#literally one of my favourite scenes in the entire book

[the-eclectic-wonderer]

I mean, who hasn't lovingly grabbed their best friend's hips while reassuring them of their innocence

[casscainmainly]

My Top 10 Batgirl (2000) Moments

This is my list of top 10 Batgirl (2000) moments!! There were so many to choose from, but these are my personal favs :)). Counting down from 10 to my absolute favourite.

10. Volving

An absolute classic. Perfectly encapsulates what Cass does throughout the entire run, and more writers should play with Cass' use of language like this!

9. Beat Up Every Mob In Gotham

Perfect encapsulation of the early Barbara-Cass dynamic, and one of the funniest moments in the series. Just love the expressions and the way this shows so much of Cass' character.

8. Choosing to Write

The entirety of issue #2 builds up to this heart-wrenching moment. After delivering a dead man's final message to his wife, Cass sees the wife's reaction to the written message and decides to learn to write. A foundational moment for her character, and a nice motherly Babs scene too.

7. Alpha Redemption

Capping off issues 35 + 36, Batgirl unmasks herself to convince Alpha (an amnesiac villain) that he doesn't have to be defined by his past. Brilliantly displays her core belief that people can change, and the fact that her belief pays off makes this moment extremely moving.

6. For God's Sake

Possibly a controversial pick, but I really like this moment because it underscores some of the fundamental conflict between Babs and Cass. They love each other, but they don't always understand each other, particularly in regards to each other's disabilities. A painful moment that should have been explored more.

5. Fight For Your Life

My favourite Stephanie and Cass moment in this run. You can feel Cass' grief throughout this hallucination, but there's also so much hope and love (for Stephanie and for herself). It's an amazing conclusion to Cass' initial suicidal tendencies: instead of desiring death, she now actively fights to live.

4. Darknight Detectives

This interaction sums up a lot of Bruce and Cass' best moments. Cass' unwavering moral beliefs, Bruce's pride, their instinctive understanding of each other; they just get each other in a way few others do. I picked this one instead of the 'instinct/good answer' moment because it also marks Cass' development in her detective ability. From Moment 8 above to here, the confidence in her mental capacities has grown so much. She really volved!

3. Perfect For A Year

I mean of course this had to be here. These lines literally take up 90% of my brain space, it's an incredibly tense moment that illustrates Cass' desire to be perfect, her need to be useful and good. This issue is also just awesome.

2. You're... Not

Another absolute classic. Illustrates Cass' compassion and her belief that people aren't defined by their lineage, which is particularly personal to her, given her own dad. This struggle between good/bad, parent/child defines many of Cass' best stories.

1. Who Do You Think You Are? + Father's Day

What else would number 1 be?? Issue 33 is my favourite in the entire run, and the entire thing is stacked with moments that could fill up this list. I just love 'who do you think you are' because it's all of Cass' rage spilling out, and yet she still loves David Cain in her own complicated way (and he reciprocates, too). Then we have the ending, which is the BEST Bruce and Cass moment ever. The sparse, meaningful dialogue, the expressions, the reveal of the TITLE: comic book writing at its finest.

Honorary mention to the Shiva/Cass fight, which just narrowly missed out.

[bitchimasnake-sss]

"my girlfriend's a nerd" ft. the monster trio!

self explanatory self-indulgent drabbles to soothe my book!loving ass

ft. luffy, zoro and sanji x fem! reader set-up: you like books, he likes you that's it warnings: none lmao this is very sfw. one might call it wholesome even. m.list

luffy:

thats my baby ^^

— im not even sure if this mf can read 😭😭

— honestly 9/10 chance he can't but when has that ever stopped him from being our most supportive himbo king

— go king give us everything!!

— he doesn't get why you read books when instead you can be like sleeping or eating or looking at the sea but well, he doesn't question it

— he just thinks it's a weird hobby you have (i don't think he's aware of how freakishly illiterate he is)

— but just cause he thinks it's weird that doesn't mean he wouldn't hug you half-asleep when he hears you sobbing into the dead of the night or he wouldn't listen with keen interest when you explain the plot of your favourite book as he wraps his arms around you and hums into your hair

— will 100% offer to fight the author/ tear up the book everytime he sees you having a breakdown over a particular scene/character

"who should I kill?!" the deadpan seriousness in his voice is what terrifies you

"nobody! I'm okay–"

— after you explain to him that hurting somebody is not necessary and you're fine, he will try to coddle you with extended hugs and food (lots and lots and lots of food).

"yn you should eat something! should I get you something to eat??" you can hear the panic in this poor boys voice 😭😭

"no luffy, its okay. im fine!" you say through sniffs and snorts, eyes bloodshot from crying over ink on paper

"brb" and he gets you dinner enough for 5 people because that's how he knows to comfort you (willingly took sanjis kicks and namis punches to accomplish this mission)

— since he's a clingy little child, he will hold onto you some way or the other when you're reading

— you're reading in your room while he's fast asleep? his arm is draped across your waist lazily. you're on the other side of the deck, sunbathing and reading? his hand is stretched out from where he's sitting and on your thigh (ussop tripped thrice over his hand, rip god ussop 🙏) . you're reading during breakfast cause the book just got so good? his toe is rubbing your calf up and down periodically (he won't stop no matter how many weird looks you give him)

— conclusion: he doesn't at all get it what it is, but if it makes you happy he will spend all the berries in the world to buy you those books (plz know if you actually ask him to jokingly off an author for killing your favourite character, he will do it. please don't ask him that.)

— he's just so supportive and nice 😭😭

"my girlfriends a nerd, I love her" (ussop explained to him what a nerd was and now he's introducing you like this to everybody)

zoro:

the shades tho 😎

— I'm convinced this mf can't read either

— even he can there's like literally no evidence to prove it and the entire crew has come to the conclusion that he gets lost even with clear directions because he just can't read please 😌👌

— at the start, he actually thinks it's dead stupid to invest so much time reading books when you can do other stuff like getting stronger, sleeping, literally doing anything else (luffy backs up his opinion with full enthusiasm)

— i mean like he's seen you sob at 7 in the morning over breakfast cause your fav character died and now he's confused as to why are you spending money and buying books if they make you cry so hard (he doesn't understand the concept of angst im afraid)

— but over time he just accepts it as something you enjoy and well, if it makes you happy then who is he to question it?

— acts like he doesn't care/isn't listening when you're rambling about the plot and how thE MAIN CHARACTER IS IN LOVE WITH HIS ENEMY AND VICE VERSA SKEJFHSJKSN but is actually fully listening

— he's actually invested at one point

"but they are enemies? why does he wanna be with him?"

"you don't get it! thats the appeal!!"

"the appeal is forcing a knife on somebody's throat?" he's laughing, "as if you'd enjoy it if i threatened you with my swords"

"... i would actually enjoy that"

he is now asking nami for loan to send you to a therapist (nami has seen you nosebleed over fictional characters and is considering giving money away to zoro for free. you really do need help.)

— as I said, he's invested now (although he does question your taste every now and then) but he'd force you to either summarize the plot to him as he trains or read out loud so he can hear the story as it goes.

— so naturally you're now sitting on his back, reading out loud as he does push-ups

— this beloved himbo has now formed strong opinions about characters and will battle you with headcanons because "there's no fucking way the hero would ever go back to the villain after that! that's ridiculous! if he does I'll sell my swords off."

— will remember the stuff you told him, no matter how trivial, so if you get off an island and he spots a keychain from your fav book series he's spending whatever money he has left to buy you it

"oh excellent choice! who are you buying it for?" the shopkeeper lady questions aloud

"oh, my girlfriend." he's smiling, "my girlfriends a nerd."

— actually looks forward to you telling him all the plot details and jokes at this point (one might call him a part of the fandom now)

— when you're a crying, sobbing mess because a character died, he's genuinely comforting you (no matter how bad he is at it)

"yn it's okay, you want some sake?" he is hugging you, patting your head like you're a child

"no 😭😭" you sob harder into his chest

"well... that's the best i can offer"

he tried. it's not his fault you don't wanna drink your feelings away.

— conclusion: he started off thinking its stupid and now he's an honorary nerd. would never admit it though. stubborn asshole.

sanji:

he's actually so pretty tho ^^

— he actually liked reading books before you even joined the crew although his tbr consists of cookbooks and auto-biographies about the people he has some interest in

— he started reading so that he could impress zeff with his knowledge on cooking and other miscellaneous stuff (imagine kid!sanji reading a book till late night under a lamp cause he wants to impress his old man that's so cute 😭😭)

— respects your hobbies when he finds out you like reading

— and then he sees your book collection. whY ARE THERE LIKE 5000 BOOKS HERE?! NOW HES SCARED FOR YOUR SANITY CAUSE GIRL WTF

— he hears you recommend a book to robin/nami once and now he's running to the nearest bookstore on the next island you guys land on to buy it

— he obviously did it to impress you and win you over but goddamn that book was actually pretty nice. so, the next time he asks you for recommendations he's actually a bit sincere

— now you're both in a book club of your own (which makes luffy mad cause why are you leaving him out of conversations :/)

— like zoro, he often asks for updates on the book you're currently reading while he cooks everyone food. he loves hearing you talk about the things you like.

— when he sees you crying over books, he is making you sweet stuff to soothe you, holding you and rubbing your back supportingly, peppering kisses to make you feel better

— he's so fine 😫😫

— anyways, also def the kind of person to ask you to roleplay things in real life

"yn-saaaan" his voice is bubbly, "can i ask you something?"

"mhm?"

"the last book you read–" his face is going a little bit red, "you think we can maybe... do that irl?"

now it's your turn to go red

— but no fr, he's so so supportive of your little hobby like yes baby! read those books and have fun imagining people in your head

— 100% matches your vibe when you crush on fictional characters cause "you're right. he is actually very attractive" (a bi king we love)

— once zoro made fun of you for reading and this was his response: "you can't even read, mosshead. the next time you speak shit I'll kick your ass."

"who said I CANT READ? AND AS IF ILL LET YOU KICK MY ASS!"

"I TOTALLY WILL KICK YOUR ASS"

now they are fighting while ussop, luffy and chopper laugh in the background

— but yes he loves staying up late, reading with you before you both cuddle and fall asleep

— you once read about a specific sort of dish in a book and mentioned that it sounds delicious so now obviously he has to go make that dish. it doesn't matter if it's 1 am at night.

— when nami asks him what he's cooking, he just smiles and shrugs, "i dunno either, im just trying to make yn happy. she's such a nerd"

— conclusion: an enabler, an enthusiast. this man is ready to buy you books and then read them if it makes you happy. only the finest for his favourite lady <3

a/n: enjoy my wayward thoughts about these fine men! m.list

[tsxkkis]

omg omg can i request? pls ignore if you dont!

s3 of haikyuu will always be my favourite season, maybe due to the fact that tsukishima realizes his potential in playing volleyball? (him having his MOMENT is my favouriteee scene)

so could you write gf manager reader x tsukki, where reader witnesses him having his first moment (blocking ushijima's spike), injuring his hand etc etc up until they receive their throphy and medals in the end ?🥹🥹💕 shes a proudddd reader and literally just smooch smooch hug hug tsukki because hes the mvp of karasuno x shiratorizawa 🥰😤

i realized that theres nobody includes this scene in their fics and i wonder why? 🤔🧐

# tsukishima kei - mvp

a/n: i am terribly sorry anon bcs this took so long T-T i'm not quite sure about some parts of this fic but overall i really enjoyed writing this request!! tsukishima is my fav for many reasons, one of which being the fact that i see myself in him a lot, and the particular moment during the shiratorizawa vs karasuno match is also my fav from the entire series!! i hope u enjoy reading this fic^^ i feel like it's not exactly what you asked for, so i'm sorry if i went too far away from your idea....

summary: tsukishima finally regains his love for volleyball.

warnings: a few swear words here and there, the fic doesn't exactly portray what happened in the series (i switched it up a bit)

'are you stressed?'

'not even a bit.'

'you're lying. i can read you like a book.'

tsukishima kei let out a deep breath, rolling his eyes as he looked away from your face. you were obviously right; there was no way he wouldn't be stressed before the game that determined whether or not karasuno would go to nationals. as much as he hated to admit it, he was almost as stressed as others. he was just better at controlling which of his emotions are shown.

you squeezed his hand, his fingers instinctively intertwining with yours. all it took was a reassuring smile from you to help with his nerves, his muscles finally relaxing after being tensed up for the last twenty minutes or so. he still tried to get used to you being more than a friend. your relationship was quite awkward and fresh, so much so in fact that you never even had your first kiss yet.

'i'm sure you'll do great.' you stated calmly, trying to hide the fact that you were even more stressed about the match than him. 'in fact, i'm positive that you'll win.'

'even if we do, it won't be because of me.' he mumbled, letting out a silent laugh when he saw the angry look on your face. 'oh, come on. it's not like i'm the greatest player this team has.'

'you know i hate it when you talk down on yourself.' you said, the tone serious and sharp, rather unusual for you. it stayed like that for only a short while, taken over by a softer, understanding one. 'you're a vital part of this team, tsukishima. winning this match is not up to a single person. it's a team effort. your input is as important as that of kageyama or hinata.'

he opened his mouth to say something but was instantly stopped by the voice of his captain, daichi, calling the team up to quickly warm up as the match was about to start.

you smiled at the boy, letting go of his hand before lightly patting him on the back.

'do your best for me, alright?'

'i will.' a barely noticeable smile appeared on his face, his hand affectionately ruffling your hair. 'don't worry too much about it.'

you finally realized why tsukishima kei never tried more. why he would never stay longer like other karasuno players to polish his skills, why he didn't truly seem to love the sport he chose to play in high school.

'you're insufferable, you know?' his words sent shivers down your spine. 'why don't you leave it the fuck alone?'

opposite forces, some might say. no one really knew what drew you and tsukishima to eachother - both of you completely different from one another, and yet oh so similar at the same time. frustration took over you every time you looked at him, and now you knew why.

he was like a mirror in which you could see all your flaws, and it irritated you a great deal.

his outlook on life and the way he viewed himself made you furious. how can someone be so full of contradictions? so cocky and confident, and yet so vulnerable and self depreciating at the same time. so full of himself and yet so hateful towards the person he saw in the reflection of every window, every mirror.

how can someone so great at what they do, so intelligent and talented, be so critical?

'because i can't! i can't leave it alone, you absolute moron.' the thought of how loud you were didn't stop you from continuing to shout, a mixed look on your face that tsukishima couldn't quite decipher. were you angry or sad? and why the hell would it bug you so much to evoke such strong emotions within you?

'you're saying i'm insufferable? from the moment i laid my eyes on you, you've been nothing but insufferable. so much so, that i want to gouge them out every time they spot you.' you ignored your watery eyes and tsukishima's surprised face, almost as if he didn't expect you to blow up like this. 'it pains me to see you be so full of doubt and hatred and i- i can't understand why you would think so lowly of yourself, why you feel inferior to the other guys in every way possible, when you could be so much more than them. do you even realize your potential, tsukishima?'

he stayed silent. for the first time since knowing you, tsukishima kei did not have an answer to your words.

'your doubts are so irrational i don't know if it makes me angry or sad. you're truly incredible on the court. you're intelligent, you can read the opponents well, you have the physical predispositions for volleyball and a natural talent that you choose to ignore because-'

'but what is talent without passion?'

that singular sentence managed to catch you off guard so much you had no idea how to answer him. such a simple question, and yet such a philosophical, confusing one.

'why should i put my all into something i'm not even passionate about, huh?' tsukishima tried to keep his composed nature, but it was hard to stay intact after what you've said. as much as he did not want to admit it, your words hit him deeply. 'why waste my time and energy for something that does not give me any satisfaction at all? tell me that, because i have no fucking idea.'

'passion is not something that dissapears once and never shows up again, you idiot.' you took a step closer, as if that was going to help you get your point across. 'if your passion is genuine, it will always be there. whether small or big, it will always crawl around in the back of your mind. if you ever truly loved volleyball, the moment where you fall in love with it again will come sooner or later.'

your words were met with complete silence, but you didn't mind. tsukishima slowly processed your words, a focused look gracing his face, lips in a tight line. even though it was only a couple of minutes, for you it felt like hours - awaiting an answer, any answer at all.

tsukishima moved closer, his tall frame hovering over you as he wrapped his arms around you, catching you in a tight hug, much to your surprise.

'thank you.' he mumbled quietly, glad that in this very moment you couldn't see his face, and the stupid smile plastered to it.

the moment where you fall in love with it again will come sooner or later.

tsukishima's mind lingered over these words whenever he played, awaiting this moment to come almost eagerly. the match was particularly hard - with ushijima wakatoshi as their opponent, the chances of winning were incredibly slim. every spike of his went through the block, his serves were absolutely killer, and his teammates did everything to deliver the ball to him at all costs.

what a hassle.

you noticed that his demeanor on the court changed from what it used to be. tsukishima seemed more invested now - almost as if he was trying to impress you, to keep his word. as happy as it made you, you were still anxious about the match and it's final score, hand shaky and a bit sweaty as your eyes followed the ball flying around from one side of the net to another.

another spike from ushijima, it'll probably be another point for shiratoriza-

and that's when you realized.

you saw the ball hit the ground on shiratorizawa's side of the net surprised gasps from everyone watching the match. you saw the shocked look on ushijima's face, the horror in the eyes of his teammates as the ball bounced off of the floor for the second, third, fourth time.

silence took over the court for just a mere second, quickly interrupted by tsukishima's triumphant scream.

he looked more than content with his performance. he looked... happy.

the rest of the boys joined him, screaming in unison. it was just one point, right? but for some reason, for both you and tsukishima, this one was worth a thousand.

for the first time in years, tsukishima kei felt that his spark for volleyball came back.

you noticed that his eyes were now focused on you, a full, cheeky smile gracing his face, and it only made you tear up. a short moment, probably insignificant for people around, but for the two of you it was like a breath of fresh air, like getting rid of the shackles that once held you in place, enabling you from moving forward.

'y/n, are you... alright?' coach ukai looked with his brows slightly furrowed, confused by your teary eyes and big grin plastered to your face.

'yeah, yeah, i'm fine. sorry, coach.' you mumbled, bowing a little as your eyes focused on the court. 'actually, could kiyoko replace me here for the rest of the match? i'm not quite feeling well.'

'tsukishima is injured.'

'what?' akiteru spoke in unison with you, terrified voices mixing together as you looked down from the stands to see the boy walking off of the court and rushing to the medical office along with kiyoko. your instincts took over you - feet moving on their own as you quickly ran towards the same place.

the two blondes followed right behind you, stopping only when in front of the door to the medical office, gasping for air after such a short run. as athletic as your boyfriend was, you were quite the opposite; getting tired after a little to no physical activity at times.

tsukishima saw your head peeking through the doorframe, a small smile on his face the moment he laid eyes on you.before you opened your mouth to say something, he already gave you an answer.

'yes, i feel fine.' he stated quietly, sitting down on the edge of a chair. 'you don't need to worry.'

'are you going back on court?' he only gave you a small nod in response, seemingly feeling better already as he stood up, his hand taped up.

you looked up at him, taking in the expression on his face, just how focused he already was. he looked almost as if he already had a plan to defeat shiratorizawa in this match. seeing him so eager to go back and play almost made you laugh a little - you swore you never saw him get this invested into something ever.

'go and win then.' you mumbled, patting him on the shoulder as he headed towards the gym hall.

'oh don't worry. we will.'

you couldn't stop the tears rolling down your cheeks as you saw karasuno emerge victorious from the hardest volleyball match they had to play this year, hugging yachi tightly as both of you celebrated the win of your team.

the triumphant screams filled the gym hall, the team emotional after doing what many deemed impossible. as most of them enjoyed themselves, not planning on leaving the euphoric state for a long while, tsukishima could only think of doing one thing - going to you.

you were the only person he truly wanted to celebrate with.

after the ceremony of getting the medals, to everyone's utmost shock, considering your relationship wasn't exactly public, tsukishima went up to you almost immediately, a cocky smile on his face as he ruffled your hair, looking down at you from behind his glasses.

'you didn't exactly look quite as content with your performance before getting the prize.' you mumbled, looking at the blonde haired boy with your head tilted to the side.

'well, i could've blocked more of ushijima's spikes.' he started, rolling his eyes at the sole idea of not being able to do that during today's match. 'i only managed to block one and-'

you decided to use the only method that was for sure going to shut him up in that moment, lightly grabbing him by the tshirt and pulling him closer, lips clashing for a split second in a short, sweet kiss.

'no talking down on yourself today, kei.' you said, unconsciously smiling as you saw his face getting red at what you just did, cheeks covered by a tomato-like red colour. 'i'm proud of you no matter what you think about today's match.'

he stood still for a few seconds, as if processing what had just happened seconds ago, the redness on his face deepening with each passing moment. his hand was quick to grab yours, almost dragging you away from the team and to a more private, less occupied area of the building.

'do that again.' he mumbled, after he finally led you to a quiet hallway.

'huh?'

'it was... nice.'

your eyes lit up, a cheeky smile gracing your face as you finally realized what he was on about.

'ohh, you want another kiss?' you said teasingly, eyes quickly glancing from his face down to his lips. he rolled his eyes, unamused by your act of playing dumb.

'come on, don't make me repeat myself.' still somewhat embarrassed of what he was asking for, tsukishima stood in one place, awaiting your next action.

a sigh left your lips as you took a step towards your boyfriend, standing on your tippy toes to be able to reach his face.

'alright. i guess you deserve it, match mvp.'

your arms were wrapped around his neck in no time as your lips gently touched his, tsukishima immediately kissing you back, hands positioned on your waist as you felt a smile creeping up on his face. he let out a short laugh, seeing your face being just as red as his was moments ago, hand reaching to squeeze yours.

'what?' you mumbled, as he hasn't spoken a word since breaking the kiss.

'that's surely the best prize i got today.'

taglist: @moonswolfie @wyrcan @kitsune-kita

[imustspeakmyheart]

Here's my Earthsea tattoo I got as a little birthday present to myself. This illustration comes from the Bantam paperback editions; it's the little icon above the very first chapter of A Wizard of Earthsea, depicting the island of Gont.

Ramble about my FAVOURITE Earthsea passage below :)

So I've been obsessed with this quote ever since I first read it a couple years ago. The full thing goes as follows:

"As their eyes met, a bird sang aloud in the branches of the tree. In that moment Ged understood the singing of the bird, and the language of the water falling in the basin of the fountain, and the shape of the clouds, and the beginning and end of the wind that stirred the leaves: it seemed to him that he himself was a word spoken by the sunlight" (35).

This happens in Roke's courtyard, the first time Ged enters the school and meets the Archmage. Objectively, it's just a lovely passage in a book series full of beautiful prose. It exemplifies exactly what Roke is: a place where magic coalesces and an understanding of the world can be reached. This knowledge is the very thing Ged has been wanting throughout the book so far, what has driven away from Ogion where the learning was too slow. And look here! He steps foot in the school and at an instant, this moment of transcendence. Lovely stuff in a small atmospheric scene.

But it does another thing I find way more interesting in that last phrase I put in bold. See, Wizard is a book very preoccupied with mastery over the world, in particular Ged's continuous longing for power, for overpowering others. That's, you know, his whole arc in this thing. Learning that power means knowing when or even whether to use it, and that magic (which in Earthsea means change, even the tiniest change, that ripples and ripples onward) takes consideration, time, patience.

So how wondrous is it that we get this phrase still at the very beginning of Ged's inner journey, still in his full hubris mode, that shows the world's influence over him. And look, I know this is a tiny itty bitty sentence right and it might not seem all that, but I don't think anything like this happens anywhere else in the books either? In a series where words are power and influence and change, literal magic, I think it really does mean something here that Ged feels like "he himself is a word spoken by the sunlight".

What does this mean? What does it mean to be spoken by the sunlight? That he feels made, created by the sunlight? Changed? Held in place? Either way, some influence is held over him by the very powers that wizards usually command themselves. The landscape is speaking him, the sunlight is commanding him, subsuming him, he's part of the world in the realest most primal way you can be in Earthsea. He's a word.

And another thing! Ged's entire struggle in this book is with what? His shadow. Yet this phrase reminds us that even at a moment where Ged has not learned his lesson yet, when he is yet to commit that terrible act, he has light in him. He's changed by that sunlight all the same. Light and shadow both; there can't be one without the other.

(Also this fountain Ged's at in the courtyard in this scene is the very same place Nemmerle dies after saving Ged from the shadow. Very important place, this.)

ANYWAY suffice to say I love this passage and I will never stop thinking about it.

[gyllenhaalstories]

BODIES IN THE SAND — ELWOOD DALTON 🎂

summary: it’s your birthday and dalton wanted to make it special.

warnings: eating, mostly fluff & smut (making out, thigh riding). 18+ NO MINORS.

word count: 2730

gifs credits: me @/gyllenhaalstories / divider credits: @/firefly-graphics

notes: today is my birthday and i am, for the fourth year in a row, making it everyone’s problem with a (very boring) self indulgent fic. 🎈 thank you for reading & REMEMBER TO REBLOG!

The dock master waved at you when you passed by. You did not leave him enough time to repeat his speech about watching out for the damn crocs like a broken record. You had visited the Glass Key Marina so many times since meeting Dalton, one could think the old man would spare you the lecture. Whatever. This time, you ignored him. You stormed towards the wooden pier on a mission.

Dalton, now confident in Billy and Reef's abilities to handle the unruly patrons on their own (if they remembered to lift with their knees), allowed himself a night off from time to time. The pay as the bouncer of the roadhouse supported him plenty anyway. He did not splurge much, judging by the fishing box overflowing with stacks of cash. When he did spend his money, he would buy all the books Charlie recommended to him or he would treat you to his new favourite food, conch chowder.

You were usually the first person to know about his sporadic vacations, except for today. You drove to the roadhouse and Laura greeted you with a perplexed smile as to why you were there without Dalton. Frankie walked down the stairs from her office and expressed the same level of confusion. "Dalton called, said he's sick. I think the boat dreams are getting to him. Took him long enough." She explained before helping her employees to get the bar ready for another night. Dalton, sick? You stormed out of the bar with the same determination that made you beeline to The Boat.

"There you are." Dalton, who sat on the railing of the boat, stood up and turned around to greet you. The look on your face, painted with surprise, satisfied him, it was worth spending the entire afternoon decorating his corner of the marina. "Happy birthday."

You stood on a creaky wood plank and took in the scene. Orange balloons matched the colours of the sky as the early sunset reflected on the water. There were garlands and streamers, basically anything that could make the dock look festive. You scoffed at the Happy Thanksgiving banner attached to the back of the boat that clashed with the rest.

Dalton quickly justified. "I know... 'Was all Charlie could find." He worked on the ribbon of the balloon he had previously secured on the railing and held on it tight. He raised his leg to get off the boat, but you interrupted.

"I appreciate the thought. This looks so..." You spun on your heels and admired the decorations for a few more seconds. "This looks really nice. But that still won't get me to climb on that thing. It's literally sinking." You pointed at the rusty boat that the dock master constantly referred to as a frying pan. You wholeheartedly agreed with the older man.

"It's not sinking." He leaped from the boat to the dock. The tone of his voice failed to convince you. "... Yet." You both nodded in agreement. Not yet. Soon enough, Dalton would be taking a nap with the crocodile.

You let him come to you.

He tilted his head, eyes squinting at you. "You know, those little footsteps of yours sounded furious. Everything okay?" He clenched his jaw, already bracing up for bad news. It was all he seemed to attract: bad news.

"I should be asking you! Are you okay? I went to the bar and Frankie said you were sick."

"I don't get sick." He shook his head lightly.

"Then why did she tell me that?"

"Oh, I asked her to." He marked a pause, as if that was enough information. You pressed him to grant you with more details. "I thought it was a good excuse." There was a hint of pride in his grin.

"A good excuse that worried me a lot." Your attempt at reprimanding him failed miserably, especially when his grin widened while he stepped closer to you.

Dalton carefully tied the ribbon of the balloon around your right wrist. He then flicked the balloon, watching it bop. "Charlie and I have been planning this for a little while. Couldn't find a proper banner in time." His chin pointed at the Thanksgiving wishes.

"You can say something cheesy to make up for it." You suggested with a chuckle.

"I'm thankful that you're born?" Although he said it like a question, he was certain in the sincerity behind his words.

"That does the job." You both exchanged a moment of laughter. "Thank you for taking the time to decorate for my birthday."

"There's more." He guided you off the dock and through the makeshift path to the beach, always hovering a hand over your lower back to make sure he would be quick to react if you fell.

You let Dalton walk by the shore. Although you did not mind feeling the water run over your feet and ankles, he had insisted enough times that it was safer for you to stay on the other side. So you just let him do what he wanted. Your hand brushed over his a few times and you caught sight of the smirk on his lips.

He also noticed your head was turned towards the water so he pulled you to stand in front of him. He lost no time to hold your hand when you reached behind to grab his. Dalton mouthed a quiet wow when he took in just how beautiful you looked with the pink sunset sky.

Things were simple with Dalton. He did not talk much about what lead him to Glass Key, but you learned enough snippets of his life to know he wanted things to remain this way: simple. He liked the way you weaved yourself through the routine he built since working at the roadhouse. You'd visit before work, at work, after... You would hang out at the bookstore with Charlie, you would sit by the bar with Laura. It all felt simple. He did not hide his appreciation for the time you shared. He showed honesty in his intentions with you when a kiss turned into a lot more one too many times. Plenty of whispered praises, plenty of love filled gazes. You took it one day at a time with Dalton. And today was a special day in more ways than one.

Dalton bumped against you when you stopped walking abruptly at the sight of the makeshift picnic set up. Beach towels laid on the sand and held in place by a bunch of rocks and a pretty conch shell. It looked a little funky but he knew you could not care less. "After my first shift at the bar, Frankie told me this whole sales pitch about the place." He let go of your hand so you could wander towards the beach towels. "She said this was a beautiful spot to have a drink with someone special." Frankie was talking about the roadhouse, not the beach at the back of the marina but... It was close enough.

"She must be right." You sat down on the towel, Dalton joined you. He attempted to say something else, but the balloon floating in the evening breeze distracted him. You watched him intently as he untied the ribbon from your wrist and attached it to the handle of the cooler.

You exchanged a smile and enjoyed more of the sunset. You wondered to yourself how people could live in a beautiful place such as this and forget to pay attention. How could someone get used to a view like this? You certainly could never. You knew Dalton felt the same.

And Dalton knew what you were thinking about. He had travelled quite a bit, both for work and to escape it. He faced the same reflection time after time. "I don't know." He broke the silence, answering your unspoken question. "Maybe they don't have the right person by their side to remind them to appreciate the moment."

"I like the sound of that." You shifted closer to him and his hand slid along your lower back to find its place on your hip. "It's romantic."

"Wait 'til you hear about what I baked for your birthday..." He let out a small grunt when he stretched his arm towards the cooler to pull it closer.

"You can bake?"

"Nope." He opened the cooler and tilted in your direction. "But Charlie can." Kind of. He let you take a peak inside to admire the cupcakes that he prepared with the teenager and with Stephen on supervision duty.

You found it so endearing how he formed a bond with Charlie. Dalton even grew to like her comparisons to western novels and cowboy boots wearing broody heroes. You leaned in to admire the desserts and chuckled at the sight. "They're all squished."

"Shit." Dalton whispered at the sight of the dozen of misshapen cupcakes. He pulled out the tray and set it on the beach towel. He selected one that sort of held its shape during the transport from Charlie and Stephen's house to the beach. "I swear, I frosted them all nice for you." He grinned apologetically.

You grabbed the cupcake from his hand and took a bite. You swallowed thickly and tried to contain a funny face. "These are..."

"Burnt as hell." He stole a bite from the same cupcake and grimaced. He looked down at the rest of the desserts and began to explain that he was sorry, that he really tried to make your birthday special.

You interrupted him with a kiss on the corner of his mouth. "There was frosting." It was not entirely false, but you hoped this would stop the train of thoughts.

He still looked unsure, he worried that he had messed up.

So you kissed him again, on the same spot. You would usually let him lead and make the the first move so he would not feel trapped, but you wanted to reassure him. "Spending time with you is a nice gift on its own. So this?" You gestured around you. "This is great. And this." You held his head in your hands for a few moments, waiting for his lips to curl into a smile. "It's all I need to have a good time."

The smile stayed glued on his face even when you pulled away. You reached for the cupcake again and Dalton took it from your hand to put it back on the tray, slamming the cooler shut for good.

"You can't waste the cupcakes, you worked so hard to bake them for me." You would have eaten a couple of the sweets had he not stopped you, you wanted Dalton to know you liked the gesture.

"Then the crocodile can have them." You nodded, agreeing with his idea.

"Maybe he'll spare you for another night."

The sound of yours and Dalton's laughter blended together as one. "That's exactly what I was thinking." He replied.

"I know I just said I'm having a good time, but..." You crawled to kneel between his legs. You sat back, keeping a safe distance to let Dalton decide. "We can make it even better."

He considered the implications of your offer. Now, he felt like he was the one being celebrated. You were a real treat, kneeling before him with a gaze he had seen many times before. You wanted more... You wanted him. Dalton leaned in, glancing between your eyes and your lips.

You let him come closer until your mouths met in a gentle kiss, mirroring what you did moments ago.

His nose brushed against yours while he left you longing for another kiss. The small nod of his head told you everything you needed to know.

You erased the distance completely and kissed him again with your head tilted to the side.

Dalton's fingertips caressed along your arms and guided you to wrap them around his neck. He deepened the kiss when he felt one of your hands cradling the back of his head.

You hummed when his hands began to explore your body. The gentle touching up and down your back grew in eagerness.

Dalton's hands gripped firmly on your hips, pulling you closer. He placed a hand under your thigh and positioned you how he wanted. He took it slow, one step at a time. His hand travelled back up to the curve of your ass that he squeezed a little bit harsher than you expected.

The whimper you let out only encouraged him to keep going while his feverish touches fuelled you to take this further. Your tongue traced his lips before he parted his mouth open.

Your tongues danced together while he let go of you briefly to unbutton his shirt. Immediately after, your hands were all over him. Your fingertips followed the shape of his collarbone down to the curve of his pecs to end on the valley between his abs. You printed each and every detail of Dalton in your mind.

Your loving touch spread goosebumps on his skin, or perhaps it was the breeze getting cooler. The sunset reached its last instants, the sun appeared to be swallowed by the ocean far beyond the horizon. The marina was peaceful, but not quiet. Soft whimpers and grunts filled the silence as the waves slowly hit the sand.

You paused to catch your breath, Dalton could not take his eyes off your kiss swollen lips. "Wanna make you feel good." He whispered against your lips before leaning in again to let his tongue invade your mouth. His hands rested on your hips, squeezing the flesh and making your body move back and forth.

You ached from the lack of direct contact with him, you needed to feel him. But, again, you wanted to respect how far he seemed willing to go.

So he put his words into actions. Dalton made you straddle his thigh, trying to adjust the best he could to make sure you were comfortable. With his hands on your ass again, he began to make you grind on him. At first the movements were tentative, he let you adjust to the friction between your core and the clothes. But when you moaned at his ear, he could no longer hold back.

You rocked your hips back and forth, succumbing to the ever-growing hunger for more. More of this heated intimacy, more of Dalton's warm skin on yours... More.

Every time a door opened, Dalton closed it by repeating that you were a nice person, that you did not want to know him in that way, that you did not want to get close to him.

Yet, you waited. You showed him you had all the patience in the world for him. You showed that you were not out to get him, that you simply wanted to make Dalton feel good too.

You succeeded. The more you waited and reassured him that you would respect his boundaries, the more Dalton wanted to explore what lied beyond those limits.

"I don't want to stop." You murmured at his ear, trailing kisses from his ear and along his jaw until your lips connected again.

"I don't wanna stop either." His grip tightened on your hips, forcing you to slow down. "But since you refuse to get on the boat with me..."

You remained categorical, he would never convince you to step foot in that death trap. "We can go back to my place."

"Oh yeah?" Dalton kept you immobile, pressed down on his thigh. Your whine of complaint sounded like music to his ears. "You think you can wait that long?" It was quite the drive between the beach and your home. If either of you had the genuine intention to leave, you would have done in a while ago. "I'm not too sure about that."

You scoffed at his assumption. "Can you wait?"

Dalton answered your question by capturing your lips with his in a rough kiss. He slowly, carefully, helped you to lay on your back. He guided your legs apart to make space, his gaze meeting yours while his hands caressed your thighs. He let the tension build, he needed you to give him one more sign that you wanted this just as much as he did. When your hips bucked forward, your body pressing more against his, he grinned. "I've waited long enough."

[vintagetvstars]

Terry Jones Vs. Alan Alda

Propaganda

Terry Jones - (Monty Python's Flying Circus, Do Not Adjust Your Set) - I wish I could tell you all in a few sentences just how handsome, funny, intelligent, kind and soft-spoken Terry Jones was. How passionate he was about the things he loved, lacing his interests (like e.g. history) throughout all the projects he was working on. How he was supposedly always laughing and giggling when writing and reading out sketches. How he admired the art of silent movies/Buster Keaton and was obsessed with writing poems as a child. How he was described as a wonderful friend and a little as if he carried his own world around with him. But there is simply too much to tell and I adore him too much to pick the best facts, so this will have to do

Alan Alda - (M*A*S*H) - He is both the saddest wettest little meow meow and your kindly grandfather and your favourite eccentric uncle (mom's side). Somehow it works. Passionate Democrat, feminist, great writer, he and his books are hilarious. Did a cartwheel when he won an Emmy! How he met his wife is the best meet cute of the last two centuries, and they've now been married over 60 years!!!

Master Poll List | How to submit propaganda | What is vintage? (FAQ)

Additional propaganda below the cut

Alan Alda:

he’s just so good in MASH

he put so much bisexuality into hawkeye i think it fundamentally changed me when i was little and watching mash for the first time. anyway do we all know the story about how he met his wife when they were at a party together and they were the only two people eating the cake that fell on the floor and he fell in love with her over her laugh. i just think hes neat :) i love when theres a strange looking man. also feel it necessary to say that the guy that wrote the book mash was based on wrote himself as hawkeye and HATED alda's hawkeye bc he displayed his morals too much (alda had it in his contract for the show that every episode had to have an operating room scene bc otherwise you arent backdropping the fact that war is Not fun. actually. he almost didnt take the role bc he thought a war comedy would make too much light of the horrors)

please please please use this picture of him, he's so hot in it

His comedic delivery in MASH...

The story of how he met his wife is charming and sweet, and they've now been married 65 years

Just look at him. He's the most beautiful man I've ever seen but also he's completely average. He's got a weak jawlines and a round face and these big soft eyes and he's just so beautiful. He's capable of playing a silly charismatic sitcom protagonist in one scene, and a jaded army surgeon haunted by the deaths he's witnessed in the next. He's so hot that my dad once told me he decided to apply to medical school because of how much he was attracted to Hawkeye Pierce. That's literally how I learned that my father was bisexual.

He's also just a really great dude? He's been outspoken about his political beliefs for a long time, and has always been strongly and vocally anti-war, pro-feminist, and pro lgbt. He served a tour in the Korean war, and his experiences there informed his performance in the show. He (and honestly the entire cast, but especially him) really just soared above and beyond the standard for comedies of the day.

He's so funny and his eyes are pretty

He loves and is a champion of science (Source).

[graceshouldwrite]

How to Write Political Intrigue (with book recs)

POLITICAL INTRIGUE! Intrigue in general! What is it?

For the purposes of this post (as well as how it's usually used in the writing/reading community), think: scheming. Plotting. Conspiracies in the shadows, bids for power and survival, secret plans, masterful illusions, all of that stuff.

It could be on any scale that you'd like, from a duel of wits (think Light's and L's game of cat and mouse in Death Note)

...to a large-scale plot involving entire countries and their people (like any espionage networks during any major wars, such as the American Revolutionary War to World War II, and so many more)

...or even medium-sized conflicts (families, like in The Godfather, or smaller national disturbances like the Watergate scandal).

Below are 4 core tips on how you can successfully write (political) intrigue plots:

1. Read + Research

Despite how hard it may sound, it's actually pretty easy to craft a realistic yet thrilling intrigue plot—with so many examples in real life and fiction, you can easily base your plot on an existing one and just change a few things like the characters, setting, and maybe a few plot points.

History and current events are always great places to look to, but here are some books that are chock-full of great politics + intrigue:

Leviathan (Thomas Hobbes): one of the most famous treatises of politics + human nature and their intersection. The book is an in-depth exploration of human nature, government, politics, and all of the root causes of why they exist. While it does take a specific philosophical angle (you might not agree with Hobbes' ideas), they are detailed explanations of how things work + why they are required from one perspective.

48 Laws of Power (Robert Greene): GREAT BOOK for helping you plan out the means by which you want the intrigue to happen. There are lots of simplified rules that tell you why people plan and scheme (e.g. "control the options; get others to play the cards you deal," or "pose as a friend, work as a spy"). There are LOTS of really great small stories of when a rule is applied in real life that are also general plot inspo!

The Godfather (Mario Puzo): very very good, intricate, and more emotional because it deals with the intrigue surrounding families

Joseph Fouché: Portrait of a Politician (Stefan Zweig) (biography): Fouché is absolutely insane. A genius at political intrigue. His life is literally one of the craziest stories of scheming, betrayals, survival, and a general vying for power, especially behind the scenes.

The Prince (Machiavelli): obviously, I can't leave out the original tips + tricks book with explanations of WHY intrigue matters as a means, especially in terms of protecting your power.

Trust Me, I'm Lying (Ryan Holladay): a large part of intrigue plots (you need to cover up the actual game you're playing) is the manipulation of information, creating illusions and spectacles for other people to believe. This book goes in-depth about media manipulation and information wars.

Empire of Pain (Patrick Raden Keefe): takes a rather different angle, through the personal/corporate manipulation of government, as well as how wealth dynasties (especially within families) are established. Remember the opioid crisis? This book explores the generational politics of money and power that led up to that.

Prince of Thorns (Mark Lawrence): Look! Fiction! Anyway, I'm biased because it's one of my favourite works of fiction of all time, but it explores political intrigue not only through an actor participating in it, but through the lens of the common folk. I.e., the consequences all that power play has on the populace due to a lack of actual good governance...

A Song of Ice and Fire (George R. R. Martin): I haven't personally read/watched anything GoT, but it's pretty much obligatory to put this series down in a post about political intrigue. It's famous for doing it well.

2. Plan. Like, meticulously

First of all, decide what scale you want your intrigue to be on: large-scale government/international affairs type, a corporation thing, something between two people, or even within a family? There are so many possibilities.

Intrigue plots are like mysteries; they must be tightly logical to be satisfying. One of the best ways of ensuring this is through analyzing each involved party—the actors.

Each actor has their own motivations, goals, and psychologies. After you establish what they want OUT of their intrigue, think about how they'd go about achieving it: a naturally hot-headed person might try to intimidate their way into getting what they want, or they might learn through the course of the story to cool down a bit.

A naturally imaginative and analytical person might come up with all sorts of scarily genius plans, and near-flawless execution. Of course, they would also react in different ways, depending on personality. Character consistency alone will make your plot seem that much more logical.

However, cracks in logic will happen because humans are inherently imperfect and not always rational. These cracks must be DELIBERATE and realistic and must seem planned out; they can't seem more like the author forgot a detail, or didn't know how to explain something (e.g. something happened and the writer never included the consequence of it because they forgot). It must be clear that it is a flaw on the character's part.

3. Never write intrigue for the sake of the intrigue

The incentive of all scheming comes down to mainly two things: gaining power and keeping it. Of course, you could choose to explore more unusual things, such as characters exercising intrigue to satisfy boredom... (think Light and Ryuk from Death Note).

But, the bids for power, security, and survival can be used to highlight things about human nature. Themes to explore include ambition, sacrifice, the pursuit of happiness, the corruption of character, the preservation of innocence in a cruel system, etc.

4. Explore through a narrow lens

Most intrigue plots are full of complex motivations, characters, goals, and the means they use to achieve said goals.

You should gradually let your intrigue plot unfold through the POV of a few characters, preferably one or two. An omniscient narrator for this type of story is INCREDIBLY difficult to pull off without confusing the reader.

However, more POVs work if you use all of them to focus on ONE or a few intrigue plots only—it can provide a multi-layered effect, exploring the same line of action and consequence through different perspectives. But, if everyone has their own intrigue plot, it's too easy to create a tangled mess where readers can barely delineate one plot from the next.

∘₊✧────── ☾☼☽ ──────✧₊∘

instagram: @ grace_should_write

Sorry for the massive hiatus—I have officially started college!! I've been pre-occupied with settling in, classes starting, a social life, extracurriculars etc. etc...life has been super busy, but great :)

I've started working on my books as well as poetry more recently, and I'm glad I'm getting into a new workflow/lifestyle. It certainly is different, but I'm starting to enjoy it.

Anyway, I'm surprised it took me this long to do a post about this topic, considering the fact that it's basically my writergram niche and my entire personality IRL, but I think it was mainly because I was trying to find a good angle to approach this massive topic. But, stay tuned for (probably) a part 2 because there's SO MUCH MORE to cover.

Hope this was helpful, and let me know if you have any questions by commenting, re-blogging, or DMing me on IG. Any and all engagement is appreciated :)

Happy writing, and have a great day!

- grace <3

[decepti-thots]

something that is very interesting rereading early MTMTE is that the comic is actually very much written with the assumption a ton of its readership are specifically pre-existing IDW comics readers, which can sometimes be difficult to remember because of the fact that a lot of people wound up coming onboard to MTMTE from outside the fandom in the end and now it has a reputation as an entry point as a result. this manifests in a couple ways throughout the first couple major arcs. one obvious one is that the Overlord stuff functionally makes it a sequel of sorts to Last Stand of the Wreckers, at a time no direct sequel was planned. but my favourite is that there's a kind of narrative trick the comic pulls with the leadup to the payoff Remain in Light gives us for Magnus.

the Magnus we get in early MTMTE is not the Magnus we get in earlier IDW comics. he's very exaggerated; where phase one Magnus is a by-the-books stickler for not so much as bending rules and someone we see struggling to maintain that sense of moral uprightness in the face of the war and the people around him being far less dedicated to staying on the straight and narrow like him, it's completely turned up to eleven in early MTMTE. phase one Magnus would not be doing endless doorframe audits, or throwing people in the literal brig for crooked badges. but this doesn't necessarily register as a change in character so much as a change in genre. MTMTE is also a dramedy with heavy emphasis on the comedy side of that in a way no other IDW comic is, and the shift in Magnus' characterisation therefore feels like 'well in THIS genre, that's what that archetype is like', rather than a diagetic shift in character. even if you come to MTMTE straight off those prior comics, it is very much a 'roll with the genre shift' thing rather than a 'hm. Magnus is acting… weird' thing. you let it go.

there are a couple indications this might not be the case early on. Rodimus especially seems to be under the impression that Magnus is acting uptight even for him, with his insistence on waving it off like 'he needs to relax, Swerve can you get him to chill on Hedonia because my guy is REAL stressed' and the like. (this makes sense- Rodimus is the person on the ship who has actually been directly interacting with Magnus regularly pre-MTMTE.) but it's not super obvious and not heavily emphasised.

which makes the eventual post-Overlord and RiL reveal, which is that Magnus has in fact been acting weird because he's having a breakdown that has largely gone unremarked upon by his shipmates, really really good. Magnus has not been doing doorframe audits because he's the comically uptight second in command acting as straight man for genre purposes; Magnus has been sending Rodimus a million memos a day and losing his shit over nothing because as someone whose entire identity as 'Magnus' is rooted in a wartime role he escaped into, he's been having an existential crisis now the war is over and he has no purpose and doesn't know what to do because he never expected to have to play that part in peacetime. the entire time the genre shift was somewhat obfuscating the fact this characterisation was a thing that is in-universe relevant, which also then reflects back on the fact Rodimus is like. hm. probably should have noticed that, now I feel like an asshole for not realising. (the scene where he and Rung discuss those unread memos, post-Overlord.)

it's a small thing, but it's a really effective misdirect for the payoff Magnus gets in RiL that reads a hell of a lot more clearly on reread and rewards that chance to revisit the early issues with that knowledge. of course that wasn't just a gag, of course he's actually slowly losing his shit slightly, he cannot go five seconds without making it clear he is Stressed As Hell. but until you get to that actual reveal, there's just enough room for the comic to let a reader assume it's, you know, we're in a comedy now, we need a hilarious straight man, and Magnus is it. it's great! all the stuff MTMTE pulls to simultaneously obfuscate the Magnus/Minimus reveal while also making it feel completely reasonable on reread is great. really good use of reader bias there.

[kingkatsuki]

i’m feeling horrendously soft for our man tonight. like boyfriend bakugo specifically. what are some of your fave hc’s of him as your boyfriend?

is he different from the beginning vs a little ways into the relationship?

I feel like it’s always the little things with him.

Like he knows you always forget your water bottle in the morning, so he makes sure he fills it and puts it in your handbag before you leave.

Puts the heating on when he knows you’re due home so the house is warm and ready for you, also puts a hot water bottle in your bed before he leaves for his night patrol because he knows you get cold without him.

I want to commission someone to write something like this for me because it’s one of my absolute fave Bakugou headcanons but I think he leaves you the cutest little post-it notes around the house, especially if he’s going to be at work all day. From reminders to drink more water, dumbass— to telling you how pretty you are or how much he loves you.

Notices when your shampoo/conditioner/lotion etc is running low in the bathroom and makes sure he puts a new one out so you’re not naked in the shower when you realise there’s none left (he’s definitely guilty of stealing it so he smells like you anyway—)

Always brings you home your favourite treats when he’s working late and knows he’s coming home to you. He’s the worst for seeing things in shop windows when he’s out on patrol that he thinks you’d like or that remind him of you and buying them for you. He spoils you so so much.

Bakugou gets so adorable whenever he’s asked about you in interviews or in public, you can quite literally see his face change as he answers the questions without hesitation— even if he was on the verge of exploding.

His favourite position in the evenings when you’re relaxing together is laying between your thighs with his head on your chest while you play with his hair. And he’ll definitely grumble and grab your wrist if you even attempt to stop.

Sometimes when he’s had a rough day he likes to come home and bend you over whatever the closest surface is just to take it out on your cunt. Either burying his face between your thighs or sliding his thick cock inside your warmth, either way it instantly heals any bad moods he’s in. Especially if he’s had an afternoon of non-stop meetings.

He has an engagement ring for you picked out during your first month of dating. Because he’s so certain that you’re the one, he doesn’t hesitate when he finds one that’s perfect for you. The only reason he doesn’t ask you straight away is because that fear of rejection is still so prevalent in him he doesn’t want to jepordise what you have already.

Bakugou always knows when new concert ticket/video game/book/toy/plushie releases are and he’s ensuring he’s logged in and prepared with his credit card the second the sale opens to get you whatever it is you want.

He’s SUCH a dry texter, but he’s always sending you texts that are just an ‘x’ which he uses as a kiss or to say he loves you. It’s something so quick and simple that shows he cares, and you usually get them more often when he’s about to go out on a mission, he’s out with the guys for the evening or into a long meeting.

He’s honestly so cute, quiet and shy when you first start dating, you actually worry that he doesn’t actually like you. And when you tell him that a little further down the line he’s blown away, because he’s never liked anyone this much in his whole entire life.

Another one of my fave headcanons is when you’re about to have sex he’s turning around all his All Might figures in his room so they don’t “watch” you having sex. So much so that you end up convincing him to have them displayed in a different room😭

You ask him to do a silly roleplay scenario early on in the relationship, and you suggest doing a hero/civilian scene but he gets way too into it because he wants to impress you and ends up doing the worst impression of All Might ever.

He learns your Starbucks order by your second date. He’s just perfect like that.

100% airport dad. Makes you get to the airport six hours early, even if it’s a domestic flight because he thinks somethings going to go wrong. Speed walks through, gets huffy when you try to stop for coffee and insists on holding all the documents in his little black folder.

Gets the worst sweaty palms when you first start dating because he’s so nervous, so he always gets worried about holding your hand. Pulls away from you to wipe his palms on his jeans first whenever you try to hold his hand, even if you convince him it’s okay.

Finds it hard to even look at you sometimes, because you’re just so pretty and he can’t comprehend how someone like you exists, nevermind is also interested in him.

I think Bakugou gets extremely overwhelmed by your love sometimes, and he finds it hard to articulate so he can seem like he’s shut down. But stick by him because all those feelings are bubbling up inside him and he doesn’t know how to deal with them properly yet🥺

[meraki-yao]

I was watching an interview from a Chinese rom-com in 2020 and one of the questions was "What do you think is the sweetest romantic declaration?"

And then I started thinking about what are the most romantic lines of my top ships: Malec (Shadowhunters, both show and book), Wenzhou (Word of Honour), and Firstprince (RWRB both movie and book)

Honestly, if I had to pick one out of all of the lines of all ships, I'd say it's "Alec Lightwood loved one man so much he changed the world for him." from The Queen of Air and Darkness, the Shadowhunter Chronicles for Malec. Like, turning eros (romantic, passionate love) into fuel for agape (sacrificial love) and actually making the world a better place for his love? I can't imagine anything greater than that.

For Shadowhunters show, it's Malec's entire wedding vow, I think it summarises what a healthy loving relationship is perfectly. Especially "I will catch you when you fall, and when you soar, I will help you reach your greatest heights"

For Wenzhou from Word of Honour, it's the sunbathing scene from episode 12, just calling each other's name thrice. There's something beautifully simple about that.

And for Firstprince, for the movie, it's "I'll break the sound barrier for you." I don't really know how to explain this one, it 's just the one that touched me the most. Especially after Henry's pled after a week of isolation and agony, the way Alex sounds so sure about it even though truthfully they're both lost and scared as fuck, the way it's a callback to the moment Alex realized he was in love with Henry... it's just fucking beautiful.

For the book, it used to be An Incomplete List of Reasons why I love HRH Prince Henry of Wales, but there was one night in late September where long story short someone said I was selfish for being an emotionally sensitive person which really hurt, so I tried calming myself down by reading RWRB. Then I read bad metaphors about maps out loud and sobbed even harder.

I don't fucking know? there's just something so beautiful about the way Alex writes, which is ironic when earlier he said to Henry "I can't match you in prose" because what the fuck, all of the emails are beautiful but to me turns out bad metaphors is a whole other level. Henry is a writer, he's good with words, those are his dearest tools, but in front of this email, Henry is literally speechless. What the fuck, Alex. What the fuck.

i need to hear TZP read bad metaphors, but I also think that will end me.

Yeah. My favourite romantic declarations from my three favourite ships.

[bonzos-number-1-fan]

TMAGP 22 Thoughts: Couples Therapy

A really great episode. Everything about this one was so well done and I don't think I've got a single complaint. Not that I often have those but still. It'll be interesting to see how much of this is deeply plot relevant and how much is just a fun spooky time too. This is another belated post on account of a hospital visit, and a half-written draft getting deleted. Hopefully we'll be back to our regularly scheduled posts for next week.

Spoilers for episode 22 below the cut.

Lena is just the best, isn't she? Unfortunately we just learned that she's married and so I've got no shot, but still. Lena is great in every scene she's in and I'm really glad we get so much of her and Gwen as they have stellar chemistry. I'd be interested to see if this ministerial visit goes anywhere. I'm not 100% whether it was a plot hook or a convenient way to not fire Gwen. She's obviously not in Lena's good books so she this could be a way to explain away not firing her so she can leverage that position for something and avoid the firing.

Augustus incidents are always such a treat. This one probably wasn't maybe my favourite of them for the incident itself but it was for the sound design and the music. They really hit it out of the park for this one IMO. Unfortunately this is likely the last Augustus statement of the season if it's sticking to the 1 per act cadence. Of minor note this does disprove that .JMJ errors herald Augustus in some way.

Okay, onto the statement proper. Hans Berger and Dr. Richard Caton are both real people, and the information within this statement is largely factual. Berger did invent the EEG in 1924, held off on publishing his research due to the reaction he presumed it'd received, and when it was later published a lot of the scientific community at the time was ready to discount it. It took quite some time before what he'd managed was really appreciated. But don't feel too bad for him as he also worked with the Nazis. So coercing a patient into getting their brain ejected from their skull isn't the only sin of his. Caton is similarly accurate here and the two of them had similar fates with their research. Without Caton's work Berger likely wouldn't have been able to create the EEG and Berger was one of the few people to give Caton's research much attention at all. It came very close to being forgotten about. Ursula was very real too and did start as Berger's assistant before they got married. Although not mentioned in the incident is that she was a baroness.

Okay, so the big thing in this one is obviously the experiment itself. I've heard quite a few theories on what's actually going on here. Lots of talk about it being Freddy or JMJ. I generally think that's a massive stretch that doesn't really mesh with anything in the text of this, nor the historical context of Freddy and JMJ. The incident predates both Freddy as software and JMJ appearing as voices by not insignificant margins. It's obviously entirely possible that something was floating in the void waiting for a host PC but in context to the text of the incident I don't really see how that's a logical conclusion. The incident was about a secondary or true self within a person that can be accessed through the hemispherical bridge. Which is sort of exactly what we see here. It's also generally how it works IRL, split-brain is a fairly well researched topic for what it is.

Which is all to say I think this one is fairly literal. Herr Schmidt isn't a psychic gateway to Freddy but that's not to say I don't think these things are related. I very much do but I think it's foreshadowing and metaphor rather than literally the same thing. But of course I think that because I've been talking about this idea of a homunculus JMJ for a bit. You can read about it in an essay entitled JMJ: Frankenstein; or, the Modem Prometheus. It's a short read for my standards and my favourite pun of all my essays, so check it out. The dream is a little more likely to be a psychic event but it's also pretty literal for a dream as the imagery goes so there isn't much to say on it.

A very fun incident all around. As mentioned the main subject matter of callosal syndrome (split-brain) is a very real phenomena. I'm not going to get too into it but if it's something you want to dig into I'd suggest looking into the research of Michael Gazzaniga as well as Roger Sperry. The latter won a Nobel Prize for their work on this too.

I don't have much to say on the last to sections. Both conversations Sam has with Alice and Celia, respectively, are pretty explicit. Although Sam's mention of Alice being controlling does give us some insight into a likely reason they broke up. He's also very right that Alice has made a pretty quick turn around on all this and is now actively working against it despite not buying it at all.

Then it was something about a Marvin and Jason, I think?

------------------------------------------------------------------------------

Incident/CAT#R#DPHW Master Sheet and Terminology Sheet

DPHW Theory: 4488 sounds about right. Not a load to say on that one IMO.

CAT# Theory: 13 is somewhat interesting from the Person/Place/Object theory. Mostly because it's another that's a really big stretch and also doesn't help anyone know anything. There wasn't really anything out of the ordinary here as far as people and objects go, and in either case flagging that doesn't really impart any useful context. So it's just another one of those largely redundant data points.

R# Theory: Another old letter by an old man at BC. Love to see the consistency as it lines up very well with my ideas here.

Header talk: Experiment (Brain) -/- Imprisonment (Existential) is a somewhat interesting crosslink assuming it's correctly filed. Your second self being literally imprisoned in your head at all times is pretty wild.

[bethanydelleman]

I just watched Persuasion (2022) and I am beyond upset. I watched it with my parents so I had to sit through the entire thing. They don't know much about the Regency Era and they haven't watched any other period dramas so they think that piece of trash is actually a good adaptation.

"He's a ten and I don't trust a ten." WTF?????? Persuasion is my favourite Austen novel and the way they literally ruined Anne is sick.

What was your first reaction to watching it? I wish I could wash all of it away. Any words of comfort that will hopefully cleanse my mind?

I'm so happy you sent this because I've been working up a little rant.

The reason Anne is so wrong, with her near hatred of her own family, rolling her eyes at the camera, the fact that they gave her masculine leaning clothes even, is that Book! Anne Elliot is the poster girl for the unseen, unacknowledged, and underappreciated labour of women.

There is something very fundamental to women's experiences from Austen's time to ours (and I'm sure before) where women do the dirty, mindless, emotional, and unpaid labour that keeps our whole society rolling and get zero credit. And yeah, it's getting better but this problem IS NOT FIXED. Now Anne is upper class so she's not mopping the floor, but this is her experience. Anne plays piano without thanks because without her no one can dance. Anne watches the sick kid so her sister can go to a party. Anne smooths over all the little arguments so that the family can function. She visits sick friends (lifted right out of the movie). She gives and gives and gives of herself and she's "just Anne". Because nothing she does is showy or important in the eyes of the world even though it is vital.

One of the worst scenes in Persuasion 2022 (I mean it's hard to pick there are so many), is how Mary basically manipulates Anne into staying back with little Charles. In the book, Anne clearly has the idea first and offers. In the movie, Mary has the idea and Anne rolls her eyes and groans before offering.

No!

Anne in the book is constantly giving of herself without complaint. Also, she does not want to see Wentworth for the first time! It's going to be painful for her, so she does something selfless but also spares herself from distress.

In that scene in 2022, Anne is a doormat giving in to her ridiculous sister. She also deeply regrets not going to dinner. In that scene in the book, Anne is a compassionate sister who after first attempting to reconcile Mary to her duty, offers to take over. She makes the choice of her own volition and she doesn't regret it.

She knew herself to be of the first utility to the child; and what was it to her if Frederick Wentworth were only half a mile distant, making himself agreeable to others?

It's this complex and emotional scene that was just ruined.

The triumph of Anne Elliot is not just getting Wentworth back, it is that people begin to see and acknowledge her labour and value. The Musgroves are absolutely devoted to her after she helps Louisa. Wentworth sees her worth and declares it in front of everyone. One of the best moments in the book is:

"but if Anne will stay, no one so proper, so capable as Anne."

SHE IS FINALLY SEEN! And valued, and loved! Not romantically (though that too) but because everyone (except Sir Walter and Elizabeth) finally realize how much they need her. The woman who stayed back from a dinner party to nurse a sick child becomes the person they need in a crisis. She goes from the last thought of to the first. In Anne, the necessity of women's labour is finally recognized.

Persuasion 2022 DESTROYED that, and it's infuriating.

Everything else sucks too. To finally give us the scene where Wentworth takes the kid off of Anne but then make him call her stupid? Gah! I was cringing so hard it was painful.

[booktomoviebrawl]

We are not judging how bad the movie is, we are judging which adapted the book the worst. There are good movies that are bad adaptions.

Propaganda below the cut (spoilers may apply)

Persuasion:

They massacred my girl!! That is not Anne Elliot!! The whole point is that she's beaten down and thinks she's missed her chance at happiness and is bullied by her family, not making mean and snarky nods to the camera :( They completely missed the whole point of the dynamic and it's SICKENING! They also cut Mrs Smith who is arguably one of the most important characters as she highlights Anne's lack of focus on title and rank and her family's comparative obsession with it + it's only through her that Anne learns about Mr Elliot's true nasty nature. Also they cut the 'I am half agony, half hope' line from Wentworth's letter at the end so what's even the POINT of adapting it if you don't have that!! Oh my god!! My poor favourite Austen novel :( (I do want to make it very very clear that my issues with the movie come from the writing and adaptation and not in any way from the race blind casting. The casting is superb and I'm genuinely so disappointed that they got such a bad adaptation bc so many of the cast are literally perfect)

Where do I even start? They tried to 'modernize' both the protagonist and the love story and managed to take out everything that made it good in the first place. Anne Elliot in the novel is quiet and good and helpful, full of regret. In the movie, she constantly turns to the audience to mock everyone around her, feeling so much better than everyone, to the point where nobody understands why Captain Wentworth would still be in love with her, or have fallen in love with her in the first place. Eight years before the plot starts, she broker her engagement to him because she was persuaded by a family friend that it was a bad idea. No way would movie!Anne have let herself be persuaded. They just tried to do a Fleabag/Emma type of thing without understanding what made either the novel or those two things work and thereby ruined it completely

Whoever made this didn't understand the point of the novel at all. They completely screwed up the character of Anne Elliot (the protagonist), which in turn screws the rest of the movie, as the original story only works because Anne is the way she is. Also, it's a period piece but the characters are talking in modern slang the entire time. And not in a clever way but in a very cringey one. If Jane Austen knew, she'd probably turn in her grave, and rightfully so.

Maximum Ride:

The storyline makes absolutely no sense, and the movie is nothing like the book. You could've given the movie an entirely different name and and keep the plot I wouldn't bat an eye

the movie's just bad mate

Horrendous low budget netflix movie with effects so bad they make me feel physically ill and acting so wooden the cast is in danger of being attacked by lumberjacks. The story already wasn't the best and the film somehow made it worst. I came in with nostalgia for my dear kids with bird wings and left never to be the same again.

Miss Peregrine's Home for Peculiar Children:

While Miss Peregrine was one of my favorite books as a kid and incredibly unique in the way the story is written (The author basically took a box of weird antique photographs and created an underlying story behind a handful of them) the movie is incredibly boring. Like seriously I can't remember a single goddamn thing about the movie besides my extreme disappointment with it after leaving the theatres. It's probably because the original is a trilogy but they didn't want to make it a trilogy for the movie so they just scrapped the ending of the first book and rewrote a shitty climax where they threw snowballs at the nightmare child eating creatures or something. I remember THAT scene perfectly because it was so, so dumb. It was so stupid oh my God- ALSO, thank God I have a copy of the book from before the film came out because new copies don't have one of the photographs that the actual book uses as a base anymore and instead have the shitty movie poster! We truly do live in a society.

Changed way too much so it doesn't feel like the same thing. The main characters are these kids with different abilities (called peculiarities) and the movie switches around their powers and changes almost everyone's age. Emma and Olive switch powers so that Emma now floats (they also added that she can kind of control air to some extent) when she's supposed to have fire powers to match her fiery personality. Olive can make fire now and she's also aged up from an eight year old to a teenager and put her in this weird romance with Enoch. Enoch is also aged up from a grumpy thirteen year old to around the same age as Olive. Bronwyn, one of the older kids in the book and sort of a motherly figure to the younger kids, is now one of the youngest kids. Hugh and Fiona are aged down and basically have no interaction at all in the movie, even when their book counterparts had such a good relationship. The only one they didn't really change was Horace and Jacob. They also added these gorgon twins that do like two things. The antagonist in the movie is Mr. Barron who honestly isn't super memorable and isn't in the books whatsoever. The ending of the movie is weird too because they manage to turn back time somehow so Jacob's grandfather isn't dead and then he hops through loops so he can be with Emma and the other peculiars. I guess the problem of wights and hollowgasts is magically eliminated and we do not have to deal with the consequences. It took six books to fix everything. I appreciate that the movie engaged me enough to read the series but once I did, I could not believe they did my kids that dirty.

Yikes where to start. The 3 girl characters are all mixed up. There are 2 teens, one who's super strong and has a brother (I'll get back to him) and one who controls fire and is the love interest named Emma. The third girl is a child called Olive who floats. She's lighter than air.

In the movie, strong girl is the child, olive is now the fire girl and is for some reason super introverted, and Emma the love interest floats and gets given a super breath??? Power?? Like she rises a sunken ship by blowing in and keeps a man blown against a wall by blowing air at him. He makes a remark that she'll run out of breath eventually, which happens here because plot convenience, but not when she's blowing in the sunken ship.

The enemies in the book are terrifying Hollows. Creatures who have lost themselves and devour souls of those with powers... The movie decides they eat eyes now. And turn human again. And get busted up in a fair for the final act of the movie. Ugh.

The movie also decides randomly that time travelling through the loops is a thing; a loop being a pocket of time that replays the same day over and over. But apparently this means Main Character can travel back in time and stop his grandfather dying??? What?? His grandfathers death is the whole start of the movie and motivation for the character.

The movie undermines many of things that made the book amazing and even decides it's not a trilogy anymore!! Fuck the other 2 books, right?!

Tldr; it is terribly hollywood-ised and t tim Burton ruined a franchise by trying too hard to make it quirky and fun when the books already had a brilliant sombre and interesting tone to them.

[alwaysahiccupandastrid]

Mate I don’t even know what to say about House of the Dragon anymore like what the actual fuck is going on 💀 Daemon is having nightmares about eating out his mother’s coochie? What do you mean Alyssa isn’t shown with dirty blonde hair and mismatched eyes and a crooked nose like in the book? I’m pretty sure there’s zero history of Targcest between parents and children, like even they don’t cross that line?!?

That scene aside, this season is making last season look like a fucking masterpiece which is quite a feat frankly. It’s not even a case of “they’re whitewashing TG/demonising TB”, it’s the fact no one seems to have any free agency on this show and everything is an accident or just not happening. Why the fuck is Daemon STILL at Harrenhal?!? It’s been three episodes of him doing nothing but have weird fucking dreams, I know there’s lots of characters to cover by MY BROTHER IN FUCKING CHRIST?!? It’s so boring to watch 😭

Before anyone comes at me for “just wanting action” or whatever, that’s not my issue. I enjoy the politics of it all when it’s well-written, I think it’s necessary to have episodes where there’s not necessarily battles and it’s more focused on the characters, but I frankly do not need three entire episodes of Daemon looking lost and having weird ass dreams. I did not need that whole dumbass Septa!Rhaenyra plot, I didn’t need those nasty Alicole s3x scenes, etc.

My sister is a general audience viewer and she’s bored - which is insane because House Targaryen has always been her favourite house, hands down. I’m someone who has read the entirety of Fire & Blood and who has a Daemyra themed tattoo on my leg, this was my big show I was excited for this year - and even I’m bored watching it. For the entirety of S1, I never looked at my phone while an episode was on except for when there was an ad break - this episode I feel like I spent 60% of it on my phone, and of the other 40%, at least 20% was just watching because I had some ice-cream in hand. I can’t even imagine how bored the GA are if even I’m bored watching it.

This isn’t about teams because literally all the characters are being done shit at this point - and this isn’t the actors’ fault, I’m fully blaming the writing team.

[vintagetvstars]

Alan Alda Vs. Walter Koenig

Propaganda

Alan Alda - (M*A*S*H) - He is both the saddest wettest little meow meow and your kindly grandfather and your favourite eccentric uncle (mom's side). Somehow it works. Passionate Democrat, feminist, great writer, he and his books are hilarious. Did a cartwheel when he won an Emmy! How he met his wife is the best meet cute of the last two centuries, and they've now been married over 60 years!!!

Walter Koenig - (Star Trek, Babylon 5) - If you haven't watched him in Babylon 5 as recurring villain Alfred Bester then you are missing out! It is one of his best performances! He's such a talented actor and Babylon 5 uses him so well!

- No Negative Propaganda Please -

Master Poll List | How to submit propaganda | What is vintage? (FAQ)

Additional propaganda below the cut

Alan Alda:

he’s just so good in MASH

he put so much bisexuality into hawkeye i think it fundamentally changed me when i was little and watching mash for the first time. anyway do we all know the story about how he met his wife when they were at a party together and they were the only two people eating the cake that fell on the floor and he fell in love with her over her laugh. i just think hes neat :) i love when theres a strange looking man. also feel it necessary to say that the guy that wrote the book mash was based on wrote himself as hawkeye and HATED alda's hawkeye bc he displayed his morals too much (alda had it in his contract for the show that every episode had to have an operating room scene bc otherwise you arent backdropping the fact that war is Not fun. actually. he almost didnt take the role bc he thought a war comedy would make too much light of the horrors)

please please please use this picture of him, he's so hot in it

His comedic delivery in MASH...

The story of how he met his wife is charming and sweet, and they've now been married 65 years

Just look at him. He's the most beautiful man I've ever seen but also he's completely average. He's got a weak jawlines and a round face and these big soft eyes and he's just so beautiful. He's capable of playing a silly charismatic sitcom protagonist in one scene, and a jaded army surgeon haunted by the deaths he's witnessed in the next. He's so hot that my dad once told me he decided to apply to medical school because of how much he was attracted to Hawkeye Pierce. That's literally how I learned that my father was bisexual.

He's also just a really great dude? He's been outspoken about his political beliefs for a long time, and has always been strongly and vocally anti-war, pro-feminist, and pro lgbt. He served a tour in the Korean war, and his experiences there informed his performance in the show. He (and honestly the entire cast, but especially him) really just soared above and beyond the standard for comedies of the day.

He's so funny and his eyes are pretty

He loves and is a champion of science (Source).

Walter Koenig:

CW: Torture, blood, death