#maybe work on writing about some other peoples problems

[saintzweig]

nsfw patrick zweig x camgirl!reader

–based on this blurb

– wrote this with 5 hours of sleep, not proofread because i'm lazy so i apologize in advance for the mistakes or if its shitty :3 wasn't actually going to write this but i couldn't stop thinking about it sooo

it was 3pm on a thursday, you were sat in your history class bored out of your mind. it was your last class of the week and it had only half an hour left but with the way your professor was droning on and on about god knows what, you couldn't wait to get out of here fast enough. 

you had a live scheduled in two hours, as well. you needed enough time to rest and freshen up before you turn your camera on. you did live cams anonymously on some sketchy website just to get by, a cam girl if you will. you grew up in a strict religious household so you've never thought you'd end up doing this but desperate times call for desperate measures, it was an easy way out of your financial problems. plus, if you were careful enough no one would have to find out. its not like you were going to do this forever, only until you graduate and find a job with a decent pay. by then, your account will be deleted and forgotten about, as if it never existed in the first place. 

your mindless scribbling was interrupted when your professor called your name. "l/n, zweig"

your head snapped up to the front and then to patrick zweig who sat two rows infront of you. 

"your presentation will be a week from now, your topic will be on the reconstruction. i expect you'll do a thorough research." 

you quickly wrote down the details as your professor dismissed the class, students rushing to get out of the room while you stayed behind to gather your things. before you knew it, patrick stood infront of you. his backpack slinging over one shoulder and his hands in his pockets. 

you didn't know patrick zweig, you knew of him. a great, cocky tennis player who was supposed to go pro after juniors but his friends, art and tashi, convinced him to accept his standford offer. so he'll have something to fall back on if things don't go to plan. 

you've heard people talk about him, how he's reckless in his plays yet he keeps winning. how he doesn't do anything in class yet he keeps passing. you had to stop yourself from sighing in front of him, is he going to make you do everything? 

"y/n, right?" you've never heard him talk before, atleast not anywhere near you so you were surprised that his voice sounded ... attractive. you took this time to actually look at him, he wore a plain white shirt and denim jeans, which isn't much but he made it look so good. his face was slightly scruffy, his nose statuesque and his pink lips was pulled into a slight smirk. you had no idea why his appearance made your heart beat faster than normal. 

the two of you discussed when to meet, deciding to do the work in your dorm every other day during his free time. so now, on friday evening, you were sat on your desk working on the outline for your project as you wait for him to arrive. 

not long after, there was a knock on your door and patrick entered in his tennis attire, carrying his equipment. "a single room?" he asked with his eyebrow raised, taking in the sight of your room. the white walls adorned with tapestry and posters, your bed covered in a pink bedding and your desk was cluttered with your study materials. 

"i got lucky" you sat on your chair as he settled on your bed, laying on his back in exhaustion. there was something familiar about your room, he just couldn't put his finger on it. has he been here before? did the two of you hook up and he had just forgotten about it? or maybe it's because most dorms look the same, it's probably just similar to tashi's. he put the thought on the back of his mind as you started to discuss your project with him. 

it went surprisingly well the first day, although patrick was stubborn, he knew he couldn't just skip on this project because he'll end up having to do it alone so he decided doing it with you now was the better option. the next day, he got too comfortable that he's so easily distracted. you started bribing him with his own pack of cigarettes, taking it from his hands and putting it under your thigh as the two of you sat across from each other on your bed. 

it was a little difficult to work with him, considering he's not so good at studying but it was fun, you had fun with him. he made jokes that you tried to keep a straight face on but end up laughing so hard your cheeks were starting to hurt. he keeps trying to flirt with you too, which just ends up with you scowling at him and slapping his arm. 

and as soon as he left, you turned your camera on and positioned yourself on your bed. normally, you would only strip and massage your body, never going as far as playing with yourself in front of your viewers. but this time, you couldn't stop thinking about patrick. how big his hands were compared to you, you imagined it wrapped around your wrist, or holding your waist, or choking you. the thought making you squeeze your thighs together. you made soft noises as your massaged your breasts, imagining what it would feel like to feel his hands cupping you. you felt yourself get wet as you pressed your fingers against the fabric of your panties.

tonight's live felt a bit more sensual, it was almost difficult to stop yourself from getting carried away but you needed to be careful. so after an hour, you turned the camera off and placed your laptop under your bed. as soon as you lay back, your hand found its way inside your white, lacy panties. you shiver as the pad of your pointer finger brushed against your sensitive clit, feeling the slick against your skin as your press against your cunt. 

you spent the next hour touching yourself to the thought of patrick using your body, feeling his lips against your skin, lapping up the juices leaking out of you. the sounds you were making were too pornographic that you had to place your hand over your mouth. your fingers covered in your juices as you desperately fucked yourself. it felt like a pretty sight to see that you almost regretted turning your camera off. 

you wanted someone to see you, you wanted him to see what he was doing to you. 

the next time he came over, he had just come straight from tennis practice. his skin was slightly moist with sweat and he wore shorts that rode up his legs when he sat on your bed. you couldn't focus on anything but his thighs. 

“you feeling alright? you're looking kinda red, zoning out too” you blushed, feeling like he just caught you red handed. 

you nod, “yeah, it's just a little hot” 

he smirked, telling you to take your shirt off if it's that hot, he wouldn't mind it at all. you rolled your eyes at his suggestion, turning your attention back to your laptop. you were tempted to do it, it took you everything in your body not to. even with your choice of work, you still had a little bit of self respect and discipline left. 

that night, you ended up touching yourself on camera for the first time. making yourself cum infront of your viewers while they had no idea you were thinking of patrick, again. having your lips on his skin, straddling his lap and feeling his bulge press against your clothed cunt, his hands on your breasts as you bounce on his cock. you made the highest amount of money you've ever made since you've started. but you made sure to tell them it was a one time thing. 

the next evening, was the day before your presentation. patrick was on his way over so the two of you can practice and prepare yourself for tomorrow. 

you bumped into him on your way to the communal bathroom, telling him to go right ahead. 

patrick entered your room, dropping his equipment by the door as usual. instead of laying in your bed like he always does, he sat on your chair. leaning back with his arms crossed as he observed the trinkets on your desk and the photos pinned on the corkboard. 

a few minutes later, you walked in and sat on your bed, facing him. he turned around in your chair to ask you something about the photos but the sight of you on your bed left him dumbfounded. the realization of why your room looks familiar finally came to him, the only reason it took him so long was because the only way he's ever seen it was through the camera, facing the exact direction he's looking at right now. 

you were the anonymous cam girl he had been jerking off to after your sessions, you were the girl he had just sent a hundred dollars to the night before. 

[cotl-flower-crown]

Going on hiatus*

*Well, kinda.

Hey, I'm gonna start this post with "omg, this blog has more than 2 followers, what the fuck?? That's crazy!". I don't usually look at numbers, because I don't want it to be a focus on my platforms, but just know that I appreciate every single one of you and I hope that you all enjoy what I'm doing here. Like at the moment of writing this there is 2277 people that decided they want to look at my art more and it makes me very happy, thank you! ^^

So uhh yeah, hiatus.

Not gonna lie, the past few months has been stressful for me and I have reached the point where my chest and stomach are in pain and I can't get enough sleep because of it, among other things (damn you mosquitoes!!!). It's something that happened before and it might take me months to recover from it. So I suppose you could say that this hiatus is mainly for the health reasons.

Though it's also because my gut is telling me that it's time to move on from this fandom to do other things.

Hear me out. It's not that I hate COTL now, far from it, I still love this silly cult game and I will follow what MM has to offer for this game in the future. I am just kinda not keeping up with myself when it comes to posting. I've been trying to post about my favs at least once a week, but honestly it's been a struggle to pump out anything at all lately. It's not that I don't have anything to post, I'm just tired and burned out.

So yeah, I think it's time to put this blog on hiatus for the time being. What I mean by that is I don't want this blog to be the top of my priorities and I want to take it easy.

I don't want it to go completely silent though. I'm planning to open my ask box again, because I miss interacting with everyone. However I will not do any art requests or draw anything for the asks in general. If I do, it will most likely be poorly drawn or it will be something related to character design, since that's what I'm most comfortable with, but I would prefer not have to draw at all. Though I am open for writing. I also wish to draw sometimes, so maybe I will post some artwork when I feel like it. I'm just not gonna post as often as I used to. It might take like a month (maybe two, maybe three, etc) before I decide to make anything.

What's the future of this blog? I am not sure yet. There is a chance that eventually I will abandon this blog entirely OR I could repurpose it for fanart in general. To be honest I'm leaning towards the second option at the moment, but that is a future me's problem.

I think that's all I've got to say right now. Again Thank You everyone who decided to follow, reblog and like my art and leave comments, I appreciate it all, and thank you to my moots and friends that I made along the way, I love you all (plat/non parasocial) and I hope this will work out.

TLDR: I'm going on hiatus, but not completely silent, also ask box open, but no requests

[loves-77]

You Are My Honey

*TW* Yandere, obsessive tones, mates, Bear hybrid, NOT PROOFREAD (Tell me if you notice anymore)

THIS IS MY FIRST STORY I HAVE EVER WRITTEN SO IGNORE ANY MISTAKES, I AM STILL TRYING TO FIND MY PERFERED WRITING STYLE!

TELL ME IF YOU WANT A SMUT PART 2!!

*One part of my story is inspired by a scene in another story I read, don't remember the author*

*Not My Picture*

What had the world become? You sit alone on your couch in a small little apartment you could barely afford, for what? To get up in the morning go to your job at the floral shop and make a couple bucks a day?? All alone because you don't have time to invest in a romance that would probably end after a month, because who would want to be with a 'workaholic' who only has time to stay at their job. All your friends got some husband or boyfriend or...... mate.

The subject of 'mates' confused you, hybrids are just now being accepted into society and now are 'mating' on people. With how many hybrids are finding their mates the government is passing a law allowing them to be with said mates. The thought scared you, maybe because you didn't know enough about it. Imagine going about your normal day and some random person, with ears or a tail, starts talking about how you are destined to be together. Scary, or romantic??

Finally getting out of your daydreaming you look at the clock and realize you are gonna be late for work if you don't leave this second. Running out the door, almost forgetting your bag, you rush downstairs and run down the street. You lived pretty close to the floral shop so it was easy for you to get there fast. Barley making it on time your boss gives you a long list of orders you have to prepare. Your day has officially started..

*Time skip*

After work you make it back to the apartment, dropping your keys in your tray and making a bee line to the couch. Your phone rings and you realize your best friend was asking if you were free. Once you text them you are you start getting ready. They didn't give you a lot of details but told you to dress casual.

They text you to meet them outside your apartment in 30 min and they were gonna pick you up. Getting ready you finally make it down the stairs and wait outside for her. Seeing her car pull up and her getting out you both greet each other. "You are gonna love it" she said, "I got invited to some party on the nice side of town, supposedly there is going to be a lot of nice, respectable men there!!!" Winking at you she started the car and started driving. "You know I am not looking for anyone right now, no one is gonna wanna be with me when I can barely go out. I mean I got lucky today and my boss let me off early!" "You might find someone who doesn't mind.... Or someone who makes some money, so you don't have to work as much." Both of you start laughing.

Finally making it to the house you guys pull into the drive way and a bunch of people walking around, inside and outside. "Is the house made of just glass" you question. "I guess it is the new thing with rich people, let everyone see your business" You both get out of the car, after parking it, and walk toward the entrance. Suddenly the both of you tense, realizing there weren't just humans at this party. Now you both don't have a problem with hybrids going into public places or having the same rights you have, but never being near one before and seeing their sharp teeth or ears freaked you both out.

You were the first one to relax a little, realizing they were just there to have fun, like everyone else. "I didn't know they were gonna be here sorry" your friend apologized. "It's OK, they are here just like us, no problems." You both walk in together and browse around to see who and what exactly was here.

A loud booming voice can be heard across the room. Everyone's heads turn towards the owner of the voice. You freeze in fear, or maybe just shock, you aren't quite sure. But you know for sure that the owner of that voice is not someone you want to cross paths with ever again.

He was ginormous with arms that could pick you up and throw you a mile away.... maybe even more than that. His shaggy honey brown hair draped around his face almost majestically. He smiled and you noticed his canines are pointier that anyone you have ever seen before.... wait, wait, wait. You could hit yourself for not noticing the round brown ears on the top of his head. That is why he is so much bigger than everyone in the room.... he is a grizzly bear hybrid.

You look to your friend in panic and notice she had the same look on her face. Grizzly bear hybrids are rare and tend to be more aggressive than other predator hybrids. You have never seen one before in person, you considered yourself lucky until now.

Finally zoning back in from your panic you realize that some non-hybrids share the same look as you and your friend do. Looking back over to the owner of the voice you catch his stare. Freezing up once again you can't look away from those... black eyes? or maybe they are a dark brown, you can't tell from the distance. Snapping out of your shock you realize he stops to... sniff.... no he can't be sniffing the air... can he?

Then realization hits you when he starts heading your way. You heard that hybrids could smell who their mate is, but it couldn't be. You can't possibly be his mate. Panic sets in again and you couldn't tell if you were overreacting, it couldn't be you he was heading towards. But still, you grab your friend's arm and bolt away before he could get close enough to start a conversation.

"What- Where are we going??" Your friend asks "We need to leave right no-" "WAIT, YOU IN THE (F/C) SHIRT!!" You could have sworn the ground shook with how loud his voice was. You don't freeze, now that you know for sure he was looking for you. "Is that-" You cut your friend off "We need to leave." She doesn't hesitate to grab her car keys from her pocket and catch up with your fast steps.

Looking behind you see the hybrid trying to make his way through the crowd. "WAIT, WAIT!!" He sounded so desperate, you almost felt bad if you still didn't feel the pit in your stomach. Looking ahead of you again, you both make it to the front door, storming out of the house and to the car. While your friend was starting it you both hear the front door slam open, turning your head to the side you see the hybrid rushing out. Your friend gets the car started and hits the gas to go forward. Looking back, you see him chasing the car with.... were those tears in his eyes? No, it couldn't be, he didn't even know you. Finally relaxing in your chair, you lay back and look at your friend and say, "I don't think I am going to go to a party with you for a while." Making eye contact you both start giggling. "I understand completely" she says in between her giggling.

*Time Skip*

You wake up with a raging headache, barley remembering what happened yesterday you groan and sit up. Then you pause as you remember who you saw and ran away from yesterday. A chill goes down your spine and you remember his smile with those pointed teeth. But you snap yourself out of it and say, "He didn't do anything wrong; I shouldn't be scared for no reason." But you can't shake the feeling of fear you felt when you saw him.

Getting out of bed you get ready for work, which you are supposed to be there in an hour. Changing into a cute shirt and jeans you make yourself your (Favorite breakfast). Once you finish your food, you grab your keys and head for the door. Getting in your car you start heading over to the floral shop. Entering the store was a whole dream, all the beautiful flowers and the addicting smells you can't help but smile. Making it to the back your boss greets you and gives you the orders to start the day.

A couple hours later you hear the door open and close, looking up to greet the customer you freeze. "Welc-...." Standing before you was the (at least 6'3) huge hybrid from yesterday. "I have been looking all over for you! Since you left so abruptly yesterday, I tracked down your scent and found you here! I was going to go to your apartment, but I thought that might have been too far." The smile on his face not disappearing, even after you didn't respond and just stared at him.

"You found me by my..... scent??" The sheer surprise you had confused him, his eyebrows furrowing. "Well of course honey, how else would I find you?" ..... Honey?!?!? Why is he calling you that?? Shaking the shock off you respond "Excuse me? I don't know you sir and I don't appreciate being called honey." If it could even be possible his eyebrows furrowed even more, before it looked like he realized something. "Oh dear! I forgot to introduce myself!! My names is Caleb, and I realize this might seem weird for you but... how do I word this.... well you are my mate!" The smile on his face grew 10 times when he said 'mate'

Chills rushed down your spine, and not the good kind. "Did you just say mates? No that can't be, I am sorry, but you have the wrong person." You almost felt bad as his face dropped, but you reminded yourself he basically stalked you to work! "But -" You cut him off, "I am really sorry and I wish you the best of luck finding who you are looking for." Tears started welling in his eyes.

"(Y/N)!" Turning around you see your boss, "Yes, sir?" "Come here right now!" Looking back at Caleb you quickly turn and rush to the backroom. "Wha-" You were cut off, "You need to leave, and take the b-bear with you!" "What si-" "LEAVE! You are gonna make business go down, so take him with you!" "Bu-" You were being shoved out of the room towards a very hopeful looking bear.

"You kids have fun!" Turning around the store door was closed in your face. Turning around to look at Caleb, you turn and start walking towards your car, keeping silent. "Wait!" Your arm was yanked backwards. "LET GO!" "No." He growled with a snarl on his face. "You are going to come with me so we can talk. Don't argue because you aren't going anywhere." Shutting your mouth, you start to walk with him, not wanting to be on his bad side. But you can't stop the small tingle you feel in the spot he touched.

He led you to a black car, opened the door, and gently pushed you inside. Once he got in, he started the car and got on the road. "Where are we going?" you managed to get out in a calm voice. Smiling over at you he replied, "Home of course." You had the feeling that it wasn't your house he was talking about.

*Time Skip*

It seemed like you had been in his car for hours, but it was just 30 minutes. Glancing over at him he seemed very content with a light smile on his face. You realize this might be because he finally has what he has waited his whole life for, his mate. Thinking back, you feel bad you just ran away from him and didn't even give him a chance to talk. Looking at his face you think he is very handsome, and you are surprised you didn't notice before. His jawline sharp, light freckles dusting his face, his shapely nose, and he had longer lashes then you did. "I hope you are pleased with how I look." His deep voice scared you out of your daze. Quickly looking away from you stare at the road ahead of you. Out of the corner of your eye you see him look towards you and say "You are so beautiful. So much better than what I imagined my mate to look like." You felt your cheeks heat up as you take a quick glance at him, luckily, he was looking back at the road.

Now going through an internal debate, you realize you don't feel scared anymore. It was almost like your body was relaxing after being with him and not fighting it. Trying to fight off the feelings you can't help but look over at him and say "Why am I feeling like this?" He glanced at you before turning his eyes back on the road. Looking concerned he said "Feeling like what? Are you feeling ill?" Sighing you say "No I don't feel sick but why do I feel comfortable with you? You basically just kidnapped me." You see a small smile making its way on his face, "It is because we are mates, you don't feel it as intensely as I do, since I have better senses than a normal human. But we were destined to be together it's only natural your body is reacting to my pheromones while your brain might be denying it." He suddenly reached a hand over and grabbed your hand. Tingles exploded everywhere just from that touch. You didn't move your hand away, even though you probably should have. Staring at your intertwined hands you couldn't help it, it just felt.... right.

Not even paying attention to the time anymore it takes you a quick second to realize the car stopped. Looking up you make eye contact with Caled. The smile on his face was so sweet you practically felt yourself melting, those dang pheromones. He turned and got out of the car, gently dropping your hand. You can't help but want to hold his hand again, even after everything. He opened the door for you, gently taking your hand again as you got out. As he went to pull his hand back you held on, refusing to let you go. You could see a big smile formed on his face as he looked at your hands.

Looking up you realize how far you must be from the city; you look at the beautiful cabin house, the log details, and the wrap around porch. The forest surrounding you was just as beautiful. Looking to the side of the house there is a small gravel pathway leading into the forest.

"Welcome to my home, well I guess it's ours now."

Looking at him, the sentence and you lightly pull your hand away from his. There is no way you are going to move in with him after just meeting him.... mates or not. A big frown formed on his face when you pulled away and hurt flashed in his eyes.

"I am not moving in with you. We just met! I don't appreciate being pushed into things. I know nothing about you, and you don't know anything about me."

Stepping back from him just a little. You see a change in his eyes, anger, or frustration? You are not completely sure.

Completely ignoring what you said before he continues on.

"My grandparents built this cabin when hybrids were still outcasts. Then it passed to my parents and now me. My parents built their own house further into the forest and decided I could have this house for my mate when I found her. No one knows about it."

Something flashed in his eyes when he said the last sentence. A chill ran down your spine and not a good one. You didn't like the implication of that at all. Your instincts were screaming to run and you couldn't fight your instincts. Not even giving your brain a chance to think, you bolted.

Running straight into the forest you curse yourself for not wearing running shoes to work today. You heard Caleb behind you shouting something, he sounded desperate and wounded. He sounded far enough away you know you surprised him by running. But you knew he would catch up to you eventually and you could hit yourself for not thinking about it before just bolting. There was a pain that you felt in your chest, but your adrenaline stopped the pain. You jumped over rocks and logs not wanting to slow down or trip. You could hear behind you Caleb was gaining on you and fast. Your legs burning you suddenly change routes. You hear a loud curse behind you and knew you shook him off your tail for just a second. That small victory didn't last long as the back of your shirt was yanked. Your back hitting a soft but solid chest.

You were absolutely winded while it seemed like he didn't even break a sweat. Looking at his face you shrink into yourself seeing a furious look. He had a snarl on his face and his eyebrows were furrowed together. You can't help but whimper slightly and you see sadness flash in his eyes just for a second before going back to anger.

"Where do you think you are going." He growled and you couldn't help but flinch at his tone.

"I was being nice and showing you my home, the one you are going to live in with me. I was going be nice and give you a week to stay at your house before moving in but after that stunt you pulled aren't ever going back."

"I'm sorry!" you practically cry out, shaking with fear. Turning around and grappling onto him, crying into his chest.

You couldn't explain it but the moment you ran it felt like your heart got torn out. But now, next to Caleb, the pain stopped.

"Why do I feel like this?!?!" Tears streaming down your face.

"Why do I want to be next to you so bad? Why did it hurt when I ran away!?"

You feel his muscular arms wrap around you and start rubbing your back. He started cooing and telling you it was ok, and he would explain later. His anger completely dissolving as he realized you felt the same pain he felt when you ran. Like someone just stabbed his heart out. Feeling yourself get picked up, you wrap your legs around his waist, stuffing your face in his neck, and wrapping your arms around the back of his head. You felt yourself calm almost instantly after putting your head in his neck. But the tears didn't stop even if you felt better.

"Let's get you back home, then we can clean up and eat something." He spoke so softly you almost wouldn't believe the anger he held in his voice not even 10 minutes ago.

Relaxing into his body you think to yourself, maybe it wouldn't be to bad if you just stayed with him.

[cerislabnotes]

Personal Note 2: Jury Draggy

I'm writing this note because I do believe my experience to be similar to others in my situation. Might come back to it one day. I'm leaving the case out due to content, this is about my experience.

Whelp, it's been a long two days forced off work. I got selected to do Jury Duty. Apparently, work wasn't a good excuse nor was being "a potential courtroom distraction." In my condition (half dragon, tall, wide, dysfunctional, barely human) I thought I'd almost certainly be excused. Unfortunately, the judge nor the attorneys cared.

Apparently, I'm too "logical and indiscriminate of a per..being" per the judge. He seemed very understanding, maybe he knows someone in a similar situation. Either way, I could write 50 times that I did not physically fit in this situation. Old ass courthouse doors, metal detectors, jury box, folding chairs, deliberation room; all not friendly for big, wide, sorta wingy draggy. Surprisingly though, the other Jurors had no problems with me, at all! You would think this story would be all about how these 11 people in this dark, conservative county were absolutely abhorrent to me. No one even blinked at me. I was even placed as Jury Foreman…ForeBeing. There was one issue between me, and one older lady, but she was very direct that I was too young and naive to be making some of my decisions. It was absolutely bizarre. Maybe people can finally mind their own business? Maybe I was more intimidating than I think I am? I'm not entirely sure, but honestly, I'm glad I went. Even though I don't feel human, I still have lived among them, and should always be able to empathize with their struggles, just as these people seemed to have with me. For those of us who don't fully cross to being feral (for lack of a better term), hopefully, experiences like mine are more commonplace. Hopefully, we're still peers of society. -Ceri

(Drawing in photograph by TrillaArts on Twitter)

[bereft-of-frogs]

I love when I’m like ‘I think the solution to this stress is to just bury it down and pretend everything’s fine 😀’

and my body is like ‘hm good try but there will be consequences tho. have fun with those’

That’s a fun evolutionary advantage, love that for us as a species

[theflyingfeeling]

...😭

[beechu-beechu]

“”You should only write fics about this character if its ______!1!1!” Oh come on 😭😭 telling other people how to do their hobby is funny to me just scroll away or block

Better yet tbh just make the art that you wanna see! Create 🤸🏽🤸🏽🤸🏽

[featureenvyproductions]

"Why does everything need to be Gay now it's so shallow to make men attracted to each other when they could be Pure Platonic Friends -"

oops sorry I can't hear you over the sound of me Doing What I Want Forever because I have been watching movies, TV, and animation since the 80s and have watched enough shallow heterosexual romances that would have been stronger as mlm-wlw solidarity friendships to fill the space between stars in a galaxy

[musical-chick-13]

What if I made this as off-putting as possible instead of romantic.

[anothermouse]

I find it weird how ppl will say for reasons that systems are fake is that multiple alters talk similar or have similar interests. Have u ever met siblings. They talk similar and have similar interests because they've spent years together ya dork, as systems start to get along more they're gonna start sharing more interests and speech patterns just like you with people you spend a lot of time with lol. Also they all share a life, they have to be able to act like each other to get by and seem "normal."

[nexus-nebulae]

yearning has gotta be the worst emotion ever invented why do i gotta want things that are physically impossible for me to achieve

[deep-space-netwerk]

What do you mean by Venus floating cities?

I'm hoping to write a science fiction story about visiting Venus as part of the space race and I would love your input

Alright so the thing with Venus is that we're all very familiar with her horrible hell-death clouds and 900°F surface temperatures. We all understand the surface of Venus is not a fun place for humans to be.

But, nobody ever talks about the fact that ABOVE the hell-death clouds, Venus is a paradise. The most Earth-like environment we know of in the solar system, beyond Earth itself, is actually in the skies of Venus.

About 30 miles above the surface, the pressure is ~1 atmosphere, and the temperature ranges from 30 - 100°F, which is Happy Human™ standard pressure and temperature.

What's more, a breathable mix of oxygen and nitrogen provides over 60% the lifting power on Venus that helium does on Earth. In other words, a balloon full of human-breathable air would float to the habitable range of Venus's atmosphere. We could float a ship with the very air we breathe.

The other great thing about this is that it avoids one of the big problems with Mars colonization. On Mars, any habitat on the surface full of breathable air is vulnerable to leaks and explosive decompression, a la the Martian.

Floating on Venus, a balloon full of breathable air doesn't have a significant pressure difference between the inside and the outside. Which means, any leaks or tears would be very slow and manageable. You could fix that shit with duct tape!

Similarly, because the environment outside the balloon is so Earth-like, humans living there wouldn't need any big fancy pressurized suits for extravehicular work. We'd need air to breathe, maybe some heat protection, and protection against the acid rain. That's it. 

Venus also provides the tools to keep us fed! It's atmosphere is made primarily of carbon dioxide, even above the dense horrible clouds. What likes carbon dioxide? Plants from Earth!! Lets grow FOOD on FLOATING PLATFORMS in the SKIES of VENUS.

This whole idea actually came out of a NASA effort exploring potential Venus colonization. The program was called HAVOC - the High Altitude Venus Operational Concept.

It hasn't really gone anywhere, and as far as I know there are no real plans to revisit it. Unfortunately, from a practicality standpoint, Mars is a much more viable target for human colonization. Not only is it better poised for outer solar system exploration, being farther away from the sun, but living on Venus would come with too many complicated contingencies. In the event of a major failure on Venus, you'd need to fly to another base, or fuck off all the way to orbit. I understand why people aren't really in a hurry to live somewhere where landing on the surface means certain death.

But that doesn't mean I won't be forever and always enamored by the skies of Venus. Here's one of the artist concepts to come out of HAVOC.

I want to be there.

[productivefairy]

Your guide to REAL selfcare

If you go on any social media and type "selfcare", all you recieve is pretty girls doing extravegant skincare, dior makeup and all. But the problem is everyone does the same thing and things just cant work same for everyone. Also, It doesnt feels authentic rather it feels like consumerism. So, I am gonna tell what to do so you feel the best.

Knowing yourself:-

You can only do yourself a favour if you know yourself and the best way to do that is JOURNAL.

If you are new to it, then you can search journal prompt ideas on pinterest and make that a part of your routine. It helps so much.

Do shadow work. Go on pinterest and do the same thing.

Dont be ashamed of yourself, rather accept yourself and change for the better. When you'll journal then you will get to know tons of good and bad things about you but our brain loves to focus on negative things so u might get stuck on that.

Record your likes and dislikes. Which books you loved, which dramas you adore, which food makes you comfy and which movies you wasted your time on. Record these things, this is just so fun and helpful when you feel "bored" or sad.

Being Mindful:-

Most of the time, the problem is not that big but our thoughts just traps us and we feel that problem is bigger than it might so take a step back and try to not overthink about past or future.

I know this is easier said than done but meditating helps a lot with mindfulness.

When you watch a movie or drama or even ytube video then just do that. Dont scroll reddit reading the "discussion" thread of the episode or try to find instrumentals on spotify for reading books. Just do one thing at once.

Dont multitask. Just take a task and then focus on that. (This might not work for neurodivergent people.)

Do 5,4,3,2,1 grounding technique. Identify

5 things you can see 4 things you can feel 3 things you can hear 2 things you can smell 1 thing you can taste.

Cut negative people off

This is so hard because you feel mean for doing this but once you cutoff toxic people who just drags other people down and all they talk is negativity then your life become so much better.

Cut off all the negative content you watch and limit the time you spend on social media.

Do your future self a favour

This is truly the best selfcare.

Study hard cause' your future self will thank you for letting her be the top student

Learn some skills. Read those books. Watch that documentry. Do things that will make your future self proud.

Some selfcare ideas

Organizing and planning

excercise or take a walk.

Reading books.

Cleaning your room

Watching fun movies

Studying about yourself. Knowing what products suits your skin and your hair. What color brighten you and what makes you look dull. What haircut looks good on your face and what clothes flatters on your body.

Get your nails done.

Listen to your fav album while painting, baking, or gardening.

Do your hobby without feeling presurrized. No you dont need to read 50 books a year, chill out and enjoy while doing it.

Dairy writing. Its so fun to read what your day looked like on a random tuesday after 2-3 years.

Explore new things in your hometown. Maybe there is a new cafe that opened 2 weeks ago or there is a hiking trail you are not aware of? its always fun to do that.

[aperrywilliams]

That Wasn't Fake (Spencer Reid x Fem!BAU!Reader)

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Author Masterlist

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Pairing: Spencer Reid x Fem!BAU!Reader.

Request: Can you write a Spencer fic where the reader is kind of quiet and shy when she begins working at the BAU, and Spencer has a crush on her, and then they have a case, and she has to like to seduce the unsub lowkey and everyone kind of like...how is she going to do this shes not very outgoing but when she does shes really good at it, and everyone is surprised and impressed.

Summary:  You're shy and reserved. Spencer has a crush on you, and unbeknown to him, you have a crush on him. Maybe the cat can get out of the bag when you have to step aside of your comfort zone to catch an elusive unsub.

Word Count: 4.2k (no self control here)

Warnings: Words like 'fuck' and 'bitch'. A rant about self-doubt. Typical CM stuff: unsubs, killings, etc.

A/N: Another request I loved! It should have been a little shorter, but I'm having a hard time getting to the point these days. Please keep sending requests!

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Spencer knows it is inappropriate, but he can't help it. You're coworkers, and that itself sets a boundary, so he shouldn't be thinking of trespassing.

But the crush he has on you seems to grow every day.

He doesn't know if it is your beautiful smile, the kindness you show in everything you do, or the enthusiasm you put into every task you are committed to. Since the moment he saw you pass the bullpen glass doors, Spencer knew he was damned.

From that moment, Spencer knew he wanted to know you and learn everything about you. About what you liked, what you hated, and what your fears and dreams were. Everything.

But not much after that revelation in his mind, he understood it wasn't going to be easy to get to you.

You were extremely shy and reserved.

In fact, your first interaction - when Emily introduced you both - consisted of a wave of your hand and a timid 'nice to meet you.'

He thought as time went by, you would loosen and become less bashful and quiet. And in part, he was right. As the months passed, you began to feel more comfortable within the team. You laughed at Luke's jokes, you commented on Rossi's stories, and you could even - when the stars aligned - crack a joke yourself to Tara or Matt.

But beyond that, no one knew much about your life outside of the BAU, unlike JJ, who always talks about her kids and her husband, or Matt, who talks about his kids, too. Or Tara, who recounts her failed dates. Or the same Luke who always shows photos of Roxy.

You, on the other hand, seemed to be an enigma. But Spencer Reid loved decoding enigmas.

At first, he turned his interest in you out of mere scientific curiosity. However, internally, he knew it wasn't just that.

It started with small random questions about the times you worked together: Is this coffee okay? What was the last book you read? Do you think we should buy some donuts for the team?

If you were honest, it picked your interest why, from all people, Dr. Spencer Reid was so adamant in making conversation with you.

From what you knew and from what the team said, Spencer was not a person very interested in things other than work or books. But suddenly, out of nowhere, he asked you what the last movie you saw was or something like that.

You always answered his questions; however, you would have liked to be much more talkative and engage in longer conversations, but your nature stopped you.

'What if I don't have anything more interesting for him to say?'

'Does he just talk to me because he feels sorry for me?'

And that was the big issue: you have never had problems with the way you live your life. You're pretty satisfied with what you do in your job and out of it, too. But you have always thought you are too 'simple' to entertain people's interest.

And to be honest, being surrounded by people with so much experience and big things happening in their lives still intimidates you a bit. So, you usually refrain from talking too much about yourself or anything for that matter.

But with Spencer, things are a bit different. He's always checking on you but respects your boundaries. He has learned that sometimes you just don't want to talk, and he doesn't push.

Despite his interest beyond the professional, Spencer would never do anything to make you uncomfortable. Being able to share time with you will have to be enough for him.

In a way, he has become your protector. He is your backup during interrogations or in situations where you can feel awkward, like the times when some police officers tried to flirt with you and got too close. Sure, you know how to turn them down, but sometimes guys don't get the memo and keep pushing. You're too shy to yell or be aggressive about it.

The team also understands the way you are, and they know it does not make you any less professional. However, they have always been careful not to take you too much out of your comfort zone.

---------------

A whole two weeks and five murders later, the team is stuck trying to catch an unsub who has preferences for killing women after club nights. The profile says he is not interested in just any woman but in those between 25-30 years old who like to flirt with several men in the clubs. But it is not just any type of flirting; it is the type that is initiated and dominated by them. In short, he likes to kill women who are the opposite of submissive. He sees them as predators on a hunting ground.

Another finding in victimology is that the women he kills, in addition to having a specific age range, have very similar physical characteristics. And similar to you.

All his victims have your build, eye color, hair color, and height. It gets to be creepy to a certain point. And it's something difficult to ignore.

Bouncing information and possible strategies, the team agrees they need to be proactive to get him to show up before another killing happens.

"Okay, what options do we have?" Emily asks.

"The witnesses haven't gotten us anywhere," Luke complains.

"Although we've narrowed down his hunting grounds," Rossi shrugs.

"Yeah, we know the clubs where he likes to hunt," JJ backs Rossi.

"But although the profile, we have yet to learn about what to look for there. I mean, we know what the unsub wants, but not how he looks like." This time, it's Tara who speaks.

You've rarely seen Emily bite her tongue when she wants to say something, but it's clear that she has something on her mind, and she doesn't know how to put it, or maybe the problem is something else. You look at her out of the corner of your eye, and she looks back at you; what do those eyes say? They look like they're even apologetic.

It's a fraction of the time before she comes back to behave like herself.

"We need to lurk him. It's the only way," she says. And everyone's eyes - yours included - are on her immediately.

"Lurk him?" Matt repeats.

"Yes. And all we know who should be the one going undercover to do that," Emily adds, looking at you this time.

That's it—the elephant in the room.

Of course, you're the ideal candidate. Well, you're perfect in the physical aspect because if we talk about the victim's personality and yours...

There's silence in the room, and you can feel like the team's eyes are all on you.

Do they expect you to say no? To refuse? From your perspective, it's not a question; it's more like the option you all have to catch the guy.

"It's true (Y/N) would be the closest to the unsub type, but there are a lot of things to take into account," Matt says. And you know perfectly well what's behind his words, even if he doesn't say it directly.

And that's okay; it's perfectly plausible they have their doubts. It is not enough to look like the victims for the operation to work.

But if there is one thing you are sure of, it's that you will always give your all to your job, even if that means becoming a completely different person.

"I can do it," you mumbled so quietly that if the AC weren't in the lower setting, people wouldn't have heard you.

"But (Y/N), you know about this guy. It's dangerous," Matt points, a frown on his face.

"Not to mention he likes rough interactions," Luke adds.

"You don't have to do it if you feel uncomfortable." This time, it is JJ who voices her opinion. And you know, that's the closest reason to the team's main concern.

And the fact you can blow up the entire plan.

Spencer stays in silence. Internally he's freaking out thinking of you having to lurk on the unsub, but he knows you are a professional. And he feels a kind of deja vu.

When he was younger, the team would have said the same about him doing something like that. Spencer knows what it's like when people baby you, making you feel insecure. Sure, he hasn't had to worry about that anymore. Spencer is almost forty, and no one would dare to tell him he can't do something. Not after all the things he has been through.

"JJ is right, Bella. You don't have to do it. We can think of another way," Rossi backs JJ.

That's when Spencer notices the slight frown on your face. It's invisible to everyone but him. He knows it's there.

You stay collected, even when everyone on the team has something to say about how bad the idea of you going undercover to lurk the unsub is.

Emily is who stops everyone's rant.

"Guys, hey. If (Y/N) is telling us she can do it, we're going to do it. Of course, we'll be there to back up her and catch this unsub."

And this is how the discussion is settled.

Emily sends everyone out with a task to prepare for the night. Today is Friday, and the unsub will surely be stalking some new victim. The chances are high.

When it's just you and Spencer in the room, he still looks at you in silence.

"Do you also think I'll not be able to pull off this mission and I'm going to ruin everything?"

You downcast your gaze, exhaling deeply.

"No. I don't think that," Spencer clarifies, and you raise your gaze to meet his eyes. "You are more than capable, (Y/N). The team is worried because you'll be out of your comfort zone in a dangerous situation."

"The team? Not you?" You narrow your eyes to him.

You try not to sound accusatory, but if you're as scared as everyone, you also are fed up with the other's doubts.

Spencer closes the distance between you both but doesn't invade your personal space.

"Of course, I'm worried too! I don't want anything bad to happen to you. But I trust you and your judgment."

Your heart does flip-flops, and you're not sure if it's because Spencer is worried or because, despite that, he trusts you—or both.

"You do?" You ask, not so convinced.

Spencer nods and smiles at you.

"And we'll be there when you catch the guy."

If that is the reassurance you need, you don't mention it. Instead, you grin at Spencer as a promise you'll do your job just how you are supposed to.

---------------

You insist on getting ready in your hotel room. The only assistant you ask for is Emily. She was the one who trusted you first in this, so you'll take every piece of advice she can give you before this night starts.

Everyone has a role in the plan.

Rossi will be the chauffeur who will drive you to the club.

Luke and Spencer would be in the club, mingling with the patrons. JJ, Matt, and Emily would be in the van monitoring the whole situation with cameras and earpieces. Rossi would keep his facade as a driver so he could be at one of the entrances. Tara would be at the club, too, eyeing nothing suspicious going on in the bar because there is a chance the unsub is getting help from the bartender.

When you are in front of the mirror applying the last touch of makeup, Emily is looking at you with a stare you can't decipher.

"What?" you ask, and Emily chuckles.

"Please, don't take this in a bad way, but I never thought I would live the day of seeing you using clothing like this. And Jesus, you look so hot!"

Your cheeks redens.

"It's a little bit odd coming from my boss, don't you think?" you muse, smoothing the fabric of your dress.

"Point taken," Emily raises her hands in defense. "Although I know someone who is going to run out of breath after seeing you."

You let out a scoff. It's not a surprise for you. The BAU girls - boss included - have been trying to set you up with Spencer since forever. You don't entertain the idea only because you don't think it's possible and not because you don't like the concept.

"Come on, don't say that. You are not helping to my nerves."

"Sorry, I'll shut up. We should go, though," Emily says, checking her watch.

One of the SUVs drives you to the van parking point. You needed to review the operation details.

At the back of the van - or commander point - JJ, Luke, Tara, Rossi, Matt, and Spencer see you come up with Emily.

For the best US profilers, they're not doing a good job hiding that they are gawking at you. Surely, no one imagined seeing you in such a revealing outfit. Outfit that, without a doubt, suits you extremely well, highlighting all your body attributes.

Spencer feels like he died and was resurrected after seeing you.

"Okay, guys, we need to check the details again," Emily announces.

The plan is in motion, and everyone is in position.

As expected, you arrive with Rossi at the club, who opens the door for you and helps you descend from the car. Rossi gives you a reassuring smile before letting you go.

Like a switch, you are no longer the shy SSA (Y/L/N). Now you are the woman who is going to take what she wants and attract the unsub attention doing that.

Your walk is determined, and your eyes send out flames of confidence to those who look at you. The music is very loud, something that would usually bother you, but not now. This needs to feel like your environment. That's how you like it, you tell yourself.

Almost instantly, you start to attract the looks of men who are eager for a woman like you.

You exude determination, and you don't go unnoticed.

Walking into the club, you make brief eye contact with Luke, who is on the dance floor. You see Spencer perched in a booth, nursing a beer.

At the same time, Tara is stationed at the bar.

"Remember (Y/N); the unsub expects the woman to approach men. The flirt needs to come from you," Emily reminds you by the earpiece hidden in one of the earrings you're wearing.

"Show time," you mumble to yourself.

You walk seductively to the dance floor, where a young man is dancing with a blonde. You approach and whisper something in his ear. That makes the boy completely lose interest in the blonde and start dancing with you. You smile and cling to the man's body, who wastes no time and takes your hips as if they were his possessions.

That dance certainly has nothing innocent about it. You continue whispering things in the boy's ear, and he looks more and more excited. Once you consider it a reasonable amount of time to have attracted attention, you leave the boy alone and head to the bar. Just a few meters away from Tara, a suspicious man is staring at you. You see him out of the corner of your eye as you order a drink. When the bartender passes it to you, you make subtle eye contact with Tara, who nods, indicating that the drink is clean.

You look next to you and see another man not so subtly looking at you. You know the unsub's profile, and you can't be intimidated or dominated by another man. You are the one who calls the shots. Otherwise, this will not work.

Before the man makes his attempt to seduce you, you turn to him, and with a penetrating look and disdainful voice, you stop him.

"Sorry, honey. Don't waste your time. You're not my type," and with that, you leave to move to the opposite side of the club. The guy huffs, and you're almost sure hearing him call you 'bitch' under his breath.

JJ, who's following the cameras inside the club, sees someone who looks suspect.

"Hey, this guy has been peeking at (Y/N) the entire time, and look, he clenched his fists when (Y/N) turned down that guy at the bar."

Emily confirms JJ's observation before giving you the next instructions.

"(Y/N), you're doing great. We have a possible target. So we need to raise the bet."

You know exactly what Emily means. You both had talked about the strategy to follow, having more details about what you should do than the rest of the team.

Matt and JJ look confused at each other but say nothing.

Your next step is to find another dude to seduce before delivering the coup de grace.

Luke and Spencer keep an eye on you. And while Luke is pleasantly surprised by your audacity, Spencer can't help but feel his stomach tighten. He tells himself it's because he is afraid something bad could happen to you, but inside of him, it's that and the fact of seeing you flirt with other men.

Just like you did with the guy on the dance floor, you attract the attention of another man; this time, you take his hand and pull him to the dance floor.

JJ and Matt's jaws drop to the floor. If Tara, Luke, and Spencer could do the same without giving themselves away, they would have done it, too.

As if it were your second nature, you laugh and move to the music. The man seems to enjoy the moment so much that he takes a bold step by leaning in to kiss you. You let him get closer until his lips are almost on yours. But before touching each other, you pull back with a malicious smile.

"Naughty boy. I'm who says if you can kiss or no," you pout, faking disappointment. Dizzed, the guy cocks his head and sees you walk away.

Matt chirps now. "It's him. Look boss," he tells Prentiss, pointing to the same guy JJ saw before.

There is no longer any doubt that it is him. Now you just have to catch him red-handed.

"(Y/N), we got him. It's time for the last play," Emily tells you.

With Emily's instruction, you go to the bar for another drink before heading over to where Spencer is sitting.

He tries to play it off, but he has no idea why you're approaching him.

"Is this seat taken, handsome?" You ask, with your drink in hand.

"N- no. Please," Spencer gestures to the booth on his front, but you opt to perch to his side. Spencer thinks he never has been this close to you. He looks at your eyes, and it's like you are a totally different person. It's a little bit contradictory for him, to be honest. He already likes you just as you are, but this version of you? It's driving him insane.

Some resemblance of your true self looks with a kind of curiosity the nervousness on Spencer. You don't think much about it; you assume he's playing the nervous guy who is baffled by you.

The thing is, Spencer isn't playing. He's definitely baffled by you.

"Are you okay?" You ask him, masking your question with a seductive smile.

"Yeah. Are - are you?" Spencer stutters a bit—something that is perfect for the plan but embarrassing for him.

You get closer to him to speak in his ear.

"This was Emily's idea," you tell him before kissing his ear and gently biting his lobe.

Spencer's breath hitches in his throat, and he thinks he's going to pass out any second. You're not doing it better: your heart is also pumping hard from the adrenaline. Of course, you had imagined something like that with Spencer, but only in your erotic dreams. You wouldn't dare do this on any given day.

You keep teasing Spencer, who, despite the nervousness, tries to play along. If this is the closest he will ever have you, he wants to engrave this in his memory.

"Just a little push, (Y/N). We almost have him," Emily instructs by the earpiece.

You swallow as subtly as possible as you wrap your arm around Spencer's neck, pulling him closer to you.

It's only a second between that action and the fact that you're kissing Spencer like it's your last meal.

Spencer doesn't know how to respond, and you were counting on that; it was enough time for the unsub to notice that you were the one who chose her last prey.

When Spencer is about to reciprocate the kiss, you murmur a 'sorry' into his lips and quickly pull away, giving him a disdainful look—which you hope he understands is fake—before getting up and walking toward the back exit door.

As expected, the unsub follows you towards the back door, and while your back is turned, he believes he has the advantage to attack you. What he doesn't know is that Matt and Luke are ready to lunge at him the moment he tries to touch you.

Everything that happens after is too fast.

The unsub is detained and taken to a patrol car while the team gathers around you, congratulating you on the successful operation. They all apologize to you for their previous apprehensions. You tell them that you understand and that there is no need to apologize. And it's like the switch has been flipped again since you came out of the femme fatale role.

But something is wrong. Spencer is not in the group. You see him a little further away, near the exit door of the club. Emily notices the looks between you both, and she sends the team on different tasks to close the case, leaving you and Spencer there.

There's something in his eyes that you can't decipher. You think it's resentment for using him without warning him what you were going to do.

You shyly approach him.

"It's me again," you tell him, pulling a face. You don't know what to say to make the situation better. Spencer nods.

"Yeah. You did it great, by the way," he compliments you. But it doesn't feel good like Spencer's compliments usually do.

"Look, about the kiss back there-" you start. He needs an explanation as a bare minimum.

"I know. It was fake," Spencer cuts you off.

Those words shouldn't hurt you as they do now. But isn't that the most reasonable thing to believe? The you in the club weren't you, so all you did inside was pretend.

Everything except that kiss.

If it's true you couldn't enjoy it the way you would have liked, you will never forget his lips on yours.

A tense silence takes over the moment. This is not okay.

You can't afford to lie to one of the most important people in your life, even if telling the truth takes you out of your comfort zone.

What the hell! Tonight has already been a total of 180 from a usual day for you.

"It wasn't," you mumble, and you see his eyes flicking to yours in a second.

"What?" Spencer asks, narrowing his eyes at you.

"Everything was fake, but not the kiss," you say with a stadied voice this time.

Spencer's heart races again. If you say you didn't fake it, then what he felt on your part at that moment was real?

"It wasn't fake?" He asks for clarification. You nod.

A smirk forms on Spencer's lips, seeing your cheeks redden.

There you are. The girl he had fallen for in the past two years.

"Well, you know that I am a man of science, right?" he tells you, and you frown because you have no idea where this is going.

"I know," you say with some hesitation.

"And as a man of science, I need evidence of things, you know?"

Now, you are the one who smirks at him.

"Evidence, huh?"

"Yep," he says, emphasizing the 'p' and swaying his body on his feet. You hum.

"I believe I can provide the necessary evidence if you need them," you concede, and Spencer's eyes sparkle with excitement.

Now, he is the one who reaches out and cups your cheeks. Your breathing quickens, but that doesn't stop you from standing on your tiptoes and connecting your lips with his.

This time, there is no unsub, no curious eyes are looking at you, there is no rush, there is no femme fatale role, and above all, this is not fake; it's as real as the fact that your heart beats for him, and his for you.

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Spencer Reid's Taglist: @dreatine @nomajdetective @jayyeahthatsme @rosalinasam2 @averyhotchner @lovelyxtom @princessmiaelicia @pastelbabygirl19 @reidsbookclub @alexxavicry @gspenc @spencerreidisbae123 @calmspencer @pauline5525mgg @anamiad00msday @milivanili99 @laylasbunbunny @leahblackk @miaxx03 @missabsey @taintedstranger @khxna @hiireadstuff @pleasantwitchgarden @dysphoricsanity @levi-of-starz @themoonchildwhofell @silver138 @lovelybaka @shinytinywhispers 

[derinwrites]

The Three Commandments

The thing about writing is this: you gotta start in medias res, to hook your readers with action immediately. But readers aren’t invested in people they know nothing about, so start with a framing scene that instead describes the characters and the stakes. But those scenes are boring, so cut straight to the action, after opening with a clever quip, but open in the style of the story, and try not to be too clever in the opener, it looks tacky. One shouldn’t use too many dialogue tags, it’s distracting; but you can use ‘said’ a lot, because ‘said’ is invisible, but don’t use ‘said’ too much because it’s boring and uninformative – make sure to vary your dialogue tags to be as descriptive as possible, except don’t do that because it’s distracting, and instead rely mostly on ‘said’ and only use others when you need them. But don’t use ‘said’ too often; you should avoid dialogue tags as much as you possibly can and indicate speakers through describing their reactions. But don’t do that, it’s distracting.

Having a viewpoint character describe themselves is amateurish, so avoid that. But also be sure to describe your viewpoint character so that the reader can picture them. And include a lot of introspection, so we can see their mindset, but don’t include too much introspection, because it’s boring and takes away from the action and really bogs down the story, but also remember to include plenty of introspection so your character doesn’t feel like a robot. And adverbs are great action descriptors; you should have a lot of them, but don’t use a lot of adverbs; they’re amateurish and bog down the story. And

The reason new writers are bombarded with so much outright contradictory writing advice is that these tips are conditional. It depends on your style, your genre, your audience, your level of skill, and what problems in your writing you’re trying to fix. Which is why, when I’m writing, I tend to focus on what I call my Three Commandments of Writing. These are the overall rules; before accepting any writing advice, I check whether it reinforces one of these rules or not. If not, I ditch it.

1: Thou Shalt Have Something To Say

What’s your book about?

I don’t mean, describe to me the plot. I mean, why should anybody read this? What’s its thesis? What’s its reason for existence, from the reader’s perspective? People write stories for all kinds of reasons, but things like ‘I just wanted to get it out of my head’ are meaningless from a reader perspective. The greatest piece of writing advice I ever received was you putting words on a page does not obligate anybody to read them. So why are the words there? What point are you trying to make?

The purpose of your story can vary wildly. Usually, you’ll be exploring some kind of thesis, especially if you write genre fiction. Curse Words, for example, is an exploration of self-perpetuating power structures and how aiming for short-term stability and safety can cause long-term problems, as well as the responsibilities of an agitator when seeking to do the necessary work of dismantling those power structures. Most of the things in Curse Words eventually fold back into exploring this question. Alternately, you might just have a really cool idea for a society or alien species or something and want to show it off (note: it can be VERY VERY HARD to carry a story on a ‘cool original concept’ by itself. You think your sky society where they fly above the clouds and have no rainfall and have to harvest water from the clouds below is a cool enough idea to carry a story: You’re almost certainly wrong. These cool concept stories work best when they are either very short, or working in conjunction with exploring a theme). You might be writing a mystery series where each story is a standalone mystery and the point is to present a puzzle and solve a fun mystery each book. Maybe you’re just here to make the reader laugh, and will throw in anything you can find that’ll act as framing for better jokes. In some genres, readers know exactly what they want and have gotten it a hundred times before and want that story again but with different character names – maybe you’re writing one of those. (These stories are popular in romance, pulp fantasy, some action genres, and rather a lot of types of fanfiction).

Whatever the main point of your story is, you should know it by the time you finish the first draft, because you simply cannot write the second draft if you don’t know what the point of the story is. (If you write web serials and are publishing the first draft, you’ll need to figure it out a lot faster.)

Once you know what the point of your story is, you can assess all writing decisions through this lens – does this help or hurt the point of my story?

2: Thou Shalt Respect Thy Reader’s Investment

Readers invest a lot in a story. Sometimes it’s money, if they bought your book, but even if your story is free, they invest time, attention, and emotional investment. The vast majority of your job is making that investment worth it. There are two factors to this – lowering the investment, and increasing the payoff. If you can lower your audience’s suspension of disbelief through consistent characterisation, realistic (for your genre – this may deviate from real realism) worldbuilding, and appropriately foreshadowing and forewarning any unexpected rules of your world. You can lower the amount of effort or attention your audience need to put into getting into your story by writing in a clear manner, using an entertaining tone, and relying on cultural touchpoints they understand already instead of pushing them in the deep end into a completely unfamiliar situation. The lower their initial investment, the easier it is to make the payoff worth it.

Two important notes here: one, not all audiences view investment in the same way. Your average reader views time as a major investment, but readers of long fiction (epic fantasies, web serials, et cetera) often view length as part of the payoff. Brandon Sanderson fans don’t grab his latest book and think “Uuuugh, why does it have to be so looong!” Similarly, some people like being thrown in the deep end and having to put a lot of work into figuring out what the fuck is going on with no onboarding. This is one of science fiction’s main tactics for forcibly immersing you in a future world. So the valuation of what counts as too much investment varies drastically between readers.

Two, it’s not always the best idea to minimise the necessary investment at all costs. Generally, engagement with art asks something of us, and that’s part of the appeal. Minimum-effort books do have their appeal and their place, in the same way that idle games or repetitive sitcoms have their appeal and their place, but the memorable stories, the ones that have staying power and provide real value, are the ones that ask something of the reader. If they’re not investing anything, they have no incentive to engage, and you’re just filling in time. This commandment does not exist to tell you to try to ask nothing of your audience – you should be asking something of your audience. It exists to tell you to respect that investment. Know what you’re asking of your audience, and make sure that the ask is less than the payoff.

The other way to respect the investment is of course to focus on a great payoff. Make those characters socially fascinating, make that sacrifice emotionally rending, make the answer to that mystery intellectually fulfilling. If you can make the investment worth it, they’ll enjoy your story. And if you consistently make their investment worth it, you build trust, and they’ll be willing to invest more next time, which means you can ask more of them and give them an even better payoff. Audience trust is a very precious currency and this is how you build it – be worth their time.

But how do you know what your audience does and doesn’t consider an onerous investment? And how do you know what kinds of payoff they’ll find rewarding? Easy – they self-sort. Part of your job is telling your audience what to expect from you as soon as you can, so that if it’s not for them, they’ll leave, and if it is, they’ll invest and appreciate the return. (“Oh but I want as many people reading my story as possible!” No, you don’t. If you want that, you can write paint-by-numbers common denominator mass appeal fic. What you want is the audience who will enjoy your story; everyone else is a waste of time, and is in fact, detrimental to your success, because if they don’t like your story then they’re likely to be bad marketing. You want these people to bounce off and leave before you disappoint them. Don’t try to trick them into staying around.) Your audience should know, very early on, what kind of an experience they’re in for, what the tone will be, the genre and character(s) they’re going to follow, that sort of thing. The first couple of chapters of Time to Orbit: Unknown, for example, are a micro-example of the sorts of mysteries that Aspen will be dealing with for most of the book, as well as a sample of their character voice, the way they approach problems, and enough of their background, world and behaviour for the reader to decide if this sort of story is for them. We also start the story with some mildly graphic medical stuff, enough physics for the reader to determine the ‘hardness’ of the scifi, and about the level of physical risk that Aspen will be putting themselves at for most of the book. This is all important information for a reader to have.

If you are mindful of the investment your readers are making, mindful of the value of the payoff, and honest with them about both from the start so that they can decide whether the story is for them, you can respect their investment and make sure they have a good time.

3: Thou Shalt Not Make Thy World Less Interesting

This one’s really about payoff, but it’s important enough to be its own commandment. It relates primarily to twists, reveals, worldbuilding, and killing off storylines or characters. One mistake that I see new writers make all the time is that they tank the engagement of their story by introducing a cool fun twist that seems so awesome in the moment and then… is a major letdown, because the implications make the world less interesting.

“It was all a dream” twists often fall into this trap. Contrary to popular opinion, I think these twists can be done extremely well. I’ve seen them done extremely well. The vast majority of the time, they’re very bad. They’re bad because they take an interesting world and make it boring. The same is true of poorly thought out, shocking character deaths – when you kill a character, you kill their potential, and if they’re a character worth killing in a high impact way then this is always a huge sacrifice on your part. Is it worth it? Will it make the story more interesting? Similarly, if your bad guy is going to get up and gloat ‘Aha, your quest was all planned by me, I was working in the shadows to get you to acquire the Mystery Object since I could not! You have fallen into my trap! Now give me the Mystery Object!’, is this a more interesting story than if the protagonist’s journey had actually been their own unmanipulated adventure? It makes your bad guy look clever and can be a cool twist, but does it mean that all those times your protagonist escaped the bad guy’s men by the skin of his teeth, he was being allowed to escape? Are they retroactively less interesting now?

Whether these twists work or not will depend on how you’ve constructed the rest of your story. Do they make your world more or less interesting?

If you have the audience’s trust, it’s permissible to make your world temporarily less interesting. You can kill off the cool guy with the awesome plan, or make it so that the Chosen One wasn’t actually the Chosen One, or even have the main character wake up and find out it was all a dream, and let the reader marinate in disappointment for a little while before you pick it up again and turn things around so that actually, that twist does lead to a more interesting story! But you have to pick it up again. Don’t leave them with the version that’s less interesting than the story you tanked for the twist. The general slop of interest must trend upward, and your sacrifices need to all lead into the more interesting world. Otherwise, your readers will be disappointed, and their experience will be tainted.

Whenever I’m looking at a new piece of writing advice, I view it through these three rules. Is this plot still delivering on the book’s purpose, or have I gone off the rails somewhere and just stared writing random stuff? Does making this character ‘more relateable’ help or hinder that goal? Does this argument with the protagonists’ mother tell the reader anything or lead to any useful payoff; is it respectful of their time? Will starting in medias res give the audience an accurate view of the story and help them decide whether to invest? Does this big twist that challenges all the assumptions we’ve made so far imply a world that is more or less interesting than the world previously implied?

Hopefully these can help you, too.

[ickadori]

Damn, that unwanted images fic? I can imagine sukuna constantly trying to trick Yuuji into giving Sukuna his body just for a bit so he can go seduce reader. Maybe even pop out and whisper filthy nothings whenever she passes by cause she has to know about what he wants to do to her.

[cws] fem reader. sukuna being a pervert. groping. minor scent kink activities. oral. i think this is dubcon… one big unedited ramble tbh. writing sukuna is hard!

Being around Yuji could sometimes be… tiring, to say the least.

He’s a nice guy, very nice, funny too - he’s made you laugh to tears on quite a few occasions, and he’s cute to top it all off. Everyone you spoke to always have good things to say about him, and you have to admit that you do, too—even if his preference in partners had made you raise your eyebrows when you first heard it.

So, with this in mind, you always try to ignore Sukuna and his ‘antics’, although it was getting increasingly more difficult to ignore the curse’s brazen words when they were blurted out in the midst of a silent classroom, or whenever you happened to pass by Yuji in the hallway, or even when he had managed to pin you in an innocent enough position during training.

You couldn’t count how many times you had been left with your mouth gaping and hot in the face due to the comments Sukuna threw your way. They were always crude, brash, lewd, and left you with a strange twisting feeling deep in your gut — it was weird. The words were Sukuna’s, obviously, but if you didn’t look at the mouth sprouted on Yuji’s cheek, or pay too much heed to the deep, rough drawl of the voice speaking, you could pretend that it was Yuji saying those words, and for some reason that made it all seem a tad bit better…but not by much.

You had spoken with Gojo about it, as much as you hadn’t wanted to. Talking with your past teacher about the strange obsession that the curse inhabiting your friend’s body had with you was at the very top of your list of things you absolutely never wanted to fucking do, but you had to do something.

Sukuna’s comments were getting out of hand, his most recent having kept you from venturing to the training field — you had been engaged in a spar against Maki, attempting to work on your hand to hand combat, when you had heard that unmistakeable voice, his attention fully piqued by the presence of you - and while you never liked to be full of yourself, it was common knowledge that he only made his presence so obnoxiously obvious either when you were in sight of Yuji was banging on death’s door.

At first, you had thought he was rudely critiquing you like he usually did, commenting on your speed and how you were just so slow, you’d be dead in a fight against someone who was actually strong, or one of the many other things he liked to say to get your spirits low, but no, he was in a different mood that day.

Maki had just tossed you onto the ground for the umpteenth time, and you had decided to call it quits then, desperately wanting to submerge yourself in a hot bath to try and soothe your aching body.

Yuji, who had been observing from the side and having a somewhat one-sided conversation with Inumaki, had sensed your beaten to smithereens will and hauled you up off the ground, a smile on his face as he tapped you on the shoulder and gave you a bit of encouragement, only for the good deed to immediately be overshadowed when Sukuna spoke.

You hadn’t caught it at first, or rather, you had tried to pretend that you didn’t actually hear what he had said, because there was no way in hell that you wanted to acknowledge that he, in front of all of these people, had made a comment about how your shorts were just ‘so damned snug that he could practically see your clit—do you even have on any panties?’.

He had no problem repeating himself, even throwing some new things in, things that made your ears burn and the hairs at the back of your neck raise and your stomach flutter when you took on Yuji’s sheepish expression coupled with the way his eyes kept flitting down to between your legs and off to the side.

Recounting the many tales to Gojo had been humiliating, and his amazed ooh’s and ahh’s hadn’t made it any better, but you had desperately wanted some kind of resolution to all of this. He was the strongest, after all, so surely he could do something? Muzzle him at the very least?

“I’m afraid that’s out of my capabilities—aww, don’t look at me like that, I want to help you, but there’s not much of anything I can do.” He had been wearing his blindfold as he usually did, but you were certain that had been a hint of amusement in his eyes as he spoke, as if this was some funny story and not a serious matter that required a serious resolution. “I can’t control who Sukuna takes a liking, too, even if it is one of my beloved students. As it stands, he can’t do much of anything but talk. Yuji has him under control in that aspect, so you’ll just have to grin and bear unfortunately.”

There was only so much grinning and bearing you could take — Sukuna was unrelenting. While the comments had been sparse before, they were now frequent. You couldn’t go a single day without some part of your body being commented on.

Wearing skirts earned you comments on your thighs of how soft they looked, of how they’d feel wrapped around his head as he tongued your cunt, of how he wanted to mark them up with his teeth, his hands, his nails. So you wore pants next, only for him to admire the way they hugged your ass, and oh, he sees, you’re showing off for Yuji now, ya know he’s an ass man, is that what this is? The want the brat to fuck you instead of him, a real man, a man that can make you cry and moan and cream on his cock with little to no effort?

If your shirt happened to be a bit tight that day around your breasts, you could bet your life and win that Sukuna was gonna tell you ten different ways that he would fuck them, eventually. He’d describe it in vivid detail; how your tits would look squeezed around his cock, how he’d cover them in his cum (don’t worry, he’d be considerate enough to lick it off of you, as long as you didn’t squirm too much when he latched onto your pretty nipples), how they’d bounce when he’d fuck you—and don’t make that face, he knows you like what he’s saying. You don’t? Then let Yuji reach in your panties and see if you’re wet or not. No? It’s fine, he knows you are, just too shy and prudish to admit it.

You’re careful eating consuming certain foods and drinks around him, but when he made a remark about how greedily you gulped down your water after a morning run, wondering aloud if you ‘guzzle cum down just as eagerly’, you chose to forfeit your basic human needs in his presence altogether.

It seemed like you couldn’t do anything around Yuji without it being turned into something perverse, and after much contemplation, you decided to just avoid him all together. It took a lot of detours and changes of your schedule to ensure you wouldn’t run into him, along with skipping out on hanging with your other friends because he’d be there, but you managed. It was incredibly boring and dull, and you found yourself lazing around your room more often than not, but you figured this was better than listening to the many ways Sukuna wanted to fuck you.

You’re in your room now, fingers massaging a new moisturizer into your cheeks as you only halfway pay attention to the show that’s playing on the tv. You had just gotten out of the shower, dressed in a baggy sweater that you couldn’t remember who you had snagged from, and was nearly ready to retire for the night.

A knock at your door draws your attention away from the tv, and thinking it’s more than likely Nobara come to once again lament about how pissed she is that you took a rain check on yet another outing with them (the trio had ventured out into the city earlier) you move to open it without thinking.

“If you’re here to scream at me for staying in tonight, I’m gonna need you to make it quick. My show is…” Your words die on your tongue when your eye finally clash against red ones, and there’s a lurch in your chest when Sukuna steps into your room, lips twisted into a grin as he invades your space. “…Yu—!”

You help when his hand shoots out to snag ahold of your jaw, fingers pushing into your cheeks as he quirks a brow. “I know you’re not stupid enough to call me by another man’s name, right?” Your hand is still gripping the door knob, and it tightens as you jerkily nod, eyes wide and unblinking as the gravity of the situation takes its time weighing on your shoulders.

He smushes your cheeks together, a hum leaving him as he turns your head side to side, and you can’t help the feeling that he’s appraising you, ogling you, judging you, just as he had been when he wasn’t in control, and all the things he had said suddenly come rushing back to the front of your mind.

A choked noise manages to escape you, and his grin widens, his free hand pushing yours away from the door so he can push it closed. “Wonderin’ what I’m gonna do to you?” He guesses, and you make another noise, your hands itching to do something. You are a sorcerer, not the strongest but definitely not the weakest, but this is Sukuna standing in front of you, what could you possibly do against him?

He takes another step forward, and the cologne that Yuji frequently wears wraps around you and makes your head spin. “I was wondering the same thing on my way over.” His front presses flush to yours, and you jump when something firm and big pushes into your hip, the hand that had been on your face dropping to rest against the side of your neck, thumb positioning itself underneath your chin so he can tilt your head up. “What to use first… your mouth,” he eyes your lips, and a shaky breath leaves them at that moment, “these tits,” his free hand gropes you through your sweater, and you yelp and jump in his hold, protests stuttered out as he kneads and squeezes at the flesh.

“S-Sukuna, you can’t—”

“Or this fat little cunt you’ve got.” The hand that had been on your chest dips low, and you both make a sound when his fingers are met with a sticky, clear fluid. He snarks out a laugh, and you furiously shake your head as your skin burns. “You’re fucking wet.”

“I’m not!” He pushes a finger up against your clit through the cotton of your panties, and you cross your ankles in an attempt to keep him from rubbing against you, but it doesn’t deter him in the slightest. He presses against you harder, and your teeth sink into your bottom lip as you weakly push at his forearm. There’s the fleeting thought that Yuji is somewhere in there seeing this, and it’s almost enough to have you melting into an embarrassed puddle of goo, but then Sukuna is saying something about being on ‘borrowed time’ while lowering himself to his knees in front of you.

You gape down at him, hurriedly trying to scramble back, but his hands come up to grip the backs of your thighs, the look he gives you making you stay put. Once he sees you’re not going anywhere, he loosens his grip on your legs, hands venturing up until he’s roughly gripping at the fat of your ass, gaze fixed on your face as you fight to keep it somewhat expressionless… although by the pleased look on his face you’re sure that you’re failing.

“You should revel in the knowledge that I’ve never kneeled before anyone else.”

With a harsh tug your underwear is pooled around your ankles, and Sukuna is roughly pushing up the material of your sweater, his head moving in until you can feel his breath fanning over the curly hairs covering your cunt. A misplaced stroke of insecurity covers you as he takes in the sight, and you don’t want to ponder about why you seem to care if he prefers a full shave or not, because you shouldn’t.

You should kick him away, king of curses be damned. He could cut you into a million pieces with a swipe of his finger, but still! You should do something other than just stand here and allow him to—

He buries his nose into your mound, a deep groan sounding as you hear him breathe in your scent, and your breath catches in your throat as your knees wobble, hands flying to his shoulders as you steady yourself.

You sweater covers his head as he lets it go to instead spread apart your lips, and you can’t help the gasp that comes out when he immediately begins to lap at your cunt, tongue moving from your clit to your hole and back again.

It’s too much too soon, and noises that you’d be horrified at making later tumble out of your mouth as Sukuna messily eats you out, one hand harshly gripping at your ass. His tongue feels as if it’s everywhere all at once, and you can feel yourself teetering on the edge in no time, hips unconsciously rocking against his mouth, calves tensed as you stretch your on your toes, fingers curling into the material of his hoodie.

“Suh…Su-kuna,” a broken cry of his name falls from your lips as you come, his tongue pushing impossibly deep into you as his hand tugs you closer. The sound of him slurping at your slick is loud in the room, and the bruising grip on your ass trades in for a caress, the harsh sucking at your cunt switching to slow, languid licks that threaten to throw you into overstimulation,

When the fog clears, you stiffen, face screwing up and eyes widening as you look down at the lump in your sweater. Before any thoughts can come, he’s pulling back, pink hair coming into view as your sweater falls away from him, and you think you may just die on the spot when take note of the lack of black markings marring his face.

“…Yuji?”