#may have already started sketching out some sketches

[mortellanarts]

2023 go bye bye

[ave661]

Post about art-theft, AI and tracing of my render:

Unfortunately, one of my renders I made a year ago, was traced, copied, edited by AI by "brothers in arms" store and now sold as a merch aimed towards CoD fandom. They are currently sending this out to various cosplayers asking them to promote it.

As someone who is affected by this, I have to speak up about it.

(post about it on twt & insta)

I found out about it by accident when I saw promoted post on my insta feed. When I started talking about it in my stories, this store sent me a private message saying they had been working on this design for weeks and had never heard of me so they definitely didn't steal anything, and offered me free stuff. When I disagreed with them and sent them files comparing our works, they stopped replying to me, so I continued talking about it again on my insta. Only when my followers started leaving comments under their post saying this is wrong, they decided to continue discussion on the next day.

2. They mentioned that they could have been inspired by some pictures they found on the internet and showed me their "first sketch" of design… which was made by AI.

3. During the conversation, they mentioned that their artist could have based his work on a picture he found on the Internet, but he defended himself by saying that they might not have known it was mine. But even if they didn't know about me, even if they found some fanart on the Internet - it doesn't mean you can copy something detail by detail and sell it as your own. What is most important here, their offer to solve the problem was to give me credits in their design. IF they worked hard on it, why would they want to give me credits? My offer was to remove it.

4. Why do I mention that it could have been done by AI? because many lines are unfinished and a lot of details don't make sense.

5. Below is a comparison of my render that I published on March 18, 2023 with their first sketch they showed me, which apparently they drew themselves:

I am saying this so that the CoD community, which is very large, will be aware of this, because there are many people who have already bought it and after my insta story, they felt bad and said they want return it because they don't want to support art theft.

It's not just about me anymore - it could have happened to anyone who creates fanart and share it on the Internet just for fun. One day someone may use it for their own profit without us being aware of it. It doesn't matter if it's a 3D render or a drawing. All artists in this (or any other) fandom do not deserve to experience such thing, and we need to speak out about it to prevent it from happening in the future.

Reposting fanart is, as this example shows, dangerous and hurtful, so please respect artists and don’t do this. Especially on pinterest.

Their only proposal and offer to give me credits for the work they traced is something I will never agree to.

[emo-batboy]

Battinson on SNL

Idk how popular Saturday Night Live is outside of the US so there will be some links for context. That said, as a New Jersey native, I think Battinson would totally watch the show. And since he's a celebrity...👀

SO

To promote WE’s newest charity fund, Alfred signs Bruce up to be a guest host on SNL (à la this post) The announcement is made, and everyone’s like “oh this is going to be a disaster. That man can’t even hold eye contact or speak a full sentence without crying.”

But oh, that’s why it’s so funny.

Now, hear me out. Bruce’s strengths are displayed best when he’s himself. That’s why he’s so popular in Gotham. That’s why the internet calls him Relatable TM and a Disaster (Affectionate) and “Poor Little Meow Meow.” It’s his ✨ essence ✨

But he tends to get overwhelmed or self-conscious onstage, right? Because he can’t be Himself himself if he has time to overthink something. So after a few meetings with Bruce, the writers of SNL figure out the perfect way to keep Bruce from getting anxious.

They decide to load this episode with as many skits where Bruce plays different caricature-like versions of himself as possible. The objective? Make him break character and laugh so he doesn’t overthink. And if he breaks character, he’ll still technically be in character because he’s playing himself, you know? Genius.

So that’s how they go about structuring the show. During the few days they have to write, they decide to take everything about Bruce’s public image and either ramp it up to 11 or turn it on its head.

He speaks quietly? Turn it into a running gag. He dresses in all black? Make him emo. He tips well? Add that in too. He’s “depressed” and “sad?” Literally, all he does on screen is laugh and break character. What’s not to love?

Of course, Bruce also gets to decide what skits are in each episode as well. (Refer to this if you have no idea how SNL works.) He loves the idea, though, and he has a surprisingly dark sense of humor which bleeds into some of the sketches. They add in a few skits without him, and they’ve got their lineup.

It’s the wildest episode of the season. Here are the highlights:

OPENING MONOLOGUE

It’s the big night, everyone’s excited to see Bruce Wayne hosting a live sketch comedy show with no idea how it will turn out.

To begin his monologue, Bruce walks on, opens his mouth to start talking, and immediately two cast members appear as stagehands to set up six microphones in front of him. He is already struggling to keep himself together.

Bruce: “You may be wondering why I’m host- Cast Member: *adds one more tiny microphone to his chest* Bruce: “You may be wondering why I’m hosting tonight.”

It’s working. The audience loves it.

Halfway through, Kate McKinnon comes out in a dark cloak with a chalice. “Your sustenance, my lord.” *sees camera* “Oh. Sorry. Carry on.” And she shambles off. Bruce has to take a second before continuing.

Bruce knows when (most of) the jokes come. It’s literally on the cue cards, but he still falls into a fit of giggles.

There are a few more gags, including Lex Luthor peeking out from behind the band set-up, all teasing the show to come.

Overall, an amazing way to set the tone for the episode. Expectations have been set. Then the skits begin!

(Oh but before I forget: During every single live skit with Bruce, the writers have scheduled for one of the cast members to run in dressed as a stagehand and put an extra mic on him. They do not tell him when it will happen.)

SKIT #1

Between the monologue and the first skit, he has to do a really fast quick change, but to everyone’s surprise, Bruce is a natural. (Huh, wonder why.)

The skit is called Gotham PTA Meeting. We open in a meeting room full of stereotypical PTA moms setting down baked goods and gossiping. And apparently, there is a new PTA member attending today 👀

Right as the meeting starts, he enters. Bruce walks in wearing the most emo get-up imaginable. He’s got a Nirvana shirt, a comical amount of eyeliner, black skinny jeans, chain accessories, metal rings, AND a clip-in extension to give him fringe.

Someone immediately runs in and puts another mic on him.

PTA Mom: “Oh, Bruce! You made it! Did you bring a snack?” Bruce: “I brought lemon bars.” PTA Mom: “Why are they black?” Bruce: “They match my soul…they’re also vegan.”

He talks like a moody teenager. HE CONSTANTLY has to brush the fringe off to the side to read the cue cards. And because there’s so much eyeliner and he’s sweating a bit from the lights, it starts running everywhere.

PTA Mom: “Bruce, you’re a little quiet. What are your thoughts on increasing the school lunch budget?” Bruce: *eyeliner dripping down his chin* “I think it’s a great idea.”

SKIT #2

For a pre-filmed skit, they bring back the Chad character with Pete Davidson.

It’s 2 am, and Chad is working at a 24hr drug store in Gotham. He’s reading Twilight (the book is upside down) when the lights begin to flicker.

He turns around and tries the light switch, turns back around, and JUMPSCARE it’s Bruce dressed as Edward from Twilight.

Yes, he IS sparkly.

Bruce is awkwardly holding a bunch of items, all concerning. He plops down a few knives, several raw meats, Sudafed. Chad: “Oh hey.” Bruce: O_O “I’d like to check out please.” Chad: “Lit.”

Chad’s “No Fucks Given” energy and Bruce’s “Please Do Not Perceive Me” energy clash like titans. The whole skit centers around it.

Bruce: *sweating bullets* “Oh. You’re reading Twilight?” Chad: “Just the title.” Bruce: *throws the book through the window at lightning speed* “It’s not very good. You should probably read something else.” Chad: *shrugs* “Okay.”

Chad: “ID?” Bruce: “ID? For what?” Chad: “Sudafed.” Bruce: “Oh. I don’t really need that, actually.” Chad: “Already scanned it.” Bruce: “Haha. Of course.” *awkwardly produces a scroll from his pocket that says Bruce Wayne DOB: 1901* Chad: “Okay.”

Bruce checks out, Chad picks up a porno mag or something, and we see Bruce turn into a bat and fly off through the window behind him.

SKIT #3

The next skit they have is Celebrity Family Feud: Billionaires Edition. Again, Bruce plays himself, but he’s more of a background character. Instead, the skit makes fun of billionaires as a whole.

Bruce’s team consists of Kylie Jenner, Lex Luthor, and Oliver Queen. So just imagine three Lucille Bluths standing beside one another. 

Bruce’s bit? He just keeps handing cash to Steve Harvey every time he breathes in his direction.

Host: "We got the richest man in the world: Bruce Wayne!" Bruce: *hands him a roll of cash* Host: "Oh, what’s this for?" Bruce: "It’s your tip. I always tip." Host: "Oh, Mr. Wayne, you don’t usually tip the show host. I’m also a millionaire myself." Lex Luthor: *snatches it* "Well, if you’re not going to use it, I will…for charity, of course." Host: "Uh huh, whatever helps you sleep at night."

Just a ton of fun quips, the usual.

At some point, Harvey says, “That’s batty.” Bruce: *ducks* “Where?!” Host: “Oh, I don’t mean Batman. He’s not here.” Bruce: “You don’t know that.”

This time, the mic bit is a bit different.

Host: “We asked 100 billionaires: How much does a loaf of bread cost? Top three answers are on the board.” Bruce: *hits buzzer* Host: Bruce, your answer is? Cast Member: *runs in with a megaphone and holds it in front of Bruce* Bruce: “TEN DOLLARS?”

Board dings! That was the #1 answer

Brucie Wayne for the win

SKIT #4

Next is a skit that dares to ask Gotham, “Why would anyone live here?”

The skit begins with someone opening a press conference for Wayne Enterprises. “And now presenting: Bruce Wayne!” Bruce walks in…

But it’s not him. Instead, it’s one of the cast members dressed in a black suit with horribly gelled brown hair.

Everyone in the audience is wondering where the actual Bruce is before another cast member runs onstage crying, “Help! Help! I’ve just been robbed! Somebody call Batman!”

A mini version of the bat-signal lights up…

We hear some generic hero music play…

And there he is: Bruce Wayne dressed in a horribly cheap Batman costume

(They got the cowl ALL wrong btw)

Bruce puts his hands on his hips in a weird superhero pose. Bruce: “I’m Batm-” Cast Member: *runs out to attach another mic to his costume* Bruce: “….I’m Batman!”

Cue all of the gags and digs against Batman. The fake Bruce faints then starts crying under a table. Someone calls Batman a furry. Bruce is barely keeping it together the whole time. Lord help him, but he asked for it. He approved the skit.

Bruce: “Looks like a job for my bat taser!” Cast Member: “Isn’t that just a taser with a bat on it?” Bruce: *whispers* “You shut your mouth.”

He saves the day, the police take the thief into custody, then Batman myStErioUsly disappears. Bruce: “Look over there!” *runs off* Cast Member: “Oh my gooood, how did he do that?”

CLOSING SEGMENT

Finally, they have the Weekend Update where Bruce comes on as himself for the final time.

Since they got his permission, the writers switch out some of Bruce’s jokes last minute. (Think Bill Hader’s Stefon which notoriously caused him to break character because the writers would mess with his cue cards.)

News Anchor: “Here to promote his newest humanitarian project: Bruce Wayne!” “Mr. Wayne, what a pleasure to see you today.” Bruce: “Thank you. This is probably the longest I’ve been out of the house.” News Anchor: “Since the Riddler catastrophe?” Bruce: “Since ever.”

News Anchor: “So Mr. Wayne! Before you make your announcement, any life updates?” Bruce: “Yes, actually. Just a few days ago, I adopted five- *starts losing it* five more children.” News Anchor: “Wow, really? So you have eight kids now.” Bruce: “Uh huh. *tears streaming down his face* One more orphan and I get the tenth one free.”

News Anchor: “So where can people find you online?” Bruce: “Well, I don’t have social media because I’m afraid of people, but sometimes I’m on Twitter.” News Anchor: “What about a phone call?” Bruce: “Oh no, phone calls- *giggle* phone calls give me fainting spells.”

It’s a great way of finishing the show, with the most genuine version of Bruce. Then, he gets to what’s really important!

News Anchor: “So if they can’t reach you on social media or on the phone, what else can our viewers do, Mr. Wayne?” Bruce: “They can donate to the Wayne Foundation’s newest charity called The Arts Initiative. It funds programs for the arts in underdeveloped school districts nationwide. I’ve already donated $30 million, and I’ve pledged to match every dollar donated within the next week.”

And that’s what he’s here for :) They share a link for where and how to donate. The anchors praise him for his charity, which he deflects because he can definitely afford this, and the 90-minute broadcast is over.

The camera pans away with the whole cast waving goodbye, and Bruce is seen keeling over with laughter.

Along with some of the other skits, these four specifically go viral. WE raises a fuck ton of money, and everyone loves Bruce.

THE END

LOVE YOU ALL!! Let me know what you think :D

[swiftlymurmurs]

I've seen a lot of people voice disappointment over this Game Changer season finale and while I personally wasn't really bothered by a lot of the criticisms (I thought the Ratfish was an interesting added game mechanic and I never really care who wins or loses so his judgements not aligning with mine made no difference to me) I do think it's very interesting and I've spent some time thinking about why it doesn't work for so many. Some thoughts: Why is this Eric guy even here?

Tim & Eric were a popular tv comedy duo in the late aughts alt comedy scene. Sam and many of the writers at Dropout are sketch comedy nerds who, in 2007, were freshly at the start of their comedy careers, and probably see them and the larger [Adult Swim] environment they were a part of as a huge influence.

Why has it maybe aged poorly?

As far as I know, their popularity came in the early stages of about a decade of quite cynical, surreal comedy that also spawned the "lolrandom" era. While huge and fresh at the time, I think my generation (gen Z, the main viewerbase of Dropout) has grown pretty tired of this style and favours sketch comedy that's more clever, witty, and emotionally open or wholesome. At least, that's a movement Dropout has very much steered into with their roster of comedians and it's what the viewers expect.

The parasocial thing

It's no secret that Dropout actively promotes itself as a tight group of friendly comedians who you are invited to get to know, expect, and love when they show up. They don't abuse parasociality in the way you see, for example, younger audience oriented youtubers shoveling merch do it, but they absolutely make use of it. Most of the moments from this episode I've seen people gush over or post positively about are those where the cast recognize each other's styles, reference their relationships, and just generally make it known how well they know one another. When a total stranger enters the picture in an episode where the cast already have a barrier to their regular banter AND is given so much power over the game, they may look like an outsider or even an enemy to the happy little family people have gotten so attached to. Especially because his role is explicitly that of an antagonist, and the cast are never given a chance to see him and maybe out their love and respect for him as a comedian. In the minds of viewers, he just stays some guy who made mean jokes about their blorbo and then left.

Conclusion

I'm always glad to see this show making big swings, and while most of them have landed, some of them are bound to miss. It's a show that prides itself on trying things the viewers may not yet know they wanted and the second it stops trying, I think it'll be all the worse for it. It's a shame to end the season on such a note, but it's been hit after hit so far, and before we know it we'll be right back into it. I love this show, I love this cast, and I'm excited to see what's next!

[dreamesamu]

THE THINGS HE TAKES FOR GRANTED

in which he takes a moment to justify himself after never noticing your little crush for him

starring. akaashi keiji x fem!reader

genre(s): angst to fluff, (super, like-) long scenario 

warning(s): none, i think so? except for clueless keiji and not proof-reading

author’s note: akaashi is just a major green flag in this (every haikyu!! boy is 😭) i feel too bad to write them red-flag-y.

choose your character: m. atsumu | k. akaashi

you’ve known akaashi for quite some time, starting from your last year of fukurodani academy and then serendipity brought you both ended up being each other’s classmate at a same college/university. bokuto kotaro was your best friend, the little owl introduced his favorite setter to you and the friendship of three gradually become established, and as if it can not be any more inevitably, you eventually developed a secret admiration for the pretty setter when you three have been closed enough. however, graduating separated ways, kotaro pursued his journey to become professional in volleyball while keiji, once said to you he wanted a place in the literature department.

truth be told, even if you promised each other you would still keep in touch and plan every weekend friend group meeting online or offline, you’ve never expect you would share every class in higher education life with your crush, the akaashi keiji. the great thing is you both are paired up for an presentation assignment in the major you and him pursue, you do have plenty of time to stay close and grab his attention from making gestures that he usually failed to realizes.

here you are again, happily humming your favourite song while carrying a box wrapped with a small detailed towel, some big rolls of assignment paper stuck underneath your arm as you make your way back to where you both planned to finish the project - the library. 

“keiji, i’m back!” you set your things respectively on the table, and akaashi nods with a smile on his face in acknowledgement.

“oookay, so here’s your today’s snack, I hope you’ll like it” you grin, tapping on the box before pushing it to his side as he receives it and casually opens it while speaking.

“hmm? are those sketches of our poster? you can always edit them on the computer, why the effort?” he chuckled softly before completely unwrapping the bento box.

“I’m not good at designing and stuff. I may draw as I like and you’ll be the one to edit it on the computer.” you puff your cheek out, hands resting on hips as you watch his reaction to your delicately decorated sweets in the box made for him.

“this looks amazing.” he smiles upon seeing the pastries you made, decorated beautifully with different kinds of fruit as each pastry has different flavours, you probably did not stay up so late last night just to make all kinds of flavours for him to show how much you like him. yeah, probably not.

"oh, it's nothing, I just hope it doesn't taste bad" you chuckle nervously while scratching the back of your neck, letting his praise send you up to cloud nine.

your actions falter when you see akaashi put back the box's cap on, set it aside as he leans over to reach the posters you drew.

"now then, can we start working on the project?" he spreads out the piece of paper, glancing at you as you stand there awkwardly, prefer him taking a bite to look through all of your efforts than just shrugging it off and go straight to the main part of your study session.

"what...? oh- um..." you trail off, a bit embarrassed. "wouldn't you like to try one out? it won't hurt to just have a taste of it..."

"maybe later, y/n. we have other things need to be done right now." he merely states, eyes study the poster in front of him, unknowingly sinking your heart.

"yes, right." you shift slightly, taking the sit by the opposite of him, trying to catch up with him on the progress.

you let your mind wanders off how many times you've lost count already while akaashi quietly focused on scribbling something in his notebook, every thoughts you have are always about keiji, your feelings and the stare you give him thinking it's discreet. what's stopping him from trying my tarts out? and how does he feel being around me? or is that his way of rejecting something without making that person feel bad? flooded your mind.

"y/n?" you realize his faint voice ringing somewhere "y/n..." the voice becomes clearer. "earth to y/n, you're staring." awh, snap. right.

you blink, startled before clearing your throat, mumbling a small apology as you try to get yourself busy with the work underneath you once again.

but akaashi just chuckles, his voice calm and reassuring.

"hey, you seem off today. it's lunch break, please make yourself comfortable." you fumble at his words, it's noon already? as he collects his books and tidy it up at one corner of the table before speaking again.

"yuri satsuki is inviting me to have lunch with her. would you like to also join? i think she wouldn't mind." he kindly offers, probably not knowing the words struck you shocked.

you know satsuki-senpai, she's a year older than you and has been a social butterfly ever since you set foot in student life. she is a nice person, you conceived, but not until you found out that she has a huge crush on your akaashi keiji, her behaviour in your eyes became somewhat annoying. in return, she did realize she had a rival to win over him, you acknowledge that through the smug look she gave every time akaashi was around her instead of you, that is how the tension gradually builds up between you and your pain-in-the-ass rival.

and now she's even invited keiji for lunch? you feel an uncomfortable twist in your belly, screaming that if you do not take further actions, you lose akaashi to her. but his way of discarding your hard work, also known as an attempt to get his attention earlier discourages you hastily. this comes to a realization: ever since he start hanging out with satsuki-senpai, he has never touched one of your cooks once.

"no, i'm fine staying here. you go" you force a smile waving him goodbye. he hesitates upon seeing the downward trend of your mood as well as the strange attitude every time he brings up yuri.

"what are you waiting for?" you scoff, trying your best to make it sound not so bitterly. he nods quietly before ruffles your hair, thoughtfully remind you to get something to eat before start working again, and he'll be back with you soon.

you groan for the nth time in thirty minutes since his last leave, deciding not to eat anything at all after you laugh bitterly to yourself seeing the bento box laid cold by his stuffs which corrects your thoughts that he is not going to appreciate what you did for him.

the chair scraped the floor when you stand up, attempting to compose yourself when you feel your brain need a break from overthinking such situations.

on the way out of the library, your eyes meet yuri satsuki's, assuming that keiji is just somewhere around here as his lunch break partner is the person you least excited to bump into.

"well, well. isn't that the girl whose best friend choose to hang out with me instead of her?"

excuse me?

"don't get too ahead of yourself, satsuki-senpai. just a friendly reminder" your tone evidently irritated as you flash her an unamused smile, trying to avoid her as soon as possible.

but the radio scene of her voice replayed all over your head, your mind goes muddy despite the fresh air you're trying to take in, you let out a shaky breath, tears brimming out.

maybe, he doesn't quite noticed the things I did for him after all...

---

"you're back. where were you?" akaashi worried tone surprises you after a quite fine time of trying to find you because your study desk in the library was empty.

"i was... out for fresh air. why?" your voice is off and he noticed that. he always knew when something is bothering you, and right now he definitely know that something is wrong.

"after i finished my lunch i got yours, 'cause i know when i'm back you would still hadn't eaten anything." his brows slightly furrow seeing your avoiding attitude.

"thanks, keiji." you said briefly, take the package from his hand and sit down on your seat, never forget to notice the pastry box still intact.

your strange attitude didn't just stop there, it confuses akaashi for a more couple of days of your avoidance, he dislike the way you put a small distance between you both in study sessions, you flinch and tense around him more often, your answers and conversations are brief and sometimes awkward as you seem to be more preoccupied and attentive rather than to communicate with him.

"good morning, y/n." he smiles, your state has been bothering him for days as he is paying attention to your fade grin and a small "hey" as a greet back.

then he fumbles. something is missing...

oh. but then, realization sets in him quite quickly: you didn't bring any homemade sweets today.

"y/n..." he hesitates, meeting your eyes as you lift your head up from the notebook you're scribbling on. "does your home perhaps... out of ingredients or something?"

you are stunned for a moment, knowing exactly what he was trying to imply, scared to look at him directly in the eye as you shift your gaze elsewhere, pretending to have forgotten.

"oh... you mean the pastries... I forgot to do it. I was busy yesterday"

lies. he see through it, you know that, but you can't just blurt it all out that you're heartbreaking because of his indirect rejection that never says he doesn't like you, but makes you feel like it did.

"hey... i know something is wrong, can you tell me what it is?"

there it is - the worried look on such handsome face that never fails to make your heart flutter. but you know, that is just his nature of being an attentive and thoughtful person, not just for only you, but for everyone in his orbit.

so his question remained unanswered.

akaashi has been extremely distracted due to the sudden lack of your affection on him. it's just doesn't feel the same. even if he refuses it but deep down, he misses your midday snacks, your bubbly laugh around him and that flushed cheeks you wear every time he caught you staring. it has been a whole week since, and the fact that you didn't join the friend group video call with bokuto last sunday was his last straw.

he misses you, dearly. and if he doesn't do anything now before your project is finished, he might find it difficult to approach you even when you are his best friend.

and then, on an another lovely morning in the college's campus, an emotion he thinks he's aware of stirring in his stomach at the scene of you handing out a bento box wrapped with the same detailed towel, a small smile tugs at the corner of your lips as the other boy laughs lightly, scratches his neck, sending regards with a polite bow before making his way back in the classroom, akaashi doesn't like what his eyes have witnessed, so when he met yours, the bitterful look sends shivers down your spine.

you turn away, begin to walk, you do not want to deal with your bothered heart right now, not if it has anything to do with him, with that thought, you choose to neglect it because it is just your one-sided feelings for him.

but you hear footsteps behind, next is a small "wait" escaped from his lips when he managed to catch up and hold gently on your arm. that stopped you midtrack.

"please. can we talk?" he pleads.

---

you find yourself trapped by his presence in a corner of the school's library. there's no point in avoiding now.

"i'm sorry." he states. "i like you, i should've known."

your eyes widen. why- all of a sudden?

akaashi glances at you, softly sighs before bring your hand up to his face and kiss your knuckles gently.

"i understand now, i was clueless, you have the very right to be mad at me." each sentences he speaks crack your heart, but at the same time, they give you hope.

you neither know how to react, nor what to say, you just stand there, completely speechless, it encourages him to continue his speech of pursuing you.

"the last time i went to have lunch with satsuki, she confessed to me." he stopped, watching your expression. "but i turned her down, then, she got angry and started to brag about you. i did not like what she said, so i got quite defensive and... that was when i realised."

"i didn't know when it started. i just knew that i didn't feel very comfortable seeing you bringing your pastries that was meant for me to someone else, and more it's because i didn't appreciate it."

he squeezes your hand, afraid if not, you'll slip from his grip and become somebody else's apple. he certainly dislikes the thought.

"i want your pastries back, i love them as much as i love you. please let me correct such a terrible mistake."

---

"yes, hello. i've received the box, thank you, my love."

akaashi spins his office chair slightly, softly speaking to the phone stuck between his cheek and shoulder with a smile while unwrapping a huge warm box of freshly baked tarts.

"keiji, bad news, i'm out of powdered sugar after that batch." your voice echoed on output, he chuckles.

"are you free after work? we can visit the supermarket to purchase some. i'll drive, consider this a date with me, 'mkay?"

© 2024 dreamesamu. all rights reserved.

[dominantslasherking]

Billy and Stu with dominant Male S/o

My Stories are meant for the much more mature audience, 18+. Backstory: You always manage to catch Billy and Stu's eyes on you, whether it be in the college classroom, or when you're purchase horror stuff, they always seem to follow you. Even in your house you still feel their gazes

The dimly lit college classroom was buzzing with chatter, but not loud enough for the professor to call on anyone. Minding your own business as you were taking notes and sketching little side characters on your notebook out of boredom. Eyes were lingering on you, It wasn't the typical glance or side glance.

The lingering eyes were strong and made you feel a cool sensation run down your spine. With a simple turn of the head, you spotted the two. Billy and Stu, how could not know them? Not only did they garner attention all over the college campus. You would always, always catch them staring, although they may be fast to react and look away.

It can't be a coincidence they just always stare at you, not to mention being in the areas you were, your favorite locations, dining areas.

But the really not-so-funny part is, every time you do end up making a friend at this college, they end up disappearing. It had gotten so bad that even your fellow students grew weary of you, believing you were the infamous 'scream' killer.

However after a night in jail and the kills were happening when you were locked up, you were cleared of suspicion but of course not from the college students.

Once the class ended. You made your way out slinging your bag over the shoulder and sighing.

Almost meticulously, with severe calculation Billy had bumped straight into you. He gave a pretty smile as Billy watched you pick up his books. "Thanks, hah," Billy said his eye gleaming with an intense undertone of desire and pure want.

"It's my fault, I should watch where I was going...lost in thought." Your husky voice mutters, stacking Billy's books neatly in your hand before returning them, noticing the subtle hand movement of Billy where his hand brushed against yours.

Turning your gaze to Billy's friend Stu. Stu was silent, his eyes roaming you. The typically loud and humorous friend was silent strange enough, he licked his lips and gave a big smile. "Wow! I love that shirt!" Billy's face fell at Stu's words, elbowing him in the stomach, not enough to cause him severe pain but make him go 'ow'

"What was that for?!" Stu muttered with a pout. "You idiot, his shirt is just plain gray! what do you mean you like it?" Billy scolded, hinting that he knew Stu was checking [Name] out, and now you probably knew that Stu was eyeballing you.

"Ohhh." Stu muttered, as they continued to whisper and bicker among themselves.

Your chuckle made them pause. "sorry, sorry, you guys are just--funny that's all." You spoke softly, you thought they were cute. Bidding them goodbye, you walk out of the classroom.

Billy stared at stu.

"Whattt? Not my fault he's so sexy!" Stu grumbled out.

<<>>><<>>><><><><><<<>>>>

Later that day. You were at the DVD shop, looking through the thriller/horror second, making sure to get your hands on some classics.

With a loud and abrupt clank, your gaze faltered on the row across from you.

"Oops, did I ruin your guy's peeping session?" Randy had asked Billy and Stu. Stu gritted his teeth, Billy gave a urked glare. But the two of them knowing, your gaze was on them resisted doing something they were dying to do. They would just have to get back at him later.

"Wow! [Name], Thriller & horror movies? Nice dude!" Stu cheered pretending as if he didn't already know that about you...

Stu had started to chitter-chatter with you, while Billy was shooing and waving Randy off. Soon after Randy complied (after rolling his eyes and snarky comments) leaving the three of you alone.

"Ehm,--Well Billy and I, we love those types of genres!" Stu happily said as Billy's attention was now drawn to you, his feverish gaze landing on your lips every time you spoke. Taking a pause you spoke, "Really? why don't you two, come over sometime, we can watch them together?" You ask, as the two slashers freeze, slowly turning to look at each other and then back at you.

"What's the matter?...you don't want to---" Before you could finish what you wanted to say, Billy cut you off. "No-! No, we would love to."

Nodding you smiled, "Sure next time in class, we should set up a time and date." After bidding farewell, and purchasing the movies you got, you left, leaving Billy and Stu to celebrate together.

<<>>><<>>><><><><><<<>>>>

Pausing the movie, you itched the back of your neck, a feeling of a sense of dread washed over you. You had it again. Like someone, was watching, analyzing, observing you.

"Fuck." a whisper, under your breath, as you got up to check your popcorn. Walking to the kitchen, you take out the bowl of popcorn, setting it down as the phone rings.

"Hello?" "What's your favorite scary movie, [Name]?"

[corvussnakee]

Decided to throw this quick sketch together of Rotten's Shattered Dream.

I decided to make the tree, guardian, emotion- ough twins- like- insect based n'such. So, what better way to represent an inky goopy tentacle beast?

A fuckin spider that's what.

The outfit was inspired by Crona from Soul eater. I liked the long ass dress like outfit they wore and said 'Ight Bet'

I've also already started calling this version of Shattered, 'Dreamcatcher' for the sole reason that I think this silly lad would make dreamcatchers in his spare time.

There's also been some religious imagery sneaking in with like- His main room where he's set up his 'Office/Study' area is like the Sanctuary of a church. Dude built his like- castle/mansion type home usin a church as a base lol.

He may look like a sad lil dude but he would not hesitate to have one of his 'children' (Spiders) crawl all up in your business and take control of you.

Okay so, small blurb. Dreamcatcher!Shattered has the ability to produce spiders out of his body. These spiders he refers to as 'his children'. If these spiders manage to get into your body they will quickly overflood your system with toxic positivity. Making you extremely dazed and euphoric. Your soul will then float in front of your chest and there will be a spider symbol on the front. This shows others you're under the influence of Dreamcatcher!Shattered. He can command you to do sorta... Anything.

The only way to get free is to have one of Nighty's butterflies get into your system and chase out the toxic positivity, via flooding your system with negativity.

Both are painful processes but like... Ehh, you get to be free?...

Oh, and Dreamcatcher!Dream's sludge covers his mouth. He's got a Glamrock Chica/Red Guy situation goin on underneath it.

Some extra stand alones.

So ya, silly sketch.

I think og Shattered!Dream belongs to @zu-is-here ? (please let me know if I'm wrong!!)

EDIT:

Shattered!Dream actually belongs to @.galacii / @.galacii-gallery [@.shattereddreamsau]

[Thank uuu Zu for telling me!!! (❁´◡`❁)]

[waxingrunes]

Ghostface Thriller

This was supposed to be my original fully fleshed out Halloween gig but I changed my mind at the eleventh hour to something else. I only have these very rough shallow sketches to offer that started the whole thing. Read on for a little texting excerpt of their conversation from this moment.

And for one single (quite tame?) Ao3 continuation.

Sirius: you know, this whole conversation is just proving more and more disappointing ghostie

Ghost: Why’s that.

Sirius: well

Sirius: the more you talk the more you

Sirius: this is gonna sound weird but you know when you can grow attracted to the way someone sounds without ever seeing their face? the way they hold themselves like through the screen, the way they talj

Sirius: talk*

Ghost: Are you about to tell me you’re crushing on me, pretty?

Sirius: i mean

Sirius: im telling you i think the way you talk is attractive and despite the damning circumstances you’re actually kinda smart

Sirius: you have to be to get away with the sick shit you do :)

Ghost: Mm, nobody’s made me blush before.

Sirius: me calling you a sick shit made you blush?

Ghost: And sent a jolt straight to my c*** little pretty.

Sirius: romantic

Ghost: Struggling to understand what’s disappointing about any of this.

Sirius: oh right

Sirius: well it’s just you sound hot but obviously you’re not actually you know

Sirius: hot

A moment passes where Sirius swaps the phone between one clammy palm to the other, doubting his turn of phrase with the radio silence that’d been dealt.

Staring at the bottom of the screen he waited another whole minute for the three dots to appear, which was excellent restraint in his books, before huffing out a breath through his nose and yielding.

Sirius: no ten wears a mask

Sirius: if you were as attractive as your fancy words make you sound you’d make it known

Ghost: You’re trying to unmask me through the phone and here I was thinking I was the pervert.

Sirius: doesn’t pretty get at least one photo

Sirius: of something? anything? to aid my crush :(

Ghost: Ask nicely.

Sirius readjusted, looking up to the ceiling as if he was going to find some sort of resolve there. What wasn’t yet clear, was whether it was the weight of the situation that was getting to his head and making his tummy swoop with this roleplay he’d voluntarily landed himself in, or, he really had a fucking crush.

Wetting his lips, he swallowed and was already blindly tapping out his response before his eyes fell to it again.

Sirius: please ghostie

Moments passed. Deadweight moments where Sirius convinced himself his shadow was moving on its own accord. In reality it was a handful of seconds but it felt like minutes, ticking by with the faint feeling of something hot dripping down the back of his throat.

Ghost: I don’t make a habit of sending selfies to my toys.

Sirius stared at the photo. It was his time to go quiet now, for reasons he planned to take to the grave; an event which may end up closing in sooner than anticipated if he plays his cards wrong.

Ghost: Tick-Tock, pretty. What you looking at?

The bastard.

Sirius: not much apparently

Sirius: i mean nothing i haven’t seen before apart from your legs

Sirius: never seen those out before

Ghost: You a leg man?

Against his will, Sirius giggled. Flushed in an instance from shame and shock and the feeling of very sudden self-awareness, but still had to swallow the tail end of it.

Sirius: am i going to get anything else more

Sirius: motivating

Sirius: i’ve been good all week and followed your orders

Sirius: i haven’t argued

Ghost: Oh, pretty. Come on now.

Sirius: okay but

Sirius: wouldn’t you get bored if i made it easy

Ghost: Clever boy.

Sirius squeezed his legs together, sinking further into the cushions.

Sirius: then reward me

Sirius: please

Sirius: please please please

Ghost: You’ll get what you want soon, but for now…

Another picture came through and for a sharp second, Sirius hesitated. It wouldn’t be his face, surely. He knew that and yet the moment felt pivotal either way as he hovered his thumb over the attachment and tried levelling his rattling heart.

He opened it, simultaneously losing feeling in his fingers and gaining it elsewhere.

Ghost: I wasn’t kidding about that jolt, not that hard yet but you’re doing a good job pretty.

Picture no.2

[tlbodine]

Stuck? Try junebugging.

I don't know who needs to hear this, but we're 5 days into nanowrimo so maybe this will be helpful.

Do you want the safety and surety of knowing what happens next in your story but can't stick to an outline? Does knowing in advance what will happen suck the joy out of discovery writing? Do you try to wing it through plots but get tangled in plot holes or have a story that runs out of steam because you can't figure out what went wrong? Are you at your most creative when you have a little bit of guidance? Do you tend to under-write? Do you get ideas in your head for random scenes and snippets that drop from the sky without context?

If any of these apply to you, junebugging a draft might be for you!

What Is Junebugging?

Since you're on Tumblr, you might already be familiar with the concept of junebugging as it relates to cleaning. If not -- I think the idea was first introduced to me by @jumpingjacktrash.

The basic idea is that you tackle cleaning by way of controlled chaos. You pick a specific area you want to focus on, like your kitchen sink, and then wander off to deal with other things as they occur to you, but always returning back to that area. You end up cleaning a little bit at a time in an order that may not make sense to an outsider but which keeps you from getting overwhelmed and discouraged.

How Does Junebugging Work in Writing?

OK, so that's great, but how does this work with writing? Well. In my case, the general idea is to jump between writing linearly, outlining, and writing out of order. It usually looks something like:

Start free-writing a scene, feeling my way through it and enjoying the discovery process.

Thinking, ok, now I have this scene, did anything need to happen to lead up to it? Do I need to go back and add some foreshadowing? Does this scene set anything up that needs to be paid off? And then jump forward/back to make those adjustments.

I'll usually have a bunch of disconnected ideas of ideas that have popped into my head, so I'll write those down in a list somewhere and then try to figure out what goes in between them and what order it goes in.

I'll write what I call "micro-scenes" which is where I'll just sketch out a few essential elements of what's going on without worrying too much about details, description, etc. -- just he did this, she said that, the setting was this, real bare-bones script. Then I can come back through and flesh out each of those microscenes into an actual scene later.

Got a story that has a complex structure? No problem. Write through each storyline one at a time and then chop them up and weave them together afterward. Write all the B plot scenes first then come back through to do A plot and C plot. Move the pieces around like legos. No one ever has to know.

This method works for me because I can't "decide" story elements in advance. I have never been able to just sit down and "figure out" what happens in a story beyond a couple steps ahead -- I have to discovery-write my way forward. But at the same time, that gets really daunting. So I zoom forward with micro-scenes, roughing out the beats in the most bare-bones way possible, then when I run out of clear vision for what happens next I backtrack, flesh out those scenes, build in connective tissue, etc. and by then I will probably find more inspiration to jump forward.

It's basically folding drafting, outlining, and revising all together into a single phase of writing, which is chaotic and goes against everything people teach you, but if it works? then it fuckin works.

Anyway, sorry for the jumbled-up post, I'm dashing this off quickly while I heat up a pizza and I'm about to dive back into my WIP -- but I hope this was a little helpful. If nothing else, take this as my blanket permission that it's 100% OK to jump around, write out of order, write messy, outline sometimes, pants sometimes, and do whatever else it takes just to get through the story. You've got this. Good luck.

[darqx]

Hi I understand if you don't reply, but I was wondering if you have any advice to beginners who want to start making their ocs a reality? (Like in the sense of having Charecters that have been in your thoughts for a while, but it's hard to encapsulate them into physical form?) As I have some that id like to make either into a game or comic but I'm a little stuck..

Also I'm curious if there will be any other content with the best boy himself rire?? : 0

Hullo! Ah, (physically) designing characters, how fun ❤️ - there is part of a reason why I only have a handful of them lol XD; ANYWAY here are three things that help me, so hopefully they can help you as well :)

(I'll use Demon!Rire as an example as unless you are an old guard of mine, he will probably be the most recognisable of my characs.)

--------------

❓What do you know about them?

First of all since you already have your character in mind, congratulations you are most of the way there already! It's helpful to know the general vibe of them. And I don't mean the super detailed things that may arise from like..."Get to know your OC" quizzes - we are more looking for the core feeling of a character here. If you dumped this character into different AUs what things are going to stay the same/similar? Some things you should consider are:

What is their personality like? Why do they do the things they do?

Do I already have any physical traits for them in mind? Hair/eye/skin colour? Body type? Age? Name??

📝 Write a simple paragraph or some dot points about your character with these things in mind.

---EXAMPLE---

Sophisticated and charming, Rire outputs an aura of power and elegance. His pleasing physical appearance and gentlemanly demeanour usually enchants or commands people. Realistically, he is extremely manipulative and sadistic, and finds entertainment in the reactions of others.

---/EXAMPLE---

🤔 Make informed choices

Ok cool, you know something about your charac! Now build upon what you know to make them real - it is important here to try and match your design choices with the characterisation and "why"s of the character, and less with what you personally think will be cool/cute/whatever. What I mean by this is just pretend they are a person you are describing to a forensic sketch artist - you are giving "facts" as to what you think they look like not making stuff up (eg you would NOT be like "oh yeh she was totally a punk rocker however i'm going to say she wore a long flowing gown cos I think she'd look prettier in it?"*)

*Note that designing a character with opposites in mind can work out if you can at least answer the cursory "why" of it being a part of the character design. For eg maybe the punk rocker is secretly the alter ego of a socialite - flowing gowns and high fashion by day, grunge by night. Like Batman.

📝 Feel free to use dress up doll games and image searches for particular types of clothes/hairstyles/etc if you need inspiration. Thumbnail a bunch of different designs and see what works.

---EXAMPLE---

In my prev example paragraph I highlighted a few things in red. Here I'll break down how they can help craft a physical appearance:

Sophisticated and charming / elegance - to me, these combined make me think of ballrooms and black tie functions and nice suits. A well tailored outfit and someone who knows how to wear them.

Gentlemanly demeanour (well to some degree lol) - since I already know he's hundreds of years old (973 to be exact) I decided that an aristocratic Victorian-esque aesthetic would suit him. Somewhere in between a modern look and something with a bit more fantasy steampunk flair. He smiles quite genially until he's doing it with all his teeth.

Aura of power - he's got to be a bit of an imposing character so he's quite tall (or at least taller than all of my other characs) and carries himself confidently. Hooray for the ability to loom. Dark colours for this character, to cut an impressive figure.

Pleasing physical appearance - kinda stereotypical type of good looks that aesthetically most people would be like "yeh he's pretty". Athletic build - muscular but not bulky, broad shoulders, tapered waist etc etc.

Extremely manipulative - first of all, he looks rather human, for a demon - his entire species is designed very particularly like that. Then there's the sunglasses. The "why" [does he wear them] is they function to hide his eyes (one of the main parts of him that give away his demon-ness), but also as a bit of a red flag to the audience that something isn't quite right with him. I mean, look past his charm and he wears them all the time. The black and yellow colour scheme also ties in as warning colours ⚠️

Put them all together and this was one of my first sketches of Demon!Rire.

*Note that I already more or less knew how he looked other than his outfit; you will probably have a lot more sketch duds as you figure out what your character looks like.

---/EXAMPLE---

🔐 Don't lock yourself in

Despite the fact I've just said "pretend your character is a person", remember you're still their creator so obviously you have final say over them. Sometimes you'll find that they grow and change from what you initially thought of them (or you just evolve in how you draw them). Don't be afraid to make the tweaks and changes that enhance these - whether they be physical or core characteristics - and you'll get closer to the true character you always had in mind.

---EXAMPLE--

I now draw Rire with a more pronounced V-shape, longer, wavier hair, and somehow he ended up with way more pronounced eyelashes than I usually draw on my male characs. Which works out quite well considering how I tend to draw his eyes. Anyway the point of this is that these things developed over time as I kept drawing him.

---/EXAMPLE---

🍀 Try it out with your own characs! Have fun and don't force yourself to try and get it "right" on the first go.

[notherpuppet]

If you don't mind me asking, how long does it usually take you to draw out the comics? And do you use Procreate?

Thabk you ^^

I honestly don't remember if I've answered this before, so I'm answering again! (or for the first time?)

Depends on the comic page, but each page takes approx. 12-24 hours. Sometimes I'm real fast and other times it takes me more time to draw the characters/composition/poses how I like them.

A large chunk of the time is dedicated to decision making. How I may want to convey information aesthetically and efficiently. Some problems are easier to solve so that equates to faster process. Some are more difficult, so it's more time of me staring at the concept sketches haha.

It's also a fun activity for me, so when it starts to feel grueling or frustrating (like with a boss battle in a video game) I take a break from it and do something else fun. Usually read other folks' comics or look at their beautiful art.

I do use Procreate! It's a wonderful software and so affordable (IF you already have an iPad that is. And if you are shopping for one, GET THE LARGER STORAGE CAPACITY, YOU'LL NEED IT)

I do sketch most everything traditionally though. I think my brain works fastest with a pen and paper. That helps curb decision-making time because you have less possibilities to correct things when there's no undo button.

[cereovo]

A set of very conceptual notes I drafted a while back for someone asking for advice on learning to draw humans. I'm entirely self-taught so this is less of a tutorial and more of a very rambling set of general principles I follow and ideas that helped while I was learning. I figured I'd post it in case anyone else could get use out of it!

I also recommend checking out:

Drawing East Asian Faces by Chuwenjie

How to Think When you Draw (lots of good tutorials in this series)

Pose reference sites such as Adorkastock

Transcript and some elaboration under the cut:

Img 1 - Drawing a face

The two most important elements (at least for me) when drawing a face are the outline of the cheek/jaw and the nose*. I often start with a circle to indicate the round part of the skull, then add a straight like and a 'V' to one side [to create the side of the face and the jaw]. The nose creates an easy template for the rest of the face's features to follow (eyebrows at the top of the nose bridge, eyes towards the center of the bridge, ear lines up to eye) and the placement/direction and overlap with other features is a very simple way to indicate dimension. [A sketch of a face that has been adjusted by moving its parts to create 3 different angles. The following text is underneath:] -Different 3/4th views can be created just by adjusting the position of and amount of overlap between the facial features. - The top of the ear usually lines up with the corner of the eye. Think of how glasses are designed [specifically, how the arms run from the eyeline to the ear] [I go on a tangent in these next few paragraphs] *One thing I see many artists do - not just beginners - is learn how to draw A Person. As in, one singular person with one set of bodily proportions and one set of facial features. It's an issue that runs a bit deeper than 'same face syndrome' because sometimes these artists can draw more than one face, they're just not very representative of [the diversity present across] real people. Part of the reason I'm talking more about how to think about approaches to drawing - rather than showing specific how-to's - is because there is no one correct or right way to draw a person. The sooner you allow yourself to explore variety - fat people, old people, people of color, people with [conventionally] 'unattractive' features - the easier it'll be! Artists often draw their own features honestly and without [harmful] caricature, so it's always a good idea to look at art made by the kinds of people you're trying to draw if you're ever unsure about how to handle something. In general, it's far more important to learn how to interpret a variety of forms than to learn how to replicate the Platonic Ideal of the Human Body.

Img 2 - Stuff that helped me

Jumping into drawing humans (faces or otherwise) straight from photo reference can be overwhelming. The trick is to simplify forms into shapes - but even this concept is sort of abstract and it may be hard to know where to begin. Good news - Thousands of other artists have already figured it out. [When starting out] I needed to learn from photo reference AND artists I admired in order to improve. [When looking at stylization you are inspired by] ask yourself: WHY does this simplification work? How can I translate it into a different pose? Instead of copying what you see in a photo reference exactly, try to focus on the general forms first. My two biggest style inspirations for humans while learning to draw them were Steven Universe and Sabrina Cotugno's art. SU gets a lot of hate [in this instance I was specifically referring to a time on tumblr when the art was knocked for 'losing quality'] but its style does a great job of simplifying anatomy in a way that still portrays a diversity of bodies + features. [Extremely simplified drawings of Lapis, Steven, and Amethyst] SU characters are still identifiable- and still read as 'human' - even when reduced to just a few lines!

Img 3 - Things I keep in mind while drawing side profiles

- Eyebrows + eyes close to the 'edge' of the face - Forehead needs enough room for a brain - Eye is > shaped from the sides - Mouth kinda halfway [between the nose and the chin] but closer to the nose - Skin/fat exists under the jaw [and connects to the neck] - neck is about one half the width of the whole head - the back of the skull always sticks out a bit further than you might expect - Sometimes less is more - contours exist on every face, but drawing them in may make your character seem much older than they're supposed to be. However, it's a good idea to use them when you *want* your character to look old! These are very general notes- every face is different and has different proportions [and playing around with them creates unique and interesting character designs]

[ttshihiro]

pspspps.. totally not golden groovy woops

ANYWAYS HII!! heard u were open for requests. may i request tammy + qiu with and an artist reader :00

requests of my favorite fandoms are my catnip good gof woa who could this be‽‽ my reqs and my ask box are like always open btw >◡<

extra note/s: I refer to step 1 Qiu as he/him. Uhhh take this as platonic or romantic, I'll add an indicator for romance (𐙚) ^^

more under the cut > o

✧ At 10 years old, QIU's fascinated. How he discovers your interest and skill in arts varies but his reaction doesn't. He's impressed! Whether digital or traditional, Qiu would love to participate especially if you asked him yourself.

For this reason, he carries an extra pen and even those colored ones just in case you get bored or if you're suddenly struck by creativity when you two are playing :3

✧ The first time you show him one of your doodles you made during class, he's compelled to do the same whether or not you actually give him it. And ever since, you two've been exchanging these sketches during class. It's the cutest scene to walk into.

✧ URGH AND THE THINGS HE DOES WHEN YOU TELL HIM ABOUT ART BLOCK DEPENDING ON HOW AND WHAT YOU DRAW

You're into drawing sceneries? Trust that he starts telling you and Tamarack about more "special things" in the forest and/or the town.

Like the sky? There's this clearing a lot further into the forest at your backyards. Stargaze, watch the clouds and the sunset together?

✧ It's also necessary for me to mention that unlike his notes, lazily pressed against eachother and constantly on the run, anything you give him goes to a safe space probably in between a books pages, under the the matress of his bed or inside a drawer/container.

"They broke into my backyard accidentally, 'cause they were on a crazy investigation about a paper airplane. Plus, they got here a day ago and they're already looking out for me. Normally, I'm the one doing that."

"Besides, they're pretty. And they make me pretty. Look! Look how they drew me!"

✧ As for 10-year-old TAMARACK, she's curious. The things you draw, are they based on actual places? Actual people? Oh, you draw based on your imagination? Elaborate.

✧ At some point in the prologue, she says "All the forests in the world are different, and some places don't even have forests. I can show you good spots to find things since you're newer to this forest than me."

And I can't not think of her running up to you to give you all of what she gathered for you to draw like omfg

With all those leaves and tiny branches sticking out of her hair and sweater, she smiles brightly with her hands filled with her treasures. AUGH SHE MAKES ME SO SICK I LOVE HER

✧ Like Qiu, she has her own safe spot designated for only your drawings if you've given her any.

She shows off all of them. Especially if you've drawn her?? It'll be the only thing she talks about during literally any time for the rest of the month and the few months after.

"Out of all the friends I have here, you're the best one. We came to the same exact neighborhood, almost at the same time, and are he same age. You have fun outside and I do too."

"I think you're pretty. How you draw me is pretty! I've never met a kid who was just like me. That's important. That's serious."

✧ Now, 14-year-old QIU's pretty much no different. They're even more impressed when they see just how much you've improved. Nonetheless, they treasure your old drawings just as much as they do they new.

They take the liberty of providing you with both a pen and paper to draw on when you're together, in case you don't bring your sketchbook (if you own one).

On those days where you two just sit in silence in their hideout, their gaze drifts to your side quietly a few times to watch your progress. After a while, they settle with sitting right next to you and watching the stroke of your pen against the paper as the scene forms with each hatch.

✧ As a teen, they've actually been a tad bit farther off the town when they feel like taking a ride on their bike. They've seen many sights and burn the route into their brain for them to tell you about. They'd even be happy as to bring you there themselves.

✧ If you ask them to be your muse, good god you'd need to tell them what to do.

It's almost a funny sight. Qiu, the kid who knew what to do their whole life asks you, "Should I pose? Where do I look? Ah- what's my good side?"

𐙚 They can feel their breath hitch under your scrutiny. Suddenly, they're concious of every single thing about them. Where do their eyes go? Should they move their hands? Is their hair in the way?

They avert their gaze flusteredly, their head ever so slightly moving to the side when they do so.

And good god do their hands clutch the fabric of their pants when you tell them to look at you properly.

✧ Same goes for TAMARACK at 14. She's as intrugued as ever to hear about your work. She admires (you)r style from then till now and has learned to appreciate the time gone into things as simple as this, whether or not you've made it with her in mind. BUT GOD IF YOU TELL HER IT IS, it's always sitting on her desk and she thinks constantly about what you've done for her.

✧ And while she doesn't exactly bring you a pen, she's more than glad to hand you hers when you need it.

✧ Unlike before, she'd now be at your side when you two hung out at her backyard. She'd be sitting across from you, practicing the cello. The hum of her instrument accompanied by the sound of nature and the scratch of your pen against paper gives her a sense of calmness.

This may also be when she realizes she's been your muse! Her fingers trace over where your pen has been and boy appreciate isn't even enough for her to describe how she felt. It was definitely happy, but that wasn't the word either.

𐙚 Her heart pounds alarmingly as she admires your work. It's almost concerning to you that she sits silently with a blank expression as she held your sketchbook in her hands.

But that concern washes off you as soon as a warm smile curls the corners of her lips, tender adoration displayed all over her face.

[redheadspark]

may i have Benedict x reader from bridgerton with prompt #25

A/N - So cute for Benedict! Thanks for the request, anon!

Overflowed

Summary - Benedict knows how to make you smile

Warnings - Angst and fluff rolled into one :)

If there was one thing you loved about your life being a Bridgerton, it was how it was never boring or mundane.

It all started when you met your future husband, Benedict.  You both were attending art class at one of the most prestigious schools in the area, sitting side by side during one of the night classes and going through one of the lectures.  Benedict came from a wealthy family, prestigious family, which that had a major reputation for being well-loved and compassionate in charities and amongst other families.  You heard about his family for some time, though your family was not part of that circle since you were not well off.  In fact, you were attending the art school on a full-ride scholarship, not wanting to take it for granted and keeping your nose in your books and canvas.  But that night as Benedict plopped down next to you with his laptop out and ready to try, he looked over at you as you were handwriting your notes instead of typing it out.

He smiled, leaning over and saying in a low tone, “I like your handwriting.  It’s lovely,”

It was safe to say you are smitten with him from then on out.

You both sat together for the rest of the semester, learning about each other and becoming friends.  All of those rumors and stories that you hear about his family both seemed true and untrue.  He was kind, and humble in his upbringing and just wishing to be a better artist but not afraid to talk about his family and all of their endeavors.  He showed interest in you and what you liked about art, which pieces you liked and hated.  Although you were hesitant and wanted to keep your guard up when it came to letting in someone new in your life, Benedict snuck in always. 

Your first date was actually at the local county fair, Benedict asked you out after several months of building a friendship. It was surprising that he took you to a county fair, some of your other friends were already spewing theories about him taking you to a luxury restaurant or even on a yacht since his older brother Anthony did that with his now wife Kate. But not with Benedict, he would prefer to laugh with you and eat fried fair food and look at the street vendors.  

He made you laugh while attempting to win you a stuffed animal at the games, though you tried to warn him that they were rigged.  Benedict threw one baseball a bit too hard and almost broke the tent wall behind the plate that he was attempting to smash.  You laughed, the vendor scowling at him as Benedict took your hand and you both bolted before you were caught.  Benedict loved the sound of your laugh, he mentally would remember that moment for the rest of his life.  Throughout the night, you felt your walls coming down slowly with him and how he made you smile and giggle without you realizing what he was doing. Benedict was more down to earth than anything that night, then taking you to the local art show that was placed in the back of the fair.  

“I thought you would rather see something like this than at a fancy gallery,” He explained, you grinning from ear to ear as you both were gazing at the paintings and sketches from local painters and artist that were selling their art.  To think that he had all the money he would ever need, the reputation to be put in the pockets of people with power, but he simply wanted to be with you.

You shared your first kiss that night, his lips tasting of popcorn and soda pop.

Dating Benedict was both thrilling and intimidating at the same time. You were taken into his world, filled with wealthy relatives and charities that would sell dinner seats for thousands of dollars.  You barely had 1000 dollars to your name, let alone in your savings, but Benedict never minded it.  His own family was insanely sweet and kind to you, seeing how you made the artist in the family so happy and filled with joy.  Of course, they would tease you about his aloofness and his quirky nature, but you saw the same compassion and authenticity that was in Benedict in each of his siblings and his kind mother.  

However, you were a fish out of water with those dinners and events that you attended on Benedict’s arm.  The small talk with the fellow guests seemed forced and almost dry, Most of them were grilling you with questions about your own life, if you came from a rich family, or if you had any investments.  The pressure was a bit much at times, Benedict sensing it when you sat side by side during the dinners.  But the great thing about Benedict was that he would attempt to make you laugh during those tense moments, by any means necessary.  Comments under his breath, jokes that he knew were not great dinner conversation, his sense of humor was once again winning and making you come out of your shell a bit more.

Anthony could have sworn he saw you giggling and hiding your smile behind your napkin as Benedict whispered in your ear.  Anthony knew it then, you two were meant to be together.

Not everything was happy and positive with you two when it came to your love for one another. Because of your more humbled upbringing, your family bought of Benedict as dragging you along to use you.  It was hard to hear that from them, they all thought it was some kind of ruse and not real.  No matter how many times you defended your love for Benedict and told them constantly that you both were insanely happy together.  Even your ex was spewing hate on your relationship, which hurt a bit more since you and your ex were a bit sour together.  

But in the end, Benedict always came through by comforting you and making you feel safe.  He would constantly hug you and remind you that you were strong and adored, that you’d come so far in earning your degree and working at a gallery, fighting tooth and nail with your advantages and no leg up.  He admired you for that, and to see you feel defeated by others and their words broke his heart.  Plenty of nights were shared holding each other and talking through those bitter moments, it felt better to talk to him about it and get it off your chest than to hold it in.

And every time, Benedict would end up making you laugh and bringing you joy.  

“I think I found mummy!”  You looked up from your spot on the loveseat, holding an important letter in your fingers as your husband waltzed into the room with your 3-year-old daughter on his back and squealing in joy.  You beamed, watching your husband act like a horse and neighing as he was galloping around the small living room and your daughter laughing her head off with her ringlets dancing behind her.  

“Look, mummy!  Daddy’s a horsey!” She shrieked as Benedict was going in circles around your loveseat, you placing the letter on the coffee table and standing up with your hands on your hips.

“Quite the handsome horse too!” You teased, Benedict, slowing down and laughing as he stood in front of you.  Your daughter, Emma Violet Bridgerton, poked her head over his shoulder and you saw the same shade of green that her father had in her eyes.  She reached out to you with grabby hands, to which you scooped her in your arms to hug her tight, breathing in her sweet scent and feeling her arms around you.

5 years of marriage was no easy feat, but it was rewarding.  You both got married in the spring, then found a decent apartment in the downtown area that was close to the gallery you were now running and Benedict sold some of his work to get some money in your pockets. He would rather make money not by his name but by his art, using an alias with his art and not giving out his true identity.  It worked in his favor, his work being sold globally and making his alias a household name.  Your net worth grew, though tedious at times, but it grew nonetheless.  

So the news that you were pregnant two years into your marriage was a surprise, but the best kind since Benedict was over the moon at the thought of being a father.  Sure, he never thought about being a father so soon, but he didn't despise the thought of it.   Yet you were the one who was afraid of parenthood, mostly because of your own experience with your parents and how they were with you.  They were harsh, far too realistic, and at times brutal.  Did you want to inflict that on your own child?

“You are not your mum and dad,” Benedict reminded you one night as you two were lying in bed, you telling him what was festering in your mind and what you were fearing.  He had one arm around your shoulders, and his other hand was resting on your lower stomach while he was staring at you lovingly, “We are gonna love this baby and make sure that there is nothing but happiness in this home.  Plus, I bet you we’ll make mistakes here and there.  Especially me, I bet you I’m gonna put the diaper on the wrong way,”

You smiled softly, “More than once?” You asked to ask sheepishly, Benedict’s smile got wide.

“Are you kidding, over a dozen times at least!” He explained, you laughing as he went on, “And I’ll be singing to our baby with my horrible singing voice, you’re gonna hate it!”

As soon as Emma Violet Bridgerton was born, Benedict was over the moon in love with her.

“We were looking for you in hopes you were wanting to come get ice cream with us!” Benedict explained to you as Emma perked up and looked at you with her father’s eyes she inherited.

“Can we, mum?” She asked with hope in her voice, you eyeing her and then her father.

“Before dinner?” You asked in a joking tone, Emma giggling glee as you tickled her sides, “The scandal of it all!  What will the neighbors say!  We must get ice cream then since I have been craving chocolate!”

“Hooray!” Emma said in victory, the there of you walking out of the living room together as a happy family.  You left the letter behind, another disappointing letter from your parents who were reprimanding you for shielding your daughter from her grandparents.  But you were having none of it, you may have before when things were still tender with them. Yet not now, not with this life that was overflowing with happiness.  

The overflowing will never end, not if Benedict had anything to do with it.

The End.

May Prompt Session

[sanctus-ingenium]

Just wanted to ask, please forgive me if you've already answred this, what program do you use? Your art fucks HARD and like. I was looking at your art of the two moths over the city they die in and I was hit with the wave of "oh that looks really fucking fun actually." Like i know my art program can't do some of those effects and like, I'd love to try fucking about with them.

hi there, thank you! all my art is done in procreate and paint tool sai

because you mentioned that drawing in particular i thought it would be fun to break it down and show ppl what exactly went into each part of it so check this out

sketch & lineart - the brushes come from georgbrush.club and the urban sketcher is my most commonly used lineart brush, it has a nice irregular shape. the square brush is nice for big blocky sketches.

the cityscape was REALLY hard but basically I got a photo of the skyline of florence, traced some basic building shapes, then bullshitted the rest using the vertical symmetry/mirror tool to cut down on the amount of work (so i only had to sketch one half of the city). then for lineart I turned off vertical symmetry, turned on the two-point perspective tool, and got this:

the rose windows were made using the radial symmetry tool.

I didn't like it being so flat, so I used the liquify tool to make a kind of fish-eye effect (limited success tbh). I liked how it looked but the buildings in front needed something to cover them up to make the liquification less obvious...

first pass colours. I felt they were very washed out, aside from the sun which i loved. I use the spectra brush (default procreate) for skyscapes a lot, I love the texture. Although the clouds were filled in using the lasso selection tool, I softened the edges using the square pencil again and added texture using true grit sampler grainy brushes. The translucency effect comes from my setting the brush as an eraser. The sun rays come from the radial symmetry tool.

Blocking in the moths' colours was done with the urban sketcher again.

Something people may not have noticed is the labyrinth hidden in the sky! yeah I had a bunch of versions where it was more obvious but I found that it clashed a bit and was too busy, so I made it subtle. But yes. I searched for "royalty free labyrinth" and picked one.

The toner grit brush is one you've seen before if you've looked at any art on tumblr lately (this is such a popular brush) and it's from the true grit fast grit set. The pointillism brush is from the true grit free sampler pack, like my grain brushes.

I added shadows to the moths, increased saturation overall, and changed the clouds to a translucent blue (you can even see in the sun where I forgot to block in the sun itself because the clouds over it used to be opaque lol). Moon rays were drawn using the radial symmetry tool but this time with rotational symmetry off. I also moved the moon down closer to the moths because I felt that it was a bit far away, and this served to visually divide the drawing into three equal parts, so I chose to lean into that and divide the sky colours too, to show passing time, or an endless moment - morning, evening, night, etc.

And then the oroborous, I tried a few different effects on it because I wanted it to be very clearly separate from the main scene - I settled on a dot matrix newsprint texture, using procreate's onboard tool, and some heavy chromatic aberration. This is because the oroborous isn't real, it's purely symbolic and the moths' demise started when they became photographers so I liked the print media aspect there as well. The story itself is about grief without closure, cyclical violence, and sunk cost fallacy, while everyone explores an endless labyrinth, so an oroborous fits I think

what makes art fun to me is thinking up ways I can tell a story using just a single image. and sure a lot of it will be lost to an audience who isn't familiar with the characters or backstory but i want to leave enough in there that even complete strangers to my work will be able to construct a narrative about what's happening here, rather than it just being a cool image. that's my goal.

Finally I exported it to sai on my pc to give it a once-over. this is really important because the retina display on an ipad is oversaturated on purpose, to make everything look amazing and vibrant. but what this means is that on other screens, your work might look washed out. it's especially bad at displaying yellows! so i look at it in sai on my pc and i make minor adjustments, in this case I actually added another multiply layer on the moths and an overlay on their non-shadowed parts to increase the contrast there.

finally if you've read this far, I played a little trick with the caption of the drawing. yeah, THEY die... but only one of those moths is a theythem pronoun haver... the other has to survive. he isn't given a choice in the matter.

[greenerteacups]

Hi GT. I hope this message finds you well. I am sending all the good vibes and we'll wishes your way! ♥️♥️♥️ I hope you've had a wonderful summer.

I'm such a big fan of your work. Lioneheart is amazing and has stuck with me for such a long time.

I was wondering if you had any other stories you'd like to explore one day (even if you never get the chance to write them.) Whether it be fanfiction or original work, I was just curious because sometimes I feel as if I have hundreds of stories inside that I could tell, and I am not sure how to pick just one and see it to completion.

First of all, thank you! This is a fun one. I have a few enduring ideas for longfics I may or may not ever write (i.e., ideas that would have been projects already if I didn't have an ongoing longfic). I don't get stuck in them mostly because I try to remind myself that the idealized story you imagine when a concept occurs to you will never actually exist as it does when it's unshackled by the constraints of execution. What you'll get if you actually sit down and hack it out is (1) a real and imperfect piece of writing, and (2) the satisfaction of having written it, which is by far the more reliable source of motivation, if we're being honest. That being said, here are some ideas I've always wanted to explore, if and when I finish Lionheart:

I've always wanted to write a longform canon-divergent Tomione fic about Tom Riddle's 7th year at Hogwarts. Big honking political melodrama ft. the original Knights of Walpurgis, a Triwizard Tournament, and realistically functioning time travel (hence why this one's always been kicked down my list of projects, because writing a time-travel plot is like running through a minefield made of trampolines). I've already got character concepts sketched out for the Hogwarts cast — sooooo many fun ideas for the teenage Walburga. But I'd still need about a week of solid fic preproduction on the plot alone before I was ready to boot up and start writing, and it'd take at least 250k words — closer to 300k, if I'm being honest about myself. So this probably won't see the light of day anytime remotely soon, if ever.

A canon-compliant Dramione war fic, diverging from the Malfoy Manor chapters in Book 7, picking up from a speculative thread I read once about what would happen if the war didn't end after Voldemort died at the Battle of Hogwarts. I've always thought it would be fascinating to see who Hermione and Draco would become if they were actual soldiers in the war (and my disappointment with how Book 7 handled the "war" of it all has been established). That being said, Book 7 of Lionheart will probably give me a lot of similar ideas to chew on, so I don't know what my appetite for this one will be once I'm finished with it.

Durmstrang AU. This one's barely a fic concept so much as it is a mental moodboard — I just want to worldbuild the hell out of Durmstrang. And the international wizarding world, generally. It's a delicious sandbox.

A longform canon-compliant fic or series of fics about the previous generation of Blacks (Sirius/Bellatrix/Narcissa, namely). If you look at the books, there's a huge amount we don't know about the fall of the Blacks. I always found it bizarre that the sisters and Sirius seem to be the only ones left by 1995. No one else has a claim? No one else from this all-powerful wizarding family wants to step in and claim this big honking townhouse in the middle of London? Or its attendant fortune? Dude, what happened? Also, we don't see nearly enough of the Black family melodrama in canon. They lose 4/5 children of a generation in the span of almost single decade. And then (presumably) all of their parents die in the span of another. Goddamn. Just imagine the character work you could do there.

A No Chosen One/Voldemort Wins (The First Time) AU where Hermione never gets her letter, and meets Draco much later in life as a self-taught witch. The dynamics I have in my head for this are really enjoyable, and it would be a chance to finally write Hermione POV, plus the Draco I've cooked up for this universe is [chefs kiss]. I also just love the idea of Hermione as a feral witch-child running around muggle London. I love it a lot.