#like i really want to emphasize how little i do on this ship

[intotheelliwoods]

Oh no- I have been sucked into the hole of looking at buying bulk keychains and buttons and sticker sheets-

Would include a sticker sheet, 2 pinback buttons, and a dangling little Poptart keychain!!

At least that would be the main attraction, I am still so going to throw in some other little goodies, etsy style! Maybe some handwritten stuff from me! Maybe some candy!

Might I add,

Buttons would be 1.5 inches, and each one would be different

Keychain would be 3 inches and double sided with different artwork on the front and back

Sticker sheet would be 5x7 inches with just an assortment of all the leos of all sizes! I like tiny stickers :)

Price would be somewhere in the $25-35 range, shipping not included, might only be for the USA.

This may not happen but I can dream- ponder- at least get an interest check for curiosity

[imaginarypasta]

one of the things i’ve noticed that changes between this series and the last is the newfound emphasis on diplomacy & decorum. i do understand why, both in how the narrative changes w the introduction of new ideas and frameworks as well as how it might want to adapt to have its own voice, themes, etc. but gone are the days of yes-anding oneself into strange situations and in are those of yet another scene highlighting the importance of a letter of introduction—and that was personally a huge reason why i liked the original series so much. i don’t even mind like diplomacy as a narrative device when it’s equipped in interesting ways but when it’s constant introductions to new characters that go relatively similarly every time & a very clear narrative voice insisting that original solution wouldn’t work when it’s 1. more interesting to me personally and 2. not even working any better practically, then that starts to get super boring

[munson-blurbs]

Thinking about Rockstar!Eddie meeting you at an autograph signing and getting off to the thought of you after his show...

“Here ya go,” Eddie says, forcing a tired smile as he hands a freshly-autographed CD to a beaming fan. Pre-show merch signings were part of the deal, and they certainly brought in the extra cash, but after five months on the road, the members of Corroded Coffin are tired. Eddie scratches at the five o’clock shadow dotting his face, glancing at his watch. Just another ten minutes until they can wrap this up and start soundcheck. Then they’ll be back on the bus, shipping off to whatever city’s up next.

The security guard lets the next two people up to the table. Eddie reaches over to the pile of CDs, giving an exasperated sigh as he asks, “Name?”

That’s when he hears your voice.

His head snaps up, and he relaxes as he takes in your shy demeanor. You’re holding the hand of your friend–girlfriend?--hey, it’s the ‘90s; anything is possible. Your eyes sparkle as you say and spell your first name, biting your lower lip and averting your gaze from the gorgeous rockstar in front of you. “Pretty name,” he murmurs, writing a short message and swirling the Sharpie over the CD cover to make his exaggerated signature. “Pretty name for a pretty girl, yeah?”

You just giggle, and the girl next to you squeezes your hand. “She’s, like, completely in love with you,” she blabbers. “Every damn day since we got these tickets, it’s been, ‘What should I wear? Do you think Eddie will notice me?’”

You free your hand to elbow her, a little harsher than you’d intended. “Dianna!” you hiss, burying your face in your palms in a feeble attempt to hide your humiliation.

But Eddie just cocks his head, checking you out from head to toe. “Oh, he definitely noticed you,” he muses, handing you the CD with two lanyards. “You ladies wanna watch backstage? ‘Course you do; Charlie will bring you where you gotta go and, uh,” he looks directly at you, sending an excited shiver down your spine, “maybe we can notice each other a bit more later.”

You and Dianna nod vigorously as the beefy security guard leads you to the backstage VIP suite. A waiter comes around and takes your drink orders. You ask for a vodka soda, and Dianna gets a Long Island iced tea.

“You sure about that?” you whisper as the waiter walks away. “Those are really strong.”

Dianna shrugs. “It’s not every day we get free drinks. Might as well drink as much as we can.”

Meanwhile, Eddie’s fumbling his way through soundcheck, thinking about the way your breasts peeked out the top of your Corroded Coffin tank top, how your denim shorts perfectly cupped your ass, the shiny gloss that emphasized your lips. God, he wants those lips wrapped around his hard, throbbing–

“Munson? You wanna get your head out of your ass so we can put on a show?” Jeff’s voice booms through his mic. 

“He’s thinking about that hot chick he gave backstage passes to,” Gareth teases, and Simon makes kissy noises at their lead singer.

Eddie launches his guitar pick in Gareth’s direction, narrowly missing his head. “Shut the fuck up, all of you,” he grumbles, but he knows that they’re right. Just get through the show and she’s all yours. He palms himself over his pants discreetly. He’s never been more grateful for his guitar, since his tight leather pants do nothing to hide his burgeoning erection.

Corroded Coffin puts on a hell of a show, as usual. They close with “Rock Hard,” their hit single about hooking up with a groupie after a concert, and Eddie thanks every celestial being that it’s the last song of the night. As soon as the band thanks the audience and says their goodbyes, Eddie dashes offstage. He bolts into your suite, all sweat and smiles. “How’d you like the–” He stops, frowning when he sees an empty room, save for Charlie, who’s smoking a cigarette in a lounge chair. “Where is she?”

“Sorry, Casanova,” Charlie drawls. “Her little friend drank too much, got sick all over the bathroom. Had to get them outta here before she ruined anything else.”

Eddie groans, throwing his head back as his bandmates laugh at his misfortune. “Goddammit,” he hisses, pushing his perspiration-soaked hair from his eyes.

“C’mon, man,” Simon claps a hand on Eddie’s back. “There’s a bar down the street; plenty of the girls from the show will be there…” He wiggles his eyebrows suggestively.

“Nah, I’m just gonna head back to the bus. ‘M pretty beat.”

“Oh, something’s getting beat tonight,” Gareth jokes. Eddie flips him off, but once again, he’s right.

He’s barely closed the curtain to his makeshift bedroom before he’s hastily unbuttoning his leather pants, shoving his ringed hand into his boxer briefs. Just the sensation of his own touch has him bucking his hips. He runs his thumb over the bead of pre-cum pearling at his tip, using it to lubricate his palm. He uses his free hand to tug his pants down to his knees, sitting on the bed. He imagines you on your knees in front of him.

“S’big, isn’t it, baby?” Eddie coos. He leans over, letting a trail of saliva drip from his mouth to his shaft. “Thas’ right, spit on it. Such a dirty fuckin’ girl.” He grips the bedsheet with his left hand, dragging his right from base to tip. 

“What’s that? You want it in your mouth? Oh, pretty girl; you don’t have to ask twice.”

He fucks into his fist harder, feeling himself grow in his own grasp. “Mmm, let me make a mess of that face. Ruin that fuckin’ makeup you worked so hard on. Wanted me to notice you; well, I sure fuckin’ did. Knew I had to have you, sweet thing.” If you were actually here, you’d be gagging on his dick as your nose grazes the thatch of curls on his pevlis, tears reflexively gathering at the corners of your eyes. Your mascara would start to run; the telltale sign of a good blowjob.

He loosens his hold on the sheet, cupping his balls. “If you do that, ‘m gonna bust in that sinful mouth of yours, fuckin’ swear.” A harsh chuckle escapes his throat. “Bet you’d like that. Bet you’d take my whole load down your throat, swallow it all, yeah?”

Eddie brings himself right to the edge before forcing himself to slow down. “I know, baby. I know you wanna keep sucking me off. But I wanna–no, I gotta be in that perfect little pussy. Now, come sit on my cock. Nice and slow–thassit.” He tightens his grip on his length, keeping a slow rhythm to mimic the feeling of gradually filling you up. “You can take it, don’t worry. I’ve got you, baby girl.”

He bites his lower lip so hard that he swears it might bleed. “Oh, angel. Y’feel even better than I ever imagined, holy fuck.” He increases his pace, choking out a pathetic moan. “What’s that? You want me to come inside you? So desperate f’me, aren’t you?” He whimpers at the mental image of you bouncing on his cock, tits pressed up against the dusting of hair on his chest. “Come with me, fuck, wanna make you come. Want you to cream my cock while I fuckin’ fill you up.” Eddie lets out one last pornographic moan as thick, hot ropes of cum spurt out onto his thick fingers. He pants, trying to catch his breath as he comes down from the high of his orgasm.

Cleaning himself up, Eddie grumbles to himself about your stupid drunk friend and how he’s so tired of fucking his own hand. He falls asleep quickly, worn out from the combination of the concert and his own post-show escapades.

The next morning, Eddie wakes up and wipes the sleep from his eyes. The bus driver has already set out for their next destination, somewhere in Bumblefuck. Eddie doesn’t care, he just wants you. Real you, not the fantasy he’d conjured up last night.

“Hey, boss,” Charlie says when Eddie pads out to the bus’s common space. “Forgot to give this to you after the show.” He hands him a folded piece of paper, which reads:

Eddie:

Had to get Dianna home before she puked on the carpet. I was not paying for that to be replaced–the tickets for your autograph already bankrupted me…

But if you wanna stop by my hotel room later, just give me a call. I don’t think you were done noticing me. I certainly wasn’t done noticing you. 

xo

You signed your name with a glossy lip print and your hotel room extension.

“Charlie,” Eddie starts through gritted teeth, “if you can convince the driver to turn this bus around, I won’t fire you.”

--

[glassica]

Second Male Lead

Notes: M!yan 2nd male lead, Gn!reader*, jealousy, reincarnation, obsessiveness, possessiveness, implied potential kidnapping and murder *reader is more like an observer, not shipped with anyone

-> part 2 with different yan

You got second male lead syndrome.

No matter how much author emphasizing the undeniable chemistry and love between the main couple your eyes only had him. With brownish eyes reminded of untouched sacred woods and dark silky hair slicked back, he was a perfect balance of not too interesting to overshadow the male lead while unique enough to stand out from the extras. Friend of female lead from childhood, he'd always been by her side protecting and looking out to her well-being, hardly be wavered unless it was a matter regarding the heroine. His silent thoughtfulness reserved only for the main character had charmed thousand fans of the series, which included you.

In the previous world you kept daydreaming about travelling inside the novel just to whisk him away. After all, you read countless isekai stories where protagonists from your world winning the heart of abandoned side characters. You were sure you could do the same to him, by showering him with endless attention and love he didn't get from the female lead. In no time he'd be head over heels for you!

"Apologize, but I fear I'm unable to return your sentiments."

Giving you a polite bow, he gently turned down the bouquet of roses which you'd painstakingly catered to match his taste. Today was the equivalent of Valentine in your old world, you were determinded to catch the love of your life at all cost. His rejection throbbed your heart a little, but you weren't the one to back out easily. That's right, you'd been waiting your whole life (actually two) for this moment, you just needed to keep up a little more.

"No sir, please don't be sorry. I'm the one who out of the moon confessed to you. Of course you would be startled!" - you replied cheerfully, trying the best to hide your disappointment. "My feelings came out too strong, but if you don't mind, would you mind joining me for a dance later?"

"I'll have to decline that. I've never been a fan of dancing. I'm really selective in choosing partner and to be honest, there's only one I ever want to take to the dance floor."

You knew right away who he was talking to. The nobleman didn't even bother to be subtle, as the whole time talking to you his eyes unchangingly laid on her. Shining with glitter and lace, basking in attention of the whole ballroom, the heroine was there, hand in hand with her royal lover, rejoicing herself to the dreamy sound of orchestra. The scene was wholly magical, breathtaking,… and perhaps jealousy-inducing.

For obvious reason this lit a fire in your stomach. You cursed the author for making it almost impossible for you to leave any impression on his mind, when your competition was the center of this universe and everyone’s darling. In the midst of envy, you blurted out words that forever detrimented his opinion about you

"She’s engaged to the Crown Prince."

"I know."

"Sir, she would never look at you with those eyes. Perhaps you should look for someone who will appreciate and reciprocrate your passion."

Now you had his full attention, not a positive one mind you. Shooting an icy glance visibly filled belittlement and fury, as though he was sneering at you extra character for having audacity to dictate how he should live his life.

"Oh well, she will soon. You don’t just assume I’ll sit there and let any vermin taking what’s rightfully mine, no? You believe I would be that selfless of a man?"

For the first time ever in your interaction had you sensed enthusiasm in his often monotomous voice. That’s right, the second male lead never got emotional by any happenings until it was about his target of affection. In other words, he would get ruthless, pretty, pretty ruthless, when anyone ever presented as a threat to his relationship with main character. He clashed plenty of times with the Crown Prince at the beginning of the book, then slowly retreated to the background after realizing his childhood friend was serious about His Highness. Lots of readers pointed out how odd he waved the white flag so effortlessly considering he had vehemently expressed dislike towards the male lead. Everyone collectively chalked it out as plot hole, but what if…

No, you shouldn’t dwell further than that. Epecially right at this moment you witnessed with your own eyes two extremes of emotions on the man’s face. The intensely lustful heat and adoration following every movements of the heroine, the bloodlust and pure venom on his pupils when looking at the Prince. You vaguely had a gist of what was going on in his mind, and it wouldn’t bode well for you to stick your nose into that.

Funnily, all that jealousy for the main couple you felt earlier was fully replaced by pity and well wishes now. Perhaps staying as an extra wasn’t a bad thing after all.

[raven-at-the-writing-desk]

Yo! Good morning/evening, hope you are fine^^💝. I wanted to ask you a question but I was afraid that it may bother you or something (you know..that feeling when you are scared that you might disturb someone or being an unwelcome person) but yeah I will ask you since i was serious about your answer for some time now so I hope I'm not annoying you or something *feel free to answer only if you wish^^. You seem to know the characters pretty well, you are quite capable and great at reading and understanding them, one of the things I'm serious about is what do you think would make someone qualified enough to be with malleus? Do they have to be of the same species?certain Reputation, stature or traits?(sorry can't help it since I can't rest until I know everything about what interests me and figure it all out😅). Thanks for giving me some of your precious time I really like your blog, you're amazing💜

No worries, you’re not bothering me at all ^^ I love to talk about my hyperfixations www

Now, I know a lot of fans (particularly on the EN side) like to ship Malleus with their OC and especially with Yuu so I want to first make it clear that my response is NOT meant to invalidate those Malleus shippers. Whatever I say here is based on my own interpretation of canon lore (and let’s be real here, TWST won’t ever confirm if anyone is romantically interested in Yuu because it might not work with how some players view their own relationship with that character). In fanon, anyone can be with anyone, but in canon there are very specific in-universe rules and expectations laid out for Malleus so these are what I will be referring to.

I also want to emphasize that the final traits I discuss in this post do NOT reflect Malleus’s personal tastes or views. He has little say in what kind of an individual his spouse would be, so his own preferences are not speculated about or taken into account here. The traits I will be bringing up are based on what I believe the lore implies are the desirable traits for those marrying into the Draconia royal family.

We got it? Good 👍 Read more below the cut!!

Firstly, I’m completely disregarding the ideas of “Malleus can love whoever he wants to love”, “Malleus can scare people into accepting who he loves”, and/or “Malleus can change the law so he can marry who he loves” (a la Sultan from Aladdin or through some other Disney magic or logic). Here’s why:

In general, those solutions for “high stakes issues” are too simple, and that has never been how Twisted Wonderland tackles complicated problems. Just look at every single OB boy’s backstory. They’re so complex that they aren’t totally resolved by the end of their books; these problems persist and are long term things each of them are working on addressing. This is also true of the politics TWST introduces to us; Leona for example explains how there is social pushback and resistance to the idea of infrastructure reform because the culture of the Sunset Savanna stresses harmony with nature. This has made it difficult for them to adopt new technologies because real politicians in their world have to seriously weigh their cultural values with their health and societal progress. The only time there are really easy solutions are in events or vignettes where the emotional stakes are not super high, but who Malleus marries is, in fact, super important since this will entirely change the life of a main character and his country.

With that first bullet point in mind… No, Malleus cannot love whoever he wants to love. Certainly, he may feel affection for another but he can never truly be with them. He is royalty and the only heir to the throne of Briar Valley. It follows that he is expected to marry for political reasons/to better his nation. This is a non-negotiable obligation for him.

Rather than saying, “Malleus cannot scare people into accepting who he loves”, I think it’s more accurate to say Malleus knows he probably shouldn’t. I mean, yes, he may be upset about his S/O not being accepted by his people but I feel that is discrediting a lot of the loyalty he has for his own country. As a kid he may have thrown tantrums when he was upset and potentially harmed staff, but as a 178 year old he has a much better understanding of decorum and maintaining it in spite of his own grudges. For example, even though he personally dislikes Leona he still commands Sebek to apologize to him because, at the end of the day, this could harm Briar Valley’s relationship with the Sunset Savanna. That’s not to say that Malleus can’t be petty (he definitely is)—but implying he would be petty toward basically his entire country just because they would disapprove of the one he loves?? (We know this would likely be true because Sebek’s parents faced similar backlash when they got together.) I feel like his own sense of awareness and responsibility for his country, crown, and people would override that. As an example, Malleus states that he has never been in a car before because the senate would be against it and often kept Malleus in the castle. Someone of his power could easily ignore them and sneak out and do whatever he wanted, yet the dialogue implies Malleus didn’t. He obeyed his political advisors even when he was younger and arguably much more immature. Malleus might not like certain decisions made about his life but it sounds like he ultimately complies with them.

Continuing from the previous point, let’s say for the sake of argument that Malleus does scare everyone into line. What about his public image and the mental health of his S/O? Maybe Malleus can frighten people to not talk out of turn to his face, but he cannot control what people whisper about him behind closed doors or to treat his S/O well or like they actually like them. Not only would they be alienated (away from their own home and forced to adapt to a new one) but they’d be treated oddly by others too. What kind of reputation is that for Malleus? To be a tyrant king who throws a hissy fit anytime someone talks about his partner in a way he doesn’t approve of? With a spouse who is not at their best mentally because of the constant ostracization? (This is similar to what Leona experienced in his childhood.) I don’t think Malleus would want to subject anyone to that kind of life, especially not one he loves. And again, this attitude would be the vast majority of his people. It’s not like it can be avoided or resolved in an easy manner, especially when the people of Briar Valley have proven to be against change.

Lastly, Malleus would not change the law so he can be with whoever he wants to. To begin with, I doubt this is a unilateral position the senate would approve of. But okay, let’s accept that Malleus is royalty so his power overrides the advisors’ power. So he effectively just changed a law for a very selfish and personal reason rather than changing something to actually benefit his people. That doesn’t feel in-character for him, not when Malleus seems to understand that it is the duty of those in higher status to help those below them rather than themselves (see: Riddle’s Suitor Suit vignettes. Malleus has acted selfish before, yes (who remembers Endless Halloween Night? His Dorm Uniform vignettes? I do.)—but never at the cost of changing the status quo of his country. (Book 7 is not included here because he’s in a very distressed emotional state then; this “new law” scenario posits that Malleus is in a normal state of mind.) This is a major change—change which Briar Valley, its people, and most importantly, Malleus, are not ready for. You think there wouldn’t be social pushback against this? From a society that has become complacent with its own way of life and is still isolated from the rest of the world? That Malleus, someone who struggles greatly with accepting life changes himself, could enact such a big change so easily? (On a more technical level, you don’t just pass a law and it instantly becomes tangible or real, there is a process of approval and then implementation.)

Additionally, it’s made clear in Ghost Marriage that “[Malleus] cannot enter into an engagement lightly”, which is why Sebek goes in his place. Eliza, the Ghost Bride, is royalty (er, albeit dead) but it seems that royal status is not enough to qualify as his partner. Maybe this is because she’s dead and doesn’t have anything of value for Briar Valley (no land, no people, no political power), but it could also mean that the partner has to be given the thumbs up by other parties.

All that being said, here are some of the conditions I think would have to be met for Malleus’s future spouse:

Has to be someone of equal or at least high status. This means they also have to be a royal or at least of nobility. This appears to be true of Malleus’s dad, who is referred to as a duke.

Because of how self-contained Briar Valley is + nocturnal fae having beef with diurnal fae, I imagine his partner would have to also be a nocturnal fae. This would also solve the MASSIVE lifespan difference between fae and non-fae because at least fae would be far closer to each other even if their lifespans fluctuate but subspecies.

Someone suited to rule by his side. Being married into any royal family is no joke—it comes with the expectation that you will contribute somehow, and the partner should be fully equipped to enter the world of politics with him.

Piggybacking off the last point, I think mental fortitude is also a prerequisite. This is because being a politician (navigating the social climate both within your country and outside of it, keeping your people and colleagues happy, maintaining public approval, managing laws, dealing with potential attempts on your life, etc.) can be very stressful and can hurt those who are faint of heart or not prepared for the responsibility. Leaders have to make tough calls at the drop of a hat, and they have to be ready for it.

Has a lot to offer in terms of benefits to Briar Valley as a country. This could be in terms of resources, connections, and/or political savvy. This appears to be true of Malleus’s dad, who acted as a diplomat for Briar Valley.

Vetting and formal approval from the senate. lmao good luck with that

Has to be able and willing to have a child. They at least need an heir to the throne to succeed Malleus. (However, knowing how exclusionary and conservative as heck the senators are, I doubt they would accept anything but a biological child 💀)

Preferably someone with powerful magic or is skilled at magic already so as to lessen the chance of “tainting” the bloodline with a weak mage or a non-mage.

I believe that Briar Valley would prefer someone with old fashioned values like them, not someone pushing for massive reform. They have a culture that is resistant to change and a history of fighting for resources with outsiders, so if Malleus’s new spouse tries to introduce a bunch of technology or open its borders to other countries (even if they have good intentions), the people + the senate may oppose them. His father is implied to be open-minded, but he at least understood that such change isn’t reasonable without time and effort dedicated to the endeavor.

All that being said 💦 I think that this topic is actually less about what Malleus as an individual wants and what his country, his people, and, yes, even his asshole senators, want. This is basically an arranged marriage situation so that their country can maintain power and relevance. It’s about the collective and what Malleus must do for their perceived security and prosperity.

[darkonekrisrewrite]

This can't be the final "End", for both the heroes and the villains

(Spoiler warning, long post)

Deku and Ochako's stories didn't end well, and not just for the shipping or not keeping One For All.

The narrative endings they got, either don't make sense or flat out don't work at all.

The end of Ochako's arc doesn't work because it conflicts with what we've been shown to be true.

She does try to help others after hearing PARTS of Toga's backstory, a natural progression of her character.

But the problem is that it leads to this:

"Uravity to expand access to Quirk Counseling"

EXPANDING Quirk Counseling...

Not REFORMING and then expanding Quirk Counseling.

Remember that this is Quirk Counseling:

"Where they attempt to hammer out any bumps in your understanding of the world and program you to fit neatly into society's little boxes.

It's a far from perfect process, the counseling ends up emphasizing the inherent differences among us all, and that's one bug they've yet to work out of the programming."

Stated by Curious during the MVA Arc, then confirmed later in a flashback featuring a counselor talking to Toga and her parents:

"Let's straighten you out so you can be "Normal".

Deviance is common in children with strong Quirks.

We'll fix it. It'll be like it never existed."

Focusing only on repression and the appearance of being normal, not actually helping the child at all.

So yeah, knowing that this is how Quirk Counseling really is, how exactly does expanding this help??

THIS WAS WHY TOGA STAYING CLOSE TO OCHAKO WAS SO IMPORTANT

(Not being with her in the shipping sense but working, talking with her and just being together.)

Anything good about this project that Ochako is creating is only implied not shown, and it doesn't mesh well at all with what we already know.

And even if Ochako did do things right, it still wouldn't be a satisfying payoff.

Ochako wasn't fighting so hard and struggling so much to help random, unnamed, unseen people from the villain life.

She was fighting to help Toga Himiko.

Her failing to save Toga and only (implying) saving others we don't even know, will never carry the same weight.

It won't feel right in a story that's supposed to be "Hopeful", because there's no solid connection left for that sentiment to be attached.

And there was no saving going on between Deku/shigaraki and Ochako/Toga after their battles were over.

This is the sentiment put forth by Nana Shimura (and at the time agreed upon by All-might and Deku), on what a true hero saving someone means:

"When you have to save someone, they're usually in a scary situation. A true hero saves not only their lives, but also their hearts... That's what I believe."

"Saving" is supposed to be both the life and the heart.

Not just one or the other.

And even if Gran Torino was supposed to be the one in the right -

(The narrative sure as hell made it look like he was supposed to be in the wrong and Deku was going to be the one to prove that.)

- in that killing can be a form of saving.

Deku and Ochako didn't even save the villain's hearts.

Not fully.

Shigaraki tells Deku that he still needs to be a hero to the villains and that he fought to destroy until the very end.

Only giving a snide encouragement to Deku at the end of the fight because he's literally crumbling into dust and got his world view rocked by the "It was AFO all along~" reveal.

Toga tells ochako that she didn't make "the bad stuff", the pain in her heart go away.

Only telling ochako that her efforts and words made Toga feel happy, but that's it.

They couldn't save their lives, only partially saved their hearts, leading to the results:

100% - 50% - 25% = 25 % (final grade)

FAIL

The rest of Deku's conclusion doesn't fair any better.

Deku's heroic finale ends the exact same way it ended in every filler bnha movie, only with even less payoff.

He didn't succeed in his goal, with who he wanted to save and he just goes back to doing what he always did at the start, being a hero.

He doesn't develop in any noticable way until the OFA embers run out off screen.

Even the symbolic saving of the scissors boy, Deku doesn't get.

It would have been a world of difference if deku had seen tenko's full backstory, then told it to the world.

Telling the civilians that they needed to do their part to help those in trouble.

(Knowing that there's no AFO left to potentially get in the way.)

Resulting in many civilians coming together to help the scissor boy.

That would have delivered on everyone's narrative payoff.

But instead the theme doesn't work here because the single old lady who does step up to help, does so out of guilt (Not helping tenko) rather than because it is the right thing to do.

Nobody among the civilians besides the old lady stepped up to help on top of that.

So it looks less like a societal shift and more like the redemption of one single person.

The narrative makes a half-hearted attempt to tie this back to Deku but it doesn't work there either.

Because how exactly does Deku punching shigaraki into powder inspire the old lady to extend a helping hand to someone who represents that same villain??

It doesn't.

Even if the sentiment is: that everyone must do their part to help, there is a giant disconnect between:

Everyone seeing the heroes helping each other, fighting and succeeding in destroying the scary villain.

and

Realizing that someone has to help the person who looks like a scary villain.

It doesn't add up together.

Doesn't flow narratively at all.

The 8 year time skip makes more problems with Deku.

The line of: "You too can become a Hero."

Is meant to be the payoff callback to All-might giving those same words to Deku in bnha's beginning, so now Deku says the same thing to another kid that has doubts about his ability to become a hero.

It is kind of sweet but thinking about it for more than 5 seconds should give pause because:

Deku was about to receive the most powerful quirk in the world from All-might.

And the kid Deku was giving those same inspirational words to could throw plates from his head.

It's not even confirmed whether or not the kid could control their size, telepathically manipulate them or something like that.

So if what that other loudmouth kid in the final chapter said is true, about how only the most capable can become heroes in the current time.

The entire conversation, just like many other things in this ending, reads like false hope from the heroes.

Not like Deku has to deal with any of that or the kid himself anymore because he gets a tech suit, allowing him to be a hero again.

We don't know if he keeps his teaching job or not, maybe he did, maybe he didn't.

But still, once again Deku avoids any difficult questions that the story puts in front of him.

And all of this doesn't even cover the other issues that the story brought up:

The popularity poll expanding instead of ending, as if that would prevent the Endeavor/Dabi situation from happening again.

Lack of social/government help for anyone who gets dealt more than a couple of bad hands in life, those caught up in hero/villain conflicts or other disasters (quirk based or not).

Remember how twice became a villain?

THE QUIRK SINGULARITY DOOMSDAY

Now that AFO, shigaraki and the doctor (all of his research and technology) are gone, what's going to happen when children start wiping out whole city blocks?

(The doctor may be alive and imprisoned but with AFO dead, the doctor likely won't help anymore because AFO was so important to him.)

With the power and complexity of the quirks inevitably increasing, think Eri unintentionally killing her dad X10.

Then the next round of kids, make it X50 then X100.

And finally, in the last chapter it's stated that there's a: "Decline in the villain emergence rate."

Why exactly that is isn't said, but it's implied that it's due to the efforts of Ochako and Shoji.

Let's put aside the suspension of disbelief and assume that it's true, that what they did worked in stopping villains from being made enough to have a real impact.

What happens to the people that are already villains??

The ones currently on the run or in jail.

If the hero kids made that big of a difference in the demographic of villains just by expanding counseling and nonviolent resolution, then that only reinforces the truth that the villains are easily preventable victims.

The implications of that aren't doing the heroes or hero society any favors.

We don't know what happens after because Rehabilitation was never offered to anyone who wasn't a small time criminal (Gentle Criminal) or a former assassin of the state (Lady Nagant).

Are the other villains still currently stuck in their circumstances just out of luck, help came too late for them too just like the Lov?

We don't know.

You can assume, imply and head-canon the solutions to all these issues, with what the hero kids might do, as much as you want to.

But if you have to do that with the big questions and plot points, then the story hasn't delivered on what it said it was going to.

Maybe horikoshi isn't that good of a writer but it's hard to believe that.

Horikoshi put so much into this series and all the characters in it, the central villains and the hero kids being the most important ones.

That he'd just fumble everything and pull a Falcon and the Winter Soldier: "You need to do better" and then they did'-Type ending.

This can't be it.

Maybe the "Ending" endpoint of this narrative but not the end of the overall story.

For the villains just as much as the heroes.

Toga dying to a blood transfusion, despite everything other characters survived (Gran Torino donut, edgeshot worm, Dabi charcoal skeleton) and things that she herself survived already.

Having curious bombs go off inside her body leading to internal damage and severe blood loss, yet she still survived until she received help and recovered just fine.

They got Dabi to medical and kept him alive.

Other villains like overhaul, muscular, compress and spinner survived.

It's not like she either had to die or go to jail, she could have just escaped.

Leading to her meeting up with Ochako again in secret or something, to finally fulfill both of their arcs and iron everything out for what would have happened in the future.

Then the Quirk Counseling ending could have worked.

Shigaraki dying after finding out his life was entirely manipulated by AFO.

Strung along like a puppet, mentally and physically manipulated to believe he is a force of destruction, so much that by the time the series starts, it's all shigaraki can believe himself to be.

Twice and Kurogiri fight and die trying to save Toga and Shigaraki, so they can live and be reunited with their friends.

This all just meant nothing in the end??

Ochako, Deku, Toga and Shigaraki's stories can't be over yet because they are important characters and there's too much left unresolved.

Ochako's resolution is incomplete and undefined.

Deku's hero ending feels disappointing and tone-deaf.

Toga completely disappeared before Ochako was taken by the helicopter, nowhere to be seen where she should have been if she had died.

And how is shigaraki a force ghost still walking around in the world if there's no quirks left tethering him as a vestige?

ALSO this recent interview with Horikoshi himself:

(Warning: Spoilers for the most recent BNHA movie)

"Horikoshi says one thing to pay attention to from the My Hero Academia "You're Next" movie is the relationship between Giulio and Anna and how it connects with Deku and the others' goals.

He writes:

"The relationship between Giulio and Anna is a part of the goal point where Deku and the others will eventually reach.

The movie as a standalone in itself is interesting, but if you watch the movie then return to the actual story, then you might feel 'oh so this is where the story leads to.' As such, please pay attention to Giulio and Anna in the movie!"

To give context, by the end of the movie, Giulio is able to cancel out Anna's quirk using his own, allowing her to live a life without being sheltered in fear of her quirk or used as a weapon. So Horikoshi's comment is probably referring to how they help each other accept their quirks or lack thereof and still be able to live in harmony.

In regards to their relationship, Giulio tells Anna he will always be by her side no matter what, they hug and then walk off into the sunset together at the end of the movie."

And another heavily lampshaded moment in the movie novelization when Giulio inner narrates this:

'He knew that killing her wouldn't be a true form of salvation.'

What was all this about??

There has to be more left.

[dotthings]

"Open to interpretation" does not mean you get to tell Destiel shippers how to see the canon, Karen

After the spntwit drama this week I think it matters to emphasize again how hard the antidestiel hatedom was going against how Jensen rolls when it comes to interpretation.

antidestiels continue to behave as if they believe "open to interpretation" means they themselves can dictate to other fans how to see the canon, and they call Destiel shippers and Misha "disgusting" just for speaking our viewpoints of the canon.

Destiel shippers give our take on the text and antis go "well you can't because JENSEN SAID--"

They very obviously do not listen to what Jensen says. Here is Jensen at Dencon 2021, where he pretty much clears the runway for fans to interpret however we please and his praise and appreciation for those readings: “This is the great thing about the show and I think the relationships and some of these characters is that they’re open for interpretation. If you find identity in a character because of whatever reason, fantastic! Great! If that encourages you to be a better person, or to love someone a little harder, to forgive someone for something, fantastic. That’s—that’s I think that’s one of the beautiful things about what we do is that we get to encourage people on a variety of levels.” -Jensen Ackles, DenCon October 2021

(Antis: But you CAN'T, because JENSEN SAID--)

Antis are stuck in a loop of their own making.

This is not the first time Jensen has conveyed his support for fan interpretation.

Jibcon 2015:

We also know from reports from a virtual m&g a short while after SPN ended that Jensen said he and Misha talked about the confession scene beforehand, and they "didn't want to over-define it" and "the artist isn't going to stand next to that piece of art and tell you what to see. You should be able to see, and it should be able to mean what it means to you and that's--that's the beautiful thing about art." (There is no video, this is pulled from fan reports, but as far as we know this is accurate reporting).

Antis: but you can't because Jensen SAID--

blah blah blah

Yes we can and it's not that we need Jensen's--or anyone's permission--however it's just so heinous how severely antidestiels stomp all over Jensen's respectfulness and protection of fan readings and his appreciation of that, and their lying about how he rolls. They are making very negative insinuations of him, yet somehow everyone else in fandom is the problem but them.

It doesn't add up.

"But you can't say Destiel is real and there was queer coding because JENSEN SAID--"

But Jensen said he's completely cool with how we see it.

He said so.

I have a permit. Jensen signed it. See?

Get over it. Find a new hobby. Move along.

A further thing--note my highlighting on excerpts from an interview with Jensen Ackles about Big Sky concerning the Beau/Jenny relationship. (TV Insider, 1.18.2023)

The phrasing should sound familiar.

Yes, that's right, he's used similar language to speak about Dean and Cas. And this is for a het ship.

"leave the audience wanting more" "we gave just a little bit" "but do we need to play it out in a graphic sex scene?" "a kiss wasn't necessarily needed" "let's tiptoe for now" "fired it up in a way that made it not so sexual...two humans really, truly connecting. It wasn't just like, oh, let's rip each other's clothes off."

Put that next to "I don’t think lust is involved with the romanticism" "there's some people that might try to sexualize that" "it was two sentient beings essentially" (Dencon 2021, Vancon 2022)

Isn't that interesting. (Also isn't it interesting he called it "romanticism"?)

Jensen also said something somewhere about how he would like to do a romantic comedy so long as it involves killing zombies. He doesn't hate romance. It's just that he likes genre and action stuff. He's not against, whether it's queer or straight romances.

He's also said he'd like to do a rom-com slash western playing opposite Misha Collins.

Not telling Destiel shippers what to do, but along with antidestiel misinformation spread, the Destiel lane is justly notorious for flinging accusations at him and I think it's relevant that he speaks about a het ship using similar language, and it's relevant how supportive he is of queer readings.

one last thing, this is old, from Jensen's time on Days of our Lives, but he wasn't against playing a queer character.

[ratwife77]

Height Headcanons

The Outsiders

(These are all during the book)

Pony- solid 5’5- I honestly forgot how his height is described minus being taller than Johnny.. so I think he’d be just average ish for his age

Soda- 5’9 is average ish so.. he’s what girls expect? He’s standard? But he does give a shorter vibe which is why he’s not taller

Darry- 6’2 do I need to explain?

Two-Bit: 5’11 he’s just lanky I can’t see him as being short

Dallas- 5’10 I feel like he’s sort of lean but not too tall, just above average.. intimidating presence but not a wall like Darry and not quite Two-Bit’s height

Steve- 5’7 he should be shorter but I think he should at least be taller than Pony.. give him that

Johnny- 5’4 he would have had some more growing to do, but he’d always be below average

Tim- 5’11 intimidating, sort of lean but more wall-like than Dallas.

Curly- 5’6 he has more growing to do, but not a lot.. he is pissed about his height ngl

Angela- 5’2 I don’t think she’d be above average

Cherry- 5’5 I think she’d be taller because she’d wear heels often but this is her actual height

Marcia- 5’7 she gives either short or tall vibes but I don’t like huge height differences for ships.. I’m sorry but I do ship Marbit on the side and 4 inches is enough..

Bob- 6’0 I think it’s important for the story- he needs to really look over both Johnny and Ponyboy, but I also want Darry to be a greater presence (to those against him anyway) so that’s why he’s shorter than him.

Randy- 5’11, similar build to Two-Bit, lanky

Sylvia- 5’9 no question.. just trust me I know she told me

Evie- 5’1 someone had to be my height okay

Sandy- 5’4 she, like Soda, is good looking so I think she should be about average so she’s perceived as the standard

Tex (please let there be someone who cares about Tex lol)

Tex- 5’6 I imagine him to have a sturdy, decent build like Pony, but be a little taller, maybe just a little muscular- he’s not in peak form but he’s well off

Mason- he was in basketball.. 6’1.. he’s slim but lean and able to kick butt

Johnny- 5’7, him and Tex are of similar build.. if they grew up together and are still friends, I’d like to represent them growing together metaphorically and literally

Jamie- 5’6 1/2, she’s gotta be taller than Tex I feel it in my bones.. but her brother is taller than her

Cole- 6’2 built like a brick wall- I want him to be taller than Mason because it’s kind of who he wants to be, literally looking up to him(at least I think, I don’t remember everything)

Robert- tbh I forgot who he was mostly.. I’m so sorry but I think he’d be 5’10

Pop- 5’10 this has a purpose. Mason is quite literally growing past him, resenting him for not living his other son, while during most of the book, Tex is stuck looking up to him

Lem.. nobody likes you but here- 5’9 just your average absolute slimeball (nobody likes Pop either I just forgot to put that because I got off on a ramble about symbolism through height..)

Mrs. Johnson- 5’7 (with heels nobody knows her real height), kind of an adult that is helpful to Tex so she’s taller than him.. you get what I’m saying, sort of like Pop

I had to look on the wiki to remember everyone, hopefully that’s everyone who’s important

Rumble Fish (I have a bad memory.. hopefully all the details are right)

Motorcycle Boy- everything hinges on his height, because everyone looks up to him. 6’3 final height (taller than Darry.. more separate from his world.. away from others.. you get it)

Rusty James- he grows to be as tall as Motorcycle Boy, emphasizing his ‘becoming’ him.. but during the book- main events anyway, he’s 5’7, tall for his age

Steve- 5’3 he’s short, sort of removed from Rusty, different

Patty- 5’5

Smokey- sort of under the radar and clever, so I’ll put him at 5’5 ‘under’ Rusty.. hopefully that makes sense

Biff- 5’11

B.J.- he’s probably like 5’6, above Smokey because he’s loyal, not low to the ground like a snake (I’m not making fun of short people I am one it’s just for metaphorical purposes)

Mr. James- sort of different like Motorcycle Boy, keeps up better than Rusty James if I remember correctly.. 5’10, closer to him

Mrs. James- idk I don’t remember but let’s say 5’4

Just noticed the error with Mrs. James- please ignore the pictured height for her

[sevensoulmates]

Season 7 Press Article Buddie Analysis

Okay I don't usually write meta/spec on press runs/articles but I found these super fascinating today, especially in comparison to how the showrunners (including Tim himself) and the actors have spoken about their arcs in the past.

First I want to say that in these interviews the goal is never actually to give the audience any important information but rather to tease, and purposely be as vague as possible. So most of what they're saying will likely have double meanings and all of them are being extremely careful with the words they choose to say. Now with that out of the way in the first EW article (linked here), I found several things extremely interesting.

Calling Marisol Eddie's "Hardware store flirtation". It's so funny to me, for one, but it's also interesting that that's all she's reduced to. A flirtation. I know that was really all they were in the last season, but we know Marisol's involved (likely minorly) in at least 2 episodes out of the first 5. Natalia on the other hand is for the most part understood to not be coming back (I would honestly be surprised given the actress is in NYC). But what's even more interesting is that Marisol is not mentioned anywhere else in either of these articles, meanwhile Oliver WAS asked about Natalia. So, I want people to keep in mind that in whatever way Marisol IS a part of this season, I SEVERELY doubt she's making it past the finale.

2. This answer about Natalia is your typical non-answer but to me, it's basically a confirmation she isn't coming back, which lends a tad bit more credibility to Tommy potentially stepping in as a LI for Buck (fingers crossed).

3. Buck is apparently called in to help talk to Christopher about dating women. Do I even really have to talk about how weird this sounds? Eddie had a whole WIFE? He dated Ana for many many months. He's currently dating hardware store flirtation Marisol right now. And yet, Ryan is claiming that Eddie feels like he doesn't know how to talk to his son about women? Enough so that he calls Buck to help? Talking to your kid about dating is a new avenue yes, but why are we acting like Eddie has never been with a woman before? Like I know last season in particular emphasized that Eddie isn't the best when it comes to dating but like ??? I swear to GOD y'all it's giving such severe compulsory heterosexuality. Eddie, my man, I hope this is indicative of where your story is going this season because it's been heading this way for many many many years. Separately, I also find the lack of mention of Shannon very interesting as well.

4. Which brings me to this part. The whole family dynamic aside...Buck's romantic relationships have been severely questionable at best the entire show. Before Abby, it's canon that all Buck did was sleep around a lot, which doesn't seem like something you wanna tell a young teen dating for the first time. So what's he gonna talk about? How women flee him? As I saw someone else say on the timeline "are the successful relationships in the room with us"? This is especially odd if the spec is true and he and Natalia broke up off-screen prior to the start of the season. Eddie, you just saw Buck have yet another failed relationship with woman #4 and your thought is that HE'S the one best suited to talk to your son? These two men are so queer and so dumb, but their hearts are in the right place.

Okay, moving on to EW article #2 linked here. Here I'm shifting a little bit more to Tim Minear, and what he's said before in the past as showrunner about Buck, Eddie, the buddifer dynamic and the buddie ship.

I have a love-hate relationship with Tim. On one hand, I think he's a far better showrunner than Kristen (for OG 911, 911 Lonestar does and always will suck ass). But on the other hand, I remember some of the things he said back when season 2 was airing. It's part of the reason why I can't take things like "he's so cute. he gets that a lot" or "does this boycrush on eddie mean you're over abby" or "you two have an adorable son" or any Big Buddie fanservice line in season 2 seriously or as any definitive proof of anything. Tim has openly admitted most of those were in season 2 to throw shippers a bone. Not to be taken seriously. And that didn't sit right with me. Very obviously, there was a shift in season 3 and no longer was buddie and shippers the butt of the joke. Season 3 is when I genuinely think the writers and Tim shifted from "haha this is funny" to "oh wait, maybe there IS something here" and obviously The Powers That Be (Fox) had some control over whether or not that happened and is honestly why I think it didn't happen in season 5 or 6 where it realistically could've fit very well after s4.

So firstly, please take everything I say with a grain of salt because Tim is a Known Liar and Word Twister and is very VERY good at saying a lot while absolutely saying nothing at all.

5. So...I find what he says in this article interesting because it's not in the first article. First, his word choice is very interesting. Using both "friendship" and "coupling" in the same sentence, which have two different connotations. Secondly, he says that "at their core" their relationship is about their friendship. When something is the core of something else, that doesn't mean that's all there is. The core may be the essence, or the foundation, or the glue of something. But it is something that is BUILT UPON, something that extends past the core. To me, it means that while the core of buddie's relationship is their friendship, their relationship encompasses much more than that. It's like those successful old married couples who say the key to being married happily for 50+ years is that "we're still best friends" or that "the key to a successful romantic relationship is having that foundation of strong friendship" etc. Now, I'm not SAYING this means canon buddie, but I just find it interesting that this is how Tim chose to describe them this time around. To me, that says Tim is very much aware that there's far more to be explored in their relationship than just their friendship. Whether that means far more buddifer family arcs, or an actual real exploration of Buck and Eddie as a romantic couple, I'm very excited to see where it goes.

[wifetomegatron]

You said it was more convenient to post requests here, so here it is again:

I loved the "meeting the family" storyline very much. Can we get a First Contact fic of you trying to hide your relationship from your family (since theyre robo/phobic or youre embarrassed) but one day your family spots you getting out of a car they don't recognize and you have to explain that your bf wasn't in the car... he WAS the car.

Either with Rodimus, Chromedome (and Rewind), or... IDK, your choice really

sorry for the long wait, dear ! this made me think out of the box and experiment a little so I hope you enjoy it <3 thank you for being my first official request !

rodimus meets your uptight parents. first contact au. sfw (only few suggestive themes -ish).

" I commanded a ship. I went on a quest — well, that was before Earth. But, I mean, that's impressive, right? "

" Babe."

" I killed a sparkeater. I have Drift to testify, and Magnus, and two hundred others —"

" Roddy."

" I also carried the Matrix !"

" Rodimus, please !" You huffed, placing a hand flat against the dashboard: the metal underneath was stiff with tension. Your lover slowed down for the red light, rubber crunching against the pavement. Outside, the weather was clear — sunny without a cloud, and people poured out into the streets, crossing the zebra and laughing in the distance. It made you even more miserable. Sensing this, Rodimus took it upon himself to give the seatbelt across your body a small, reassuring squeeze.

He cleared his intake, static over the radio.

" I'm only nervous because you're nervous. And you're never this nervous."

" Sorry, “ You felt guilty already, “ I didn't mean to interrupt your little crisis but I’m sure you'll talk yourself to death before the anxiety can kill you ."

" Do you blame me for being nervous?"

A cold, heavy feeling dropped into the pit of your stomach. And the silence was back again, an unusual and uwelcomed guest in the home you and Rodimus have built. The reason that you were out today was that your parents had called — rousing you from what could have been the perfect start to a lazy Sunday, courtesy of Rodimus and his very, very talented mouth — to remind you about the brunch appointment you were supposed to attend an hour ago.

Panicked and already out of your boyfriend's arms, Rodimus couldn't quite understand how this was scary enough to make you spring out of his embrace and into a pair of pants — he emphasized how disappointed he was at how you were already dressed this early in the morning, on a weekend, no less.

Until you looked at him dead in the optics and whispered, “ They want to meet you too.”

That was enough to make him run for the garage.

You had warned him about your parents earlier in your relationship — at least, attempted.

" It's my parents," You had explained then, albeit the memory was fuzzy due to alcohol. All you remembered was that it was hard to stop Rodimus from doing anything when he was tipsy and flirty and running his servos all over your body.

“I’m sure they’ll like me,” He had smirked, pushing the topic aside and already sinking on his knees, “ Everyone likes me.”

That felt like ages ago. You’ve been delaying the subject, and today it has come back to finally bite you in the ass. Now, thanks to traffic and terrible skills at reading the GPS, you were two hours late to meet your parents and might as well be on death row.

“It won’t be so bad, right?”

You winced.

It took a while for you to explain to him that ‘picky’ was just an easy way of explaining to strangers that they were painfully traditional. Having been raised in a very small upper-crust bubble within an even smaller community, their obsession with keeping the family closed off was almost archaic: your father actually has a spreadsheet as a criteria board for what counts as a ‘compatible’ match. It was Eurystheus and Hercules all over again, except you wished the challenge was slaying a nine-headed hydra. It was something Rodimus could come out of alive.

Because no one has ever lived up to the insurmountable, one hundred and thirty-five-long list of requirements that would make someone worthy to be dating his only child. What was once a fun little fact you always used as an icebreaker at parties became an actual threat to the one person who's made you the happiest in a long time — and he's not even a person. He's an —

" — aliens, I’m guessing, never made it on his list, so I'm sure I'd be in the clear. Right?"

" Hold that thought, I think I see them," You peered over the driver’s seat and out the window as Rodimus pulled up to the sidewalk. It was adjacent to a terrace filled with tables, already crowded with people. Live jazz was playing behind the curtain of conversations, and you spot your father through the glass doors, checking his watch before crossing his arms. He didn’t seem too happy, leaning forward to whisper something inaudible to your mother’s ear.

Rodimus seemed to notice this.

" Uh, just go inside. I'll...catch up with my holoform."

From time to time again, you suggested that Rodimus get tinted windows. And if he had, for a second, thought about its practicality instead of calling you rude for assuming that you implied he could get them installed by the local car dealer, then maybe your father wouldn’t have spotted you.

“He’s coming this way,” You squeaked, combing your hair and quickly trying to make yourself look decent.

“Oh. Frag.”

A cluster of lights formed next to you, pixelating themselves to create a holographic image of what your boyfriend claims to be his persona if he were human. You weren't sure how to tell him that your father would immediately recognize Michael J Fox from Back to the Future. So you placed a firm hand across the dashboard to make him stop, shaking your head and confirming: this was it.

This was the moment you finally decided to fight for the person — not a person, he'd correct you — that made you feel alive. Feel loved. And you have to fight for that, even if it comes in the form of standing up to your up-tight, silver spoon, helicopter parents in the middle of the sidewalk and attracting the attention of over twenty people and a handful of Instagram influencers trying to peacefully take a picture of their bed of smoked salmon and caviar, then so be it.

" You better have a good explanation for this."

You sucked in a deep breath, trying to keep your chin up in defiance as you duel your father in a stare-down.

" It's time for me...to make my own decisions. And that includes who I decide to love. And be with. And date."

" Does he come with the tardiness?" He bit back.

" Oh, give them a chance to speak !" Coming at your defense was your mother, wringing her hands with worry and yet already peaking to admire the vehicle behind you, " Does he… come with the car, perhaps?"

You swallowed, the metal beneath your arm humming in distress,"You can say that."

Your father almost looked impressed. Almost. Suddenly you can't even hear the background music anymore, as if even the musicians had placed down their instruments, and are now rapt in attention at this showdown.

" What does he do?"

" He was a captain," The car roughly inched forward, “Is still, a captain. He’s just not on duty…at the moment.”

There was a murmur of appreciation from the nosy spectators.

"Where is he from ?"

" He's from... far away."

" Oh, lovey. I do love to travel," Your mother smiled, stiff and on the edge of exploding like a poorly timed confetti canon.

" Yes, but I don't think it's...that beautiful at this time of the year."

You lost your voice, suddenly compressed, as if you were a bottle of coke inside a sixty-second tikTok reel, ready to be crushed under the weight of an industrial metal press machine. You can tell Dad's already trying to work out what year Rodimus was manufactured in — vintage you'd joke, but it doesn't seem appropriate to condense lightyears into a punchline. Plus he wouldn't approve of the age gap.

" Let's see him. Tell the boy to step out of the car."

You steeled yourself as the sound of metal gears grinding and transforming flooded the area. The Earth lightly shook beneath you as Rodimus stood at full height, seemingly erasing any other noise from a five-mile radius like a black hole.

Someone dropped their teacup, the ceramic shattering in the distance.

“ Hi. Rodimus, here.”

It was safe to say that your mother only started to warm up to Rodimus in the waiting room of the hospital, when she had the chance to talk to the mech as you all waited for your father's discharge from Emergency — thankfully, Rodimus was quick enough to scoop him up as he fainted, so no traumatic head injury that had a one in five thousand chance of taking out the stick up his ass.

Surprisingly, your mother was already somewhat impressed: The former title of one-year Prime, his paint job, his humor.

Baby steps, you smiled to yourself and watched your mother drape an arm across Rodimus as she laughed at his joke. Baby steps.

[once-upon-an-animation]

So over the past few weeks, I’ve been toying with the idea of writing a retelling of the OG series from Annabeth’s perspective.

I’m interested in doing this because though I loved the PJO when I was a child, as I grow older, I find myself craving more nuance from the stories and the characters than what’s already there on the page. I thought hopefully the show would fulfill me, but uhh….amazing character depth is not one of the things I’d call the show’s biggest strong suits, at least not for Annabeth.

Now, I’m aware of the “Daughter of Wisdom” series on AO3, a fanfic series that does the exact same thing. I read that fic years ago and enjoyed it; I thought at the time that the fic was well done. However, I have a lot of ideas for scenes and details that I don’t think really showed up in that fic series, and so I find myself craving to create the POV for Annabeth and certain aspects of CHB that I’ve always wanted to see. I also wanted to spend more time emphasizing emotions and growth for Annabeth in a fic like this, and actually have her challenge and address her pride, sort of like a “I’m overcoming my biggest flaw” journey. I want to write this series from a sympathetic yet honest perspective about Annabeth’s life and her traits…including the traits that are not so pretty.

And so I want input from y’all on what you think would be worth including in a fic like this, and if there’s anything from the OG books that I should change, twist, replace, remove, deepen, or add something new. Here’s a list I already have going:

- emphasis on Annabeth’s relationship with Chiron and how it develops

- more emphasis on Annabeth’s relationship with Grover and how they get along when Percy isn’t there. Do they talk about Percy? And what do they think of each other? Does Grover feel intimidated by Annabeth, or feel like maybe she’s not proud of him because he let her down with the Cyclops incident and Thalia getting killed? Maybe at the end of the quest in TLT, before Percy gets back from Olympus, Annabeth reassures Grover that he’s a great protector and that she doesn’t resent him at all.

- Annabeth’s view of Luke and how/why it becomes complicated; how Annabeth reconciles the objectively bad things Luke has done with her desire for his redemption

- an emphasis on Annabeth and Thalia’s relationship after Thalia returns. How has it changed, Thalia remarking on Annabeth’s growth and teasing her about her crush on Percy, Annabeth helping Thalia cope with the loss of Luke to the “dark side” and also helping Thalia cope with how much the world has changed in 5 years and how Thalia now feels so out of place, Thalia helping Annabeth cope with continuous family struggles

- an emphasis on Annabeth’s relationship with other Athena children. Do they like each other? Hate each other? Are they competitive, all vying for their mom’s attention? Do they share some of Annabeth’s struggles; were their mortal parents also unimpressed about receiving a child they didn’t plan for?

- Annabeth’s relationship with other kids at camp: namely Clarisse, Silena, Beckendorf, and the Stoll Brothers (no, I don’t ship Connabeth, btw). But I also want to flesh out Katie Gardner and Pollux/Castor too.

- a proper resolution to Annabeth’s family drama that yes, recognizes how Frederick had a baby sprung on him that he didnt consent to, and how Mrs. Chase had no idea how to take care of a kid with special needs, but a resolution that also validates Annabeth’s feelings and highlights the ways in which Mr. and Mrs. Chase messed up and failed her with their poor choices.

- a new interpretation of Luke’s “did you love me”question

- An on-page apology from Annabeth to Rachel

- Annabeth’s relationship with her little brothers and how they might still try to love each other in context of their family drama, and not repeat the sins of their parents (breaking generational curses!)

- more emphasis on Annabeth and Athena’s relationship, and how Annabeth evolves from thinking her mother is this image of perfection, to realizing that Athena is just as faulty as the other gods and goddesses, and that Annabeth has a strength over Athena in that Annabeth has a bigger sense of humanity, and can change and adapt when she’s not doing something well. Annabeth can evolve in ways Athena cannot.

Anything else?

[the-kipsabian]

wrestling fic writers!!

i have decided to be the change i wanna see, so lets do a nice little thing for each other, as a community full of incredible and talented writers. yes this is writer specific only, but thats cause thats where the main problem of people not interacting with creative works lies in this fandom as far as i can tell and have seen people talking about it especially in the last couple of months

if you read this, please add links to your written works. it can be just a single fic youre really proud of, your writing blog, your writing tag, your ao3 account, anything where your works can be found

and if you leave your link here, PLEASE check out someone else that has left their works, and interact with them. leave them a comment, even just a kudos, REBLOG their fic, etc. interacting is the keyword i want to emphasize here, along with building a sort of a masterpost of where to find people writing in this fandom

and if you are not a writer, youre still highly encouraged to interact with this post and share it and show love to the writers in this fandom, obviously!! i think that should go without saying, but adding it in anyways

a bit more about my vision and resources and such under the read more, but thats the gist of it. happy linking and please be kind and supportive to each other!! 💜

nobody is too big or too small to add their things on this list. if you write and post anything in this fandom whatsoever, be it fics or drabbles or headcanons, any companies or any kind of ships or reader inserts or any content whatsoever no matter how 'dead dove dont eat' or hell even if its just meta, we welcome all here and nobody can say that one thing is less valid than another. just please tag your content accordingly, especially if theres content warnings, and feel free to mention what you write, who you write, any info you wish to leave that would help people before they click on your links. but even so, that should not and hopefully will not deter people from interacting, no matter what it is. someones trash is another ones treasure, i promise you

and unless the amount gets really overwhelming, im personally going to be checking out everyone that leaves something here. unless it squeaks me out, but even then, i'll spread the word. and i just wish as many people as possible will do the same, and not just use this as a potential board to only get eyes on their stuff. ofc thats also the point, but you should give as much, if not more, than you get. we need to be kind and supportive of one another (besides, from personal experience, if you show love to someone else, they are more likely to do it back than without you taking the first step, so... pay it forward)

as for resources, heres a few links that should be helpful in leaving comments and feedback. of course everyone does their own thing and no comment is too big or too small to leave, but for those who need them. if you have anything you'd like added to this list, dont hesitate to get in touch or drop it in the post yourself!!

101 comment starters

ao3 floating comment box

kudos html

dont know how to comment? easy solutions

a quick hot guide to commenting (by yours truly)

an overall guide to appreciating fanfic writers

and just in general.. leave people comments. leave them asks about their projects. just go over and gush about their work. i know it sounds embarrassing but writers love nothing more than to hear that someone likes what they are doing. if you find a fic that hasnt been updated in forever, comment on it. it might just be the spark the author needs to continue. while kudos and likes are nice, and just as valuable to some, its definitely in the words the people leave for them that matter the most. im not saying this to put pressure on anyone, its just how it is, and i feel like unless people are writers themselves, and even then sometimes, thats just hard to grasp, especially if the writer is a smaller and less popular one who doesnt get a lot of traffic in the first place

i think thats all. just be nice and considered to everyone, reblog peoples works, this post with others add ons and so forth. and if i find anyone talking shit here or at other writers for something they share, you'll be blocked and im probably taking your kneecaps. be fucking nice. we are all struggling here and we need to stick together

happy sharing and commenting 💜💜

[faceofpoe]

What Happened to Bad Batch Season 3: Canceled Season 4/Condensed/Frankenstein'ed Plots Conspiracy Edition:

(aka: Poe Is Still On Her Bullshit)

(It's a puzzle, I like puzzles, but this one has been breaking my brain since May 1st/but really as far back as s3e8/9).

(And if you loved season 3, I am very glad, but this post is probably not for you lol)

We begin our tale with the episode Bad Territory (3.8), wherein with very little pushback, Hunter & Wrecker decide to venture off alone to find Fennec, despite the indignation at the idea of being left behind when infiltrating an Imperial outpost 3 episodes earlier.

(yes there are textual excuses for this; does it stand up to close scrutiny that we'd trust taking Omega more to an Imperial outpost we didn't know was abandoned rather than to see a bounty hunter who isn't known to currently be after her? you do you.)

We notably get this conversation with Fennec - this is important - while they're on Creepy Toxic Planet:

Fennec also has a jab about how Nala Se thought Omega would be safer with the Batch, rather than on Kamino, and how that obviously didn't work out so well.

Which... makes no sense in the context of the episode except maybe flimsily in a "well she's not here so she must be lost" way. But she looked into the squad, she knows there are/were more than 2, so Omega's absence isn't necessarily weird...

Unless this part of this episode was originally a hunt for Omega early season plot repurposed around a new intro/ending/motivations and with the Pabu scenes in between to carry on the Omega & Crosshair relationship development.

Now this episode builds up straight to The Harbinger, i.e. the Ventress episode, i.e. the episode that tells us twice in the script itself, that we are wasting valuable season time on a question that does not matter.

From the end of episode 7 and Rex's "you have to figure out why they're after her" spiel, we are never given a compelling reason to figure it out. As Crosshair tells us in 9 - it matters not at all. It's not like the answer would change anything. And from a viewer standpoint, we were given the answer at the end of episode 3, when Emerie rushes to stop the ship being shot down.

But I have another contender for a repurposed early season storyline:

The Juggernaut. Crosshair is with them in this episode. Crosshair is the driving force behind this episode.

The big action scene of this episode quite notably is Hunter & Wrecker centric, and when Crosshair is in the room (in the Juggernaut cockpit) (aside from the shot of him dragging Rampart out of the hold) - he is in the background, doesn't speak, and is not spoken to or acknowledged.

He is likewise just floating (lol get it?) in the background during the chaos approach to Erebus, while Phee actually has a conversation with Hunter & Wrecker.

(I've been trying to decide if Crosshair looks potentially added in later to the dramatic jump on the ramp scene as well)

(should emphasize when I say things like 'added in later' I know fuck-all about animation)

Were these sequences salvaged from an earlier hunt-for-Omega story where Phee was actually part of the search and repurposed for this hasty/bananas-pacing Rampart-driven conclusion? And thus the relegation of Phee to suspiciously-arrived-right-on-time taxi driver and what-the-hell-cavern-on-Pabu-is-big-enough-for-THAT-ship?

Taken with a couple of dropped threads such as:

A sector location for Tantiss that's never again mentioned after ep2

Hemlock's "other plans" for Crosshair at the end of ep1

The bag of 30k credits Crosshair makes sure to scoop up on Lau

I am thinking we were intended for a mid-season reunion. Few episodes hunting; few episodes building up Tantiss. Maybe 2 shorter episodes condensed into the long(er) season opener to get that 5 month time jump in there?

Which then prods my curiosity about other curiously dropped threads or just irrelevancies like:

Omega's crossbow

"All our operatives" Hemlock wants notified on Lau and how few that is/(or how quickly they get killed off??)/the fact that he's yanked 4 aside despite the crucial need to get Omega back so he can make them... idk extra badass Worst Batch operatives who all bring knives to gunfights?

(sorry my salt is showing lol I hate them so much)

What the hell does Hemlock show the Emperor (WITH Nala Se in tow) in ep 3 (and was that supposed to be the Vault)?

Everything about CX-2.

...weirdly I also kind of want to call Batcher a dropped thread? Like... I don't think she needs a bigger story and she deserves her days obliviously relaxing on Pabu while everyone else almost dies. But I do wonder if she wasn't envisioned for... some further role after ep 3. Besides therapy dog and snow shovel. But if not I'm not mad about it lol.

My instinctive thought wondering, if mid-season was meant to be a reunion after at the very least a Phee/Fennec/Durand sequence of hunting episodes and maybe another ep or 2 on Tantiss (or another ep on the run? or an earlier Emerie-centric episode?), what sort of season 3 (of 4) finale might that be building towards.

I have a hard time imagining it'd be Point of No Return and repeating the end of season 2 but maybe....

Or my first thought was:

building into a season 4 follow-through-on-Echo's-whole-story-since-season-1 plot, tying in his and Rex's side, the politics...

with a touch of

to tease us into season 4 with Crosshair's making peace with the "regs" as he completes a longer season redemption arc and CX-Tech (yes, CX-Tech) crawling out of the river (possibly after getting beat to hell starts cracking the conditioning a bit?).

(This potential finale thought does however leave hanging curious threads such as the CX-2 & Phee scene and the forever fascination with CX-2 shooting his own pilot in 3.11 so maybe not)

(but setting it at the end of the season does satisfy my 'doesn't Omega look a lot older between eps 5 & 6?' thing that's been bugging me for months lol)

Now. If they found out when they were already well on their way to done with season 3 (and started on 4?) that they were getting 4 canceled... how do you hastily jam a resolution into place?

Condense your reunion to one passage of time Tantiss ep/one hunting ep/escape ep/hijinks&reconnect ep.

Replace CX-Tech stakes with kids-in-the-basement stakes.

Maneuver Emerie & Omega to facilitate a nice smooth resolution to the kids plot to make way for a grittier action plot for everyone else. (I know I know no one else is on my episode 10 Emerie making no sense + lego brick vault vendetta but it is what it is)

Replace a bigger Tantiss clone assault with Tarkin shuttering it despite the emperor's eagerness in ep3 and going from "more prisoners than we thought!" to a manageable amount for a 4 man infiltration team + 1 evac shuttle.

Conveniently ignore the second mountain.

And have CX-2 cut off Crosshair's hand to emphasize no-really-he's-totes-mcEvil and deserves the spear and none of the clones are redeemable after all but then not have time to worry about the traumatic aftermath of it lol.

(+ keep your Ventress ep however you can fit it because someone said you had to) (I guess?)

Anyway all this to say: if a canceled 4th season is what happened, perhaps season 3 originally had room to breathe. Perhaps we got some actual Pabu time, and Omega meeting the cadets, and some reminder the Pabu friends existed before they just existed to be threatened in 3.11. Perhaps Phee was more than a ride to Erebus. Perhaps it took Hunter & Crosshair more than an episode to make nice. Perhaps the Ventress episode was... uh. Relevant? Force-sensitive Omega maybe?

Perhaps they took Omega and her 30k credits to Canto Bight, idk.

And perhaps, well - CX-Tech.

(Better late than dead)

[pub-lius]

WAKE UP ITS HAMILTON TIME (hamilton pt 1)

everyone thank richard for getting me to put all my knowledge about alexander hamilton in one place. if you're at all new or confused, @thereallvrb0y once asked me 3 years ago to tell him everything about every historical figure i can, and since then i have been doing that. now we are onto the last one on the list he gave me, and studying hamilton is literally my life's work, so here it is. on tumblr.com. for free.

my sources for this are Ron Chernow and Hamilton himself and a strange amalgamation of knowledge from different museums, documentaries, interviews with historians, and other otherwise publicly accessible knowledge that i have compiled into the vast library inside my mind! you can find my notes in the link in my pinned post. let's go (this historical research is sponsored by the ghost of freddie mercury and my aunt who made me a whole pot of coffee)

Background Information

Ron Chernow loves to talk about how the island of St. Kitts and Nevis was formed, but that's not fucking important. What's important about Hamilton's birthplace is that it was positioned in the Caribbean in such a way that made it a very easily accessible port, however the coastline was pretty smooth which made it generally unideal for mooring ships.

Source: The St. Kitts' Scenic Railway; Six Frigates: The Epic History of the Founding of the US Navy by Ian W. Toll, p. 112 ("Basseterre Roads was not a good natural harbor. It was little more than a dent in the otherwise smooth coastline that ran along the western side of the island. There was no pier- visitors were obliged to run their boats directly onto the beach, sometimes surfing in on waves that broke heavily as they reached the shore.")

Now, notice that St. Kitts and Nevis is, in geographic terms, to the right-ish of the Caribbean. That means when you're coming from Jolly Ole England, you might make a pit stop in St. Kitts and Nevis. So if you ignore the fact that the island has no natural harbor (at least not a good one), it might be a good economic prospect for a young merchant, right?

Well, not if that merchant is James Hamilton, because he was an idiot. And I say that lovingly, or at least more lovingly than Ron Chernow did. Ron Chernow also emphasized that St. Kitts and Nevis was filled with the 18th century version of Shameless, and also Jewish people. Ron Chernow might not hate Jewish people, but he does hate the character archetypes in Shameless. In Shameless terms, James Hamilton was like Frank Gallagher.

Disclaimer: knowledge of Shameless is not necessary to understand that being compared to a guy named Frank is not a good thing

I've already made posts about Hamilton's parents and brother (here, if you'd like to read that ig. weirdo), but I want to talk about the things that Hamilton would have learned from his parents. Later in life, Hamilton vaguely alluded to his father's failings in business being due to an excessive amount of generosity and not really understanding where he should and shouldn't spend his money. This did not by any means make Hamilton stingy with his money, or even smart, for that matter, but it did make him want to be something specific: independent.

James Hamilton's tragic flaw was his dependence on other people, whether it was his older brother or Rachel Faucette or his business partners, etc. Due to the position and order in which he was born, James was never destined to be a leader. He wasn't exceptional academically like other non-first-born-sons, such as James Madison, or dispositionally inclined to organize and inspire, like George Washington. He was just a dude, and he was a dude who was not built for 18th century society, especially not in the Caribbean. From what we can tell, James Hamilton was a gullible, moderately intelligent man with symptoms of autism and non-descript mental health issues. He was basically fucked from the get-go.

Source: Alexander Hamilton by Ron Chernow (p. 12-16); Papers of Alexander Hamilton, vol. 25, p. 89, letter to William Jackson, August 26, 1800 ("In a capacity of a merchant he went to St. Kitts, where from too generous and too easy a temper he failed in business and at length fell into indigent circumstances.")

Rachel Faucette was like James Hamilton's polar opposite. She was forced to learn how to provide for herself, not being able to rely on anyone, because that could be ripped out from under her feet at any moment, and the only thing concrete in her life was herself. She was a woman, and that was what most women had to learn at some point.

Rachel was also perfectly poised to be the clear moral guide for young Hamilton. When James Hamilton left, he basically sacrificed any reverence his son might have for him, and instituted Rachel as Hamilton's sole role model for his developmental years and i just burned the shit out of my hand with coffee.

Disclaimer: James Hamilton had nothing to do with me burning the shit out of my hand with coffee, I promise. You can't blame all your problems on deadbeat dads

If you're a Sigmund Freud fan, (good opener, I know), you're aware of the Oedipus Complex, and that's not exactly what I'm talking about, but yk. look it up. This theory proposed by Freud was only partially rejected by the psychological field (due to the fact that not everything is about wanting to fuck your mom and kill your dad, and also that's not the story of Oedipus Rex like. at all??), but the part that still rang true was that children do have a unique attachment to the opposite sex parent.

Psychological studies show that children tend to describe their opposite sex parents more favorably than same sex parents. Why? I don't know, I'm not a psychologist, I'm an 18 year old who drinks coffee like he was 5 kids to raise.

Source: "The Relation between Attachment to Opposite Sex Parents and Attachment to Romantic Partners" by Gary L. Grogan and Dr. Mary E. Pritchard, p. 10 ("However, most significant for the present inquiry were the findings that respondents described their opposite sex parents more favorably, and same sex parents more critically.")

This statistic is visible in Hamilton's descriptions of his parents, and must have been enhanced by James Hamilton's early departure in his son's life, the consequences from that which seemed constant, but also by the reputation his father had built on the island he left Hamilton on. Hamilton would grow up to see his mother not only providing for herself and her children, but also overcoming the consequences of James' actions, which provoked resentment towards his father, and admiration towards his mother. This will develop as a theme throughout his life, but we'll touch on that as he grows up. He isn't even born yet! So let's get on to that.

Source: so when I say Hamilton's description of his mother, I really mean HIS son's, but JCH most likely got this description from his father, Life of Alexander Hamilton by John Church Hamilton, vol. 1, pg. 42 ("...a woman of superior intellect, elevated sentiment, and unusual grace of person and manner. To her he was indebted for his genius."); for the sake of my reliability and reputation, I'll include JCH's description of his grandfather for comparison, Intimate Life of Alexander Hamilton by John Church Hamilton, p. 13 ("Hamilton's father does not appear to have been successful in any pursuit, but in many ways was a great deal of a dreamer, and something of a student, whose chief happiness seemed to be in the society of his beautiful and talented wife, who was in every way intellectually his superior.")

Early Life

Alexander Hamilton was born ginger on January 11, 1755, and I don't entertain the argument that he was born in 1757 because I'm not an anarchist and I believe society has laws (I'm actually lying, I'll talk about the birth year debate in the college section). Hamilton was not, however, born black or Jewish. He was also, potentially, born not James Hamilton's son.

"Wh- WHAT?! *cries*" I hear you say, and I know, it's shocking information, but yes. First off, Hamilton was not black in any percentage more than the Pillsbury dough boy is black. This theory comes from the fact that Rachel Faucette was a lower class woman and therefore we have no proof that she WASN'T partially black. I don't even have to dispute that for anyone with a gram of critical thinking skills to see that that isn't a valid historical hypothesis.

The Jewish thing has a little more merit to it, and there's a whole book about it that I haven't read. There is some evidence to suggest that Rachel Faucette's ex husband, Johann Lavien, could have been a secret Jewish person, and possibly caused Rachel herself to convert, and she tried to pass on that to Hamilton by having a Jewish woman educate him when he was a toddler (that last part is a true fact, and is the earliest piece of information we have about Hamilton's education). If this is true, (and it's nearly impossible to prove true or false because well if Lavien was a secret Jew, it was a secret), it did not impact Hamilton's religious beliefs in any way, and he identified as a Christian throughout his entire life.

We'll do a paternity test on Hamilton later, just hang tight. See, this is how I get you, I say something controversial, and then I don't talk about it until 16 paragraphs later.

Source: Alexander Hamilton by Ron Chernow, p. 9 ("A persistent mythology in the Caribbean asserts that Rachel was partly black, making Alexander Hamilton a quadroon or an octoroon. In this obsessively race-conscious society, however, Rachel was invariably listed among the whites on local tax rolls. Her identification as someone of mixed race has no basis in verifiable fact. (See pages 734-35 [this is in Chernow's Acknowledgments, and he just talks about how he used a paper trail to come to this conclusion, and thought genetic research would only confuse the evidence. He also discusses that there is a small chance that Hamilton fathered a black child named William Hamilton, but I can go ahead and tell you that's false due to the fact that Hamilton had just arrived in America when William was born -HWS]) The folklore that Hamilton was mulatto probably arose from the incontestable truth that many, if not most, illegitimate children in the West Indies bore mixed blood."); Life of Alexander Hamilton by John Church Hamilton, vol. 1, p. 42 ("...rarely as he alluded to his personal history, he mentioned with a smile his having been taught to repeat the Decalogue in Hebrew, at the school of a Jewess, when so small that he was placed standing by her side upon a table); Ibid., vol. 7, p. 710-11; Papers of Alexander Hamilton, vol. 26, p. 774, "Comments on Jews"

Hamilton's education began with his mother, who is almost definitely the person who made him fluent in French by the time he came to America. Despite limited access to books (34 books in both French and English to be specific), Hamilton still studied everything he could from a young age, with an early love for learning new things and proving that he was smarter than you. However, most of his education was in the School of Hard Knocks Community College, which was amply provided by the environment around him.

In the height of the British Empire, the Caribbean was essentially a social prison for anyone who broke the moral laws of the colonial, Eurocentric society of the time. This included pirates, prostitutes, drunks, thieves, and basically anyone who didn't fit the mold for a member of high society and/or someone who could serve high society and their lives of luxury. Hamilton, by birth, was one of these people.

Hamilton's father moved the family to St. Croix right before he left, which was a dramatic shift from Hamilton's life on St. Kitts and Nevis. In St. Croix, everyone knew Hamilton's mother as the disgraced ex-wife of Johann Lavien, and therefore knew her two sons as "whore-children", which was a word usually given to illegitimate children. Here, Hamilton was roped in with the degenerates of society, and it was practically said directly to him that he was destined to be unholy, unclean, worthless, and disgusting. Could you believe that this would have an impact on his mental health?

Along with seeing the poor lifestyles of the inhabitants of the Caribbean, Hamilton also saw glimpses into a very different world: ~rich people~. There were few rich white people on the islands, and they owned vast amounts of enslaved people, with the black to white ratio being 8:1 in the Caribbean. These enslaved people were forced to live in horrible conditions, and Hamilton saw it everywhere- his mother owned three people, but they were often rented out to garner profit for the white family, rather than working a plantation as others in the Caribbean did. Violence towards enslaved black people was only part of the violence young Hamilton witnessed in the Caribbean, some of which came in the form of dueling *insert ominous music*

Source: Alexander Hamilton by Ron Chernow, p. 18 ("To the extent that dueling later entranced Hamilton to an unhealthy degree, this fascination may have originated in the most fabled event in Nevis in the 1750s [a duel between two men where one of them was killed"); Ibid., p. 19; Ibid., p. 23-24

James Hamilton abandoned the family in 1765, and the reasons he did so are debated, but most likely are due to debt. However, there's another possibility that I've alluded to before: Hamilton's paternity.

So, remember, Rachel Faucette is not a perfect angel, and she also didn't particularly care for matrimony. There is a chance that she was with other men besides Hamilton and Lavien, and though we have no evidence that she was, there is an interesting character I'd like to throw into the mix.

Thomas Stevens, a moderately rich guy, was a merchant who lived on King Street in Charleston, St. Croix, with his wife Ann and his son Edward, who was born a year before Alexander Hamilton. Thomas Stevens was a very generous guy, and Edward Stevens would later be lifelong friends with Alexander Hamilton. And uh. They looked almost exactly the same. I really wish we had a portrait of Edward Stevens, but according to literally everyone, it was hard to tell the difference between him and Hamilton. Now, statistically, we all have some kind of doppelganger out there, but like what are the chances that they grew up down the street from each other and their parents had suspiciously close connections? Now, I'm not saying that Hamilton should have been Alexander Stevens, I think that's pretty irrelevant, but it is possible that Thomas Stevens... you... ARE THE FATHER!!!

Source: Alexander Hamilton by Ron Chernow, p. 27-28 ("Nevertheless, in the absence of direct proof, the notion that Alexander was the biological son of Thomas Stevens instead of James Hamilton would clarify many oddities in Hamilton's biography.")

The Hamiltons' life post-dad-desertion was actually somewhat comfortable due to Rachel's kickassery. She established a little store for a source of income, relocated a couple times, rented out the enslaved people (as one does, i guess, that's such a wild phrase), and kept a pet goat for milk and cheese and idk soap or whatever else people make with goat milk. Her sons would help out, possibly providing an origin for Hamilton's incessant need to be productive at all times without resting. At times, they were supported by his aunt Ann Lytton Mitchell, who he would remain loyal to until his death. During this time, as he was old enough to understand what his father did, is probably when his fiercely loyal, chivalrous and family-driven attitude developed.

Source: Alexander Hamilton by Ron Chernow, p. 22-23; Ibid., p. 28

I'm so hopped up on caffeine I could do a triathalon.

Hamilton and his mother were both afflicted by a strange and unspecified illness in the winter of 1768. The primary symptom was a severe fever, and they were treated with purgatives, medicinal herbs, and bloodletting. Nothing helped, and Rachel died at 9 pm on February 19. Hamilton miraculously survived.

Immediately, Hamilton and his brother James had everything they owned taken away, indebted by bills charged against them by local debtors. Their half brother inherited whatever else belonged to their mother, which brought up the marital scandal all over again, beginning a legal battle that lasted for around a year. In the end, the two Hamilton brothers were left with two things: jack shit and fuck all.

Custody of the two boys was appointed to their cousin, Peter Lytton. In my notes, I described him as "white trash" and "insane", including the quotes, so idk who said that. Peter Lytton lived with his black mistress and their illegitimate child. He killed himself on July 6, 1769, and what's strange about that is that we don't know if he shot or stabbed himself. I don't know who got confused about the difference between a knife and a gun, but that isn't my problem.

To make a bad situation worse, Peter Lytton didn't leave the boys anything in his will, and neither did his father, who did "his best" to help. His best could have been even just mentioning the name Hamilton in his will, but whatever, I guess.

These events held very important lessons for the young Alexander: 1) nothing lasts forever; 2) everyone dies; 3) the legal system is terrible; 4) rich people hate you; and, most importantly, 5) the only way out was up.

Source: Alexander Hamilton by Ron Chernow, p. 22-27

On His Own

This marked a split between Hamilton and his older brother, but this didn't seem to affect him as much as what happened with his parents- possibly because he wasn't biologically his brother, but I don't really care about that. What's more important is that Hamilton was almost entirely on his own, with inconsistent housing, so he couldn't always rely on the Stevenses. He was in a very similar situation that his mother was in at one time not long ago: alone and self reliant.

Hamilton was already working for the mercantile company, Beekman and Cruger. This company was later renamed, so I'll just say that Hamilton worked for Cruger, who was a business man with ties to New York. Hamilton worked as a clerk at this import-export business, giving him the responsibility to monitor intake and outtake as well as the organization of papers and just generally keeping everything in line. Due to the international relevance that was St. Croix, Hamilton often used French in his business dealings. Here, Hamilton perfected his handwriting into that elegant mess we know and can't read, picked up information on shipping/navigation, and learned his famously proficient math skills, particularly in relation to finance and economics.

Hamilton's famously maniacal work ethic began here, but so did his yearning for military valor. The first piece of personal correspondence we have from Hamilton is a letter to bestie Edward Stevens, and was made very famous from The Musical.

"Im confident, Ned that my Youth excludes me from any hopes of immediate Preferment nor do I desire it, but I mean to prepare the way for futurity. Im no Philosopher you see and may be jusly said to Build Castles in the Air. My Folly makes me ashamd and beg youll Conceal it, yet Neddy we have seen such Schemes successfull when the Projector is Constant I shall Conclude saying I wish there was a War. I am Dr Edward Yours Alex Hamilton (sic)"

Source: Alexander Hamilton by Ron Chernow, p. 29-30; Alexander Hamilton to Edward Stevens, November 11, 1769, St. Croix; Library of Congress, Image 13 of Alexander Hamilton Papers: General Correspondence, 1734-1804; 1734-1772

When Cruger left St. Croix for New York due to medical reasons in 1771, he left 16 year old Alexander Hamilton in charge of his primary source of income. And you're probably thinking that's a stupid idea. Because it is.

BUT ITS ALEXANDER HAMILTON. SO IT WAS FINE??? Well, fine for everyone besides the captain of the HMS Thunderbolt.

The Thunderbolt pulled into St. Croix's busy harbor after crossing the ocean and manned by a veteran captain, however Hamilton was not satisfied with the outfitting of the ship nor the quality of the goods that had been transported.

"Reflect continually on the unfortunate voyage you have just made and endeavor to make up for the considerable loss therefrom accruing to your owners." -Alexander Hamilton to Captain Newton, February 1, 1772

You can really see Hamilton's "I'm better than you and I know it" attitude shining through, made more shocking than ever than the fact that he was SIXTEEN YEARS OLD and talking to a man who was LITERALLY TWICE HIS AGE. The only reason he didn't lose his job over this is because he was right. The mules that had been transported were in such poor health, Hamilton had to pull strings to get them sold, and the wood was too waterlogged to be sold on the open market, so he sold it to a private buyer who was able to find something to do with them. He showed quick thinking, confidence in his abilities, and managerial skills. It was these skills that would later appeal to George Washington, not his financial abilities, and led to his most important appointment.

Source: Papers of Alexander Hamilton, vol. 1, p. 23, letter to Tileman Cruger, February 1, 1772 ("It would be undoubtedly a great pity that such a vessel [the Thunderbolt] should be lost for the want of them [cannons]."); Ibid., p.4, letter to Captain Newton, February 1, 1772; Alexander Hamilton: A Biography by Forrest McDonald, p. 128 ("Taken aback, Washington replied, 'I always knew Colonel Hamilton to be a man of superior talents, but never supposed that he had any knowledge of finance.")

Cruger's firm also engaged in the Atlantic slave trade, as did the majority of trading firms in the Caribbean and the American south. It was this exposure to the abhorrent conditions on slave ships and the violence African people faced in the triangle trade that shaped Hamilton into a vocal opponent of slavery- when it was convenient. More impactful was the fear he developed of slave revolts, as was very common in the Caribbean because of the disproportionate slave to free/black to white ratio in the islands, and this would later define his views on the French Revolution and public protest in general. He and Thomas Jefferson had this in common.

Hamilton continued studying books in his free time, and the local newspaper, the Royal Danish American Gazette, began publishing poems from an anonymous young writer- obviously it was Hamilton. His poems ranged in subjects, and aren't particularly good, but they're better than any poems I've written angrily in my journal about my evil exes, so that is to his credit.

Hamilton's poems took a religious turn, most likely traceable to the arrival of Reverend Hugh Knox, who took in Hamilton as a mentor. Clergymen were a hot commodity in the hell hole that was the Caribbean, and Knox had a lot of work on his hands, but he took a particular interest in Hamilton, specifically in getting him out of the aforementioned hell hole. He saw that Hamilton was incredibly intelligent and hard working, almost to a fault- he was probably the first person who was genuinely concerned for this dude's health over how much he worked.

Fun fact, Knox also had personal ties to the Burr family, but that is literally only a fun fact and not a sign that Burr and Hamilton were star-crossed lovers in fair Verona or whatever Chernow has deluded himself into thinking.

Source: Alexander Hamilton by Ron Chernow, p. 32-33; Ibid., p. 34

Source: National Guard Bureau, "Examining Lessons from Katrina 10 Years Later"

Then, a massive hurricane struck the Caribbean on August 1, 1772. It was incredibly damaging, causing mass destruction in St. Croix, and this is most definitely one that we in the south would evacuate for. Even my dad would evacuate for this one, and it took a lot of convincing to get him to evacuate for Katrina.

In reaction to this event, Hamilton wrote his famous letter to his father detailing and reflecting on the storm. And finally, I'm giving y'all my analysis of this letter that I keep saying I'll do. However, this post is already incredibly long, so I'm going to do it in a google doc and attach it here.

Source: Alexander Hamilton to The Royal Danish American Gazette, September 6, 1772

The letter was published to The Royal Danish American Gazette, which spread around the afflicted community. Knox's congregation gathered money for the anonymous young author (now not very anonymous) to sail to the American mainland for his education. Originally, Hamilton went to study medicine, due to the high demand for doctors in the Caribbean (his knowledge of anatomy would remain helpful throughout his life). However, at some point he decided he would not be going back to the Caribbean, and switched his focus to law, but we'll discuss that more in part two.

Source: Alexander Hamilton by Ron Chernow, p. 37-40

Well, there's part one. I did all of this in one day because um. I don't know, but it is now one in the morning and i have to wake up earlier than normal. so that's fun. i hope y'all enjoyed. shout out to my mom for proofreading half of this, and shout out to my aunt who gave me coffee, that was a horrible idea. i'll be back with part two at some point, which will probably be more concise because hamilton's childhood in the caribbean is where most of the theories are, so yeah. love y'all.

[prince-liest]

i know you didn't mean anything bad by it, but it really discouraged me to see you rb that anti-reader-insert post. i write and enjoy both reader-insert and shipfic (my 2016 baby-in-fandom roots were in shipfic, but i'm pretty active in the reader-insert community as well these days). i really look up to you as both a current med student would to a resident (i'm an m2) and a writer would to a more-experienced/established writer, so i guess seeing you agree with a post that disparages a part of the fanfic community that we both engage in made me feel upset.

i definitely understand where people come from when they complain about xreader fics flooding the tags. i've felt that exasperation and annoyance of scrolling through the tags both on ao3 and tumblr, searching for fanart or shipfics of my favorite characters, only to be inundated with reader-insert works that i'm not in the mood to read. so, i get it.

i guess my point is: i look up to you. i really enjoy your writing. and because of my parasocial connection to you (i.e., enjoyment of your fandom takes and writing), it hurt my feelings that you seem to hold a pretty negative opinion about a side of the fandom writing community that i happen to pour a lot of myself into.

please don't feel pressured to respond to this at all-- residency is hard enough without some random anon on the internet nagging at you about some random reblog that is not nearly as important as patient care or saving lives. i don't even really know what the purpose of telling you this was; i'm not trying to change your opinion about reader-insert or anything like that. i think i just wanted to let you know how i felt seeing your reblog, with no expectations that you do anything with that information /gen. but yeah. i hope you're able to get some rest and take some time for yourself soon, and i look forward to continuing to your fics in the future.

Hey, there anon! First of all, it may make you feel better to know that I actually have absolutely nothing against x reader fics at a baseline. It's not my thing, I don't read it, but I don't have enough of an opinion on it to dislike it. I'm a big proponent of "write what you want" and while I've never written x reader content, I've roleplayed plenty of canon x OC ships back in the day, and write a lot of stuff that needs the dead dove tag. This post, to my understanding and in my intent, was meant to express humorous frustration with the ongoing issue specifically of a lot of x reader fics (particularly in the last several months, I suspect either because of Tiktok or due to Twitter's downward spiral) being tagged with irrelevant tags. I've actually had to ask on multiple posts something like "Why is this tagged with [canon ship]?"

Most people have kindly removed the tag and explained that they thought it was good exposure and didn't realize that wasn't how things work on Tumblr, which is great, but it's still frustrating that it's hard to scroll through a lot of tags without seeing lengthy and explicit x reader fics that are either tagged with unrelated ships/characters/fandoms, or undertagged with blockable x reader tags.

Even if I did dislike x reader, though, I just want to emphasize to you: I really appreciate that you look up to me and I'm really happy that I'm able to provide some encouragement to you in the form of someone with a similar creative hobby on the same career path, but also, my opinions on matters of personal taste really don't matter. I am, at the end of the day, A Random Person On The Internet Who Has A Blog, and I encourage you to look at opinions of mine that grate on you and think: "Eh. Just another random person I don't happen to agree with. Whatever, I guess." and move on, because in the long run this will be more fair to both yourself and me. There are indeed actually popular but harmless parts of fandom that I'm growing to dislike a little bit, and it feels strange to be unable to casually refer to or joke about that without being worried that it will hurt someone's feelings that I don't personally like the same thing they do. This is actually some of why I'm on Tumblr and not Twitter - the parasocial issues tend to be stronger on there! I confess that I don't really know exactly what to do about this problem yet, but I'm going to endeavor to not censor myself (as long as I'm not being a dick, ofc) while also encouraging people to not put me up on too much of a pedestal.

At any rate, I'll clarify in the tags of the post what I meant by my reblog, and I hope this at least offered some reassurance to you!

[uva124]

ASHA (MY AU)

Emmmmm how the hell do these types of blogs get started?

This post is just going to be me rambling on about what I want to do with Asha.

So let's get started?

INTRODUCTION: -As I said before I'm still developing this story (damn I don't even have an outline) but I wanted to start this rewrite (or plan it a little) because of something that really frustrates me about Wish, literally in a movie that commemorates 100 YEARS OF THE MOST IMPORTANT STUDY OF ANIMATION IN THE WORLD and the topic of art has not been given the importance it deserved, you know? It's like, yes, Asha shows her sketchbook in certain scenes, but then what? It literally seems like it's just for decoration, damn, Disney could have done the same thing as with the Miles Morales sketchbook in Spiderverse, but I'm already getting distracted from the topic, so one of my goals with this was to emphasize how important art can be , and not just the drawing, but all the forms that exist of it.

-So Asha is a little different from previous Disney princesses.

2. HISTORY:

CHILDHOOD: Yup! I'm joining the angst ship, I don't really blame anyone *cough* *cough* Flicker *cough* Bo *COUGH* *COUGH* ANNY *cough*, damn my allergies are getting worse. So Asha at this stage is quite cheerful and positive, basically like Rapunzel, Moana, Anna and this princess trope, however this takes place in the modern world (the movie would be set like in the princess and the frog movie only the world It's a little more modern) Asha discovers her passion for drawing, and as she grows up she wants to dedicate herself to that and is full of a lot of dedication and determination, but what would happen if we corrupted her dreams?

PUBERTY: “It's fine as a hobby…but it won't work Asha”, “Don't you like doing other more…useful things?”, “Come on, you have so much talent, are you really going to waste it on this?” , “Have fun without having a future” “Really this is more important than your other things Asha?” ,Yes, I am adding this, Asha wants to dedicate herself to animation, so Asha at first, like every Disney princess with character, ignores these types of comments, which came from anyone in general, some said it with good intentions and in a calmer mode and others in a more aggressive way (you know, being idiots), but when you receive this type of comments your entire life, it will somehow affect the protagonist, and it will only get worse *Insert evil laugh*

ADOLESCENCE: I didn't mention it but I plan to include Asha's family, or at least at the beginning, she was living with her parents Sakina and Tomas as in the official movie (I'm still debating whether to add Sabino or not), her father gets sick as in the original movie, so Sakina and Asha do their best to help him, then Asha has less and less time to concentrate on practicing drawing and in general her hobbies (I also want to emphasize that here Asha was doubting more and more about drawing as a professional way and started to despise her talent a little bit, not completely but that little seed had already been inserted in her head), her father was her biggest motivation, he was a dreamer like his daughter, her mother was more down to earth but equally supportive of her family, Tomas was always the first to see his daughter's drawings.

So continued the life of our protagonist, studying, working a little and drawing in the little time she had, and in those jobs she met Magnifico and Amaya, I'm still debating how I'm going to write them, but I'm sure I want them to do a scene with Asha that I'll explain later, for now let's continue.

One day Asha's father can't take it anymore and dies…….. all Asha could do was watch her mother running to her room because she really didn't want her daughter to see her in that state.

With that you're probably wondering, “Well, Asha can get a motivation to keep being a dreamer and pursue her dreams to follow her father's legacy rigth? “ Well actually………no, Asha in my Au unfortunately had already endured TOO many comments that referred to her dreams of being an entertainer or artist, even her mother had referred to it in a not so positive way (no, Sakina is a good mother, she's not perfect, but she cares like every mother about her daughter's future) , and without her major support in life, that…..eso ended up deciding that she would just give up on those dreams… or at least until a certain day.

CURRENTS: In the movie Asha is presented as a girl who studies a career that she does not like for the most part, but she says to herself “It's too late to redeem herself, there is no turning back, I just have to continue and everything will be fine, for me and my family”, she also works as an assistant to Magnifico and Amaya, during years of having met them she was getting closer little by little, in fact they knew the protagonist's family for some years but they had distanced themselves, they also “tried” to help with Tomas' illness, but as it was shown before that did not work out, now they gave Asha this job opportunity and she is not going to waste it, since she still has to help her mother.

Let's say that Asha doesn't draw much anymore, she still makes small sketches because, well, when you are really passionate about something you keep doing it despite the adversities, right? Even unconsciously (you're understanding what I'm trying to say, right? ), besides, it's not like she still deep inside has not stopped wanting to fulfill her dream, although she every time says that making drawings will not lead her to anything or just saying “it's a hobby that will not lead me to anything useful or important” is just to have a constant reminder that she might not make it, that it's not worth it, that no matter how much she loves to create and draw, it just doesn't make sense anymore.

Remember I told you about a scene between the villain duo and Asha? well this is what I have in mind:

Asha somehow or another is going to end up asking Magnifico and Amaya for help, which would lead to Asha maybe not working with them anymore or something so she can pursue a small glimmer of hope of fulfilling her dream of being an animator (as I say before, this post is just me rambling), the villain duo simply proceed to manipulate the poor girl by making snide and manipulative comments about her “insignificant goals” and her “wasted talent”, if Asha herself was already quite doubtful about these issues, this just makes her worse, she's lost, she doesn't know what to do, she's afraid of her future, she doesn't want to let her mother down, she doesn't want to end up being a disappointment (maybe I overdo angst, it doesn't matter, it's important for ✨character development✨).

Now a multiversal cosmic thing happens (that I'm still thinking about) but the point is that my Starboy (Haedus) and his 2 protégé/small brothers (Nembus and Naos) arrive, at first Asha is VERY SCARED AND CONFUSED, I mean, this is not possible right, she must be confused from crying so much - I mean this only happens in the movies and fantasy stories she saw as a child right?! (lmao)

At first she doesn't get along with Haedus, not at all, with the little ones at first she is a bit distant, but little by little she starts to develop a great appreciation for them, the little starlets (and then Haedus) throughout the story bring back to Asha that dreamy and positive side of her.

Also Asha is not the type of person who makes derogatory comments when it comes to the goals or dreams of other people and her friends despite having received them all her life, no, she is not that type of person, of course everything she has lived through makes her more sarcastic or pessimistic at times, but she doesn't want someone else to feel like her, she doesn't want anyone to go through what she went through, and this is only reinforced with the arrival of the stars.

I have to mention that Nembus and Naos make Asha remember how she was as a child: cheerful, positive, dreamer, and seeing how the antagonists want to hurt them, how that can destroy the hopes and illusions of the little stars, that just makes her more determined to defend the little ones at all costs.

“They still have dreams, and they can still fulfill them, that's why I won't let others destroy those dreams, not like me.”

3.PERSONALITY:

-Sarcastic -Negative to a certain extent -Empathetic -Indecisive -Calm -Organized

FINAL COMMENTS:

That's all I have for now, I hope I haven't bored you, as I said before, this is all just my rambling, I still don't have an outline or plan for this, anyway, I hope you had a good time reading this, see you next time!✨✨✨