HOME (TO THE OL’ BALL AND CHAIN)
(OR, THE PIÑA COLADA SONG)
Pairing: Chilchuck Tims x Fem!Chilchuck's Wife!Reader
Word Count: 2,499 words
Warnings: None
Summary: Five years after leaving your first and only love, you take the plunge into the dating scene – and immediately regret it. Maybe you're too picky, but none of the men you go out with seem to fit the bill; they're too non-committal, or too eager, or too happy, or too sad, or simply just too much ... so after a particularly bad experience, your youngest makes a last-ditch effort to set you up on a blind date with someone who she insists deserves a chance.
You reluctantly agree.
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DATE #1: CASUAL LUNCH
Estranged husband — 1
Estranged wife — 1
Everything left unsaid — as desired
There’s bacon grease on his shirt.
You can see it underneath his collar, round fingerprints staining the pale linen grey, and when he leans across the threshold into Fler’s home all you can think about is laundry day at the end of the week.
It would be rude to admit that out loud, though.
“Thank you for walking me home,” you say.
“When can I see you again?”
“I don’t know.”
Abelwood teeters forward still. “Well, don’t take too long, hear? You ain’t gettin’ any younger.”
Laughter erupts from the beer in his gut, and you laugh along with him. Abelwood is a rowdy drunk, you’ve learned, which is better than a cruel drunk or a lecherous drunk. It is not the kind of drunk that you are used to bringing home, even if he is only brought to the front door, but –
You smile, regardless.
“Goodnight,” you bid, closing the door inch by inch, your last bit of energy disappearing with the click of the lock.
You hold your breath. It takes three minutes and thirty-seven seconds for the man to leave your front doorstep, and you wait thirty more seconds after that to peek through the window, verifying that he is far enough away before resting your forehead against the door with a groan.
“Oh, boy.”
“I’m too old for this, Fler,” you mutter into the wood. “He was awful.”
Flertom lets out a sigh and closes the distance to squeeze you in a hug, pressing her cheek against your back like she’s done ever since she grew tall enough to do so. “I’m sorry, Mama,” she says.
“I’m sorry too.”
As you pat her hands and turn around to smile wryly at her, Puckpatti pipes up from the middle of the living room.
“He was a pig,” she exclaims. “Calling you by your first name! And he wasn’t even that handsome!”
“Looks aren’t everything, Puck,” you reply sharply, and she pouts, squeezing the lump of clay in her hands until it squishes out between her fingers. “He was a pig for the way he acted.”
“Well … that too.”
“He also smelled like one,” Fler says.
You detach yourself from your daughter to loosen the belt at your waist, frowning down at your dress and nice leather shoes. The dress feels just about as worn out as you do, the fabric soft and droopy from the humidity, the sunshine-yellow color less vibrant than it had been earlier this evening. The man had spilled beer on the floor of the bar and your shoes still look slightly sticky. Peeling them off just reminds you of the way he had laughed.
“Fler,” you say, “get me a wet rag, would you?”
“Sure, Mama.” Flertom turns to Puckpatti. “Puck, get a wet rag.”
“My hands are all dirty!” your youngest protests, showing her grey palms. “Mei’s closer to the water bucket.” She points to Meijack, who you now notice lingering by the kitchen.
Meijack blinks slowly, then silently fetches a rag, wets it, and brings it to you.
“Are you gonna keep trying, Ma?” she asks while you scrub the heel of your left shoe. “All these guys seem to be wasting your time.”
The chuckle that leaves your mouth is short and dry. “After this one, I don’t think so.” You glance up at your daughters and smile, straightening. “Maybe I should just take you all out on a girls’ date next time, huh? Forget about men for a little while.”
Meijack shrugs. Puckpatti nods eagerly.
“I just don’t know what’s wrong,” Flertom frets. “I’ve seen most of them at work before, and they seemed nice enough even when they were drunk …”
You shrug hopelessly and cross into the living room to sit on the couch. “Maybe it’s me.” As you lean back into the cushions, Meijack and Flertom join you on either side. “I’ve only ever been with one man my whole life. Maybe I don’t even know what I want …”
There’s a moment of silence. You look up at the ceiling of Flertom’s home, rubbing your temples and willing your frustration with yourself to not spill over while your daughters are watching. How embarrassing. Here you are, their mother, who is supposed to show them an example of a happy relationship, only for them to comfort you after another failed date. It should be the other way around. Half-foots don’t live long enough for things like this; your own mother had told you when you first left him that you should’ve just sucked it up.
Finally, Flertom speaks up. “Mama,” she starts, hesitant, and you look over to see her playing with her fingers, “Do you really want to date someone?”
“It’s been long enough, don’t you think?” you answer.
As you say so, a name resurfaces in your mind, unbidden, and the face that belongs to it. Your jaw tightens and you look down at your hands.
“Well … um … Papa wrote last week, and he said that he wanted to talk to you sometime. Just a little bit.”
Your tone hardens. “And what does that have to do with me dating, Fler?”
She flinches and her lips push out. “Come on, Mama! It’s been years, and after everything he went through, I really think he’s better now! Don’t you at least want to talk to him? You were so in love with each other before he started adventuring, and now that he’s retired from it …”
You hold your hand up, and her jaw clicks shut.
“I know what you’re getting at, Flertom,” you say quietly. “And right now is not the best time to bring up your father.”
Your daughter deflates, her cheeks rosy. “But –”
“I mean it.” Standing, you heave a deep breath and examine the cluttered workstation that Puckpatti had set up on the living room table. “Puckpatti, make sure to clean up after you’re done. I’m going to bed.”
While the girls mope, you head to your bedroom, doing your best to occupy your thoughts with work at the blacksmith’s tomorrow. You think about the chain mail you’re supposed to be making, the little metal rings to form and weave together, and hope they’re what you dream of, not self-absorbed dates or unwanted kisses.
You blame Flertom for the auburn hair and hearty laughs that plague your night instead.
—
A week later, Puckpatti accosts you as soon as you walk through the door.
“Mama, I found a man for you!”
“Oh?” you reply blandly, hand still clutching at your chest from having the living daylights scared out of it. “Who is it?”
“That’s a secret! But he’s really nice, I promise.”
Sighing, you remove your vest. “I don’t know, Puck. How did you meet him?”
“He bought one of my clay sticks.” You can’t stop yourself from frowning, despite your desire to support your daughter’s entrepreneurial spirit, and she giggles. “Oh, please, Mama, he didn’t believe my pitch. I think I just charmed him into buying it. He seems really clever!”
“Are you sure he wasn’t interested in you?”
She makes a disgusted face. “Eww! No, I told him about you and he seemed interested.”
“Oh, really?”
“Mama, you’re a catch. Of course he’d want to go on a date with you.”
“That’s sweet of you to say, honey.” You glance at her before heading to the kitchen to put away the bread and cheese you’d bought. “Is he a half-foot?”
“Maybe.”
“I thought I’d met all the half-foots in Kahka Brud.”
“Maybe he just moved here.”
She looks up innocently when you raise an eyebrow at her. “And you’re sure I’ll like him,” you drawl, more suspicious by the minute. (Of what, you’re not quite sure.)
“Positive.”
It is incredibly difficult, you think with equal parts pride and concern, to say no to your youngest daughter. It’s probably why you worry about her the most. “This is the last date I’ll go on, Puckpatti. It will be on you.”
Puckpatti cheers. She hugs you as you chuckle at her enthusiasm, jumping up and down. “Yay! I’ll get a time and day that’ll work best. It’ll be great! You’ll love him!”
“For your sake, I hope so.”
—
The day arrives with a mellow sun and clear sky.
You wear your green dress with the floral details, and Puckpatti picks a necklace to go along with it, a thin, simple one that you haven’t worn in years. Flertom does your makeup and Meijack does your hair.
And as you sit in a corner of the tavern fifteen minutes early, hands nervously clasped in your lap, you wonder, just as you have with every date prior, what you’ve gotten yourself into.
Maybe he won’t show up. It would be improper, and juvenile, but then you could go home and say that you did try. Your desire for a new romance has all but dwindled completely, and as you trace the scratches on the wooden table, you wonder if it was even a desire at all.
Footsteps approach from behind. You can tell they belong to a half-foot by the weight and sound – light and small – as they come around to the other side of the table. Your shoulders tighten. Forcing a smile, you look up.
Your heart promptly surges upward into your throat before plummeting to your toes.
Chilchuck gawks down at you, eyes wide. His mouth parts to utter your full name, and you feel your lungs squeeze at how it sounds coming from him, soft from years of disuse.
“You came,” he says.
“Chil – Chilchuck.” His name is ashy and sweet behind your teeth. “What are you doing here?”
He furrows his brow. “What do you mean? The girls said that you were willing to meet up.”
“No, I’m meeting with one of Puck’s customers.”
“What? That doesn’t …” he trails off, and the two of you seem to realize the same thing at the same time.
You bury your head in your hand as Chilchuck grits his teeth.
Those scheming …
“I’m sorry they dragged you into this,” you mutter as you get up from your seat, your voice cold and flat. “I’ll be going now.”
His head snaps up. “Going? But –”
You hurry past him, dodging the hand that you know has reached out for your own.
Home is a ten-minute walk away. You can clear your head in that time, then scold your daughters for meddling, though it’s partially your fault for not questioning Puckpatti about your supposed date more thoroughly. You just didn’t think that they would try something like this.
(Or that Chilchuck would bother to go along with it.)
You pull the door open with some effort and rush out into a downpour of rain.
Your hair gets drenched before you backpedal with a yelp. Pressing against the wall underneath the awning, you look out helplessly at the soaked streets, their gutters already filling with water and debris flowing down the incline. Is … is that a drowning rat?
The storm’s earthiness floods your nose, late in its prediction by half an hour. Just your luck.
You fumble with the clasp of your necklace to remove it, not wanting to get it wet. While you struggle, the tavern door creaks open behind you.
“So you don’t even want to talk. Even after all these years, you’re going to walk away again.”
“Do you know why I walked away the first time?” The damn thing won’t unhook. You scowl, the presence at your back making your usually nimble fingers clumsy.
“No,” Chilchuck says. “I don’t. Not for certain.”
“That’s why.” With each failed attempt to separate the rings, your fingertips grow sorer, your throat thickening. He’s too close. You hate how he’s watching you fail such a simple task. “You stopped knowing, Chilchuck. That’s why.”
Underneath the sharp sound of rain, you can hear his breath hitch, then quiet.
You bite your lip and let your arms fall to your sides, giving up on trying to take your necklace off. Your chest aches. You don’t want to cry in front of him.
“So, there, we talked like you wanted.”
He stops you before you can step out into the rain.
“Wait. What … what about your necklace?” he asks hesitantly, like it’s not what he really wants to say, but merely a way to stall for time.
This time, you look over your shoulder at him. “I’ll dry it real well once I get home,” you reply.
Chilchuck’s mouth presses into a fine line. He grabs the cloak folded over the crook of his elbow, and it is then that you notice the bouquet of blue and pink flowers in his other hand. The ache in your chest flares into a raw, pulsing hurt.
“I’m guessing you’d rather not have me walk you.” He speaks evenly, holding his cloak out towards you. “It’s not completely waterproof, but keep this over your head, at least …” his voice quiets, “please.”
Wordlessly, you take the garment from him. The inner lining is warm against your skin.
“I’m sorry,” he tells you. “For not knowing.” His fist tightens around the flowers, and he stares at you resolutely. “I want to again, if you’ll let me.”
Ah.
You swallow. “I … I don’t know.”
“It doesn’t have to be today. I can wait.”
Breaking eye contact and looking down, Chilchuck roughs his fingers through his hair, mussing it up. The cut is the same as it’s always been, auburn bangs thick and soft over his brow. And you recognize the shirt he’s wearing, a practical, clean wool shirt that you made some years ago. He’s taken good care of it.
It’s all the same. All the same, and yet, something that you can’t quite identify has changed.
You bring his cloak closer to your chest and bite your bottom lip.
“… Give me a week.”
His entire body loses its tension.
“Really?” He looks at you like he can’t believe it, and you avert your gaze, ears warming and moving back the slightest bit.
“Give me a week to decide,” you clarify. “Fler or Mei will let you know … this is really abrupt, after all …”
Chilchuck nods. “That’s fine!” he exclaims. “You didn’t know, so I understand. A week is – a week’s good.”
You nod back, hesitant.
The rain continues its heavy downpour.
“Right … well …” you turn slightly, casting him one last glance, “I’ll give your cloak back, regardless. Don’t get sick.”
“Okay. Stay … stay safe.”
With that, you wrap yourself in the thick fabric, rushing out of the safety of the awning. The run back home smells of woodsmoke and thyme, and when you open the door to three guilty daughters and three apologies, it lingers.
You hang his cloak near the fireplace. It’s evidence of a weak resolve that you stay until it’s dry, and even more damning that you know your answer long before it is.
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unable to stop dwelling on the discworld trouser leg of time where, in the penultimate fight scene in Nightwatch, Carcer manages to kill teenage Sam Vimes.
Which means that the future that Duke Vimes came from can no longer exist, which means he can’t go home. Meanwhile you’ve got a bunch of history monks with stored up temporal energy, a prepared space outside of time, and the need to do some desperate damage control before the Auditors get involved. Death shows up, reality is unweaving, Sam is reading Carcer his discworld miranda rights because what else is he supposed to do.
and finally, with little other option, the monks de-age Sam so he fits the time period and send him back out into the fray.
(they didn't call it deageing of course. His memory is hazy, splintered during that terrible in between moment, They....took the time out of him? Sanded away the edges of his self for a terrible, workable fit? It...wasn't a good feeling.)
Just—damn. Sam Vimes having to live his whole crapsack life over again, but this time as his disillusioned-reillusioned, unwillingly-character-developed, noir-epic, Duke of Ankh, Commander Sir Samuel Vimes self.
Younger (Older? He's never felt so Old, His steps so Childlike, reality twisting in his gut like one of Dibbler's pies) Sam Vimes walking around in a haze after the revolution. Desperate to go home, knowing he can’t. Wanting to drink. Knowing he can’t.
The whole precinct feels pity, he really took Keel’s death hard, hardly speaks except to do his job. Eventually he has to grit his teeth and start being present, because what else is there to do?
Resists the urge to drink until Colon takes the whole watch out to celebrate because -he’s going to be a father!
Come on Sammy, one drink won’t kill you— and after the first drink he’s cracking jokes and after the second hes smiling and after the third hes honestly the life of the party and sometime after that he’s crying about how he was going to be a father and my wife would be ashamed if she saw me drinking like this and—
Oh shit, Did anyone else know he had a wife?? A PREGNANT wife??? What—aren’t you like 12—no you're 17 now aren't you but when did—
You guys n’ver met ’er—oh gods none if you ev’n know ‘er, is jus’ me...
What—when did you lose—
I lost her the same damn day I los’ ev’rythin else, whadya think...bleeding Carcer...the fuckin revolution...
So! That! Sam only vaguely remembers the night, but rumors travel faster than light on the disc, so by the next day the whole damn city knows about poor Sam brung low by the loss of his poor, tragic, pregnant wife, so young to be a widower, and the Seamstresses nod because they already knew, don’t ask them how, somethings you just have to know in that trade.
And his mother—I don’t know, sue me, I’m a time travel fiend but there’s something deeply intriguing about a man meeting his dead parent, who is somewhat younger than him, and stepping into the old relationship like a badly fitting thing that's supposed to fit well. She would know, right? How would she deal with her son’s impossible grief? Maybe she wouldn’t know—he spent most of the time out of the house, running with different street gangs, maybe he avoids her until she dies and lives with the guilt twice over. God, we don’t even know her name. There’s just so much narrative and emotional potential that I don’t even know where to start.
When he’s on duty, which is most time - it’s agonizing because at first he remembers cases, saves lives that would have been lost. But the more time passes, the hazier his memory because in the original timeline he was becoming an alcoholic. Fuck! A kid dies and he could have saved her if he hadn’t been such a drunk, if he had just remembered where the asshole lived, but it’s all a haze, and he wants to drown out his guilt, but that’s what caused this in the first place.
Good young Sammy, who spends his rare off-time in dusty libraries (and yes, the irony that he’s apparently Carrot now is not lost on him) reading gods-only-know.
It’s not like he can ask the wizards for help, cutthroat and vicious as they are now in the not-so-distant-past.
Good young Sam, who...talks to the Broken Drum’s pet Bouncer like he’s a real person and not a dumb rock? That’s a bit weird, but he’s a bit of a funny guy.
Good old Sam, who believed the testimony of the dwarf who said the humans were trying to rob him and let the dwarf go??
the PROBLEMS this man would cause, good grief. Can you imagine a moderately progressive middle aged man with some degree of begrudging diversity and equity training that he did, for all his sins, pay attention to, suddenly going back to like, 1990, going back just 30 years, and going...oh damn this is kind of fucked up, no man you can’t say that, holy shit.
Except Sam’s lived through even more rapidly shifting social moroes! There’s no seamstress guild, there’s no women allowed inside the university, there’s no black ribboner’s society. People hunted trolls for their teeth! But Sam can’t just unlearn everything, and he can’t shut up, and he has no real luck and anyway he would absolutely get himself (temporarily) fired.
FUCK. Sam has no idea what to do with that. None. Zero clue. Wanders around in a haze until that dwarf he saved from police brutality finds him and insists on repaying the debt. No, he insists, do you have any idea what debt means to a dwarf?
“Sort-of?” he replies hesitantly, and that honest admission of incomplete knowledge shows a hell of a lot more respect and understanding than any self proclaimed dwarf-expert ever did.
Gets a job as a surface man, hauling rocks into the city. It’s backbreaking work, but, in true Discworld fashion, it’s also one hell of a workout (again the irony of being Carrot is not lost him. he freezes for a minute while hauling a rock cart, when he remembers he's technically Lost Nobility too, in a strict sense, but someone curses at him in the street and he's comfortingly grounded)
And here is where this au slides into a SPECTACULAR romantic comedy, BEAR WITH ME. Because in his time on the Watch he’s already done noir, action adventure, war story, detective who dunnit, psychological horror, but guards guards only allowed him to be a romance protagonist in an extremely limited context.
Give me righteous, twenty-something-looking, can’t-say-he-doesn’t-have-style, young Sam Vimes, not an alcoholic, being fed three square meals a day by his dwarven forced found family, hauling rocks. He is startled to find him bumping his head on a low hanging bar that he doesn’t think used to be there, eventually realizing that he’s an inch or two taller than he remembers. Huh. Guess all that bearhuggers really did stunt his growth.
Still doesn’t get what some of the looks from women he’s getting are about, sure, he’s dirty but so is everyone else. Fine, he took his shirt off, but it’s hot out, there’s far wrinklier than him hauling heavy loads, get a life.
Happens to glance in the Ankh one day when it’s particularly slow and shiny and is startled to realize that he might be turning heads for a different reason. Oh. Right, not that he was ever a heartbreaker, but he did alright for himself... when he was a younger and his face hadn’t been broken so many times. Which...it isn't now.
Is mildly disturbed by the revelation.
Especially once things blow over at the precinct and what with high mortality rates, he ends up with getting hired again. The boys are delighted to have him back, nevermind that he’s an odd one, noone is ever quite in your corner like Vimsey, absence makes the heart fonder, no one else works that hard, and he’s not even competition for promotion. All around great guy, we should set him up with somebody and just, no.
It just keeps getting worse! He’s literate! He’s a feminist! He believes abuse victims! He’s got a tragic backstory! He’s unreasonably good in a fistfight! He’s kind to animals! Word gets around that there’s a good man on the watch and he’s just waiting for a good woman to come snap him up. The widower excuse doesn’t hold people off completely, and for some it’s its own sort-of appeal.
Things REALLY become stressful after he rescues that carriage full of noblewoman.
What’s he supposed to do? Let them get robbed? Or worse? Chasing down and beating up 10 goons is as easy as beating up one, when they’re that stupid, getting separated like that, drunk and distracted, and he knows these streets better than anyone, really it’s nothing. And oh lord he’s Modest too.
I mean, they were genuinely greatful, as genuine as people like that are capable of being, the skill having grown rusty. And then there is something...magnetic about the man. An air of command.
So, soon enough you get Lady Marigold of Marigrave calling on Treckle Road for that gallant young officer who rescued them, she really needs to thank him. And Viscountess Elanor Thitzferal specifically requesting that he guard her at her next soiree. And Baroness Julieta van Shoeholten insisting that he come to her home while her husband’s away, for... manly protection.
Aaaah just zero sympathy from the guys. None. 'It’s become a competition, they’re just trying to see who can get me into bed first, it’s like I’m a piece of meat, you can’t send me sir, the Marquess greeted me in a nightee last time you made me go to—' and 'small gods Vimes are you even listening to yourself, shut the hell up'.
Simultaneous to this, (again this is several years into the timeline) swamp dragon accessories come into style. Which means abandoned swamp dragons scrounging on the street. Vimes takes one back to his apartment, blows his paycheck on dragon medicine, and eventually, heart in his chest, brings it to the Ramkin estate. The sunshine orphanage doesn’t even exist yet and he’s just standing outside the gates like an idiot, what is he thinking. Turns around, but her carriage is pulling up and—
well. they meet. it's cute. he's never felt so young. he's never felt so old, too old for her, too poor—
and certainly her thoughts linger too long on the awkward, kindly, handsome young commoner, but is it any wonder she doesn't quite connect it to the stern, dangerous, sexy young guard the ladies seem to be in some quiet, cuthroat competition over?
i have this gorgeous, absurd scene in my head in which Vimes is strong armed into standing guard at some high society soiree and one of the pushiest ladies insists he dance with here, or, if he prefers, if he's not confident about his skills, he can dance with her in-private at her home and he’s like [grinding teeth, looking for a way out, seeinf one] “I would be honored to dance with you.”
Steps right into some ultra-complex dance with multiple partner swaps (she never thought he'd pick this one, devilishly intimidating to one not strictly trained, and you barely spend anytime with your first partner).
But he does alright. Better than alright, for a common man, sometimes misstepping but his hands and feet always end up where they need to be. Raises several eyebrows part way into the song because he's throuwing in some slightly scandalous, no innovative, extra lifts and twirls that wouldn't become fashionable for another decade or two. Who even is that guy? Some out of towner? No, no he's in a guards uniform...how very strange.
Gets to Sybll and she's used to embarrassment during these dances, she tries to get out of them when she can... but can't always. Men awkwardly skipping the lifts, or worse, trying and failing. But him — oh it's him, the one who helped little Erold, and looked at her like—like—well like she was someone beautiful. And he's doing it again, and he's strong and there's a quiet moment where she's in the air, they lock eyes, and the rest of the room melts away.
And then the partners change again, the moment ended.
Just...living throught it all again. To the left, a dance he almost knows the steps to, throwing others off balance with erratic moves , honest mistakes, and delibrate stepping on toes. Improvising. Ruining. Improving. Getting far, far too much attention.
Hes almost excited when the first assassains start coming after him. It's like a hobby.
Everyone tells him he should get a hobby.
Interactions with young vetinari...I don't have the energy to write it all down, the slow circling in on each other, both burning with the need to fix the city, save it, their city.
needless to say he ends up fired again, life under real threat after offending some high lord.
Conveniently enough he has an employment opportunity- bodyguard to fucking Vetinari on his 'grand sneer.' The bastard knows vimes isn't what he seems, though sam is pretty sure that he doesnt know the exacts.
Vetinari hypothesis:(the ghost of keel? Keels son, with some hereditary curse? Or a larger spirit of justice possessing a string of unrelated souls? He knows things he shouldn't- mind reader? Fortune teller? Havelock once arranged for a wizard to bump into him on the street, the magical fool gave an odd double look and then muttered something about destiny looping in on itself giving him a headache. Destiny? Lost noble? And hes far too familiar with sybyl, one of the few bearable noblewomen in this city. And his thoughts on guilds, when havelock can trip him into speaking... Most of all, if hes reading him at all correctly (for all the mystery hes not that hard to read, unless thats a very clever cover) then it seems that behind those dark haunted eyes is Respect. Loyalty. For vetinari. What an interesting man. A puzzling asset. An intriguing threat. )
Did I mention the timeline is changing, healing slowly around the place where it was torn? Healing enough around scars to perhaps get some flexibility back, with some painful stretches and...massaging of said scar tissue?
And hes heading to unresting uberwald, a place where a werewolf pack still hunts humans and, truely unrelated but perhaps equally exhausting, an eldritch spirit of vengeance just might be looking to stretch its legs in a hapless vessel?
Opening drabble
Vimes Vetinari Meta (Unwell)
Scene from the Uberwald Grand Sneer
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