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buttdumplin · 1 month

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The sweet, lovely poly 141 boys and their Spanish-speaking latine partner.

This was meant to be a quick little thing, but boy did this get away from me lmao. This is the fluffiest shit I've ever indulged in and I love it. Big thank you to @mikichko for inspiring and helping with this!!!

CW: poly 141, gn!reader, latine reader, mexican slang, hint of d/s dynamics in Johnny's

Price, god love the man, is the one who seems to stumble the most. It's almost comical, considering the fact that Spanish and Arabic are so similar due to their histories. But there's a big difference between the Spanish he's learned to recognize and what you throw at him on the daily. He truly thinks it's because of his age, window of acquisition and all that. John does not expect to be able to speak fluently with you, but he does at least want to understand you. What he really wants, though, is to make you feel more fully at home with him, and he is forever grateful that you feel comfortable and safe enough with them to embrace all parts of your identity.

"Hola, amor mío. How was your day?" you greet him from the couch, eyeing him from tip to toe and almost whistling at seeing him in uniform. "Sigues rechulo, mi güerito, so I assume all went well?"

John swings down to kiss you, gripping the back of your neck to prolongue the kiss, trying to soak in as much of the affection as he can while also disguising the fact that he still doesn't fully recognize what came after.

"Yours was good too, I trust?"

"Yeah, but my brother called. El güey still con sus pinches mamadas and asking for my help. Aguas, in case he shows up this week."

"I... will keep an eye out, dove."

"Call me si les arma pedo and I'm not around."

He just nods sagely and squishes up against you on the couch, letting your warmth seep into his tired bones.

Later that evening, he rounds up the boys while you're in the shower and pulls out a small notebook where he's written things out phonetically. John may not have all the knowledge he needs, but he sure as hell is good at getting it.

"'Güey,' that's the brother's nickname?"

"No, that's like 'man/guy.' But it's also an insult. But not always," Johnny supplies.

"Fuck me, okay. 'Rechulo' is... I got nothing for that one."

"The 're' is for heavy emphasis, 'chulo' is 'cute/handsome/pretty.' 'Re' can go on practically any adjective," Simon steps in.

"'Aguas' and 'pedo' CANNOT be what they are, right?"

Kyle takes his hand and chuckles, "No, sweetheart. The first is like a warning, the second a fight or scene or scandal. In this context."

John's shoulders finally relax and he lets out a heavy sigh, putting the final touches on his notes of the day.

"Thank you, boys, for your patience and your kindness. And your secrecy," John huffs a little laughter and gives them his sweetest smile, the one where you can see the dimples poking out through the beard.

They all reach over to gently caress him, taking turns kissing the parts of him they can reach.

"Thank you, John, for trying so hard."

Beautiful, wonderful Kyle, the delight of a man that he is, is the one giving it as good as he gets. He's the one crooning in your ear, showering you with the most decadent terms of endearment, knowing full well they make your knees much weaker in Spanish. He'll use the advantage every single chance he has, don't doubt that for a second. But truly, it's the soft seclusion of those moments that he cherishes most, when you're looking up at him with big bright eyes, knowing you fully trust him to take care of you.

You're grumbling away as you wash dishes after dinner when Kyle comes up behind you, arms making the way slowly around your waist, chin dropping onto your shoulder.

"Oh, tesoro mío, look at you working away, working so hard for us."

You refuse to look at him and give a fussy pout. He knows it's your least favorite of the house duties. So much so that you're always willing to do almost anything as long as you don't have to touch wet food.

"It looks like you've done enough, cariño. Come join us in bed."

"No. None of you wanted to trade with me so se aguantan," you try to wiggle and bump his head away from yours.

"Come on, cosa hermosa, we need you with us to settle for the night," he pulls your hands from the water, drying them and turning you towards him.

You immediately bury your face into his chest. Can't look him in the eye, he'll win you over the moment you do.

"So they send in the smooth talker, huh?"

Kyle laughs, clear and bright, and he wraps you back up in his arms, gently cradling your head until you give in and look up at him.

"Or," he says, making you both rock gently, "I'm trying to sneak in a little solo time."

Your body melts against his as the words sink in, big eyes blinking softly up at him, "Besito?"

"As many as you want, mi vida. Until you grow bored of me," and you're letting out a sweet sigh as those soft lips meet yours.

His hands move to bring your body closer to his, to milk this quiet moment for as much contact as possible, to sear it all into his memory.

"You two are awfully quiet out there," Simon calls from the bedroom and it makes you break apart with a little jump.

You hear frantic rustling that has to be Johnny, "Hold on, what happened to doing the dishes!"

A chuckle escapes the two of you, sparkling eyes meeting in the low light from the stove hood. The sound of John huffing to get comfortable floats in from the bedroom.

"Just a minute more, hermosura," he mutters against your hair. "Wanna stay here a bit longer."

"Really liking all those pet names, aren't you?"

Kyle laughs again and gives you a squeeze, "Mean every single one of them."

And you happily linger, not pointing out that you've noticed an endearing pattern of Kyle wrapping up nights in the kitchen with you in his arms and a faint love song echoing down the hall for you two to sway to.

Beloved, darling Simon, he hides his own understanding of the language. He understands it nearly perfectly, with just the tiniest margin of error, nothing too big to bring attention to it. Overall, he's able to catch almost everything you mumble. It's not to be sneaky or anything like that, Simon would never do anything to compromise your privacy. It's more that he doesn't quite see the need to verbalize it. To him it's nothing special, no need to make a spectacle. Instead, he lets it seep into his actions, ever the acts of service lover that he is.

You're spread out on the couch, on the phone with your mother, complaining, "Como chingan los del trabajo. Me pidieron un reporte para el viernes y ahora me reclaman que todavía no se los he dado y apenas es miércoles."

There was a tension in your shoulders when you came home from work, he didn't miss that. Caught you jolting to a stop mid-stretch. And as the call goes on longer, Simon picks up on more.

"No he tenido chance de lavar ropa, ni una putisima pijama... Traigo un pinche antojo de mole, pero es un chingo de trabajo y ahorita no le puedo dedicar el tiempo..."

He quietly moves to gather the boys as you continue ranting and pace around the room. You're too caught up in your call to see them forming a massive huddle and their nodding at Simon right as the break and throw their joined hands in the air.

By the time you're off the phone, it's dark out and you notice the house is quieter than usual. You move to look for the boys (they can't have left without telling you, right?) when Simon pops out from the hall, crooked smile you love so much adorning his face, and he simply takes your hand to pull you into the bathroom. A hot bath greets you, some honeyed bath bomb already dissolving in the water and your laptop set up on a bucket besides the bath, your comfort show already pulled up and ready to play. Simon then points to your softest pajamas washed and set out on the counter for you.

"And you'll help me with my lotion too?"

He kisses your forehead, "When do I not?"

"The boys?"

"Setting up dinner. Kyle and I are making your favorite."

You whip around to face him, eyes wide and excited, "With fresh tortillas?"

With a low, affirmative hum Simon pulls you in closer and just holds you. He doesn't say anything, he doesn't need to. But he lends you his strength, which is all he can really hope for. The steady beat of his heart and the warmth of his arms around you help release the tightness in your body. Letting out your own little hum, you give him a squeeze and he squeezes back harder, crushing you in the way he knows you find comforting. There's a soft devotion in his tenderness with you, an unshakable support in every single thing you do.

"So you gonna undress me too, or...?"

A peal of laughter escapes you as he playfully swats at your butt, "Undress yourself. I've got cooking to do."

A day without hearing your laughter is a day poorly spent to Simon.

He's almost to the door when you pull him back into you, hands tugging on his shirt to bring him down to your height. His own laughter rumbles in his chest as you cover his face in loud kisses, and he stays locked in place. He will for as long as you need him to, never mind his back. If it's gonna go out eventually, he'd rather it go out from his time spent like this.

Johnny, bless the boy, is desperate to hear it, to have you address him directly. You speak plenty around the house, on phone calls with friends, talking back at the tv (some shows have been put on temporary bans, or at the very least you're not supposed to watch them alone), at the lovely crooked cat yall adopted. You shower them with pet names with every breath you take. And he loves it all! Loves that you so willingly share so much of yourself with them. But Johnny boy is dying for something specific- "Love, why don't you call me papi?"

When he voices it, it's a complete surprise. Simon and Kyle both laugh so hard so suddenly that they find themselves choking on their own spit. Price himself is caught so off-guard that he fully looks up from the dinner he's prepping in the kitchen, raw chicken slipping out of his hands and plopping back into the flour bowl. You at first laugh it off lightly, thinking it was one of his cutesy jokes he makes to get a giggle out of everyone. That would have made the most sense, honestly. But when he looks away, big blue eyes shining with the softest hint of embarrassment, it sinks in.

You shift in your seat a fraction, "Johnny, I don't even call any of you that in English. You know it's not exactly the same thing, right?"

"I know but the little old lady from the corner shop calls me "papi" and so does the older man who brings the water and other people too and it's always so affectionate and so I thought..."

He spares a glance at you, hoping he hasn't completely overstepped.

"Where did this come from?"

"Ale let it slip last time we grabbed coffee and the joy on Rudy's face was so blinding that I thought maybe we should try it."

"Honey--"

"Please, just once."

"But I--"

"It doesn't have to be a title! It can be soft and casual, no expectations."

"You don't--"

"I promise I'll be good for it."

Oh.

Your gaze meets the other boys' and you all take a good look at your Johnny. At some point during his pleading he brought himself down to kneel in front of you. His broad shoulders are slumped forward in submission, his hands clenched together so tightly his fingertips are completely white. Price nods at you, the other two eagerly nodding along as well.

Leaning forward, you grab him by the jaw, gently bringing his head to rest against your thigh.

Running your fingers through his hair, you utter out a low, "Sweet little thing like you just wants to be good, don't you papi?"

Johnny's eyes glaze over slightly, a shy, dazed smile growing on his face. There's not an ounce of hesitation in him as he nuzzles his face into your thigh, just sweet elation. Pleased grumbles escape the others, making Johnny's smile grow bigger.

You make sure to add it into your regular circulation.

#poly 141 #poly 141 x reader #poly 141 x latine reader #cod x reader #simon ghost riley #kyle gaz garrick #johnny soap mactavish #captain john price #ghost x reader #gaz x reader #soap x reader #price x reader #i cannot emphasize the poly of this enough #this is truly some of the most self indulgent shit i've ever written and i've never been happier lmao #honestly this is just precious moments with each of them #i'm definitely going to be writing more 141 x latine reader #prepare to be fucking sick of me #frfr tho this is the first long thing i've written in years and ngl it feels good to be doing it again #also yeah i tend to sprinkle in commas like they're condiments

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thunderboltfire · 3 months

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I have a lot of complicated feelings when it comes to what Neflix has done with the Witcher, but my probably least favourite is the line of argumentation that originated during shitstorms related to the first and second season that I was unlucky to witness.

It boils down to "Netflix's reinterpretation and vision is valid, because the Witcher books are not written to be slavic. The overwhelming Slavic aestetic is CDPR's interpretation, and the setting in the original books is universally European, as there are references to Arthurian mythos and celtic languages" And I'm not sure where this argument originated and whether it's parroting Sapkowski's own words or a common stance of people who haven't considered the underlying themes of the books series. Because while it's true that there are a lot of western european influences in the Witcher, it's still Central/Eastern European to the bone, and at its core, the lack of understanding of this topic is what makes the Netflix series inauthentic in my eyes.

The slavicness of the Witcher goes deeper than the aestetics, mannerisms, vodka and sour cucumbers. Deeper than Zoltan wrapping his sword with leopard pelt, like he was a hussar. Deeper than the Redanian queen Hedvig and her white eagle on the red field.

What Witcher is actually about? It's a story about destiny, sure. It's a sword-and-sorcery style, antiheroic deconstruction of a fairy tale, too, and it's a weird mix of many culture's influences.

But it's also a story about mundane evil and mundane good. If You think about most dark, gritty problems the world of Witcher faces, it's xenophobia and discrimination, insularism and superstition. Deep-seated fear of the unknown, the powerlessness of common people in the face of danger, war, poverty and hunger. It's what makes people spit over their left shoulder when they see a witcher, it's what makes them distrust their neighbor, clinging to anything they deem safe and known. It's their misfortune and pent-up anger that make them seek scapegoats and be mindlessly, mundanely cruel to the ones weaker than themselves.

There are of course evil wizards, complicated conspiracies and crowned heads, yes. But much of the destruction and depravity is rooted in everyday mundane cycle of violence and misery. The worst monsters in the series are not those killed with a silver sword, but with steel. it's hard to explain but it's the same sort of motiveless, mundane evil that still persist in our poorer regions, born out of generations-long poverty and misery. The behaviour of peasants in Witcher, and the distrust towards authority including kings and monarchs didn't come from nowhere.

On the other hand, among those same, desperately poor people, there is always someone who will share their meal with a traveller, who will risk their safety pulling a wounded stranger off the road into safety. Inconditional kindness among inconditional hate. Most of Geralt's friends try to be decent people in the horrible world. This sort of contrasting mentalities in the recently war-ridden world is intimately familiar to Eastern and Cetral Europe.

But it doesn't end here. Nilfgaard is also a uniquely Central/Eastern European threat. It's a combination of the Third Reich in its aestetics and its sense of superiority and the Stalinist USSR with its personality cult, vast territory and huge army, and as such it's instantly recognisable by anybody whose country was unlucky enough to be caught in-between those two forces. Nilfgaard implements total war and looks upon the northerners with contempt, conscripts the conquered people forcibly, denying them the right of their own identity. It may seem familiar and relevant to many opressed people, but it's in its essence the processing of the trauma of the WW2 and subsequent occupation.

My favourite case are the nonhumans, because their treatment is in a sense a reminder of our worst traits and the worst sins in our history - the regional antisemitism and/or xenophobia, violence, local pogroms. But at the very same time, the dilemma of Scoia'Tael, their impossible choice between maintaining their identity, a small semblance of freedom and their survival, them hiding in the forests, even the fact that they are generally deemed bandits, it all touches the very traumatic parts of specifically Polish history, such as January Uprising, Warsaw Uprising, Ghetto Uprising, the underground resistance in WW2 and the subsequent complicated problem of the Cursed Soldiers all at once. They are the 'other' to the general population, but their underlying struggle is also intimately known to us.

The slavic monsters are an aestetic choice, yes, but I think they are also a reflection of our local, private sins. These are our own, insular boogeymen, fears made flesh. They reproduce due to horrors of the war or they are an unprovoked misfortune that descends from nowhere and whose appearance amplifies the local injustices.

I'm not talking about many, many tiny references that exist in the books, these are just the most blatant examples that come to mind. Anyway, the thing is, whether Sapkowski has intended it or not, Witcher is slavic and it's Polish because it contains social commentary. Many aspects of its worldbuilding reflect our traumas and our national sins. It's not exclusively Polish in its influences and philosophical motifs of course, but it's obvious it doesn't exist in a vacuum.

And it seems to me that the inherently Eastern European aspects of Witcher are what was immediately rewritten in the series. It seems to me that the subtler underlying conflicts were reshaped to be centered around servitude, class and gender disparity, and Nilfgaard is more of a fanatic terrorist state than an imposing, totalitarian empire. A lot of complexity seems to be abandoned in lieu of usual high-fantasy wordbuilding. It's especially weird to me because it was completely unnecessary. The Witcher books didn't need to be adjusted to speak about relevant problems - they already did it! The problem of acceptance and discrimination is a very prevalent theme throughout the story! They are many strong female characters too, and they are well written. Honestly I don't know if I should find it insulting towards their viewers that they thought it won't be understood as it was and has to be somehow reshaped to fit the american perpective, because the current problems are very much discussed in there and Sapkowski is not subtle in showing that genocide and discrimination is evil. Heck, anyone who has read the ending knows how tragic it makes the whole story.

It also seems quite disrespectful, because they've basically taken a well-established piece of our domestic literature and popular culture and decided that the social commentary in it is not relevant. It is as if all it referenced was just not important enough and they decided to use it as an opportunity to talk about the problems they consider important. And don't get me wrong, I'm not forcing anyone to write about Central European problems and traumas, I'm just confused that they've taken the piece of art already containing such a perspective on the popular and relevant problem and they just... disregarded it, because it wasn't their exact perspective on said problem.

And I think this homogenisation, maybe even from a certain point of view you could say it's worldview sanitisation is a problem, because it's really ironic, isn't it? To talk about inclusivity in a story which among other problems is about being different, and in the same time to get rid of motifs, themes and references because they are foreign? Because if something presents a different perspective it suddenly is less desirable?

There was a lot of talking about the showrunners travelling to Poland to understand the Witcher's slavic spirit and how to convey it. I don't think they really meant it beyond the most superficial, paper-thin facade.

#The witcher #Sorry if its convoluted I just got reminded of something and it made me a little angry #and as I had this conversation a lot of times I've decided to put it into written text #sorry about being bitter #but these are some of my favourite books and I'm still upset when I get reminded how badly they were treated in the recent adaptation #I'm not saying you should never change anything #But it's good to have enough background to understand why some things are the way they are in the original #and to understand what the source material is about #we don't talk about particular character's looks or something (altough I feel they could care more about it too)#but central themes tropes and motifs #long post #it may seem like I'm talking from a high horse here #people are welcome to interpret literature however they want #Nobody has a monopol on themes #I just think that in this particular case the cultural context influences the worldbuilding #and if changed it doesn't have the same impact anymore #meta

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