#no ethics ever get solved here

[jade-curtiss]

No one solves ethics here, he's just exposing shit and bouncing people out the only way I can.

[ptersparkers]

reckless (aaron hotchner)

summary: After two years with the BAU, you get the feeling that Aaron Hotchner isn’t your biggest fan. That’s too bad, because you really like him.

notes: hello. this is singlehandedly the longest fic i’ve ever written (like 21.7K words). i didn’t intend for it to be this long and i tried to see where i could break it up, but i think it flows better if it’s in one piece. happy reading! x 

(edit: adding in that the reader is fem)

a huge thank you to @hotchsdoormat​ for being the best person alive and for listening to me rant about this piece. love u forever.

warnings: typical criminal minds speak, kidnapping and mentions of broken arms and ribs and typos, probably. 

***

Years of dreaming of becoming a federal agent for the Behavioral Analysis Unit led to the beginning of an illustrious career solving crimes and traveling across the country. It had only taken guest lectures by none other than the BAU themselves for the idea of catching killers and outsmarting them to do so to seep its way to the back of your mind.

You just wish you liked your job.

You like your work. You like walking into the office with a sense of purpose and you like profiling bad people and saving the good ones. You even like the shitty coffee that never seems to run out and you don’t mind the early call times and the sudden departures. 

What you don’t like, however, is your boss. But you know that’s just because he doesn’t like you. 

In your two years with the BAU, you don’t think you’ve ever seen Aaron throw a smile in your direction if it wasn’t meant for someone standing next to you. Two years of Aaron being dismissive and choosing to sit farthest from you in the conference room and on the jet. Two years of watching him foster friendships with your coworkers without sparing you a second glance. But work is work.

You’re an outsider. It’s almost what you expected. 

Emily’s the first one to tell you that you don’t need to take it personally. Her rocky start with the BAU and stories of learning that trust takes time eased your worries for a while, but Aaron never seemed to give you the time of day aside collaborating with the rest of the team. Everyone says he’s notorious for being stoic and intimidating, but you don’t see it that way. In your mind, he loathes you. 

Which is unfortunate, because you liked Aaron the most.

The guest lecture had sent you into a spiral of researching recently closed BAU cases and watching hours of press conferences led by Aaron. You appreciated the way he spoke about his work. He spoke about it like it was his due diligence and you liked that he treated each victim and their loved ones with grace and kindness. 

It kills you to know that he doesn’t trust you despite doing your best in the field. Your six month review approached and you passed with flying colors, earning a short-lived celebration from Erin Strauss before she exited Aaron’s office. But he kept quiet the entire examination, aside from putting his own input with how you acted in the field. He said you were diligent, followed orders well enough, and could listen to directions. It was the most you’d ever heard Aaron speak about you, but the swell of pride didn’t last long.

Sometimes people compare the two of you when it comes to your worth ethic. Last ones to leave, can’t be bothered when focused, and the need to excel in your career field while downplaying your contribution. Perhaps the need to do good in the world catapulted you into considering a role where you’d be actively helping others instead of a career where it would be too late. 

But every time you sit at your desk, opposite of Aaron’s office, you find yourself frowning. The blinds are always closed and you always wondered if Aaron could feel you staring at the emblem on his door when you wondered how you managed to keep your job. 

“I can hear your brain all the way from here,” Derek says, leaning against the stall of your desk. You avert your eyes from the door to his voice. “What’s going on in that pretty little head of yours?”

“Nothing,” you say.

Derek gives you a look. “I know it’s not nothing, sweetness.”

“Just tired,” you lie, “I slept poorly last night.”

Your gaze focuses on the files in front of you and Derek looks between you and Aaron’s office. He does his best not to let you know it’s been affecting him too; everyone’s noticed how Aaron’s been giving you the short end of the stick and that his wavering trust hasn’t disappeared like it had for the rest of them. It doesn’t do any good for team morale. 

For a moment in the beginning of your time with the BAU, you think he’s asking you to prove yourself. You’re new, you need to get used to team dynamics, and you need to prove yourself capable before he can trust that you’d have everyone’s back. You understand that. 

What you don’t understand, however, is why he treats you like a first-day agent after your contributions. 

“Alright,” Derek says, knowing better than to pry you out of your work. “Coffee?”

“Please.”

He leaves you momentarily when Aaron steps out of his office. You try not to look up, but it’s hard to ignore him when your desk is pointed in front of his door. He’s wearing a classic black suit with a red tie, belt and shoes to match. You know what the look on his face means–there’s a case. 

“Everyone in the conference room,” Aaron pointedly says.

Derek finishes pouring two cups of coffee and brings it over to the room where he sees you sitting in front of the screen. You thank him for the cup as he sits beside you and Reid gives you a small ‘good morning’ before everyone files into the conference room and their attentions are focused on the faces on the screen. 

“Two children have gone missing in Los Angeles, California,” Penelope begins. “Gracie and Olivia McCormack, four and six respectively, were last seen in their shared bedroom last night and LAPD has contacted us to help find them.”

“Looks like the mother reported going into their bedroom to wake them up, only to find them missing,” you say, frowning. 

“Is the father in the picture?” JJ asks. 

“Jaqueline, the mother, divorced Scott McCormack before her youngest was born,” Penelope informs.

“New flame?” Emily wonders. 

“Yes ma’am. Logan James.” Penelope presses a few buttons and Jaqueline and Logan appear on the screen. “This is where it gets tricky.”

“It looks like both Scott and Logan were abusive towards Jaqueline during their marriages,” David reads from the file. 

“Jaqueline’s pretty familiar with the local hospital,” you mutter. 

“We can talk about the file and start to strategize on our way to LA,” Aaron says, packing his file in his go-bag, which is already in hand. “Wheels up in thirty.” 

***

The six hour plane ride doesn’t feel as nauseating as you had predicted. Your second cup of coffee sits on the table in front of you as your file is displayed on the surface, along with everyone else. Departure wasn’t terrible, mild turbulence followed but nothing you couldn’t handle. The armrest becomes your best friend on these flights. 

“Did Scott kidnap Gracie and Olivia because he wants his kids?” Derek says aloud. 

“Most likely,” Reid adds. “Scott’s a migrant construction worker. I can’t imagine anyone letting him raise two children without a steady home or income, though.”

“So he’s angry at the loss of his children and wants them back,” Aaron says. “Garcia, does Scott have any background of domestic abuse prior to his marriage with Jaqueline?”  

“One count of domestic battery with a former girlfriend, but his childhood tells us a whole different story.”

“What is it, babygirl?” Derek beckons. 

“Scott was born to heroin addicts and they’d leave him in hotel rooms for days while they tried to rob local convenience stores for money, presumably for their next high. Poor kid, he never stood a chance.”

“Damn,” Derek says, shaking his head. “I can’t imagine growing up like that.”

“He was put into the care of his grandparents on his mother’s side until he was six and–oh, ouch–he apparently caused too much trouble for himself that his grandparents gave him to the foster care system.”

“I can imagine that abandonment took a toll on Scott,” JJ says.

“Take the kids away from Jacqueline as punishment,” adds Rossi. “Makes sense, especially when Jacqueline was the one to file for divorce.”

“What about Jaqueline’s marriage with Logan? Haven’t we established that Logan was abusive during their marriage?” you ask. 

Aaron raises his eyebrow. “What about it?” 

“I think it’s important to consider him in all of this, Sir. If Logan was abusive to Jaqueline throughout their marriage, maybe Scott sees this kidnapping as some sort of effort to save them from harm.”

All eyes are on you now. It makes your skin crawl and you hope you don’t say the wrong thing.

“Go on.”

“If Scott really did take his kids, I don’t know if he did it to get back at her by kidnapping them. It makes more sense that Scott would want to save his children from an abuser. I mean, he knows what it’s like to live with abusive and absent parents. What if Scott wants to protect his children from suffering what he went through?” 

“Interesting,” Dave hums. “You’re theorizing that Scott considers this kidnapping as rescuing?”

You nod. “It makes sense. Maybe he has some animosity towards Jaqueline for letting Logan into their lives and retaliates by taking his children away from her because he thinks he’s saving them.”

“Let’s not jump to conclusions,” Aaron says pointedly. 

“I’m just spitballing,” you say. “I’m not trying to step on anyone’s toes.”

“Well, let’s keep it that way.”

You shut your mouth and revert your eyes back to the file that’s in your lap, desperate for any minute distraction it can give you. The rest of the team is stunned in silence and Spencer tries his best to fill in the awkward silence by reviewing all of the facts that have been listed in the report. 

At this moment, you feel small. Aaron’s dismissive attitude makes you feel somewhat inadequate at your job and you find it difficult to remind yourself of all the cases you’ve helped close when your boss has just undermined your work in front of your colleagues. 

His coldness towards you is what you don’t get. Aaron has a reputation for maintaining professionalism, which you can appreciate, but it seems like his stoic tendencies extend far beyond keeping it civil in the workplace. It feels like you’ve been isolated and boxed out from day one and despite having gotten to know the rest of the team on a deeper level, you still walk on eggshells around Aaron. It makes you wonder why he hired you at all.

From the other side of the plane, Aaron takes a seat in an empty chair and looks out the window pensively. He knows he’s being hard on you and he knows it’s unfair that he’s treating you much harsher than the others, but Aaron knows that it’s for the best. 

When you walked into his office for your initial interview, there was no doubt that you were the perfect candidate to fill in the role as a new profiler. Your past experiences had clued you into profiling and he promised Strauss that your addition to the team would benefit the BAU as a whole. 

And Aaron was right. Cases were closing at a higher rate than previously, your quick thinking and problem solving skills aided the capture of many prolific criminals, and it almost felt like you’d been with the team since the beginning. 

What Aaron didn’t account for, however, was developing feelings for you. 

All it took was a simple undercover operation to see you in a completely different light. The unsub had targeted women who looked like you and you were more than ready to step up to the plate to catch him. It took seeing you in a sleek black dress to make Aaron’s heart lurch out of his chest and make him feel like he was a teenager in love all over again, and he hated it. 

He hated feeling this way towards his coworker. For weeks, his mind bounced around the idea of what it might cost the team; your respective positions might cause an interference because of the dating policy set in place and how it would look from the outside. Aaron didn’t want to jeopardize your career by making it seem like you were providing unprofessional favors if news were to come out that you were romantically linked with him. He didn’t want your career to be damaged just because he couldn’t keep it in his pants. 

Moreover, Aaron hadn’t felt like this towards anyone since marrying Haley.

He had dated casually but never thought about the possibility of anything serious coming out of it. Aaron thought he might’ve come close to it when he had dated Beth for a while, but her career taking her across the country made him realize how unstable his life already was. Dating became a question of who gets along with Jack and the rest of his family and who is able to handle his frequent absences. His marriage to Haley showed Aaron the downside of traveling all the time and he’d be damned if he made that mistake again.

The idea of liking you in any capacity that wasn’t professional scared Aaron to death. He hates that he’s willing to find any excuse to walk by your desk or strike up a conversation with you if time permitted. He hates that his mind often wanders to a life of domesticity with you. The only logical possibility for him to combat his feelings for you is to keep you at arms length and treat you like he would any of his coworkers, which means keeping your personal lives separate and maintaining professionalism at all times.

It works a little too well and Aaron doesn’t realize it. He misplaces his anger—the frustration of knowing he can’t have you the way he wants you—and you’re at the receiving end. Aaron thinks he’s doing his best by delegating and separating you from him in the field, but he doesn’t realize that it’s causing professional tension because you constantly think you aren’t doing enough to help the team solve cases and catch criminals. 

Aaron spends the rest of the flight looking over reports the precinct sent over before the plane lands in Los Angeles. You elect to keep your nose buried in your reports for the fear of looking like you aren’t working hard enough.

***

The Los Angeles weather has cooled down when you land and Aaron has ordered everyone to head to the precinct first thing after touching down. The detectives are kind enough to reserve a room for all of you to work out of and you waste no time setting up the white board with the missing girls and timeline of the abduction. 

The stakes are high and you can feel the tension in the room. You aren’t a stranger to cases like these and you know that everyone is trying their best to keep themselves together for the sake of the department and the family of the victims. You try not to read into Aaron’s coldness to you too much. You’ve convinced yourself enough times that it’s the stress of the job and being away from his home that keeps him running on pure stress and adrenaline to prevent you from overthinking your position on his team. 

Aaron has you and Spencer stay behind in the precinct to work on the profile and piece together a timeline of the abduction, and you’re more than grateful you don’t have to spend time in the field with him. The relaxation enters your body the section you see him step out of the precinct and Spencer can’t help but pry. 

“You okay?” he asks.

You turn around from the white board and your sleeve smudges the freshly written text. The annoyance bubbles up in your chest and you hastily erase the mess you created and rewrite it before turning your attention back to Spencer.

“Stressed out, but otherwise I’m good.”

He pauses. “You’ve seemed that lately, though.”

“Can you blame me?” you ask defensively. “Our job isn’t exactly low-stress.”

“It’s just that every time Hotch enters the room, you stiffen up and you seem to lose your voice, and you play with your nails. It’s your biggest tell, actually.”

You give Spencer a pointed look. “Reid, I did not ask to be profiled.”

“Sorry,” he relents. “I just…look, I care about you and I hate seeing that you feel like you can’t share your ideas with us. Is something bothering you?”

You know Spencer knows. You’re sure the team knows why you’re apprehensive about your work and second guess yourself every time you bring forth a new theory or concept. But it’s hard to admit it out loud when all you’ve done is complain about him in your head and push your feelings aside for the sake of solving cases. 

But you know Spencer has always looked out for you after the first time you took a bullet for him a week into the job after barely getting to know each other. It’s the same way that he looks out for you in the field, protecting your cover and being the first to volunteer partnering with you when Aaron asks. He’s keen and perceptive, and you know you can’t hide your feelings from him unless you want to jeopardize another relationship with your coworker.

“I feel like Hotch doesn’t like me,” you say earnestly. “And I mean it in a way that seems almost personal.”

“He’s been pretty distant,” Spencer adds.

You shake your head. “It feels like he doesn’t trust my judgment or values what I have to say unless one of you backs me up. I can’t really tell you when I started to feel this way, but I’ve always felt like I have to walk on eggshells around him or else he’ll fire me.”

“No one’s going to fire you,” Spencer reassures. “You have an exceptional skill at finding unsubs and getting into their heads. It’s quite impressive how you’re able to put yourself in their shoes.”

“Thanks, I think,” you say with a laugh. “But you saw what happened on the plane. Hotch shot down my theory and told me not to jump to any conclusions even though I was just theorizing. I feel like he doesn’t want to listen to what I have to say because he doesn’t think there’s any value in it.” 

Spencer pauses. He sees your grip on the dry erase pen and knows how frustrated you feel. He knows you, the way you think, your work ethic, and just how badly you want to save these girls. He also knows how to distract you from your own feelings.

“Then tell me about your theory,” Spencer chides. 

“Scott might’ve taken his children as a form of punishment against Jaqueline. Sure, I think that’s a plausible theory to go off of, considering she was the one who filed for divorce. But he was never abusive towards the girls, whereas Logan was abusive to all three of them.”

He smiles when he knows it’s working.

“So you’re thinking that Scott is trying to rescue Gracie and Olivia from further abuse?”

“Yes,” you confirm. “As a parent, I can’t imagine tolerating a stranger abusing your kids. Maybe in Scott’s mind, Jaqueline was allowing Logan to abuse them without realizing he was doing the same to her.”

“The wife had full custody of the kids too,” Spencer adds, opening a case file. “He was only allowed supervised visits with a social worker present if she allowed it to happen and in the time they’ve been divorced, she hadn’t let Scott see them since she and Logan got together.”

“Okay, so Scott had enough and wanted to take matters into his own hands. If his ex-wife won’t take care of the kids and neither will her new husband, it’s up to him to take care of the girls.” 

“It looks like Scott’s had a problem with authoritative figures his entire life,” he says, frowning. Spencer turns the case file towards you. “His grandparents were physically and emotionally abusive and social workers did nothing about it. Looks like he was also a truant during his time in foster care.” 

“Get this. He’s been fired from multiple construction sites because he couldn’t follow orders,” you read. 

“Jacqueline was also the breadwinner of their relationship. I think Scott resents people who hold authority.”

“Scott wants to raise his kids,” you say, snapping your fingers. “It’s a rescue mission because he thinks he can raise them better than she can.”

Spencer grabs his phone and dials Aaron.

“What is it, Spencer?”

“Y/N and I talked more about her theory on the abduction. I think she’s right.”

Aaron doesn’t say anything. You’re almost sure he’s going to tell you to change the profile.

“We’ll meet you at the precinct in fifteen.”

***

You consider yourself lucky that Spencer backs your theory with claims and evidence. Your voice wavers multiple times when Aaron asks you to make your case, and the way he’s looking at you makes you doubt yourself. 

But everyone comes to the realization that you’re right. A few conversations with Jacqueline and an interrogation with Logan convinces Aaron that your theory had been the correct one all along. You should feel happy, but you don’t. 

You feel like you have to piggyback off of your coworkers and get them to support you before you can make your case heard. You feel like the smallest person in the room when you stand next to seasoned profilers who you’re sure Aaron values more than you. The weight of the world is on your shoulders and you carry it with you every time you formulate new ideas you want to share with the team. 

But you don’t dwell on this too long. 

Aaron has Spencer comb through security footage of local gas stations while Emily and David talk to Scott’s most recent employer. Derek and JJ are searching his last known whereabouts and searching for the girls, which leaves you and Aaron.

You’re barely able to hear his command. He wants you to talk to Jacqueline and try to coax more information out of her while he connects with Penelope about financial records and possible places he’s hiding the girls. She’s your age and he figures you might connect with her better than JJ did.

Jaqueline is understandably crying when you walk into the room. You hand her a box of tissues upon entering and she doesn’t say anything. She starts to open up after you tell her about yourself, your nieces and nephews, and you show her photos of them to prove yourself. You let her know you’re not a mother and can’t imagine the immense pain she’s going through, but you know what it’s like to care for people and how much it hurts when something bad happens to them.

Slowly, Jaqueline begins to talk. You ask her about her relationship with Scott and Logan, and all the important places that hold significance between the two marriages. She lists off a few and you make a note of it for later. Aaron calls you from the interview when Jaqueline has started to close herself in. He lets her go and gives her his business card in case she wants to talk, but tells her they’ll be in contact soon.

He doesn’t say a word about the interrogation. He just tells you to see if Derek and JJ need help canvassing more area. 

Two days later and the team is nowhere near finding Jaqueline’s children. Scott’s previous employer had less than stellar things to say about him and you’re beginning to panic at the thought of your ability to catch him and save the girls. Penelope calls with a development and thinks one of two locations is where Scott might be hiding the children. His trailer in East LA or a small house a friend of his owns. 

Aaron dispatches Dave, Emily, and JJ to the trailer while he commands you, Derek, and Spencer to follow him to the house. It’s located off of the freeway off the beaten path and you have a bad feeling about what’s about to happen.

Aaron’s driving like he knows something you don’t. You’ve taken a seat in the back with Spencer and listen as Derek points Aaron in the direction of the house. It’s getting dark outside, the sun is just barely above the horizon, and you know everyone has to be quick in order to save the girls if they’re in the house. 

LAPD officers drive behind the SUV. Aaron pulls over and you can hear the gravel underneath the tire. You swing the door open with all your might and draw your gun out as the rest of the team does, following Aaron’s orders to follow behind him as they explore the house. 

It’s quiet. Too quiet. 

The floorboards creak underneath you and Aaron tells you he’s going to clear the back of the house while you take the front. Everyone calls a distinctive ‘clear’ and you’re about to breathe out of frustration and ask Aaron if they’ve found the girls at Scott’s trailer when you hear the faint sound of someone crying from behind you. 

You’re careful not to step too loudly despite the hardwood floors. Derek finds you and calls out your name but you put your finger to your lips and he silences himself. The sound of feet shuffling sounds incredibly quiet, but you swear you can hear footsteps somewhere behind you. 

Spencer and Aaron join the two of you after hearing silence despite calling your names. Derek tells both men to silence themselves as you walk about the room, unsure of what you’re looking for. For the most part, nothing looks out of place. That is, until your hand falls on a set of books that feels much too hollow to contain any pages. 

“What is it?” Derek asks from behind you.

“I don’t know…I think this is a false backing.” 

And you’re right. You pull the books to reveal a small hidden entryway that’s dark, and it looks like it doesn’t lead to anything. Aaron’s halfway through telling you to let another police officer look through the crawl space because you have to take off your vest and gun to fit, but you’re not hearing it. 

“Hotch, I’m the only one who’s small enough to fit through here,” you say. “I’m shorter than the rest of you and all of you are men. I don’t think Gracie or Olivia want to see someone who looks like their dad.”

“She’s right,” Spencer mumbles. You don’t wait for Aaron’s approval, venturing into the crawlspace. 

Gracie and Olivia are understandably scared until you tell them their mother’s waiting for them at the police station. You help them out of the small room they’ve been kept in and notice how relatively furnished it is–a mattress, blankets, pillows, and coloring material–and make note of how your profile was right. 

You don’t spare a glance at Aaron, too invested in making sure the children are safe with EMTs while they’re being checked for harm. Olivia asks you to stay with them and holds your hand, and you don’t bring yourself to leave them. When the EMTs let you know they aren’t injured and can visit the police station without going to the hospital, Aaron reluctantly lets you accompany both of them back to the precinct. 

It’s well after dark by the time both children leave with Jaqueline. JJ and Emily have worked out a deal with local police to keep them under surveillance and protection until Scott has been captured and are instructed not to let Logan near the three of them for the time being. 

You aren’t able to say goodbye to the three of them, instead recounting your story to the local detective who needs your statement for the paperwork while it’s fresh in your memory. You’re on a high after seeing the two girls reunite with their mother and the entire team congratulates you on a job well done when Aaron storms into the office, angry.

“Y/N, go back to the hotel.” 

Aaron stands tall, his hands on his hips and his mouth etched in an angry frown. His voice is low and you can’t believe the words you’re hearing. 

“To the hotel? Hotch, you can’t be serious.”

“You made a reckless decision to abandon your gun and vest. That could have gotten you killed,” Aaron says. “You are not capable of working under pressure.”

“You told the entire team to use our instincts and that’s exactly what I did. I saved two little girls, for God’s sake.”

“You are hot headed and have this overwhelming urge to prove yourself when nobody cares how well you perform,” Aaron says angrily. “The entire time you’ve been with the BAU, you’ve barely contributed aside from piggybacking off of someone else to reach a conclusion.”

That, you know, is a lie. Aaron just wants to hurt you.

“At this very moment, you are incompetent and can’t hold yourself together for the sake of the victims and their families.”

“We have to catch Scott.”

“You can’t do your job, go back to the hotel.” 

“That’s not fair.”

“I don’t have to be.”

“Hotch.”

“I want you gone, Y/N,” Aaron says firmly. “Go back to the hotel or hand in your badge.” 

Unbelievable. 

You don’t spare Aaron another glance. Your feet carry you out to the lobby and your breath is so uneven that you need to step aside into an empty interrogation room to calm yourself down. Your jaw clenches and you ball your fists to gather some sort of relief, but you don’t find it. Instead, your nails dig into your palm until it turns white and you let go, exiting the room without another word.

The keys to the SUV are still in your pocket. You don’t necessarily care that the team will have to squeeze into the remaining vehicles and you don’t care enough to let one of them know you’ve made it outside. 

Your hands shake when you reach into your pocket. The warmth of the metal is familiar and your hand pulls it out when a stray tear falls from your face and splashes onto your cheek. Hastily, you enter the car and slam the door shut and lock it when you feel yourself overcome with sadness and anxiety. 

The tears fall freely at this point and you bow your head to the steering wheel, your breaths hot and mouth wet from crying. The back of your sleeves are soaked as you try to wipe away your tears to no avail and your vision becomes too blurry to drive. 

You allow yourself a few minutes to cry. The sound of your gasps echo throughout the care and your shoulders feel heavy with every sob. The weight of the world is truly on your shoulders now and you aren’t sure if you have a job when you go back to Quantico. 

But you pull yourself together and drive back to the hotel. It feels much longer than it needs to be and you sit in the driver’s seat for a moment when you park the car. You hate that you feel incapable of being a member of the team without Aaron breathing down your neck. You hate that you can’t live up to his expectations and that you try to in the first place. Working at the BAU wasn’t supposed to be a nightmare. 

You exit the car and lock it behind you, another stray tear escaping. You feverishly rid yourself of the tear and walk to the entrance of the hotel when you feel someone grabbing you from behind and an acute sense of pain at the base of your neck. 

It’s black after that. 

Back in the station, the local police have distracted themselves with their case files and other happenings while the rest of the team looks at Aaron in shock. Spencer's looking at the empty space where you stood and Emily is looking at Aaron like he’s grown a second head. 

“Are you serious?” she begins. “Hotch, we need everyone on this. We need Y/N.”

“She’s too hot headed,” Aaron replies. 

“Oh yeah?” Derek chimes in. “And how about you?”

“This isn’t about me.”

“You know damn well that Y/N adds as much value to this team as the rest of her. Two years with the BAU and stellar reviews from the board has proven that. Why are you still treating her like a first-day agent?”

“Y/N needs to learn to let go of her ego,” Aaron retaliates. “I don’t need to explain myself to any of you.”

“You’re wrong about her not contributing anything,” Spencer says. It surprises Aaron to hear Reid defy him on your behalf. “For the cases that we’ve worked on with her, she’s been the one to take lead on the preliminary profiles for most of them. Some of our biggest leads have come from her.” 

Aaron breathes and doesn’t say a thing. He looks at his team and knows they don’t approve of his choice to send you back to the hotel, but he stands by it. David looks at him like he’s almost disappointed in him and JJ holds his stare. 

He knows why he’s being extra hard on you. He knows he’s pushing you to your limit by keeping you at arm’s length. Aaron doesn’t want to admit that he sees you as anything other than his subordinate and coworker, but he does. He doesn’t want to be the reason why you don’t advance within the bureau and why there might be a future workplace ban on relationships. Even if he disagrees with how you handled things tonight.

Aaron doesn’t communicate any of this with the team while he stares them down. Instead, he fixes his posture and clears his throat. 

“Get back to work.”

***

When you come to, you’re acutely aware of the handcuffs around your wrist. 

The air is cold and you realize you’re bound to a pole in a barn, and you’re not sure where you are. Everything is suddenly hazy and your vision blurs until you blink rapidly with the hope that you’ll regain full consciousness.

The first thing you can feel is a headache. Your head’s pounding viciously and you wince at the pain, inadvertently tugging in your wrist and against the handcuffs. The metal is cold and it sends a chill up your spine when you realize you’re alone. You try your best to recite what you can sense over and over again in your mind.

The air is cold. You’re sitting on a hard floor with straw and other debris around you. The air smells like manure and hay. You can hear crickets and wind blowing just outside of the barn, and you can see hardware tools towards the back of the building.

The influx of emotions that creep into your chest is enough to make any person an anxiety-ridden mess. Your heart feels like it’s going to lurch out of your chest with every second that passes by because your reality becomes more real; this isn’t a nightmare you’re desperately hoping to wake up from. 

“Look who’s awake.”

It’s Scott. 

He flickers the lights on and that’s when you realize he’s holding a gun. 

“You took quite a while to wake up, actually. I’ve been waiting here for two hours wondering when you’d return to the land of the living.”

Scott dons a smirk that you wish you could wipe off with both of your fists. His right hand grips the gun haphazardly and he waves it around as he gestures while speaking, and the fear of dying has finally crept into the forefront of your mind.

“Where are we?” you ask. 

“South of Los Angeles,” Scott replies. “Far enough that your little team won’t find this patch of land.”

“Why’s that?”

His smirk widens when you stay quiet.

“You know, Agent, I find you interesting.”

“There’s nothing remotely interesting about me,” you say. You try your best to remember the profile and give him what he wants. He hates authority and between the two of you, you legally have all of it. So, you downplay yourself, 

“I beg to differ,” he laughs. Scott takes a step towards you and you recoil. “I’ve been watching this investigation unfold because I need to keep tabs on what’s happening so that I don’t get caught. It’s worked so far, but you were just lucky to have found my little girls.” 

“We found them because you made a mistake,” you chide. “You slipped up.”

Scott’s smirk turns into anger, and he takes another step towards you. 

“I made a mistake because I wasn’t thinking far ahead, Agent.” 

He takes another step and he’s by your thigh. Scott bends down to your level and you’re aware of how close his gun is to your abdomen, and you pray that you don’t say the wrong thing.

“I wasn’t thinking far ahead because I couldn’t see the bigger picture. But it came to me a few nights ago when I realized that you and I are people that don’t naturally get to be in the spotlight.” 

Scott caresses your cheek and you shudder underneath his fingertips. He retracts and stands up, pacing back and forth in front of you. 

“See, you and I are people who don’t get enough credit for our work. All it took was one moment watching your horrendous boss dismiss you for your work. I knew you’d be the key in getting my girls back to me.”

“What are you talking about?”

Scott leans forward. “You’re smart enough to figure it out.”

Unfortunately, it comes to you quickly.

The team had gathered around the house that Jaqueline and Scott had lived in when they were married. Penelope had clued the team in on this location. A new couple lived in that house with no connection to Jaqueline and Scott but you thought it was worth checking out.

Aaron disagreed. That house hadn’t been occupied by either of them for years since they got a divorce but your gut had been telling you to visit the property to look around for extra clues that might’ve turned up. Your insistence angered him, who accused you of disobeying orders, and it was David who had to intervene and remind Aaron never to leave any stone unturned.

Reluctantly, Aaron ordered the team to the house and you successfully convinced the new owners to let you look through their property with the promise that nothing would be disturbed. Two hours into searching and Aaron was ready to write your mishappenings in the file report when he returned to Quantico, but your sudden interest in the backyard piqued everyone’s interest.

You had discovered a well-hidden doorway to an underground room. The new family would’ve never seen it, as it was tucked away with roots and other invasive plants that covered the wooden doorway. When you and Morgan entered the space, it was clear that Scott had been there recently.

Unbeknownst to you, Scott has been hiding out a few houses down watching everything unfold, including the way Aaron distrusted your judgment. He’d been using that bunker as a living space, careful to work around the new family so as to not get caught. It was far enough that they couldn’t see him from where the windows were placed unless they were out in the backyard the same as he was.

“Remember now?” he asks.

You nod, complying. “You watched my boss reprimand me for wasting everyone’s time.”

He nods. “You and I are overworked and underappreciated. We don’t get credit or recognition even though we deserve it.”

“You knew we’d find Gracie and Olivia.”

Scott’s jaw locks but he agrees.

“I knew there was no way I’d be able to get to my girls in time to move them someplace else. So, I let you find them because I knew that I’d have no other chance to get them back if you arrested me.

“Then I followed you all the way back to the precinct so I could keep tabs on you and see where you were staying. It was just my luck that I happened to hear your boss yelling at you because of an open window. I knew my chance was when he ordered you to go back to the hotel.”

“How do I fit into all of this?” you ask.

“You, Agent, are going to help me get my kids back from Jaqueline and cover for me.”

“No chance in hell.” 

Scott doesn’t like that answer. He lunges towards you and tugs on your hair, enough to make your scalp feel like it’s being set on fire. 

“You don’t have a choice. I want my kids back and you aren’t in the position to make any demands.” 

He doesn’t say much after that. Scott looks into your eyes with a murderous expression before letting you go. Your head hits the pole behind you because he pushed you away with enough force that it makes you dizzy again.

“We’ll talk tomorrow,” Scott says from the barn’s entrance. “I need some sleep and so do you.”

He doesn’t uncuff you and you’re left wondering how you can sleep when you’re being held captive.

***

When the team leaves the precinct, everyone is too drained to continue talking about the case on the ride back. They’d only been there two hours after you left but Aaron gets the feeling that the rest of them aren’t happy with him dismissing you. 

The ride is silent and everyone retreats to their rooms respectively. He tries to forget the aching feeling in his chest and goes to sleep. 

He wakes up to a cold sweat. 

Aaron’s still not happy what perspired last night. He nearly made the choice to knock on your door and apologize for being harsh in front of the team and the local police, but he doesn’t. It’s better to put distance. It’s how he rationalizes how he’s treating you because he’ll fall apart if he imagines the consequences of being in a relationship with you. 

You’re the first thing he thinks about when he wakes up. He’s surprised he didn’t hear you knocking on his door to give him a piece of your mind, but he was too tired to consider that you didn’t. 

His clock reads six A.M. and he’s sure the rest of the team is waking up and heading to the police station like he is. Aaron feels more tired with each day passing and it feels like his body is on autopilot mode with how fast he’s able to change and get to the precinct. 

The team trickles in one by one and everyone makes their coffee before picking up where they left off last night. Penelope had sent the team a list of possible places that Scott might be and Aaron wants to cover as much ground as possible.

When he’s more awake, he mentally groups the team and the other police officers to search each property. 

He stops when he realizes you’re not in the precinct. 

At first, Aaron feels annoyed because he thinks you’re late. It isn’t completely out of character for you, as he’s watched you stumble into the office a few minutes before debriefing. Still, he prays that you’ll show up so everyone can move on with their day. 

But you don’t come in. Every person that walks through the door isn’t you and Aaron’s annoyance becomes a question of curiosity with fear at the end of it. 

“Where’s L/N?” Morgan asks from beside him. 

“Probably slept in,” JJ snorts. “She sleeps like a brick.” 

Everyone laughs at her comment in good fun because they know it’s true. You’re a heavy sleeper. But Aaron isn’t convinced. Something doesn’t feel right to him but he can’t quite place what it is. 

He gives it another ten minutes. Aaron’s bouncing from leg to leg, anticipating your arrival. He’s waiting for you to hastily apologize about not hearing your alarm and he’s waiting for you to jump right where you left off because of your tardiness.

But you never walk through the door.

“Something’s wrong,” Aaron mutters. Spencer nods at his disheveled expression from where he sits and Emily looks down at her phone.

“I know she’s a heavy sleeper but there’s no way she’d be twenty minutes late with the stakes this high,” Emily points out. 

JJ walks out of the room the BAU is occupying and inquires with everyone outside if they’ve seen you come in, but all of them say they haven’t seen you since last night. JJ walks back into the room with shaking hands and she’s almost reluctant to tell Aaron that nobody has seen you yet.

Emily tries to call your cell phone one more time with no luck. Aaron sends Derek to check on you at the hotel and doesn't bother to respect the speed limit on the ten minute drive to the hotel from the station. The receptionist is more than willing to give him a key to your room when you don’t answer your phone. 

When he walks in, he notices that you aren’t sleeping in the bed. Your room is clean. The bed is made and there’s no indication that you slept in it last night. Your go-bag is perched on the table and a few clothes are haphazardly thrown on the chair beside it. Nothing seems out of place. 

It’s when he walks back outside to return to the station that he hears a phone ringing from the bushes. Derek walks towards the sound and his breath catches in his throat when he realizes the phone is yours. He curses and picks up the phone to see Emily’s contact.

“L/N?”

“It’s me,” Derek says through your phone. “L/N’s not here and her phone was tossed in the bushes.” Metal catches Derek’s eye. “Wait a minute.” 

He walks forward with caution and his heart drops when he realizes it’s a discarded needle and your gun right next to it. 

“What is it?” Emily asks from the other line. She hears Derek sigh and she knows it can’t be good. 

“It’s a needle and her gun, Prentiss. L/N not showing up to the precinct and her belongings being discarded can’t be a coincidence.” 

From the police station, Emily panics. She hangs up when Derek lets her know he’s coming back and her panic rises when she sees her teammates looking at her quizzically. The lump in her throat grows when she realizes everyone is looking at her for an answer. 

“Did you find her?” JJ asks. Emily doesn’t speak for a second. 

“Morgan found her cell phone in the bushes by the front of the hotel,” Emily explains. “He also found a discarded needle...and her gun.” 

Aaron’s attention shifts from the file he’s holding to Emily, who’s fidgeting with her hands. 

“Her gun?” Dave asks for clarification. “Found outside of the hotel room?” 

Emily nods. “Morgan picked up L/N’s phone and said he found it tossed aside.”

“And none of us saw her when she left the precinct?”

Nobody says anything. 

“I think she’s been kidnapped,” Reid says abruptly. “None of us saw her when we got back to the hotel nor when we arrived at the precinct. Scott must know Y/N was the one who rescued his daughters and he’s either kidnapped her out of revenge or because he wants them back.”

Aaron doesn’t like that answer. 

His hands feel warm and his heart is racing too quickly for his liking. Aaron can feel his exterior start to wither away with the realization that you’ve been kidnapped and he doesn’t second guess himself when he calls Penelope and asks her to track Scott’s cell phone and to triangulate his last known location.

This is now a rescue mission and he hates that you’re the victim. 

The team doesn’t spare a second in finding a third location he could’ve taken you too. Penelope foregoes any of her other responsibilities to find you and Aaron can hear the frantic pace of her keyboard typing as she speaks. Derek and Spencer are visiting locations that hold significance to Scott in the event that he’s returned, but Aaron's doubtful that he’d make that mistake. 

It’s when JJ explains what’s happening to the lead detective does Aaron feel like his world is crumbling around him. He’s put himself at arm’s length so much as to push you away from him and right into the arms of the unsub, and he feels like he might pass out in the middle of the precinct. 

Emily and Dave pick up how quiet Aaron’s been ever since Penelope hung up. He’s too busy staring at the white board and it doesn’t help that your handwriting is all over it. Aaron’s throat is dry and he’s a second away from starting to blame himself for your disappearance, but he knows that he doesn’t have enough time to feel sorry for himself if he wants to find you.

When Derek comes back and tells the team there’s been no luck in finding you, Aaron’s heart sinks. He’s running out of options and he knows his head isn’t where it should be, but he can’t help it. Aaron does his best to keep himself composed when Spencer tries to piece together your timeline and he hates that they’re treating you like a abduction victim because you should be in this room with them. Instead, you’re God knows where and Aaron doesn’t bring himself to imagine that you might be dead already. 

It’s Spencer who makes the connection between you and his children. He theorizes that Scott must’ve been present when you had rescued the children and kidnapped you for one of two reasons: to exact revenge or to force you to help him get his children back. JJ suspects that it’s the latter because of your profile. Scott wants to get his children back and he’d do anything to do it. 

Dave wonders why Scott would risk kidnapping a federal agent and how he knew you’d be at the precinct or the hotel, and Spencer doesn’t hold his tongue when he said the only common link between the two of you is the way you’d both been treated by your superiors. 

The room goes quiet and Spencer thinks he’s overstepped, but he doesn’t regret his choice of words. 

Everyone looks at Aaron, who’s been silent the entire time. He thinks about how angry you were last night and how he convinced himself he didn’t see you shed a tear as you passed him. The guilt of sending you home and not checking in on you when he got back to the hotel is eating him alive because you’ve been missing for twelve hours and nobody knew about it. 

“Reid’s right,” Aaron says. He feels his voice start to break. “We know why he’s taken L/N but now we need to understand how he’s going to use her in order to get his children back.” 

Aaron’s phone rings and he’s grateful for the distraction. Penelope informs them of a house that was paid in all cash and purchased under a false identity a few months ago, and confirms that it was Scott who paid for the property after speaking with the realtor and showing her a photo. Aaron wastes no time ordering the team to head to the house and he feels like he’s running out of time when Penelope says the property is seventy miles from the precinct. 

The ride to the property is agonizing. Aaron’s grip on the steering wheel is lethal and he’s swerving between every car with the hopes that he’ll reach you in time. Emily’s sitting in the passenger seat and she knows there’s nothing either of them can do except hope that you’re alive and well.

“We’ll find her,” she says after a long period of silence. “You know L/N. She’s strong and won’t go down without a fight.”

Aaron hesitates to speak. He gulps and he feels like his mouth is far too dry to hold a decent conversation because while he knows that Emily’s right, he can’t help but feel utterly hopeless on the freeway while you’re being held hostage by Scott. 

“I shouldn’t have told her to go to the hotel,” Aaron says. “I should’ve left it at reprimanding her for going in alone. We could’ve avoided all of this.”

“You of all people know you couldn’t have predicted that Scott would’ve done,” Emily said. “It wasn’t in the profile. Neither of us could’ve predicted that he’d kidnap L/N.”

“I know.” Aaron signals and passes three cars who are driving far too slow for his liking. 

He’s silent again, which doesn’t surprise Emily. Aaron sits in the driver’s seat, a million thoughts racing to the front of his head but he can’t seem to choose the right words to speak. He knows how unfair he’s been to you and all the anger and frustration about not being able to be with you has transpired into this mess he’s found himself in. He should’ve never let his feelings get to this point nor let his frustration shift from the forbidden relationship onto you. 

“I’ve been unfair to her,” Aaron croaks. He hears the crack in his voice as it starts to falter, but he keeps talking because he thinks he might go insane if they sit in any more silence. “I’ve pushed her aside and made her second guess herself as an agent of this team all because I couldn’t keep my feelings in check.” 

“What do you mean?” Emily asks. Aaron sighs and he grips his steering wheel, embarrassed that he’s been an unfair leader and that he’s admitting it to one of his colleagues. 

“L/N is an exceptional agent and it’s no wonder why I fell for her.” 

Emily’s quiet and Aaron’s sure he’s made a mistake by confessing that to her. He wishes he could take it back and lie instead of being honest with his friend, but he can’t take back the words he’s said. And he stands by it. 

“I’ve been so busy trying to pretend like I don’t have feelings for her but every day I’m scared that something like this could happen to her. I hate it when she’s reckless and disobeys orders because I’m afraid that it’ll get her killed.

“I know what it looks like on the outside to see me and my subordinate in a romantic relationship. She’s young, career-driven, and I’d hate to stand in the way of whatever’s next for her. I don’t know how to act around her and I thought that pushing all of this down would help me lose feelings for her, but I haven’t.”

“You sound like a teenager,” Emily says. It shocks him and when he looks at her quizzically, Emily chuckles. “What, you think I couldn't see how hopeless you were when it came to L/N? Hotch, you’re like a kid in a candy store when she’s around. The rest of us were ready to start placing bets on you two until you started giving her the short end of the stick.”

He feels awful. Aaron’s guilt causes him to flex and rev the engine. 

“I never meant to hurt her,” he confesses. “But that doesn’t matter now.”

“What matters is that we’re on our way to rescue her and there’s nowhere else she could be,” Emily reassures. “Scott wants his kids back and he knows they’re in LA county. There’s no way he would risk taking her somewhere else when he doesn’t have Gracie and Olivia.” 

“Right,” Aaron says, clearing his throat. Neither he nor Emily need to chide him for how he’s been treating you. He knows he’s wrong and Emily knows it too. 

“L/N is the strongest out of all of us. She’ll make it through this.”

Aaron has a sneaking suspicion that Emily’s trying to convince herself, but he doesn’t say anything. 

When the team reaches the property, it’s notably quiet. The next neighbor is two miles down the road and Derek’s ready to search the house when Aaron steps out of his vehicle. 

“More backup’s two minutes out,” Aaron explains, “but we’ve got enough people to start the search. Reid and JJ, check the backyard. Prentiss and Rossi, check the house. Morgan, you’re with me. We’re checking the garage.” 

Aaron orders the police officers to check elsewhere before he and Morgan make their way to the garage. With his gun and flashlight in his hands, he approaches the enclosed space with caution and his heart spikes with anxiety. Before he can think about the worst that could happen, two police officers manage to open the garage door as he and Derek search the place. 

It’s empty. 

Aaron curses under his breath as they check the confined space but find nothing out of the ordinary. The rest of the team relates the same information and Aaron feels like he’s losing hope because he doesn't know where else you could possibly be. 

“Guys, there’s a barn across the landing,” comes JJ’s voice from the communications line. “There’s a truck parked outside and I’m willing to bet it’s Scott’s.”

Aaron’s heart stops beating for a moment. 

“We need to search that barn,” Aaron commands. “Everyone pull your resources and let’s head out.” 

It feels like slow motion to him, the way he diverts his attention to the barn that JJ pointed out. He feels like he’s watching the scene unfold in front of him from another person’s perspective and desperately prays that you’re in there, safe and alive. The grip on his gun is falling from how his hands are trembling but he reminds himself that he has a job to do. 

Dave touches the hood of the car and says it’s warm, which means Scott is most likely inside of the barn. The lead detective is ordering his team to secure the back entrance and surround the building so that Scott has no place to run and Aaron instructs his team to do the same at the front. Under hushed voices, he can almost make out the faint scout of scuffling coming from behind the large wooden doors and feels his throat close. 

Then he hears a gunshot. 

Everyone rushes inside and he’s overcome with dread when he walks inside. Aaron’s heart is racing; he can feel the grip of his gun slipping because of how unsteady his hands are and he’s nearly tripping from all the hay that he’s stepping on. He fears the worst when he enters and does his best to prepare himself to see your lifeless body.

But you’re laying on your stomach with a gun in your hands. 

You don’t process the ringing in your ears until Aaron moves beside you to reach for the gun in your hands. He’s tossed it aside and maneuvers you to check for any injuries. Aaron glances at your face and notices a deep bruise forming on your left temple with scratches and smaller bruises adorning your face, and he hates it. 

He hates that your body and face is covered in Scott’s blood. He hates that your hands are still shaking with fear. He hates that there’s nothing he can say or do that will make everything better for you. 

The shirt you’re wearing is covered in Scott’s blood spatter and you’re barely able to process that you’ve most likely broken a few ribs. You don’t say anything. The overwhelming urge to cry resurfaces and this time, you don’t stop yourself. 

Aaron catches you before you hit your head onto the ground and moves his body to sit behind you. You’re stationed between his legs, your back pressed against his chest as you slump over and grab his arm for support as your tears wet his dress shirt. Aaron foregoes all standard procedure and lets you cry in his arms instead of calling for the EMT to whisk you away from the hospital. 

You don’t care that your cries are almost louder than the ambulance sirens. Your adrenaline makes the blood pump loudly in your ears and you grip onto Aaron like you’re afraid Scott will come back to life and kill you if you let go. 

His free arm is secured around you. Aaron’s eyes become glossy as each second passes by and his heart breaks in two when he hears your continual cries.

“You did so good,” Aaron whispers. “So good. You’re safe now.” 

Aaron doesn’t let the EMT get close to you when you’re trembling in his arms. He tells them to wait a moment and they try to argue with him, but they relent when they see Aaron’s stern expression. His voice cracks when he tries to speak upon hearing your soft whimpers. Your eyes are screwed shut and Aaron strokes your hair as you bury yourself further deeper into him.

Dave and Spencer canvas the scene and look around for anything out of the ordinary to report. Derek's speaking with the EMTs while JJ and Emily are patiently waiting with blankets and bottles of water for you. But you don’t get up. Your legs feel numb from sitting down and Aaron’s grip on you is so tight that you feel like you’ll fall back down if you try to stand up.

Your sobs have turned quiet and you almost feel like you’re at peace. But then you remember your bruises and the blood still on your body. You remember Scott’s body and find yourself crying even harder.

“Let’s get you to a hospital,” Aaron says in your ear. “We can get you cleaned up and on your way home. Does that sound good?”

His voice is like honey. Sweet.

You nod and you try your best to sit up to no avail. Aaron tries to help you up and the EMTs catch you before you can fall back onto the ground. He reluctantly lets the EMTs take you to the ambulance where JJ and Emily are waiting. He watches as they drape a blanket over you and as you’re wheeled up into the vehicle. Emily offers to follow you to the hospital and JJ steps away, letting the ambulance drive off.

Aaron doesn’t process anything. He doesn’t hear the sirens, the police chatter, or Dave approach him with a concerned look.

“She’s gonna be okay, Aaron.”

Dave’s voice is nothing but a hollow shell to Aaron. It feels like an empty promise even though he knows you’re going to make it out alive. Still, Aaron doesn’t say a word.

“Let’s go meet her at the hospital.”

***

The doctor explains that you’ve suffered a concussion, a couple of bruised ribs, a broken arm, and a grazed bullet wound. You’ll be relatively fine, but Aaron’s heart is racing and can't get past seeing you covered in blood to pay attention to anything the doctor is saying. He hasn’t had time to beat himself up for sending you back to the hotel without accompaniment and he hates that the guilt is crashing in on him when you need him the most.

Aaron looks down at his sleeves and they’re covered in blood, dirt, and your mascara. He stares down in shock and his mind flashes to the barn, and he realizes it’s the first time he’s ever seen you cry before. It breaks him.

The doctor explains that they needed to sedate you because of your sudden adrenaline rush. Your shock had caused you to lash out when a nurse had grabbed your wrist, and through your clouded judgment, you’d swung at him with all of your might. Your fretful apologies made you uncontrollably sob afterwards and the nurse could only look at you with sympathy. 

Two hours later, the team was still waiting in the waiting room. Under the guise of wanting to get you something to eat other than stale hospital food, Aaron leaves to buy you a meal. But he needs to get ou and get fresh air before he suffocates. 

Aaron’s guilt eats him alive. He walks aimlessly towards a deli and scolds himself over and over again for making you drive to the hotel unsupervised. In hindsight, Aaron knows his personal feelings came into play when he berated you for your recklessness. He knows he was unfair to you because he would’ve done the same thing if he were in your position.

When he returns, Dave’s looking at him like he knows what he’s thinking, but doesn’t say anything. Aaron appreciates his friend’s concern but the guilt doesn’t relent. He fidgets in his seat and tries to calm his spiking anxiety but nothing seems to work. His mind retracts to the moment he found you covered in Scott’s blood and your cries are enough to make Aaron feel like he might shed a tear in front of his teammates.

His thoughts are disrupted when he sees your doctor approach the group. 

“She’s a little out of it,” says the doctor, “but she’s conscious. You’re all welcome to say hello, but only for a few minutes.” 

When the doctor directs the team to your room, she explains what happened after you reached the hospital. Aaron can’t process anything she’s saying. His ears are ringing and he feels like everyone around him is talking too loudly for him to be able to hear anything the doctor is saying. All he can pick up is “dehydrated” and “concussed.” 

Everyone hastily walks to the room you’re in. JJ files into the room first. It takes Aaron a few breaths to find the courage to step inside of the room and he’s sure Emily’s the one who helped him take the first step.

“What’s the prognosis?” your croaked voice asks. JJ sniffles and laughs at the same time, and the rest of the group watch you try to prop yourself up.

“How you’re able to joke at a time like this is beyond me,” JJ gushes. She takes a pillow from the bed and helps you sit up.

“What, a few broken ribs and a concussion? I’m lucky the bullet only grazed me.”

Nobody laughs but you can tell they’re trying their best.

Aaron towers over everybody easily and he’s in between trying to catch your gaze and trying to avoid it. Emily hands you the sandwich from the local deli and you waste no time, opening the wrapper and letting the aioli slide down the side of your mouth.

It’s easily the most adorable and most heartbreaking thing Aaron has ever seen.

“Slow down, Tiger,” says Derek. He grabs a nearby napkin and wipes the sauce away while you smile sheepishly.

“Sorry,” you mutter, taking slower bites. Spencer’s next to hug you and you welcome the way he refuses to let you go.

Everyone looks at you under the harsh lights of the hospital room and you feel like you’re being observed. The sedative you’d been given is enough to make you feel somewhat normal because no matter how hard you try to panic over the last few hours, you can’t. 

You feel like you’re numb to your experiences and the pain Scott inflicted. Staring at your team feels eerily normal and you almost forget that you’re sitting in a hospital gown with enough injuries to put you out of the field for a few months. 

“You broke my heart, kiddo,” Dave chimes in. He grabs your free hand and gives it a gentle squeeze, accompanied by a kiss to the back of your hand. JJ pulls you into a mother-like embrace, kissing the crown of your head. You lean into her touch and Aaron wishes he were the one comforting you.

“I feel like shit,” you confess. “I woke up feeling groggy and I feel like I’m about to pass out.”

“We’re so glad you’re okay, Y/N,” Emily says. 

“Thanks, Em,” you say. You take another bite. “This sandwich is good.”

“Aaron bought it,” Emily speaks.

You look at him. It’s the first time you’ve acknowledged his presence since he walked into the room.

“Thanks,” you mumble behind the sandwich. “I could eat five of these.” 

“I don’t want to deal with you puking on us,” Spencer jokes, and it makes you feel somewhat normal.

You don’t like feeling as though you’re a delicate piece of glass that’s close to being dropped. You hate feeling useless and pitied. Everyone’s looking at you with sad eyes and it makes you feel like you’ve let your colleagues down, even though you know there’s nothing you could’ve done to prevent what transpired.

“I’m really sleepy,” you say, haphazardly throwing the wrapper on the table next to you. It isn’t a lie, but you say it with the hopes of being alone.

“We’ll be back in the morning,” JJ says. She looks at the clock in front of her and doesn’t realize that it’s four in the morning. You squeeze her hand when her eyes well up. JJ wipes her eyes and blinks her tears back and you lean against her side.

Aaron can’t help but stare. You look so vulnerable at this moment and you’re doing your best to keep yourself awake, but the sedatives are making you drowsy. The team says their goodbyes and reluctantly trek back to the hotel, but Aaron can’t bring himself to walk into the building once he’s parked.

“Get changed,” Dave says after a brief moment of silence. Aaron looks at him in confusion. “Take a shower, eat something from the vending machine, and go back to the hospital.”

“She doesn't want me there,” he says slowly. 

“She’s asleep,” Dave dismisses. “She’s not going to know you’re there and I’m sure she’ll want to see a familiar face when she wakes up.”

“I’m not sure I’m the person she wants to see.”

“You were the first person she reached for when we entered the barn,” Dave explains, “and I know you won’t be sleeping a wink tonight unless you’re by L/N’s side. Go get changed and get back to the hospital, Aaron.”

“I just–”

“I know you feel guilty. Whatever feelings you have towards her never went away and that’s why you’ve been so hard on her.” Aaron’s not surprised that he’s picked up on this habit. “I don’t have to agree with how you handled it, but what matters is that she’s alive and she’s resting. We got her back, Aaron. She’s here and Scott isn’t.” 

Aaron knows Dave is right. He thanks him for being a good friend and trudges back into his hotel room, hastily freshening himself up before returning back to the hospital.

***

You wake up later in the morning with little to no recollection of how you got there. You feel extremely out of it, like someone removed a ton of bricks from your chest after keeping it there for a fortnight. You look to your left and see a window that shows you a gloomy D.C. morning. You look to your right and see Aaron Hotchner slumped over in a seat, asleep. 

This wakes you up. You’re blinking the sleep out of your eyes when you realize he’s snoring. It’s soft and unassuming, but you don’t remember the last time you’ve ever seen him sleep. 

The chairs must be uncomfortable, too. You do your best to sit up—which is when you notice the sling on your arm—and manage to prop yourself up on the pillows until you’re sitting upright. Aaron stirs in his sleep at the sound but he’s still asleep.

You’re not close enough to reach him and wake him up. You aren’t sure that you want to either, for the fear that he might start telling you a laundry list of all the things you did wrong throughout the case. 

The doctor from last night walks in and knocks on your door, which shifts your focus. Aaron’s still asleep and the doctor, who reintroduces herself as Dr. Aguta, gently walks around Aaron and to your bedside.

“How are you feeling?” she asks you while holding a clipboard. You notice her colorful print skirt first and it’s a contrast to how grey it is outside. 

“My head hurts,” you say with a croak. It’s the first thing you’ve said since you woke up. “And I realized my arm’s broken. But other than that, I feel fine.” 

Dr. Aguta gives you a pleasant smile. “I’m glad to hear that you’re doing okay. The sedatives we gave you last night seemed to help ease your pain, though I’ll be giving you a prescription for the rest of the month when it wears off.”

She hesitated before speaking again.

“Do you remember why you’re here?”

Unfortunately, you do. You remember Scott, the gun, and Aaron coaxing you to go with the EMTs. It’s mostly a blur and you can’t remember the details but you remember enough. The softened expression is a dead giveaway and Dr. Aguta doesn’t press any further.

She sees your gaze shift to Aaron, who still hasn’t woken up.

“He came last night and insisted on staying with you,” Dr. Aguta informs. “Typically I’d only let immediate family stay overnight, but your boss seemed extremely worried about you.” 

“He did?” you ask. It’s news to you.

She nods. “When I saw him for the first time last night, I could tell he’s a man of few words and the leader of your team. But last night he was a stuttering mess and I let him stay overnight with the condition that he doesn’t wake you.”

You don’t say anything. Aaron’s mouth is partly ajar and you know he’s going to wake up with a lot of back pain from how he’s positioned. Dr. Aguta performs a routine check up on you and lets you know that you’ll be discharged from the hospital the following day. You thank her profusely and she can only give you a reassuring smile. You ask her to wake Aaron up for you just before she leaves.

Aaron blinks and remembers he’s not in the hotel. Dr. Aguta excuses herself to give the both of you privacy and he sits upright, stretching his back unpleasantly. 

“Morning,” he says, clearing this throat. “How do you feel?”

You’re getting tired of answering this question but you humor him.

“Better,” you say honestly. “Aside from my broken arm and concussion.” Aaron’s gaze shifts to your arm and he almost winces.

“Did you sleep well?” 

“For the most part, but I think the sedatives had more to do with it than anything.”

“Good, I’m glad.” 

An awkward silence falls over the both of you. Aaron desperately tried to pull himself together by waking himself up and you’re fiddling with your hands. You noticed he’s changed since you saw him last night, now in slacks and a quarter zip, and you don’t remember the last time you’ve ever seen him look so casual.

Aaron’s trying to think of the right words to say. As your boss, he wants to tell you that none of this was your fault and there’s nothing you could’ve done to prevent it from happening. He wants to tell you he shouldn’t have ordered you back to the hotel, not without anyone accompanying you.

But as someone who has deep feelings for you, Aaron wants to say he was scared to death and thought he might lose another person he cares for. His anxiety skyrocketed through the roof when he saw what you had done to Scott and he wishes that you didn’t have to work through this trauma.

But he doesn’t say anything. You watch as he swallows and you know his brain is working overtime by how often he pulls his eyebrows together. You don’t have it in you to be angry at him like you were the night he sent you away. The sedatives, along with your exhaustion, leaves little room for anger. 

“I’m getting hungry,” you say to break the silence. 

“I can get something from the cafeteria,” he offers immediately, touching his pocket to make sure his wallet didn’t fall out. 

“That would be nice.” You’d be lying if you said you weren’t touched by the offer.

Aaron leaves for a short while and you try your best to process what just happened. He chose to stay with you overnight. He offered to buy you breakfast. You didn’t think Aaron would care for you like that.

He comes back a while later and apologizes for both the sandwich (that looks haphazardly made) and the time it took, as there was a long line. You thank him politely and eat the meal, and you’re grateful that you have anything to eat at all.

Aaron watches you and feels like he’s invading your personal time. He bought himself a fruit cup, knowing Dave would reprimand him for not eating if he were able to buy something. 

“I shouldn’t have told you to go back,” Aaron says softly. You almost didn’t hear him say it. “I shouldn’t have gotten mad at you. I did the wrong thing and it got you kidnapped.”

You don’t tell him that it’s okay, because quite frankly he’s right. He shouldn’t have sent you home, but you know it’s not his fault that you were abducted. 

“It’s not your fault that Scott took me,” you say matter-of-factly. Aaron can sense what you’re trying to say and his eyes hang in shame. “But I’m alive. I’m going to have one hell of a transition back to work, but I’m alive. I’m here. That is, if I still have my job.”

Aaron’s eyes snap to you.

“The job is yours for however long you want it,” he says immediately, and he means it. “What you did was reckless but I can’t say I wouldn’t do the same thing.”

This makes you smile a little and Aaron soars when he sees it. 

“I didn’t mean what I said back at the precinct either, Y/N. You’re a fantastic agent and we’re lucky to have you.”

There are a million things you want to ask him. Why have you been second guessing me? Is my work not satisfactory enough? Why did you stay in the hospital with me? 

But you don’t. There are too many things you want to say to Aaron that it ends up turning into a frustrating mess every time you think of the right question to ask. Aaron doesn’t seem to notice your lack of conversation. Or if he does, you think he’s trying to fill the awkward silence like you are.

“I don’t mean to be a burden,” is what you settle on. “I don’t purposely challenge your authority or how the team operates. I know I haven’t been here as long as everyone else but I like to think I make enough contributions.”

“You do,” Aaron says. “You aren’t a burden.”

You don’t believe him. “I just…lately I feel like I've been getting in the way of things.”

“You haven’t.” Aaron means that honestly but you don’t pick up on it. “You’ve shown immense critical thinking and problem solving skills. This case alone has proven that.”

You don’t disagree with him, but your mind reverts back to Scott and you start to deflate. 

Aaron knows he needs to apologize for how he’s been acting towards you. The abduction and his guilt is eating him alive and it forced him to be truthful with himself about how harsh he’s been treating you upon realizing he likes you more than a colleague should. But he doesn’t know whether this moment is appropriate or not. Ever the professional.

Both of you are saved by Dave showing up unannounced. He’s dressed casually too, with jeans and a sweater for an unusually cloudy day in Southern California. His knocking brings both you and Aaron out of your heads.

“Hey, kiddo,” Dave laments. He enters the room after you beckon him in and gives you a gentle hug on the side that doesn’t have your sling. “I won’t ask how you’re feeling because I’m sure you’re tired of that.”

“Thank you.”

“But I did want to check up on you,” Dave continues. “The rest of the team are slowly waking up, I imagine.” He turns to Aaron. “I assume we’re grounded here until Y/N can fly back.”

“That’s right,” Aaron says. “Tell the team they have the rest of the week off. I don’t think Strauss wants us spending more of our budget on flights.”

“Already done,” Dave says with a smile. “You had us worried for a while there.” 

“I’m sorry,” you apologize, even though you know you have nothing to be sorry for. “I didn’t mean to make any of you worry about me.”

“We always worry about you, kid. It’s our job.”

“Are the girls okay?” you ask him. 

“Safe and sound. That’s actually why I came to visit, other than to check up on you.” 

You blink out of confusion.

“Jaqueline called the precinct and asked to speak with you,” Dave explains. “Long story short, she got in contact with me and wanted to know if you’d be willing to speak with her. She wants to thank you in person.”

The thought never crossed your mind. Saving her children had always been your first priority, even when Scott threatened to kill you if you didn’t help him. You’re not a mother by any means, but Jaqueline is around your age and you have plenty of nieces and nephews to get an understanding of how difficult this whole ordeal was for her.

And if you were being honest with yourself, you wanted to make sure Jaqueline would be okay. 

“Absolutely,” you say immediately. 

“Y/N, are you sure?” Aaron asks. “You just got to the hospital.”

“I’m sure,” you confirm, turning your attention back to Dave. “They can come visit me here if they’re willing to. I don’t think I have it in me to go to the precinct.”

“Of course,” Dave says with a small grin. It’s almost like he knows this will heal the both of you. He leaves the room and tells you he’ll be back later this afternoon.

Aaron sits in silence and he’s in awe of your resilience. He’s sure it’s the shock and sedatives talking, but he’s always known you to be someone who puts other people first. 

“I should call Strauss and let her know the situation,” Aaron says. “I’ll be back in a little bit, okay?”

“Okay,” you say, and you’re strangely reluctant to let him go. But you do anyway and he walks out of the hospital room, leaving you with your thoughts. 

***

Dave lets you know Jaqueline is here with the girls a few hours later. 

“Agent Y/L/N?” a voice says from beside you. The young mother knocks on the door as two children hide behind her legs. You beckon them inside, with Aaron and Emily supervising from beyond the threshold.

“Jaqueline,” you say, propping yourself up to seem more presentable. “Hi. It’s great to see you.” 

“I’m sorry for barging in like this,” she apologizes, but you’re already waving her off when you see the two children emerge from behind her. “I wanted to thank you in person. For saving my kids.”

“It’s no problem,” you downplay. 

But Jaqueline shakes her head and rushes to grab your hand. She pulls away when she thinks she’s crossed a line, but your grip is devastatingly tight when you squeeze hers. Jaqueline looks at you and tears slip from her eyes, and her children hug her legs like they know something’s wrong.

Jacqueline composes herself and brings Gracie and Olivia in front of her, who each have hand-decorated thank you cards made of colorful cardstock paper, stickers, and glitter. Your heart swells at the gesture and you will yourself not to alarm the family in front of you with your tears, so you promise yourself you’d cry when they leave.

“Hi, Munchkins,” you greet. “What’s all this?”

The girls shyly give you the cards, the eldest taking initiative to put them in your hands.

“Thank you,” she says quietly. “Mommy says you were very brave and saved us.”

“We drew these last night!” the younger one exclaims. “Mommy let us stay up late because we couldn’t sleep, so we made these for you.”

“They’re beautiful,” you compliment, looking at the colors below you. Jaqueline hasn’t let go of your hand. “You girls are very talented.”

“Thank you,” the young one says bashfully. “I hope you get better soon.”

Your heart swells and Jacqueline squeezes your hand again before letting go. You watch her lips flutter and as her children become preoccupied with their dresses, Jaqueline surprises you again.

“Would it be alright if I called you from time to time?” she asks. “To let you know how we’re doing. That we’re okay.” You reach for her one more time.

“I’d love that,” you say honestly.

Jaqueline doesn’t say another word, but the look of gratitude and her quivering lips is enough to make all the hurt from the past few days disappear.

You watch as they leave the room and as the young girls save goodbye. David escorts them to the front of the hospital, which leaves Aaron awkwardly standing in the threshold with his body leaning against the doorframe.

Aaron watches you. Your eyes glaze over and the cards in your hand are slipping through your fingertips, and your lips move as if you’re trying to find the right words to say. But nothing comes out. Aaron listens as your breathing becomes shallow and watches a stray tear slip from the corner of your eyes.

Before he can think, he rushes by your side and envelopes you in his arms.

He’s sitting on the edge of the bed, somewhere between wanting to give you enough space and wanting to pull you against him. Your fingers are tight on his forearms when he hears your labored breathing become erratic and as your tears soak the fabric of his t-shirt.

Aaron takes the liberty of moving you in front of him, his back against the pillows you were sleeping on. He looks at your frail body in front of him; you always carry yourself as a strong-willed, independent agent on the field, and now he sees that he mistook your brazen character as recklessness when it was false bravado.

His heart aches when your grip on him tightens. Aaron reaches out to move the cards to the side table and pulls you against his chest, thankful that this bed is barely enough to fit the both of you. Aaron notices your craned neck, bringing the hand that isn’t wrapped around your frail figure to your head and gently moves your head to his chest.

Your soft whimpers are enough to make Aaron’s heart break all over again.

“You’re an amazing person,” Aaron says. “You are selfless, caring, and generous.” His words compel you to cry even harder and Aaron lets you weep in his arms until your eyes are dry and you’re hiccuping. 

Aaron doesn’t let you, not for a second, feel embarrassed about breaking down in front of him. His thumbs are drawing soothing circles on your arm and he’s wiping away your tears with a tissue, allowing you to unravel before him. 

Your dry heaving doesn’t bother Aaron, but he coos into your ear and tells you he’s going to get you a bottle of water when you grip his arm. He pries your fingers off of him and melts when you snuggle your head closer to him, but he knows you’re thirsty and the best thing he can do for you is keep you healthy. 

“I’ll be back in two minutes,” he promises. “I’m all yours after that.” 

You nod reluctantly and let him go. The bed feels empty when he leaves and you feel pathetic for hanging onto him like he’s your lifeline, but you don’t care. You just want to be held.

True to his word, Aaron comes back a few minutes later and uncaps the bottle for you. A soft ‘up’ utters from his lips and you sit up straight. He brings the bottle to your lips and tilts your head back enough to let the water slide down your throat. 

Aaron puts it aside when you’ve signaled that you’re done and slides into the spot next to you once again. He puts his arm around your shoulder and brings you to his chest again. 

You don’t tell him, but you feel his heartbeat. It’s irrationally fast and you don’t know what to make of it. You tighten your hold on him as you start to fall asleep and you miss the way Aaron rocks you to sleep. 

***

When it’s time for your discharge, you’re feeling better than you did a few days ago. The team welcomes you back on board once you’ve been cleared to fly and it feels like nothing’s out of place. 

JJ bought a bunch of pastries from a local cafe and everyone (save for Aaron because he was with you the entire time) has written little messages on a decorated card. It’s Spencer who frets over you the most, bringing you cups of tea and asking if there’s anything he can do to ease your pain. You’re quite touched. 

You know you’re in no shape to drive home when you land. Your dominant hand is broken and your car sits in its designated spot, no doubt gathering dust and debris. The team is tired from the trip and everyone checks in on you one by one before leaving, and you don’t know how you’ll get home until you realize your car keys are still in your desk drawer.

Aaron watches you for a moment. He notices your apprehensiveness and the way you look at your car keys, and he puts two and two together. Before he can register what he’s doing, Aaron’s making his way to you and offering to drive you. You start to tell him you don’t need a chauffeur and that he should go home instead, but he’s more worried that you might hurt yourself inadvertently. He persists and you reluctantly say yes because you know he’s right. You could barely open the door to the building, let alone drive home. 

The car ride to your apartment is quiet, save for the sounds of cars passing by on the freeway and the sound of gravel underneath the tires. You look up at your apartment complex when you tell Aaron the code to get into your garage and he parks in the visor spot after you’ve directed him.

The sling on your arm is a nuisance and you already can’t wait to get it off. You’re able to unbuckle yourself with your free hand and you’re surprised that Aaron opens the door for you.

“Thanks,” you mumble. 

“It’s not a problem.” You can tell he means it.

When you get to your apartment, you’re somewhat surprised that you haven’t lost your keys. You struggle to put them into the lock correctly with your non-dominant hand and Aaron can see the quirk of your eyebrow and how you’ve bit your lip out of frustration.

He fears he’s overstepping. He takes the keys out of your hands gently and opens the door for you anyhow. 

When you walk inside, you don’t think you've ever felt happier to see your small one bedroom apartment. Aaron sets your go-bag on the kitchen counter and you stand still for what seems like an eternity until he brings you out of your haze and encourages you to change out of your clothes and take a shower. 

But you don’t move. You stand in the middle of your living room and stare blankly out of your window, unable to appreciate the breathtaking view of D.C. like you always do. Your throat feels dry and your feet feel like they’re permanently planted on the hardwood floor beneath you.

Aaron comes to stand beside you and he leaves distance between the both of you. He looks at the sight before him and makes a comment about how he’s jealous of your view, but not even that gets a reaction out of you.

“I don’t want to be alone,” you mumble after a long pause. “I-I can’t be by myself right now.”

Aaron knows Jack is at sleepaway camp for a school trip and doesn’t get back for another few days. He doesn’t have to think about keeping you company so you don’t feel alone.

“I can stay with you,” he offers. “I’ll sleep on the couch.”

You turn to look at him and the offer is enough to bring tears to your eyes. 

Aaron sounds so soft, caring, and unlike himself. Your heart tugs at his caring nature and you’re overwhelmed with the notion that he’s caring for you like he cares for your colleagues.

“Please,” you croak.

Aaron nods. He puts his hands on your arms and ushers you into the hallway and you point him in the direction of your bedroom. He’s acutely aware that this is the first time he’s ever been in your apartment, let alone in the room you sleep in, and tries not to dwell on it for your sake. 

“You should take a shower and sleep,” Aaron suggests. “It’ll help clear your head.”

You follow Aaron’s lead. He guides you to your dresser and you grab an extra change of clothes and he accompanies you to the bathroom next door. 

“I’ll be in the living room if you need anything, okay?” he says. “Don’t be afraid to get me.”

“Okay,” you say meekly. Your voice is far too dry to speak normally.

Aaron closes the bathroom door and you avoid looking at yourself in the mirror. You’re sure you look like a mess, despite being taken care of in the hospital back in Los Angeles. But you feel sticky from the flight and the sudden change in temperature, and you want nothing more than to cleanse yourself of the memories from LA.

You remove the sling from your arm and try your hardest to take your clothes off but you find it exceptionally difficult with your arm being in a brace. It hurts to lift your arm and you nearly cry out of frustration and exhaustion when you realize you can’t take your shirt off by yourself.

Embarrassed, you contemplate on showering with your clothes on, but ultimately know you’d need to take them off anyway. You open the door and call for Aaron, and you hear his steps as soon as you do.

“Are you okay?” he asks when he realizes you’re still in your clothes.

“I can’t, um, take my clothes off,” you say, clearing your throat. “I can’t bend my right arm and my left one is extremely sore. I can’t take my fucking clothes off.”

Aaron isn’t offended by your defensiveness. He gathers that it’s your coping mechanism because you feel embarrassed, but Aaron doesn’t care. He doesn’t say anything but he nods like he knows what you’re going through and you have a suspicion that he might.

“I’ll close my eyes and take your clothes off for you,” Aaron says. He says it in a way that’s so sincere but it still makes your cheeks redden at the innuendo. Aaron tries to ignore it because he feels a blush coming.

“It’s so pathetic that I can’t do this by myself.”

“It’s not pathetic,” he reassures. “You have a broken arm and your body’s still in pain. Let me help you.” 

You don’t say anything and Aaron takes it as a cue to move closer. True to his word, he puts his arms on your waist and turns his head away from you, careful to not hurt your broken arm. He maneuvers the fabric until it’s free from your body and he’s acutely aware that he’ll need to touch you in order to take the rest of your clothes off.

Aaron’s surprised when you move his hand to the button of your slacks. He clears his throat while you look up at the ceiling and bite your lip, pretending that the situation you’re in is completely normal to keep yourself from blushing too much. Aaron’s fingers work on the button and he’s careful not to put his hands where it’s inappropriate. He almost laughs at the thought, considering he’s your boss and he’s helping you take off your clothes.

You shimmy out of your slacks as Aaron slides it down your legs. He blushes at the thought of what’s to come next and swallows hard. Aaron returns to his stance and finds his neck is sore from craning, so he keeps his eyes closed and faces you.

“I’m sorry,” you apologize again. “I-I don’t think I can unclasp my bra.” 

You wince at your words, but it’s true. You tried to reach behind you when Aaron worked on taking off your pants, but the ache in your shoulder was too much. 

Aaron doesn’t say anything and you’re afraid that he might leave you. He’s so quiet that you can barely hear his breathing and you look at his closed eyes and see that his jaw is clenched. He mumbles and you’re barely able to catch it. Aaron lifts his hands to find your shoulders and you nearly shiver underneath his warm hands, despite the fact that your body might be just as hot. 

Aaron reaches behind you and searches for your clasp. You can feel his fingers on your back as he feels for it and he’s incredibly aware that your gaze is on him. It takes all of his willpower not to open his eyes. He’s imagined undressing you before, but not like this. Aaron’s fingers find the clasp and he’s slow to undo it, afraid of tangling the metal.

You feel yourself free from its constraints and Aaron slowly moves his fingertips from your shoulders and down your arm. You comply the best you can with your sore arm and your broken one, and your breathing hitches.

Aaron ignores how fast his heart is beating when he hears your bra drop to the floor. His mind is in overdrive and he bends down again, his fingers immediately coming to your waist and gripping them with gentle care. You look down at him and your mouth is wide open with your jaw hanging when you realize he’s on his knees in front of you. Aaron’s fingers hook on the material of your underwear, but you can’t bear to see him take them off.

“Wait,” you say, squeezing your eyes shut momentarily. 

Aaron forces himself to keep his eyes closed and he can hear your shallow breathing. His fingers are wrapped around the fabric of your underwear and suddenly he’s aware that it’s an intimate piece of clothing. Aaron’s cheeks redden and he’s desperately hoping you don’t notice.

“I can do it,” you say. Your voice wavers and you aren’t sure that you won’t be in pain when you take them off, but seeing Aaron on his knees with his hands practically down your underwear is too much for you at this moment.

“Sorry,” he apologizes, clearing his throat. His fingers detach themselves and he abruptly stands up. Aaron keeps his eyes closed still.

“No, it’s okay,” you say, and you mean it. “I really appreciate you helping me out…I’m sure this has crossed a lot of boundaries.”

Aaron wants to tell you he doesn’t mind it one bit, but he holds his tongue to refrain from making you uncomfortable. His eyes feel heavy and he stumbles when he stands up but catches himself when he feels the doorknob behind him.

“Like I said, I’m here if you need anything.” 

Aaron stands still for a moment and it feels like the both of you had the air knocked out of your lungs. He doesn’t want to overstep or make it seem like he’s taking advantage of your vulnerable state, so he exits the bathroom and closes the door behind him.

You lock it immediately and pin yourself against the door. Your heartbeat is irrational and you turn the water on, fixing it to your desired temperature. Bending to take your underwear hurts and your shoulders feel like they’re about to pop off, but you manage.

You’re acutely aware that Aaron’s in your living room, no doubt trying to rid himself of the awkwardness. You aren’t sure if you’re grateful at what transpired because while it’s enough to help you forget about Los Angeles, it makes your cheeks flare into a hot mess and you feel uncomfortably turned on.

Aaron, too, feels the same way. He feels filthy sitting on your couch and results in pacing around the room. His shoes are discarded by the door and it feels all too domestic. Aaron’s tie is suddenly too tight so he tugs on the knot to loosen it. He rids himself of his suit jacket and places it neatly on the arm of the couch, and thinks about anything but you, naked in the shower. His slacks feel a little too tight, so he takes out his phone to check his email. It works for a while,

A while later, Aaron realizes you’ve walked out of the bathroom and you’ve managed to change without his assistance. You comment about how the shower loosened your muscles and you were able to get your clothes in relatively painlessly, but all he can think about is how cute you look in an oversized shirt and sweatpants.

He’s too preoccupied admiring how undone you look because it’s the complete opposite from how he sees you at work. In Quantico, you’re somewhat put together, always wearing appropriate office attire and taking your caseload with grace while the rest of the team complains to no end about the amount of paperwork that needs to be filed.

Now, you’re standing in front of him with wet hair and an old shirt that has lost some lettering. It’s domestic and Aaron loves it.

“I’m sorry, I didn’t even think about offering you the bathroom,” you say timidly. 

It’s nerve wracking for you to be in Aaron’s presence because of what happened a few moments ago and because you’re not sure why he’s been so nice to you. It’s fresh and strange at the same time, as you’re used to him looking over your shoulder.

But you don’t feel like he’s being domineering. 

“I’ve got a few shirts that might be your size,” you announce. “And a bunch of sweatpants too.”

Aaron’s heart flutters at how welcoming you are considering all that happened to you, but he’s also found himself standing with jealousy when you mention that you have men’s clothing. Are you dating someone? Does he know he’s there?

“I love thrifting and sleeping in big shirts,” you explain, overcompensating for how awkward you feel to be standing in front of your boss looking like a disheveled mess. “I tend to thrift for clothes in the men's section because you guys have really good clothes for dirt cheap.”

Aaron’s worries are quelled and he doesn’t know why he feels so relieved to know you aren’t seeing anyone. 

“That would be great,” Aaron says. 

You nearly skip to your room and huff at your awkward demeanor, pulling out a large shirt from your dresser and a pair of sweatpants you hope is big enough. When you walk back to the living room, Aaron is still standing in the same spot and you’re somewhat touched that he’s nervous to be in your apartment.

“You can change in the bathroom,” you instruct. “Take as long as you need. There’s an extra toothbrush on the counter and a towel on the rack.” 

Grateful, Aaron scurries into the bathroom and you walk away before you can think of imagining him getting undressed. Instead, you busy yourself by fetching extra blankets and pillows for him. There’s an extra thick blanket in your closet and you pull two pillows from your bed, unsure if Aaron’s the type of guy to care about his pillow count. You find yourself stumped for a moment, each hand two with pillows as you debate on how many to give him, before you realize how idiotic you must seem if someone were to take a peek inside your head.

You settle with two pillows. 

You’re fixing a cup of tea for the both of you when Aaron walks out of the bathroom fifteen minutes later. You know he likes to drink chamomile tea on the plane when you’re coming back from a case late at night. You’ve seen him make it a million times. It feels weird to be making him a cup, but you figure it’s the least you could do after he helped you change out of your clothes. 

“I made you tea,” you say lamely, setting the cup down on the opposite side of the kitchen counter. Aaron walks towards you and he feels the hardfloor beneath him and how hot the mug is when he touches it. Thinking about this distracts him from your broken arm and the swell of guilt he has in his chest. 

“Thank you,” Aaron says. 

“I put in a little bit of honey. I hope it’s not too much.”

Aaron raises his eyebrow. “How’d you know I liked honey in my tea?”

“You drink it a lot on the plane,” you explain. “I see you make it a lot. You always scold Spencer every time he puts too much of it in.”

He can’t help but smile, but he hides it behind the cup.

Neither of you say anything. You don’t know what more you can say. The words cause you to choke every time you think about what happened back in Los Angeles. Realistically, you know there’s no way Scott can hurt you anymore, but it doesn’t stop you from panicking at the thought of being alone in your apartment. 

But you look at Aaron, who’s looking at you, and you’re able to let your guard down for a little while. 

“Thank you,” you muster. “For taking care of me back at the hospital and back at the barn. It…it meant a lot that you stayed.” 

“Of course,” he says a little too quickly. “You’re a member of this team and your safety is my top priority.”

Your gaze drops to the floor. You aren’t sure what you were expecting. An apology? A confession? Truthfully, you don’t know what you want to hear from Aaron but it hurts knowing that he views you as just another colleague.

“I’m sorry that I haven’t made you feel that way in a long time,” Aaron starts when he realizes you’ve grown quiet. “A member of the team, I mean.” 

“I-I just felt like I should’ve been doing more,” you confess. 

“You’re doing everything right, Y/N. You’re an exceptional agent and an outstanding person. Any part of the bureau would be lucky to have you.”

“Yeah?” you ask quietly. 

“Absolutely.” Aaron means in.

You finish your tea and it all becomes too much for you. The pain of your arm is quelled by the medication your doctor prescribed and Aaron helps you open the bottle. It makes you feel silly that you need someone else’s help to do something so simple and you feel your frustration get the better of you. 

“I’ll be out here if you need anything, okay?” Aaron reassures. “Please don’t hesitate to wake me up.”

“I promise,” you say and it’s one you’re planning on keeping.

You close the door behind you and turn off the lights. It feels weird to be in your apartment because you feel like everything should be back to normal, but it isn’t. In your years with the BAU, nothing as serious as this kidnapping has ever happened to you. You’ve been trained to deal with kidnappings before and how to talk to the victims and to the survivors, but you’ve never thought you’d have to deal with the aftermath yourself. 

You can’t sleep on your side because of your cast and your body feels like it’s constantly being run over by a stampede. The soft mattress is a contrast of how stiff your body feels and it all feels like it’s too much. 

Aaron can’t sleep either. He’s been staring at the door for the past thirty minutes as he tries to fall asleep. His phone is plugged into the wall behind him and he checks in with Dave, who texted him as he drove you back to your apartment. Aaron briefly thinks about Jack and his heart softens for a moment, but then he hears your soft cries from the room.

Aaron lies completely still and hears your whimpers. He hears you sniffle, blow your nose twice, and he’s acutely aware of the fact that he has no idea what to do. He has half a mind of barging into your room to comfort you until you’re asleep, but he doesn’t want to overstep his welcome more than he already has. Aaron feels frozen on the couch and doesn’t know if you’re too nervous to ask him for comfort.

He’s surprised when you walk outside. You don’t turn the lights on and he can barely make your face when you step into the moonlight. But you look frail, broken, and like you’ve been tormented by your memories. Aaron hates that.

“Aaron?” you call out. Your voice is small and his heart cracks. “Can you keep me company?”

Aaron doesn’t need to be told twice. 

He lifts the blankets from his legs and follows you into the bedroom. You sit on the edge of the bed and sniffle. Aaron sits next to you and carefully puts his arm around your shoulders, pulling you into his side.

It’s comforting and it aches. The pain of trauma and knowing that your life will never be the same again makes it seem like you’re never going to recover. Aaron doesn’t say anything, letting you cry into his shoulder and ignores the way your tear stains have soaked through the fabric. 

He’s imagined being in your apartment before; he often wonders what your decor looks like and how often you spend time here. He’s imagined cooking breakfast for you before you wake up, making you cups of your favorite tea, making the bed after you’ve both woken up, and kissing you goodbye when you walk out the door. Being in your bedroom like this feels too intimate, but if he was being honest with himself, Aaron doesn’t really mind it. He likes that he’s the person you choose to lean on. He feels like this is the first step in holding himself accountable for how he’s treated you in the past. 

Your shoulders are shaking and Aaron does everything he can think of to coax you through your sadness. He whispers praise and allows you to cry when you keep apologizing for your behavior, and he keeps telling you that he’s not going anywhere. 

When you manage to calm down, you’re tired. Aaron lets you climb underneath the covers and tucks the blanket under your chin. His hand brushes your skin and he blushes, though he’s sure you can’t tell because of how dark it is. Aaron bids you goodnight and starts to walk back to the living room but you reach out for his hand before he gets the chance to leave. He turns around and feels your soft grip on him. 

“Could you sleep with me?” you ask. “Or at least stay with me until I fall asleep?”

“Of course,” Aaron says. He throws all caution in the wind and starts to walk to the other side of the bed and he’s surprised when you open the covers for him.

Your mattress is soft and your blankets smell like you. He tries not to think about it and leaves space between the both of you.

“Did you know I joined the BAU because of you?” you ask in the darkness.

“What?” Aaron says of shock.

You laugh lamely. “You guys held a few seminars at my alma mater and I knew then what I wanted to do with my life. I applied to the academy the next fall.”

Aaron doesn’t know what to say. His cheeks are hot and you’ve rendered him utterly speechless. In your tired state, you push yourself as comfortably as you can until the back of your head is leaning on Aaron’s chest, mindful of your broken arm. 

Aaron’s stunned and his body stiffens. But he thinks of all the times he’s thought about laying beside you like this and decides that he’ll cherish it as much as he can. His arm snakes itself underneath you as he tugs you closer, and he whispers a soft goodnight.

***

D.C. is a little cloudy when you wake up. The light peeks through your blinds and you’re made aware of the man sleeping beside you when you realize your face is buried in his chest. Your good arm is beneath you while the other is on top of the blanket. Aaron’s arms are encircled around you and when you feel his warmth. 

You don’t rush to wake him up. Being here with him somehow feels right despite the part of your brain telling you he’s your boss and nothing more. But Aaron wouldn’t stay with you if he didn’t want to, right? 

Part of you thinks he’s doing it just because he feels guilty. You know that there’s some truth to that, but you wonder if it’s the only reason he elected to take care of you. But you decide it’s too early to think about this. Instead, you close your eyes and bask in Aaron’s warmth, and fall asleep again. 

This time, Aaron wakes you up twenty minutes after you fall back asleep. His arms are numb from your weight and he feels like he might try to kiss you if he doesn’t wake you up. 

Your eyes flutter open and you bury your head in his neck. Aaron doesn’t bring himself to push you off of him. He pulls you against him and the both of you lay in silence for what feels like an eternity. 

Eventually, Aaron has to leave because Jack’s coming home from a sleep away camping trip. He apologizes a thousand times over because he knows he said he wasn’t going anywhere, but you tell him that Jack is more important. An unrecognizable expression flashes across his face before he’s out the door, promising you that he’ll call to check in once Jack’s home.

And he does. Aaron calls you a few hours later when Jack’s in the shower and asks you how you’re feeling, if you’ve taken your medication, and if he needs to do anything for you. You decline for his help despite desperately wanting him back in your apartment.

When night falls, Aaron lets Jack stay up an hour later than usual. They’re watching cartoons from the nineties when Aaron gets a sudden idea. He pauses the television and turns to Jack.

“Do you remember Y/N?” Aaron asks his son.

“Of course I do,” Jack says. “She’s the one who buys me snacks when I come to visit you.” 

“That’s right, buddy.” Truthfully, Aaron didn’t know you’ve continuously done that for Jack. But he rolls with it. 

“Is she okay?”

Aaron knows Jack can tell something’s up.

“Not really,” Aaron replies honestly. “She got hurt real bad in our last case and broke her arm.”

Jack opens his mouth in surprise. “Oh no. Do you think she’ll get better soon?”

“I hope so. She needs a lot of help right now because she lives alone.”

“Well she can stay with us until her arm is better,” Jack says as if it’s the most obvious solution in the world. Aaron can’t help but smile through his shock. 

“I’ve gotta ask her first, but I think that’s a great idea. That’s actually what I wanted to ask you.”

“It’ll be fun!” Jack exclaims. “Me and Y/N can watch cartoons while you’re at work and she can help me with my homework. She’s nice like that.” 

“Yes she is,” Aaron says, nodding. 

“Do you think I should make her a card so she feels welcomed in our home? I think I have leftover paper and glitter. Girls love glitter.”

“Y/N would love that. I’m going to talk to her first and if she agrees to stay over, you can make her a card.”

“Yay! This is gonna be the best sleepover ever.” 

Aaron’s ecstatic that Jack’s receptive to the idea. He calls you the next morning and proposes the idea of staying at his place until your cast comes off. When you lament how long that’ll be from now, he insists and tells you Jack was the one who came up with the idea.

You can’t say no to Jack. 

Aaron helps you gather belongings from your apartment and tells you that he’ll drive you back here or pick you up any time you want or need to. You double check that you’ve packed enough clothes for a week.

It’s a gradual and awkward start. You feel out of place as you try to navigate his apartment and where he keeps everything, not wanting to feel like you’re already welcomed in his home. But Aaron keeps reminding you that his home is your home and you don’t need permission since you’ll be here for a while.

Jack is sweet, too. He helps you by telling you where everything is stored and goes so far as to hold your hand while doing so. He insisted on tucking you in while you slept in the guest bedroom just to make sure you were comfortable on your first night, and you thought you might start crying in front of him.

At first, you walk on eggshells. You tiptoe around the boys and feel like a burden when Aaron brings home dinner for three or when he buys extra groceries, especially when he refuses to let you chip in. Jack tries to ease your worries after sensing your discomfort by asking you to build legos with him and you do your best despite the pain in your arms.

Aaron reminds you of your medication (and in turn, Jack asks you if you’ve taken your pills), cooks your favorite comfort meals, and drives you to mandated therapy sessions whenever he has the time. It warms your heart at how helpful he’s been since you know how busy he is typically, and you’re not sure what to make of your emotions. 

Time passes by and suddenly staying with Aaron feels somewhat normal. You’re off of work until your arm is healed and you’ve seen your therapist a number of times, and you know you have a couple of months of doing whatever you want until you go back into the field. Against the advice of Strauss, you continue to help with cases and the paperwork load so Aaron can spend more time with Jack.

Gradually, you start to feel comfortable when you’re alone. You use his kitchen, clean his dishes, and busy yourself with tidying Jack’s messes. You explore his neighborhood and have found a few cafes and restaurants you’d like to try out. You feel more comfortable lounging on his couch instead of keeping yourself in the guest bedroom.   

It feels domestic and you can’t tell if it’s a good or bad thing. There’s still so much left unsaid, including how you’ve felt being his subordinate prior to your abduction. Aaron’s apologized over and over again, has given you time to heal from it and chooses not to ask for forgiveness in lieu of letting you find it yourself. It means a lot. Deep down, you know Aaron isn’t a bad person. You just wish you knew why you were different.

A week turns into two, then into three, and soon enough you find yourself caring after Jack. You feel useless if you sleep in and start waking up early to make breakfast as best you can for everyone (limited to cold breakfasts until you start to feel confident using your dominant arm when it’s out of the sling). Aaron walks into the kitchen to see you making oatmeal one day and you’re worried that you’ve overstepped, but he thanks you profusely.

Jack waddles in and he takes the oatmeal without question and asks if you can put brown sugar and fruit in it. You look around and see apples and blueberries, and Jack chooses the blueberries. He watches as you fix him a bowl and eats his breakfast in silence.

It becomes a routine for you after growing tired of doing nothing all day. Helping Aaron’s around the house as best you can, working remotely on cases, and spending time in his neighborhood feels like you’re recording.

Jessica, Jack’s aunt, has been informed of your stay by Aaron. You’ve met her before in passing but have never spoken to her in depth before staying with Aaron. She picks him up and drops him off, making small talk with you about her life and about your work. It goes so far as coffee dates when she’s available and it feels like your life is getting back on track.

Meanwhile, Aaron realizes he’s bit off more than he can chew when he sees you every morning. He hears your morning voice and finds himself wanting to wake up to it every day. He sees the way you are with Jack, how thoughtful and helpful you’ve been, and thinks it’s where you belong.

And it hurts. It hurts to know that all of his suppressed feelings are suddenly coming to the surface.

Your cast is coming off later today and you’re due for another mandated therapy session and a psychological evaluation before you’re able to return to work. He’s elated, but that means you’re okay to return to your apartment and he’ll have to get used to the house being empty.

Aaron’s parked his car at Quantico and he glances at you in the passenger seat. Your arm sling and cast are gone and you look as good as new, but he’s reluctant to step out of the car. You look back at him, hands fiddling in your lap.

“Thank you for taking care of me,” you begin. “I don’t know what I’d do without you and Jack.”

“You’d be just fine,” Aaron assures. “But it was nice seeing you recover. Is your arm doing okay?”

“It’s like I never had a broken arm.” You flex it in front of him for emphasis. “My shoulder’s still a bit sore but I think my physical therapist has expedited the healing process.”

Aaron smiles. “Good. I’m glad.” 

A brief moment of silence falls between the two of you before you both get out of the car. Your therapist had asked you whether or not you were ready to integrate yourself back with the team and was scheduled to supervise your initial day back in the office. You’re apprehensive, however, because you know that you never perform well if you’re being watched closely. 

JJ’s the first to greet you when you walk through the doors. The office smells the same and it looks the same, but it doesn’t feel the same. You spend a few extra seconds embracing JJ and gather that she needs this hug more than you do.

Everyone files in and it’s barely eight in the morning. David congratulates you on recovery, Derek and Penelope bombard you with jokes that make your stomach hurt, Emily shows you photos of Sergio upon your request, and Spencer gives you a side hug and tells you he’s glad you’re doing better.

The therapist arrives soon after and you’re on your best behavior without making it seem like you’re trying to be. 

In the end, she permits you to return back to the BAU with the promise of continuing therapy. She refers to you to a few others and tells you that you should try to go in at least once a week, or however frequently your job lets you. You’re clear to fly, yield your gun, and you’re reinstated as a profiler with the BAU.

Aaron drives you back to his place to pick up your belongings before he drives you back to your apartment. He and Dave had been kind enough to drive your car back to your place, where it’s been sitting untouched.

The ride is filled with music from the eighties and you’re so elated from your first day back at work that you don’t mind singing in front of Aaron and pretending you’re shredding on an electric guitar. He takes his time getting home, taking the long way instead of the direct route, and he doesn’t think you notice. Aaron hopes you don’t.

But he arrives at his place and Jessica’s greeting you at the front door, happy to see you’ve recovered before she goes home. The sun has barely set and Jack walks out behind his aunt, asking you what’s for dinner.

You’re stunned for a moment as the realization that this all ends tonight. Staying with Aaron, falling into a life of balancing work and domesticity comes to an end when he drops you off at your apartment. Jack’s tugging on your elbow and Aaron scolds him because you might still be in a little bit of pain. He apologizes sweetly.

Aaron beckons you inside where you've started to pack your belongings. The luggage you've brought seems smaller than when you brought it, as you find it difficult to pack everything. You make the bed and set the room as you found it (to the best of your recollection), and you’re ready to put your shoes on when Aaron rounds the corner.

“I was thinking we could have one last meal here.” He clears his throat. “To celebrate your recovery.”

You don’t hesitate. “I would love that. I finally get to show you my cooking skills.” 

Aaron smiles and Jack runs to your legs, beckoning you to the kitchen. You settle on making oven baked chicken with mashed potatoes and honey glazed carrots, all of which Aaron had in his refrigerator. Jack asks how he can help and you’re touched when he brings a stool to perch on, and you tell him he can help you by rinsing the potatoes. 

Aaron offers to help and you look at him with a silly grin, letting him prepare the carrots while you prepare everything else. Halfway through the process, Jack becomes somewhat irritable because of hunger and because the entire kitchen smells like a Thanksgiving feast. But he relents and waits for the meal to be done when you tell him the food always tastes better when it’s cooked longer.

You almost forget it’s your last time with Aaron and Jack when you eat your meal together. You forget it when Jack insists on ice cream for dessert and when Aaron makes you a cup of tea just the way you like it. You forget about it until Jack asks his father if he can be there when he drops you off at your apartment. 

Your heart breaks a little. Aaron agrees and lets you grab your belongings while he buckles Jack in the car. Your luggage is in the trunk by the time Aaron is done and he opens the passenger door for you before getting in the car himself. Jack talks the entire ride, thanking you for dinner and lamenting how much he loved spending time with you. Aaron’s grip on the steering wheel is tight and he doesn’t think his heart could swell any bigger.

Eventually, the boys walk you up to your floor and Jack lunges at your abdomen after the three of you have walked into your living room. 

“I’m gonna miss you,” Jack mumbles in your sweater.

“You’ll see her around, buddy. She’s not leaving the team,” says Aaron.

“But I’ll miss Y/N at home. I like spending time with her there.” 

You and Aaron share a look. You can’t tell what he’s thinking but you know you’re unable to control the influx of emotions that will eventually spill out of you when they leave. 

“Me too,” Aaron says quietly. 

They leave soon after that.

You spend an hour crying in your living room and you haven’t unpacked your suitcase. Living with Aaron and being so close to him made you realize how your feelings for him, albeit complicated, have always been there. 

You love him. You love his generous nature. You love the adoration he has for Jack and for his team. You love how he knows your beverages of choice and how gentle he’s been with you. You love the way he says your name and you love that you feel right at home with him.

It’s ten o’clock when you grab your phone and you know Jack’s been asleep for at least an hour. You dial Aaron’s contact and in your anxious state of mind, nearly regret your actions. But he picks up and you hear the sweet melody of his voice through the phone. Your voice falters at first, but you push through them anyway. You’re sure Aaron can hear your voice post-crying because of how raspy your voice is, but you don’t care.

You tell him you think you love him and it’s not because he’s been taking care of you. You pour your heart and soul into this speech and you panic when he doesn’t say anything.

“This’ll be one hell of a story we tell Strauss.”

And you laugh. You laugh because you know Aaron feels the same and you laugh because facing paperwork and recounting this conversation to Strauss doesn’t seem like the most frightening thing in the world anymore.

But just for good measure, Aaron tells you he loves you too. 

***

AAAND WE’RE DONE X 

[myntrose]

ೃ⁀➷partners in crime ︻デ═一

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ft: Alastor x gn! reader

summary: It's another night at the hotel. Everyone is lounging around the shared space, or sitting at the bar. With a boost of confidence (and a few drinks) Angel finally asks the burning question everyone had : How did you and Alastor meet?

cw: demi! Alastor, established relationship(married), Alastor and reader meet when they were alive, reader is an assassin , killing and mild gore (it's alastor yall), a lot of petnames, no use of y/n, no beta we die like men

a/n: it's the way alastor got me smiling and kicking my feet. he got me to break my 1 year hiatus LMAO. also, I am aware that he's ace. I myself am somewhere along the demi spectrum, so this fic is purely for comfort n coping. if you don't like it, pls ignore :,D

wc: 1.5 k (1,469 words)

‧͙⁺˚･༓☾────────────────────────────────☽༓･˚⁺‧͙

The hotel common was filled with low gentle music and idle chatter. Vaggie and Charlie were on the couch, talking about everything and nothing. Nifty was running around chasing some poor roach. Even Cherri was here, with Sir Pentious attempting to flirt with her once again.

Husk was behind the bar, in ordinary fashion. Although he was mostly listening and doing his job, he would occasionally chide into the conversation the other two residents at the hotel were having. Angel was in the middle of telling you about how much of a headache Val was, while you gave him you condolences. It seemed like the only person missing was the radio demon himself, who was probably in his tower, making a new broadcast.

"Speakin of which..." Angel, who noticed Alastor's lack of presence, noted "I got a question for ya toots. How is it that tall, red and creepy managed to bag you as a partner? You're sweet and all, I get that. But how did you even meet-"

The loud slam of drinks caused the peace within the hotel to halt . Husk shoots a stern glare towards Angel, almost to warn him, be cautious about asking question's about Alastor and his darling, you never know if he's listening.

"It's alright, Husk" You send him a sincere smile. While he would never trust your husband, he can't help but believe your words.

"Well, Angel, let's start with this. If you've ever wondered why I'm down here in the first place, it's because of the occupation I had when I was alive. That's actually how I met Alastor."

Oh, maybe you were a thief and were trying to steal something from Alastor. Or maybe a detective that was on the case to solve his murders. Or maybe-

"I was hired to assassinate one of his targets."

oh.

You couldn't help but laugh at Angels' reaction. Sure, you were kind to those in the hotel, and definitely not as threatening as most overlords. He, and most people you met in Hell, just assumed you committed some mundane crime and got the unfortunate eternal punishment .

Taking a small sip of your drink, you start to recollect the unforgettable night that would define your current relationship.

It was supposed to be like any other job that you were given. Your employer would hand you a file, you would find the target, and get paid in return. Maybe it wasn't the most ethical way to make money, but hey, you knew how to kill so you made it work.

You had followed your target into the bar, while waiting away in the corner. Though your eyes were focused on them the entire night, you couldn't help but feel another pair of eyes on you.

It was probably some random patron in the bar, you guessed. It wasn't for another hour when you noticed that your target had left the vicinity.

The streets were dark, with the occasional street light every block or so. It was perfect place to finish your job. All you needed was for your target to turn into some alleyway, and as quietly as you followed him, you'd quietly go for the kill-

Quietly. Hold on, why was it so quite?

Looking up the street, you noticed that what was once where your target stood was now empty. There was no way he outran you, given that you would have heard his footsteps. To the right of you were the woods, maybe he took a detour?

No, everything felt wrong. Every single thought in your brain was screaming to run, to grab your gun that was hidden beneath your coat, to get out of here-

"Careful my dear, we wouldn't want you getting hurt now, would we?"

A cold blade found its way to your neck. Two very disturbing facts became known to you. First, was the fact that the blade was already stained red. And second, you were about to be the second kill of the night.

A million thoughts ran through your mind. Was this how you were going to die? How fast could you grab your gun? Would your employer be pissed off that you died in the job? With your eyes shut closed, you waited for the knife to make contact.

"Now now, there's no need to be so scared my dear! My, you look like a deer in headlights!"

...what?

Opening your eyes, you're met with the mysterious man who just had his weapon on you seconds ago. He seemed vaguely familiar, probably having seen him at the bar you frequent.

"It seems that I've caused you quite a scare. Do know that wasn't my intention. I just wanted to see for myself this new assassin I've heard so much about! You've caused quite the gossip, my dear. Makes good conservation."

You continued to stand in silence, with the initial shock of almost dying wearing off now. As mad as you were that you got caught, you were equally confused on just who this man was. With some more listening to his voice, the answer popped into your mind.

"You- you're that new radio host! Alastor, was it?"

Alastor's smile grew at the acknowledgment. "Indeed I am! Glad to know you've heard about me."'

Had anyone walked into the conversation you two were having, they would have assumed it was one between new acquaintances. In which one has a knife in their hand, while the other has a gun.

"You see, my dear, I've heard quite a bit about your line if work. While I am more than capable of... dealing with others, I propose that we work out some sort of deal. One where you can finally stop working for that employer of yours, and actually make a profit off your talents."

Alastor put out a hand, waiting, watching to see how you'd respond. It's been a long night for you, and you had a feeling that this wouldn't be the last time you saw. Plus, if working with him meant you'd finally have to stop answering to your boss, then why the hell not. You take his hand, before agreeing to this proposition.

"...and since then, we've been business partners. Our relationship kind of just happened after a few moths."

It was nice to look back to when you first met your now-husband. Looking around the bar, you noticed that you weren't just talking to Angel. At some point, unbeknownst to you, everyone at the hotel had come over to listen to your story time.

"Well toots, I figured you had to be some sort of crazy to date smiles, but I guess it takes one to know one." Angels says while taking a shot, still reeling with that fact that someone as kind as you was a killer. Head nods and murmurs of agreement spread within the group.

Before you could say anything, a pool of dark clouds appeared to your side. From the shadows, the very man you were taking about stood before you.

"Hey, Al."

He faces you with his signature grin, before turning to the rest of the residents.

"It seems that I've became the topic of conversion while I was gone! It's quite interesting to see how interested you all are in with me and my dear's meeting."

The hint of annoyance in his voice was entertaining, to say the least. You place a hand on his shoulder, barely hovering above it.

"Aww, come of Al! They just wanted to hear how we first met! Besides, it's a fun story to tell."

"If "fun" means almost killing ya for the first time, I'd hate to know what you guys did when you started dating-" "Shut up Angel!"

You answer a few questions that were asked before everyone eventually returned back to their previous endeavors. Husk and Angel eventually sit around with the others in the common room, leaving just you and Alastor at the bar.

"It's kinda funny, now that I look back at it."

Alastor doesn't say anything, promoting you to continue.

"That night, I almost turned down that job. I was painfully tired, and all I wanted to do was go home. It's crazy to think that we wouldn't have met had I not pushed myself to take the job."

Anyone who knew Alastor would know that him asking for a partnership was simply outlandish. Hell, Alastor himself questioned why he was seeking you out in the first place.

No, underneath he knew. He knew from the first time he saw you. It was a different time from when you both officially met. When he saw you, someone so seemingly innocent, skillfully take down a man twice your size, he knew that he had to meet you.

"Well, mon chéri, it's good that you did."

[soulrph]

chaotic unhinged lines from 2022-2023 (prompt edition).

basically in 2021 i made a list of prompts inspired by lines in tiktok videos and instagram reels that made me laugh so hard i cried! and now i have returned with another list! these may provide an alarmingly clear image of what my sense of humor is (aka broken) but i figure a little levity is always a good thing! more prompts are forthcoming, but in the mean time: bon appetit!

knowledge has always chased you, but you've always been faster.

no... no, that was mango apathy juice. from the farmer's market.

of all these people, you are the one i understand the least. i want to get to know you better, but like, not that much better.

i-i will CHEW YOUR MEAT!! WHAT are you doing?!

ooooh god, no, you wouldn't be long getting frostbit!

you are evil. like a hobbit.

WHY MUST YOU FAIL ME SO OFTEN?!?!!?

i have had a perfectly wonderful evening, but this wasn't it.

AHEM!! fill my cup.

may god ignore you like you ignored my greetings.

i will avenge you mister van gogh.

call off work bestie, we need you to solve a murder. here's fifteen dollars.

you're not in love. you may think you are, you dumb fuck, but you're not.

go ahead and put the ranch away.

sadly, "hopefully" doth butter no parsnips.

forget school, i want to be an italian sandwich.

you shouldn't skip work, you are a lawyer and he is a hamster.

you can stop roleplaying now. you're free.

her coupon game was so fucking raw.

i'm sorry guys... he's making a salad.

you could get a straight guy here if you learned to make a good pasta. i'll teach you how to make a risotto that'll get you married and out of my basement.

hey, do you want me to get together a plate of roast beef and hide it in our room so we can have night meats?

it's not the most ethical thing in the world, but in a pinch you can hand off a cursed object to basically any baby.

no, children, you're wrong. once upon a time, there was a piece of wood.

and i'm not saying she deserved it, but i am saying that god's timing is always riiiiight.

hydrate or die-drate, ya DICK!

why did the monkey fall out of the tree? because it was DEAD.

new york city is a fictional place written up by someone with a sinister mind and a knack for comedy.

this is grindr my guy.

wait, i didn't finish teaching you the difference between human and wolf anatomy.

it's time to tell your grandmother that she was wrong. do not be afraid.

vanilla vodka... you fucking child.

without ash to rise from, a phoenix would just be a bird getting up.

you are fucking alive. do what you want.

why are you cradling me like a baby, friend? this isn't how guys of my generation hang out.

i hope a hedgehog shits in your cereal, you difficult person.

you know, i am not as mean as i would like to be. and i think people should appreciate that more.

see, i am not a kangaroo.

well, i'd like to help, but... you see... not as much as i'd like not to.

rest in peace you fucking onion fairy.

when god sings with all his creations, will a turtle not be part of the choir?

i fight for a seat in heaven, every. single. day.

map maker? can you find me somewhere on the map where this big man thinks he's the king?

you bald-headed demon...

so... there are 24 million pigs in australia... and 24 million people... so if you ever feel lonely, there's like, a pig out there that's sort of your cosmic twin.

remember, alcohol is god's apology for making us self-aware.

i'm straight!! stop CONFUSING me!!!!!

you guys want something to eat? because... i know we'll die if we don't eat.

he is a BIBLICALLY gorgeous man. i wanna feed him grapes. i wanna fan him with the frond of a date palm from the forests of Lebanon. i wanna find the alabaster vial of perfume oil that one woman broke for jesus and comb it through his hair. like... he's stressing me OUT.

i'm not sad! i'm freaking HUNGRY!

maybe, if we wait a little bit longer, a fuck will fall into my hand, and i can give it to you.

it's not my fault you thought you lived in this IKEA.

let's leave my mother out of this.

jason may kill people but he's not bad enough to kick a dog.

i run for LUMP!

oh no, i'm all out of caring, baby!

you don't think it mcbe that way... but it mcdo.

what is this enticing bowl of white?

serious question, do his nipples sparkle?

what in the reese's peanut butter fuck is going on here?

if your parents don't buy it, stop loving them!

i just hope you know just how much you've decreased productivity today.

that was poetry at its FINEST.

and if you let that motherfucker shenan ONCE, you best believe they're gonna shenanIGAN!

may god bless the dinosaur that died to make the fossil fuel that was treated to become petrol in the car that took her mom to the hospital to give birth to her.

that's modern milk for ya. what a time to be alive.

you have attachment issues. please fix it.

remember when people had secrets? we should bring that back.

the moon landing was an elaborate marriage proposal.

i don't like the cobra chicken.

i didn't know eggs were this expensive? it's time to lay my own, i fear.

so you're saying the reason i don't have a girlfriend is because i'm not a big enough threat yet.

god gave him a top lip, that's why he's so powerful.

it's a common mistake, but frankenstein was actually the author.

i finally got a pocket-sized diary!!! also i don't get the concept of life.

if a beautiful woman disagrees with me, i will immediately change my view. i've no principles.

how did you all end up married to such boiled potatoes?

if so much as one tear drops from their eye... i will slap you back into your mum.

you are ringing a phone that does not like to be rung.

look how Dr. doofenschmirtz had a fucked up childhood but didn't project his trauma onto his teenage daughter. he projected it onto a platypus.

it is mathematically impossible for you to get a wedgie.

i'm breaking up with you. i love you, it's just... i don't think you could protect me from a mummy.

if you can't do fractions....... you will fucking die.

that's right; in the year 1791, all of our bottoms were killed in a Big Bottom Massacre.

people always assume i'm mean. like CAN you BELIEVE THAT CRAP?! like WHAT would make you think i'm MEAN?! I'M THE NICEST PERSON ON THE PLANET!

the chocolate milk is strikingly overpriced and at the same time very easy to steal; another of god's little tests.

someone's gotta tell the waiter that i ordered mashed 'taters and it sure as shit ain't gonna be me.

if i had a week i couldn't list all the reasons that wouldn't work.

[thecoppercompendium]

Have you always wanted to become a scientist with a loose grasp on morality? Have you ever looked at Victor Frankenstein and thought "I can do better" (not at being a parent, at stitching together random body parts into something that never asked to be alive)?

Well now you can!

I've just released my entry to the One-Page RPG Jam 2024! It's called What Scraps Are Left, and it solves two problems at once: wanting to become an ethically-challenged "practitioner" of the sciences and getting rid of a load of documents whose existence you despise in an entertaining way!

So, why not grab a few friends, a pair of scissor and a bunch of hated documents and set to work creating an awful facimile of life sure to terrify the townsfolk! Good luck with the torches and pitchforks!

Get the game here:

Enter the jam or check out the other excellent entries here:

[miminmimikyu]

Prodigy episodes 11-12: Jankom you hero! You know that those anger management classes were good if Jankom managed to de-escalate a conflict between a tactless angry Dal and an absolutely livid Chakotay in a room with no Janeway

Jesus episode 11 got really dark really quickly.

Gosh that opening sequence of Chakotay’s life on Ysida was so beautiful. The gentle piano and strings music accompanying this montage was so understated and pretty. The soundtrack on this show...

ngl when Chakotay carved that third chess piece I thought it represented a child

TEN years! That’s longer than Voyager was stranded in the Delta Quadrant! If anyone of the ex-Voyager crew can survive 10 years on an isolated planet, it’s Chakotay, but oooff. I guess 10 years of solitude and the deaths of your entire crew weighing on your mind constantly will do that to a guy. I think that the closest he’s ever been portrayed as this.. callous(?) was in Timeless, where he also lost all but one of his (& Janeway’s) crew. It was so satisfying to see Chakotay get so many emotional moments this episode (still, quite shocking to see him try to attack defenceless kids).

The scene in the cave was so perfect, everything came together— the moody blue of the cavern, Dal’s initial shocked expression and inability to speak, Adreek’s skeleton just sitting there and protecting the antimatter for god knows how long.. and then to top it off the two-hit KO of the incredible animation conveying Chakotay’s horror and grief and guilt, and Robert Beltan’s voice acting!. (I’m so used to his clocked-out performance for a large part of Voyager, I was taken so off guard by the emotions he conveyed in this episode (and the next).…. God that was beautiful

Please.. I’m already dead π_π

I love how it’s not a sense of sudden responsibility for some children but the kids just earnestly working away that gradually drags Chakotay out of his shell. Worn down by their work ethic (and them finding the corpse of his first officer for him 💀).

Yet again: what a cool planet!! A lot of the planets the kids have visited this season have been devoid of humanoid life but each of them is so unique and interesting. Not the worst place to be marooned, if not for the beasts.

I really like the reversal of the Janeway-Chakotay dynamic here. On Voyager, Chakotay kept Janeway in check, now holo Janeway does that for Chakotay. It’s cute how he looks back at her for input from time to time.

Dal and Chakotay actually make a great duo. I really liked their heart-to-heart. Also the way they clash, definitely a different dynamic compared to Dal and Janeway. I didn’t expect Dal to confess his insecurity re:the peek at his future so soon. I don’t think that this solved it but I’m glad that he was given a bit of a confidence boost.

These two episodes sure reminded me of Resolution… stranded on a planet, the planet is plagued by ion storms, Chakotay/Janeway infected vs. the Protostar infected. Chakotay is resigned to his fate while Janeway/Adreek is set on fixing the situation (Janeway didn’t manage but Adreek did).... and then in episode 12 Chakotay tells Dal about how he always felt lost (as a child on his homeworld, in the maquis as an adult..), until he met Janeway and became her number one… that’s almost exactly the same thing that he told Janeway in Resolutions (minus the metaphor + heavy romantic overtones). Hell, episode 12 even starts with Vice Admiral Janeway getting her shoulder massaged (/manhandled. by the doctor. and she hates it. unlike when Chakotay did it on New Earth ( ͡° ͜ʖ ͡°) ). Only Janeway isn’t actually stranded with him on Ysida…

Chakotay and Holo Janeway… do you think they explored each other’s bo-

Beverly Crusher is k i l l i n g me being all “Jean-Luc? Dunno, you know him, always working!! Hahaha, let’s talk about motherhood” while hiding her now 4-year old secret lovechild.

Anyway. So if Voyager is nearby (ish), that means that this is present-day and Chakotay crashed 10 years in the past? So besides fixing the protostar back up, they need to wipe holo Janeway’s memories, crash the Protostar in the past and I guess Chakotay just loses 10 years of his life now?

[pigtailedgirl]

Ok thanks @marley-manson you fab post just made me realize something I didn't clock at all in the times I've watched Pizza and Promises. Because you mentioned the eaves-dropping in Chinatown, I'm like bah, Fraser complains about the ethics and doesn't follow rules for solving a case the lawful or normal way at all EVER. His ways and whys to solve are always personal moral reasons equals best. Wait... his ways to solve are... like mostly getting Ray to sanction his illegal pursuits under the idea of law. Harkens back to why he came into Chicago, and liaising to cover his own pursuit. And here he was, so judgy calling what Ray was doing entrapment in the Pilot.

Wait... like...

Ray and Fraser's final plan to catch the car thieves in Pizza & Promises.

Which was totally entrapment. With cars this time.

HAHAHA.

[goodluckclove]

Is there someone willing to explain what Therapy Speak is? And maybe tell me if the people who talk about how unrealistic and impossible and stupid and manipulative it is has ever been to therapy?

This got long. I am genuinely upset over this so pardon my intensity and here's a read more. It does not feel good to have the first thing you see online be calling the way I communicate in the world as a human being "unrealistic, stupid, and poor writing". So just humor me.

Like this sounds gatekeeping. And in a way it is. I know therapy is a privilege and good therapy a luxury. As I type this I realize some people dissing Therapy Speak might actually be people who either had a bad experience with a therapist, or just don't have the resources to form a relationship with one at all. And if your way to cope with that is saying it actually would suck to have one - I kind of get that. I'm still going to share my perspective though.

So therapy, like literally everything else in the world, is a spectrum with tons of nuance. One therapist might hand out worksheets or practice CBT or DBT or EMDR or have an endless list of specialities. One therapist might encourage "I feel" statements, but that's a structure that's smart to help you develop a new skill in your own personal style. Much like how no one expects every writer to create only using prompts forever, they're not telling you to rely solely on the "when you X, I feel X" Mad Lib from now on.

When you first start actually using "I feel" statements, it might look like "When you blow me off for plans, I feel upset". It's vulnerable, but it's actually an effective thing to say in conversation.

Flash forward a while later, and you start saying things like "when I make plans with a friend I really put a lot of faith in that structure, and when it's taken away - even for a good reason - it sort of makes me feel anxious and unregulated. It takes me a while to get back on track."

If you have relationships that are platonic, romantic, sexual, familial - I promise you that is important information. You tell someone that and they might be able to recontextualize behavior from you that they perceived as an attack. Virtually every relationship can benefit from knowing the reason why people do things. Miscommunications are inevitable but often easily solved if you're willing to slow down and be vulnerable.

It is not trauma dumping if you do it without relishing in the trauma and throwing the responsibility on the other person. Saying "I get anxious at social events because I'm used to being outcast and sometimes I just assume that'll happen" is not trauma dumping. If anyone in my life said something like that to me I would be so glad to have that information. That's a way to progress in a dozen different ways.

I get there are bad therapists. There are also bad doctors, dentists, and people who work at your local deli. I had a mean barista at a coffee shop I went to. So now I go to a different coffee shop with different baristas.

But like holy shit, if you think it's not worth anyone crafting characters that actually know how to express and explore their emotions in a human way that matches their personality? If you don't think a book can have that and still be interesting? For anyone????

Skill issue. Flat out. And while there is really nothing that would make me believe someone is a bad writer - I do think an inability to explore something this basic and insist no one else explore it either is terrible work ethic.

Also like my therapist saved my fucking life. I've been in therapy for almost ten years, and if I wasn't my life would be drastically worse. I would probably still be in California, a victim of Munchausen By Proxy for the rest of my life.

So yeah, expositional dialogue is bad when handled badly. People who use therapy language as an excuse to manipulate are trash. Sometimes assholes go to therapy and the therapist sees immediately that there really isn't anything they're capable of doing to help them because they just want to be justified for their current mindset. Thats what my mom did.

But like people communicate their emotions. Everyone should be able to learn how to communicate their emotions with at least one relationship in their life. I would really love it if people stopped perpetuating the belief that that is not something that ever actually happens in life. I want to feel sympathy because I'm sure there's a reason why someone would think that, but frankly that was an existentially horrifying thing to read first thing after waking up.

Anyway if anyone has an alternate perspective I'm happy to hear it. I'm going to eat some guac and try to calm down.

[sisaloofafump]

There's this misconception that Golden and especially Silver Age comics were particularly sexist. In reality, when looking at the treatment of Lois Lane, it's the Bronze Age and the introduction of second wave feminism that is actually so much worse.

For context, in the Golden Age, Lois is an independent and fiercely capable reporter. She has massive amounts of agency and often solved and leads investigations on her own. She gets rescued a lot, yes, but she is kidnapped due to her own actions, not Superman's. In the Silver Age, adherence to the comics code (and shifting public preference towards romance comics) made her character's main goals include marrying Superman. One may think this would lead to abhorrently sexist writing but it didn't. Instead, it used these constraints to make her one of the most ethically complex and defined characters, written by authors who love her, and taking her previous iteration's strengths and fleshing them out into a fully three-dimensional character. In addition, she may be less fierce, but she is one of, if not the most active member of Superman comics. She is uniquely a problem solver, problem starter, and investigator, acting in every position of case rather than just reacting to someone else's actions.

Then along comes the Bronze Age. Initially it looks like she is improving even further—she learns to fight, she regains independence from Superman, she lessens her need for marriage. But those changes don't last long.

Lois is flattened until she looses all personality and competency. Every story ends with her saved by Superman. Lois and the Black characters have the occasional quip about "Woman power!", all of which is made to be mocked by the audience and by Superman. Suddenly Clark (with and without cape) is telling her not to do things because she is a woman. Suddenly the things she easily could have done in the past, she can't anymore. It's not just how horrifyingly they treat Lois, it's how they make other characters sexist to balance her "feminism" out.

The Lois Lane comics go through several management shifts and by the 70s they are edited by a woman, who doesn't get to write the responses to the fan letters, and instead they institute the most comically sexist columnist I have ever read. It is so bad that I genuinely thought it was a joke. Even in the regular letter sections, the editors have clear contempt for Lois, a stark contrast to the love that was so apparent in the Silver Age.

The Lois series ends and she is booted to Superman Family, where she is treated far from good but at least she is her own character. In mainstream Superman, she is reduced to a background love interest with no capabilities, personality, or interests. Even in romance she is treated horribly by Superman and Clark. They keep saying that he loves her, but despite being more official than ever, it sure doesn't show.

Here are some panels for your perusal:

And of course, the mystery columnist:

Compare that with this editor's response from the Silver Age. See how much love they had for her and all her flaws. How much effort they put into making her a well rounded character. This is what we lost.

[jelzorz]

142.

It's dark under the castle. Callum'd been going out of his way to stay out of the tunnels, if only because the atmosphere down here puts his teeth on edge and makes the hairs on the back of his neck stand up. There's too much unfriendly history; too many reminders of the previous high mage and the less-than-ethical ways he tried to solve everyone's problems.

But Rayla had insisted, and even as awkward as things are...

How could he say no?

She's got a bow strung over her back now, and a quiver of arrows clutched in her hand, and he can see the discomfort in her posture, and in the way her knuckles shine white around the leather of Runaan's quiver. He wants to say something, to ask if she's okay, but the quiet feels heavy and the words get tangled up before they ever make it into his mouth.

Then they hear something in the distance. Footsteps. Something—someone—hurrying away.

Callum's breath hitches. The back of his neck prickles. His stomach writhes uneasily in his gut, because the only others who know how to navigate the tunnels are Ezran, and...

"You don't think—"

Rayla holds out a hand. "Shh," she hisses. She unsheathes one of her blades and inches ahead of him, her feet light against the floor.

"Rayla—"

"Shh!" She glares at him. "You'll give us away!"

"But what if it's—"

"They wouldn't have come back here," says Rayla. "That would be stupid, even for Claudia."

"But if someone else is down here—"

"I know." Rayla flicks her blade into its sword form, and dimly, Callum remembers a comparatively simpler time, a finger pressed against his lips, magic humming in his hands. "Stay here."

"But—"

"It'll be fine," she says. And she's right, it's probably no one, or nothing, but still. Callum's been hesitant to let her go off on her own since Umber Tor, and she'd come back, of course, but he's grown to dislike watching her walk away. And weird as everything is, they must still share a link of some sort, because she smiles and adds, "I'll be back."

"I could just come with you?"

"And give us away?" She smirks. "Just stay put. I won't be long."

A pause. Callum hesitates. Rayla does too. And then, she leans forward and presses a kiss to his cheek. There's more in it than they've talked about: her longing, her regret, her apology for putting him through what she did. But it's a promise too: that she means what she says, that she will be back, that she loves him still.

"I always come back, don't I?"

Callum nods slowly, learning to trust her again, learning to breathe. "Yeah," he says. "You do."

[medi-bee]

Fortune Amidst Misfortune (more lore)

From nearly the beginning, Fortune Amidst Misfortune held little interest for solving the Great Problem. Soon after his creation, his interest was caught by the biological behaviors of his parents' species, the Ancients, which quickly expanded to the biological mechanisms of all natural species. He kept only just enough of his processes dedicated to the Great Problem to keep his creators satisfied, and when they faded out of existence, he wasted no time reclaiming his processing power back from the useless simulations.

Fortune dislikes social interactions with both the Ancients and other iterators. He can appreciate the social behavior from a distance, but being forced into one-on-one interactions make him incredibly uncomfortable and tense. His small local group were quick to realize this, except for one: Thirteen Thoughts of Lights Above (redesign pending).

Thirteen Thoughts of Lights Above is especially oblivious, but well meaning. She is considerably more "mechanized" than the other iterators, and has difficulty with social cues. She only ever reaches out to communicate to her neighbors with good reason, but she tries her robotic best to be short yet polite about it. Fortune is more tolerant of her then he is with the rest of the local group.

(Insert here a few dozen cycles of sparking interest in yellow lizards specifically. Fortune raises a handful of these genetically altered lizards, training them as best as he could while in his stock bipedal puppet. Fortune did manage to figure out a way to disconnect and reconnect himself with his umbilical, but his experience while detached was so horrible that he only did it a couple times and never again. And then the antenna-less yellow was born, and the pack project was discontinued.)

And so when Fortune Amidst Misfortune could no longer emotionally nor physically handle being stuck in his stock puppet (with its thin, too fragile build), he eventually had to turn to Thirteen for help. He has only basic knowledge of engineering, and something as advanced as building a new compatible, maneuverable, and sturdy puppet is out of his capabilities. Thirteen was happy to lend her knowledge and be of assistance. Besides for her, Fortune kept his puppet-revamp hush hush (at least until later on, when investigating overseers spill the secret).

Nowadays, he mostly spends his time researching the wildlife up close and getting assaulted in return. His can, settled into the side of a cliff above a biologically diverse hotspot, has two wings dedicated to holding subjects of study (mostly genetic experiments fueled by curiosity, with the occasional pity-case).

Slugcats would be the obvious choice for any genetic tampering, with how malleable-yet-stable their genes are, but... among his first experiments in the beginning, Fortune abducted a few specimens from the nearby colonies so that he could sample their DNA. And although they were later returned to the wild more-or-less unharmed, they must have somehow communicated their experience with the rest of them, because after that point Fortune would be harassed on sight whenever he got anywhere close to the colonies. So, slugcats? No longer a viable option.

Fortune tries to keep a code of ethics when working with his specimens: no harm without cause, no releasing unnatural organisms into the environment, etc. And he mostly succeeds at this! But there was one notable case of several breeding specimens escaping: batfinches. A splice of batflies and vultures. A small, gas filled prey animal. They invaded the local ecosystem, and even though things balanced out with time, for a while they had been devastating the lowest tiers on the ecological pyramid. They're pretty cute though, so worth it maybe?

Enter the current era with his darling devil lizardslug, Nips at Neurons.

[elbiotipo]

In all honesty when I heard about "terraforming Mars" I can only think of Elon Musk's grift, wasting billions on failed rockets on the promise to go to Mars and inhabit it as a solution for the impending climate crisis/overpopulation. When the climate crisis would be way easier and cheaper to solve, "let's just give up on Earth and go to another planet" is cartoon villain plan tier dumb unrealistic and morally bankrupt thing to say. As a general scientific endeavor it's cool though.

Well, see, this is the kind of mentality that bothers me, because terraforming, while a controversial project on feasibility and other ethical questions, existed LONG before Elon Musk and I had the thought, on my sci-fi space enthusiast bubble, that people were aware of that. Similarily with, you know, all of space exploration, that existed long before Elon Musk. When and why did we let him set the tone of space exploration?

And no, any proposal to "escape to another planet" is not to be taken seriously. This is another weird misconception about space exploration that seems deeply entrenched by, what I assume, is science fiction. Neither NASA or Roscosmos or ESA or the Chinese space agency has ever, ever, ever had as a plan to "escape Earth", and the idea of terraforming another planet to escape Earth is similarily nonsensical; advocates for terraforming (you might agree or not) want Mars to be a liveable counterpart to Earth, not an escape plan.

Except for Musk, maybe, but he's a fucking idiot. And even then, I'm not wholly convinced of the "billionarie escape plan". Lots of engineers and other smart people work at SpaceX, as well as many, many other places. They also are passionate about space, and most people who are passionate about space exploration see it as a complementary activity to us here in on Earth, not a escape. There are many reasons why SpaceX is a bad thing, especially their connection to the US military, but the whole "billionare escape plan" is more of a meme than reality.

I won't even get into the "FIX OUR PROBLEMS ON EARTH FIRST!11!1!!!1" because that's a whole rant on its own, but every time I read that stock phrase I get a headache.

Sorry if I sound a bit ruder than usual, but I'm really, really passionate about humanity in space, and to see arguments de cuarta such as this (not about YOU in particular anon, but lots of people I've interacted over the years) gets frustrating.

[justatalkingface]

Bonding Over Burns

You know, like you do when your part of the Endeavour Family.

You remember when the relevant Todoroki was Shoto? Good times, good times.

I've talked on and off about Endeavour, and how soft the story has gone of him, and to a lesser extent Dabi, and how things should be harder on him as well, if for different reasons, but I just want to talk... broadly a bit. This is going to get a bit rambly, and mostly focus on the clusterfuck of the latest chapter.

Hmm. Let's start here: I actually like Dabi. He's insane, and I wouldn't want to be in the same room with him in real life, but he's a fun character who can drive great plot. In all honesty, I want him to win, even now, and I'm not even guilty about it, because unlike Shigaraki, his goal is literally just, 'Fuck Endeavour', and that's something society could survive, and honestly should.

So, with the background of me being a long-time Dabi fan, I say this: this is shit. There's been so much Todoroki content recently, so much of it focused around Dabi, and yet this is what we get.

A lot of the discontent is around the Quirk Awakening, and while I have problems with the ice part of it, which I will get to in a sec, but the Awakening itself isn't a problem. Rather, with how the story is arranged now I don't see a problem with it, but in the first place I think he should have gotten it way back when when he lit himself on fire.

In any normal circumstance, there's no way Dabi should be alive. As the story is, that's being explained as AFO's interference... but that goes into the problem of AFO being everywhere, and everything, that Hori has been thrusting at us since Kamino. Making AFO the cause of every damn problem in the story is a problem in itself. So, how would he be alive now?

*jazz hands* Quirk Awakening.

Not ice, but something tailored to his situation, something that to solve the problem of, 'how in the ever loving fuck are you alive?', because even before he started cosplaying Skeletor Dabi was living with a level of burns that would have serious day to day life consequences, if he even managed to survive getting them. To be blunt, Frankenstein's Monster, which is made out of corpses, is better put together than Dabi's body is. If Dabi's Quirk is too strong for a human body, then give him something to let him survive it; advanced regeneration, the ability to just shrug off burns, being fueled by his fire, something.

You see, Quirk Awakening themselves are... acceptable, as a concept. They're something that makes sense in a manga like this, as a power up, and especially as the 'lore' of it has developed and it's become clear that Quirks themselves can change over time, even if the logic and science of the setting has become softer and softer as time passed. The fact that, as people have put it, Dabi awakening because of how Endeavour treated him 'proving him right' is kind of missing the point, because, well, he always was.

In the coldest, brutalist, most devoid of mercy or empathy kind of way, Endeavour has always been right about this. Quirk marriages are objectively horrible, but they're also the path to stronger Quirks. Like, hell, look at Bakugou. By the logic of the setting, Bakugou might as well be from a Quirk Marriage for how well it was set up for him, because he is the exact sort of multiplicative product Endeavour desired, but he happened by sheer dumb luck instead of primitive, inefficient, and cruel eugenics. We damn well know that his parents wouldn't have kept going for another child if his Quirk was just really slimy skin or something.

Dabi getting a Quirk Awakening doesn't prove shit about Endeavour's methods because Shoto already exists, the very product he desired. Hell, Dabi already unlocked super blue flames by pushing himself to limit, because again, while the mental, social, and ethical consequences of pushing someone to their limits and beyond are very valid, in a manga like this going beyond your limits is exactly how you get a power up, something we've seen time and time again in the story; Endeavour isn't making anything new, he's just tainting an already known phenomena with his abuse. It's not worth the price, but the result itself can happen under this kind of logic.

But, do you know what the first thing I thought was when Dabi started shooting ice?

How convenient it is, that it happens just in time to save Endeavour. Because that's what the ice is ultimately for: to protect Endeavour from the consequences of his actions because, without that, at the very least his arm would probably be gone by now. The ice literally appeared just in time to protect Endeavour from any career ending injuries. Dabi would die without being able to be redeemed. Endeavour himself would be dead, which is seeming more and more unlikely to happen at this point.

Making Rei 'important'? This HImura clan stuff? Please, don't insult me; it is dead obvious that all of that is nothing more than yet another last minute justification to push what narrative Hori wants to tell against the actual story he's made.

How is anyone alive now, when Dabi is literally a giant bomb radiating lethal amounts of heat? Rei is randomly strong enough to counter that, an actual suicide attack with smidgen more of Dabi's ice being used against him to help everyone else at his expense.

Actually, let's talk about Rei: can we replace her without a cardboard cutout with the catchphrase of, 'Endeavour isn't that bad!' yet? Because this isn't a character with agency. This isn't even a proper character. She has never been, on screen, shown with any real agency as a human being. Actually, let me put it like this: do you know when she was shown with the most respect as a human being, as a person with her own will and desires?

When she was burning Shoto. That is how badly her inclusion in this manga is; Rei's best showing is her having a psychotic break.

Sweet burning fuck that is pathetic.

Let's be blunt here: does Rei have any culpability? Technically, yes. Realistically? Honestly? Fuck no. Rei is a broken woman who was sold to Endeavour. He spent his entire marriage growing more aggressive, more dominating, to the point where the only time she did something of her own free will, without the approval of Endeavour, is have a psychotic break. He was the one with power in the relationship, who made the choices, who made the Todorokis into this. And, just to be clear? He did, in fact, hit her.

The lion share of blame for Dabi is with Endeavour, followed by Dabi himself. Rei's share is fucking miniscule. And yet she has to run into the death fire to apologize to the mad, suicidal terrorist for everything.

Meanwhile, why is everyone else here? Why is Natsuo and Fuyumi here? Why are they, the people who were literal children at the time, feeling guilty? Their father had all the power, all the control, wh fuck could they do then? Or even now! They're even weaker than Rei, and Rei needs a pointless, out of nowhere power up just to survive. They should be dead long before the point they could even have this conversation. Actually, could we even have a real talk if they want their 'big brother' back, instead of it just being assumed that of course they want their crazy, murderous relative back, who they were seperated from as different, inferior, in childhood, who didn't know how to interact with them, and who they grew up without their entire lives? Them ultimately settling on wanting him back is fine, in theory, but it shouldn't be this assumed thing, they should be conflicted over this, and have had long talks about, in the same way they should have about Endeavour himself.

Hell, from the other end, why does Dabi care? Why is he going, 'Fuyumi-chan'? They were never more important than him than his ambition to live up to his father's dream, it was all that he lived for. There's every indication he's left all that behind for his hate; let him. Let Dabi be evil, let him be unredeemed!

But that's the thing: it's not about Dabi, and what he should think. It's not about Natsui, or Fuyumi, and what they should think, and we damn well know it's not about Rei, because nothing is ever about her. It's still about Endeavour. All of this, all of this, is still about god damn Endeavour.

Dabi being an actually unforgivable person makes Endeavour look bad. If Dabi dies, gloriously filled with his incandescent hatred, it means that Endeavor can never 'fix' what was done to him, he can never be redeemed from his crime, his apology can never be accepted. This is, of course, exactly the reason why Dabi is trying to do it at all, to rob Endeavour of the peace that could give him, and why Hori won't allow him to do it, to let him succeeding in taking that away from his father.

Everyone being here to claim responsibility for making Dabi who he is? Is taking that much blame away from Endeavour, lightening the guilt he bears. Even if they're logically wrong, when the whole family is there, working together to 'fix' things, it gives the impression that they 'broke' it together, and thus Endeavour's sins are lessened in the eyes of the viewers.

All of this, all of them; Shoto, Dabi, Fuyumi, Natsu and Rei, all of them exist for one thing only at this point: to tell the story of the great and glorious Endeavour. His rise to success, his overcoming of the odds, his wonderful redemption story. Everything they do is to prop up the man who abused every single one of them, and it's sickening.

[reachartwork]

Hey I fundamentally disagree with you about the ethicality of ai art. But like whatever I’m not changing your mind and you’re not changing mine

I do think, however, that the phrase “you're never too old to make homestuck fanart” is INCREDIBLY misleading. Someone who is anti ai art but isn’t the best at deciphering what is and isn’t ai would 100% believe that this is human made based on that line and I don’t think that is fair. I don’t think you should be captioning ai art with something that sounds like you made the art by hand without also saying it’s ai in the body of the post (not just the tags). I don’t know. It bothered me to see that caption please just be more mindful about people who do not want to interact with ai art at all like myself

a bit of my addendum to my previous ask: I’m sure this is not your intention based on the rest of the blog but that phrase REALLY comes off like you’re trying to pass off ai art as traditional art which is not fair to traditional artists. There is a difference there and you know it. I am an artist and I do not appreciate that difference being minimized in a deceptive way. I honestly believe you have good intentions but this was not it.

respectfully: no.

a: that post is over a year old at this point, i tagged it as ai art, my blog mentions ai art in the bio, when you link the post (or my blog) from elsewhere it says that this is an ai art account. if you are getting "fooled" at this point you really only have yourself to blame.

b: i don't see what medium has to do with making homestuck fanart. would you get this pissy if i made a collage instead.

c: nothing in the post implies that i made it by hand. even if we're getting really pedantic almost none of the art on tumblr is "handmade", it's digital, but also assuming that me saying "you're never too old to make homsetuck fanart" implies that i handmade said fan art is kind of insane.

d: you said yourself that the art was tagged ai art. why haven't you blacklisted or blocked it yet. this is a solvable problem, and instead of solving it you're going out of your way to ask me to put a big fat "THIS IS BADWRONG AI ART, DON'T LET YOURSELF GET TRICKED BY THE AESTHETIC APPEAL OF IT" disclaimer on all my posts. do you not understand not only how juvenile but also how insulting this is to me?

e: moving onto your second ask, i need to point out here that you're literally inventing a problem and then getting mad at it. nowhere in my entire blog have i EVER, EVER passed off ai art as traditional art. any "deception" is, i am so sorry because i'm about to sound gaslighty here, something you are making up in your head. i have been straightforward from the absolute beginning, DAY ONE of this blog about what i do and how i do it. i have claimed many times that I am an artist, which is true, but i have never claimed a single time that i am an illustrator, photographer, painter, or traditional artist. nothing in what i said implied this equivalency that you are, and i repeat, inventing in your head. of course there's a difference between traditional art and ai art, dude! i'm literally dating a traditional artist.

this whole two-ask combo is honestly one of the most ridiculous things i've ever read. certainly not as offensive as that one dude from the other day who told me to kill myself but it's definitely up there in sheer absurdity. this is definitionally "making up a guy to get mad at in your head". all of the problems you are DEMANDING i fix are either problems with existing solutions that you have refused to implement or non-issues that you invented out of whole cloth by inserting nonexistent read-between-the-lines implications into my otherwise straightforward and blunt statements.

you are an unserious person. please do not return to my inbox.

cheers, -reach

[twistedtummies2]

Gathering of the Greatest Gumshoes - Number 20

Welcome to A Gathering of the Greatest Gumshoes! During this month-long event, I’ll be counting my Top 31 Favorite Fictional Detectives, from movies, television, literature, video games, and more! Today, the countdown enters the Top 20!

SLEUTH-OF-THE-DAY’S QUOTE: “Kill me if you can!”

Number 20 is…L, from Death Note.

So far, all of the detectives on this list have been protagonist figures. Not all of them have been the MAIN protagonists (although the grand majority have been), but the focus in every situation up till now has been on the detectives trying to solve the cases. This, of course, is not always the case: not every protagonist is a hero, not every antagonist is a villain, and there are two sides to every story. While antagonistic detectives are somewhat rare, they do exist, and in various forms. Most I didn’t feel deserved placement on this countdown, however, due to one or more of the rules I established at the start. This character, however, is an exception.

“Death Note” is a highly-acclaimed anime and manga franchise, which sort of toes the line between crime/mystery drama and supernatural horror. The plot focuses on a Villain Protagonist: Light Yagami, a.k.a. Kira. Light is a precocious young man with a lot of high ideals: he sees the world as a corrupt place, and wishes there was a way to right the wrongs and bring true justice to the people. This desire gets twisted and warped when he comes into possession of the titular Death Note: a notebook with a very dark and dangerous magical ability. Whenever someone’s name is written in the Death Note…they die. And the person who writes the name down can even choose how and when they die, if they so wish. Light realizes the book has the power to grant him the justice he craves so much; consumed by the Death Note’s power, he goes mad and becomes the serial killer “Kira,” using its power to destroy anybody he deems unfit of living in the world he wants to create…or just anybody who gets in his way.

Light does not go unchallenged in the series, and this is where our contender for today comes into play: a mysterious private investigator known simply as “L.” This young fellow is a foil to Light, in a lot of ways: Light is seemingly normal, well-spoken, clean-cut, and conventionally attractive. L, in contrast, is a reclusive little hobgoblin obsessed with computers and candy. What both share is the fact they are each geniuses, both wiser and more clever than their youthful years would indicate. L becomes determined to solve the case of Kira, and it’s his actions and choices that create much of the conflict Light must face on his self-righteous and deadly quest.

Much of the show revolves around the concept of a single word I’ve used here already: “justice.” All of the major characters have their own philosophies and outlooks on what “true justice” really is. Light believes justice is as simple as punishing the guilty; as he is corrupted by the power the Death Note brings to him, he comes to think that the only way one can achieve true justice is to eliminate all of one’s enemies, so that those you care about can be rewarded and saved. L believes much the same, but he sees it from a different point of view: he believes Kira should be punished for his crimes, because that is what “true justice” is, regardless of his motivations. However, L is not a pure and simple hero in this story; he does things that are legally and ethically questionable in his pursuit of putting Kira behind bars. His ideal of justice is set up by the precedent that murder is wrong, and therefore catching murderers is just; how one actually goes about doing that is not something he really cares about on the whole.

Another thing that makes L interesting is his relationship with Light: while the two are dead serious about destroying one another, each comes to see the other as probably the closest thing either has ever had to a real, true friend. Indeed, there are, one could argue, subtle implications of romance between the pair. This makes what happens to L later in the manga and the anime even more tragic, because – SPOILER ALERT – in both, L does not survive the entire series. However, even after he dies, he’s far from done with Light Yagami, as things L did before his destruction ultimately do lead to Kira’s downfall. In the words of a different story, “Neither can live while the other survives.” Their twin paths ultimately result in mutual destruction, which is wonderfully poetic. I would argue the musical of Death Note (yes, there IS a musical, and it’s actually pretty good) does this even better than either the anime OR the manga…but that’s another story for another time.

Tomorrow, the countdown continues with Number 19!

CLUE: “Everyone has thought about killing someone, one way or another.”

[girlfriendsofthegalaxy]

tuesday again 7/18/2023

idk man i just work here

listening

not another rockstar, maisie peters. spotify

this is a little poppier than i generally prefer-- the first knee-jerk comparison i can make for the vocals is taylor swift, esp in the first verse? luckily for everyone, i was white-knuckling it down the katy freeway (26 lanes. never again) and did not have the extra concentration necessary to skip it on whatever autogenerated dance playlist spotify spat out for me. as a fellow woman with a Type, i must tip my hat to ms peters.

Hmm, funny I could pick 'em in a line up, line up Pretty certain I could do it with my eyes shut, eyes shut A little self-obsessive and I sign up, sign up Where's the pen? Where's the line?

@pasta-pardner has made a gorgeously lush electronic/indie pop cowboy playlist. my very favorite song (so far, still have it on loop) is Horsie by Twilight Circus Dub Sound System. it sounds like the opening theme to Samurai Champloo. it ripples and grooves. it lives somewhere between rock and reggae. the whole album is incredible music to hang out to.

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reading

retractionwatch (my beloved) linked out to datacolada.org in a recent article and my ears perked up. data colada gets REAL deep into the investigative reporting of specific papers, including some fascinating excel sleuthing. they use CalcChain!!! i thought i was the only one who used CalcChain!!!

CalcChain tells Excel in which order to carry out the calculations in the spreadsheet. It tells Excel something like "First solve the formula in cell A1, then the one in A2, then B1, etc." CalcChain is short for 'calculation chain'.

one of my worst traits as a person is that i looooooooove an academic trainwreck. i love watching academia eat itself. i love watching people get caught for sloppy shit like "excel file sorted REAL weird, pointing to tampering with individual data points"

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watching

new jennings motor sport!!! the oil change is. hough. impressively disgusting. oil does some funky shit when it's been sitting for ??? decades

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playing

ive been playing genshi/n impact like it's my job. having a lot of thoughts about crunch, and content, and player expectations vs shareholder expectations and Line Go Up and if AAA free-to-play video games are at all ethical to play for anyone ever, but hey! look at this snarky catgirl!

also lol. lmao. this is a game for children. we are all aware of the restrictions and limitations placed upon games for children in the chinese and american markets so yeah the answer is going to be yes, every time

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making

lately i have been going to my best friend's house after work (what an unimaginable sentence a month ago) and hanging out and watching whatever toddler shows are on tv while we shoot the shit and i knit. there's another half-repeat on the baby blanket for the baby who has just turned four months old, but it's in the car and the night is dark and full of mosquitoes.

i literally cannot do any life shit, even most doctor's appointments, until i have a real physical stable address so all i am really doing is knitting and playing genshi/n and opening and closing my email like the fridge. i have one security deposit back from the old mass apt plus one more paycheck (but, crucially, not the nearly $2k from the roach apt and we are rapidly approaching lawsuit time) so the cat and i are a little bit more stable/able to put down a security deposit on something else the minute it comes along. this would not have been possible without the incredible generosity of readers like you during that very bad first week here. thank you. i want to do some sort of thank you...stream? liveblog? series of posts about something? but i'm not sure what yet. stay tuned. tell me your thoughts. what would you like to see?