#maybe this is obvious for others

[pinkelotjeart]

So I’ve been on my re listen of the magnus archives

And something that I’m thinking about allot is the “I see you” line, the way it’s used as an anchor. You have the obvious and wel known season 4 lonely “I see you, Jon” but I want to talk about the one in season 3

Because I lost my absolute marbles hearing that line in the season 3 finale. It is Jon suddenly being able to anchor himself and recognising the situation around him, seeing through the stranger.

But the most import part, is how it relates to Tim. Tim has previously stated that he can only be sure Jon is real. He doesn’t trust anyone because anyone could be a stranger, but Jon, Jon is real to him, he knows Jon can’t just be magically replaced.. that’s Tim’s anchor, Jon.

This is THEIR “I see you” moment.

Jon helps Tim Anchor himself which makes him able to recognise the situation and save everyone.

The phrase “I see you” is used in every season finale now expect season 5 (I think?). I don’t know if I’ve fully figured out what that narrative through line means (especially in the case of Sasha) but god is it intresting. Especially cus it’s every member of the original crew that gets the line in some way

[sadisthetic]

the madness frustration loneliness of the dissonance of a mismatch of the rotten heart to the rest

allosexual aromantic swag happy pride *peaces out*

[lucabyte]

So does anybody else ever think about how Loop felt the need to demonstrate that the party's deaths wouldn't have any effect on the loops. I know I do but that's besides the point. Anyway I don't think Loop actually needs to bathe, they just like to feel included.

[scribefindegil]

Thinking again about how many disabled people end up getting shunted into art/craft work because like. You can technically do it. Sometimes. Yeah you make a pittance at best and are almost certainly going to make your physical health worse by pushing yourself to get things done, but what else are you gonna do? You're too sick for anyone to hire you. You're "not sick enough" to qualify for benefits. Just devote every scrap of time and energy you have to a chronically underpaid, low-prestige, incredibly labor-intensive industry. A few people manage to make it work with luck and help and the right skills. Many people don't. Everyone gets pressured to monetize their hobbies, but it's especially insidious if you're disabled because any tiny thing you manage to accomplish to bring yourself joy gets twisted into proof that you should somehow be able to work.

[heartorbit]

always by your side

[kkoct-ik]

as a bonus post. heres the moth!stress i mocked up while trying to iron out her design! i didnt intentionally change much after this, though i found it hard to fit her wings in the scene...

[ START ] @hotguycomiczine

[ MERCH | MISC ]

[crows-home]

hang on one more Nimona thing i realized. I'm so used to movies where the protagonist is inherently talented with no reason and is able to overpower the antagonists. Like, they're always unexplainably powerful and "oh wow, this person is stronger than these other people that have been training for years."

So, on my first watch, I thought that's what it was for Ballister. He fought a bunch of his fellow knights, overpowered them, disarmed the prodigy, Goldenloin.

THEN i rewatched, paid more attention, and holy shit. He's been like this since the beginning.

And then i started to notice the little things that subtly supported this.

He makes his own arm, that must take intellectual skill. He grabs a can that was about the fall off the shelf and make noise, without even looking at it.

And during the fight scene at the institute!! At first, I was like ok, typical protagonist fight scene where they overpower tons of other people. Because Plot.

But no!! the more i think about it, it's reasonable. It's established early on that Ballister is competent, he's skilled. He's very aware of things going on around him. He's able to knock out knights that around coming up behind him without looking, swiftly disable opponents.

Rewatching it always makes me go back and see these characters in a new light. So my view on Ballister went from "ah, mess of a man that's put in a tough situation. Able to do these crazy things because they're necessary to the plot." to "Oh he's competent!! That's the point!! He's still a mess but :0"

[hikaaa-bi]

forget the "entities are desires in tmagp" theory, i raise you "the entities are still fears, but all of the entries we've received so far are from the avatars themselves and not the victims"

[radiantmists]

so murderbot assumes that three offered its armor because it doesn't understand that the armor can belong to it and thinks mb taking the armor is just good resource allocation.

but if it assumes it doesnt have control over the armor, it would probably let whoever it sees as in charge (maybe ART?) handle it, or at least make the suggestion directly to that person. even newly freed in NE, it's willing to give its security advice (on hostage situations being undesirable) even if it doesn't expect to be taken seriously. it doesn't make sense to me that it would have so much trouble expressing the offer if it were just a security suggestion.

and then i think about how murderbot says later in the book that even if three felt fondly toward its fellow SecUnits, the govmod would prevent it from expressing that care or knowing it was returned.

so-- imagine you're three, and you havent yet internalized that you can just say "i care about you and dont want you to get hurt" to another SecUnit; but you can make sure that it has every resource it might need; you could probably do that even before the govmod was hacked.

you can't explain why, but you can hope that the gesture is explanation enough, and you can look for similar caretaking gestures in return; things like being given code and advice to do your job better, and being reassured when you express that you're finding said job difficult.

i think *murderbot* isn't aware of this language of care, because it hasnt had much opportunity to bond with other constructs. but three probably is, and probably knows how to read between the lines and guess that murderbot is starting to care about it, too.

[littlemsterious]

holy fuck harrow is a product of her parent’s genocide and alecto is a product of jod’s genocide how have i never put this together before

i’m trying to spell out my thoughts about this but i cant get past how a horrific number of people had to die in order for them to exist

[nelkcats]

And they were roommates

After years of living on his own in the Infinite Realms, something strange began to happen to the retired hero. Every time Danny closed his eyes to sleep, a life that was not his own played in his head. And he began to see memories of someone who had passed away, from his birth to his death. That would be fine if he didn't remember the dreams in such detail.

Unfortunately when the first dream kept repeating itself continuously, and Danny investigated, he discovered that it was not a normal nightmare and was the life of someone real. Someone who wanted a closure.

Every time he woke up, he found himself feeling the same as in the dream. Which led him to do a couple of things: yell at Nocturne (who strangely had nothing to do with it), annoy Clockwork (who was definitely involved), and solve crimes that had been deemed "impossible", and bring them to an appropriate end.

The police were extremely confused when a note from "Sleepy King" was next to the evidence of a cold case. The truth is that Danny wanted to sleep, and the souls were extremely insistent about their 'unfinished business' that came to haunt him in his sleep.

Every time he cracked a case he earned a few hours of uninterrupted sleep or downright disturbing memories, but that wasn't enough. Unfortunately, it seemed that solving the cases was only attracting more souls, and he was starting to regret wanting to help. He had ended his life as a hero for a reason.

Usually his notes to the police would say something along the lines of "I'm doing this for me, not for you, good night" or some similar nonsense. The halfa was tired, very very tired, dreaming with memories wasn't fun or pretty, it was exhausting, the deaths made his skin crawl and his insomnia worse. He didn't want to relive the deaths of anyone else, but he had no way to scare away the souls.

When Martha Wayne showed up in his dreams showing him about a "court of owls" Danny made up his mind. This had to stop. He had been a hero but he retired. And it wasn't that he hated the souls, he just wanted to sleep, the mental exhaustion was too much.

So he did the stupidest thing possible: he hired Constantine (pretending to be a fairly normal human client, getting his attention after offering a lot of alcohol and some useless books from the Realms as payment) to make him a dream catcher or some wizard thing. All he wanted was something to help him sleep.

Constantine couldn't do that of course. The hellbazer was disturbed by the man with more than three hundred avenging spirits swarming. That was fucked up. So he offered him the only solution he could think of: inviting him to sleep at his house. A place where spirits could not pass without permission. It wasn't a permanent fix, but it would work for a while.

John had no idea why he was doing so much for a client (inviting him to his house? bold move), but the man looked so desperate, and he was fucking cute. If he could get an adventure or two out of it he wouldn't complain.

Constantine's guest bed felt like heaven to the halfa, despite being almost destroyed. Danny repeatedly thanked, and before they both knew it: they were roomies, lived in the same place, took turns cooking or cleaning, etc. They grew comfortable with each other to the point that Danny answered Justice League Dark's calls on a few occasions.

And well, if Constantine stopped rushing to find a long-term solution that was his business, and his alone, okay? Zatanna's comment asking when he got married was fucking out of place.

[thetarttfuldickhead]

Okay but like, Roy and Jamie weren’t exactly subtle about loathing each other, were they? They fought each other on the pitch and badmouthed each other on TV, none of that keep it quiet for the sake of the team shit for these extra boys, yeah? My point is, anyone who knows anything about English football knows that Roy Kent and Jamie Tartt used to hate each other, right?

So obviously, at some point, during some press conference or post game interview, someone needs to bring this fact up. Maybe it’s as early as after the 2x06 match, because Ted might well have insisted Roy and Jamie be the ones to front that, both because it was them that won that game and because he figures it’ll promote ~their bond~ or some such. Could be later too, after the headbutt/hug thing, or later still, once the pictures of Jamie and Roy’s early morning excursions start doing the rounds on social media.

Doesn’t matter much when, really, only that someone – maybe from the tabloids because they’re a vicious lot – would ask: “Roy, just weeks before you joined the Richmond coaching staff you said, and I quote, ‘Jamie Tartt is a muppet and I hope he dies of the incurable condition of being a little bitch’. Today you described him as the most important player on the field. What has changed?”

And maybe the room goes a bit quiet at that, oooh he fucking went there, and what the hell is going to happen now, but Jamie only cocks his head to the side, making a face but looking at Roy all amused like. “You said that about me? That hurts me feelings, Coach.”

And Roy rolls his eyes, exasperated but in too good a mood after the win to be really annoyed. “Yeah, well, as it turns out the condition was only mostly incurable, wasn’t it?”

And Jamie goes aaaw and the press goes um okay and it doesn’t really explain anything, only adds to the ever-evolving legend of what the fuck is up with Roy Kent and Jamie Tartt.

[fishyfishyfishtimes]

Hey guys, I need some input once again on the topic of mermaids. The logical conclusion to combining fish and human anatomy is to connect the human lungs to the swim bladder, of course. However, the esophagus runs behind the windpipe in humans, meanwhile the swim bladder runs behind the fish digestive tract, which means they are on opposite sides, so to speak. Which means the “tubes” of these systems need to cross somehow.

Option 1. They just kind of pass by one another asymmetrically

Option 2. Like the cephalopod donut brain, one “pipe” has a donut shape which the other goes through

Option 3. All along the merfolk esophagus actually goes in front of the lungs and windpipe, avoiding the whole crossing over ordeal in the first place

Input is appreciated!

[rainbowpopeworld]

These are the leftover ox ribs, which Aziraphale devoured, that Sitis takes from Job’s robe

Bildad the Shuhite, our favorite midwife/cobbler, is telling her how high up to reach to pull them out based on Aziraphale’s cues

[rebellum]

The whole transandrophobia discussion thing is weird bc it feels like it's a bunch of poc and jewish trans people being like "here are my experiences of how specifically being MASCULINE had affected me, and the discrimination and violence I experienced based on that. And here is how that relates to me being a racial/ethnic minority"

And then a few loud white trans people going "ohhh you wanna be oppressed so bad you *slur*. This is why there aren't any poc in your movement it's because REAL poc understand intersectionality"

[lucabyte]

thinking about the very specific reading of isat i had during act 3 for the most part

anyway yeah ill ramble here about this. since it actually explains my headcanons for what the disappearing island wish was

disclaimer: taken as a whole this is way too allegorical for what i'd consider a holistic reading of isat, but it was part of my running theories at the time.

anyway my guess for the real-world equivalent of the island ended up being French Polynesia by the end of the game. I had initially thrown a dart at siffrin being greek wrt europe, sisyphus allusion, enjoyment of plays and seafairing-- but the moment that little guy started getting real weird about stars and specified they were from an island i switched my guess to him being polynesian. And then that reading only really strengthened from there (and i was pretty close, tbf!)

but yeah during act 3, especially the king plotline, i started thinking about the themes of cultural erasure + lack of identity that the game has and how that plays wrt vaugarde's extremely welcoming and diverse nature.

reading far too much into it but it made me wonder if they are the results of a fallen empire of some kind. somewhere that gathered people from across the globe (as empires are known to do) before dissolving into what seems to be a localised theocracy of some kind?

like. vaugarde is basically the Good End for an empire. Fully demilitarised (they barely have use for police to the point where the defenders are surprised by burglaries, and almost CERTAINLY have zero army), extremely diverse, not caring where one comes from.

(either that or they've been a socialist utopia like, forever? and thus just aquired migrants perpetually... but ka bue is characterised as harsher by odile in a lot of respects so one can assume its not that the whole planet is Niceys All The Time.)

this lines up pretty well with the um. Whole France Thing. Boy do they own a lot of islands still that they maybe shouldn't. Also lines up with bonnie's word-of-god french creole dialect. So Vaugarde as the welcoming, ideal form of former-colonialiser-nation is like. one i vibe with if we're gonna read too hard into the worldbuilding as presented.

Anyway all this to say I did for a time wonder if the Northern Island wish was 'For The Island To Be Safe'. Assuming this world to have any level of inter-country conflict-- Wish craft is powerful stuff, and a singular island might not be able to defend itself against those seeking to take it by force. Hiding the island from the world would protect it.

... though that felt like an unusually cruel read. The implication that cloistering away like that is a 'valid' strategy for a culture to be safe (albeit with the splash damage of hurting any diaspora).

Plus, wish craft is superbly powerful, with evidently its use on the island only becoming more widespread after it was discovered how to make it work Consistently.

(i work here under the assumption that Siffrin's growing cloak is imbued with wish craft, assumedly the same as the king's armour? Since there's no way that was created at that scale...)

So it almost makes more sense, to me, for the wish to be to 'Protect The World (universe) From Us' or to 'Keep The Universe Safe'.

Wish craft being so second nature to the Islanders (See: Siffrin, favour tree), that a wish that breaks the universe is almost inevitable were the knowledge to become widespread and ingrained.

This too is an oddly cruel read, that a culture's rituals can be dangerous to that degree, but ... ? Dunno. Like I said, reading it as hard allegory makes it fall apart somewhat. Symbols can mean many different things at once until you flatten them for direct analysis like this. I don't think it's quite so 1-to-1, and it's honestly slightly too 'no story only lore' for my tastes, so I did push a lot of this stuff out of my analytical mind once I started getting to the back and of act 3 and into act 4.

Anyway. Not the most coherent explanation in the world, but still some thoughts I had mid-game that i figure i should put somewhere at least, even if I don't think they are really what the game is going for.

As a bonus, the discussions on what the island wish were in this context also lead my friend @samhainian to speculation on the colour wish that i really enjoy. Which is....

The wish that removed colour from humans perception of the world being something along the lines of:

"I wish the world was simpler"

ergo, removing colour as an invocation of Nuiance VS Black and White Morality. The world is simpler, easier to understand.

I think it's a fun headcanon! I like it.

Well anyway. A work is more than the sum of its parts and dissecting something so sloppily as this often does it a disservice. So don't take my theorising as anything more than a general rundown of where my head was at mid-game before i had all the pieces. The emotional core of the story is far more where it's at for ISAT sooooo. [Shrugs and scampers away]