me when i get the opportunity to think about speculative biology and non-existent game mechanics in media i like
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ultimately when it comes to shipping and fandom space treatment of aspec characters i just don't accept "aro/ace people can still date/have sex" as an answer from nonaspecs. like yeah. mhm. okay. now i think we both know that you're not saying that out of real interest in the diversity of aspec experiences. so you can turn in your seventeen-page essay on why and how you plan to examine this character's aspec identity within the context of a romantic or sexual relationship complete with evidence from canon and peer reviews from multiple aspec people within the next week or i'm putting you in the pit from the edgar allen poe story
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oh okay heres one:
"sleepaway camp"= you go there for at least a few days, a week, sometimes several weeks, and sleep there, as opposed to a """camp""" where you go for the day and your parents or whoever picks you up afterward (those arent really camps, but like. idk when i went to "space camp" it was a weeklong but not sleepaway). in the U.S. at least, the typical image of a sleepaway camp involves staying in cabins, dunno how common it is/what it looks like in other countries.
for the first few i just mean like. not necessarily a stealth church camp, just like. idk, a camp where theres also an Assumption Of Christianity and just general vibes without being actually church camp. So, there might not be daily services and jesusy dedicatwd activities, but maybe theres still a prayer said over meals and shit. Which i assume might exist...
(oh and @reblogforsamplesize if u wanna)
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a few months ago giffy was like "haha hear me out, what if tattoo au" and then we blacked out and talked about nothing else for like three weeks
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a quick guide to dog lords, telling your arls from your teyrns, and generally how ferelden works
okay, this isn't quite what anon asked for, by which i mean not at all, but unfortunately they activated my interest in some of my favourite lore. it should hopefully contain a lot of the relevant stuff and i’ll try to branch out to less fereldan specific information in other posts!
okay, let’s start with the hierarchy. there’s four kinds of noble in ferelden
royalty: you know who these guys are. except for during the orlesian occupation, ever since ferelden became one kingdom, it’s been ruled by the theirin family. which i think is for 388 years, i really hope that’s right, i got out a calculator
teyrns: these are super powerful lords, basically banns so powerful that other banns swear fealty to them. they’re second only to the king, who is essentially just the most powerful one of them. there used to be a lot of them, but with one dynasty in power for so long, that kind of opposition has been eroded away. there are only two remaining: the couslands of highever in the north, and the mac tirs of gwaren in the south
arls: these are extra special banns. they answer to a teyrn or king and hold a strategic fortress for them. we know of six—amaranthine, south reach, denerim, redcliffe, west hills, and edgehall—but i’m unsure if that’s because they are only six or because there are unnamed others
banns: these are your common or garden noble, the lowest ranking and most common. this is your local lord type. they seem to vary the most in power, though, with some banns having big speaking roles in the landsmeet
but i kind of should have written that list in the opposite direction. what do i mean by that? well, in your standard medieval hierarchy, and in a lot of the rest of thedas, power comes down from the king, who lets you hold the land. but in ferelden, most of the land is owned by freeholders: commoners, well-off enough to own their land but still not by any means nobles.
how does that work? well, let’s say i’m a freeholder.
i own my land, but thedas is a rough place. if i want to keep my land, i’d better swear fealty to a bann. i’ll pay him a portion of the goods produced on my land, and in return, he’ll protect my land from anyone wanting to beat me up and take all my goods... and also, you know, not beat me up himself, as he probably would if i didn’t have any bann looking after me. it kind of sounds like he has all the power, right? like a medieval protection racket? it’s certainly how he gets his power and wealth
so i, freeholder harker, have signed up with bann jeff. it makes sense, because he’s the closest to my freehold, and i want soldiers to actually get here in time if i’m in trouble. that’s why my family has been swearing fealty to his family for generations. it’s just how things are done
but the thing is: i hate bann jeff. maybe he takes too much of my harvests, maybe he sides with a different freeholder when we go to him with a dispute, maybe his men don’t mind their pleases and thank yous when they come for my goods. i’m well within my rights to say fuck bann jeff and leave him. especially if there’s another bann nearby who would be perfectly happy to take my goods instead and treat me right. and the less freeholders bann jeff has, the less resources and men he has to make a fuss about it with. if bann jeff pisses off enough people, he might not have any freeholders left at all. and where will his wealth and power come from then? maybe soon he won’t be a bann at all
of course, bann jeff’s family might feud with the family of the bann that stole me away for a few hundred years. but that’s hardly my problem, is it? “courting” someone else’s vassals is apparently the biggest cause of conflict within the bannorn
anyway, this isn’t just how banns work; it’s how all power theoretically works in ferelden. there are no serfs/“unfree” men. every peasant has a right to go where he will and choose which freeholder he works for, just as every freeholder has the right to choose their bann, and banns who swear to teyrns can break away. (the latter is probably less common because a teyrn could fuck you up. i’m guessing you’d have to get the king’s backing about it to survive that.) and even the king answers to his lessers in the landsmeet, the super ancient gathering of nobles where law is made, which can override the king on any matter of law. (but they’re not going to do it if the king is really popular or powerful, because. you know. there’s a limit to all things called common sense and they would prefer not to get squashed about it.) but generally, everyone who holds power in ferelden has to curry favours with their so-called lessers in order to keep their goodwill.
everywhere else in thedas thinks this is weird as hell, by the way. having to court the approval of those beneath you? even the king having to do that? wtf? but the level of freedom means everything to fereldans. it’s their highest ideal and they’re really proud of it.
(the people who really don’t have a voice are what the ttrpg calls “low freemen”, which according to its handbook, consists of criminals, prostitutes, and elves. they still have the right to freedom of movement and to be paid for their work, but they’re not going to have freeholders and banns seeking their favour and speaking for them, and they typically have to resort to bribery for entrance to cities, their homes are bought and sold by others on a whim, things like that. ultimately it makes their position incredibly vulnerable to abuse, as we see in the games. i’m sure we’ve all played the tabris origin. there’s a reason the potential boon to get a bann for the alienage is so wild.)
so, let’s say you made it, everyone loves and/or tolerates you, and you’re a noble. what good does that do you and what can you do? firstly, you have a voice in the landsmeet, which is super important and means the king wants your goodwill and advice. more generally, you have three basic functions of a noble: raising taxes/tribute, commanding soldiers, and dispensing justice. nobles are expected to live off the wealth provided by their land and it would be hugely looked down on if they did work instead, with exceptions for, like, military careers and the chantry, which are respectable for their status. they raise militia from the commoners when necessary, and they also have trained soldiers or possibly knights (see postscript) in their service. that means you can protect your land and you can win glory and spoils when the kingdom goes to war, it also means you’ll be expected to provide those men when your liegelord calls for them. and lastly the law is their responsibility. remember how in the awakening dlc you had to make judgements as the arl of amaranthine? like that! the smaller scale you are, the smaller scale it’s going to be. in turn, if you want a dispute sorted by a higher power, you have to go up to your liegelord, maybe a teyrn or the king, or if you can’t get one of them, a more powerful bann or arl in the area. possibly the chantry would be an alternate option? if it’s just about finding someone you will both listen to, which is usually the main issue
some privileges other than the standard “power over those beneath you” that you can typically expect to belong to the noble class, even if it’s not specific to dragon age: the right to carry a sword, the right to have a coat of arms, the right to precedence on formal occasions and a special seat up front in your local chantry... sometimes niche ones, like fabrics and clothing that are only permissible to wear for people of a certain rank, so it distinguishes them. you can expect favours from/common class interests with your king, you would expect to be given a trial or treated chivalrously if things did not go your way, depending on era you might be captured for ransom in battle rather than killed outright, you probably have exemptions from certain royal taxation... etc. etc.
that’s what i have! i hope these are some helpful fundamentals and that anyone who has more knowledge than me on any aspect feels welcome to contribute it
P.S. as an aside, i’m a little confused about the fereldan use of knights. they definitely exist as lesser nobility, but i don’t understand how they fit into the hierarchy. a real knight was typically a vassal who held land from his liegelord and fought for him in exchange. i... don’t know how that works in the context of land ownership mostly going upwards. they’re definitely around, anyone addressed as ser is a knight, you have the knights of redcliffe and people like ser jory and ser cauthrien. (someone in an order like the templars has the rank of knight and gets ser and everything, but is not a noble.) as a rule of thumb i think generally they’re probably just members of noble families with that dedicated military training and no greater title to lay claim to? i’m basing that on stuff like nathaniel howe being sent as a squire to his mother’s cousin, a chevalier; if he’d completed that he probably would have been a knight unless/until he inherited his father’s place? i don’t know. i’m making this up. and on the other hand, there’s very little distinction in fereldan between your regular noble and a some kind of warrior class, which is why i struggle to see the purpose. (there are also inexplicable career soldiers who are not knights. what the hell is funding that upkeep and armour, buddy. you and whose land ownership? this is why you were fighting the darkspawn with your whole arms out, aveline. stop trying to imply ferelden has a standing army you can go off and join. yes i see you carver lore. i will not buy it.) ANYWAY, because knights are more prevalent in certain areas, i do wonder if it’s an import from the long orlesian occuption, based on the knightly order of chevaliers? i don’t fucking know. worth chewing on
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early design for my sister and i's comic project "bites n' bribes" - a comedy about a group of gangsters starting a restaurant as a money laundering front
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I've been avoiding episode 1115 for an entire month after it was released and despite reading in the manga about what will transpire, I'm still brokenhearted because the guilt of not being able to protect his ship and crew will flood more questions for Law because surviving yet again has got to be a sick joke from some sort of higher power at a certain point. Is it because he's a D that there's a mysterious force compelling him to survive no matter what? Why him, specifically? If an incurable disease and a limited lifespan was not enough to kill him, if his fate was so checkered to the point that he had to bear witness losing his family, his savior, his home, and his nakamas, what's the point of being alive? He has too much love to give and I won't be surprised if he was already introspecting on the idea that he's like a curse bringing the inevitable to his loved ones because his love was doomed to be tragic and unfortunate.
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sometimes i still think about the fact that nancy is one of the most powerful, plot-critical characters in stranger things, and how she has led her own arc every single season--from driving the search for barb to taking down the lab to figuring out the flayed to being a fucking general by the end of season 4. and about how she was taking care of the kids during the last half of s3 and how she was the leader of the hawkins group in s4. like, i really cannot emphasize that enough. once the main character with superpowers and the actual war veteran chief of police are out of town, nancy is the unquestionable leader. the person everyone turns to without thinking twice. i’m serious. nancy is a teenage girl who has her every move questioned and doubted and still the only people more powerful than her in the show are a girl with superpowers and a war vet.
and when danger--physical danger--shows up, she doesn’t fucking hesitate. she’s diving straight into the upside down. she’s leading the older group to safety again. she’s shoving aside the 5 different traumatic experiences she just witnessed to put together a multi-step military operation and she’s taking point to go shove a shotgun in vecna’s face. and yeah, they end up not being alone when they face vecna because el is there, but nancy doesn’t know that. she’s fully intending on going to kill an adult man who has control over an entire dimension and has been murdering people with his mind, even though she has no backup, no superpowered el, no hopper and his government contacts, nothing.
and yet.
AND YET
the vast majority of natalia dyer’s press for s4 was about a love triangle. and i get it, a lot of interviewers can’t get away with not asking those questions, but you know what else you could ask about? nancy’s growth over the last 4 seasons. how it felt being the leader of the hawkins gang. how she thinks nancy feels after losing another friend. what was running through her head when vecna had her. what her thoughts are regarding nancy’s plan, or what’s going through her head during that final scene when she’s *checks notes* standing behind the show’s protagonist and looking at The Plot as it rises from the ground.
or, i don’t know, ask her what it’s like being the person handling guns on set. what those upside down night shoots were like. what her thoughts are on nancy’s choice of college! what she thinks about the perm! for fuck’s sake there are only a thousand different questions that would’ve been far more interesting or at least personal to her character. but no. every interview boils down to team steve or team jonathan, as if a tired, already resolved love triangle is anywhere near as interesting as literally any other part of her character
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#19.3 Unravel
It had been some time since Agni felt this nervous. Not even talking with Jinsung Ha recently had made him feel like this. He fiddled with the mask on his hand as he waited for Grace to come back. He had thought hard on how to deliver the news, but he knew that no matter how he phrased it, Grace would be upset. Velt nuzzled under his palm and Agni gave her a few pats, before deciding that she would be better inside her bowl in his lighthouse, just in case the shinsu acted up around Grace after he received the news.
Grace came back wearing the comfiest shirt and shorts Agni knew Grace liked to wear on lazy days. He joined him on the floor, and they ate dinner together. Agni always finished last, so while waiting for him to finish his meal, Grace told him about his day with Bam. Grace was intrigued by how much his way of thinking had changed, and how glad he was to be able to be by Bam's side when he was having a bad day. It reminded Agni of the hidden floor, when Grace faced his sworn enemy.
They left the used bowls on the coffee table and went to brush their teeth. Afterwards, they turned off the light and went upstairs to sit on their bed. Grace's curious gaze never left him, and Agni curled his feet nervously.
Grace was the one who broke the silence. "So…what is it?"
Agni's breath hitched. This was the part he dreaded most. "I talked with the crocodile earlier. Did you know that he could manipulate stone already?"
"Huh." Grace needed a few seconds to let the information sink in. "Didn't Rak learn it on the Hell train? How does he know it?"
"Turns out our crocodile also traveled back to the past like us. He found the young crocodile and taught him."
"What?!" Grace gasped, wide eyed. "That means our Rak is–!!"
"He's dead." Agni quickly snuffed out that hope. They had been in delusion for long enough; it was time that they faced the bitter truth. "He suffered a fatal injury from the explosion. He couldn't have lasted long without proper help." Agni omitted the actual cause for Rak's death, but still kept his words true. "I'm sorry."
"…Oh." Grace looked lost, just like Agni was. His lips parted a little, but they closed before any sound escaped.
Agni gently squeezed Grace's hand, encouraging and comforting as he let the silence stretch on, giving Grace some time to process the information.
"Agni…" Grace whispered, "do you think Hatz and Isu…?"
Agni bit his lip and avoided his gaze, as the nightmare of that day replayed in his mind. He witnessed Hatz get his arms ripped off when trying to protect him. He could still recall the clang of a sword hitting the floor, and Hatz's suppressed scream that gnawed deep at his guilt. He witnessed Isu get beheaded after being taken hostage, the memory of warm blood painting them both still vivid like it happened yesterday.
Agni refused to acknowledge their possible deaths, because it felt like a nightmare that one day he could hopefully wake up from. He avoided the topic when Grace brought it up, so he wouldn't have to say it aloud and make it real. He had been so hard on himself, because he couldn't get rid of the feeling that he had failed Grace and everyone else involved.
Agni knew this had to change if he wanted to live better, now that they had gotten a second chance. So he swallowed down the lump in his throat that had built up over the years and asked mostly to himself; "What are the odds of their survival?"
"There's always a chance–"
"Grace." Agni looked him straight in the eye. "They were already severely injured before the explosion hit."
Grace fell silent and went still.
Agni felt a pang of guilt upon witnessing Grace's reaction. "Sorry. I didn't mean to snap." Agni fiddled with his hands. He realized that he didn't know how much Grace knew of what happened. "My scar…do you know how I got it?"
"I…was told it was from the family heads' battle." Grace looked thoughtful. Agni knew he was trying to be careful with his words. "A stray attack?"
"It could have been worse." The memory of the scorching heat on his skin felt like it had only happened yesterday. He passed out right when he was about to heal Isu, and only found out later that he also lost sweetfish at that time. The days he spent recovering from the burn, to withstand the excruciating pain every second he was conscious, and finally coming to terms that it'd be a permanent scar, was one of the turning points that had changed him forever. Were Grace not there to care for him, he might have ended up destroying himself even more.
Agni hadn't realized he had his left hand clawing on his cheek until Grace pried his hand off and frowned, "You're doing it again."
"Maybe I should wear the mask…" Agni muttered to himself. After all, Grace gave it to him less so he could hide the scar but more to prevent him from unconsciously hurting himself. The only time he could safely take it off was when Grace was around.
Agni bit his lip nervously when Grace didn't reply. He no longer had the courage to look Grace in the eye that spoke so much concern, so he leaned close and rested his head on Grace's chest. "Rak, Isu, Hatz and Hwaryun were trying to get me out of that damned place. But we were caught while escaping, and…it was a bloodbath. I was…too occupied to react to the incoming heat. Rak shielded us from the explosion. And when I woke up…"
"They weren’t with you," Grace finished it for him after Agni trailed off a moment too long.
Agni nodded dazedly, "I've been telling myself that they're still alive, after a blow that could kill rankers. But…who am I kidding? I was lucky enough to survive with just this little–" Agni vaguely pointed to himself– "inconvenience."
Agni felt a hand gripping his arm, and he pulled away to see Grace looking at him with a pained expression. His eyes were glossy and his lips were pulled into a thin line. Trusting his instinct, Agni reached out to gently trace and cup Grace's cheek with his free hand.
"I'm sorry," Agni muttered. "I'm sorry, for not telling you sooner."
Agni silently witnessed tears that streamed down on his love's face. It was a bitter sight that Agni wished he'd never have to see again, that he had tried to avoid for so long by not telling him. He pulled Grace in and held him close to his chest, as if Agni was trying to gather his own crumbled heart back together.
Grace mumbled their late best friends' names as he held onto him tighter, shaking from each breath he took between sniffles.
Agni felt his own eyes sting with unshed tears. He remembered the years he spent climbing the tower together with his old team. Despite their banter being his source of headaches, Agni knew he too had come to acknowledge them as his cherished friends. Only when they were gone did Agni realize how much he'd miss having them around. Seeing the younger them didn't exactly close the gaping hole in his heart, but at least the emptiness was more filled.
Agni squeezed Grace tighter. "We have their younger selves with us now. We will protect them better this time."
Grace only nodded and sank further into his embrace. And Agni planted kisses on his hair, relishing the thought that after everything he had gone through, Grace was still a constant in his life. As long as he had him, everything would be okay.
When Grace started shaking again, Agni caressed his hair and hummed a comfort song they had known by heart. Still, it didn't make falling asleep any easier for Agni, especially not after admitting that his nightmare was very much real. However, as he had been through grief…this, too, would pass.
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Just want to say: a, I admire very much that you've figured out a healthy way to work on your fics that allows you to have fun with it. And also b, am very excited to hear that you are getting there with pez! It has fully given me brain rot ever since I read it last year, there is just such a lack of content for the highly specific trope of using time travel as a device to explore extremely unhealthy levels of self loathing.
I just adore everything you're doing in it. Neither midoriya is anywhere approaching okay for any portion of the fic and I love rereading and mining into all the subtle characterization pointing to that. It's a bit like nhtycth in that some really goofy funny stuff is often hiding some really fucking worrying things, but the fact that characters DO do that stuff—that todoroki uses his teaspoon's worth of extremely stunted social skills to bludgeon his friend's door open and help him, that a rpf shipping war is an actual source of drama despite how goofy the sentiment seems on the surface, that about half of what jon says is deeply worrying and the other half is extremely funny and there's a lot of overlap between the two—really lifts the tension and brightens the universe. It's sort of similar to what you did with gerry, in that endless misery isn't nearly as painful as the ups and downs of a life that, when you step back and zoom out, has something deeply and horribly wrong with it.
(jon sort of reminds me of spider-man in that he uses human to deal with trauma and stress, except I don't think he at any point realizes how fucking funny he is. He's just there, in a home depot, gnashing his teeth because he's got so many bodies to dispose of and this cashier sure is taking her time.)
I really, really, really have had trouble finding fics that take everything midoriya has dealt with to task. It's a hell of a thing to live 14 years as a disabled minority, have it heavily shape your existence, and then one day you wake up and you realize you're...not that, or at least, nobody will ever acknowledge you as that again. You've lost all claim to it. Those experiences that shaped who you are? Dust in the wind. 14 years of pain and life might as well be buried in the ground for all the good they do you. Nobody's going to cut you any slack or quarter, you've gotta simply work harder, be better. And now when you do that you get the results you wanted, so that's fine, then. That's good. There was something wrong with the you before, and there's something right with the you now, and if the transition is a little rough, well that doesn't matter, you're the same as everyone else now, so it's your own job to fill in whatever gaps you need to.
I really can't get over how mentally fucked it must be for midoriya to run into quirkless people, run across quirkless issues, and be silently caught between, incapable of speaking his mind and too scared to do so anyway around those he can trust.
Also I should mention, I'm just very excited for bakugou to get back from the gym. He's been there like a year I hope he's getting a good workout in.
Me realizing that it’s been a year since pez dispenser debris:
I feel like there’s just this very specific type of grief that Izuku has to grapple with in the span of pez dispenser debris that I’m just obsessed with. He’s sort of silently mourning who he could have been, when 1) he has to present like there’s nothing lost to maintain his secret and 2) the entire world is constantly inundating him with the message that there was nothing lost.
Like. I don’t want to get too deep into it because it risks spoiling things and I do have major plans to continue it (I’ve loved this story for so many years before I ever even hit publish), but the emotion that Izuku’s feeling right now is so much more complex than “I hate who I used to be and want him to stop existing” or “I just want to keep my secrets.” And I think the way he interacts with Mirio is the biggest evidence of that.
Izuku’s placed himself at the very center of the Quirklessness debate with his support of Mirio. He fights for Quirkless heroes, very publicly, to the point where he’s not even graduated yet but considered to be one of the most prominent voices on the matter. If you took a poll of Quirkless people as to which hero would be most supportive of them pursing their own career in heroics, Izuku would be right at the top of the list. When it comes to Quirklessness itself, he’s nothing but supportive.
But he didn’t tell Mirio the truth of his own Quirklessness.
Out of everyone, Mirio’s the one everyone expects to know, despite him being a relatively newer relationship compared to someone like Iida or Uraraka or Todoroki. And I tried to imply that he’s sort of the one who knows the most about Izuku out of everyone save All Might.
Like, we’ll get into how much exactly Mirio knows soon, so I won’t divulge what, if anything, Izuku has told him. But we know that Mirio knows, weirdly enough, that Izuku is deeply fucking haunted. He knows that boy has many violent ghosts in his bones. He finds it hilarious and will tell their realtor about it. Izuku told him about the discontent spirits who died in a violent passion and live on inside of him before he told him about his Quirklessness.
And I just feel like one of those things is a little bit easier to discuss than the other.
Izuku has decided to keep his own Quirklessness quiet in a way that surpasses secrecy about One for All. If it was just about OfA, he could tell people he didn’t get his quirk until the entrance exam, and it wouldn’t even be a lie. He’s purposefully obscuring his own past as Quirkless even as he takes a forefront of the Quirkless hero debate with his open support of Mirio.
And the fact that he’s at the forefront of this debate in and of itself requires a difficult dichotomy. He is the world’s most vocal proponent for the first Quirkless hero. He is a known figure in the Quirkless community now.
He isn’t considered one of them anymore. He’s an outsider coming in.
It must be such a strange, odd sort of grief to come to the people you were home amongst for most of your life and be greeted as a stranger. To return home, and to be welcomed in for the first time, and to not even be able to tell people that you’ve lived here all your life and don’t need a tour.
It’s a sort of death of self, I think. And I think Izuku never expected to have to grapple with his own ghost.
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How do y'all think yasammy would react if they got the opportunity to see their first kiss now as adults?
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WAIT kotya can turn into a human??
silly answer: actually, kotya is a human. catgirl robot kotya is just her transition ideal. her robotsona, if you will
serious answer: though technically human kotya and robot kotya (smartly named k0tya) are the same character, they are from different universes. there's several of those featured on this blog, and as a rule i tag what's what under every post (formatted as "setting: [x]"). if a setting tag is missing it means it's either an unrelated drawing (not a part of any story) or related to the main "default" universe (which is the only one i often forget to tag... lol)
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hi I love your tags so so much! they were so sweet and so interesting and creative and the whole Aphrodite type of beauty thing sounds really interesting do you have any articles and recommendations to read further into it??
-hogoflight
Hello my fine feathered (I am assuming possession of feathers if you are, indeed, capable of flight) @hogoflight! I'm always always happy to hear that people appreciate my frenzied rambling in the tags :D! I have a lot of articles and recommendations :D!! Ancient Greek notions of beauty and representations of it in their art and sculptures is a pretty well studied topic! There isn't any way for us now to know definitively what the beauty standard was (it varied widely from region to region and culture to culture after all) but here are a couple of my favourite reads about Aphrodite and what her representations tell us about idealised beauty!
Probably the most empirically extensive one I can list is Krönström's thesis which compares statues of Aphrodite and literary text referring to both the goddess and mortal women to determine physical ideals for women in five specific eras of Grecian antiquity. Including measurements of the statues there are many descriptions of Aphrodite as 'curvy' with a 'voluptuous figure' and with 'ample buttocks and bosom'.
"When the beauty traits are
described in the texts, they are never extreme or anything that could not be found in normal
people just that they are more beautiful in every aspect. Furthermore, the sculptures’ physical
forms look healthy, they are tall and have distinct curves. Great examples of this are the Knida
sculpture and de Milo (the Melian) sculpture."
Of course, these images are still idealised, and there was still a concept such as 'too fat' or 'too skinny' found in written records (and this thesis even includes analysis of pornographic writings and descriptions of the fashion and stylings of pubic hair of women from different regions!!) but from an interpretational standpoint? There is absolutely no reason why these can't refer to a fuller figure. Height was also a very important factor after all and over the course of many eras, it seems like being well proportioned in addition to the length and appearance of one's hair were the most important factors (and, like Apollo, greater beauty was given to those with curlier hair)
Mireille M. Lee's 'Other Ways of Seeing' essay which talks about the forgotten female viewers of Knidian Aphrodite which is also extremely illuminating on how Aphroditic sexuality and sensuality was perceived totally differently from the well documented male voyeuristic gaze (which was overly preoccupied with the statue's nakedness and therefore over-sensationalised the statue's physical appearance) vs women's perspective on the statue which is more centered on the beauty of simplicity in Aphrodite's garment and decoration and in her power and ability to captivate both in her finery and without it. I think it's especially useful in exploring the importance of finery, jewellry and adornment in representations of Aphroditic beauty.
"Some of the small-scale copies are
heavily jeweled, especially those from the eastern Mediterranean, for example the Hellenistic gilded terracotta statuette in the Çanakkale Museum (Fig. 5) in which the goddess wears, in addition to the armband on her (right) arm, the following: a necklace with multiple pendants; cross-bands extending over both shoulders and hips, with a cascading pendant in the center; a coiled snake armband on the left arm and another snake on her left thigh, and a twisted anklet on her right leg. (The left leg has been restored, and might also have featured an anklet.)"
"Jewelry is especially associated with Aphrodite in Greek literature. As seen above, in the Homeric Hymn to Aphrodite, the goddess adorns herself with gold jewelry, dress-pins, and earrings in the shape of flowers (162–3)..."
Finally, and to me, the most important one in the argument for an interpretation of Hyacinthus as fat, beautiful and fundamentally Aphroditic comes from Brilmayer's brilliant brilliant thesis done on Aphrodite's work and influence in Archaic Greek Poetry which does away with all of that masculine preoccupation with physical proportion, measurement and bodily ideals for a focus on a Sapphic Aphroditic ideal centered in clothing, ornamentation and, most importantly cunning as symbols of Aphrodite and ultimately a feminine idealised form of beauty. This paper also discusses Pandora and Helen in these terms and it is just kind of a wonderful read tbh.
"Combining Homeric and Hesiodic elements
with her own ideas, she [Sappho] alters the way female beauty
is viewed. For example, the Homeric war chariot – a
symbol of male, military prowess - comes to
symbolise the totality of Aphrodite’s power uniting
in itself male and female qualities.
Having addressed the concept of beauty directly,
Sappho then concludes that beauty lies in the eye of
the beholder. With the help of Helen of Troy and her
beloved Anaktoria, Sappho sets out to reinvent the
concept of female beauty as a godlike, subjective
quality that may be expressed in many ways, yet
remains inspired by Aphrodite."
The conclusion to all of this of course is that Aphroditic ideal beauty is much more fluid compared to its stricter Apolline masculine standard. The nuances and understandings of both are of course, constantly being studied, analysed and scrutinised but really, if Dionysus who was both bearded and clean shorn, effeminate, birthed and rebirthed (and twice gestated!) and strongly associated with vegetation can be popularly portrayed as fat and handsome, why can't Hyacinthus?!
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Reading your post about buggy and shanks. I get a lot but why guy like shanks would care about guy like buggy?
Their interactions in marine ford for me were just nostalgia with using buggy for what he needed. The way he talked about him with white beard also seems just nostalgia vibes. He doesn’t even know if he is a pirate or not.
Shanks seems so much more open to others. He parties with Mihawk. Drinks with Whitebeard. His crew interactions. All of them are much better. More honourable. Have courage.
Let’s be honest, buggy is one of the worst people. He is greedy and selfish af.(( I think it’s good he gets some shit from cross guild) I don’t see any reason other than my childhood was with this guy so I have soft spot but nothing special here.
well, if you don’t like buggy, i can see why you’d have trouble imagining what shanks might see in him.
but one of the worst, really? the guy who lied and stole to get a devil fruit is on the same level as the guy who murdered a decades-long ally for a devil fruit? like, yeah, buggy’s greedy and selfish… he’s a pirate. i know most of our heroes are Good And Noble Pirates, but it’s not strange to see pirates in one piece who have more ordinary motives.
imo buggy’s worst trait is not either greed or selfishness, but his two-facedness. he’s got a very very small number of people he actually feels loyalty towards, and everyone else is one bad situation away from getting metaphorically stabbed in the back. he tells himself it’s their fault for thinking they could trust someone like him—or in the case of his impel down followers, that they admire him so much they’d want to die in his place. sometimes he feels bad about it! (he wouldn’t bother trying to justify his actions to himself otherwise!) but self-preservation is always buggy’s highest priority.
he’s made himself into a bit of a self-fulfilling prophecy of untrustworthiness, acting like this… and i find it kind of funny, because buggy takes other people at their word even when they’re obviously manipulating him! a very trusting, very untrustworthy guy. these contradictions are a big part of what i like about buggy as a character.
as for cross guild… i might enjoy the shit buggy gets from them more if it was for anything he did on purpose. like, beat him up for making unilateral one piece-hunting announcements, sure! but he didn’t design that boat. it just feels like punishing him for having followers who buy his hype… who mihawk and crocodile are also taking advantage of, so it’s not like they have any real moral high ground there. they’re just embarrassed to ride on the clown boat.
anyway, you aren’t really asking about buggy’s qualities, you’re asking about shanks’ feelings. and as i’ve mentioned a time or two before, we don’t really have any insight into those in present day! my big shanks/buggy post is about their thoughts and feelings in the past, because those do seem a bit more transparent to me, so i feel more comfortable speaking on them.
but present day shanks…
he says natsukashii when whitebeard brings up buggy, which is usually translated as “nostalgic” or “fondly remembered.” he’s not like buggy, when they parted ways he didn’t linger over any hurt feelings and let them grow bitter. that’s good! that’s healthy behavior! and his knowledge of buggy’s current status is kaze no uwasa de mada kaizoku wo yatteru to kiita, “heard a rumor on the wind [he’s] still being a pirate.” shanks has been on the grand line, in the new world, for years, why would he know anything concrete about a minor east blue pirate? he only learns about luffy’s first east blue bounty because mihawk brings the poster to him; i think we can assume shanks doesn’t have the time to search through newspapers from a distant ocean in the hopes of maybe seeing a one-line reference to an old friend.
i do find it amusing that the verb he uses to describe their separation is also used to mean “break up/divorce” but i’m sure you don’t care about that.
as for being more open with others… it’s not like they reunite under good circumstances. ace and whitebeard have just died, along with who knows how many others; massive bloodshed is only being held off by shanks’ presence and attention. shanks uses buggy to keep his old promise with luffy from being broken because that promise matters to shanks but he cannot afford to put in the time himself, he has to keep the marines from starting shit while they sort through their dead and wounded. it’s not exactly a “let’s get a drink and catch up” moment.
and that’s the only time we’ve seen them interact as adults!
claiming that because shanks wasn’t open with buggy in that moment he would never be open with him in another time and place is an ungenerous interpretation of the character. even if you don’t think the chapter 581 cover is canon, one of the few interests we’ve seen the buggy pirate crew and the red-haired pirate crew have in common is their love for a party. (probably taught to their captains by roger back in the day!) why wouldn’t they hang out and get day drunk if the opportunity presented itself?
and saying “my childhood was with this guy” and “nothing special” in the same sentence cracks me up—it’s not like they were in school together with dozens of other kids! buggy is the only other person who went through that experience. everyone else on the oro jackson was an adult, many of them 20-30 years older than those two. their experience of those events was inherently different. sharing an experience like that with one other person is special, even if that’s all there is between you.
and that’s what your question is ultimately about, right? is that nostalgia for their childhood all that exists between shanks and buggy? i don’t know. i don’t think we’ve seen enough of shanks around buggy in present day—or heard any of shanks’ present day thoughts about buggy—to make a definitive claim one way or another.
sure, on paper buggy seems like the kind of person shanks would look down on at best. but he smiles when buggy chews him out for saying hisashiburi (long time no see/it’s been a while) like he didn’t just lie about having a treasure map for buggy. now, maybe that’s just shanks being amused by a tiny yappy dog who’s no real threat to him. maybe it’s a real, sincere affection for this dumbass who still doesn’t see shanks as a threat. or maybe it’s nostalgia for the dumb fights they used to have as kids, with a hint of disbelief at how little buggy has changed.
even if it is, i don’t think that’s all their relationship has to be. an old fond feeling is a fine place to start from, to build something new—if that’s what they both want.
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Your writing! YOUR WRITING! I can’t with how amazing it is. Fuuuuck. I was not into Doffy, but your win stupid prizes series uuuuuuuuu I want him whipped and pathetic in ways I didn’t even know until I read your fic. I am embarrassed to admit how many times I have reread that series
The way this has me giggling and kicking my feet! I loved that two parter: pathetic Doffy has my whole heart. He's just so good when he's miserable and pleading.
Thank you for your beautiful words of encouragement and your compliments. I feel like I'm improving the more I write 🖤. Thank you for rereading my words, that warms my heart so much.
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Mecha-Sonic, Dr. Robotnik has created other robots based on Sonic and thrown them away before he created you. Do you have any thoughts on this?
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