#life after they left

[inkskinned]

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

[vmkhoneyy]

I think if I could be the kind stranger in someone’s memory, that’d be enough.

[canisalbus]

Ok ok hear me out: it could end in tragedy,, AND have a happy ending. The attempt(s) on Machete’s life force him to flee, he doesn’t even have the chance to find Vasco. Cue gay longing for at least a few years while Machete despairs over the loss of his love, his life, his status. He and Vasco only reunite (again) in their later years. Their relationship is forever flavored with loss and loneliness, but that only means they savor every moment that much more

I also I would like to see them as old men. Vasco would be so droopy :)

You gave me such old dog brainworms.

[noisilyscreechingsong]

Eyes

Dp x Dc Crossover Writing Idea

“Red Robin!”

When he backtracked to find the owner of the voice he was a bit surprised to find a young boy, maybe eight years old if he had to guess, dressed in a red sweatshirt that dwarfed him and a pair of gym shorts that had seen better days.

Not many Gothamites called out to the vigilantes, a silent agreement to stay out of their way and not to look too closely. This kid however stared up at him with bright blue eyes unafraid of getting the Red Robin’s attention.

A fan?

Before he even opens his mouth, the kid gives him a small, hopeful smile, eyes shining with something that reminds him of himself when he was that age and following Batman and Robin with his camera around his tiny neck.

“I brought you a gift,” the boy say with nervous excitement. He enthusiastically swings off the backpack he had on to dig through the contents, taking his eyes off the vigilante and showing his unwavering trust that nothing bad would happen to him while Red Robin was here.

The boy pulls out what appears to be a jar wrapped in newspaper, the worn page ripping in some spots to show the clear glass underneath. Small hands present it like it’s Red Robin’s birthday (which it wasn’t).

He takes it cautiously, the kid hasn’t been hostile but this was still weird, and pulls it closer with enough space so if it’s a bomb it doesn’t blow up in his face.

It’s got weight to it and the slight sloshing tells him it’s filled with liquid. He carefully unwraps the ‘gift’, keeping his eye on the boy who stands waiting anxiously.

Tim almost drops the jar as soon as he sees what’s inside. Only his reflexes from over the years held on and his expression turned neutral.

A pair of eyes sit at the bottom of the jar. The orbs were crudely extracted, tissue floating around them like a mane of hair around a head.

He turns the jar to see the irises and… he knew these eyes. The slimy green is filmed with death, but he recognized these eyes from the number of times the owner locked them onto him, the cruel possessiveness they possessed when they gazed at him. Never again apparently.

Tim doesn’t speak for a while, not knowing what to say, but also thoughts racing too fast to form any proper sentences.

“Do you like it?” The small, nervous voice interrupts those thoughts.

What an innocent question on an equally innocent looking face.

“How did you get Ra’s Al Ghul’s eyes?”

The teasing chatter over the comms immediately hushes into shocked silence.

“I took them from his body, so you knew he was dead. I burned the rest so you don’t have to worry about him coming back again. The Pit there is gone anyway,” the child explains easily, not fazed in the slightest from the words he speaks.

“Grandfather is dead?” He hears Damian whisper over the comm.

So many other questions were flying through Tim’s head. He looks the kid over again.

Black hair and blue eyes. In any other situation the kid might have been a possible Wayne adoptee. He’s not a clone from what he can see though. Despite the coloring he doesn’t really look like any of them. Pale skin like Tim, but has freckles. The same kind of nose as Damian, but wide, round eyes. Jaw kind of like Jason, but his body shape is too narrow. Bright, almost icy blue eyes like Dick, but eyebrow shape is flatter. Lip shape like Bruce, but from the kid’s anxious lip biting he could see the faintest trace of dimples.

“Who are you?” He asks instead of the other million and one questions.

The boy blinks almost like he wasn’t expecting the question. He’s cheeks color pink with blush as he grins widely.

“I’m Danny!” He introduces cheerfully like he didn’t just hand a vigilante a jar of eyes.

“Hi, Danny,” Tim greets almost dumbly. “Want to tell me why you gave me this?”

Danny scoffs his shoe against the pavement in what appears to be embarrassment.

“Well, I know when you ask someone for something, it’s nice to give a gift or something. Like I did something nice for you so maybe you’ll do something nice for me?”

He takes a moment to absorb that child-like reasoning.

“So you want me to do something for you and you thought I would like Ra’s Al Ghul’s eyes in exchange?”

Danny studies him and fidgets with the large sweatshirt sleeve.

“I just thought you would like proof. Like the whole ‘bring me the heart of my enemy’ kind of thing. Do you not like it? I couldn’t just take a picture ‘cuz I didn’t have a camera with me, I know you like photography. I can do something else for you if it’s not enough,” he offers worriedly.

Tim freezes.

“How do you know I like photography?” He demands.

Danny tilts his head curiously.

“Because Tim Drake likes photography,” he says like it’s obvious, “and you’re Tim Drake.”

Well. This is less than ideal.

“Red Robin, take him back to the Cave,” Batman instructs over the comms.

Yeah, he was getting there.

“Do you know the other’s’ identities?”

Danny nods and hums affirmatively. Tim waits.

“Oh! Yea. Batman is Bruce Wayne. Robin is Damian Wayne. Red Hood is Jason Todd. Nightwing is Richard Grey-“

“Okay. That’s enough.”

Tim glances around the empty alley they were standing in, checking to make sure no stray people heard. Luckily they were truly alone.

“Danny, do you want to come back with me?” He asks, but it’s not really a question. The kid was coming back regardless, it would just be better if he went willingly.

Unsurprisingly, the kid lights up like a little sun at the offer.

“Really?” He nearly shouts in excitement.

“Yeah, kid. I parked my bike a few blocks from here. You ever rode a motorcycle before?”

Danny shakes his head, nearly bounding on his toes.

“Not in this lifetime.” And wasn’t that odd wording? “Are we gonna grapple there?”

“Think you can hold on?”

“Yeah!”

He kneels down so the boy can climb onto his back and lock his arms around his neck and hook his feet together around his torso. Danny is worryingly light as he stands.

The kid is the picture of an excited and overeager child as they carefully fly over rooftops and then drive back to the Cave. Even when they park inside the safety of the Batcave, Danny’s eyes are filled with child-like awe and wonder, so curious and chattering with questions and wild imagination. It would be cute, endearing even, if the jar of eyes wasn’t sitting heavily in his pocket.

Alfred came down not too long after their arrival with a tray of healthy snacks and some waters. Danny happily munches on the apple slices as he wanders around where Tim can see him.

The rumble of the Batmobile can be heard almost an hour later after Tim has to tell Danny not to touch the weapons for the fourth time. The kid’s attention is drawn to the sleek black vehicle as it parks by Tim’s bike. He trots over with wide eyes as the doors open and Robin exits, then Batman.

Unfortunately, Dick is in Bludhaven and Jason is visiting Roy and Lian this week. Cass and Steph were gone as well and Duke was sleeping. It was just the three of them and this kid with Alfred as the only buffer.

Danny stares openly, curious, as the duo makes their way over to the computer where Tim has claimed his sit.

Tim turns the jar that he set on the table so the eyes are facing them and slowly leans back again, suddenly very tired. Damian flexes his hands into fists tightly while Batman is very still.

“Hi,” Danny chirps like nothing is wrong, oblivious to the tension in the air.

Batman takes a measured breath. Robin glares down at the child, but remains silent for now.

“Who killed Ra’s Al Ghul?”

Danny blinks blankly.

“Nobody.”

“You’re saying he just dropped dead?” Damian sneered in sarcasm.

“Death took him,” the child says simply as if that explained everything.

“How?” The word is demanded and emphasized.

“Like Death takes everyone. His expiration was overdue.”

Bruce frowns and Damian almost snarls.

“I demand you start making sense!”

Danny glares back in offense.

“I’m being very clear! Maybe you should ask better questions!”

The twelve year old growls at the smaller child and Batman has to place a firm hand on his shoulder to keep him from attacking.

“Danny?” Batman questions after a tense moment.

The boy’s arms are crossed in irritation, but he blinks out of his glare to stare up at the man.

“Yea?”

“How do you know our identities?”

“Oh, memories.”

Danny looked like everything he said made sense and it was driving Tim up a wall.

“Memories,” Bruce repeats.

“Uh-huh,” Danny nods confidently. “From the Lazarus Pit.”

A jolt goes through Tim as he recalls what the boy said earlier about the Pit.

“Didn’t you say the Pit was gone?” He asks before Bruce could continue his line of questioning.

Danny turns with a bright smile as if he was proud Tim remembered.

“Yea! Well, gone from this world anyway.” Tim was concerned. “I took the memories from it before sending it back where it belongs.”

“Okay. How did you know how to ‘take the memories’ and send it back? Back where?”

“I was born from it. Duh. It went back to the Realms or I guess you’d call it the Afterlife,” Danny actually rolls his eyes as if they should already know this.

“Born from it?” Damian asks with a wavering voice, hidden well from the child but not from them. “Nothing has ever been born from the Pits.”

“That you know of.”

And wasn’t that the kicker.

“So, to clarify, you come from the Pits. You know who we are because you took the memories from said Pits. Death took Ra’s because his time was up. And you took the eyes from his corpse to give to me because you thought I would like it as a gift so I would do something for you.”

Danny positively beams.

“This is why you’re my favorite!”

Damian grinds his teeth harshly.

“What is it you want Red Robin to do for you?” Batman asks in strangled hesitation.

“Oh!” Danny perks up like he remembered and hops over to Tim with pleading hands. “Can you please make me an identity? You’re really good at all that stuff and I was hoping you could find me a family. Someone to adopt me. A nice family, with a bed and family dinners and a dog. I always wanted a dog.”

Tim has the sudden urge to scream.

[atryoshka]

Nandor probably: Dear Diary, I believe Guillermo to be a witch, for he has bewitched me. His curly locks and rugged facial hair has cast a spell upon me. I am suffering greatly.

Not as much as Derek though, fucking guy.

[tubbytarchia]

I don't know what this is all I know is that LimL Joel makes me really emotional

[biggest-gaudiest-patronuses]

i think it would be funny if people occasionally arose from the dead. like if that was a real-life one-in-a-million but well-documented Thing That Sometimes Happens, and the entire legal system around death (laws on inheritance & marriage & murder etc) had to include caveats for the unlikely-but-scientifically-possible event that the dead person in question might spontaneously self-resurrect, even years or decades after death. it would raise so many inconvenient and absurd possibilities

[thegunslingerletmedrop]

[bluegiragi]

konig reminisces with horangi over his short-lived stint as an underground boxer in his teenage years...

more on patreon (plus the nsfw follow-up comic)

bonus:

[atlas-and-the-time]

The greater grief

[mobius-m-mobius]

If it’s all the same to you… I’ll have that drink now.

[vapidsoup]

living in hinamizawa must be so fucking funny. its june 1983, youre hanging out with your friends in some fuckass village with zero (0) formal education institutions and being like yeah man im so hyped to go to the watanagashi festival and play the ring toss. hopefully nobody dies from the blood curse for the fifth consecutive year :/ anyways do these cicadas ever shut the fuck up or

[alfairy]

Nimona AU where Ballister and Nimona do leave the kingdom and go over the wall to find a new safe home. Years pass. The kingdom is more paranoid than ever because the queen killer and the monster were never caught and could presumably still live among them or return to cause more chaos.

The director decides one day that they need to take the fight to the monsters, strike first before they are stricken again. Knights are sent out beyond the wall to search the surrounding land and burn down the woods in order to “smoke the monsters out.” Destroying everything, trying to fight a monster that was never even there.

During one of these instances, Ambrosius and Ballister finally see each other again face to face for the first time in years since that fateful interaction at the institution. They’ve both changed, physically at least; Ambrosius’ hair is longer, Bal’s got some more grey streaks and a new arm upgrade. But underneath all of that they’re still the same, still got that lingering hurt and romantic feelings. Nimona is still the same as ever and hasn’t aged a day.

(Also idea that maybe there’s other small communities and people living outside the wall that Bal and Nimona ended up quietly settling down in. People who are far more open minded and accepting of others, and who are more concerned about the walled off kingdom with guns pointing at them than this nice guy and his cool daughter. That’s their neighbor and they’re not gonna let some knights storm in and cause trouble for him.)

[steppesliver]

when men who idolize rust as some sort of pessimistic nihilist sigma king make a post about him being philosophy goals or whatever that means i hope they die and do better but when a woman does it's like yes queen he's just like you at 19 i understand

[asavt]

leshy freaking cat

The fact that we all (or almost all) took one look at the yellow cat and went "yeah sure lets go with that" will never not be hilarious to me.

[lyctorism]

going insane thinking about the paralleled relationships of palamedes’ fondness for harrow and camilla’s fondness of gideon. and their respective simularities! harrow being jealous of gideon mooning over dulcinea. camilla being jealous of palamedes being in love with dulcinea since he was 8. camilla being fond of gideon after realizing gideon also has a melodramatic necromancer. palamedes and harrow’s “necromantic pissing contest”. gideon and camilla’s love of swords. palamedes “I'm the greatest necromancer of my generation”, harrow “like hell you are”. palamedes suiciding detonating himself to take out cytherea. gideon suiciding throwing herself on spikes to send harrow full lyctor to take out cytherea. palamedes “i miss harrow terribly” sextus. harrow “i can’t envision a universe without you in it” nonagesimus, camilla “life is too short and love is too long” hect. gideon “you’ll know what to do” nav, palamedes “she knows what to do” sextus. crazy! crazy insane! thinking about them