bro I'm gonna explode
q!philza is always shocked when people build their houses next to him, move into his basement, trust his judgement and advice, trust him with their lives
MY BROTHER IN CHRIST
the new member's first memories of this server are gonna be how you gave them waypoints, then money so they could use them, then explained the bounty system, then swooped in like a guardian angel when one of the players was downed all by herself
AND EVERY NEW MEMBER IS TREATED SIMILAR BY YOU
ANYTIME ANYONE ON THE SERVER NEEDS HELP, YOU SWOOP IN, AVOCADO TOAST IN HAND
I just wanna shake q!philza by the shoulders and yell in his self-depreciating face "YOU ARE A GOOD PERSON AND YOU ARE LOVED!"
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A devastating and confusing thing about the Fallout setting, when you explore the pre-war aspects, is what the creators think about pre-war America. In the first games we only get hints of the pre-war world, but they seem to be some sort of wild fascist nation invading Canada. In Fallout 1, the first thing we're introduced to of the pre-war society is seeing a soldier shoot civilians and laughing.
Now, for the first 2 games and New Vegas we don't really know much. What we know is that there's a fascist military group known as the enclave who were a sort of US deep state even before the war, and that the government teamed up with corporate interests to preform vaguely MKULTRA-ish experiments with the Vaults. Basically, the government was an extreme version of the 50s American jingoism and McCarthyism.
This is well and dandy, I guess issues come up more when we get to the later games, especially 4, where it seems like none of this extreme plotting and societal civil unrest which would exist is seen. The society as presented in 4 also seems quite progressive, gay people are featured in the opening, and none of the baggage of say, civil rights not existing are included. Now on a baseline, I don't want settings to be more conservative, homophobic and sexist etc., but it becomes a very confusing setting when it's displayed both as this jingoist extreme thing with fascist tendencies aswell as a progressive place where everyone is seemingly equal. If you're focusing on the 50s as your setting, and American nationalism in the 50s, then you can't have McCarthyism spoofs and anti-communism as a societal paranoia norm while also general equality is the norm without misunderstanding why McCarthyism and nationalist jingoism is bad. A massive harm done in anti-communist paranoia is how it degrades and vilifies any progressive movements (women's rights, civil rights, homosexuality) as being morally un-American and therefore connected to communism. To ignore this just makes any critique of MacCarthyism and jingoism weird!
Basically, pre-war America in Fallout 4 becomes this both sides thing where America is both pure and equal and white fences in every instance that we see as the player (the intro), while also supposedly being this dystopic MacCarthyist hellscape that's broadcasting gladly about their war crimes in Canada, and wants to root out communism. I guess the only fix for this issue without getting into the fine print like they had to do is just not to focus too much on the pre-war world.
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i keep seeing people in their late teens/early twenties having a "[X] content intended for younger audiences does not feel satisfying to me anymore but i don't know where to start to branch out into adult fiction" moment and i thought i would give some recommendations for adult fiction for my fellow creepy crawly queer people. all or at least a LOT of it will be on the darker and more fucked up side bc i primarily engage with horror and thriller media personally but feel free to add on with more or recommendations from other genres :)
edit: i am continuing to add to this list so there might be new recs (highlighted in pink) in here every once in a while! also want to add that there's a variety of POC, queer, and disabled authors in here as well, i am also all of the above (asian, bi/aro, poly, disabled) and tried to incorporate as many of their wickedly talented, compelling narratives as possible. that's all, happy reading!
A Certain Hunger, Chelsea G. Summers
A Darker Shade of Magic, V. E Schwab*
A Dowry of Blood, S.G Gibson
Animal, Lisa Taddeo*
A Ripple of Power and Promise, Jordan A. Day*
Bunny, Mona Awad*
Children of Blood and Bone, Tomi Adeyemi*
Cursed Bread, Sophie Mackintosh*
Dark Places, Gillian Flynn
Dead Girls Don't Say Sorry, Alex Ritany*
Drive Your Plow Over the Bones of the Dead, Olga Tokarczuk*
Eileen, Ottessa Moshfegh*
Fruiting Bodies, Kathryn Harlan*
Goddess of Filth, V. Castro*
Gone Girl, Gillian Flynn
House of Leaves, Mark Danielewski
If I Had Your Face, Frances Cha*
Iron Widow, Xiran Jay Zhao
Jackal, Erin E. Adams*
Juniper and Thorn, Ava Reid*
Kindred, Octavia Butler*
Manhunt, Gretchen Felker-Martin*
Mexican Gothic, Silvia Moreno-Garcia
Ninefox Gambit, Yoon Ha Lee*
Rabbits, Terry Miles*
Scorched Grace, Margot Douaihy*
Sharp Objects, Gillian Flynn
She is a Haunting, Trang Thahn Tran
Slewfoot, Brom*
Sorrowland, Rivers Soloman
Summer Sons, Lee Mandelo
Supper Club, Lara Williams*
The Centre, Ayesha Manazir Siddiqi*
The Change, Kirsten Miller
The Death of Jane Lawrence, Caitlin Starling*
The Dreamer Trilogy, Maggie Stiefvater
The Haunting of Hill House, Shirley Jackson
The Hollow Places, T. Kingfisher*
The Human Origins of Beatrice Porter, Soraya Palmer*
The Jasmine Throne, Tasha Suri
The Locked Tomb, Tamsyn Muir
The Luminous Dead, Caitlin Starling*
The Red Tree, Caitlin Kiernan*
The Unfamiliar Garden, Benjamin Percy*
Vicious, V. E Shwab
Wake, Siren, Nina MacLaughlin*
We Have Always Lived in the Castle, Shirley Jackson
What Moves the Dead, T. Kingfisher*
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