#long theory post

[littlemorsel56]

Indigo Park theory

Okay, here we go.

Salem the Skunk, (if you played the arcade game), we found out they're like a villain or like a troublemaker to Rambley and his friends. They said Salem is a cunning, brilliant mind, and uses countless inventions it says on one of its posts. When you play the arcade game, Salem mentions their smokescreen works to crash Mollie's plane. They've been working on some 'potions' they have been experimenting on squirrels.

When they used it on Mollie, it made her probably into a bloodthirsty monster. "Now with none o' that "friendship" garbage stopping her from tearing you to pieces!" And what did Mollie do when our MC met her, she tears the MC into pieces. On Rambley's Railroad, we meet his friends (And Lloyd. I'm putting on a bet he's like a cowardly lion. He acted too innocent during the game.) on the railroad tracks, but Rambley starts to glitch on Salem's track and the place is damaged into pieces and a bit of a pile of blood there too.

It shows enough proof that Rambley, Mollie, Lloyd, and all of the cast are AI-sentient. And that also includes Salem too. Every popular mascot must have a villain who wants to destroy the main character. Salem became too intelligent and aware of their surroundings. In their program and data base, their only goal is to destroy friendship. And since they can only do that behind the screen, they perhaps can make a virus.

The same virus that was created in the 'potion'. Causing the mascots, Mollie, and everything to go out of control and cause chaos. Rambley seems to be the only survivor from the virus, but when he's close to Salem's track, he can't mention them, causing him to malfunction. Salem must have done something for Rambley to be confused about why the park shut down and why all of his friends were acting strange.

Another thing I couldn't figure or it might be shown during future chapters. Rambley is the only character who doesn't have the mascot animatronic or a live mascot. We've seen Mollie and Lloyd, they're blood and flesh. Finley is probably like them too.

We know the park is definitely hiding something in there. And somehow creating all the characters into a living being. So this is probably set in the future. Mollie and Lloyd could have been friendly and fun for all children and adults for who knows how long, yet all of a sudden, something causes them to act different and vicious. All except Rambley, who also wants to figure out what happened to the park and his friends.

[tofixtheshadows]

I've been thinking a lot lately about how Kabru deprives himself.

Kabru as a character is intertwined with the idea that sometimes we have to sacrifice the needs of the few for the good of the many. He ultimately subverts this first by sabotaging the Canaries and then by letting Laios go, but in practice he's already been living a life of self-sacrifice.

Saving people, and learning the secrets of the dungeons to seal them, are what's important. Not his own comforts. Not his own desires. He forces them down until he doesn't know they're there, until one of them has to come spilling out during the confession in chapter 76.

Specifically, I think it's very significant, in a story about food and all that it entails, that Kabru is rarely shown eating. He's the deuteragonist of Dungeon Meshi, the cooking manga, but while meals are the anchoring points of Laios's journey, given loving focus, for Kabru, they're ... not.

I'm sure he eats during dungeon expeditions, in the routine way that adventurers must when they sit down to camp. But on the surface, you get the idea that Kabru spends most of his time doing his self-assigned dungeon-related tasks: meeting with people, studying them, putting together that evidence board, researching the dungeon, god knows what else. Feeding himself is secondary.

He's introduced during a meal, eating at a restaurant, just to set up the contrast between his party and Laios's. And it's the last normal meal we see him eating until the communal ending feast (if you consider Falin's dragon parts normal).

First, we get this:

Kabru's response here is such a non-answer, it strongly implies to me that he wasn't thinking about it until Rin brought it up. That he might not even be feeling the hunger signals that he logically knew he should.

They sit down to eat, but Kabru is never drawn reaching for food or eating it like the rest of his party. He only drinks.

It's possible this means nothing, that we can just assume he's putting food in his mouth off-panel, but again, this entire manga is about food. Cooking it, eating it, appreciating it, taking pleasure in it, grounding yourself in the necessary routine of it and affirming your right to live by consuming it. It's given such a huge focus.

We don't see him eat again until the harpy egg.

What a significant question for the protagonist to ask his foil in this story about eating! Aren't you hungry? Aren't you, Kabru?

He was revived only minutes ago after a violent encounter. And then he chokes down food that causes him further harm by triggering him, all because he's so determined to stay in Laios's good graces.

In his flashback, we see Milsiril trying to spoon-feed young Kabru cake that we know he doesn't like. He doesn't want to eat: he wants to be training.

Then with Mithrun, we see him eating the least-monstery monster food he can get his hands on, for the sake of survival- walking mushroom, barometz, an egg. The barometz is his first chance to make something like an a real meal, and he actually seems excited about it because he wants to replicate a lamb dish his mother used to make him!

...but he doesn't get to enjoy it like he wanted to.

Then, when all the Canaries are eating field rations ... Kabru still isn't shown eating. He's only shown giving food to Mithrun.

And of course the next time he eats is the bavarois, which for his sake is at least plant based ... but he still has to use a coping mechanism to get through it.

I don't think Kabru does this all on purpose. I think Kui does this all on purpose. Kabru's Post Traumatic Stress Disorder should be understood as informing his character just as much as Laios's autism informs his. It's another way that Kabru and Laios act as foils: where Laios takes pleasure in meals and approaches food with the excitement of discovery, Kabru's experiences with eating are tainted by his trauma. Laios indulges; Kabru denies himself. Laios is shown enjoying food, Kabru is shown struggling with it.

And I can very easily imagine a reason why Kabru might have a subconscious aversion towards eating.

Meals are the privilege of the living.

[drownedbycoffee]

THEY AREN'T THE FEARS ANYMORE!! THEY'RE DESIRES

(SPOILERS for TMA, and all of TMAGP episodes so far)

Okay, here me out

Tmagp1: Darla wants to hear Arthur's voice again. She even says: "I just couldn’t face the thought of the rest of my life never hearing him again, I had to try" and later on she even says: "But I had to know, so I went to the cemetery."

Tmagp1: RedCanary wants to know about the Magnus Institute. They want to know why it's listed under 'cleared' when there's no evidence of it. Hence why they go and explore it.

Tmagp2: Daria wants that absolute perfection. She wants to change who she is and get out of that dark place. When she talks about the thing that she felt was missing, she says, "... and that’s when I decide I need a tattoo. I had a couple already – just little things on my shin and my wrist – but I decided I needed something big. Something that really changed my look." She also mentions when talking about Ink5oul that "they just kept pressing me about my life, about why I wanted the ink" instead of asking what design she wanted. And when she got the tattoo she describes herself as now being, "Someone I wanted to know more about." Afterwards she even says how "For the first time ever [she] wanted to attempt a self-portrait. Something real and physical, [she] wanted to feel the brushes in my hands and the oil on [her] fingertips." I think a lot of her statement is about her desire and impulsive need for that perfection and that wholeness that she has been aspiring to for her whole life.

Tmagp3: Samuel wants to stay hidden. He wants and he "need[s] to get up, get out of here for treatment." He wants to get better and most of his delirious thoughts are the things that he wants, or feels like he needs. E.g. "I so much want to see it [the sun] again. This night seems endless. I want to be warm again. I am terribly afraid. Thank god for Maddie. I need to treat her better."; "I just need to rest."; "I need to be careful or we’ll drift apart." And then obviously as the narrative continues, Samuel wants to grow and 'put down roots'.

Tmagp4: The narrator wants to be revered and accepted into the Royal Court Orchestra of the Palatinate. He wants to show off and impress. The violin "was a creature with needs and purpose of its own. The needs were simple enough. Blood. Flesh." It has these needs and desires.

So far, I'm interpreting it to be that everything so far can be interpreted as a desire of sorts, varying in the strength and intensity of it. Obviously, fear is still a big part of it all, because if you want something so badly, aren't you afraid of it being stolen from you? Of it being out of your grasp? Of it being unachievable or impossible in some capacity? Of it being a lie?

Even Sam wants to find out more. He wants to know the why and the reason for things. Gwen wants Lena's job. Collin wants to fix all these bugs and keep Freddie running. Alice wants to just get on with it because she found out that wanting to know the 'why' of things is dangerous.

I think that somehow when the Web took all the Fears into a different universe, they morphed into something else. Or they changed to fit what was the most prevalent thing in that universe, because after all, everyone wants something, even if it's something small and inconsequential. Life and aspects of it has always been characterised by that desire for something. Like people wanting food, shelter, safety, love, warmth, happiness, etc. And I think since the Web was so intwined with Jon and Martin, it absorbed some of their emotions when it found its way into this new world, because after all Jon and Martin wanted to stop Jonah/Elias, to stop the apocalypse, to destroy the Panopticon, to be safe, and they wanted each other. I think the wanting and fear of things are really entwined in it all, though this could be absolute bullshit haha

[genderkoolaid]

tbh my opinion isnt so much that trans men cannot have male privilege. its that the way we understand male privilege is based in cis women, specifically otherwise privileged (esp. otherwise-gendered privilege, i.e gender-conforming/straight/perisex) cis women's understanding of gender as something static and inherent to who you are, rather than something fluid which is, in part, constructed by society and placed onto you separately in every moment.

can a trans man experience (cis) male privilege? yes. can a trans woman? yes. and so can a cis woman! hell, a femme perisex cis woman with a gender neutral name could if she's assumed to be a cis man on a resume. male privilege is not an on/off switch. the idea that it is stems from cissexist understandings of male/female as entirely separate and static categories which everyone can and must be understood through. trans people in feminism are expected to constantly defend and deflect accusations of being Privileged Male Oppressors by promising cis perisex women that our experiences are just like theirs! we don't have any scary opinions that don't align with their worldview! we swear we won't ever make them have to reflect on how being cis+perisex has biased them and potentially made their analysis of gender at all inaccurate! trans experiences are only considered valuable to cisfeminism to the extent that they reaffirm what cisfeminists already hold true. thats why they only ever want to talk about a very simplistic narrative around wages pre/post-transition. its extremely unthreatening to cis people because it presents transness in patriarchy as just going from one cis role to another; it doesn't ask cis feminists to expand their paradigm to include the ways in which trans people are treated as a class and their own complicity in transphobic oppression.

which is why trans men have been getting fucked over by trans-affirmng cisfeminism. because by virtue of having our gender acknowledged, we are expected to forfeit our place in the feminist movement and adopt the role of outsider along cis men*. and its also why trans women and MTX people get fucked over the minute they cannot or refuse to describe their experiences through the one or two approved narratives. cisfeminism cannot tolerate transness-as-transness. it has to be compressed and reduced and diluted into something that fits within a cis-centric framework. we aren't allowed to have nuanced and intersectional conversations about trans men & other trans folks relationship with male privilege, the things we have to sacrifice to there, how fleeting it can be, the fact that for some of us being read as "biologically male" is actively more dangerous than being read as female... if it isn't familiar to cis women, then it means you aren't really oppressed.

*cis men should not be outsiders in feminism either btw but thats another post

[nondivisable]

I need to say something and I need y'all to be calm

if it isn't actively bad or harmful, no representation should be called "too simple" or "too surface level"

I have a whole argument for this about the barbie movie but today I wanna talk about a show called "the babysitters club" on Netflix

(obligatory disclaimer that I watched only two episodes of this show so if it's super problematic I'm sorry) (yes. I know it's based on a book, this is about the show)

this is a silly 8+ show that my 9 year old sister is watching and it manages to tackle so many complex topics in such an easy way. basic premise is these 13 year old girls have a babysitting agency.

in one episode, a girl babysits this transfem kid. the approach is super simple, with the kid saying stuff like "oh no, those are my old boy clothes, these are my girl clothes". they have to go to the doctor and everyone is calling the kid by her dead name and using he/him and this 13 year old snaps at like a group of doctors and they all listen to her. it's pure fantasy and any person versed in trans theory would point out a bunch of mistakes.

but after watching this episode, my little sister started switching to my name instead of my dead name and intercalating he/him pronouns when talking about me.

one of the 13 years old is a diabetic and sometimes her whole personality is taken over by that. but she has this episode where she pushes herself to her limit and passes out and talks about being in a coma for a while because of not recognizing the limits of her disability.

and this allowed my 9 year old sister to understand me better when I say "I really want to play with you but right now my body physically can't do that" (I'm disabled). she has even asked me why I'm pushing myself, why I'm not using my crutches when I complain about pain.

my mom is 50 years old and watching this show with my sister. she said the episode about the diabetic girl helped her understand me and my disability better. she grew up disabled as well, but she was taught to shut up and power through.

yes, silly simple representation can annoy you if you've read thousands of pages about queer liberation or disability radical thought, but sometimes things are not for you.

[giritina]

(Edit: just to be clear I don't mean to emphasize this girl with the tattoo as the primary perpetrator if this stuff. Idk her story, it's in kind of bad taste but there's more to this than a tattoo)

I saw this great video discussing a critique of "lobotomycore"/"lobotomy chic" and the erasure of the racist history of lobotomies.

I can't add further on the subject of race, but as a person with schizotypal I did connect it with this image

(Source, though I have not verified it by sifting through the archive)

"Lobotomy chic" and the humor surrounding it is used so often by people who I've seen have zero empathy for schizophrenic people. For disables people generally.

Even just looking at how they treat an actual lobotomy victim, Rosemary Kennedy, even when she's that archetypical 40s white woman. Her disability is erased.

Here's a popular tiktok about her. No context, just images of her younger self and her older self. Simply "she was normal, glamorous, and then she became strange, disabled." Oftentimes, her intellectual disability is treated more as a conspiracy theory than a fact of her not receiving enough oxygen at birth. People are happy to relate to her as a ~poorly behaved woman~, but not as an intellectually disabled one.

It just reminds me how this has become a sort of coquetteish phrase and a universal joke that erases everything except the low support needs disabled white woman's experience. The idea that for your eccentricities, you'd be at risk. That you might be the only one at risk, so there's no need for solidarity with the intellectually disabled, the schizophrenic and psychotic, anyone with profound or uncomfortable disabilities. Times ten thousand if those disabled people are black. And god forbid they are disabled, black, AND homeless.

[shieldofmen]

I doubt Jon will look much different when he comes back but allow me to indulge in the ‘grey eyes that glow red in the dark’ thought that rots my brain anyways-

[lonicera-caprifolium]

Body-swap theory!!

okay, just putting this all together for ease of access, since it's been spread out across several posts now--

The day after it aired I watched the ending like actually 30 times and I became fully 99.999999% certain they switched places. I was initially thinking during the kiss, cuz of how the camera angle changes, but after watching an additional 20 times a few days later, I'm personally leaning much more towards them stopping time in the instance after "no nightingales".

Before the kiss, Aziraphale is saying "nice" things about the Metatron, but his face and voice keep switching to broadcasting distress, and they make it a point to show in ep 1 that Crowley can read him just from tone of voice

As they're pulling away after the kiss, they lock eyes and "Aziraphale's" expression shifts in the teeniest tiniest way, like a confirmation glance, before they shift back (and Michael Sheen is a master, so no chance it's not on purpose)

---(Like really, go back and watch how Aziraphale's expression shifts literally *a second* before "I forgive you" cuz the change is SO minute, but entirely different emotionally.)

Also the way he moves his jaw right after he pulls his hand away from his lips, is a bit from MS's Crowley (you can see it in the very last two seconds of this vid- link)

Aziraphale's hands -stay by his sides- after that, he doesn't clasp them at all, and it's particularly noticeable while he's walking to the elevator with Metatron. The way he walks is very stiff and precise, similar to after the swap in S1.

We don't see the underside of Crowley's jacket collar after the kiss, at any point (it is for sure red at the beginning of the ep, you can see it right before he changes in Heaven)

The Bentley drives away SLOWLY, which is how Aziraphale drives, and we're specifically shown that it only plays other music for Aziraphale

the seats in the Bentley are black as it drives away. They're usually brown, and the only other time they're shown to be black is when Aziraphale drives (@picturesque-about-it broke down the times so you can see-link)

---extra pic for anyone saying it's "cuz Aziraphale is lighter"-- the seats are still brown behind Crowley when he wears white

there's people wearing yellow in -every- part of the scene showing the Bentley both before and while it drives away! (link for pics/credit)

Aziraphale's smile in the elevator looks more like MS's Crowley. It's very similar to the trial during S1, but also (link)

This also explains why they're on opposite sides than they're usually shown while the end credits roll

Extra points--

many good points made by other folks here, about cues and snakes in beehives and swap motifs throughout the season-- link

The clock! Someone mentioned how the scene is so quiet you can hear it ticking, so I watched the ending a further 50 times to double check----I need to preface this by stating, I don't think this is a working clock, mainly cuz the hands aren't 100% where they should be between the minutes and the hours, like -a person- moved them to that time manually

When they're talking, the clock is at approximately 9:25 (?, again the hour hand isn't precisely set), then they walk across the room, and kiss, and immediately after that the clock is set about 15-ish minutes later (link to timestamps)

thanks to these bts shots, we can see that the clock on the opposite side of the room registers the SAME time difference before and after the kiss (link)

the first time Aziraphale looks "towards the window", I'm petty sure he actually looks further back towards the clock, *focuses on it* as Metatron walks up to him, and then spends the ENTIRE REST OF THE EXCHANGE blocking the Metatron's view of the clock

we're shown earlier in the season that Crowley can localize his time-stopping to a certain extent, like when he stopped the doctor and the rest of the room kept going, so it is possible he only stopped everything -outside- of the bookshop

---I KNOW Neil said it's a continuity error, but he also fully said "No" about there being a season 2 just days before they announced it was already written and in production, so. Take him at his word if that's what you wanna do.

---also I DID go back and look it over, and the clock IS consistently specifically set the entire rest of the episode as far as I can see. From the shots when you have a clear view of the clock, the angels and demons enter the shop at around 6, Maggie and Nina leave at around 7, the Metatron comes in at 8-ish, Aziraphale comes back in at that approximately 9:25

(insight from someone who works in production- link)

the music right before the kiss scene is the same leitmotif (Life After Death) used when they originally started formulating the swap in season 1! (link)

the movie Stairway to Heaven (1946) is featured as a poster in both the opening credits and in Maggie's shop (link)

the climax of the film has one of the leads willing to "take the place" of the other in heaven

(they also used a time-stopping mechanic, and the chess book Gabriel tests gravity with also plays a key role in the film)

and one last mention, extra food for thought--- the season's focus on their trusting one another, their history of performing "death (and heaven/hell) defying" feats together, and how they always get the trick right when it truly counts the most

that's what I've got so far!

If I'm right, they're apart now, but are actually more together then ever, and I find that terribly exciting. (And if I'm wrong, that's okay too! I'm just here to have fun.)

I'm not particularly concerned with very specific reasoning (that's for season 3 to tell us!), but I do think this theory is extra fun cuz pretty much any of the others could be the "why" driving it.

I'm not trying to convince anyone, or put down any of the other theories, so if you're not feeling it, that's okay! I'm just sharing what clues I'm seeing, so you can check if you see them too. 💕

[fryday]

Everything We Know About The Phagenda

I needed a place to organise all the info we've gotten from DNP about what the hell they're cooking, so this is the place. I might have missed things, so please always check the original post for the most up to date version of contents as I might change or add things over time. Any questions, just shoot me an ask or something. Thank you and happy conjecturing!

I tried to arrange the info roughly chronologically in each category.

It's probably more than one thing

Dan mentioned some things coming "somewhat after and a little bit soon after"

Phil said, "We've got a few things in our mouth at the moment"

Definition of "agenda" suggests multiple things

Money stuff

Phil made his cactus club subscription more affordable in preparation for what he and Dan are doing next

Phil took a question about what they're cooking in his latest Q&A video. He said that something may or may not "happen in the next month", but did not answer the section asking if we should be saving up for it.

Those who RSVP'ed will "be notified first as soon as the news drops" -> presumably related to a limited quantity of items up for grabs, which is why I've included it in this section, but that's just my guess

Concept / Nature of the Thing(s)

Someone on Twitter said, "So the phlonde has been in the works for months if that was the main reason he let his hair grow out" and Dan replied with, "what else is he plotting"

Dan and Phil included a blurred out image of a text message in their video, which Dan called "the draft for something that is top secret".

SuperSeizer (one of Dan and Phil's editors) is in on what's happening (the other person in this interaction is their other editor Kris, who may also be involved, depending on how you read this interaction)

In his birthday livestream, Dan talked about how they revived the gaming channel not knowing what the response would be, and were shocked by the enthusiasm from their audience. "Because it seems like there's a thing here. [...] And we need to be like, celebrate the things, acknowledge the things. So, I guess we can say in the most vague way that we can that Dan and Phil have been cooking."

Dan posted his story with the words, "the time is nigh - want to know what dan and phil have been secretly cooking? / reply to this story with: RSVP / and we will send you a dm as soon as the truth is revealed"

Another definition of "agenda" is "the underlying intentions or motives of a particular person or group".

5 of the images in the TV screens have been identified as of right now: Phil's Video Blog, Hello Internet, Saying Goodbye Forever, Giving The People What They Want, and Something We Want to Tell You

Laylo, the website DNP are using for this announcement, is a platform that creators can use to release merch, tickets, or content.

The initial wave of people who RSVP'ed got their confirmation emails from news@mail.danandphiltour.com with the reply email being dh@danielhowell.com. It was then changed; now the emails come from news@laylo.danandphilshop.com with the reply email being danandphilshopweb@gmail.com.

Dan and Phil would have been aware that they were using the tour email at first, as they would have had to manually enter it themselves. (Thanks @dnpbeats for the investigative work!)

They included a 3-second teaser clip at the end of the Sims fashion makeover episode.

[bucklway]

was adam meant to free roam the bathroom?

isn’t it so unfair that adam’s key fell down the drain? it’s like he didn’t even have a chance to escape..

but isn’t that the point?

in saw 3, john tells amanda “you didn’t test anyones will to live, instead, you took away their only chance. your games were unwinnable.” and we are shown a montage of these unwinnable games. we see her fighting eric, troy in the classroom trap, kerry in the angel trap..

and her throwing adam’s key in the bathtub..

so how is amanda giving adam his key making his game unwinnable? and why does john consider that moment unfair?

is this meant to imply that amanda wasn’t supposed to do this?

maybe adam was meant to discover this key at some point, like the box in the wall, and free himself before 6. this would make it much harder for lawrence to kill him, adam could hide, he could potentially even escape. or maybe when the game was over, john would decide wether or not adam was worthy of living, getting the key for him. those options feel much more fair then his only mode of freedom falling down the drain the second he wakes up.

let’s talk about what john says in adam’s tape and if it confirms or denies this theory,

he begins with “up until now, you’ve simply sat in the shadows, watching others live out their lives.” then he actually gives adam an objective, a way to win the game, “are you going to watch yourself die today, or do something about it?”

john seems to think that it’s possible for adam to win the game, he’s meant to take control of his life, and escape.

adam managed to stay alive until 6, but he was still left to die.. so what gives? adam learns to appreciate his life and everything, he learns that he wants to be alive “i want to live!” however, what john had told him was “are you going to watch yourself die, or do something about it?”

when you really think about it, adam didn’t do anything to earn his survival. he killed zepp, sure, but that was only after the time limit was up, and he only did it to save lawrence, the man who attempted to kill him like 5 minutes ago. john certainly didn’t view that as enough, because he left him to rot.

“do something about it” could’ve meant that he was supposed to kill lawrence, which i don’t know how he could’ve done that if he’s chained to the other side of the room..

lmk what u guys think!

[scoobhead]

weaponry in the locked tomb is so interesting because when you break it down it's like:

guns exist in-universe but are used by the freedom fighter terrorist organization almost exclusively

swords are (were?) commonplace enough that gideon was able to find and train with a decently well-balanced two-hander on the ninth, despite the fact that the ninth has no military force or even interplanetary traffic. gideon's sword is at least 20 years old, probably older

swords are definitely still in use within the empire, at least by cavaliers, but likely within the cohort as a whole. to my memory there are no mentions of cohort members carrying military-issue guns

even though they're trained in a variety of weapons and techniques, cavaliers (are supposed to) carry exclusively rapiers. gideon prefers her two-hander and cam carries twin shortswords, but these seem to be rare and shocking exceptions to the standard.

rapiers are used by cavaliers explicitly for the purpose of lyctorhood. they're light enough that a scrawny necromancer without swordfighting experience can pick it up and rely on their cav's training without needing to build the muscle to wield the sword effectively

because of the secretive nature of the megatheorem, and lyctorhood as a whole, most people just follow the rapier rule because it's tradition. it is what is done. harrow makes this pretty clear at the beginning of gtn

cavaliers can carry a variety of offhand weapons. it seems like the full spectrum of middle age weaponry is possible - but still, no guns. not even secretly, as with cam's dual blades. some cavs choose to carry material for their necromancers as their offhand - ortus carries a bowl of bones for harrow, and i can only assume "the powder" mentioned as harrow's choice for gideon's offhand towards the beginning of gtn is some kind of bone dust

from a doylist perspective, all of this creates a aesthetic that starts very analog and gothic and gradually grows into a more standard sci-fi space opera through the series. by ntn, we've hit most of the established genre weaponry tropes that we've come to expect from older futuristic space media like star wars and alien. blasters and guns are standard fare, and it makes sense to hold off on introducing them until the scope of the story gets broader and more interplanetary

from a watsonian perspective, it's a little more difficult to draw concrete conclusions without the context that atn will inevitably provide. but if i had to hedge a guess, i'd say that, as with most things, It's All John Gaius's Fault. when he resurrected the galaxy i'd assume that he wanted to keep the aesthetics of medieval imperialism, and given his 21st century liberalism probably didn't want guns to be part of the equation. but they were anyways - we know this because wake carries a big one - and instead of standardizing firearms within his military and for his lyctors, he clings to the aesthetics of swordplay. please correct me if i'm remembering it wrong, but to my knowledge every gun shown in the series is either directly linked to boe or implied to be sourced from them. jod dooms his own lyctors and military by refusing to update their weaponry.

all of this poses a lot of questions about atn: who will carry a gun, and why? where did the gun come from? why DON'T the lyctors just use firearms? and most importantly: will they be fighting zombies with swords???

[achillean-knight]

Part 1 - Part 2 Here you go, the final part. This is for you, Anon's who requested the continuation of this JKHGDSHGS

[lostlavenderer]

Current TMAGP theory that I'm lowkey obsessed with: Alice used to be in Lena's managerial position

NOW HEAR ME OUT.

Starting off, we're immediately informed that Teddy and Alice have been working together at the OIAR for four years, and it's implied later that Alice has been there for longer.

In the same scene, we learn that Alice recommended Sam for the job, which Lena sounds rather delighted about. Judging by her tone, I'd say she values Alice as a worker surprisingly more than she does Gwen. Why is that, when Gwen actually really values her job and tries to do it with meticulous accuracy?

Next, while she tries to downplay it, you constantly get small hints that Alice knows really bloody well how the OIAR works including the response department they used to have. With everything she says, to me she really carries an attitude that screams 'goofing around but I know more about this place than any of you ever will'. That's the feeling I get too when she's on about the categorization when explaining it to Sam in the first episode, too:

It's all very 'I know exactly what happens with these categorized files and I know what does and doesn't matter'.

So. What I think, is that she used to be the manager before Lena, and that she was the one to hire both Colin and Teddy. I think back then, there was still a response department, whatever the fuck that means, and that the three of them were involved in it and went through some shit.

(Sidenote- I'm also convinced that the old response department is responsible for locking up whatever that creature in the Magnus Institute in ep10 is)

Anyway, they went through some shit together and Alice personally made sure the response department was shut down. Freaked the fuck out or maybe even overwhelmed with (Entity-related?) power, she steps down, instead hiring Lena, ambitious and clever Lena, as her replacement. After all, Lena claims she started at the bottom too:

Yet Alice still decides to stay at the OIAR, because knowing what she knows, she wants to stay closeby in case anything like [REDACTED PAST TRAUMATIC EVENT] ever happens again, especially because Colin and Teddy are still working there as well.

(MAYBE, but this is digging really damn deep, maybe somehow Colin and Teddy forgot said Traumatic Event for some perhaps Beholding-related reason, and Alice stays to protect them from it happening again. It's why she's almost glad that Teddy finally gets another job)

Now she's just another worker who claims she doesn't give a damn. Because she's been there; she knows what happens when you care, when you let incident files get to you. She won't go there again, and she won't let Sam either.

Anyway. Ex snarky office manager Alice is canon TO ME.

[egophiliac]

some more episode 7 stuff! Mal's UM poster is being uncooperative, so here's some dumb shit in the meantime.

I have been genuinely trying to draw his OB better, but it's hard. :( why does he hate me.

[teleport-warning]

[glitteringobliteration]

Something bugged me about what Brennan said about Fabian’s new gold maximum legend tattoo: he’s now immune to Dragon Madness.

Why would that matter? Yeah, it’s probably great for Fabian’s future adventures but why would it be relevant now? The Bad Kids already got rid of all the gold they received from Kalvaxus’ hoard, right?

Please bear with the red-string bulletin board-making side of my brain while I talk through my theory:

It’s always struck me a bit odd how much attention is being paid to Fabian’s finances this season. I totally get that it’s partially due to his parents being gone all year/turning 18 and gaining access to the funds left by his papa, as well as the general arc Fabian is going through of navigating going it alone for the first time, but it feels like there’s more to it than that. Fabian has never wanted for money before, and it hasn’t really factored into this season either (for him. points about Adaine being broke are irrelevant rn.) beyond the handful of conversations (and one altercation lol) we’ve seen between Fabian and his banker, Alston Hughes. A couple of things that Brennan has mentioned feel very much like breadcrumbs, and I’m not sure if the Intrepid Heroes have clocked any of it yet (as of Ep 15: The Last Stand).

Fabian banks with KVX, which Alston Hughes tells him has gone through a shift in management since their board of directors were smote by the Council of Chosen. Their branding and logos have changed from Kalvaxus red, to blue.

I also find it worth noting that we did discover Alston Hughes to literally be a member of The Harvestmen. 👀

This brings to mind the subject of Oisin.

Oisin is a blue dragonborn in his junior year at Aguefort, the conjuration wizard of the Rat Grinders. We learned at the shrimp-jump party that he’s descended from a blue dragon, who’s said to live atop a great hoard of treasure.

Oisin offers to help Adaine get some of her much-needed spell components, and she turns him down.

Aelwyn tells us that Kipperlilly can’t use Oisin to get the material components she needs - hence why she’s using Aelwyn. Kipperlilly says she needs to protect Oisin.

Why?

I’m willing to bet that his family has something to do with the new management at KVX. I’m also willing to bet Kipperlilly knows exactly how to protect herself from Dragon Madness.

And Fabian’s new tattoo is gonna save everyone’s asses. True Maximum Legend.