#looking for analysis

[nesbiter]

I need some hyper-analyser to analyse all images of the destroyed Seasoning City in season 3 and compare it to a similar disaster in order to get the grand total of deaths Mob caused.

[swampjawn]

Look Back VS AI Art

This is a real frame from Look Back (2024).

You might assume this made it into the final movie because of its director Kiyotaka Oshiyama (押山清高) doing HALF the key animation for the film and only fully finishing it A WEEK before it's festival debut.

And well, you might be partially right about that. But more importantly, this is the movie embodying its themes through its unconventional production process and the very lines on the screen!

In an age of digital tools, CGI, AI, and other combinations of letters ending in I, Look Back is an ode to art and the labor that goes into it, no matter how tedious or imperfect.

Every thought, every little decision, every stroke made by a person puts a little piece of that person onto the screen, and the imperfections that come from that process can be beautiful in the sense that they're evidence of the thoughts and process that went into creating an image. So in keeping with the plot of the movie itself, Oshiyama made a point of leaving those remnants - lines that are scratchy, overlapping, or half-erased, and normally would have been cleaned up in 2nd key animation (第二原画).

Ayumu Fujino has a tight grip on how she expresses herself, having this image to uphold as the perfect prodigy girl. She's afraid to let people see too much of her, lest that perfect image be shattered.

But at times the mask does slip, like this moment of sheer panic after she accidentally drops what is really an extremely rude manga strip under her rival's door by accident.

And it's these moments when that rough imperfection shines through the most! So this breakdown of polish in the art functions simultaneously as both a connection to the human labor that went into creating it, AND an impressionistic representation of Fujino's mental state within the world of the movie.

Not only are the edges of her backpack visible through her arm, her face even disappears completely, replaced by just the roughly sketched dividing lines that indicate the position of her eyes. At least personally, I never would have noticed this fully unfinished frame at full speed because the shot is just so well-executed! The framing is dramatic with Fujino surrounded by these mountains of sketchbooks in the foreground, and the motion is so believable, her posture - hunched over to the side to support the weight of the bag while maneuvering around the books, and the way her legs twirl around each other frantically, rotating this way and that.

But more importantly, this is a frame that an AI program would never draw, because it has no REASON to. There's no thought process, no decisions being made about how to express a feeling. Even if you did train an AI specifically to mimic these human imperfections, in Oshiyama's words, "It would just be a design. It would be a fake. The lines have meaning because they were drawn by humans. […] There's value in that." (MANTANWEB)

This is an adapted excerpt from this video! Go watch it or I'll dox you.

[stars-and-clouds]

HE DIDN'T WANT TO LET GO HE DIDN'T WANT TO LET GO HE DIDN'T WANT TO LET GO!!! -screams-

[keets-writing-corner]

Thinking a LOT about Lucifer in the latest Hazbin episode. Idk what I was expecting but not this??

As I was watching my immediate thought was just "huh... Lucifer is kinda of weird..." but as the episode went on I realized the issue

the dude is off the chain depressed, like he says it as a joke but holy cow it is SO BAD

He's manically just creating rubber ducks cuz his daughter really like it that one time but it's empty, it's never good enough but he keeps doing it, maybe cuz he doesn't know how to pass the time otherwise.

like I get the feeling he HAS better things he SHOULD be doing than making rubber duck after rubber duck. At first I was like, "Bruh why isn't the king of hell doing anything?" aaaaand then it became clear...

The dude is disassociating so bad he can barely hold a conversation let alone remember information. He clearly WANTS to, he wants to be involved with his daughter so bad, he wants to care about the things she's doing so bad, but his depression keeps interfering. It's like he can only hear every other word and he grasps onto the ones he does hear semi-out of context. Like you can see every time he catches something that he hadn't before and he just "well shit I didn't catch that part"

and that's why he reacts so weird when people talk to him. He is struggling so bad to engage with the conversation he's only getting 50% of it

does that look like the face of a man who knows what the hell the conversation is even about??? he is STRUGGLING

like Charlie spent so long telling him about the hotel, and he STILL didn't understand what she wanted. Yeah it comes off as ditzy but literally I've been in that position where your brain just "nope, not doing this right now" and nerfs your conversation comprehension. So as someone who's BEEN in that position, to me it feels exactly like what he's dealing with. He's sorta engaged with the conversation, but only as much as his brain will allow

For example, when I'm dealing with this, this is what someone talking to me feels like this where the crossed out parts are what I missed and bold is what I catch, "Hey! You know I was thinking for dinner we could either make some chicken with rice? But if you don't feel like cooking, pasta is super easy and you love that right? What do you want to do?" you can kinda get that someone is trying to talk to you about dinner, and towards the end you get the impression that they asked something that needs your input so you can decently put 2 and 2 together and try and pass off, but crucial bits were left out, I would have no idea that either chicken or pasta is in the conversation only having heard "rice". When someone is just talking at me, I can decently pass off as being engaged but the second I'm required to participate in the conversation I'm screwed. Seem familiar? At which point I have 2 options, try to give a bullshit answer, or admit that I missed what they were saying and ask them to repeat

Lucifer, unfortunately, is trying so damn hard to hide that he's dealing with like 24/7 dissociation, so he can't admit that he's missing entire chunks of the conversation, hence his really weird replies. He does eventually get the full picture and then he and Charlie start having the real conversation

Also, the Alastor/Lucifer rivalry was hilarious but also really indicative of more of what Lucifer is dealing with

Alastor is, unfortunately, really good at picking up people's insecurities, and thanks to Charlie's description earlier and watching Lucifer clearly trying to overcompensate, he immediately picks up on the fact that Lucifer KNOWS he struggles to be a good dad (we know cuz it's cuz of the depression, hard to be engaged when your brain keeps turning off) and decides to rub salt in the wound by pretending he's been acting as a surrogate father to Charlie. Now why Alastor decided to pick a fight with the king of hell is beyond me, I do not understand Alastor (and I LIKE IT) (maybe it's cuz Alastor thinks he's hot shit and was expecting Lucifer to at least have heard of him but Lucifer just treats him like a nobody? who knows)(why would Lucifer listen to radio anyways when he can't even pay attention to a conversation it'd just be white noise)

But yeah I just was expecting someone who oozed either charisma or presence and instead I got a depressed dad who's dissociating so bad he can barely function and be present in his life. The only thing it seems he CAN do is make rubber ducks cuz his daughter really liked it that one time

Idk Lucifer is tragic to me. Whatever the full details of what heavan did to him absolutely broke him and he can't deal with it. He's aware of it, and he doesn't know how to fix it, so he tries to over compensate and sorta makes an ass out of himself but no one says or does anything cuz this guy is supposed to be THE king of hell

Suddenly it's making a lot more sense why he just rolls over and lets heaven do what it wants and even told Charlie to go in his place the start of the show. He's not in any headspace to hold a basic conversation let alone negotiate! He didn't even know who Alastor was, he's been so out of touch

idk I like him, he seems sweet, I hope Charlie brings some light back into his life. He really needs to get out of that rubber duck room

[embermc]

I’m actually screaming and clawing at my enclosure over how people managed to literally make THE HANDMAID’S TALE centered on their favorite MAN. Or how people managed to make all of their fan content regarding a politically-themed dystopian story about women’s rights center exclusively on the romantic subplot 😭😭

Nick was never supposed to be a good guy!! That was intentional!! He was meant to show how even the ‘nice’ men in patriarchal systems will ultimately still choose the power and security offered to them by the patriarchy over protecting the rights of women. He only ever ‘rebelled’ because he loved June, not because he ever cared about the rights of women in Gilead. Somebody save media literacy because we cannot do the “the hunger games is actually about the Katniss love triangle!!” thing all over again

[bixels]

Learning that fans hated Applejack and called her "boring" is crazyyy to me because I genuinely, unironically believe AJ's the most complex character in the main six.

Backstory-wise, she was born into a family of famers/blue collar workers who helped found the town she lives in. She grew up a habitual liar until she had the bad habit traumatized outta her. She lost both her parents and was orphaned at a young age, having to step up as her baby sister's mother figure. She's the only person in the main gang who's experienced this level of loss and grief (A Royal Problem reveals that AJ dreams about memories of being held by her parents as a baby). She moved to Manhattan to live with her wealthy family members, only to realize she'll never fit in or be accepted, even amongst her own family. The earlier seasons imply she and her family had money problems too (In The Ticket Master, AJ wants to go to the gala to earn money to buy new farm equipment and afford hip surgery for her grandma).

Personality-wise, she's a total people-pleaser/steamroller (with an occasional savior complex) who places her self worth on her independence and usefulness for other people, causing her to become a complete workaholic. In Applebuck Season, AJ stops taking care of herself because of her obsessive responsibilities for others and becomes completely dysfunctional. In Apple Family Reunion, AJ has a tearful breakdown because in she thinks she dishonored her family and tarnished her reputation as a potential leader –– an expectation and anxiety that's directly tied to her deceased parents, as shown in the episode's ending scene. In The Last Roundup, AJ abandons her family and friends out of shame because believes she failed them by not earning 1st place in a rodeo competition. She completely spirals emotionally when she isn't able to fulfill her duties toward others. Her need to be the best manifests in intense pride and competitiveness when others challenge her. And when her pride's broken, she cowers and physically hides herself.

Moreover, it's strongly implied that AJ has a deep-seated anger. The comics explore her ranting outbursts more. EQG also obviously has AJ yelling at and insulting Rarity in a jealous fit just to hurt her feelings (with a line that I could write a whole dissection on). And I'm certain I read in a post somewhere that in a Gameloft event, AJ's negative traits are listed as anger.

Subtextually, a lot of these flaws and anxieties can be (retroactively) linked to her parents' death, forcing her to grow up too quickly to become the adult/caregiver of the family (especially after her big brother becomes semiverbal). Notice how throughout the series, she's constantly acting as the "mom friend" of the group (despite everything, she manages to be the most emotionally mature of the bunch). Notice how AJ'll switch to a quieter, calmer tone when her friends are panicking and use soothing prompts and questions to talk them through their emotions/problems; something she'd definitely pick up while raising a child. Same with her stoicism and reluctance at crying or releasing emotions (something Pinkie explicitly points out). She also had a childhood relationship with Rara (which, if you were to give a queer reading, could easy be interpreted as her first 'aha' crush), who eventually left her life. (Interestingly enough, AJ also has an angry outburst with Rara for the same exact reasons as with EQG Rarity; jealous, upset that someone else is using and changing her). It's not hard to imagine an AJ with separation anxiety stemming from her mother and childhood friend/crush leaving. I'm also not above reading into AJ's relationship with her little sister (Y'all ever think about how AB never got to know her parents, even though she shares her father's colors and her mother's curly hair?).

AJ's stubbornness is a symptom of growing up too quickly as well. Who else to play with your baby sister when your brother goes nonverbal (not to discount Big Mac's role in raising AB)? Who else to wake up in the middle of the night to care for your crying baby sister when your grandma needs her rest? When you need to be 100% all the time for your family, you tend to become hard-stuck with a sense of moral superiority. You know what's best because you have to be your best because if you're aren't your best, then everything'll inevitably fall apart and it'll be your fault. And if you don't know what's best –– if you've been wrong the whole time –– that means you haven't been your best, which means you've failed the people who rely on you, which means you can't fulfill your role in the family/society, which makes you worthless . We've seen time and time again how this compulsive need to be right for the sake of others becomes self-destructive (Apple Family Reunion, Sound of Silence, all competitions against RD). We've seen in The Last Roundup how, when no longer at her best, AJ would rather remove herself from her community than confront them because she no longer feels of use to them.

But I guess it is kinda weird that AJ has "masculine" traits and isn't interested in men at all. It's totally justified that an aggressively straight, misogynistic male fandom would characterize her as a "boring background character." /s

At the time of writing this, it's 4:46AM.

[no-squ4sh-4-b4by]

Kanye West and Bianca Censori's appearance on the red carpet was something out of a nightmare. If you haven't seen the clip, go look it up.

It starts with them posing, then they face each other and start to talk. Their conversation is not audible, but you can see Bianca shaking her head no and readjusting her large fur coat to cover herself. After three or four words are exchanged, she turns away from the camera and starts taking off her coat slowly. Revealing her naked shoulders, then her back, then her buttocks. She turns around to finally show off the dress she's wearing, a tight, see-through piece of nylon (designed by Kanye himself, according to a post he made on his Instagram) that leaves her breasts, genitals and ass exposed. She's essentially naked. During this whole scene, Kanye is just facing the cameras with sunglasses on, neutral expression on his face.

Now, I'm not shocked by nudity. Censori is definitely not the first celebrity to walk the red carpet wearing a very revealing outfit (and she won't be the last). What disgusts me is the scene they built around the outfit.

First, the little conversation they have. You can clearly see Bianca shaking her head no and tightening her coat around her before being made to undress. There's two possibilities here:

A) Either this wasn't rehearsed, so we essentially witnessed Bianca being pressured into undressing herself in front of dozens of cameras or;

B) It was rehearsed (the most likely option, in my opinion). But then why? Why act out this discomfort before the reveal?

Some could argue they were talking about something totally unrelated, but I very much doubt it. It's their big moment on the red carpet, in front of cameras, it's not the time to talk about the groceries.

What I think is happening is that they (but most likely Kanye) voluntarily chose to paint a scene of a woman being forced to undress herself in front of thousands for the amusement of her husband. It's essentially a brag, a show of force for Kanye. He's saying: "Look at my wife and what she'll do for me. Look what I can make her do. "

The last thing I haven't mentioned, and the scariest, is Censori's facial expression through it all. Neutral expression, no smile. Her eyebrows are trimmed downwards in a way where she looks slightly worried. And her stare is totally vacant. I've seen people say she looks drugged, dissociated, downright "stupid."

I think this is the main difference between Bianca's look and others who have worn skimpy outfits in front of the cameras. Whether it be Lady Gaga, Kendall Jenner, or Madonna, they all share something: confidence. A sultry look, a cheeky smirk, hell, at least a smile! Something to show that they feel desirable, that they're in control. That they choose to show us their bodies.

Whereas Bianca looks dead inside as she's posing.

After standing in front of the cameras for a little while, Kanye takes her hand and leads her away.

The whole sequence (no matter how much Bianca has consented to it) feels like a humiliation ritual. Kayne, standing there fully dressed, pressing his wife to expose her body to the entire world before parading her around. A gross display of chauvinist male domination on the body of a woman. Like, I don't know how else to say it, but it looks like he's walking around with his sex doll, still partially in her plastic wrapping.

Why are we seeing this? What is the point? I can't help but relate this to Elon's n*zi salute. It feels like we're witnessing more and more rich and powerful men pushing the boundaries of what is socially acceptable, trying to see how far they can go. How much of their toxic, repressive views they can share before we come for them.

My heart goes out to Bianca, I hope she's safe and happy in her marriage.

[nabexis]

So like. Did anyone else notice that Jayce doesn't immediately shoot Viktor? He only powers his hammer on AFTER Viktor has opened his eyes. Below is Jayce's reaction to seeing Viktor (his Viktor, from his universe, not the future version of him) for the first time after walking into the dome. For the first time in months. That's like. A look of wonder. Almost reverence.

Assuming the Jinx/Rictus/Vander fight is cut to real-time after Jayce has gone into the dome, he's staring at Viktor for like. 5 minutes.

My interpretation here, of Jayce's expression just before Viktor finally opens his eyes to see Jayce in the room with him, he's committing Viktor to memory, before he has to kill him.

Edit: I almost missed it but like. HE IS SMILING For like 2 frames it's an outright smile. He leans in towards him, too. I cannot handle this.

[improvapocalyps]

You have 90 minutes to complete. (original poem: r.a.)

In participation of the MCYT Recursive Exchange 2024 hosted by @mcytrecursive!

Inspired by know that all my love will be your breath (i will save you when your lights go out)

[text under cut]

1. Have you ever been in love? (Please circle your answer.) a. It's me and him b. Our hearts beat in sync c. Our lives intertwined

2. Do you understand what you’ve done? (Please circle your answer.) a. I couldn't do anything b. I lost my balance c. I doomed us both

3. It's been god knows how long since you felt phantom hands on your neck and there is no one in sight. If you were soul-bound to him and both of you died at the same time then why are you still waiting in the void? Please answer clearly, in full sentences. (Not a correct answer：I just wanted to see him one more time).

4. Define two (2)： Fate | The feeling of his forehead against yours Curse | The moment you realise he isn't linked to you anymore

5. True or False： i. It was your fault. ii. You wish you had met him under different circumstances. iii. You can’t regret a single moment that you had him. iv. You would do it all over again if you could. v. It ended long before either of you said anything.

thumbnails:

sketch cover thing for imgur link:

[blorbocedes]

been chewing on a tag I saw @gayferrari type... "wags are the new grid girls"

so what was the point of grid girls - to associate glamour and sex to an otherwise all male sport. too much penis, even the cars are shaped like phalluses they needed that yonic energy. it was a marketing tactic, a ploy to associate F1 with their playboy, drive cars get money bitches pussy aspiration. It was being marketed to men -- hence grid girls, not even women, dressed in the driver's insignia but more scantily clad, to be beside him for the unspoken implication that the driver can have her after winning the race.

it took until 2018 to phase out grid girls and was replaced by grid kids (and many of our presently woke feminist drivers then wanted grid girls to stay), with a growing cultural backlash and feminist criticism to the sexualisation of women as props in sports in an era where f1 was rapidly losing viewership and relevancy.

after the drive to survive netflix blow-up, FOM, Liberty Media started explicitly marketing to a lesser tapped market which is the female demographic. anything that wants to be relevant in the social media age needs stans, and nothing encourages that like parasocial relationships. now we have social media admins engaging specifically in fan spaces, using their language, referencing ships, doing fanservice and moving away from the solely male centric marketing.

now wags have always existed as long as drivers have been heterosexual but it wasn't until victoria beckham peak spice girls fame sitting courtside for david beckham made being a wife and girlfriend look glamorous, the outfits she wore and the face she served. the princess story for the new age, where the prince is a handsome famous athlete and you're the prize, the one he's blowing a kiss before shooting the hoop. it's why we still have nicole from pussy cat dolls and lewis hamilton winning world title edits in the year of 2025. it's that camera panning on her, with her gorgeous brown waves and teary eyes as she did the sign of the cross and ran to lewis, kissing him over his helmet -- the fireworks of yas marina in the background.

if grid girls tapped into a purely male heterosexual fantasy, wags tapped into a heterosexual female fantasy.

we can see this with the meteoric rise in social media following of the new age wags. f1 drivers have always dated models and beautiful women, but now those women become famous and build a following off the men they're seen with. what used to be limited to paparazzi and the daily mail, now has hundreds and thousands of independent gossip pages who follow their every move, meticulously detail every outfit and brand they've worn, track their social media activity, even their personal relationships. f1 wags are now bigger than ever, they're parasocially obsessed over and hated on more than ever, every move watched and criticised or smothered in affection just for existing. I'm not here to moralize on celebrity worship culture idgaf, but all this online attention is currency and it is profitable. hence wags build their own careers off the curated, aspirational image of being a wag. of travelling all over the world to beautiful places, wearing beautiful outfits, having a (up to debate) beautiful man by your side -- and brands have certainly taken notice. hence the sponsorships, beauty and fashion brands and self care sponsors all vying to work with them from your rhode lipgloss to your alo matching set

now Liberty Media has seen the shift -- no longer reliant on their official female mascots of grid girls, it's the meticulously dressed, savvy, skinny, gorgeous wives and girlfriends who are the aspirational women on the grid. it's important to note hundreds of women have always worked at f1 races, on the grid as marshals, in hospitality, as team personnel, as engineers and strategists. but YAWN 🥱 bo-ring! everyone knows the most important people on the grid are the drivers and therefore the most important women are the ones at his side. and so Liberty Media pans the cameras on these women and their doe eyed worry/elation as their guy crosses the finish line. it's more frequent, more lingering, and voyeuristic in a way that invites you to inhabit their place in your mind -- what would that be like? after all, you viewer at home are similarly biting your nails watching your guy cross the finish line. in that moment she represents you.

it's ofc misogynistic to imply the aspiration of wags is just for women — the idea of the Hero taking his helmet off and kissing the swooning damsel is literally in bond movies and appeals to the conqueror/winner male fantasy.

but from a purely marketing standpoint, FOM benefits from putting these women in official unofficial spaces as part of the drivers' (and thus F1's new more sanitized, "inclusive" brand image). When the wags are invited to F1 Academy events to promote them, when they're invited to the official F1 movie that's just for the drivers' viewing as the plus one, when they're shown on DTS beside the drivers in their private lives, or a whole segment that's about Ginger Spice riding horses with her sex pest team principal husband, when they're in hospitality and the camera cuts to them every so often signalling to the you, the audience, are supposed to care about this story they're selling you. it's no longer the scantily clad 'girls' by the drivers' side to be ogled, it's the official dowager titled Wives and Girlfriends selling you the aspirational, western, heterosexual, wealthy, conventionally attractive family unit.

not here to cast any moral judgments on wag culture -- I enjoy looking at beautiful women who live such fundamentally different lives too, but rather looking critically at why the larger media complex behind f1 wants to sell you their personal relationships in the era where your attention is currency~

[apollognese]

Paternity test is in session🤨🤨

[hellenhighwater]

Starting another in the sword series!

[runecatwrites]

Let’s talk about Warriors and Wild

This was another “weird” pairing that came out of the latest update.

You’d think that the two with no dungeon experience should each be paired with someone more experienced, right? Well, Warriors isn’t really thinking about that. He has a different motive for choosing Wild to team up with, and no, it’s not because he’s “mad” at him. The reason actually reveals a lot about both of their characters, and displays a great deal of character growth on Warriors' part specifically.

Deep dive under the cut!

Okay first off, let’s get something out of the way. Just because Warriors and Wild have no traditional dungeon experience, that doesn’t make them ill-equipped. Warriors has tons of combat experience and is demonstrably very intelligent. And Wild? Sure he didn’t have traditional dungeons in BotW, but you know what he did have? Puzzles. A TON of puzzles. That guy can do puzzles in his sleep. I highly doubt that he’s gonna have trouble with dungeon puzzles once he figures out how to approach them (which won’t take long).

All right, now that we have that cleared up, moving on!

From the very beginning, Wars holds great respect for Wild:

Because at the start of the adventure, Warriors doesn't realize just how different he is from the others. He gets put with a bunch of guys who share his name and his spirit, so of course he thinks his experience isn’t unique. They’re all just like him, right?

Okay, uh, maybe not? But they still can’t be that different, Warriors thinks. Sky is also a knight, and he acts exactly the way Warriors expects a knight to act.

He catches onto plans immediately:

And follows through flawlessly:

It’s not about authority and Sky’s ability to follow orders. It’s about the fact that Sky is on the same page. He went to military school. He has extensive training. He knows what to do and when, with barely any prompting, because he’s been taught to think the same way Warriors thinks. Warriors and Sky work together perfectly because of this:

But with Wild? Warriors is expecting the exact same thing with Wild, a fellow knight, but what he gets from the Champion is far from what he gets with Sky. This is very unexpected for Warriors. He gives what he thinks is a clear directive:

“Clear out the rest” to Warriors and Sky means “get rid of all the little guys so we can focus on the big guy.” Solid strategy. But Wild does not interpret this the same way, because he does not remember his military training and therefore any of the strategy he was taught. “Clear out the rest” just means get rid of everyone to him. And he decides to eliminate the biggest threat first. It’s important to note here that he’s not “defying orders” because his emotions are getting the better of him, or even because he thinks he shouldn't have been given orders. The way he sees it, he is following orders. Warriors said “clear out the rest.” And that’s what Wild’s helping to do. But then afterwards? Warriors is angry!

The plan? What plan? There was no plan! The goal was just to get rid of everyone! Why does it matter if Wild took out the big guy before the little guys?

It’s at this point that Wild realizes he’s done something wrong, but he doesn’t know what he’s done wrong. (Any other neurodivergent folks here? If so, yeah, you know how this feels. I know I do.)

It’s clear through subsequent interactions that Wild genuinely does not understand what the problem is:

He thought he made the right move, but others don’t seem to think so. He’s already emotional, and this is just adding more fuel to the fire. He snaps, starts a fight with Four, and runs off still feeling confused.

Meanwhile, Warriors is also confused. Why didn’t Wild act the way Warriors thought he would? He’s a knight, right? Why did he do what he did, and how did he not understand that his choice of strategy was incorrect after?

And it’s not just Wild that Warriors failed to read correctly; the others are clashing with him too. Case in point, Twilight’s refusal to hang back after being injured:

In the aftermath of the battle, it’s at this point that Warriors makes a realization: he’s the one who made a mistake. He had preconceived expectations of people, and that ended up majorly backfiring on him.

Warriors knows that he can't be a good teammate - and a good leader - if he doesn't understand where his companions are coming from. Again, it's not about authority, it's about being on the same page. Ever since, he has been trying to seek better understanding. Maybe Wild doesn't feel comfortable taking orders from Warriors, and only listens to those he knows well?

But Twilight said, "No he doesn't." Huh. Okay. Well, maybe Warriors can try to get inside Wild's head? Let's try some bantering! These guys love to banter!

Oops. Fumble. That didn't go well. But hey, at least Wild seems to have figured out what he did wrong!

That's a step in the right direction! Okay, they're getting somewhere, Warriors thinks.

But Wild is really down on himself. He now realizes that he misinterpreted a directive that he should have understood. And thinks that Warriors thinks he's stupid, and hates him. (Again, where my neurodivergent peeps at? Yeah. That feeling.)

Meanwhile, things are becoming clearer to Warriors. Not only does he realize that he shouldn't have viewed his teammates through his own preconceived notions, but for the first time, he also realizes just how different his experience was from everyone else's:

He realizes he's got a LOT of learning to do. His discordance with Wild is proof of that. But Wild has never been in a dungeon either. Maybe this is their chance to connect? Warriors tries once again to get inside Wild's head. Maybe he can try to understand why Wild isn't approaching this dungeon the way Warriors would:

Aaaaand Wild froze up. Dang it. Warriors isn't getting anything. He really needs to figure out what's going wrong here so they can work together. It's for both of their benefit, and the group's benefit as a whole. They need to get on the same page so that they can not only fight together, but be good friends to each other. And when the opportunity arises to team up one-on-one, Warriors jumps at it! This is the perfect opportunity, he thinks!

But right now? Wild doesn't realize that. He thinks that Warriors is mad at him. Warriors is NOT mad at him. Warriors is trying to learn, to better himself, and to forge a connection.

And I believe that even though it's been a bumpy road, we're going to see some amazing growth between Warriors and Wild in the future.

[greypistacchio]

EPISODE 6.15 "The French Mistake" IS SO VERY DESTIEL CODED

LIKE

it's actually so revealing that Jensen and Jared are staying in-character despite how surreal everything is? this is Dean and Sam in our world, and from the get-go it's pretty obvious that they are confused beyond words. like, Dean's "oh crap, I'm a painted whore" is just?? iconic?? authentic Dean Winchester moment!??? LOOK AT HIS FACE, BABYGIRL IS SO CONFUSED

and this is relevant to my point bECAUSE it's irrefutable proof that this is 100% Dean and Sam from the show, that they are themselves.

sooooooo

can we please talk about Dean eye-fucking Castiel into oblivion (as you do!!) until Misha stops acting the part, and right the hell away Dean figures out that it's not Cas and is just. no longer interested!?? he's like, alright i'm done with whoever this is!??

his face just falls

and he doesn't even look at Misha as he leaves, just like when he met Jimmy Novak and his homoerotic vibe simply vanished - because that's not his autistic soulmate, it's just Some Dude??

mind you, it's quite interesting to notice that Sam doesn't see what Dean means, because "dude, look at him". which is shorthand for, wdym Dean like he's wearing the trenchcoat with the blue tie, he looks like he doesn't know how to spell the word "hairbrush", he's eye-fucked you right in front of my face as he does.

BUT DEAN!! dean is just like, fuck no that ain't cas

not MY cas anyway!!

the destiel of it all, the dESTIEL IS JUST EXQUISITE

also "Hola, Mishamigos" as he tweets with his tie loose has to be peak Misha Collins energy like. that man was being paid to be unhinged onscreen. what a day it must've been for him

[clowns0cks]

“you never would you coward. (would you…?)”

the master getting teary eyed and scared when he realises the doctor is really considering to pull the trigger but still daring him to do it. He needs to know, he needs to see if the doctor is capable of it. is he? would he really? why is he still pointing the gun at him?

“go on then. do it.”

But he doesn’t want to die. you can hear it in his voice and see it in his face but he needs to know how far the doctor is willing to go. And besides he’s the master. He’s not gonna back down and plead. At least not in this regeneration. the subtle and terrorised headshake after works very well as there’s one part of the script missing in this scene

“don’t.”

and the doctor won’t.