#like for different characters and situations

[juney-blues]

June Egbert is, and always has been incredibly fascinating to me because of just, how many factors have conspired to make Homestuck fans show their collective transmisogynistic asses.

The main character of Homestuck transitioning is a planned future plot point for the official continuation of homestuck, that was spoiled in advance by a fan making a joke about finding some toblerones Andrew Hussie the author of homestuck hid in a cave.

The current main writers of Homestuck: Beyond Canon have went on record in an AMA confirming that this was indeed always the plan, even before they took up the project.

In spite of these facts, the general consensus among certain homestuck fans seems to be that "June Egbert" is purely a headcanon for the original comic that was "made canon" by a "Toblerone Wish" (a concept that didn't even exist at the time)

For a variety of reasons, the "canonicity" of the postcanon official continuations of homestuck is a mattter of much debate, (though a debate that most homestuck fans seem to err on a side of "it's not canon at all in the slightest," something the writers have feelings on I'm sure.)

All of these factors combined leave the concept of "June Egbert" in a very nebulous place. It's assumed by most to just be an "ascended headcanon" that was shoehorned in, it's a spoiler so it hasn't happened yet in any official media, and the official media it will eventually happen in is regarded by some to be nothing more than glorified fanfic.

If someone is talking about June Egbert, and you don't like the concept of June Egbert, you have your pick of a million different excuses for why she's fake and gay and not worth discussing and bad writing and just the authors doing a gay dumbledore*, paying lip service to representation while actually doing nothing.

And of course, lots of people *don't* like June Egbert! Rather than being introduced as transfem from the start, she's in this nebulous position of discovery where people have to truly reckon with the idea of a "Pre-transition Trans Woman."

You can try to write off *some* of the backlash as transphobia, because obviously not everyone in this fandom is gonna be cool about trans people.

But there's no shortage of fans just dying to tell you about how much they like reading her as transmasc, or the idea of her being nonbinary or genderqueer or genderfluid, or literally anything besides a trans woman. And since they're fine with all those other interpretations, there's obviously no implicit biases driving their distaste for the concept! (if you want to try explaining the concept of "transmisogyny" to people like this you're braver than I.)

you can trust them when they say it's *just* a problem with whether or not it makes sense with the writing, or it just doesn't feel right somehow, or any of the thousands of excuses that this writing situation gives them to just Not Like It.

It's just, so interesting to me. There's not a lot of characters out there that get a trans arc in this way, that leaves room for open denialism and insistence that we have our trans cake and eat it too... Because Homestuck is a timeline spanning multiverse story, lots of people seem to want it to be an alternate timeline thing. Assuring us we can have this character share space with a non-transitioning version of herself and it won't be weird or imply gross things about trans people.

If you ask me it feels like a plotline that'd be really good for exploring some gender horror though, finding your true self and then being demoted to a footnote, an alternate version, because everyone around you likes your pre-transition self more....

Anyway I have no broader point beyond "hey look at this isn't this kinda weird. You don't get this kinda stuff often!"

*side note: it's a little ghoulish I think to compare "a future trans plot point that hasn't been given the chance to even happen yet, in an already famously queer piece of media, from a nonbinary author" to "some stupid shit done by the literal most famous transphobe of all time" but that's perhaps a discussion for later.

[asidian]

One thing I adore about Dead Boy Detectives is how brilliant the first ten minutes are. The pacing is incredible. You meet the boys, learn who they are, get a peek at what they want, and are shown what their strengths and weaknesses are.

Straight out the gate, you know that Charles is impulsive and more physically protective, and that Edwin is more intellectual and prone to magic. You learn magic exists and this is a setting where an infinite backpack can happen. Edwin gets a chance to show off his deductive skills with their client, and Charles gets to show off his people skills with both the client and the WWI ghost. Six minutes in and we already know these characters.

You learn that this is how these characters function together, and that they know each other well enough to know each others' strengths and weaknesses and rely on each other and compensate for them, respectively. The pacing is lively and attention-grabbing, and the back-and-forth between the office and the scene while they're on the job allows a fantastic showcase of the contrast between how they work together in different situations.

Then we get a look at the deeper need that motivates our two ghosts: staying together, against all odds, even after death, even in the face of Death herself.

And then we segue into another brilliant bit of exposition. Instead of a long, stodgy talking scene that would slow down the pacing, we get shown slices of Crystal acting strangely to explain what's going on.

In the space of ten minutes, we have met our characters, know what drives them, know their status quo, and are ready for that status quo to be upended, all without a single exposition dump.

No wonder this series series was met with critical acclaim. This is brilliant character writing and pacing. I write for a living, and this intro scene had me turning to the person next to me, saying, "THAT'S how you do it."

There's so much to appreciate about Dead Boy Detectives, but I feel like the script doesn't get anywhere near enough attention. Standing ovation for the absolutely brilliant writing, honestly.

[requiemforthepoets]

this is me trying 𖦹 OP81

PAIRINGS: oscar piastri x female!reader

SUMMARY: growing up, the only thing you know is that you need to be strong, provide, and take care of your sister. but being with oscar, it was different, he made you feel things—that it’s okay to not be fine, vulnerable, and to be taken care of.

AUTHOR’S NOTE: i have this fic finished the other day but i was debating on whether to post it or not, but here we are. it’s been a while too since i last wrote for oscar, and this is like a comfort (?) fic idk lol. also, can i just say that LANDO ON POLE FOR THE SG GP!!! 😭🧡 ok, i hope you guys will have fun reading this one. enjoy! :)

REMINDERS: this is purely fiction, the way how the character is portrayed in my story does not reflect the person that is portraying my character in real life. always separate fiction from reality, and do not repost or copy my work in any way.

WORD COUNT: 3.6k

WARNINGS: not proofread, typos, eldest daughter syndrome, no use of y/n, cursing, unnamed sister, named friend, and parents death

You were sitting in the living room, surrounded by case files and legal books, trying your best to prepare for the court trial that you’ll be doing soon, but your mind was elsewhere. You can't focus on the work that you’re working on in front of you, no matter how hard you try. Your phone buzzed, and you almost didn’t answer, thinking it’s just another work call, but when you saw Blaire, your friend’s name, flash on the screen you quickly picked up, expecting a casual chat.

“Hey, Blaire, how are you?” You greeted her, trying to mask your exhaustion.

Her voice on the other end was hesitant, not the usual warm tone that you’re used to. “Hey…I really hate to bring this up, but I was wondering when you would be able to repay the five thousand dollars?”

Your stomach dropped. “Repay?” You repeated, utterly confused. “What do you mean five thousand dollars?”

The conversation between you and Blaire unraveled quickly. She explained how she had lent the money to your sister out of need, thinking it was for you or with your approval. Rage bubbled in your chest, your pulse quickened, at this point all you can see is red. You thanked her hastily, barely able to end the call before fury overtook you. Without thinking, you dialed your sister’s number, the beeps echoing in your ear like a countdown to an explosion.

“Hello?” Her voice was casual, completely unaware of the storm coming her way.

“What the actual fuck did you do?!” You yelled, not caring if it was late at night. “You borrowed five fucking thousand dollars from Blaire without asking me!? How could you?!”

There was a pause, a brief moment where you could almost feel her shrug through the phone. “Oh my god, can you relax? It’s not like you can't afford it. It’s not that big of a deal, you can just easily pay for it with how big you’re making, it’s barely a scratch on your bank account!” You couldn’t believe what you were actually hearing.

“Not a big deal? Did you spend the money already? Do you have any fucking idea how humiliating it is for me that you did this without even consulting me? You think just because I make good money, I’ll fix every mess you create?” You were seething.

“Well, yeah,” she responded with a laugh, clearly not grasping the gravity of the situation. “You’re my older sister. Isn’t it your job to take care of me, right?”

Your grip on your phone tightened. “I’ve been taking care of you your whole life! I’m working myself to the bone just to make sure you have everything you need, sending you to that fancy school that you’ve always wanted so you can have a better future, and this is how you repay me? By lying and stealing?”

The silence on the other end of the line felt heavy, but your anger has not subsided. She mumbled something that sounded like a half assed apology, but it was already too late for that. You immediately hung up and slammed the phone down on the table, heart racing, pulse pounding in your ears. Anger still swirling inside you like a storm, the words of your sister still echoing in your mind. You can just easily pay for it with how big you’re making. Her carelessness, lack of respect—it hit harder than anything you had experienced before. It wasn’t about the money, you could handle the five thousand dollars easily, but the way she completely dismissed your hard work, as if it was nothing, as if your sacrifice and years of struggle meant nothing—that was what burned deep. It hurts like fucking hell.

You sat down there on the couch, trying to calm yourself down, tears started to prick at the corners of your eyes, but you blinked them back. You didn’t cry. You cannot cry. You have always been strong your whole life—the provider, carer, and protector. That’s who you were. No one had ever taken care of you, not since your parents passed away when you were fifteen and your sister is only ten. It has always been you, alone, against the world, and now, it felt like even your sister was against you.

You didn’t hear Oscar enter the living room until his voice, soft but firm, broke through the silence. “Hey, I heard you from our room. Are you okay?”

You swallowed hard, your body automatically stiffening instinctively and continued browsing through your documents like nothing happened.

“Yeah, I’m fine. Don’t worry,” you lied, though the quiver in your voice betrayed you.

Oscar walked over and sat down beside you on the couch, his hand gently resting on your shoulder. “You don’t always have to be fine,” he said quietly. “Tell me, what happened?”

You exhaled sharply, your hands trembling as you ran them through your hair. “It’s my sister,” you muttered, trying to keep your voice steady. “She borrowed money from Blaire. Five thousand dollars. Without even telling me. Now, she’s acting like it’s my job to fix it.”

“Five thousand? That’s a lot.” Oscar frowned, his brows knitting in concern.

“I know,” you said, “she doesn’t even care. She just assumes I’ll take care of it, like I always do every time she gets into stupid situations. She thinks just because I earn good money, I’m supposed to fix everything.” Your voice cracked, and before you could stop it, the tears you had been holding back for so long finally broke free. “I don’t know how much longer I can do this, Oscar. I’m always the one fixing things, I’m always the one who has to be strong.”

Oscar didn’t say anything for a moment, he just stared at you, his eyes filled with understanding. Then, without a word, he pulled you into his arms. You tensed at first, still not used to being vulnerable, but Oscar’s embrace was warm, grounding. Slowly, your body relaxed into his, and the weight of the world seemed to lift just a little as you rested your head against his chest.

“It’s not fair,” you whispered to him. “I’ve always had to be the strong one. I’m tired, Oscar. I’m so fucking tired. I don’t know how much more I can take.”

His hand gently stroked your back, his voice soft and reassuring. “I know. It’s okay to be tired. You don’t have to be strong all the time. Not with me.”

You pulled back slightly to look at him, your eyes searching his face, “I just don’t know how to let anyone help me,” you admitted, voice barely audible. “I’ve been doing this for so long, I don’t know how to not be the one in control.”

“I get that. But you don’t have to do it all alone anymore. I’m here. Let me be strong for you, too.” Oscar smiled gently, brushing a tear from your cheek with his thumb.

For a moment, you didn’t know what to say. The idea of letting someone else carry even a fraction of the weight feels completely foreign to you. But as you looked at Oscar, his eyes full of sincerity, something inside you shifted. Maybe, it’s time you let it all fall down, you didn’t have to carry everything on your shoulders all the time.

“What am I supposed to do about her?” You asked, your voice small but steady now.

Oscar sighed softly, thinking for a moment. “You have all the right to be angry and upset. Your feelings are valid,” he said. “She needs to learn that actions have consequences. But at the same time, she’s your sister. She’s young, and sometimes young people tend to make mistakes. You’ve been doing everything for so long that she probably hasn’t learned how to take responsibility for herself yet.”

You nodded, wiping your eyes. “Yeah, maybe. But I can’t just let her think she can keep doing this.”

“No,” he agreed. “But you also don’t have to do this alone. We can figure it out together.”

You looked at him, really looked at him, and for the first time in a long time, you felt like you weren’t alone. Maybe you didn’t always have to be the strong one, the provider, the protector. With Oscar by your side, you could learn how to let someone else carry the weight with you.

“Thank you,” you whispered, leaning into him once more. “I don’t know what I’d do without you.”

Oscar smiled, pressing a soft tender kiss to your forehead. “You’ll never have to find out, I’m not going anywhere, my love.”

The next morning, you stared at the screen of your laptop, fingers moving quickly over the keys as you finished drafting the contract. The legal jargon was familiar, comforting even, but the fact that you had to use it against your own sister left a bitter taste in your mouth. The contract was firm, direct, and laid out the consequences clearly: five thousand dollars, to be repaid in installments, with interest and penalties if the deadline is missed. You hated doing it—your heart never felt so heavy—but you knew it was necessary. You had been too lenient for far too long, if she didn’t learn this now, she might never understand the true value of money and the responsibility that came with it. It was time for her to learn the hard truths you had known your entire life.

Oscar was sitting across the table, sipping his coffee, watching you in silence. “You’ve finished it?” He asked gently. You had told him last night that you need to straighten everything out, and told him your plan, in which he quickly supported you.

You nodded, eyes scanning the contract one last time before saving it. “Yeah. She’s not going to like it, but this has to be done.” You sighed, “I’ve been too lenient, too forgiving. I can’t keep cleaning up after her messes.”

“You’re doing the right thing.” He said as he reached over, placing his hand over yours. “It’s tough, but you’re teaching her a lesson she won’t forget.”

“I hope so,” you sighed, glancing out the window, the weight of responsibility pressing down on you once more. “I’ve never been one to ask for anything back, but she needs to learn that she can’t just treat me like this. I want her to be successful, but she can’t rely on me forever.”

Later that day, you booked a flight for her to Monaco, and notified her about the flight schedule. She was studying in Switzerland, and it would be a four hour flight from Switzerland to Monaco. It was time to have this conversation face-to-face. You couldn’t keep allowing her to avoid responsibility just because you were miles apart. This is a conversation that is long overdue.

A couple of days later, she arrived at your and Oscar’s shared apartment. She seemed different—more subdued, perhaps. You could tell the weight of your anger still lingered in her mind. She greeted you cautiously, her eyes flickering to Oscar, who stood nearby, his presence calm but protective.

“Sit down,” you said, pointing to the couch.

She looked at you, clearly trying to gauge your mood, but she did as she was told. You sat across from her, with Oscar by your side, and the freshly printed contract lying on the table between you. The tension in the living room was thick.

“I had already settled your debt with Blaire,” you began, your voice calm but firm. “But this conversation is not just about the money. It’s about respect, about responsibility.”

“I said I was sorry.” She crossed her arms, trying to play it cool.

“Sorry doesn’t fix this,” you snapped, your patience was already running thin, barely hanging on by a thread. “I have been providing for you because I want nothing but the best for you. But what you did was careless, and you disrespected everything I’ve done for you. You didn’t even ask me before borrowing that money, and then you just blatantly assumed I would handle it. You do this every time to me, you always get me into awkward and humiliating situations.”

She bit her lip, her attitude wavering. “I know, but you make so much—”

“That’s not the point!” You cut her off, about to lose your cool but Oscar had managed to calm you down by softly caressing your back. “Yes, I make good amount of money, but that money just doesn’t magically appear. I have worked hard, harder than you can imagine, to get to where I am. Do you want to know what’s worse? What’s worse is that you’re not even thinking about how hard it is to earn that money, how I burn myself off everyday. So I’m making you earn it back.” You slid the contract towards her.

“What’s this?” She looked down at it, then back at you, looking all confused.

“It’s an agreement,” you said. “I’ve decided to give you the five thousand dollars. Consider what you bought from that money as a gift, because I know you’ve been doing well in school, and it’s been a while since I’ve given you anything. But this will never happen again. You owe me that money, and you're going to pay it back. Every cent of it, with interest.” Her eyes widened, and she opened her mouth to protest, but you cut her off before she could even speak.

“This is not negotiable. I’m still going to support you, I’m still going to pay for your tuition, but you need to learn how hard it is to earn this kind of money. You’re going to work for it, and I'll expect proof—payslips, records—everything. If you miss a payment, there will be penalties added, and if you refuse or try to make a fool out of me, I’m not afraid to take legal action.”

“You’d sue me? Your own sister?” She stared at you in disbelief.

“Yes, I would,” you said coldly. “I don’t want to, but you’ve left me with no choice. You are already eighteen and will turn nineteen in two months, you are already capable of knowing what’s right and wrong. You need to understand that I’m not going to bail you out every time you mess up, this is your responsibility now.”

For a long moment, she didn’t say anything. Her face was a mix of shock and anger, but you could tell the gravity of the situation was already starting to sink in.

“I’m not trying to be harsh,” you said softly, leaning forward. “But I’ve been in your shoes, and I know firsthand how hard life can be. I have shielded you from that, and maybe that was my mistake. But if you’re going to succeed in this world, you need to understand that nothing is free, nothing in life is free. Everything comes with a cost.”

Oscar then leaned forward, gently placing a hand on your shoulder. “Look, we’re not doing this to hurt you,” he added, tone gentle but firm. “But this is a wake-up call. You need to understand how your sister has worked so hard, and how important it is that you start contributing. No one’s saying you have to do it alone, but you have to start doing something.”

Your sister’s eyes shifted between the two of you, and for a moment, you saw a flicker of guilt in her expression. She glanced back down at the contract, and you handed her a pen.

“Okay,” she whispered. “I’ll do it. I’ll pay you back.” Her attitude and defiance slowly faded from her face.

“Good.” You nodded, “then sign it.”

She hesitated for only a moment before scribbling her signature across the bottom of the contract. You felt a strange mixture of relief and sadness, knowing you had to be this tough, but also hoping it would be the turning point she needed.

“You can stay with us while you’re in Monaco,” you told her, “but I expect you to find a job as soon as possible. If you fail to keep up with your end of the deal, there will be consequences. Understood?”

“Understood.” She nodded, though her expression was still a mix of resentment and defeat.

You exhaled, feeling a small sense of relief wash over you. This wasn’t easy, and you hated having to be this strict with her, but it had to be done. Oscar wrapped his arm around you, his touch grounding as soon as you watched your sister head towards the guest room.

“You did the right thing,” he said quietly.

“I hope so,” you whispered, leaning into him. “I just want her to grow up.”

“Don’t worry, she will.” Oscar assured you, pressing a soft kiss to the side of your head. “With you as her sister, she doesn’t have much of a choice,”

Later that evening, the apartment finally fell quiet, dinner was definitely awkward and quiet, but with your sister already tucked away in the guest room, the weight of everything you had said and done began to settle in. You were sitting at the edge of the bed, heart heavy and mind replaying what had happened earlier over and over. The way your sister had looked at you—hurt and angry—it cut deeper that you were willing to admit.

You had always been strong, but this strength had come with a cost. Now, sitting in the stillness of the night, the reality of your actions hit you like a tidal wave. It wasn’t just the contract or the money, it was the fear—the fear that in trying to teach her a lesson, you might have pushed her too far. That in being the disciplinarian, you had damaged something that might never fully recover or heal.

Oscar entered the room quietly, sensing the shift in your mood. He sat beside you, his presence had always been comforting, but it wasn’t enough to stop the flood of emotions you had been holding back.

“Was I too harsh, Osc?” You whispered, voice barely audible.

He frowned slightly, tilting his head to look at you. “No, you weren’t. She needed to hear all of it.”

“I know,” you replied, voice trembling. “But what if I lose her because of this? What if she hates me for it?”

You felt your tears welling up again, but this time you couldn’t stop them anymore. They spilled down your cheeks, unchecked, as you finally let go of the tension and frustration you had been carrying.

“I’m not being harsh to punish her, I just want her to understand how hard life is, how much I’ve sacrificed. But what if all she sees is me being cruel?”

Oscar pulled you close, wrapping his arms around you as you broke down. You rested your head on his chest, sobs coming in waves, guilt and fear crashing over you. You had always been strong for so long—too long—and now, it felt like everything was unraveling.

“She’s my baby sister,” you choked out between sobs. “I don’t want to lose her. But I don’t know what else to do. I don’t want her to think I’m just some heartless person who only cares about money.”

Oscad held you tighter, his voice calm and steady as he spoke. “She won’t hate you. Not forever. She’s upset now, sure. But she’s young, and right now, she probably doesn’t understand why you’re doing this. But she will, trust me. One day, she’ll look back at it and realize that you did this because you love her.”

You shook your head, your chest tightening with the weight of your emotions. “I feel like I’m always the one who has to be the bad guy. I never get to be the one who’s just there for her, to support her without judgment.”

Oscar stroked your hair gently, his voice soothing. “You’ve done more for her than anyone else ever could. You’ve given her everything. You’re not the bad guy, you’re her protector, even when it means being tough on her. Yeah, maybe this will cause a rift for now, but it won’t last. She’ll come around, she’ll see that you’re doing this because you care.”

You pulled away slightly, wiping at your tear-streaked face. “What if she doesn’t?”

“She will,” Oscar said firmly. “But even if it takes time, you can’t keep beating yourself up for doing what’s right. You’re teaching her a lesson that no one else will. You’re giving her the tools to grow up, to be responsible. Sometimes, that means being tough. That’s tough love.”

You nodded, but the guilt still gnawed at you. “I just wish I didn’t have to be this person all the time. The one who fixes things, who keeps everyone in line.”

“I know. But you’re not doing this alone anymore, okay? I’m here. Whenever it feels like it’s too much, rest on me. You can always rest on me.”

You leaned into him again, his warmth easing the ache that you’re feeling inside of you. “I just hope she understands someday,” you whispered.

“She will,” Oscar said softly, kissing the top of your head. “And until then, you’ve done what you needed to do. You’ve set her on the right path, and that’s what matters.”

As the tears slowly subsided, you felt a flicker of hope, knowing that even though this was hard, it was necessary. Even if your sister doesn't see it now, you could only hope that one day, she would understand that everything you did was out of love.

The weight on your shoulders became a little lighter, knowing that Oscar was right. Even if it took time, even if there were still battles to fight, you knew you weren’t facing them alone anymore, and for the first time in what felt like forever, you allowed yourself to breathe. You had done what needed to be done. Now it was up to your sister to follow through.

[celestemona]

⋆˙⟡ — TANGLED FATES

pairing: kinich, kaedehara kazuha, wanderer x reader

cw: soulmates! au. characters may look ooc. approximately 3k words. no pronouns mentioned though "my lady" is said in kazuha's part. fluffy, angsty, lovely. not beta-read.

reblogs and comments are appreciated ♡

Kinich

Kinich had always felt a subtle pull toward something—or someone—just beyond his reach.

From the moment he was born, the thread that connected him to his soulmate had been a delicate shade of translucent red, often fading to the point of nearly vanishing. It was a constant reminder of the distance between them, a tangible sign that his soulmate was far away, perhaps even in another nation.

The people of Natlan revered the concept of soulmates, believing that every thread was woven by the hands of fate itself. Kinich, however, was not the type to wander beyond his homeland in search of this elusive connection. The rugged beauty of his tribe, the thrill of hunting, and the camaraderie of his people grounded him. He found comfort in the familiar rhythms of his life, though sometimes, during quiet moments beneath the canopy of the trees or while gazing at the stars, the thought of his soulmate would flutter in his mind like a restless bird.

Yet today was different.

As Kinich navigated the vibrant festival of the Scions of the Canopy, filled with laughter and the smell of roasted meats mingling with the sweetness of ripe fruit, he couldn’t shake a strange sensation. He glanced down at the red string on his finger, and to his surprise, it was brighter than he had ever seen—deep crimson, like the fiery sunsets that painted the sky at twilight. The sudden vibrancy sent a jolt of energy through him, and his heart raced with possibilities. For the very first time, it felt that his soulmate was closer than he had ever imagined.

The thought barely settled in his mind when a commotion broke out nearby. Kinich turned to see a crowd gathered around the bungee jumping platform, a popular attraction that had people leaping into the air with exhilarating abandon. The sight of the participants soaring through the sky brought a fainted smile to his face—until he noticed one figure preparing for a jump.

His heart seemed to stop as he caught sight of you, your hair whipping in the wind, laughter mingling with the cheers of the crowd. You appeared fearless, but as the countdown began, Kinich noticed something off: the rope seemed frayed, a dangerous instability in an otherwise thrilling endeavor. Panic surged through him as the countdown reached zero.

Before his mind could catch up to his body, he reacted. The faintest snapping sound echoed in his ears as the bungee cord gave way—a horrified gasp echoed from the crowd, but Kinich was already in motion. With a practiced flick of his grappling hook, he shot toward you, the hook catching a solid anchor just as you fell.

In the heartbeat between falling and impact, you felt a strong arm wrap around your waist, jerking you from the void. Time seemed to slow as the world spun and your eyes locked onto his—the man who had saved your life.

Kinich landed gracefully with you in his arms, his grip steady and reassuring as if it were second nature. As the adrenaline pulsed through you, your heart raced not just from the near-death experience, but from the realization that your strings—both of yours—were now glowing vividly, a striking red.

The connection between you was undeniable, even if the situation was surreal.

“That was... close,” you murmured, still catching your breath, your voice trembling with disbelief.

Kinich’s usual nonchalance wavered momentarily as his eyes lingered on yours. He gently set you down, his hand brushing against yours as the string on his pinky tightened, pulling you two together subtly but magnificently. “You’re either very brave or very reckless,” he said, his voice low but calm, the faintest trace of amusement playing on his lips.

You couldn’t help but smile, even through the lingering adrenaline. “Maybe a little of both.”

He let out a quiet hum, stepping back slightly but not breaking eye contact. “Seems I’ll have to keep an eye on you, then.”

Before you could respond, a pitched voice cut through the air. “No! I though you’d finally gonna get yourself killed, Kinich. Shit! It seems I was wrong again.”

Kinich’s eyes narrowed slightly, and he muttered under his breath, “You wish.”

You blinked, wondering where the voice came from and noticing the sudden change in his demeanor, but before you could ask, Kinich’s focus returned to you. His intense gaze softened as he extended a hand, offering it to you with an unexpected formality. “It seems fate has brought us together in the most dramatic of ways.”

You laughed softly, the tension easing. “Seems that way. And here I thought I’d get a thrill from jumping, not falling.”

“There are safer thrills,” he answered, his hand still holding yours dearly. “One that doesn’t involve falling from cliffs.”

You bit your bottom lip in a failed attempt to hide a smirk, the soft flirtation in his voice making your heartbeats go faster. “Oh? Like what?”

He let his gaze linger on yours, his thumb gently tracing the back of your hand. “Perhaps we’ll find out together.”

The red string between you entwined, as if urging the two of you closer. For the first time in a long while, Kinich felt more than just duty or the thrill of a adventuring—he felt the warmth of something that had been distant for too long.

And for you, the world around you seemed to quiet as the only thing that mattered now was the connection between you and the man fate had quite literally sent to catch you.

Kaedehara Kazuha

From the moment of birth, the faintest whispers of your soulmate begin to form in your mind, weaving through your thoughts, and growing clearer with time. The voices aren’t constant, but they drift in and out, as if carried on a breeze, reminding you of the presence of someone far away yet intimately close. Sometimes, it's a word spoken aloud, a laugh shared with a friend. Other times, it’s a fleeting thought, as private as a breath. And from childhood, this voice becomes an indelible part of your life, a companion whose face you have never seen but whose soul you know deeply.

Kazuha was still a boy when he first heard the voice. He was playing alone in the gardens of his family’s estate, surrounded by the quiet rustle of leaves and the gentle murmur of the wind. And then, as soft as a whisper, he heard it—a voice that wasn’t his own.

It was delicate, like the sound of water trickling over smooth stones. A voice so pure it carried the sweetness of a lullaby. At first, he thought it was part of the wind, some trick of the breeze, but as the days went on, the voice returned. Sometimes it sang, sometimes it hummed a tune that was unfamiliar yet soothing. And when it spoke, Kazuha listened, enchanted by the rhythm of the words, even if they weren’t meant for him.

Years passed, and the voice became a familiar presence in his life. He learned to recognize its tones—the way it brightened when it was happy, or softened when the person behind it was lost in thought. Even when he left the security of his childhood home, embarking on his wandering journey, the voice followed him. It was a constant companion, a tether that connected him to something beyond the world he knew.

The voice belonged to an opera singer from Fontaine, though Kazuha would only come to know this much later. As children, you’d hear each other speak, often unaware of the impact your words were having on the other side of the world. You’ve been singing since you were small, your voice a bright light in the waterside streets of Fontaine, and Kazuha had come to love the sound of it—first as a soothing melody in the background of his thoughts, and later as a force that brought him comfort during his travels. He could sense your emotions through your voice—the joy you found in your craft, the occasional frustration in your rehearsals, and the quiet moments when you’d murmur your thoughts to yourself.

You, too, had been listening to him. From the first haikus he had whispered into the wind as a child, to the quiet contemplations of a young man growing into his own. Though Kazuha was never one to speak much, the moments when he’d recite poetry or talk to the wind were enough to fill your heart with a sense of companionship. His voice, calm and steady, was a comfort to you as you navigated your own world of art and performance.

Neither of you knew exactly who the other was, but your voices had become a part of each other. Even without a meeting, you had grown up together—two souls connected by the invisible threads of fate.

As Kazuha grew older, his understanding of the voice deepened. He’d often find himself drifting off to sleep, only to wake with the faint echoes of your songs still lingering in his ears. He marveled at how perfectly your voice blended with the world around him—the wind, the sea, and the rustling of leaves in the forests he wandered. Your voice had become a song in the symphony of his life, and he cherished it.

For you, his words were like the poetry he often whispered to himself—a gentle, constant reminder that somewhere out there was someone who understood the world the way you did. You often wondered what he looked like, what kind of person could speak so softly yet carry so much meaning in his words.

Years passed, and though your connection remained strong, you never rushed to meet. There was no urgency, no desperation. Just the quiet understanding that one day, you’d find each other.

It wasn’t until Kazuha’s travels led him to Fontaine that your worlds finally began to merge. The hydro nation was a place where the beauty of the arts and the depths of the sea intertwined. Kazuha had no intention of seeking you out immediately. He had learned patience long ago and trusted that the wind would guide him when the time was right.

But as he wandered the streets of Fontaine, drinking in the sights and sounds of the city, he heard your voice again—clearer than it had ever been. This time, it was no distant whisper but a melody that floated on the air, rich and vibrant. You were rehearsing for an upcoming performance, your voice filling the opera house with the same beauty that had once echoed in his dreams.

He stood at a distance, watching you from the shadows. You were every bit as graceful as your voice, your movements fluid and elegant. Your presence commanded the space around you, yet there was a softness to you that drew him in. You were speaking with one of the directors with enthusiasm as you discussed the details of the upcoming opera. And though you didn’t know it, the man you had shared your thoughts with for so many years was standing just a few feet away, watching with quiet reverence.

Kazuha’s heart swelled as he took a deep breath, allowing the wind to guide him forward. It was time.

With the same grace that had carried him through countless battles and journeys, he approached you, his steps light and unhurried. When you turned, eyes meeting, the recognition was instant. The voice that had been a constant presence in your lives was now matched with a face.

For a moment, neither of you spoke. It was as though the world had stopped, leaving only the two of you standing in the fading light of the afternoon. And then, with a soft smile, Kazuha spoke.

“My lady,” he said, his voice as gentle as the breeze that stirred the air around both of you. He took your hand in his own, bowing slightly as he lifted it to his lips. The soft kiss he placed on the back of your hand was filled with all the quiet emotion he had carried with him for so many years. “It is an honor to finally meet you.”

Your smile widened, warmth rosing on your cheeks. “The honor is mine. I’ve heard your voice for so long… I almost thought I was dreaming when I heard you recite your poems for the first time.”

“As did I,” Kazuha replied, his crimson eyes soft as he gazed at you. “Your voice has been with me for as long as I can remember. Hearing you sing now… it feels as though I've been waiting for this moment my entire life.”

You laughed softly, the sound as musical as the voice he had come to love. “And I’ve been waiting for you. I always wondered when our paths would cross.”

“They were bound to,” Kazuha said, his tone warm. “The wind always carries us to where we are meant to be.”

With his and your hands still gently intertwined, you stood in the heart of Fontaine, the city alive with the murmur of art and life around them. But for the two of you, the rest of the world had faded, leaving only the echo of the voices that had connected you for so long.

In that moment, you knew that your journey—though long and winding—had led you both exactly where you were meant to be. Together.

Wanderer

In Teyvat, the concept of soulmates wasn’t something everyone discussed openly, but it was an unspoken truth understood by all. It was a tragic but beautiful reality for those people: no one ever dreamed—at least, not until they met their soulmate. The first and only dream a person would ever experience was a shared one, an intimate meeting with their destined one. This dream wasn’t bound by time or place, often filled with subtle moments, quiet connections, and profound understanding. But the dream itself didn’t mean immediate union. Many spent years after their dream searching, wondering when—or if—they’d ever cross paths with their other half in the waking world.

And not all believed they deserved a soulmate.

Wanderer had learned of the legend when he was still known as Kunikuzushi, back in the early days when he was newly formed and still discovering what it meant to exist. He hadn’t thought it applied to him, a puppet—a hollow being without a true heart, someone who was neither human nor divine. But one night, long ago, when he was still innocent and full of hope, he had a dream.

In that dream, he met you.

It wasn’t a vivid or wild vision. It was quiet, serene. You walked in a vast wheat field, your steps so rhythmic as if you were dancing between invisible trails that only you knew where it’d take you. Your back was turned to him but the sound of your laughter was a song that played like a lullaby in his head. When you looked up, your eyes meeting, something inside him stirred—a sense of calm, of being understood without words.

There were no grand gestures, no spoken promises. Just a glance, a soft smile, and a feeling that warmed him from the inside out. You were real, and for the first time in his short existence, he felt connected to something outside of himself. 

When he woke, the memory of that dream stayed with him, lodged deep in his mind like a forgotten melody. He tried to dismiss it, thinking it was some strange byproduct of his flawed creation. How could he have a soulmate when he wasn’t truly human?

Years, centuries passed, and Kunikuzushi became Scaramouche, and Scaramouche became Wanderer. He fell deeper into darkness, fueled by bitterness and anger. Yet, despite the walls he built around himself, the memory of the dream never fully faded. It lingered in the back of his mind, sometimes emerging in his quietest moments, like a long-lost hope he didn’t want to admit to. He believed that dream was lost to time, and that he had been undeserving of it. He had resigned himself to solitude, pushing away any notion that he might still have a connection to someone out there.

But everything changed the night he wandered the streets of Sumeru.

The night was calm, and the air was thick with the fragrant scent of flowers. It was one of those evenings where the city was still alive, bustling with life even under the veil of darkness. The marketplace glowed softly in the distance, filled with the sounds of chatter and laughter. Wanderer had no purpose being there, only walking aimlessly, his mind drifting between thoughts.

Yet, for reasons he couldn’t explain, the memory of that dream began to surface. The image of you, twirling in a field, returned with startling clarity. He could almost see the light in your eyes, feel the quiet comfort of that moment. His steps slowed as a strange, almost magnetic pull tugged at his chest, drawing his attention toward the marketplace.

And then he saw you.

You stood at a vendor’s stall, your profile illuminated by the soft lantern light. His breath hitched. It was as if time stopped. You looked exactly as you had in the dream—your presence both familiar and startling. He blinked, convinced his mind was playing tricks on him. After all this time, how could you be here?

You turned slightly, inspecting some trinket on display, completely unaware of him. The world around him blurred, all the noise fading into a distant hum as his focus remained solely on you. He felt his heart—did he even have one?—thunder in his chest.

A storm of emotions raged inside him. He hadn’t prepared for this. Could this truly be real? After all he had done—his mistakes, his hatred, his isolation—was it possible that fate hadn’t given up on him? Was he still deserving of a soulmate?

He found himself rooted to the spot, too stunned to move. He couldn’t approach you, not yet. How could he, knowing what he had become? A part of him was relieved, though—relieved that you existed, that the dream hadn’t been a cruel joke. But the hesitation that lingered was undeniable. What if you saw him for who he truly was and walked away? What if, after all these years, he was no longer the person you had dreamed of?

You moved away from the stall, and at that moment, your eyes swept over the crowd, casually scanning the area—until they locked onto his.

The recognition was instant, like a spark between two halves of a long-separated whole. You blinked, clearly processing what you were feeling as if the dream had come flooding back to you all at once. The same quiet understanding he had felt in the dream now passed between you in reality. Your expression softened, and though you seemed uncertain, you didn’t look away.

You took a tentative step toward him, your curiosity was evident. His heart raced again, the walls he had built around himself suddenly feeling fragile as if a single word from you could shatter them entirely.

And then you spoke.

“I saw you once upon a dream,” you said, your voice gentle, filled with the same warmth and wonder from the dream. There was no accusation in your tone, no judgment—just simple truth.

He swallowed hard, unsure how to respond. A thousand thoughts raced through his mind, yet none of them made sense. All he could manage was, “Did you?”

You nodded, your gaze unwavering. “I thought it was just a trick of my mind, but… seeing you now, I know it was real.”

He stood frozen, a mix of doubts, disbelief, and relief swirling inside him. The person he had dreamed of, who he thought was forever out of reach, was standing in front of him. And you remembered him.

His voice was quieter than he intended when he finally spoke again. “I never thought I’d find you.”

You stepped closer, a soft smile forming on your lips. “Neither did I. But… here we are.”

The warmth in your eyes was something he hadn’t felt in so long. It made the walls around his heart tremble, threatening to crumble. He wanted to say so much, to explain the years that had passed, to tell you how unworthy he felt—but none of it mattered in that moment. You were here, and you had dreamed of him, too.

Perhaps, despite everything, he still had a chance at something real. Something good. And for the first time in his long, fragmented existence, Kunikuzushi felt a flicker of hope.

[thefloatingwriter]

Abt victors being complex - that's why my personal unpopular headcanon is that most of them didn't have positive feelings about Katniss or Peeta. Because let's be real for a moment, even if you're the nicest person in the world or the most broken and beaten down by the Capitol and the Games: you would think "why wasn't I enough? Why didnt people care enough about me to riot? Why do I have to go through this hell again? Why did they get to break the rules?" And tbh, KP's naivety as victors, from that perspective, would be absolutely grating, they never really seem to Get It until its too late and everyone else has to pay for their mistakes.

yes!!! this!!!! you get it!!!!!

katniss and peeta never had to go through the normal Victor Experience with the pain of mentoring or victor prostitution or the companionship within the victors. they just don’t Get It, like you said. and that’s not their fault!! the capitol shows these people hanging off capitol citizens arms, oohing and awing at everything in their path every year, fully convincing everyone that the victors are happy. that they want to be here, away from their home and families hanging off of strange men and women’s arms. they depict the perfect victors, who smile and wave and sign autographs. victors like chaff and haymitch get about five seconds of screen time before being pushed aside because they’re not interesting, they’re not the focus, they’re not complying with the image we are depicting. they don’t conform with the images we are showing to our citizens.

i truly believe that there was no way all of the victors liked katniss and peeta. actually, i don’t think many of the victors liked katniss and peeta. as in, there was probably like two that genuinely liked them. and also, from their perspective, these are the reason they’re going back into the arena!! none of the victors wanted to do that!!!

we really need more complex victors representation in this fandom…

[arkadijxpancakes]

Yes. The Weasleys had too many kids. An analysis. (Part 1 of 2)

Everyone who read Harry Potter read about the prejudices regarding the Weasleys: They all have red hair, are poor and have more kids than they can afford. Insert a sneering Malfoy here.

The books were adamant that that was not the case. The Weasleys are depicted as the best family in the books. (Just look at the others. The Dursleys were narrow-minded, bigoted and abusive. The Malfoys were bigoted terrorists. The Lovegoods were weird. Let’s not even start about Merope and Riddle.)

However, if you look closer, the prejudices have some truth to them: They had more kids than they could afford. However, money isn’t the issue here, not really.

Yes, the Weasleys are clearly depicted as members of the working class. They don’t have much money and fall back on second-hand stuff a lot of the time. Ron in particular is shown to be using hand-me-downs in book one.

However, they don’t live in abject poverty. The family owns their own home on their own land. They have a garden to grow their own vegetables and they have chickens. This means that food scarcity shouldn’t be a big issue for them, because they can produce a lot of it on their own. (Magic should make this even easier, because they can use it for the gardening stuff. And if we assume that you can duplicate food, this should keep everyone well-fed.)

The main issue when it comes to money isn’t that they don’t have anything. They have clearly enough money to stay comfortably over water. They just don’t have enough money to buy all the fancy shit the wizarding world uses as status symbols. (Like racing brooms and dress robes.)

Could things be better, money-wise? Sure. But one can have a loving, comfortable childhood, even with second-hand clothes and working class food. So no. It’s not about the money.

It’s about time. 

And it's also about how the parents divide that time (and the work that comes along with it.)

The Weasleys follow a family structure one would expect from a muggle family of their time (the second half of the 20th century): Arthur is the one who goes out to work and earns money, while his wife Molly is a stay-at-home-mother who takes care of their home and kids. It’s also just their nuclear family that lives in the burrow. There are no other relatives (no grandparents and no aunts or uncles, either) living there.

I find this a little bit weird, tbh. The nuclear family (parents and kids) living alone, without any other relatives and with the father as the sole breadwinner, is a pretty new development. The practice only really established itself after the Statute of Secrecy went into effect. It developed first in the upper classes (who used this to flaunt their wealth) and in urban centers (where there was no space to live together with your extended family.) Before this, living with one's extended family was very common, especially in rural areas, where it was beneficial to stick together. The Weasley’s don’t really have a reason to live as a nuclear family. There is no need for wizards to follow the Muggle trend, and things were different before the statute. Living with other, adult family members would also be beneficial, especially for Molly. And the books do suggest that the extended family is quite large, so “They don’t live with other relatives, because they don’t have any” doesn’t fit their situation either.

This is a common theme for Rowling, by the way. She tends to ignore the extended families of her characters, whenever it is possible. The numbers of grandparents, aunts, uncles and cousins that get mentioned in the book is incredibly low. (The only character who seems to have close connections to his extended family is Neville – and that’s because the other members of his nuclear family are completely absent because of health reasons.)

Anyway. When we look back at the Weasleys, this leaves Molly basically as a tradwife. (Minus the religious baggage.) But let's start at the beginning. 

(Note: I will focus on the books in this. I don’t consider the games canon and will not use them as a source.) Arthur and Molly were born around 1950. We know that he went to Hogwarts from 1961 to 1968. They were close enough in age to start a relationship while still at Hogwarts, and they married shortly after graduating. For this to work, she must have been in his year or maybe the year below or above.

Bill was born in 1970 and was followed by six siblings, the last who was born in 1981. So from the age of ca. 20 to the age of ca. 33 Molly was either pregnant or nursing at least one baby at any given time. (There might have been a short break in that pattern between Charlie and Percy, but it only got worse after that.)

As I said before, Molly and Arthur seem to have a very traditional division of labor between them: He works at the ministry and earns money, she takes care of their home and kids. This means that Molly has drawn the short end of the stick.

While Arthur is working one job 9-5, Molly has to work three jobs and at least one of them is 24/7. Let’s pick them apart:

Her first job is to take care of the home. Molly cleans the house and does the laundry. It is also very likely that she is not only responsible for cooking, but for food production in general. This means that she takes care of the garden and chickens. This would be pretty exhausting, if not for her magic. She can likely cut down on time and effort by using magic for most of those tasks.

On top of this, she is also producing at least some of the clothing her family wears. We don't see her sewing, but she knits a lot. She is using magic for that, too.

Her second job is to raise their kids. Molly is their primary caregiver and does most of the parenting. This is a difficult job to begin with, but there are seven of them. This is where her workload starts to stretch her thin. It can’t be easy to do the laundry, while Ginny needs to be fed, Bill and Charlie are arguing in the backyard, and the twins have just vanished. Magic is less helpful here, because a lot of the work requires her to interact with her kids. She can’t really flick her wand to speed that up.

On top of that - and this is where things get even worse - there doesn't seem to be any kind of elementary school in Wizarding Great Britain. At the very least, the books do not mention any form of primary education and Hogwarts seems to be Ron’s first school. But Hogwarts still requires its students to be able to read, write and do math. Having some education about the Wizarding World couldn’t hurt, either.

However, someone has to teach the kids. And this someone is probably Molly, because Arthur is at work, and they don’t have the money for a private tutor. They cant sent their kids to an elementary school, because there is none. (And they obviously did not send them to a muggle school.) 

So this is her third job. This is another job she can’t really speed up with magic, because she can’t hex the knowledge into her kids’ brains. (Or at least I hope she can’t, because everything else would be disturbing.)

This means Molly has to take care of their home, produce their food, take care of their kids and teach them elementary school-stuff. All while being pregnant and/or nursing for circa 13 years straight.

Her workload just isn’t doable for a single person. It might have started off okay, when she only had Bill and Charlie, and it probably got better once most kids had left the house to study at Hogwarts. But the years in between must have been hell. And she did not really have any help to do it.

Arthur was off to work most days and seems to spend quite a lot of time on his hobby. Additionally, he just doesn’t seem to be all that involved as a father and seems to take care mostly of the fun stuff. 

His parenting style is much more relaxed than Molly’s, too. He’s probably the parent the kids go to when they want to do something their mother would say no to. This, of course, makes parenting even harder for her, because she doesn’t just have to deal with the kids, but also with Arthur’s parenting decisions. There are no other adult family members around to help her, either. They also don’t have the money to hire help. (No wonder Molly dreamed of having her own slave house elf. It would have allowed her to drastically reduce her workload. It’s a really disgusting wish, but I understand where it comes from.)

This is where the family dynamics probably took their first severe hit: It’s very likely that Molly’s workload left her with more work than she was able to do consistently. Whether Arthur pulled his weight in that regard is questionable (and he was at work for most of the day anyway.) She also had no other adults to help her, so she probably offloaded her workload elsewhere: her kids.

Yes. I think it is very likely that the Weasleys parentified their kids, especially Bill, Charlie and Percy. We don’t see it with Bill and Charlie, probably because they had already left the house when Harry meets the family. Still, it’s a little weird that both of them went to live so far away from home. Yes, sure, exploring tombs in Egypt and taming dragons in Romania is fun and exciting in and off itself – but being so far away from home that mom can’t rope you into household chores and babysitting duty is probably a really nice bonus. It would also relax their familial relationships quite a bit, because moving away gives them control over when and how they want to engage. (And it’s probably easier to be the fun big brother to your younger siblings when you aren’t required to watch and control them every day.)

We do see it with Percy, however. He looks after and take responsibility for his younger siblings a lot, especially at Hogwarts. You can see it in the way he looks after Ginny and how he’s constantly at odds with Fred and George because they refuse to follow any rules.

Fuck, he still does this after the big row with his father. Yes, the letter he sends to Ron is pretty obnoxious, but he still wrote it. He did not need to. At that point he had cut all contact, after all. He clearly cared for his younger brother and wanted to look out for him, even if he did it in the most annoying way possible. It would be interesting to know whether he also wrote to Ginny or the twins or not.

Also, did I mention that the Weasleys have too many kids?

They have too many kids.

It’s a numbers game, really. The more kids you have, the more time you have to use for household chores (you need to clean more, wash more, cook more, etc.) You also have less time to spend time with each kid individually. This is especially true for quality time – so time that isn’t spent on chores or education. Time that is spent playing and talking with each other, just to enjoy each other's company.

Molly is already working three jobs. She doesn’t really have any opportunity to spend time with her kids equally. She’s too busy looking after the home and teaching the older ones, while watching the younger ones and making sure the twins don’t burn the house down. 

I just don’t see her spending quality time with her kids regularly, because of this. It’s just difficult to talk with Charlie about his favorite dragons or read something to Percy or to play with Ron, when there is always someone else who needs her more. Full diapers. Empty stomachs. Unyielding stains of unknown origin on Arthur's work robes. A sudden explosion on the second floor. And probably everything at the same time and all the time.

So yeah. Chances are that her attention and her affection can be pretty hard to come by at times. (To a certain degree, this also applies to Arthur, because he is away from home so much.)

Let’s look at the timeline.

It probably starts pretty harmless:

1970 - Bill is born, and he’s the only kid for two years. Yeah, it’s Molly’s first child, and she is a really young mother, but she is a stay-at-home-mum, and it’s just one kid. It’s mostly her and Bill who are at home, and her workload isn’t all that big, because she can use magic for most stuff. The war has started, but it probably hasn’t kicked into overdrive just yet, so this shouldn’t affect her too much either.

1972 – Charlie is born. Molly’s workload is expanding, but things should still be pretty manageable. Also, they don’t have another kid for almost four years. This allows Molly to adjust to caring for two kids. She can also relax from both pregnancies and births. If it wasn’t for the war, this might be her favorite years as a mother.

When Arthur is involved in parenting Bill and Charlie, it’s probably on the weekends. I can imagine him taking them out to do fun stuff, so their mother can get some rest. It’s probably a great time for him, because he can bond with his boys. I can’t see him do much more than that, though. Molly has a handle on things, and interfering could be seen as overstepping.

1976 – Percy is born. This is probably the moment, where the attention-distribution in the family gets a little bit wonky. Molly has three kids now, and it’s the middle of the war. Bill is almost six, which means that she has to start teaching him, while simultaneously nursing Percy and keeping Charlie entertained/away from trouble. This is probably still manageable. She can wait a little longer with teaching Bill, so she can teach him and Charlie together. She can also hand him (and maybe Charlie) over to Arthur, so he can teach him/them on weekends.

Additionally, Arthur is probably still taking Bill and Charlie out for some bonding-fun-time. However, the war is in full swing now, so leaving the house gets increasingly dangerous. Their trips will get shorter and stay closer to home. They will happen less frequently, too. He will also end up working more because of the war, doing overtime much more frequently. When he is home, he is going to be exhausted, as a result.

1978 – Fred and George are born. The attention-distribution in the family falls off a cliff.

This is when Molly's workload starts to become overwhelming. Charlie will be 6 at the end of the year, Bill will be 8. She has to start teaching them, if she hasn’t already. Otherwise, Bill will not be ready when he starts Hogwarts.

And on top of everything, Molly has to take care of the twins. She has to do everything that needs to be done for a newborn – times two.

So her workload explodes. Molly is raising five kids, now. She needs to educate Bill and Charlie, nurse Fred and George, and has to make sure Percy doesn’t fall to the wayside completely. She also has her household chores that aren’t related to her kids. The war is still raging on. Arthur is probably tied up at work most of the time, and when he is home, he’s exhausted. And Molly will be pregnant again in a year. (Really, why do they have so many kids during a war? One or two, I would understand, but this is getting irresponsible.)

This is probably the time when Bill has to take over at least some chores, not just to learn how to do them, but to take some pressure off of his mother. This might not be parentification yet, but it will get worse over time. I assume he has to look after his younger brothers a lot.

On top of all that, it is increasingly hard to shield the kids from the war. At least Bill and Charlie are old enough to understand that things are really, really wrong and scary. And there is not much Molly can do about it.

1980 - Ron is born. The twins are already old enough to open cupboards. Molly is not having a great time. She probably hands over Percy to Bill and Charlie (“Go, play with your little brother!”), so she can take care of baby Ron while keeping an eye on the twin shaped chaos that is growing by the day. She will be pregnant again in a couple of months.

Bill (who will be 10 at the end of the year) and Charlie (8) still require teaching. Percy (4) isn’t old enough just yet, but he will be, soon. (And, let’s face it: It’s Percy. Chances are that he wants to learn, even now.)

The war is still in full swing. Arthur is still overworked and underpaid. Everyone is tired and scared. This also affects the kids. There is probably a lot of pressure on Bill as the oldest brother to watch over his younger siblings, to make sure all of them stay safe. They don’t spend much time outside their home, because it’s just too dangerous to do so.

Around 1980/81 is also the time when Molly’s brothers Fabian and Gideon die. (Gideon can be seen in the photograph that was taken of the Order before James and Lily went into hiding, so he was still alive back then. But we know that he dies soon after the photograph was taken.) Molly never talks about her brothers in canon, but this must have been horrible for her.

1981 – Ginny is born. They are seven kids now. Fabian and Gideon will be dead by the end of the year (if they aren’t already.) Molly’s workload is at its peak, while her ability to pay equal amounts of attention to her kids is at an all-time low. She’s grieving, the rest of her family is in danger, and Arthur is stuck at the ministry. This means that she will likely lean on Bill’s support even more. As Charlie is 8 now (and will be 9 at the end of the year), Molly might consider him old enough to help, so he might see an increase in responsibility, too. At this point, we are in parentification-territory.

With each day, the twins grow more into the troublemakers we see in canon. This sucks away attention and affection from their siblings (simply because they need to be watched and disciplined).

I think the following years are very formative for the family dynamics between the kids. It’s probably less pronounced for Bill and Charlie (who are stuck with chores and babysitting-duty and will leave for Hogwarts soon-ish) and Ginny (who gets more attention because she is the youngest child and only girl). It’s worse for the others. Percy, Fred, George and Ron are basically in direct competition for their mother's attention. I think the dynamic develops as follows:

Fred and George are active and pretty extroverted. They explore a lot and start to play pranks on their family members. This is overall harmless, but Molly has to pay attention to them, to make sure that no one accidentally gets hurt. From this, the twins learn that they can get Molly’s attention by causing trouble, so they will lean into it even more.

This sucks away attention from Percy and Ron. It causes Percy to veer hard into the opposite direction: He tries to gain Molly’s attention by following all her rules and fulfilling her wishes. This earns him her affection and will turn him into her golden child in the long run. It will also put a strain on his relationship with the twins, because Molly compares them a lot, especially when angry. This will cause Percy to perform the “Good boy”-role even harder (because he doesn’t want to be treated like the twins), while they start to resent him on some level.

Ron on the other hand is still too young to affect the family dynamic on his own. He internalizes that his mother cares more about his siblings and that there is nothing he can do about it.

The only good news: At the end of the year, the war ends. This will bring a lot of relief. (It’s short term relief for now, things will need some time to go back to normal.)

However, the end of the war also means, that Percy gets a pet. Either late in 1981 or early in 1982 he (or another member of the family) finds a rat that is missing a finger on its front paw. Percy keeps him and calls him Scabbers.

We all know who Scabbers is, of course. I just want to highlight how fucked up this situation is. Percy is 5, when he adopts him. Because he was a little kid, he probably took him everywhere without a second thought – into the bathroom, into his bed, you know, everywhere. There is probably no part of Percy’s body Scabbers hasn’t seen. Percy probably told him everything, too, all his worries, all of his fears. It’s just creepy.

And keep in mind, Scabbers – Peter – is not just a random wizard. He is a Death Eater and mass murderer. We don’t know if he ever hurt Percy (there are fanfics that do explore that possibility). He probably didn’t, but the idea alone is nightmare fuel.

To get this back on track: This could have impacted the sibling-relationship, too. It depends on whether the other kids were allowed to keep pets.

With that, we are done with the war and with Molly’s time being pregnant. The family dynamic is already fucked up – and it will get worse, as the kids get older. However, this post is long enough, already. So we’ll take a break here. Next time, we will look at how the dynamics shift, once the kids start to go to Hogwarts. See ya!

[cool-island-songs]

Analysis of ALNST Character Relationship Metrics

My art book won't be here for a minute, but I ran some screenshots I saw on twt through an image translator and have a lot of thoughts:

TILL: Despite claiming to hate everyone in the world, Till ranks Ivan at 70% intimacy even as he identifies perturbing behaviors of Ivan's going back years and refers to him as "a bother". He also ranks Sua at 10% in spite of having little to say about her and finding it uncomfortable to be around her.

Though he postures at being misanthropic and has all the manners you'd expect of a boy who was half off at the human child pound, he's actually quite gentle and sensitive. This is reflected in one of the graduation messages he's left by a classmate as well:

The person he feels closest to is an unattainable crush, and someone who doesn't feel that close with him in return, likely because he's too shy to really approach her or carry on a conversation.

MIZI: That's Mizi, of course, who's rather childlike and naive initially. She likes everyone, but since Till chokes when he tries to speak to her and often keeps his distance, she wonders if he's avoiding her because he dislikes her.

Mizi gravitates towards people who she sees as "perfect", which is how she describes Ivan and Sua in her graduation message to Ivan:

She doesn't see the darker side of Ivan's personality (which has been described on several occasions, even by himself, as "twisted") because he's attractive, successful, and helpful to her.

Though she likes everyone, Sua is her "God", and the only thing that can keep them apart is the tragedy of their situation, which forces Mizi to grow up in a brutally painful way.

SUA: Sua is far less idealistic and naive than Mizi, and has clearly thought about sacrificing herself to save Mizi, since Ivan picks on her for thinking of doing so in an official comic. Accordingly, her feelings about Mizi are far more tinged by the knowledge that they will one day be torn apart by external circumstances. She laments that reciprocating her feelings will one day cause Mizi great pain.

She's always been more somber, and despite her surface similarities to Ivan (which he notes in a follow-up comic wherein he realizes he was wrong about Sua's feelings for Mizi being unrequited), she's quite different on the inside. Sua's more sensitive and thus her colder exterior serves to protect her, whereas Ivan's outward persona creates an illusion of normalcy that doesn't reflect his reality.

Sua views Ivan and Till as a threat and a nuisance, respectively. Like Till, she senses something strange about Ivan, and when it comes to Till, it's just one person too many around for her. This is fascinating to me, because I thought she might pity Till! Her feelings about Ivan were already pretty clear from this panel of the 'piggyback' comic, and she seems deeply hurt in the first comic linked by his prodding.

IVAN: For his part, Ivan is fascinated by Till even though he's content to sit back and observe, pestering him to get a reaction or his attention for a brief time. He doesn't expect anything in return but wants more than anything to be on Till's mind (hence behaviors like stealing Till's belongings and returning them to him, pretending he had found them).

He prefers Sua to Mizi despite his awareness that Sua doesn't particularly like him, seeing her as a sister and even telling her she's "twisted" like he is. He likes Mizi well enough, especially her sincerity, but seems to find her optimism a bit much at times.

The fact that Mizi and the others would likely consider Ivan and Mizi quite close while Ivan does not reflects how much he postures even in his closest relationships. He struggles to connect with those he's most compelled by and it's not clear if he really wants to.

Some Ivantill thoughts before I go:

There seems to be a common sentiment that it's tragic Till was unable to see how much Ivan loved him, and I think we'll likely get more of Till's perspective on Ivan and their relationship in round 7. But it may not be the case that Ivan even wanted his true feelings to be seen, or would have known what to do if Till had reciprocated them.

There's something almost voyeuristic and self-negating in his feelings for Till (see: "I can’t reach you, so I imagine alone/You who shines, I stand next to you" from 'Black Sorrow'). He has far more self-awareness and willingness to accept things as they are than Till, who doesn't see that Mizi only has eyes for Sua and who would likely struggle to accept that reality.

Ivan, on the other hand, is well aware that his feelings for Till are "shallow", a bright fantasy to get him through his dark reality, and he seems to sincerely believe that his death won't scar Till because he's never really broken through to him. He's a schemer, and comments he makes in his graduation message to Till and the interview he gives in advance of round 6 suggest that he may have been planning to sacrifice himself for some time.

Part of me wonders if he hoped it would leave a mark on Till. Choking, kissing, and violently sacrificing oneself are all aggressive, forward acts, especially from someone who used to toy with people to get his kicks but was otherwise quite passive and unfeeling.

There are a lot of parallels in the one-sided loves, like Till acting out of his usual character for Mizi, and Ivan doing the same because of Till, putting all hopes of being saved in something just out of reach, staying in chains for that one special person. But Ivan's psychology is quite different from Till's, and in fact closest to Luka's re: low or no empathy. Both Ivan and Till are significantly traumatized by their upbringings but Ivan's difficult early life in the slums and his experience being dangled off that rooftop seem to have damaged his ability to connect to others or feel much of anything.

Till is the first person for whom he feels anything while for Till, Mizi is an early crush he puts on a pedestal in a much more commonplace way. I think the shared trauma of competing on that stage makes it much more difficult for either of them to imagine moving on, but Ivan is not wrong in identifying that he won't find that feeling again.

The thing that intrigues me most about this series is the way the contestants' differences play out, particularly with regard to how they view love and how they respond to their individual and shared challenges. I'd love to get into it further another time but this is quite long already so thanks for sticking with it if any have (haha)

[farshootergotme]

Imagining an AU where Bruce died instead of Jason...

Yeah, I know Death in the Family movie did it, but I kinda want more of Dick...

Imagining Dick moving back to Gotham, taking over as Batman, inheriting Wayne Industries as well as the guardianship of his little brother whom he barely knows...

Kinda like the Canon version with Damian, but here Dick is much younger, nineteen or twenty, and there are way less Bats to rely on or wrangle. Dunno if even Babs was there.

It's Dick, Alfred and Jason, all of them mourning, trying to get through it ...

Dick trying to deal with having Jason as his Robin, Jason hating himself for what happened and reacting by lashing out at everyone, especially Dick, Alfred overwhelmed by the mess... Dick working himself practically to death trying to handle Gotham's surge of Rogues...

Barbara was introduced as a character way before Jason, but their relationship wasn't as close as it is now, so I don't know how willing would be Dick to rely on her.

That aside, I love the idea. But Dick sure wouldn't. So young yet so old at the same time with all these responsibilities on his back... Since during this time he was part of the Titans, I feel he could lean on them from time to time, but I know Dick tends to try to shoulder everything on his own when things get tough.

Jason would definitely grow to be more angsty and closed off after Bruce's death, specially if he considers it being his fault if Bruce dies for the same reason he did originally.

Dick and Alfred would have to work pretty hard to get Jason to open up again and feel happier despite the situation. Everyone would be so stressed...

But I think with time things would get better. Alfred, with Dick and Jason's company, would feel less lonely, even though his son is gone. Dick would get used to the weight of the cowl, but I don't know if he'd ever grow to be fond of it, since being Batman was the last thing he wanted, specially during his early years as Nightwing. Jason... He'd have the hardest time accepting what happened. There'd be a lot of denial and anger, I think. But with the support of his brother and the reassurance of Alfred, he'd learn to accept it.

And back to the Titans, at first maybe they'd have a hard time getting Dick to let them help, but after a while Dick would welcome them and allow them to support him during all this. They won't leave their leader alone, and they will make sure to show him he isn't alone.

I don't know if Dick would forever be Batman or if at some point he'd be able to move back to being Nightwing, but would love to see how that'd play out.

Also, I wonder how that'd change the family? Since now most of them would probably join in different circumstances, and some might not join at all.

A lot to think and a lot to consider.

Thanks for the ask, anon!

[dunmeshistash]

Dear Meshi Master, is Marcille despite being much older, wiser, more experienced, more serious about studies and career (I mean this very kindly) less mature than the Toudens? In the sense that she needs hugs, praise and reassurance which she was not getting w/ Falin gone (Laios tries but he's not comfortable giving hugs). I think about this when she's crying her eyes out and/or hugging someone like a baby koala.

I think maturity level is something hard to quantify, people "mature" differently depending on their life experiences and especially in Marcille's case as a half-elf it's pretty inconsistent

There's also a difference between being someone smart/wise/responsible and having emotional maturity (or emotional intelligence idk). I'm not that knowledgeable in the subject and Marcille still has lots of growing to do in the emotional side but I don't think she's really that immature.

Needing hugs praise and reassurance and I'll even add the fact she keeps toys and is invested in fictional characters, I don't think those make her immature, tbh some people like Shiro who bottle up things instead of letting it out like Marcille could be considered more immature. Look at how Izu reacts to Marcille letting her emotions show.

Izu is still very young so she doesn't have the "emotional maturity" to deal with someone who wears their emotions so genuinely like Marcille (She's trying tho, very cute). In this situation I think Izu is the more immature even tho Marcille is crying out like a baby, cause Marcille is allowing herself to feel what she's feeling while Izu isn't equipped to deal with those feelings properly.

I think there's some aspect she's still working thru tho (which I don't think there's an specific age where you're supposed to be done working thru) and the others aspects to me seem more like parts of who she is, she cries and hugs and wants words of affirmations but it's not like that side of her impacts how she deals with important things. Marcille can be serious and calm when the situation asks for it, for example when Senshi is taken by the Griffin Marcille manages to calm down enough to think of something while Laios is in full panic, he relies on her when he can't deal with things himself.

And after that she fully takes lead of the situation. She's whiny and a crybaby but she's still "mature" (whatever that means) if you ask me. There's several other examples but it's easy to tell if you compare with how the younger characters like Izutsumi and Pattadol act.

Hopefully this makes some sense, I'll admit I don't really understand what is being "mature" or not, it's something that feels pretty arbitrary to me.

Edit: just to add, I do think Marcille has a childish side to her and that it is part of her character, her childhood had lots of inconsistency and trauma associated and she even gets the childish ear warmers in her dungeon lord outfit. That's the part I mean when I say she still has things to work thru due to past trauma and she's also just young in general.

[quasarzt]

various roleswap sketches :)

I caved and made the brothers villains too. i’m thinking they’re corrupt tv show hosts! various things they get up to includes kidnapping animals and making road side zoos and circuses. together, they have show personas that tell the world that they’re doing this for the animals, that they’re teaching the world, but in reality, they’re exploiting animals. So their main crimes include animal neglect, animal cruelty, use of endangered animals, etc. It’s just show biz to them.

Basically my entire Roleswap AU utilizes what makes that character special, and essentially just saying, what if the situation was different? What if they used these skill sets for something else? Thus, you’ve got Villain Kratt Brothers who know stuff about animals, but refuse to take knowledge from others or learn more about animals outside of what benefits them. Theyre exploiting animals for their own gain. Aviva is like canon Zach, bitter and her hubris is her downfall, using her chemistry knowledge for animal testing, creating mind altering substances to control animals to do her bidding. Koki has a robotics company, and uses Aviva’s skills and her own abilities to make animal related technology, so she’s a lot like canon Zach too. Jimmy acts as a servant, like Dabio, he’s just a helping hand, who’s also bitter and terrified of the world around him.

[whatdudtheysay]

Context - You're on a boring 'date' with the duke of the north. But a certain someone keeps catching your eye...

Tw - slight nsfw but nothing major.

Note - this series will have switching povs to show inner thoughts of both main leads <3 - might include other important characters.

Credit - @cafekitsune

You sighed softly as you woke up in your large bed, stretching with a light moan.

Another day of pretending to be poised and demure. You got out of bed and stretched once more before heading over to the long and big rope bell in your room.

You shook it tiredly and only 0.5 seconds passed before five different maids entered, two carrying hot buckets of water and three empty handed.

They all curtsied in sync, smiling at you warmly.

"good morning, your highness."

"good morning." You greeted back.

The two with the water moved into your ensuite to prepare your bath while the others went to your huge closet, holding out different dresses until you decided to choose a simple light blue dress. They nodded, offering comments like "excellent choice" and "you'll look amazing in this dress, your highness."

But you've heard it all before. You were then ushered into the bathroom for a bath, the maids helping you undress before helping you into the warm water, their hands helping wash your hair.

It was nice of them to do but you thought it would stop when you were 16. However, your mother insisted.

Luckily, time passed quickly and you were out of the bath. luckily, after you 'kindly' told them to excuse you to dress yourself, they did.

After they left, you laid back on your bed, your towel slightly slipping off. You were dreading today. A date with a duke? He's probably been divorced 4 times and has 7 children.

You were dreading it. But it wasn't like you had a choice. You sat up quickly and pulled on some underwear, your stockings, then your dress and then your jewellery.

After a long thirty minutes of doing your hair and drowning yourself in rose perfume, you finally got up and headed downstairs.

There, you entered the dining room and saw your father at the head of the table, smoking a fat cigar and reading the royale newspaper as usual, your mother beside him, drinking some tea.

"good morning." You greeted before taking a seat opposite your mother.

"Morning, sweetness. Are you prepared?" Your father asked.

"Prepared?" You feigned ignorance, staring at the window as the maids served you breakfast.

"do not play dumb, y/n. It isn't befitting-"

"-of a Princess. I know, mother." You cut her off gently. "But do I have to go on this outing? I know you all want what's best for me but a duke?"

"you rejected 30 princes, 5 imperial knights and an earl. This is for your own good since you love being stubborn." Your dad sighed, turning the page of his paper. "I'm guessing you got that from your mother."

Your mother gave your father a glare before she refocused on her breakfast.

You wanted to argue further but you knew that they'd make the situation worse for you. You hated how your parents acted when it came to your life...

It was your only chance at living and yet you weren't in control. You were just a doll to them... And then you'd be a doll to your future husband. The cycle wouldn't end.

"Very well, then. I shall prepare." You grit out before getting up and leaving your breakfast untouched.

You were walking. You didn't know where but you were angry and you just needed to walk it off before you got yourself in more trouble.

You continued to mumble to yourself, ignoring the different palace helps who stopped to greet you. After almost five minutes, you looked up and realised you were in a deeper end of the palace.

Unsure, you glanced around. Despite living here since you were born, you'd never explored this much. You weren't allowed to. Funny.

You continued going deeper. At least if you got lost it would give you an excuse to hold off on the date with the duke. Eventually, you found a room at the end of the hall and pushed it open, revealing a large hall.

"woah." You audibly mumbled. It was so big. A bit smaller than the main... You guessed it was a spare....

Hesitantly, you stepped inside and noticed a lot of portraits around. So this was where your childhood ones went. One of you as a baby, a child, then the most recent was from your 18th, just a few months ago.

You were about to let your hand gently brush against the golden frame when-

"A beautiful portrait."

You gasped and turned around to see.... Him...

Lieutenant Fushiguro.

"Lieutenant- what're you doing here?" You asked. Did he follow you? You hadn't noticed... Or heard him.

"forgive me for starting you." He bowed. "The king wants me to guard your date with the Duke...I tried to find you but the maids said you stormed off in this direction."

Oh.... That made sense....

You somewhat calmed down and nodded. "I see. Sorry...I didn't mean to waste time..."

It was a lie. You did.

But you couldn't deny, the view was... Delectable. The view of him in that tight dark blue and cream royal guard attire... The brooches on his blazer, his hair that was slicked back yet somewhat messy...

It was hard to ignore that delicious shiver that kept tingling down your spine.

"It isn't a problem...besides, I'm sure you are...dreading the meeting?" Toji supposed.

You sighed in relief. It felt like he was the only one who wasn't lobotomized around here.

"Finally! Someone who isn't brain-dead. Uh, no offense." You huffed.

He chuckled deeply in a way that made molten heat pool in your lower stomach.

"I'm not sure a woman such as yourself should settle for anyone you find below your standard." Toji shrugged simply, taking a few steps between you, eating up the distance.

You found yourself nodding to his words almost eagerly. How did a stranger manage to see it and say exactly what your heart wanted while your parents believed the complete opposite?

"I'm glad someone understands." You mumbled, glancing back at your portrait.

"Well sometimes you need a change of perspective." He spoke calmly, his voice a lot closer than before.

You glanced over your shoulder, swallowing thickly when you noticed he was merely a step away from you.

Before either of you could speak up, the doors suddenly opened and your father entered. You glanced at toji, then your father, noticing the stare off they were currently having.

"Y/n. Down to the main hall. The duke is waiting for you." Was all your father said.

But he said it in that voice. The voice he used when you were two ticks away from trouble. So, you moved around Toji awkwardly and quickly left the hall, your father closing the door behind you. Curiously, you pressed your ear against the door, overhearing some muffled words but nothing coherent.

"my lady."

You almost screamed at the sudden voice, whirling around to see your lady's maid and friend, Nobara.

"Gosh! Nobara, I told you not to sneak up on me anymore!" You lightly chastised, moving to interlink your arms, hoping your father hadn't realised you'd been eavesdropping.

She laughed softly. "Sorry. But I was told you'd be going out today?"

"yes... Just got a while. I hope." You sighed, remembering your 'date.'

"in that case, should I tell the emperor you'll see him next week?" She asked.

You raised a brow. Satoru wanted to see you? But why?

"I guess so. I'll probably be tired after the outing." You nodded. Now you wished you didn't have to go.

Satoru was your childhood friend before he inherited the Gojo empire. You barely ever saw him because it was situated in the far north and snow was fun until you got frostbite.

But you had to face reality... Before you got yourself into more trouble.

As you walked ahead, you took one last glance at the hall. The bigger part of you hoped you hadn't gotten Toji in any trouble...

ㅤㅤㅤ⊹────⊹ ꯭┄ׁ┄ ʚ͜♡͜ɞ ┄ׁ┄꯭ ⊹────⊹

(TOJI'S POV)

Fuck, it was hot. He was in the carriage with you, staring out of the windows, alert as usual.

But he was also discreetly staring at you. The heat was no match for a royal either. You were lightly fanning yourself, a bead of sweat moving down your collarbone, settling between the deep line of your cleavage.

Fuck. He had already ensured your father biting his head off about being near you earlier and now he was staring at those pretty tits eyes of yours. You kept glancing out of the window and then to your lap. Your fidgeting was making him nervous at this time.

"You alright, princess?" He asked, causing you to look up quickly.

You huffed, fanning yourself more. "Of course I am! I'm just... Thinking about my wonderful future wedding with the duke."

Toji chuckled, causing her to shyly avoid his gaze.

"I'm sure you'll receive many blessings of wealth and fertility." Toji hummed, making you gag.

"Ew, Ew, Ew! Don't!" You huffed, becoming more worried.

Toji sighed slightly. He could tell you didn't want to be bound to some random man and pop out more babies for him. Besides, who knew what the duke would make of the kingdom when your future husband took over.

Sadly, the ride slowed to a stop and toji helped you out of the carriage. He glanced around the large estate. It was....clean, kept...nice. befitting of a royal.

A woman came out, short and she had blonde hair.

"Good morning, I hope the the ride wasn't too eventful." She smiled, mostly at you than Toji.

"Oh, it was smooth, thank you." You replied with a smile as you had been accustomed to.

She led you up the path, Toji tailing behind, ensuring to keep an eye on the surroundings just in case...

They finally got into the estate, moving into the parlour which was thankfully, a lot cooler than the summer heat outside.

But then you suddenly stopped. Toji was a lot taller so he looked over your head and noticed a man sat, waiting...staring deeply into you.

Short silky blonde hair, regal robes and two different brightly coloured eyes. He had a wry smirk upon his lips and an odd look in his eyes as you stared at each other.

Naoya...the duke of the northern region.

Tags ღ - @blobkvna , @byerno6 , @iseeyouuu , @iloveaustinelvisandmannymore , @aloserprobably , @tojislittleprincesss , @meforpr3sident , @someonejasjsj

A/n - by changing povs I mean the story will focus more on one person than another just to lyk <3

Please don't steal or copy my work. None of the art in my works are mine 𓈒ㅤׂ 𝜗𝜚

[masterqwertster]

I so agree, with your thoughts about Ashton!

It's odd, to me, that Ashton in particular has garnered so much hatred. If you look back on all of Taliesin's characters across every campaign, he's ultimately not that different in personality from the others, save maybe Caduceus. Percy, Molly, and Ashton are all people who have been deeply beaten down by the circumstances they were forced into, and they gained a rough exterior to protect themselves because of it.

They're snarky, and try to act aloof to keep people at an arm's length, but at their core, they still have bleeding hearts that love much more deeply than they probably wish they did. In other words, they are interesting, multilayered characters, that don't just have one note. It's strange then, that these same characteristics are so widely celebrated with Percy and Molly, but are treated as reasons to hate Ashton in the same breath.

Taliesin is a master at making characters that make you think, and I think Ashton deserves to be celebrated as such, just as much as the others!

To be honest, I can't speak much of previous PCs' reception since I only got into CR Tumblr around Bells Hells arriving in Yios, but I think the difference is framing.

Taliesin has stated that his through-line on his PCs is the characteristic Confidently Wrong.

I would guess that the reason Ashton is catching flak is because:

a) they've got shit Charisma and Taliesin plays that as Doesn't Know What to Say and/or Doesn't Know When to Shut Up. Which on a disillusioned/cynical punk is... abrasive to say the least. They tell their truths with little to no filter, or much thought at times about how true those things are for others. Meanwhile, Molly and Percy are charming in carny and nobility ways respectively, while Caduceus has a calm, homey charm. Ashton is semi-intentionally off-putting, and pretty constantly cranky to some degree from chronic pain.

and b) Recently, Ashton is Confidently Wrong about a subject any attentive watcher can tag as being wrong and has major consequences on the world if acted on. Like, yes, you don't want a heartless, powerful murderer to push the Doomsday Button. But your group of caring, weak(? not really anymore) chucklefuck friends pushing the button doesn't change its doomsday nature or really make it any better. Also, all your information on what the Doomsday Button does exactly is suspect. I don't think any of the other's Confidently Wrong subjects were so potentially devastating for more than themselves or their parties rather than the globe. It's easier to grant grace when you're fucking over less people.

Now do I wish Ashton would get a clue that releasing Predathos is bad, period? Absolutely. But I also have been watching him and when they get an idea in their head, he tends to stick to it until proven wrong (think the Spark mess. Fearne hesitated last second, Ashton didn't). And the idea in their head right now is: The gods need to leave, their thrones need to be destroyed.

I think part of Ashton's rage at the gods that fuels this idea is wanting someone to blame that isn't himself for his shit life, and finding the gods a good target for blame, as Taliesin has mentioned on 4-Sided Dive before. And I think part of it is that FCG did a lot of proclaiming to be on the anti-Ludinus/Predathos stuff to save his goddess, and then he died as part of their missions, and then Ashton was shown a video about how the gods absolutely will sacrifice their followers to save their own asses. Which is kind of the situation FCG died in, if you slant it a bit and act like FCG wasn't mainly choosing to save their friends in the moment rather than the gods long-term. So it probably feels better to Ashton to throw some of that anger about FCG making the sacrificial play that he's been trying so hard to prevent at the gods who FCG was trying to serve.

And I get that not everyone wants to do the analysis on why Ashton is picking the path he is. That they don't want to take time to acknowledge his lack of social graces and the bias of his views, and would rather just get to attacking the faulty, insensitive rhetoric Ashton's spouting at the moment. But like, there's reasons Ashton is the way they are, and it doesn't hurt to acknowledge them even as you hard disagree with what's being said or strived for.

[stxrslut]

I think the reason why so many people hate dark content is because they don’t understand it.

Incest for example has been a big topic on this side of tumblr as kinktober approaches and a few writers, including myself have mentioned it.

why is writing incest bad? It’s not, up front. the moment it becomes bad is when you romanticise it. the same goes for other dark topics, for example necrophilia or blatant rape.

acknowledging that these things exist is not a bad thing, and neither is acknowledging that there are certain people out there who do it. it is a horrible truth that nobody wants to exist, but it does.

using the infamous rafe cameron as an example, why would you want to read an incest piece about him?

rafe is a complicated character, and a very bad person. a lot of writers don’t like to take that into account. I’m sure we’ve all seen many works where rafe is portrayed as a sweetheart, a perfect husband who cares and would never do anything to harm you.

this portrayal of rafe has become the norm for many people on this platform. and so upon seeing dark content, they are trying to imagine it with this completely different character. the version of rafe that is romanticised.

when we write this content we don’t write it with that rafe in mind. we don’t want to be with this version of rafe that we’re writing, this is a bad character and we absolutely recognise it when writing him.

of course, as mentioned there are people who are imagining it with romanticised rafe, and also assume that was the rafe it was intended to be written with.

if that was the case then writing this content most definitely would be bad.

but why would we write dark content with a reader insert if we didn’t want this to happen to us? what is the point? that’s a valid question.

primarily, self insert or ‘x reader’ is just the format that we write in. even though we may be imagining our name and or face it’s not necessarily us. reader is just a character, let’s use puppy!reader for an example, she has her own characteristics specific to the reader or character. I don’t think I am puppy reader, but I love to use her character to write a reader.

self insert and second person writing is also a very good way to explore the thoughts, feelings and actions in a character in very great detail, which a lot of writers very much enjoy doing.

this is also another misconception that people make. because in some of the situations the reader goes along with / wants these things to happen, which is very easy to mistake for writer wanting it too.

so now we know that self insert does not mean desire. but even if we don’t desire this, why do we write it?

there are many reasons. one is character analysis. there are plenty of bad characters out there, and they would do that. we are simply acknowledging that.

we like to explore complexities and nuances of characters. this character would want to do that and so how would that play out? who would it be with and what would the feelings and emotions be? it’s interesting to explore darker parts of different characters.

another reason is trauma, to people without it that sounds ridiculous. but people with trauma in these kinds of situations may find comfort or control in reading about it in a safe environment.

I have a lot of childhood trauma, and there are certain pieces of writing centred around that kind of thing can really help me to think about it and help me to control the way I think about it.

now there are some aspects of dark content that we may say we “want”, but that is generally misunderstood.

let’s use a sentence I have said many a time, “I want rafe to fuck me with a gun”. no, I absolutely do not.

I am into humiliation and power play, I also enjoy a little bit of fear and pain in some circumstances. in a safe environment, for example, a fictional one, a gun would be a perfect way to do these things.

obviously in real life I wouldn’t let anyone come near me with a gun. it’s all about interpretation and understanding of safe environments.

when I’m reading a fic where gun play may be involved I read about the humiliation and power play and all sorts and think oh fuck that is sexy. because it is, in this very safe place where a gun is not going to harm me or anyone.

the same goes for lots of other forms of dark content. we might not necessarily want the exact action, but more the sensation or feeling that comes with the action.

but why would we write it when people are going to be triggered by it?

simply put, that is not our problem. I haven’t ever come across a piece of dark content that wasn’t correctly labelled and warned.

I’m not responsible for anyone else’s media consumption, if they choose to ignore my warnings it is entirely their fault.

also, free will exists, if someone decides they don’t like what they’re reading they can simply close the piece, stop reading.

in a nutshell, if someone who writes dark content is 1. not romanticising it and 2. labelling it correctly, you don’t have a reason to target them.

learning to distinguish between dark content and predatory content is so important so we’re not attacking the wrong people.

please stop targeting writers who write dark content when there are people out there who genuinely are horrible who we do need to be targeting. focus your attention on the real issues.

[bozers]

Random Mk character headcanons Pt.1 THE MENFOLK

Raiden

Sweaty. Sweats like a mf even when he isn't working. Has to wear undershirts to combat the waterfall coming off him.

Never struggled with anger issues until becoming a champion and getting the amulet.

Secretly a bit freaky. Is down for pretty much anything eye emoji

Reiko

Has a mild ED. Was worse when he was younger, but he's getting better about it. Used to hoard food. Struggles with body dysmorphia due to unrealistic expectations, comparing himself to Shao ( a completely different species...)

Allergic to cats.

Loves the ocean. Dreams of one day owning his own boat to take out sailing whenever he wants.

Kung Lao

Weirdly enough? Introvert. Raiden is one of very few people who doesn't deplete his social battery.

Struggles with bouts of depression. Self medicates with Marijuana.

He is incredibly secure in himself and none of his confidence is an act. That doesn't mean he can't get discouraged sometimes, but he won't try and hide disappointment behind false smiles.

MOAR BELOW vvvvv

Johnny Cage

Struggled with contamination OCD tendencies all his life and coped using substances. His lifestyle is in direct conflict with his illness and it acts like immersion therapy in a way.

Cancer runs in his family so he is vigilant about getting screened once a year.

Life in Hollywood almost crushed him into an apathetic cynic, but somehow, he has managed to stay hopeful if not a bit delusional at times. His hunger for recognition rivaled only by his boundless curiosity.

Smoke

He had a tongue ring for many years and wants to eventually get a tattoo but can't settle on a design.

Can "Slav Squat" and isn't shy about showing off to friends.

Struggles with unhealthy attachment styles.

Rain

Is actually an extrovert. He may think himself above others, but he still requires validation and gets sad if he doesn't get to talk to those close to him.

Iron deficient

If he had never been appointed as High Mage, he would have gone on to teach magic theory at the academy.

Geras

He may be immortal, but that doesn't mean he just sits in a room all day. Geras is endlessly curious, as this is a core part of his very being. Observing and learning new things is both his primary function and an endless font of joy.

He knows how lonely Liu Kang is. Knows that even he can't fill the void left in his masters heart. Time for him is just a function, whereas for Liu Kang, it is and endless road of isolation

Will search up humans in funny situations on the hourglass to watch. It's like his version of FAILARMY.

Liu Kang

Is and has been incredibly lonely for eons. He really thought he would fill the void after reuniting with his old friends, but the feeling isn't the same. They don't know him. Not really.

Once he found a way to connect to his Titan friends, he visits them often. Being able to talk with Lord Raiden again alleviated the strain on his heart tenfold. Reuniting with Kung Lao, (his boy, his bro!!) has also helped give him hope for the next few eons. Same goes for Kitana. (She was the one to find him again after the dust settled.)

His brother is alive in his timeline. Of course they have no relationship, Liu choosing not to intervene due to fears of drawing danger to him. Instead of becoming a shaolin monk, Chan lives happily in the united states as an Ice Road Trucker.

Shang Stung

Has BPD and narcissistic personality disorder. This severely impacted his ability to live peacefully in society and pushed him to grifting. Taking advantage of others was less exhausting than pretending to be a friendly employee to some shopkeeper.

He is half human. Shang's mother traveled to outworld during the last tournament 100 years ago. She was a servant to Liu Kang's champions but ended up running away with a disgraced Edenian.

Doesn't identify as a specific gender, especially after learning shapeshifting. Will often times swap between whatever he feels like that day.

Syzoth

Double jointed and hyper flexible. Shang Stung had to find a way to control him other than shackles, cuz he could always slip out no matter how tight they were.

He is very at ease around children, and falls back into dad mode immediately. Is also a purveyor of terrible dad jokes.

Has Gilberts Syndrome. His species use of bile/acid attacks puts a lot of strain on his liver. Due to his rough living, he didn't get adequate nutrition and now his body struggles to keep balanced out humors.

Only needs to eat once a week, but will happily snack if something tasty comes across his path.

Shao

Has no biological children. Despite his family's standing and pressure to continue the prestigious line, Shao has never taken a wife. Multiple concubines and bastards, but no wife or suitable heirs.

He doesn't view any of the young men and women he mentors as children, just tools. Even though he saw himself in young Reiko, his affection is entirely dependent on his loyalty. Reiko is more of an extension of himself, a way to overcompensate for what he lacks.

Has IBS.

Kuai Liang

He left the Lin Kuei a few years after Tomas was adopted. At odds with his father at the time, he left to go live with their allied clan: the Syrai Ryu. He was born a cryomancer like Bi Han, but chose to pursue pyromancy to distance himself from his lineage. Though able to wield fire, he is still weak to it. When he finally returned home, his father welcomes him back like the prodigal son he was. Bi han deeply, deeply resented this.

Got his tattoo in Hong Kong while he was totally plastered (not a reputable place. They even got the tattoo wrong lol)

Unreadable poker face. DO NOT play cards against this man.

Kenshi

Was forced to drop out of high school to support his family when his older brother was killed, and subsequently got wrapped up in yakuza shit. Has since taken his high school equivalency test (GED) and passed with flying colors

Is addicted to caffeine.

LOVES holidays! Especially Christmas. He may not get all his friends gifts, but the ones he does give are very well thought out and personal.

Bi Han

Doesn't take care of himself or maintain his appearance very well. But he basically won the genetic lottery so it's not that noticeable.

Has a type A personality and is a perfectionist. But he is actually a very gracious person at heart, and will silently shoulder the brunt of responsibility to spare his brothers.

Was happy to mentor Tomas when he first arrived, even though Kuai and Tomas had the stronger friendship. His attitude changed, however, when Tomas choose to stay after Kuai ran off. Instead of seeing the loyalty of Tomas's decision, he saw it as a shallow way to win his fathers favor.

(he couldn't see it was actually jealously. That Kuai could have a choice to leave but he didn't. Tomas had an actual valid reason to want to leave, but he is the one remaining? Bi Han has big feelings and does not process them well )

Quan Chi

Once he started losing his hair, he decided to go bald.

Much prefers to spend his time in the Netherrealm. His dominion there is near absolute, and he would much rather be in the company of those subservient to him. He doesn't see anything wrong with this dynamic, believing this the superior to mutual friendship. (this is laughably hypocritical given his relationship to Shang mf Tsung)

Indulges in all kinds of delicious foods. Sweets, fine drink, rare cuts of meat- the works. Even if he dislikes it, he will eat it anyway just for the sake of it. He made himself ill by eating an entire box of chocolate once.

Havik

Was born in secret to slave parents. They hid him from the government for as long as they could, and so he was able to live a relatively carefree childhood. Other's his age, and of unsanctioned birth, would be seized by the state and put to work as soon as possible.

Fierce passion aside, Havik is very introspective. When not fighting, he often sits in silent contemplation for hours at a time. Before his mind begins to degrade from the blood magic use, he would sit and scrutinize every action he took.

Unlike Quan Chi, Havik cannot bring himself to indulge in luxuries. He feels tremendous guilt given how many of his people are still unable to enjoy even the barest bit of comfort.

He leaves his dick and balls at home for safe keeping.

[justcallme-ange]

still talking about other au versions of characters, what would you say the difference between each version of rivals duo is that most people don't pick up on right away? the more subtle differences between them. - loyal

In the ChildhoodFriendsAU the Rivals are a lot closer than any of the other AUs I have. While Phil and Techno have a ton of synergy between the two - being mentor and mentee, Techno and Dream are on a different level. Maybe it was surviving for so long together without a common language, or just growing up together, but they're basically seamless when they're together. Like you know sibling telepathy where just a quick glance back and forth speaks entire conversations? In fighting it's almost like there's no opening to attack, where Dream ends Techno begins and vice versa. Basically when you see them walking and talking they're totally in sync.

In AccidentalHumanAU, the rivals are close, but it's a moment in their relationship where it feels very one sided? They're good friends and Dream cares a lot about Techno, but there's a lot of guilt associated with the situation which Dream ends up taking out on himself. He feels responsible and therefor kind of shuts down for a time. I do draw them having shenanigans, and it's kind of light hearted. But in the background there's this undercurrent of almost desperation, Dream feels like he's betrayed Techno, and is just waiting for the shoe to drop. And Techno's trying to navigate this new situation while also trying to bridge the gap that Dream is unintentionally creating. It looks like regular rivals, but there's a distance between the two that you can't see but can feel.

I hope this makes sense and I interpreted your question right? ^^; @simplepotatofarmer

[feathernotes]

Alright Krispy, what is Ghost Junk Sickness actually about? You keep yelling about it- Tell us the deats!

It's a comic about two bounty hunters with an unstable dynamic who are pushed to pursue the deadly and elusive bounty, The Ghost- it's about owning up and self acceptance- and it's queer AF ---> 🧵

We've got our first main player, Alphonse 'Trigger' Elliot, a Bi disaster man who uses a nickname to outrun his ex…well, both of his exes! Determined to run away from responsibility, he gets caught up in vicious bounty hunts and taking care of some strange super powered spiky haired amnesiac

In comes Vahn- an overpowered burger loving enby who can't for the life of them remember what really happened 5 years ago- during the apocalypse of course. They're drawn to finding out who that big scary Ghost is, and hey, looks like they pick up a few romance options along the way!

and BUSTIN' DOWN THE DOORS is Boggmouth, Triggers infamous ex- On the hunt for money, fame, and a great pizza place. She gets swept up in this whole Ghost fiasco after catching up with Trigger on a super dangerous hunt to prove a point: Own up to past mistakes or take the L. And boy did Trigger lose

With those three together, navigating the treacherous landscapes of the post apocalyptic-recovering June7, trying to own up to their past, and forge a new future- They encounter many MANY scary and odd things while on the hunt for the ghost. Mainly this guy…. being… horror?

Meet The Medium!

The Medium strikes a deal and is also on a war path to get that damned ghost. Why? Well lets just say its a tad embarrassing for an eldritch god to admit!

Together with a pretty confused 4 armed himbo, The Medium and Nowe make their way to get what they want- While avoiding the General, of course

General Raine Fiachra, the Space French Lady who hails from the prosperous galactic capital planet July, wants all of the prize- and that includes traversing several different universes to claim it. She's interested in the Medium, and Nowe is so annoyingly in her way! We love mean ladies

With this soup of a cast makes a rather roller coaster of a ride for the story of GJS. Trigger owning up to his mistakes, Vahn discovering who they are, Boggs getting closure- and of course, catching that damned bounty The Ghost! What galactic crimes has he commited to earn such a bounty on his head

GJS is a story about self acceptance- all of the parts of you that feel unloved, messy, and want to avoid. It's a story crafted about characters in impossible situations just trying to get by, and what it means to move on from hurt.

it's about bounty hunters, ghosts, and love!

You can read it here

You can get the WHOLE set of books on kickstarter right meow, HERE