#maybe have them interact who knows

[razor-ramons-thighs]

Someone come beat me up in the ring and make me start drawing my wrestling OC’s and friends OC’s

[miwtual]

im so fucking tired of the disrespect gifmakers get on the gifmaker website

[lokh]

what do you think toshiro's version of laios would've been like if he was still with the group during the shapeshifter shenanigans

there have been a few speculations in the tag and among the fans and they are all very good SO i am going to take this opportunity to insert a bit of my shipping bias as i like in my interpretation LMAO agdsfgdfgv

i noted that in actuality shuro seems to have a very good grasp on laios' character??? this is most obvious in the manga later on but even seeing how he criticises laios in their fight... iirc nothing he says is actually untrue or wildly exaggerated, and while he does express frustration over something he feels like laios Should have control over (noticing his cues), he is also aware that laios isnt being malicious and that hes Just Like That. what i mean to say is that while i think his version of laios may seem more pushy and in-your-face, i dont think it will be overwhelmingly so. if its post-fight, i think the idea of laios (and marcille) being willing to do anything to get falin back made a big impression on him, as well as the idea that they need to eat and rest in order to succeed in their goals, so those aspects would be prominent in his version. he seems pretty observant, so i think for the most part the physical traits would line up, but i think there would be specific things that stand out to him that would appear strangely striking on his version of laios (like. idk something about his eye colour or the subtle contrast of his armour and chainmail. he seems to have a weird sense of aesthetics if extras are anything to go by lmao). if hed actually been paying attention all those times laios had gone on about what the hell ever, then it might be even MORE hard to tell apart his version since he would also have a good grasp on what laios should know. so either his version of laios is pretty difficult to pick out, OR despite the character being accurate his appearance is too. stylised lmao (exaggerated features or something) OR!! they just get him to pull out his monster gourmet guide thing and are able to tell from there. iirc everyone was surprised at its appearance so its possible toshiro had also never seen it before

IN MY IMAGINARY SHIPPING SCENARIO............ lets say that his laios isnt able to be picked out immediately and that the monster guide thing also doesnt immediately occur to anyone. what the real laios Specifically notices is how close this other laios keeps getting to shuro. and hes like. ??? why is he getting so close to him, theres no way i get that close to him??? but no one else seems to be picking up on it as weird, so hes having a small crisis like do i REALLY get that close to him???? and now that hes on the outside he notices shuro subtly leaning away and he feels both a wave of shame and..... protectiveness??? (JEALOUSY??????) and he immediately steps in and grabs him like Hey!!! cant you see hes uncomfortable???? weve been through this already!!! and like. ok i cant believe im doing this again but i need to separate this into different endings

a) the whump route: i dont think shuro ever envisioned Actually Telling laios about his frustrations outside of being basically cornered into it. has he ever spoken up against what was expected of him?? has he ever been confrontational???? i think part of what held him back from expressing his frustrations, along with the cultural norms, could be fear of what the reaction would be. if he had done the same in any other aspect of his life (his family, his inheritance), i think he would expect disappointment, disapproval, more proof that he doesnt add up to expectation. to be honest i dont think he Truly believes that laios is the type of person to react like this. but it was strong enough to prevent him from acting and i think would be projected onto his image of laios. maybe fake!laios says something dismissive like Well if it really bothered him hed say something right? what, he cant even stand up for himself? cmon, shuro, prove that you cant handle it just like everything else. and thats pretty much the fastest giveaway that it isnt really laios. of course this would be a HUGE tonal departure from what the actual episode/chapter was, so:

b) the dumbass route: both laioses break into fisticuffs, and, yes.... barking. and so they speedrun the entire encounter as the shapeshifters true form appears and, after laios points out that thinking too hard about others versions of you can tear apart groups and peace of mind, they pointedly do not speak of it again. they think about it though. a LOT

c) the normal route: both laioses argue normal like and the group ends up being able to tell them apart because the fake laios goes on a little too long about how theyre all here for falin and everyones like ok its not like he DOESNT love his sister but.......... the rest of the scenario probably goes like canon, though then i would want to see what everyone Else thought of shuro

[batsplat]

random throwback to fabio's response to casey saying he should've been black flagged for the whole open leathers situation

[beanghostprincess]

Sanuso Soulmate AU in which everyone has a bracelet painted around their wrist like some sort of tattoo but it's the color of their soul, and inside there's a circle with their soulmate's color. So, you know, if you both have the same colors but the other way around, then you know you're soulmates, yadda yadda yadda.

The Vinsmoke siblings don't have those because Judge made them that way, except Sanji. Sanji has a blue bracelet painted around his wrist and decorated with a yellow circle. Which would be great if it wasn't because he hates that color. It's always the color Judge chooses for him and it always reminds him that he can never escape that damn thing. But, well, when he escapes and meets Zeff and stays with him, the thought of having a soulmate starts being more and more appealing. He's sure she's the prettiest girl in the world! Cheerful and fun and bright like her color. He checks every girl's wrist in case he sees yellow and blue together, and sometimes he does, but it's never the same tone, and by the way the girls act around him he knows they're not his soulmates. But he doesn't lose hope. He'll find his girl someday.

Usopp doesn't really care much about it. He has a yellow bracelet and a blue circle and meh, he thought Kaya was his soulmate but turns out she isn't and that's just about it. He doesn't think much about it and he thinks that, if they're destined to be together, they'll find each other at some point. Tbh, he thinks it's stupid to be forced to be with somebody just because the universe tells you to. Even if he meets his soulmate, he'll probably choose for himself instead of jumping into a relationship like an idiot. Who does that? Forcing a relationship just because some colors tell you to?

He learns, soon enough after some years, that there's an idiot who does that and his name is Sanji. When they meet at the Baratie, Nami points out their soulmate marks (hers being orange and blue. A wonder who that tone of blue might be) Sanji is, uh, very dramatic. He starts panicking, of course, because he never thought his soulmate would be a man. And Usopp is pretty and all but- And he makes his heart go insanely fast, especially now that he knows he's definitely his soulmate. But it can't be. Really. He can't be. Usopp tells him that it's okay and that they don't even have to be soulmates. Perhaps the colors are just really similar. And if they're soulmates (thing Usopp was not expecting either) they don't really have to be if they don't want to. One thing leads to another and Luffy tells him to come with him and be his cook, and Sanji has to admit that even if it takes a lot of convincing, he goes with them. Both for Luffy and for the All Blue. And... For Usopp. He really, really wants to know more. He knows he doesn't have to listen to the universe and do whatever it wants with him, the way he doesn't have to be a Vinsmoke if he doesn't want to. But the soulmate mark- Love. It's. It's kind of a sign of not being a Vinsmoke. So he really, really wants to know about this guy before he starts panicking because it's, uh, a guy.

He's a bit too clingy with Usopp, he has to admit. He doesn't treat him like one of the girls but he definitely cares about him way more than he cares about other men. He protects him more. Keeps an eye on him. Decides to spend more time by his side. Usopp lets him know that nothing will happen between them if he doesn't want to and that he won't date Sanji just because a soulmate mark says so. Sanji accepts it gladly, but he never stops being this way. He just wants the opportunity to love somebody, Usopp doesn't have to feel the same.

So they grow closer. Become best friends, even. Inseparable. Usopp has to admit that, after all, he enjoys Sanji's company the most. And when he's not forcing the soulmate thing between them, he's a sweetheart.

Then Skypiea happens, and Usopp knows that Sanji is more than what he looks like. Water 7 comes next, and Usopp misses Sanji the most. He won't stop staring at the stupid colors. And he thinks that if he's going to leave for good, he wishes he could take Sanji with him. He guesses Sanji would say yes. But he can't do that to him, or the crew. When he joins them again, he thinks about asking Sanji out on a date or something. Or- Or at least saying that he can feel it too. But it would be like following the universe orders and he wants to be more than what the universe tells him to be. He knows soulmates aren't a bad thing (hell, Zoro and Luffy are happy and Nami and Vivi are insane about each other too) but still... Usopp thinks that they need more time. Sanji waits patiently, too, perhaps he has forgotten about it already. The thought of Sanji moving on from him bothers him in the worst of ways, and Usopp feels extremely selfish for even thinking that. So, he'll confess. At some point. Something. He doesn't know exactly what. Is he in love with Sanji? He- He isn't sure. He needs just more time.

Oh. And the universe gives them time. Two fucking years of time to think on his own. Fucking perfect. And that's when Usopp instantly regrets not saying anything, because the first night alone after so long he dreams about blue seas and blue eyes and blue skies and blue blue blue. He decides, then, that he'll grow into somebody Sanji deserves to be with. And he'll fight against the universe for keeping them apart when they were meant to be together. Sanji, during his two years in Momoiro Island, learns that liking boys perhaps isn't that weird. That it could also be a way of showing he is not a Vinsmoke, because Judge would never make somebody who has a soulmate and whose soulmate also happens to be of the same gender. Well- Talking about gender, he's- He's not so sure about that one either, but he doesn't think about it too much.

When they meet again after two years being apart, it's like they know what the other is going to say. There's a confession. It's emotional. Usopp is the one crying, surprisingly enough. But they're together, and that's what matters, right?

Except that the world sort of happens to hate Usopp, and from the moment they step in Dressrosa they don't see each other for a long time. And suddenly Sanji is getting married to some random girl? He- He just really, really, thinks the universe is against him. But there's a force of power way stronger than the universe. Way stronger that the gods. So when Luffy promises him to bring back Sanji for him, Usopp trusts him with his whole soul.

For Sanji, it's a bit weird. Whole Cake is an experience. His brothers tell him he doesn't have the right to have a soulmate so he can't complain about getting married to somebody else. Besides, as if he had any right to do so. Pudding is a gorgeous, precious girl. How can he complain? Sanji starts thinking the things his brothers tell him, somehow. How could he reject somebody like that? Besides, Usopp deserves better. And he has never been too into the soulmate thing, anyway. He'll find someone else and Sanji will get married to a pretty girl that, even if she breaks his heart, will at least keep the crew safe with the marriage. Then Luffy waits for him. And starves for him. And then his captain says something about Usopp too that Sanji does not want to hear but shatters his heart into pieces anyway. He really, really wants go back home.

And he does, after a wild ride. And he has never been happier, even if he knows this is going to hunt him for his whole life and he'll never forget what happened.

He sees Usopp when they get to Wano, and he looks happy without him. He looks like he is, yet he clearly isn't, when his eyes meet Sanji's. Usopp hugs him and kisses him and hits him and insults him and cries and tells him that he's the dumbest guy in the history of men and that he should've thought about his soulmate before pulling this self-sacrificing shit on him. And Usopp keeps yelling and he's extremely angry but Sanji kisses him anyway. And- And they're fine.

They will be fine, the universe likes it or not.

[kanene-yaaay-o-retorno]

I am going insane thinking about Forever and Philza for real for real. When I first saw them interacting I thought that getting atatched to these two would bring so much angst to lil old me but like they're one of the most solid friendships nowadays and it's so heartwarming to see that developing!

It's about how Forever saw Tallulah being attacked and killed right in front of him and the pain everyone went through when Bobby lost his last life and decided that no parent would go through that again. That his son would never be in that danger again.

It's about how they came suddenly into the island and quickly became an essencial part of everyone's life. I didn't follow Philza before but I can only imagine, like, there is that monster that is trying to kill your kids at any cost, just like the very island they were in. You couldn't trust the Federation and maybe you couldn't trust the others islanders too. Everything you had is your own strength and your intelligence and the determination to do anything you could to protect your kid, but in the end, the very act of fighting for their life could be the thing that kills them if in the heat of the battle they kids just get too close from your weapon.

That was the problem. And what could they do if not do their best to fight and get stronger and survive one more day?

Forever saw that. For me that is so crazy. He saw a problem that seemed like it didn't have a solution, like it was something that simply could not be helped and he just went 'nope' and made an entire system that took him hours and hours to not only protect his son, but the children of the entire island.

I just wonder if it was a breath of hope in the middle of that despair. I mean, of course everyone did a lot for the eggs, I could spend literal hours here describing how pretty much everyone in the island, in little or big ways, went out of their day/routine/plan to take care and spend time with their eggs, to wipe their tears or to just laugh and be silly together. This is also hope and this is also important. And the N.I.N.H.O? Bruh, it was the confirmation that even if the person wasn't good at fighting. Even if you weren't online. Even if someone was kilometers away from the fight, with just a button your kid would be safe and sound and far away from any attack.

And Forever gave that freely to everyone. I think that was The Moment to Philza. That crazy silly funny smart brazilian guy that followed him talking nonsense about love and an ex just saw all of their (and his too) pain and said "We're not going to go through that alone ever again."

The amount of care aaaaa. And now Philza gave him acesso to his base. To the place where his kids are and one of the places that he protects that most. And he never took it from Forever. NEVER. That is so crazy to me. I mean, picture with me:

That man is a full anarchist and not for a single moment he decided that Forever becoming the president is a reason to take him from his allow list. Not ever when he accepted the task from Cucorucho and everyone thought that he and the Federation were getting close.

Not even when Tallulah and Richas had that fight or during the entire Haply Pills Arc. !!!! Do you realize that! From the very first second that Philza decided to trust him he just Didn't Stop. Ever. Forever was going crazy smiling laughing and threatening everyone, refusing to listen about the eggs and he just said that Everything Would Be Okay, We're Going To Get Through This.

His enemy is the Federation and that blonde, crazy guy with a heart of gold is his friend, he is not going to steer away from his side. They flirt and make jokes and have serious conversations and Philza goes to him when he gets any important information and Forever asked about him every day since he woke up to thank him for not letting him alone. They could have the rockiest relationship ever but each time they see each other is so calm and fun and full of reassures that They Will Find The Eggs, Don't Worry, You Did Everything You Could.

Just. Them.

[qcomicsy]

I have the controversial opinion that maybe, just maybe we stop wanting to go after people with pitchforks for getting characters wrong and not reading the comics inviting them to easy and accessible ways of and making our own content with comic accurate representation

people might feel less anxious about starting comics and misinformation won't spread as easily

[lena-in-a-red-dress]

Twisters AU - meeting the in laws

Been thinking about Twisters and that iconic moment they recreated with the dude pressed up against the girl trying to protect her from the incoming tornado, practically wrapping himself around her as they both cling to the uprights for dear life....

I wouldn't mind seeing that happen with Kara and Lena, except in this version Lena would be the one promising she's got Kara, "I've got you, it's okay, I've got you", while Kara is one hundred percent being triggered by the past literally repeating itself around her.

Then afterwards, Kara is basically unresponsive, so once Lena passes the mom and the kid off to the paramedics, she returns to where Kara is sitting numb in the bottom of the pool, and just sits with her, holding her hands to ground Kara until Kara eventually comes round enough to move.

When she has the presence of mind to actually look at Lena and read the woman's expression, she realizes that Lena understands what's happening-- that Lena likely knows (has always known) who Kara is and her tragic backstory. But there's no judgement in it, only calm assurance.

They only part ways when their respective teams show up. Lena gives Kara's shoulder a reassuring rub before disengaging, shooting Mike (because of course Mon el would be the scummy stooge working for the Luthors under the radar) as she goes. When Mike fusses over Kara, Kara can't help but wish Lena was still with her, missing the woman's staid presence and the bubble of calm around her that had extended to envelop Kara as well.

When Kara eventually confronts Mike about his work for the Luthors and their predatory practices, and basically bites his head off about it, Lena watches from afar, and when Mike storms off to lick his wounds, Lena splits from her crew and approaches Kara once more. Kara can only try to pretend she isn't relieved by her return-- she isn't sure she's successful.

"Hey, ah--" Lena lifts one hand to scrub the back of her neck, plainly nervous in a way Kara's never seen her before. "I'm gonna let my guys handle things on the ground here. Can I-- would you like to come somewhere with me?"

Kara stares, and Lena realizes how weird she'd worded the request. She flushes.

"I mean-- I've got someone I think you should meet."

Kara ultimately-- inevitably-- agrees. Because it's Lena and she needs Lena right now. In the same way she'd needed Alex so desperately after her sister had died, but also... in a different way. A new way. She nods, and before she knows it they're heading to what Kara eventually realizes is Lena's hometown.

When they pull up to a quaint farmhouse standing amid acres of land, Lena throws the truck into park with a smile that Kara hasn't seen before. It carries the warmth of relief and familiarity, and Kara knows that they've arrived to where Lena has spent the majority of her life-- where her heart has always remained.

Lena hops out first, shutting the car door before reaching through the open window to beep out a "shave and a haircut" on the horn as Kara comes around the side to meet her. Lena snags her cowboy hat off the dash and settles it over her braids, shooting Kara a bright smile as the door opens and a lanky woman trots out wearing a grin not so different from Lena's.

"I wasn't expecting you til Labor Day!" the woman exclaims, throwing her arms around Lena in a fierce hug that Lena returns just as enthusiastically. "Ohhh, I've missed you!"

Kara hovers awkwardly, unwilling to interrupt the moment, but well. Clearly an interloper. When Lena and their host part, Lena cocks her head with her arm slung around the woman's shoulders.

"Kara, this is my mother, Jo." She doesn't really need to say it-- the similarities abound, from the bright glint in their eyes and the bright, keen smiles that crease their features, both warm and inviting. Lena glances sidelong at her mother, then slides her gaze to Kara.

"Mom, this is Kara."

[jasontoddsgaythoughts]

People who hate on DC ships and are like super public about it are so embarrassing. Like please hating something like JayRoy or BirdFlash is not going to make you look more interesting, or smarter, or whatever little fantasy adjective you’ve built up in your head. If you hate seeing something do not interact with it. Stay in your miserable little corner. Don’t even go looking for those tags because that’s exactly what you do. This is coming from someone who doesn’t even ship those ships, but I’m not big enough of an asshole to tell other people to not have fun.

[hopeswriting]

imagine you're luce, and you're born the heir to a mafia family. you're mafia-born, and so of course also mafia-raised, and then also a donna-to-be. you're raised to be able to take on the role, to be good and capable at it, are taught to make one of your core beliefs about how the many must come before the few, because the family must always come first. you're going to be the donna, of course you must always prioritize the family above all else, it's your foremost and most important duty.

if caring about the few too comes at the price of the many, comes at the price of the family, is it even worth it? if the happiness gained from it comes at the price of a greater suffering for others, is there even any meaning to it, even if it's your happiness we're talking about? you understand, don't you?

you're not sure if you do, but you care about your family, love it, want to do right by it once you become their donna, so you nod, listen and learn.

(you don't have to be taught the pain and loss and guilt and anger and bitterness is a fair price to pay for the pain you decide has to be inflicted and the sacrifices you decide must be made, including by yourself. it's the least you could do, even.)

imagine you're luce, and the gift of foresight runs through your blood.

you would not call it a gift. you did not ask for it either. and you'll never come to see it as something wanted by you.

you can see the future, and it happened exactly as you saw it would, so of course it's exactly the way you wanted it to go. you can see the future, and it happened exactly as you saw it would, so of course you didn't care to try hard enough to change it. you saw the future before the shape of it had yet to be breathed into existence, and who's to say it didn't come into existence only because you saw it happen? you saw the future, and it happened worse than it had to for it.

you can see the future, but you still can't make it anything else than what it was always going to be. you can even make the visions happen at your will, but you still have no say on what you see or how much you see. you still can only be the witness of it before anyone else can.

it does mean double and longer the happiness sometimes, means relief and gratefulness and hope beyond words, and it'd be cruel of you to voice out loud your feelings for others to hear the many more times it means something else.

you can see the future, and it doesn't make it any kinder on you than on anyone else, does not give you any more power or control over it than anyone else, but at least you can see the future. you're given the time to make peace with it, to brace yourself for it, to bargain with it, to plead and beg and fight against it however desperately and hopelessly, even if in the end it still happens exactly as you saw it would.

(you can see the future, and it still doesn't hurt you any less than anyone else when it happens, but you don't expect anymore for anyone to hold you any less responsible for it anyway. it would be nice for someone to do it one day, but you understand.)

you can see the future, and you decide it's a kindness to both yourself and others to keep it for yourself as much as possible whenever you can.

imagine you're luce, and your family has this set of rings they've looked after and protected for as long as your family has existed. they're one set of three of the most important artifacts in the world, ones that help in safeguarding its existence and balance. they're duty, the very first one and the most important one your family was created for.

the pacifier around your mother's neck is duty too, and the most important and powerful artifact among twenty-one in safeguarding the world and its balance. it's been passed down in your family too, from mother to daughter. it's duty, but less tied to your family and much more to the blood running through your veins. it's a curse, in fact, as it demands heavy sacrifices the rings don't, and one that can only be tied to the blood running through your veins.

(your mother looks at you as if expecting some kind of reaction from you, and you can only wonder at which point you weren't supposed to see it as a given. duty and sacrifices have been one and the same for you for a long time now. is it even duty if it doesn't require any sacrifices from you?)

imagine you're luce, and your mother dies for duty. she's the donna, and so she dies for your family. she's the sky arcobaleno, and so she dies for the world. she's your mother, but she dies anyway, doesn't fight it either, even knowing she will leave you behind, even knowing she won't ever get to see what you look like all grown-up.

everywhere you look, duty stares back at you, from your mother and the pacifier around her neck, her love for your family and the life she gives up for it, her love for you and how she dies anyway while you're still only a child. duty, from your family members and how they die for you and kill for you, how they do both at your command, how their lives are in the palms of your hands and how they weigh only as much as you allow them to at a time. duty, from the knowledge your foresight gives you and the shackles tied to the blood running through your veins.

your mother's only duty while she lives too. she loves you, but she'd have had to give birth to you anyway even if she didn't. she loves you, but she still gave birth to you even knowing the kind of life you'd have to live, the kind of hands you'd inevitably end up with, the burdens she'd have to lay on your shoulders, passing them down from her own. because she loves you, she finds the resolve to raise you to be able to face all of it head-on and come out on top, but she'd have had to raise you much the same way anyway even if she didn't.

(she doesn't die for you, doesn't fight to be able to keep living with you, and this, too, is your mother surrendering to duty one last time.)

(you're so sick of it, so angry at it, so hateful and resentful against it. you're so stifled by it to the point you've stopped being able to breathe for a long time now. or you would have been if they had taught you how to face duty in this way too.

it's for the better they didn't. a silver lining, sparing you pain that isn't necessary for you to go through. everyone you turn to only teaches you how to keep holding your breath longer, and you listen and learn, obedient and dutiful as you've ever been.

you're grateful for it too. really, you are.)

everywhere you look, there's no room for you to so much as question any of it, let alone anything more. duty is commendable, something you ought to look up to and strive towards, strive to achieve. duty is the right thing to do. of course it is.

(you exhale a breath of relief that shakes you down to your very core.

thank god, it's at least the right thing to do.

you're grateful for it beyond words. really, you are.)

imagine you're luce, and before it even happens, you know the choice you'll make when climbing that mountain, when standing on top of it, when waiting for a bright light to shine down on you from above. you know the choice you'll make then, even when pregnant with your daughter.

it doesn't matter since how long you knew, be it years, months, days, hours or minutes before. all that matters is that before you can even contemplate the idea of making another choice and all its implications and possible consequences, before the thought can even come alive in your mind, you already know the choice you'll make.

(you can see the future, but just because you already saw it, it doesn't mean it's now set in stone.

you can see the future, but just because you're given the chance to fight to change it, it doesn't mean it still won't happen every bit like you saw it.

it doesn't mean it can't still happen even worse than how you first saw it happen because you fought to change it, no matter how already dreadful it originally was.)

imagine you're luce, and before it even happens, you know they'll be others with you standing on top of that mountain. you're the only one who'll know it before it happens.

(because you can see the future.

and oh, you did not ask for it.)

they're strangers, people you don't owe anything to. adults who choose to show up at the first meeting, and to show up to every following mission after that. the chosen seven, whose ambitions and prides lead them to walk the path of the seven strongest too once laid down in front of them.

you don't force their hands in making any of those choices for them. you're not responsible for any of them.

you become coworkers then, accomplices, your hands stained in blood to various extent, but now dipping in the same pool of blood as you strive towards the same goal together. you have each other's backs, learn each other's strengths and weaknesses, learn each other's personalities, likes and dislikes. you keep having to spend more time together as the missions keep coming your way.

inevitably, you come to care about them. even more damning, they come to care about you in return. enough so they'll look after your daughter even after what'll happen on top of that mountain. enough so they'll look after your granddaughter too, warmly and fondly enough she'll call one of them uncle.

you're still the only one who knows they'll stand together with you on top of that mountain, not knowing what'll happen on it like you do.

and you do care about them, you swear you do. really, you do.

(you care about them the same way your mother cared about you, and how she still raised you to have steel in you and be made of sharp edges you know how to use. you care about them the same way you care about your family, and how you still send them to their deaths as needed so the rest of your family you care about just the same can keep on living longer and safely. this is the only way you've had the chance to learn how to care and love.

duty and sacrifices have been one and the same for you for as long as you can remember. it doesn't matter at which point sacrifices came to mean love to you too.

and most of all, you love your daughter more than anything else in the world.)

imagine you're luce, and this is who you are. this is who you've been raised to be, the only way you've been given room to grow up to be. this is the life you've lived and the kind of life that has shaped you as the person you are now. this is what you've been taught and told is the best version of yourself you could have grown up to be. this is who you ended up being by what you've been taught and told are all the right choices to make.

you're still the only one who knows what is about to happen on top of that mountain. it hasn't happened yet. the fate of the world hangs on what'll happen on top of that mountain, the same world you'll have to give birth to your daughter in. the same daughter you're currently pregnant with.

now imagine you're luce, look me in the eye and tell me you'd know how to even form the thought of the possibility of there being any other choice to make. look me in the eye and tell me you wouldn't look at the only choice in front of you, and know deep in your bones it's the only right choice to make. that it is right of you to make it. because it simply has to be.

(imagine you're luce, and you're not doomed by the narrative. of course, you're not.

why would you need to be when the narrative has painstakingly shaped you all your life to become its perfect, faithful and dutiful sacrificial lamb?

and then, imagine you're luce, and you're even grateful for it, so, so very grateful it held up its end of the bargain too.

truly, you are.)

[millionmaggots]

macdennis but in a no children by the mountain goats way

[902186]

thinking about kurapika and chrollo and parallels and this circle of horrors where they are the victims AND the tools of their fates.

they both think they are neither or more like they don't care about it at all. they don't see themselves as victims, and they see absolutely no other way to live other than this role they took upon themselves. kurapika had such a strong sense of identity and what he wanted to do with his life and understands himself perfectly at all times. he was a part of his clan, but he was more an individual than anything else. kuroro, on the other hand, never knowing, never thinking what his motives are, deliberately not understanding himself and desperately holding on to the spider. he can't be an individual but with others, he can be the spider.

and for both of them, it all started on vengeance. kurapika abandoned himself in order to become a tool, a weapon, to avenge his clan, and to collect scarlet eyes. he stopped being himself and became his people. kuroro didn't know his family, didn't know where he actually came from, didn't know who he was or what he was supposed to be. so growing up in meteor city, he held on to his people strongly. and in order to avenge and protect his people, he would become a tool, a weapon, he would give himself to them. he started being himself as he became his people.

kuroro could be something for his people. and kurapika could be nothing for his people.

kurapika took on the role of judgement for vengeance. kuroro took on the role of villain for vengeance. kurapika acted his part by diminishing everything he was, and kuroro acted his part by filling up his identity with it.

but one thing stays clear and fixed with them throughout it all. they would do anything for their people. for whomever they consider their people. "he'll put his friends before his mission." a weakness kuroro sees in kurapika so quickly and so easily. but the same thing he considers a strength in himself. "i am not your top priority. it is the spider that must be kept alive." as long as his people are alive, his identity will live on. and as long as kurapika is alive, his people’s identity will live on.

"now you will get to experience the pain of losing your home." kuroro (and the spiders) killing the kurta clan set this parallel in motion for himself as the circle began for kurapika. and (speculatively) kurta clan hurting his people was what set the circle in motion for kuroro, too. now thinking about where they are in the story and how their end could be, it is very clear that they are finally ending up in a place where they mirror each other (as they have from the beginning) and they can recognise it in each other and themselves. kurapika ending up empty after his mission and kuroro ending up empty after losing spiders. both of them purposeless and with no self left outside of it. in a way, this is how the circle ends. "i can hear that he accepted death." they walk with death every day with no fear and full acceptance and after losing the only thing they live for, not even something they hold on to because they don't see a point in being alive outside of the fact that they must keep going for their people, for their purpose, and if not then there's no reason to exist, they are meaningless.

kuroro's vengeance left kurapika all alone, with everyone he knew dead, and feeling hollow at the end. by fate, he ended up all alone, with everyone he knew dead and feeling hollow at the end.

and at that point, they will have to start a new page and build a new self for themselves.

[silkjade-archived]

i haven’t been here much recently, and i’m sorry i’ve only been negative on the off chance i’ve been online, but let me just say one last piece before the end of this month, so that maybe the next might be better….

[l0ganberry]

perfect timing! I'm definitely getting this.

[samarecharm]

i love makoto so much but fanon does her so much better (the good parts of the fandom) because in the game her character is so lack luster. they butchered her confidant it is so borning and not even about her. they made her a cop. A COP. they pushed this "canon waifu" role onto her (before sumire came along and did it Even Worse). and it SUCKS because SHE IS SO MUCH MORE!!! SHE IS SO MUCH BETTER!!!! SHE COULD'VE BEEN SO MUCH BETTER!!! the way i feel about canon makoto is the same way i feel about the canon ryuji events post komoshida where he's horribly mistreated and used purely as comic relief: i ignore them <3 my game now <3 never happened <3 my ocs <3

You are so right. I generally apply this to all characters in p5 bc the game does such a shit job of staying consistent with character arcs and personalities. Theres a desperate need to throw in perverse jokes at the expense of female characters and a need to show that the police (as a whole) are reliable people who are not influenced by things like money and power; only the BAD cops do that. Not to mention this obvious fatphobia and homophobia but i feel likes thats a given.

But back to Makoto. Shes a victim of bad writing just like everyone else. Ryuji during the kamoshida arc was fighting with self loathing and genuine anxiety, and aside from the like. One comment on Panthers outfit in the metaverse, hes more than well behaved. All of that is shelved as soon as Kamoshida is gone and replaced with him being weird comic relief (and the focus of alot of sexual jokes that were nonexistent in the beginning of the game). Anns arc about self love and empowerment is completely dropped as soon as the nasty bad guy is put away (so that its good to be weird about her w the Good Guys). Makoto loses her a chunk of her personality to be the mature waifu which is INSANE to me bc shes like. Not okay or normal at all 😭😭😭 she THINKS shes responsible and so does everyone else on her team, but its an act! She doesnt know shit! And she doesnt know that she doesnt know shit bc shes respectful and adults dont care about anything as long as u respect them!

Its very telling that for literally every single thief (and goro), you can see the exact moment the writers gave up on adding anything of worth to their characters outside of the social links. Its like they didnt know what to even do w the characters at their disposal after their main arcs were complete. No mention of friends hanging out without you, no mention of having group hangouts. Everyone is treated as a core, important member of the friend group DURING their arc, but outside of it, they are acquaintances at best. Theres nothing in the game that convinces you that these guys are legitimately friends who care for each other and do Friend Things. And i describe it like that bc there IS a game that treats them all as friends, and its strikers! Strikers/Scramble genuinely feels like the game p5 wanted to be; a road trip w your team where they stay up at night talking to each other and hanging out and doing things together that dont necessarily include you, the player. Its refreshing and lovely but it sucks that u get that kind of attention to detail in a ‘spinoff’ title

[eudikot]

Just saying, it would be crazy if Arlecchino and Wriothesley knew each other from their childhood and didn't realize because they both changed their identities