restaurant got busy for a few months. Most of the customers are horny women ogling at Kyle. On occasion you get the request to bring out "the scary looking one" and you just laugh it off.

"You're so lucky working with all these guys, I don't know if I'd be able to control myself,"

A particularly drunk woman said to you one day. You just smile while Kyle winks at you over his shoulder.