#like 10 years later but they had a lot more source material

[dog-forest-spirit]

What are your theory as to why Sunrise keeps clinging to the Inuyasha rights? They have been absorbed by Bandai, and yet they are clinging to them. Cash cow Gintama merch they still had their stickers on until recently, their own huge franchise Gundam given over to Bandai quite a while ago, but the Inuyasha anime? Still copyright 2009 Sunrise. They insisted on giving Sesshoumaru red and white also as a theme color, but now have given him a greyish purple because of the manga. But still they cling to it. Inuyasha is quite big internationally, is that why? But Gintama was the mos exported series for quite a while..! But many fans pretend it doesn't exist anymore after their stupid "what if" story (checked last merch for that, and that was in July 2022 while Inuyasha has long into next year, Moroha unsurprisingly has more of his self-insert than herself in her merch, that stupid tanuki thing). And I got to admit that I still feel a little queasy when I rewatch the first anime, especially later episodes with Rin after knowing what fantasies some of the people involved had 🤢.

When they finally lose the rights, will they be brought up quickly? As many fans want a more faithful adaptation, or will Bandai snatch them up again to take them and give to another company within them to animate? Do you think Takahashi will try getting involved with who they go to when that time comes? I really hope they'll tone down Miroku. The "eew, grooming" scene is really important so I wish it could be part somehow without one of the heroes being a creep, (it was before sumisawa got involved)

Imagine the cool transformation scenes where Inuyasha's ears and colors change during sunrise properly animated! I want to see it!

A new anime that will set it free from the grossness of the past..! Maybe even have Sesshoumaru's mother calling Sesshoumaru a hogosha and ask him why he chose a human rather than a yōkai or at the very least finding a wife first before adopting so he doesn't have to take care of her alone..! Or her in-character calling Rin another pet along with Jaken, which Jaken corrects with Sesshoumaru being Rin's hogosha but not correcting himself being called a pet because that seems in-character for him somehow. And hopefully a new translation of the manga as viz's Americanization where they'd rather introduce Hawaiian words rather than treating a Japanese series as Japanese..!

Sorry for babbling...

They are probably holding on to them because it’s more profitable to keep them than to sell them to someone else and I have zero idea tbh :( sunrise is so ass backwards they handled the yashahime controversy in the WORST possible way they consistently picked the worst option every single time and I hope we can get a new adaption but I don’t know if it’ll happen any time soon :( I’m sure inuyasha was more popular internationally and that’s a big ^^ but ranma 1/2 was huge too and it hasn’t gotten a new adaption urusei yatsura JUST got one I feel if we get one it won’t be for another 10/15 years but if we get one I hope it gets the fruit basket treatment inuyasha has its faults but it’s a really good series and introduced anime to an entire generation of adults but I feel inuyasha is left out of the “iconic 00s” anime conversation which is also :/ I’m going to be optimistic but I don’t know how realistic it’ll be but we didn’t think we’ll get a sequel (pedobait family show spin off spoof) so 👀

I would LOVE a prequel and would have preferred that over whatever yashahime was but only if sunrise does NOT touch it I want a studio who really cares about the source material and doesn’t treat these adaptions like fanfic and throws cheap plots in with even worse characterization for money most anime doesn’t run nonstop anymore so if we get one hopefully it gets the love it deserves

[chrliekclly]

if you ever want to talk about your thoughts on joyce .. Peeks over the corner of your blog. i love talking and hearing ppls thoughts on joyce sooo much even if they're different from my own!! and your analysis and stuff is always so well thought out

i hope u dont mind if i answer this publicly to take advantage of th request nd get my ideas out ther (also tyvm im happy u like my insane takes on these idiots, iv ben thinking abt them for almost 10 years)

i said a lot here so gnna 'read more' it

iv ben building trans charlie n my head fr, like i said, nearly 10 years. i used to view him as cis bcuz i always try to take as much frm th source material as i can wen i craft my HCs nd i had v personal (stupid) hangups insofar as him explicitly referring to his junk multiple times nd bottom surgery simply not being on my radar as a naive littl trans idiot deep in th sauce tht transmen oftn fall into w phallo being viewed so so poorly

evn still i leaned towards transmasc charlie nd always lovd moments tht let me imagine, for a moment, it being true, like his discomfort w taking off his shirt [hundred dollar baby, charlie kelly: king of the rats, the gang exploits the mortgage crisis, young charlie and mac deleted scenes, etc etc etc], or bonnie yelling abt ppl stealing her "charlie-girl" [the waitress is getting married] which i lovd to see as her accidentally misgendering him while drunk off her ass.

having grown out of my phallo issues (nd if ur reading this and u still view phallo super poorly, please do some research and grow too), ive in recent years fully subscribed to transmasc/nb charlie, and view his timeline something like this:

baby -> elementary: charlie refers to himself as a boy, doesnt "come out," simply has no idea he's afab. bonnie lets him dress however he wants and refers to him as asked. when charlie gets confused about his genitals, bonnie says his dick will grow in later lol, makes charlie wear a dress in public restrooms and tells him its just a game

middle: puberty hits and charlie gets confused and scared. bonnie puts him on blockers w.o explaining them ("my mom used to vaccinate me like every month" [the gang gets quarantined]) charlie goes on content and oblivious. STP acquired because hes "a late bloomer" and his dicks still not growing in?? weird. confides this in mac once, but he doesn't understand.

high: charlie finally registers that he's trans after forgetting theres a health class 1 day and not being able to skip it. throws him for a loop a bit but he becomes actively invested in his goals. he gets to start T and wants to have surgeries. "what guy hasnt done some extensive research on his own genitalia?" [mac is a serial killer]

college (aged): able to surgically transition (ty medicare) and continues on with life as we kno him now

joyce, imo, fits neatly into these views.

as a transmasc nb who came out young nd prefers to be seen as just A Guy by strangers, i grew up v vehemently against anything girly that might get me misgendered, but th more i began to 'pass,' th more @ home n my body i felt, th more and more comfortable i am w femininity, th more i wdnt mind putting on a dress, as long as th general public wd see me as "a man in women's clothes." n my mind, i prescribe something not exactly th same but v similar to charlie.

i see charlie "i dont really identify" kelly as afab and nb. i see joyce as a "character" he originally created to distance himself from the dysphoria of putting on a dress as a young trans boy, but that became part of him as the hard lines he drew in the sand as a child became blurry with age and self acceptance. charlie's comfort with himself allows joyce to evolve into a more solid persona, one he enjoys embodying and allowing to become a permanent facet of who he is. he's ok with being referred to as either. they're both him.

so maybe joyce comes out a bit more outside of the bathroom now.

[tunamayojazz]

Love your art, any Toge/Yuuta fanfic recommendations? Thanks so much!!

hi!! thank you so much...🥺🩷🩷 and i am SO glad you asked this. i have so many!! here are the ones i read/reread more recently along with some of the tags. tried to make every rec here different from each other hehe have fun reading!!! can't help it (if you look like an angel) by glimmiks (12.4k)

tags: college au, friends to lovers, mutual pining, IKEA

THIS WAS SO FUN TO READ PLEASEEEE i absolutely love college aus so much. and you just know the 2nd years would be the most fun and chaotic as college students. their dynamic is just chefs KISS, and it's written so well here. the mutual pining in here is truly a 10-course meal and i always go back for another round.

i'm alright if you're alright by anonymous (14.2k)

tags: spoilers up to ch146, fluff, hurt/comfort, injury recovery, fix-it, love confessions, pining

post-shibuya fic excellence. i always have such a great time reading this like inuokkos really do eat so well in this fandom. yuta pining is always so great to read like he is Longingly thinking about toge at all times im cry

Magnificently Cursed by diggingupthegrave (91.2k)

tags: dark academia, magic au, magic school au, slow burn, angst, mutual pining

i will always always recommend diggingupthegrave fics. they are easily my favorite inuokko writer pls you have to read all their inuokko fics...i saved this particular one of theirs to read for much later bc i knew it was going to change my life (7 chapters ok) and boy did it do exactly that. the way they implemented canon elements into a magic setting was so so brillaint and i savored every bit of it.

Beat the Turtle Drum by CasuallyScreaming (7.4k) tags: major character death, post-shibuya incident arc, angst, minimal comfort, no shibuya spoilers read this before sleeping the other night and honestly how i managed to still fall asleep after was my body trying to protect me from full out bawling and having a mental breakdown...i don't think i've read a lot of MCD inuokko but god this one shook me to my core. almost like the feeling of loss and grief were bleeding through my phone screen. so well written and while it's definitely mostly painful, the ending....well you'll find out :')

a special occasion by Cheshire (2.5k) tags: idiots in love, established relationship, first dates this was so so cute...!!!!!!! panda: but aren't you two already dating? yuta: well yes! no. sorta, kinda. super cozy and fluffy read!!

is this how every day begins? by mitgi (5.4k) tags: roommates, living together, mutual pining, hurt/comfort, angst i will always love me a roommate au. this fic was such a lovely read and i'm actually going to reread this right after i finish writing this! there's so much to explore in inuokko's relationship and also when it's in different settings. every time i think about how the actual source material are literal crumbs, i'm just even more amazed by how writers are able to draw out the most of what info we have and write their mannerisms so well. it all feels right and so WARM UOGHHHHH

haunted by sieling_fan (3.3k)

tags: pining, hurt/comfort, canon typical angst, character study

😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭

you showed up just in time by diggingupthegrave (14.6k)

tags: time travel, friends to lovers, mutual pining, hurt/comfort, slight age gap

another diggingupthegrave fic that had me crying screaming shaking throwing up because god. this was so so good. the build up had me at the edge of my seat bc like oh my god what happened? what's happening?? why is this like that? @#$%^&*()_!!!!!!!!!!!!! and when it's all pieced together? oh it ended me. read this again and again for DAYS you would think i was researching it for a thesis or something. take your time reading this btw like im so serious.

okie that's all for me from now, i have so many more to rec honestly....sending out 100000000000 hearts to inuokko writers you are my roman empire....

[noahsartt]

My reservations with the 2022 Interview with the Vampire tv series:

My thoughts on amc’s Interview with the Vampire (2022) tv series compared to the 1976 source material and what I liked about the 1994 movie.

Some reflections before the second season airs. I watched the series as it was coming out in 2022, so these thoughts have been sitting for over a year.

This is a subjective critique of the show, not me hating on it. I liked the show a lot & watched it twice. Many of the key changes were extremely creative ways of exploring those characters from new perspectives, instead of just pointlessly remaking something that's been done before. Distinct creative change should be the basis of every remake, no point is making something 'new' if there's nothing new about it. This show knew that, and the changes for the most part were written beautifully. ...But the movie is still my favourite despite its many flaws. Camp classic right there.

Issues with the show:

Making it take place 100 years later, it ruins the specific aesthetic of the book for me. (But I understand they had to in order to re-write Louis & Claudia as black).

Aging up Claudia. The way Bailey Bass played Claudia was amazing, no notes at all for her. I just wish they kept her younger because that was a very symbolic part of what made Claudia’s original character so tragic. She suffers in an entirely different way to Louis because of her age. New Claudia is supposed to be in the body of a 14 year old, but the actress was 18/19 so she looks much older already,  and no matter how well she played it, the age factor can’t be helped. Being stuck eternally in the body of a 5 year old (book) is so different to a 14 year old, who looks much older (tv show). Kirsten Dunst who was 10 in the movie, was able to play the little child - adult vampire progression a lot better. People say Claudia's original age is too 'disturbing' to see on screen... but that's the character...

Daniel being old… WHY?? Just so they could tie together the storyline or him meeting Armand multiple decades before ???? I only read IWTV and some of the TVL so I don't know everything that happens down the line for him, or what amc plans for the character in the show... but I don't understand the aging up except for 'diversity' reasons. Which, ok, but just to check a box? Louis and Claudia's race change make sense as a creative decision. But the Daniel in the book and film is a 20-something year old which is why he's so fascinated by Louis' 'gift', and doesn't understand the message Louis is sending, instead wanting to become a vampire too. Why would old Daniel want those same things? Changing Daniel's age is such an inherent thing... it's like if they didn't make Lestat blond. Eric Bogosian plays him funny though, I will say that. Christian Slater kind of just sat there.

Louis having no money and needing Lestat's financial support for his business ventures????? When it’s supposed to be Lestat leeching off Louis' estate … WHY. Why did they change something so fundamental about their dynamic. Lestat moves in because he needs wealth and Louis has it. And then he starts acting like it's both of theirs and Louis just lets him. Funniest thing ever. But in the show Louis moves in with him instead. That's just wrong.

Louis asking (basically begging) Lestat to make Claudia when Lestat is supposed to be the one to do it in order to ensure Louis doesn't leave him. Another fundamental part of their relationship that just got flipped around completely... and for what? Why did it change the things it didn't need to?

Antoinette... girl why are you there... we don't need more characters. Go away.

The guy that Louis gets with to make Lestat jealous …. why is he there either? In the book they don't need to bring other people in to irritate each other.

One of the most perfect scenes from the film was when Lestat was tormenting that girl and trying to get Louis to kill her. The show’s version with the opera singer wasn’t the same. The original scene is such a good depiction of their dynamic with each other: Lestat's eccentric killing methods and Louis’ shame and guilt. The show’s version didn’t live up to it. That scene was so excellent in what it set out to do. It captured their back and forth in such a simple way. That dynamic follows them forever, even as Louis begins to accept his nature, that spark of annoyance towards Lestat is ready to become a full fire at any moment. That scene is enough to be a full character study. The show has little bits here and there which capture something similar. But they should have recreated that scene at least.

Claudia and Lestat's relationship evolving from enjoying each others company and similarities, to detesting each other and competing for Louis’ affection. They didn’t spend enough time on Lestat and Claudia’s relationship in the show to fully demonstrate that, only a few scenes of them driving together and hunting together at the beginning. Even the two hour movie found a way to intergrade that better. Their relationship and the way Claudia is so starkly similar to Lestat when they move to Paris, is one of the my favourite parts of the book to analyse. Louis leaving Lestat and moving all the way across the ocean, only to be reminded of him in everything Claudia did. The show did have some purposeful parallels between Lestat and Claudia in the dialogue which I appreciate, I hope that continues in season 2.

Louis being in on Claudia's plan to kill Lestat and even being the one to finish off Lestat when it’s supposed to be Claudia’s idea on her own...?? Lestat's death is supposed to be an "ok, I guess that was necessary, time to move on with our lives now," moment for Louis. But he wasn't supposed to have the courage or the want to be the one to do it himself. He was hesitant and regretful in the show, but he still slit his throat... it was supposed to be Claudia alone. Credit where credit is due, the scene was beautifully filmed, the red blood on white cloth looked incredible and the entire scene captured the tone of devastation that the movie didn't. It was all very quick and emotionless in the movie.

Even though I hate Br*d Pitt's acting, his Louis was way more accurate to the book Louis. He basically was the embodiment of book Louis. Just sad and whiny the entire time. New Louis had more to him, I think Jacob Anderson even said in an interview that it was a purposeful decision to give Louis more grit. It's not a change I appreciated because it alters the original character too much. You can't change something that fundamental. Just ugh. In the show, Louis is more angry than pathetically sad, it’s very different to how the character was originally written. 

Sam Reid’s Lestat is pretty on the nose but still more serious than the original Lestat & Tom Cruise’s portrayal which was the perfect level of camp and eccentric. Tom cruise was playing Lestat from just IWTV but Sam Reid is playing him with the baggage of his entire life as written in the other books, maybe that's why he is different. Maybe his performance is even better because of it. I haven't read the other books so I can't really say.

I won't say anything about Armand (yet) because he hasn’t had his time to shine. We’ll see after season 2. I loved Antonio Banderas as Armand, and even though he was very different from how book Armand was, it was a change I liked. New Armand is going to be more accurate to the books I believe, but i didn’t like how Armand was there the entire time Louis was being interviewed… why...

Maybe I am one of the few that doesn't overtly appreciate the 'fresh' take of this story. Many of the things that draw me to the book and the movie have been taken away in this adaptation.

---

I recommend this fan fiction that explores the idea of Louis being a person of colour in the context of the original book's 1700s timeline. It explores the intersectionality of Louis' struggle with vampirism, queerness & race while still being authentic to the book. Go read it.

In the Author's words: This is NOT a rewrite of the AMC TV show, nor does it intend to be. This is us making one (subtextually plausible) change to canon in order to 1) explore underlying issues with the source material and 2) see how it affects the way the events of IWTV played out.

Ok that's it. Will maybe add to this when the second season airs. For months, this was just for me in my notes app but what is tumblr for if not to air out my locked away ideas.

[sevensoulmates]

Spec on what Tommy's (possible) sexuality might be?

In relation to some spec I'm seeing going around about how Tommy identifies his sexuality, I'm so curious to see what that's gonna be and how he came to figure it out.

Here's what we know:

Tommy had a girlfriend in Chimney Begins because Captain Gerrard asked Tommy when his girlfriend was coming by the station to cook them all dinner. But then again he was kinda cagey in answering the Captain about her coming.

In Hen Begins, Sal insinuates that Tommy is "more of a Team Jacob kind of guy" aka Gay because Tommy finds Kristen Stewart "too broody". Tommy takes this in stride, sending Sal a joking air kiss, but it's by far the biggest hint we've gotten about Tommy possibly not being straight during the time he worked with the 118. However this line was likely originally intended to show casual workplace homophobia in order to make Hen uncomfortable, and not really to be like "oh hey Tommy's queer". But it ends up working out for the writers that they already had this tidbit in here.

In Bobby Begins Again Tommy tells Hen and Chim "I'm telling you, single is easier. Having the scars impresses women, getting 'em freaks 'em out." Which heavily implies dating/being attracted to women. In the same conversation, he later brings up a quote from Fight Club the movie, and in case anyone wasn't aware, has long been interpreted as a queer allegory due to large amounts of homoerotic material in the source material and film adaptations.

All of that being said, there are arguments for Tommy possibly being bisexual, or possibly being an in-the-closet gay man. Whichever direction they choose to take Tommy will be telling for the future of the plot for different reasons.

If Tommy ends up being bisexual like Buck, then more than likely they'll end up having a lot of parallels to experiences Buck has had in the past, further cementing to the audience that Buck has been bi this whole time but just didn't realize it. It could also parallel Buck's current situation (hiding him and Tommy from Eddie + the 118) and possibly the catalyst for Buck to come out to the rest of the 118.

But, if Tommy ends up being gay, and had to hide it and/or repress it for most of the time he had been with the 118, that could prove very interesting for the ways in which he strongly parallels Eddie.

7x04 spent a lot of time hammering home to the audience that Tommy is extremely similar to Eddie. I wouldn't be surprised if they take this a step further by having Tommy have a queer experience similar to how many of us believe Eddie's to be. That being growing up in a hypermasculine environment, filled with shame and plenty of reasons to repress and/or keep that information to himself. And only figuring out who he is later in life.

Personally, I would prefer it if they went this route with Tommy. Not only because I think it would strongly parallel a possible queer Eddie storyline, but it would also provide a contrast for Buck. By that I mean if Tommy says "well, my relationships with women never felt right, and I realized later it's because I wasn't attracted to them at all" then Buck can firmly place himself in the bisexual category in contrast by clarifying that he was and still is attracted to women, but now realizes he likes men too. And it doesn't hurt that it could be possible foreshadowing for Eddie, and/or parallels to Eddie's storyline with Marisol in the episode with something possibly not feeling right between them.

Either way, I'm excited to see to learn more about Tommy in 7x05. I'm also hoping for a bit more acknowledgment for how shitty he was to Hen and Chim in the beginning. It's a good way to show 10+ years of character development in one convo.

[genericpuff]

in reference to the have you read LO poll by god have I tried but god. God...

A vicious cycle. I go okay I really do need to plow through more of it if I'm gonna hang around the ULO reddit, and then I step on the comically placed rake. I can't do a complete skip thing bc I'll be too disorientated on where I'm at in the plot but my brain only tolerates it up until she declares she's missing her dick appointment and like, girl. Please. You committed mass murder (if not genocide) and this is a slap on the wrist considering, let alone that your moms got the worse end of the deal.

Why it's that specific moment idk but the bottom just drops out for me and it's soooo fucking stupid because like, she couldn't have just... bitched about being stuck with hard labor? That's the bitchy shit I'd sort of expect from a privileged nepo baby and even barring the twue wuv story going on it's her actual biggest issue going on right then. What she's presently living out. But yeah no, horny, we gotta establish that she's horny. Okay.

Sorry about the borderline vent over it there's just enough really interesting thoughts mixed up in the pile of flaming garbage to make one go rabid if they stew on it, and you clearly get that given the rewrite. Have a good day.

omg i've had that exact sort of thing happen with me before too tho, not in quite the exact same sense of like, "wanting to take part in a community but struggling to get through the source material it's based on", but there are like, so many webtoons and manga and stories I've tried to read - after being urged to by pals and people who read them - that I've dropped after multiple attempts of trying to read them. And they're not necessarily dumpster fires like LO (though some of them definitely aren't great) it's more like I'm sitting there wondering "when's this gonna get good? when's this gonna be worth all the hype?" Tower of God is the biggest one that comes to mind, I have tried to read that webtoon on SEVERAL occasions and I just can't justify trudging through all those early episodes for it to maybe "get good". And that's not even me saying it's bad, it's just not interesting to me in the slightest. No hate to anyone who likes ToG, I think I've also sorta drifted away from shonen over the years so that's definitely not helping, but I just can't be bothered to try and read that webtoon anymore, I've given it so many attempts and I'm doing lmao Kudos to the creator though because it's a LOT of work to make a webtoon of that length and they should be proud of that.

Back on the topic of LO though, yeah, I was following the comic when that episode was still brand new and it really made us all go 🤨 because of how out-of-pocket it was. And then like an episode (or two?) later she bullied a former classmate of hers from 10 years ago at his job. That was the precedent for Persephone's character that was set for the third season of LO and it's just gotten worse as it's gone on.

Either way, if I'm being honest, you're really not missing much by skipping over the majority of S3 (like, if you made it to the dick appointment episode before giving up then you're already pretty close to the current point in the story). Like I'm not gonna lie, you could easily skip up to the midseason cutoff point because everything leading up to that is just a bunch of nothing. Hades and Persephone get married and it's the most underwhelming scene ever despite it being the moment people had been waiting years for, also they 'adopt' Dionysus but he's barely in the comic except for when Rachel remembers he's a character so you could also get by on minimal details. Oh yeah, and it turns out Demeter had a kid during the 10 year time skip who we see in like two episodes and then proceeds to get fridged forever.

So yeah, as much as I'd recommend people read LO as a sort of "entry ticket" into the crit community surrounding it, S3 is a lot of nothing and you would frankly not miss out on a thing if you skimmed it or skipped the middle portion of it entirely lmao

[schmergo]

I've recently done a little bit of research for some stuff adjacent to the production of The Adventures of Sherlock Holmes that I'm in right now and, in checking whether certain scientific institutions and inventions would have existed during the time of the play, I discovered something kind of interesting: many of the ones I've looked up were coincidentally established within 5-10 years of the setting.

The first bunch of Sherlock Holmes stories, the source materials for this play, came out between 1887 and 1893. The Natural History Museum? Opened fully in 1883. The Prime Meridian? Officially established in 1884. Tower Bridge? Built between 1886-1894. The Tube running northwest from Baker Street? 1880. London's first electrical power station? 1882. Those are just the ones I happened to look up. Telegrams are common in the Sherlock Holmes tales, and by the later Sherlock Holmes stories, he's using a telephone and even automobiles are mentioned.

Reading the Sherlock Holmes stories with that context of a world full of rapid changes and advancements, I feel like it comes across differently. It seems to say, "There's a scientific answer for everything." His unique detecting style, based on simple observations, made it seem like the age-old problems of crime and criminals could be defeated by logic and reasoning. I think there's a level of idealism, that even the most difficult crimes are solvable and bad actors are no match for modern scientific knowledge.

Reading Sherlock Holmes cases often gives the comfortable feeling of order and justice being served. I think that's the same reason true crime content is so popular today in another age of rapid digital advances-- and if we guess the solution, it's doubly satisfying. It's also why Sherlock Holmes is so easily translated to modern day.

But that also makes me think about another book and another equally iconic character that came out around that same time period: Dracula, published in 1897. And Dracula takes a lot of the same themes and seems to say the exact opposite.

I think one of the biggest things that surprises first-time readers of Dracula is how modern Dracula feels and how much technology is used in the book. Like the Sherlock Holmes stories, it was set in roughly 'modern day' when it was written. The 'good guys' use trains, telephones, typewriters, and even blood transfusions. But when Dracula, an old-world monster, arrives in their modern newfangled city of London, all of that technology is useless against him. And so is any ability of theirs to deduce a simple scientific explanation for what's going on.

When Dracula starts sneaking into their friend’s house and sucking her blood each night, the signs are obvious, right down to the puncture marks on her neck. The reader and audience knows what’s up waaaay before the characters do. It’s infuriating! You want to jump up and down and yell, “A VAMPIRE IS KILLING HER!” But why don’t they see what’s right in front of their faces? Because they’re thoroughly modern upper-middle class British people who live in a scientifically advanced world and believe in reason.

The chaos of true evil is more powerful than logic and reason. To defeat him, they need to get on his level and use superstition and religion and folklore. It's the polar opposite of a story like "The Hounds of the Baskervilles," published five years later.

All that said... I would love to see a Sherlock Holmes and Dracula crossover. How long would it take Holmes to deduce that he had run into a real vampire? Would he make all the correct observations and keep coming to the wrong conclusions? Would he be able to accurately predict the patterns of Dracula's behavior when his opponent has superhuman abilities and can transform into multiple different types of animals?

Or, given Holmes' somewhat addictive and adrenaline-driven personality, his superior attunement to his senses, his surprising revival from the dead, and his innate instinct to 'catch his man' at any cost... would he himself make the most dangerous vampire of all?

[religion-is-a-mental-illness]

By: Nicole Brockbank, Angelina King

Published: Sep 13, 2023

Harry Potter, The Hunger Games and Roll of Thunder, Hear My Cry.

Those are all examples of books Reina Takata says she can no longer find in her public high school library in Mississauga, Ont., which she visits on her lunch hour most days.

In May, Takata says the shelves at Erindale Secondary School were full of books, but she noticed that they had gradually started to disappear. When she returned to school this fall, things were more stark.

"This year, I came into my school library and there are rows and rows of empty shelves with absolutely no books," said Takata, who started Grade 10 last week. 

She estimates more than 50 per cent of her school's library books are gone. 

In the spring, Takata says students were told by staff that "if the shelves look emptier right now it's because we have to remove all books [published] prior to 2008." 

Takata is one of several Peel District School Board (PDSB) students, parents and community members CBC Toronto spoke to who are concerned about a seemingly inconsistent approach to a new equity-based book weeding process implemented by the board last spring in response to a provincial directive from the Minister of Education. 

They say the new process, intended to ensure library books are inclusive, appears to have led some schools to remove thousands of books solely because they were published in 2008 or earlier.

Parents and students are looking for answers as to why this happened, and what the board plans to do moving forward.

Prior to publication, neither Ontario Education Minister Stephen Lecce's office, nor the Education Ministry, would comment on PDSB's implementation of Lecce's directive when contacted by CBC Toronto.

But in a statement Wednesday, the education minister said he has written to the board to immediately end this practice. 

"Ontario is committed to ensuring that the addition of new books better reflects the rich diversity of our communities," said Lecce. 

"It is offensive, illogical and counterintuitive to remove books from years past that educate students on Canada's history, antisemitism or celebrated literary classics."

Weeding books by publication date raises concerns

The process of weeding books from a library isn't new.

Libraries across the country follow weeding plans to dispose of damaged, mouldy and outdated books and to ensure their collections remain a trusted source of current information.

But Takata, who is of Japanese descent, is concerned weeding by publication date doesn't follow that norm and will erase important history.

"I think that authors who wrote about Japanese internment camps are going to be erased and the entire events that went on historically for Japanese Canadians are going to be removed," she said.  

"That worries me a lot."

Libraries not Landfills, a group of parents, retired teachers and community members says it supports standard weeding, but shares Takata's concerns about both fiction and nonfiction books being removed based solely on their publication date.

The group is also concerned about how subjective criteria like inclusivity will be interpreted from school to school in the later stages of the equity-based weeding process.

Tom Ellard, a PDSB parent and the founder of Libraries not Landfills, said teachers reached out to them to help raise awareness about the weeding process.

"Who's the arbiter of what's the right material to go in the library, and who's the arbiter of what's wrong in our libraries? That's unclear," he said. "It's not clear to the teachers who've provided us this material, and it's not clear to me as a parent or as a taxpayer."

Ellard says he's talked to the parent council, his son's principal and his school board trustee. He's also contacted members of the provincial government, but says he hasn't received a substantial response about what happened in the spring and how the process is intended to work.

School board defends process

CBC Toronto requested an interview with the PDSB to discuss how the weeding process works and how the board plans to proceed in the wake of concerns from parents and students. A spokesperson said staff were not available to speak as they were "focusing on students and school families this week." 

The board did not address questions about empty shelves, the volume of books removed and reports about weeding books based on the date of publication.

Instead, the board issued statements explaining that the process of weeding books from school libraries was completed in June and has always been a part of teacher librarian responsibilities within PDSB and at school boards across the country.

"Books published prior to 2008 that are damaged, inaccurate, or do not have strong circulation data (are not being checked out by students) are removed," said the board in its statement. 

If damaged books have strong circulation the board says they can be replaced regardless of publication date, and older titles can stay in the collection if they are "accurate, serve the curriculum, align with board initiatives and are responsive to student interest and engagement."

"The Peel District School Board works to ensure that the books available in our school libraries are culturally responsive, relevant, inclusive, and reflective of the diversity of our school communities and the broader society," said the board.

Weeding a response to minister's directive

CBC Toronto reviewed a copy of the internal PDSB documents Ellard's group obtained, which includes frequently asked questions and answers provided to school staff by the board, and a more detailed manual for the process titled "Weeding and Audit of Resource in the Library Learning Commons collection."

The documents lay out an "equitable curation cycle" for weeding, which it says was created to support Directive 18 from the Minister of Education based on a 2020 Ministry review and report on widespread issues of systematic discrimination within the PDSB. 

Directive 18 instructs the board to complete a diversity audit of schools, which includes libraries.

"The Board shall evaluate books, media and all other resources currently in use for teaching and learning English, History and Social Sciences for the purpose of utilizing resources that are inclusive and culturally responsive, relevant and reflective of students, and the Board's broader school communities," reads the directive.

How weeding works

PDSB's "equitable curation cycle" is described generally in the board document as "a three-step process that holds Peel staff accountable for being critically conscious of how systems operate, so that we can dismantle inequities and foster practices that are culturally responsive and relevant."

First, teacher librarians were instructed to focus on reviewing books that were published 15 or more years ago — so in 2008 or earlier.

Then, librarians were to go through each of those books and consider the widely-used "MUSTIE'' acronym adapted from Canadian School Libraries. The letters stand for the criteria librarians are supposed to consider, and they include:

• Misleading – information may be factually inaccurate or obsolete. • Unpleasant – refers to the physical condition of the book, may require replacement. • Superseded – book been overtaken by a new edition or a more current resource. • Trivial – of no discernible literary or scientific merit; poorly written or presented. • Irrelevant – doesn't meet the needs and interests of the library's community. • Elsewhere – the book or the material in it may be better obtained from other sources.

The deadline to complete this step was the end of June, according to the document. 

[ Dianne Lawson, a member of Libraries not Landfills, says teachers told her The Diary of a Young Girl by Anne Frank and The Very Hungry Caterpillar by Eric Carle were removed from their school libraries as part of the PDSB weeding process. ]

Step two of curation is an anti-racist and inclusive audit, where quality is defined by "resources that promote anti-racism, cultural responsiveness and inclusivity." And step three is a representation audit of how books and other resources reflect student diversity.

When it comes to disposing of the books that are weeded, the board documents say the resources are "causing harm," either as a health hazard because of the condition of the book or because "they are not inclusive, culturally responsive, relevant or accurate."

For those reasons, the documents say the books cannot be donated, as "they are not suitable for any learners." 

A PDSB spokesperson said the board supports its schools "in the disposal of books in a responsible manner by following Peel Region's recycling guidelines." Peel Region allows for the recycling of book paper, as long as hard covers and any other plastics are removed first and put in the garbage. 

Books removed based on date, board heard

It was during the first stage of the new equitable curation cycle, that Takata, Libraries not Landfills, and at least one trustee, say some schools were removing books strictly based on publication date.

CBC Toronto recently reviewed a recording of a May 8 board committee meeting focused on the new equitable weeding process. In it, trustee Karla Bailey noted "there are so many empty shelves," when she walks into schools. 

"When you talk to the librarian in the library, the books are being weeded by the date, no other criteria," Bailey told the committee. 

"That is where many of us have a real issue. None of us have an issue with removing books that are musty, torn, or racist, outdated. But by weeding a book, removing a book from a shelf, based simply on this date is unacceptable. And yes, I witnessed it."

Bernadette Smith, superintendent of innovation and research for PDSB, is heard responding on the recording, saying it was "very disappointing" to hear that, because she said that's not the direction the board is giving in its training for the process.

Dianne Lawson, another member of Libraries not Landfills, told CBC Toronto weeding by publication date in some schools must have occurred in order to explain why a middle school teacher told her The Diary of a Young Girl by Anne Frank was removed from shelves. She also says a kindergarten teacher told her The Very Hungry Caterpillar had been removed as well.

"She has read it to her classes for years, they love it," Lawson said, referring to the Eric Carle picture book. 

"I can't find any sedition in it, or any reason why you would pull this book."

Process 'rolled out wrong,' trustee chair says

Trustee and chair of the board, David Green, told CBC Toronto the weeding process itself "rolled out wrong." 

That's why he says trustees briefly paused the process until the board could get a better understanding of what was actually going on. 

A motion was passed at a May 24 board meeting to ensure that, going forward, those weeding books during the anti-racist and inclusive audit in the second phase of the curation cycle would need to document the title and reason for removal before any books were disposed of.

"We have to make sure that we are meeting the needs of the students and not just rolling something out because we were told to do it," said Green. 

When it comes to removing all books published in 2008 or earlier, Green said the board of trustees has heard that, too. 

"We have asked the Director [of Education] again to make sure that if that is taking place, then that is stopped, and then the proper process is followed," he said.

Green also said they have plans to communicate with parents about the weeding process.

In the meantime, students like Takata are left with half-empty shelves and questions about why they weren't consulted about their own libraries. 

"No one asked for our opinions," she said. "I feel that taking away books without anyone's knowledge is considered censorship."

==

Even given it was "rolled out wrong," it's interesting that some librarians saw no issue with the actions they took.

Which doesn't bode well for the overtly ideological "second phase," in which classic and of-the-time literature is judged through the shallow, postmodern "microaggressions" of present-day activist librarians.

It's always been the people who most want to ban books like "To Kill A Mockingbird" who are the ones who most need to read them.

This is what a purge of history looks like.

[artbyblastweave]

Gideon The Ninth Liveread, Chapter 3

In which I post about Ortus a lot! Other things too. But I’m very interested in Ortus!

First off; I like the concept of bioluminescent dust as an omnipresent source of dim light. Feels like a form of adaptive technology for a society with limited resources and a need to light a whole bunch of cavernous spaces regardless; feels like a grounded technology, something that near-future humanity could throw together in a lab given a few months.

Here we get the image of a sea of bone in the pews, “pockmarked by people.” Hammering home the image of the remaining humans as corrupt, messy hanger-ons impeding the aesthetic purity and order of death; the vibe is similarly reinforced a little later with how the Skeletons leave in an orderly formation with no regard to the ability for the humans to get around them. (How sentient are necromantic constructs like this? Do they fill the niche of artificial intelligence within the setting?) 

Ah, Ortus. I’ve many thoughts on Ortus.

So, first off, raw deal. Gideon and Harrow have their incipient Enemies-to-Lovers runaround keeping them occupied; Ortus is isolated even beyond that, and has been for his entire adult life; he doesn’t even get the dignity of being important in his status as cavalier, of being personally close with the heir to the ninth in any way, because the role of bone-porter is obviated by the fact that Harrow’s specific prodigy manifests through being able to do a lot with minimal materials.

Point two. Gideon, who has reasonable grounds to be pissed off at everyone and everything associated with the Ninth, paints Ortus as uniquely pathetic, and it’s a picture we’re collectively primed to accept unquestioningly; he’s burdened with one of the body types most acceptable to poke fun at AND easiest to end up with just through the passage of time. But crucially, Gideon is telling us the ways in which Ortus is a pathetic sad sack rather than having any of them play out in front of us. Ortus as described just sounds like.... a relatively sedentary thirty-five-year-old, reasonable given his total lack of opportunities to socialize; the main reason that Gideon and Harrow are in good shape is that they’re a pair of maniacs playing Tom-and-Jerry, but nobody on this rock is in good health besides them. That said, I don’t precisely blame Gideon for not extending the charity that I can (as I’m rather famously not an indentured servant.) 

More thoughts on Ortus (and why I’m liking this what the story is doing with this Ortus guy!) after a brief digression about....

Harrow’s parents. I will not lie, this is absolutely a situation where the sheer volume of alluded-to atrocities gleefully lobbed about the tumblrsphere primed me to assume that the big secret was something significantly more atrocious. Dollars to Donuts there's a late-game reveal that what Harrow did with her parents is so negligible in the grand scheme of things that Gideon never had any meaningful leverage at all.

That said, this is absolutely a scene that, on further examination, drips with Homestuckery; my mind went immediately to the Baby-Jade-taxidermizing-her-grandfather gag, not just in the material circumstances, but also in the syntax of how the punchline is delivered- “In Fairness, she’d been 10 at the time.” Same style of comically backloading details like that in a deadpan fashion. Actually, the entire quasi-parentless set-up of the book thus far sort of reminds me of Homestuck’s overall vibe. Fantastic. I love it. 

And Jesus. Poor Harrow. Gideon is completely incapable of extending a sympathetic thought here, quite reasonably, but good god. Poor Harrow.

Back to Ortusposting. A recurring pattern is that Muir does something funny and then immediately undercuts it in a way that makes it not actually funny if you read between the lines even a little bit. Gideon’s royally-pissed-off narration primes you to parse Ortus and his Mom as a Buster/Lucille situation, a tried-and-true one-note comedic trope, but then 500 words later that pat, clean-cut view of the dynamic collapses. You immediately realize from her reaction that Ortus’s mother knows something. She knows the things that befall Cavaliers. The histrionics that Gideon finds so entertaining are not the reaction of a woman who’s only afraid of post-partem separation. To the extent that Gideon is even right in her assessment that she “swaddles” Ortus (and Gideon’s is an outside perspective in many ways; she hasn’t been to one of these services in years, she doesn’t necessarily have the level of insight she thinks she does) she does so because she knows full well he's in line for something terrible as the only Cavalier around, probably something that got his dad killed too, and while the swaddling might not be helpful it's all she can do in the face of a shitty shitty situation.  More and more it looks like any undue closeness that Ortus and his mother have is actually just a reasonable defensive measure for two people caught in a den of religiously zealous vipers. And this culminates in...

Poor, guileless Ortus and his doting mother getting the fuck-out-of-dodge on Gideon’s meticulously-stolen shuttle. Immediately after hearing the summons, with limited deliberation. They aren’t useless, aren’t indecisive, aren’t unagentic; they aren’t patsies- and these are all things Gideon’s narration primed me to believe that they would be, so the twist hit like a truck.

Ending line- “Because I completely fucking hate you, No Offense-” is a perfect closer. Vastly ups the comedic tension of the earlier sequence, too, because thus far I perceive no reason for Harrow to hate Gideon the way Gideon hates Harrow, but she’s putting exactly as much juice into her fuckery as Gideon does. Deranged! Completely Deranged.

Anyway, tune in for future chapters, where I continuously wonder to myself when the rest of the cast are going to begin assigning any weight to the fact that being a cavalier is apparently such a fraught prospect that Ortus and his mother immediately upended their status-quo of 35 years to escape him having to do it.

[three-dee-ess]

i played attack of the friday monsters to saturday the bonus stage and you know what this game feels like? it's like a game adaptation of a nonexistent movie older than a decade that you keep close to your heart because you watched it so many times as a kid but forgot its name after a few years

then when you randomly scroll through social media, there it is, the childhood movie you love! then you google it to confirm it is the exact thing you cherish and see some adults not filled with whimsy rate it a 4/10

later, you rewatch the movie filled with joy and end it with joy too, what were those losers rating it low thinking? then you read through the wikipedia page to see more info on it and it turns out there's a game adaptation so you go to get it just to see what it's like

you finish it and it's great, not as great as the movie but it didn't cut anything too important out, the graphics are as beautiful as the source material, they even made the fictional game playable, and got the original voice actors

sorry for the essay but i just had to describe this super specific vibe im getting from finishing this game, maybe this is vision is from a past life idk

anyway, i love it! i just wish it was longer because i didn't want to leave this world yet

YES YES YES you get it exactly.

it's part of a series called Boku no natsuyasumi (My summer vacation)

attack of the Friday monsters is actually considered a short title in the series and the first to be translated to English. the only other one to be translated to English is the crayon Shin-chan tie in game 😭 it's really good but admittedly I know nothing about crayon Shin-chan so I might be missing a lot. I have it on the switch, it cost about $60. I think it's wonderful but holy shit sometimes I make bad purchases. I think there might be a steam port? so uh. you know. wait till that goes on sale.

wait post cancellef the second game just got an English patch released oh my god well I know what I'm doing tmmr huge day for me

[galvanizedfriend]

List your nine most favorite books

Tagged by @jinxedwood

It was so hard to keep this to nine. I feel like this is a list that changes a lot, depending on my mood (with a few exceptions). Like jinxedwood, I feel I must add a disclaimer: some of these books are great, some of these books are great to me. I like what I like.

Alice in Wonderland by Lewis Carroll. I've lost count of how many times I've read this. It's totally nonsensical and hilarious and I absolutely love it. I collect Alice in Wonderland editions, and I have read every single one of them at least once. Don't feel the same way about Through the Looking Glass though. Wonderland is very uniquely insane, which is what makes it great.

1984 by George Orwell. I fully realize this book is much more impressive when you're 18 and reading it for the first time, but I will absolutely fight anyone who trashes it. It stands the test of time to an eerie (and somewhat depressing) degree. I remember getting to the end of this and being so completely disheartened by the way it ends that I was upset for a week. I was 18, but still. It's a great book.

Jurassic Park by Michael Crichton. I am OBSESSED with Jurassic Park, ok? It's my favorite movie ever. And precisely because of that, I postponed reading this book forever because I was fully convinced it would suck and I didn’t want to live with the source material of my favorite movie letting me down. But then these really really beautiful editions of the series came out and I just had to buy them, and so eventually I had to read them as well. AND LO AND BEHOLD! The book is actually great! Not better than the movies, mind you, but really good. It's different enough that it's surprising even to someone who's seen the movies 30 times like me. And it's also very philosophical, whereas the movie focuses more on the adventure and the T-rex (for obvious reasons, to great success). 10/10.

The Picture of Dorian Gray by Oscar Wilde. First time I read this I was 13 and it was this 1936 edition written in Portugal Portuguese, maybe even the first translation of this work into the language, and I hated it. Then many years later I found this stunning Barnes and Noble edition in English and decided to give it a second try. Instantly obsessed. It's a huge exposition in vanity, hedonism, ego and the human nature, monologues can last for pages and pages, but it's so interesting, so insightful and the dialogues are so good.

Epitaph of a Small Winner (Memórias Póstumas de Brás Cubas), by Machado de Assis. This is a masterpiece of Brazilian literature and probably my favorite thing I've read by Machado de Assis, who's one of, if not the most revered writer of all time in my country. Brás Cubas is a wealthy 19th century dead man and the narrator of this book, in which he makes reflections and digresses on many chapters of his life - after his death. It's a basically a fictional autobiography written by someone by a dead man. I just googled to see what the first paragraph was like in English, because it's one of my favorites ever, and it's still great. "I am a deceased writer not in the sense of one who has written and is now deceased, but in the sense of one who has died and is now writing." He dedicates the book to the first worm to eat his flesh. Brilliant.

Vicious by V.E. Schwab. I love Victoria Schwab so much, have read almost everything she's ever written. If writing talent was something you could buy at a supermarket, I’d get myself doses of hers. I love her style. Even the things that I objectively don't like, I still enjoy for the writing alone. This is probably my favorite thing she's ever written. I love the duality between Eli and Victor, I love their rivalry, I love the ideological war between and how ruthless they are, how far they are both willing to go just to prove a point. Neither of them is a good guy or a hero, and I love that about this story. It's not really that original, you can see where she drew inspiration from, but still. I love it.

Killers of the Flower Moon by David Grann. The moment I finished reading this, years ago, I wondered how the hell this hadn't been turned into a movie yet. Thank you, Martin Scorsese, for listening to me. Please, don’t fuck this up. It's not fiction, which is not something I read very often because I’m easily bored, but this is amazingly written. And the story is so crazy. Maybe Americans are more familiar with it, but I wasn't, and it stunned me from start to finish. If you don’t know what it’s about, at some point in the history of the USA, the members of the Osage Nation were the richest people in the country, and then they started dying, one by one. The investigation into those murders was crappy because of racism, but it also led to the foundation of the FBI as it is known today. David Grann is a genius. I've read other books by him, all of them non-fiction, and it's always an unbelievable true story that's just shocking. His investigation into the topics is fantastic. He has one about the lost city of Z that is WILD. I’ve told everyone I know about that book.

The Heart's Invisible Furies by John Boyne. I know John Boyne has some controversial books (which I have tried to stay away from), but this is so good. His writing is amazing. It's such a heartbreaking story, but the way it's narrated is so light that instead of being depressive, it just made me so hopeful. The main character is probably one of the most naturally likable MC I've ever read, too. Every other character in the story is either insane or absurd, sometimes both. Probably the best dialogues I’ve ever read in a book.

The Conqueror's Wife by Stephanie Thornton. Listen, this is one of those books that I'm sure not everyone will like. But it's almost like it was written for me. It's a historical romance, it has multiple narrators, it’s based in real people that existed and it's about Alexander the Great. I have an inexplicable obsession with Alexander the Great, don't ask. I’ve read tons of stuff on him, so the fact this draws a lot from the real stuff makes it even better. The title is a little misleading, makes you believe it's about Alexander's wife (or one of them anyway), but it's not. The four narrators are two of his wives, his younger sister and Hephaestion. It paints a very gruesome and realistic picture of Alexander, beyond the myth. 10/10 for me.

Honorable mentions: The Song of Aquiles by Madelline Miller, Battle Royale by Koushun Takani.

Tagging: @definedareasofuncertainty, @misssophiachase, @amandakc, @austennerdita2533, @purplesigebert, @sekretny and anyone else who might want to do this. :) Tag me back so I can see your book list, I love that!

[pawsnread]

The Making of Cubao Goes to Cannes

A lot of you may have seen the progress of Cubao’s suit on twitter, but I thought I would take a moment to note down my thoughts while progressing through the suit construction. So here’s a general summary of what I did, why I did it, and what I was thinking while making this tiny suit.

It all started, of course, after seeing Gong Jun walk the red carpet in that gorgeous Jason Wu creation. I was able to watch his walk live between work things; the whole thing only lasted maybe 2 minutes but it was the highlight of my day/week/month.

I was fixated on this suit for days afterwards, but it wasn’t until close to the end of May (probably a good 10 days later) that I decided to try and replicate this suit. It was partially motivated by the fact that my Cubao is the 15 cm version (the more common version is 20 cm) and it’s always so difficult to find doll clothes for that size (though it saves the wallet). Seeing as I have 13 years of cosplay experience, I was like “I’m used to frankensteining patterns to fit me, why not try in small scale? Less fabric, less stitching, how hard can it be?”

I was about to find out.

Having never made doll clothes before, I started by using stockpiled fabric to make mock ups while sourcing out fabric and other notions. First thing on my to-do list was pants. I had a pair of doll pants that were too small and short in the waist for Cubao’s rotund bum, so I deconstructed the pants and used it as a template for a mock up. I added about an inch to the top and about 1/4 of an inch to the bottom hem; after putting them on Cubao, I started pinning to the right height and length in order to determine where the hems and waist should be and the seam amounts. Last step was to add elastic and finish the seams.

This is the mock up in progress (left) and completed (right). It was a pretty simple process and moved pretty easily. Once I found fabric I liked (after purchased 4 other types that didn’t match the color - good thing about doll clothes is you don’t need a lot), I constructed the suit pants. I lined the suit pants since they were a bit translucent, and the extra fabric made them as little more snug than I anticipated, but it still turned out fine. The leg hems were finished by hand because I wanted and almost invisible stitching, and I always finish suit pants by hand. The pants fit well enough that I made two pairs of doll pants out of chambray fabric for my dolls to romp around in with other outfits.

Next was the shirt, and that was a process.

I started off with a pattern I found on Pinterest but original came from Xiaohongshu (I think, I can’t really make out the watermark). There were no measurements on the pattern so I had to undergo some trial and error sizing the pattern up on my printer. The sleeves seemed odd to me, so I initially reworked them to be raglan type sleeves thinking they would work better with Cubao’s mostly straight arms. Mock up #1 ended up fitting very poorly with the collar too low.

I sized up the pattern a smidgen, reprinted, and went back to the original sleeves. For mock up #2, I attempted to change the collar to mimic a more traditional shirt collar, which has two pieces - one neck piece and the actual collar. That turned out to be too much fabric for a little bao.

In the end, with mock up #3, I went back to the original shirt pattern and only omitting the extra fabric piece for the front closure, folding over instead. The collar opening ends up being a little wide, but not as much as my first attempt so I can live with the little gap.

Mock up #1 at the top, #2 on the left, and #3 on the right.

Overall the shirts were relatively easy, except for the sleeves. Sleeves have always been the bane of my cosplay/sewing existence; sewing sleeves on small scale was more difficult than I imagined given the tinier space to work with.

I actually made two suit shirts, one of a textured material and one of the same, slightly stretchy material used in mock ups #2 and #3. The textured material is more appropriate for shirts, but there was no stretch so getting it on Cubao was challenging.

Next came a little bowtie. I don’t have a lot to say about this process as it was pretty simple: sew two rectangles then attach them to an elastic band. Initially I wanted to mimic the double layer of Gong Jun’s bowtie, but that’s too much fabric for a tiny bao.

Last up but the most important part was the jacket. I started with the same shirt pattern but sized up again to ensure there was room to get both bao arms and sleeves in, also to accommodate the lack of stretch in the final fabric. The first mock up had no changes as it was done to see the fit and determine how the collar would be cut. After making the necessary trims, mock up #1 was deconstructed and the pieces were used as a templates to cut out mock up #2. In working with mock up #2, I realized that I wouldn’t be able to do a set in collar as I had hoped. The jacket collar is an important element to the suit so I didn’t want to not incorporate it. In the end, I decided to do stitching to mimic the lines of the collar.

Mock up #1 on the left with the front pinned down, and mock up #2 on the right with the collar stitch placement outlined in red.

Once the jacket was mostly sewn together, I laid it out on some pattern paper and traced around to get the general outline. I then used this outline to design the beading. There was little chance I would be able to replicate the beading exactly without seeing the suit in person, so I tried to incorporate some of the details that caught my eye (notably the swirl like patterns). Initially I had planned to do the beading on mesh fabric, cut it out, then sew it to the suit like actual bead work is done. After my initial attempts, I learned two things: that takes FOREVER on small scale, and the mesh fabric is very noticeable on a suit that small. My sketch was also way more detailed than feasibly possible on doll clothing. I ended up having to simplify the design and sew directly onto the suit jacket.

Initial sketch work on top, and beading process below. I tried to keep a loose tension during the beading so as not to cause any puckering of the jacket.

Miyuki Delica size 15/0 beads were used. Silver beads were the main design element with AB crystal beads as accents. The AB crystals came in two sizes; the larger ones were mostly used to give the design a little bit of dimension. Pearl colored beads were later used for the dangles. 15/0 are tiny beads to work with; most of the silver and AB beads were able to be threaded through a thin sewing needle, but the pearl beads required me to switch between sewing and beading needles to get them strung and sewn. For the dangles, I attempted to follow a similar pattern to the original, looping and hanging in the same places.

After the beading, the arms were sewn up and the sleeve hems, bottom hems, and inner collar were hand stitched down. Initially I had planned to line the jacket to make it a proper jacket. However, after constructing everything I found adding the lining increased the bulk and would make it impossible to get Cubao’s arms + shirt sleeves in.

Last was to add the hand made pipa knot closure in the front and the button knots on the sleeves. Both of these were made with 2.0 mm nylon macrame knotting cord and surprisingly very easy once you get the hang of it. The final touch was the brown shoes; these were purchased off Taobao using Superbuy as a proxy, and they arrived just yesterday, the day after I finished everything.

Overall, I am very pleased with the look. Construction was spaced out because of work and a bit of anxiety on my part. Concessions had to be made since bao clothing is on a much smaller scale. Naturally there was bits and pieces I’m not super pleased with, but overall I’m quite happy with the results. It was a feat, to say the least, replicating such an intricate design for a 15 cm doll. I’m glad I did it, but I’m also glad I don’t do this for a living. 😅

Hope you enjoyed this little insight into the process. If you have any questions, just pop in an ask and I’ll be happy to answer them. 😊

[raionmimi]

I love your art of Setanta and Medb Lily, is there any evidence of them actually being childhood friends in the Ulster Cycle?

Short answer: Not exactly, it was just me piecing together timelines that are extremely vague and plot points that would make way more sense if fleshed out more. So I started making comics based on my childhood and kids I know for a surreal idealization that would be the catalyst for their problems when they fight in the war

Long Answer:

All that I know is that Fergus is 20-ish years older than Conchobar. Conchobar is older than Medb, who would have to have been in the 10~16 range and been officially married at 15-16. (I’m assuming she’d be about 17-18 when divorced because she was forced to bear an heir) Cú was 5 when he came to Ulster and about 7-10 when he left, but it’s never mentioned that the two talked to each other at that time since it’s not relevant to the story

But it would make sense that they met considering their relationship to Conchobar, who was Medb’s betrothed and Cu’s uncle. Even further, Cu’s warp spasm when he was 7 was stopped by Mugain, who was Medb’s sister. Meaning, Medb was probably there when it occurred, but there wasn’t a reason to mention her

Then in one story, Cú and his friends decide to get Medb and Ailill to be judges for their “Who’s the best warrior” competition. They figured they’d be the most fair, but this was prior to the war. How would they be familiar with the Connacht rulers since Cú doesn’t really spend much time with official political shenanigans? All three had to have known of Medb and Ailill before this event. Since Medb often hosted people from other kingdoms, namely Ulster, they probably have all visited her nation before

It all kind of leads back to Cú knowing Medb personally, which could give more emphasis and weight as to why he listened to all her demands/schemes and refused to harm/fight her in the war. It’s unknown if he knew what abuse was happening to her when she was married to his uncle or what his uncle did to her after they got divorced. BUT we do know his uncle directly confronted Cú and demanded him to kill Medb, and Cú said he refused to his face

Then you have Fate’s interpretation. Medb is treated more like a troublesome neighbor rather than a threat. Cú lets her off with a slap on the wrist more than anything. He tells you in a voiceline that Medb is one of the women he broke a promise to so he wants to be more reliable this time. Fate has never mentioned what promise he made Medb, even though you can guess what he probs promised Emer, Scathach, and maybe Morrigan. Medb says she wants to dominate Cú but she never does much to actually do that because there’s some invisible line drawn that she herself put down

In my brain, it makes sense that there is something connecting the two with an unsaid past. One that drives Medb to having mixed feelings about Cú (both hating him but not being able to leave him alone) and Cú to feeling like he has to be there for Medb. Something that neither really wants to talk too much about, and especially not with each other

The easiest connection would be them being friends at a young age when they met in the Ulster kingdom. They’re both lowkey unwelcomed as Conchobar abuses Medb for her refusal to yield to him, and he didn’t even want Setanta to join his army at first. He kind of hates and fears both of them. Makes sense for them to just be regular kids together to set up the dynamic change for later.

A shattered friendship is one of the most devastating things that could happen to a child growing up, and could easily warp to an obsessive hatred and lingering guilt. Leads to feelings like “You betrayed me,” “Why didn’t you take me with you?” or “I wasn’t there for you, I need to make up for it.”

I like tragicomedies a lot, so I think it’s the best foundation for both causing and healing the severe rift between them when they’re older

So no, there’s no actual source material that would outright say that they’re childhood friends, it’s just something that would make the most amount of sense when you go back and align the dots. At least to me in my brain

[floral-moon-light]

Ok, so, just watched the season 4 specials, and wow that is a ride.

I'm not going to spoil what happened, but I want to talk about something at the end that i believe links into who the next "big bad guy"(s) is/are.

So, potential spoiler warning, go watch the specials and come back here once your done!

What I am referring to specifically is this image and something Wukong said.

Now, lets get down to business.

During the final confrentation Wukong said something to Azure that could only mean one thing to me. He basically implied he killed Azure back in the past.

But, if that was the case, there is no way Azure should be top side. And unlike my belief that Wukong didn't kill Mac, in this case, I have to believe Wukong killed Azure. Wukong's confusion and questions along with Azure's own recognition that something is wrong and that he was used can only point to the lion's death.

But if that is the case, how was he top side? How did he escape the Diyu?

This will not surprise anyone who has read the journey to the west, the source material for a lot of the Lego Monke Kid past and characters, but, only one person ever went into the Diern and escaped back to the mortal coils. And that was the Monkey King, as shown in Mac's explanation of Wukong's past.

And this vissage looks strikingly familiar to the temple we see at the end, to the point it has to be the same place. Plus some of the individuals who were in the scene were interacting with more pieces of the scroll that was used, specifically referring to it as the "scroll of memories".

The backstory imagery, Wukongs statement of Azure being dead, as well as this scene linking the scroll back to this place can only point to one thing for me.

The Diyu's 10 kings are the next bad guy.

That place can only be the Diyu, the image is shown when Mac is referring to Wukong's travels into the realm of the dead and removing his name from the leger. And with Azure being dead and the scroll seemingly being the property of the Diyu, and the Diyu being damb spiteful about keeping it's souls in the land of the dead unless they reincarnate there is no way of any of this happening unless the 10 kings set this up. They let Azure out of the Diyu with the scroll in hopes of achieving something.

And based on Azure's almost continuous hate and desire to kill Wukong till Wukong pointed out the problem the only reason I can think they would do it is exactly that they wanted Azure to kill Wukong.

It makes sense after all, the 10 kings were humiliated by Wukong in the original story and they likely would have wanted to get back at Wukong. But why now? Why over likely 1000 years later? Well, part of it likely relates to Wukong trashing the place and it taking them time to get the place back in order. The other reason, I think, relates to them thinking Wukong would be weak enough for Azure to take him down. We all remember how beat up and drained Wukong was for all of season 3, and while time had likely passed between seasons 3 and 4 it probably wasn't a lot of time. So, maybe once the 10 kings got word of what happened they searched for a soul to use to achieve their goal, kill Sun Wukong.

I don't think they expected their plan to go so far off the rails and almost destroy the universe, but I am positive they wanted Wukong dead.

So, I expect season 5 will either be the group having to protect Wukong from even more of his old enemies trying to kill/kidnap him, or having to rescue Wukong again, this time from the Diyu.

I can't be sure though, and if this all is the case that they were trying to kill Wukong, it is entirely possible my believe Wukong didn't kill Mac is wrong and the Diyu was trying to use LBD to get rid of Wukong, potentially multiple times and tried to use Mac as a tool to make it happen!

Also, Mac being so tight liped about what happened to fully push apart Mac and Wukong even now, makes me hope we will see it if/when Wukong and Mac finally fully apologise to each other and start rebuilding their relationship. What wukong did with Mac in the ending scene makes me think Wukong wants to try the two's friendship again, but I can't be sure.

However, I need to ask, what do you all think?

Comment below your thoughts.

[mono--chromatik]

Heyy!!! your ocs are so cool. I'm sorry if this is a rly dumb or annoying question [or if it has been asked before!], but can you summarize your ocs' lore?? As in, the general conflict/background/plot/story whatever?? Im so interested in it, but I genuinely have only a small clue of what's going on!! Thank you!!

nono you're totally fine! i like talking abt my ocs anyway (i tend to get asks regarding some, but if i havent answered them its because im still fleshing them out

I've been spending a lot more time with worldbuilding as of recent as opposed to characters in specific so in terms of written-down stuff i dont have much, which is what my toyhouse is for! it's only greyscale, saturate and my sona (whos unrelated) on there atm but i dooo plan on publicizing character pages in bulks when i have them ready. that said, i'll be using this ask as a dumping ground for the current information swimming in my brain soup tyvm

Also the actual story itself isn't fully written so i cant offer much on that end, so srry. I'll answer what i'm able to

Lost Connection is set in a world where government bodies have created a dome situated far out in the ocean with the purpose of creating a re-enactment of human society using machine bodies and AI. They first started as basic but large machines with barebones programming, enough to get them moving. They were supplied with material and tech used to create more machines that gradually got better as the years went on.

Fast forward to today, with slight assistance from human moderation without their knowledge they had created a similar society to humans that caters to the robots (mechanic facilities, clinics specifically for accessorizing because god knows the trouble a machine would go through having to get an ear piercing without damaging wiring, that sort of thing).

The surface of the dome is split up into separate parts in the same sort of sense the world is split up into countries, since the robots don't know anything outside the dome and as such perceive it as just, the world. There is also the underground of the dome which was initially intended as a prison system but overtime became more of a dog-eat-dog world packed with criminals. Machines beneath the ground are much more physically imposing and are prone to violent behavior.

LC has 3 main characters. Greyscale, Saturate and Inforn.

Greyscale is a 11'8ft disproportionate white cat who has earned notoriety through media coverage, some being truthful while others being made up and muddying the waters. Despite the stigma however they would never go out to actively hunt down someone without a good enough reason as to not put herself at risk. It prioritizes self preservation and is often reserved.

Contrasting him is his daughter, Saturate. A 1'9ft Frankenstein of a robot who was illegally built out of parts found in a junkyard, including her CPU, which wasn't wiped of any previous data and effectively made her start off life with the programming of a 10 year old kid and miss out on almost an entire childhood, only being updated a few times before being left at 13. Due to the unorthodox way she was built she has been mistaken for a rodent more than she has been identified as being a bear. She is constantly anxious to some degree and actively makes an effort to keep people far away by being hostile.

The two of them live in an old hotel where they mostly have to hide in. Unfortunately due to trespassers or journalists they find themselves threatened with being discovered quite a lot. To combat this, Greyscale is incredibly territorial and would go out of their way to make sure the person who set foot in the hotel wouldn't leave. Most of the time, the body of the trespasser is later on utilized as a source of components, skin and motor oil. Greyscale has no qualms harvesting these whether or not the person is dead or alive, and the parts tend to go towards repairing Saturate, the weaker of the two. As a result, she has experienced dying on a couple of occasions, only to be unethically brought back from the dead.

And opposing these two is Inforn. A 6'5ft black cat who works in a news network as a reporter and anchor. He is responsible for most of the misinformation on Greyscale, yet could never bring himself to go near her. By indirectly putting the two in a dangerous living situation they have developed an immense hatred for him overtime. Stakes would most likely raise if he somehow found where they were hiding.

wagghhge I THINK. i think i've spilt my brains enough. theres ofc some other guys too but if i went on about more ppl this ask would quickly turn into a book chapter, so i'll leave it with the main information

AND for future reference i'll tag this post in particular incase the question is repeated

[jess-moloney]

I know I am supposed to be on hiatus but I did say I'd come back to post if anything of significance happened and I do think what is going on right now is suspicious enough to be significant. I also think it's a good topic of conversation so let's start one:

Today Jess shared this to her story. These are from the same post by hypebae on Instagram, an account that Jess doesn't even follow (nor does this post mention her directly in a tag) though it does mention Renell. Oddly enough, Jess did not do her usual thing, which would be what?

Stealing a photo, posting it as if she owned it, and tagging a bunch of people as well as including her little "post-production by ice studios" tag.

The last time Jess did this was when she posted a story with a GQ magazine cover and she shamelessly claimed Ice Studios as "post-production" in a tag with a few other people. Even though the actual post did not acknowledge her or Ice Studios for that matter. [Source]

Shortly before this story, however, Jess made a few posts that were literal duds on social media...compared to her other stolen photo posts which tend to do slightly better but not by much. I'm, of course, talking about the series of photos she posted that all got less than 10 comments, some of them only getting 1 or 2. [Source]

In mid-December, it was noted that Jess had lost quite a few followers she was down from 42K to 41K. [Source] That was noticed on the same day that she had posted the GQ story (instead of making it an actual post as she usually would). Which means that her follower count started to drop around the time she posted that series of photos that got barely any likes, comments, or attention from anyone other than bots or her very own stans.

A few days later it was noticed that the Ice Studios shop was locked down. If you try to access it you will only get a page that says to enter a password (that is if you go by following the link on Jess's account) but if you type in the address directly you will be prompted to sign up for their newsletter. There is no possible way to access the store to buy anything.

This is concerning in the way that only days before this happened, they appeared to have sold out of a bunch of their merchandise (the Flintstone beanies they sell for far too much money). What does this shop shutdown mean? Does it mean they intend to send out the merchandise? Who do people contact if they paid $100 for one of these hats but didn't get one? Did they take the money, close shop, and run? Did they sell anything to begin with? All of this happened amidst Jess losing around 700 followers in less than two months.

From December 19th when she was at 41K to this post she has lost around 2000 followers total because she definitely used to have at least 42K and this all happened incredibly quickly. Even Jess's IG story spam of her snowboarding with Jamie holiday and the actual post only seemed to decrease her follower count faster and she's certainly not regaining people either.

This definitely indicates something significant is going on with Jess. Especially considering that Jamie returned to Mt. Bachelor (where he had been before on holiday) without Jess being with him, appearing much happier and having a lot more fun than his holiday with her over the New Year (if it even happened then because we know that Jess is known to recycle old material when she needs to).

This has led me to come up with a few theories on what may be going on to cause this behaviour on her part but keep in mind they are only theories and if anyone else has any insight I'd love to hear it as well.

Somehow, for some reason, Jess got in trouble posting those stolen photos finally. Either it was when she posted the photos that got little to no engagement, or shortly before. She is possibly in hot water over stolen intellectual property and has been warned about posting it and tagging Ice Studios or (worst case scenario) someone has thrown a lawsuit in her direction.

Business with Ice Studios has gone bad or she's parting ways with Renell and/or someone else is taking over control of the website and getting it away from Jess. I know Jess did go on to "promote" Ice merchandise in two of her stories after the site was locked down but Jess also wouldn't want anyone to know that she is a phony or losing her business title so obviously, she'd keep acting like nothing was wrong.

Jess is officially unemployed and losing her connections with everyone. This may have been indicated by her staging a story to get the attention of a company called Lede and kissing up to someone in their marketing department who she very, very recently followed. Whatever the case, something she has done has alienated her even more from what connections she did have and she's blatantly trying to make new ones.

Jamie and Jess are broken up behind the scenes and people in the know are aware of it thus the people who felt obligated to give her a follow unfollowing her in droves. Once again, if this is the case, Jess would most certainly go out of her way to make sure no one publicly found out they split because her entire reputation/fame/income relies on being Jamie's perfect little "witchy girlfriend".

These are the theories I have come up with. It could be one of these things, could be a combination of these things, or I could be completely wrong about all of it. The only thing I can say for certain (as I've said before) is that I'm sure my blog has very little influence over her account or popularity (if it has any at all). This means that her loss of a couple thousand followers in a very short period must have to do with something happening in her personal life and it's obviously not something very good. What does everyone else think? Do you have better theories? More receipts? Do you agree with one of these theories more than the rest? I'd love to hear your thoughts as well.