#no matter how covering it is

[tisorridalamor]

Recently I’ve been reading Kui Ryoko’s fantasy short stories, and they’re all fantastic! Highly recommend that all Dungeon Meshi fans (and fantasy fans in general) check out her other works:

Terrarium in a Drawer

The Dragon’s School is on Top of the Mountain

The Works of Ryoko Kui: Seven Little Sons of the Dragon

[poorly-drawn-mdzs]

"See you tomorrow"

MDZS Disco Elysium AU part 4 [prev parts]

[thejasontoddarchives]

Brothers in Blood will trick you into thinking it’s just a silly crack scenario brought to life and Jason just concocted this plan for shits and giggles. Then you get a single page like this:

Nightwing (1996-) #121

that reveals he wanted/desperately needed shreds of acceptance even if it was coated in layers of resentment irritation and doubt after going through this:

Batman (1940-) #650

And it had to be from someone who isn’t Bruce

[paperkoifish]

#1 the twin tapes + the iceberg car

[mwagneto]

i keep thinking about this coz it's such a common trope in media but i can't even guess how common it is in real life so

[wantbytaemin]

there’s crack in these vids i PROMISE you

[natelia-aldelliz]

Ghost gifts a single tiny ear loop to Soap one day. Says he noticed Soap had pierced ears. That rings keep from handling a gun or a knife properly. He doesn't make eye contact, tries to hide his face, even as he's already wearing his balaclava.

Soap blinks. Ghost has already given him gifts and only behaved that way for the very first one. He doesn't understand. The earring is very simple, but seems to be made of expensive material and not only covered with a thin leaf of gold.

"Didnae it come with another one?" he says, jokingly.

But Ghost flushes, turns his head, and lifts his mask, only enough for Soap to see the glinting of the other earring on his ear. Suddenly he understands that it's not simply a gift. Ghost favoured practicality, but he wanted to give him a ring.

He grabs his hand as it falls back down.

"Simon, what is this?" he asks softly, not daring to be hopeful just yet.

With his other hand, he reaches out to gently turn Simon's head back towards him. His cheeks and his nose are flushed, it makes the warmth of his dark eyes, generally hidden behind a sneer or a bored expression, undeniable.

He looks nervous. Johnny's heart is beating faster. Could it really be...?

"I know", Simon starts then pauses, uncertain. "I know I'm probably not what you thought you'd have, when you were younger" Soap wants to interrupt, to scoff, to protest that Simon is way better than anyone he could have hoped for, but doesn't. He never wants to cut off his love when he's barely starting to open up.

"I know that I'm not easy to be with some days, that I'm not friendly and easy going like you, like someone you'd deserved to be with." he continues, unconsciously pushing his face more into Soap's hand. "But... I love you, more than I thought I could, and I'd like... I'd like to be with you, for as long as you'd have me..."

Johnny's heart is soaring. He has no idea how to react. He'd have to get all the giddiness out first, and the moment doesn't seem appropriate for jumping around and squealing.

"Officially," Simon continues, voice quieter, out of breath. "If you want to."

A gigantic grin splits Johnny's face. All of his limbs are buzzing, he needs to stand up, to run, to explode something. But he's terrified to spook Simon so instead he just squeezes the hand he's holding rhythmically and moves his feet back and forth.

"Baby, are ye asking me tae marry ye?" Johnny says. He's pretty sure his voice is wobbly, but can't really hear it himself as the blood in his ears is louder than the rest.

Simon's eyes do something, what is visible of his face looks like he has an expression on but Johnny can't analyze it now, doesn't dare to see the hope in his eyes, the pleading in his brows.

"I... Yes, I guess I am," the love of his life says finally. "If you want to. You don't have to."

Soap can't keep himself in check any longer. He's making a high pitched noise, jumping up and down where he's seating on the bed, and throws himself at Simon.

"Of course ah fooking want tae!!!"

Simon lets out an excited giggle, swept in Johnny's mood, and tightens his arms around his lover. No, his fiancé.

This is the best day of his life. He just has to deal with this mission tomorrow, and then they can start to plan everything.

[catboybiologist]

I like my enbies like I like my kombucha- tart, biting back, and confusing to old people who see them in public

[total-drama-brainrot]

Island Assistant Noah AU, Noah stays Chris' Assistant all throughout Island + Action + World Tour... How would this version of Assistant Noah react to Alejandro's flirting?... Would Alejandro be amused, when he later learns that Noah got himself eliminated ON PURPOSE in Season 1, and Noah became 'Chris Mclean's Assistant' as a punishment? 😎

Well, honestly I imagine most versions of Noah would react to flirting with the same level of scepticism and mistrust- he's not exactly a catch, and he's aware of the fact. Having someone as conventionally attractive and evidently conniving as Alejandro display interest in someone as not those things as Noah is would be a major warning flag for anyone with any semblance of sense.

Of course, Alejandro's interest was initially a ploy to try and weasel out information from Chris' personal assistant- someone who's high enough in the pecking order of internship to at least have some rudimentary knowledge on the oncoming challenges, but unimportant enough to fly under the radar when it comes to helping the competitors- but after Noah's initial refusal, Alejandro finds himself genuinely interested in him, at least in the same curious way a scientist regards an outlying factor in their studies. Mostly because Alejandro's very much so not used to being spurned, so Noah's blatant dislike of him is enough to fuel his curiosity (similarly to how Heather's hostility to him piqued Alejandro's interest in canon).

So he goes out of his way to bother Noah at any given opportunity. Not that it's hard; due to Noah's job he's practically always somewhere on the jet, since it'd be pretty hard to, you know, personally assist someone without being in their vicinity. Noah's disgruntlement with the constant flirting isn't quite enough to warrant him putting in the effort to avoid Alejandro, however, so the two of them consequently end up spending a lot of time together. Most of which is Alejandro trying and failing to fluster Noah, or otherwise pry competition-valuable information from him. Or, as their conversations become more frequent, he tries to get Noah to disclose something about himself that isn't already apparent- to very little success. Alejandro does find out that Noah's oddly touchy about his position as Chris' PA, though, and stores away that little tid bit of information to exploit later.

Alejandro inevitably finds himself almost enamoured by Noah's caginess and his dry wit. He's surprised to find that he actually enjoys Noah's company, even when it doesn't offer him any of the advantages he initially sought out the assistant for, which is such a novel concept for him. So of course he resolves to spend more time around Noah, to try and figure out what this feeling is, and if it'll affect his stance in the competition- not at all because he wants to spend more time around the cynic, obviously.

And he inevitably becomes more and more comfortable around Noah's stoic bluntness, so much so that he starts showing hints of his true colours around Noah. To the point where the bookworm's initial distaste for Alejandro begins to thaw under the warmth of his actual personality, instead of the coldness of his "perfect Burromuerto" mask. (This is the part where mutual feelings begin to blossom, if you couldn't tell.)

Alejandro ends up spending more time with the off-screen assistant than he does with the entirety of his actual team, which grates on the producer's nerves since they don't have a lot of non-challenge footage of their main antagonist (outside of his frequent use of the confessional, that is). So, he's asked to spend less time around Know-it-all Noah and more time around his actual team, so they have some footage to work with, as Noah's PA contract prevents them from using "unnecessary footage" of him on the show; since he doesn't interact with anyone during challenges or plot-relevant moments, the editors are practically forbidden from using any of the footage Noah is in. Alejandro reluctantly complies.

And it's during this enforced bonding time with his team that the topic of Noah comes up. Owen's the one who initially comments about Alejandro spending a lot of him with his "little buddy", which absolutely doesn't (does) spark an ember of possessive jealousy within Alejandro, prompting him to ask how Owen's so familiar with Noah if he's not even supposed to interact with the contestants. Owen reveals that Noah was a contestant, at least for a little bit, before he was eliminated early in Island.

Alejandro's interest in Noah and the mysteries around him skyrockets. As a former contestant and, apparently, someone who's familiar with pretty much all of his competitors, Noah has even more potential to supply him with valuable information that would assist him in winning the million. He later chases down the cynic and confronts him about his extremely limited time on the Island, to which Noah is initially evasive about, before he- in a ticked off outburst, since Alejandro just won't drop the subject- admits that he got himself eliminated on purpose and working as Chris' PA is pretty much just his punishment for doing so.

And Alejandro's curiosity turns into confusion. Why would Noah intentionally have himself eliminated from the competition when a million dollars is on the line? Noah quickly corrects him that, in the first season, the prize money was a measly 100k, and then proceeds to explain exactly why and how he got himself booted from Camp Wawanakwa- Alejandro watches the annoyance on Noah's face gradually soften out into a smug sort of pride as he recalls his past endeavours. Then that pride is quickly wiped away by a bitter sourness as Noah recounts how his stunt essentially trapped him under the employment of Total Drama, namely Chris McLean.

But Alejandro's still caught up in the glimpse he got of Noah's scheming potential. The glee he saw in the other's eyes as he explained how easy it was to rile up his former teammates enough to vote him from the island, how just a few carefully worded comments were all it took to grant Noah an extended vacation at a five star resort.

Dots are connected; Alejandro suddenly understands why Noah's so resistant to his manipulative efforts, why Noah always seemed to clock exactly what he was attempting to do and shut it down with cold indifference or a snarky comment. The pessimist before him was his equal, at least in terms of strategy. Though how he applied his trickster mindset was a little unconventional. The archvillain is more than intrigued by now, he's utterly smitten... with the idea of having Noah as his "right hand man". Nothing more.

Alejandro's left to wonder just how much more he could accomplish within the confines of the jet if he had Noah's brilliant mind assisting him in his schemes.

[franollie]

stars and scars

[saevus-brutalis]

target neutralized.

do not pin, reupload, copy, use or claim as your own, thanks.

[crow085]

Average day at LOV headquarters

[silvermarmoset]

meditating on the @hotvintagepoll bracket again, specifically looking at cary grant and james stewart and being like what is the appeal here?. Because running the bracket, you see a lot of people who have never met any of them before, so they're voting purely on looks—and looking through their eyes, yeah, what makes square-jawed Cary or chinless James worth watching?

and I think what I've come to is that Cary Grant is always outside whatever movie you're watching him in, which is his particular appeal, while James Stewart is always deeply inside the movie, and that's his. Cary Grant plays every role with a little wink and a smile, always a slight touch of artificiality, and he's always Cary Grant™—the suit, the hair, the tone. He could turn to the screen and wink at you because he never seems that trapped in what he's doing at any given time. He could step out of the screen and still be this creation Archibald Leach made.

And James Stewart, meanwhile, is always playing the same handful of characteristics—the voice, the swallow, the slight awkward tallness, the lowered brow—but no matter what is happening to him, he always conveys that he believes it. There's not a soul of a wink in his performances. He believes the 6' tall rabbit, the angel on the bridge, the murder in his lens. No matter how insane the story, Jimmy Stewart conveys that he is entirely involved in it, grounded to the point of no separation.

Maybe that's what makes The Philadelphia Story such a magic experiment in onscreen chemistry—Cary standing on the sides of the action, seemingly never that bothered that his former wife is running off with two different men, always a slight smile away; Jimmy, meanwhile, immediately entangled in the story, immediately getting into fights and bungling into things and 100% inside.

[e-louise-bates]

My mother brought my childhood set of The Chronicles of Narnia with her on this visit. As you can see from the spines, I literally read these books to pieces. They are getting a place of honor on my bookshelves now!

[httpiastri]

me: *has a bad week*

oscar: say no more, i know how to fix it

[oatbugs]

procrastination is starting to have its consequences finally