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#not as part of the main storyline at least
violetmuses · 3 days
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Devil On Your Back - A. Aretas 🖤
Title: Devil On Your Back - A. Aretas 🖤
Fandom: “Bad Boys” Film Universe
Character: Armando Aretas
Pairing: Armando Aretas + Female Reader
Main Storyline: Danger will haunt South Beach one night.
@cloveroctobers @episodes-ff 🏷
Part II 🖤
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2020
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“What the hell?” Detective Mike Lowrey squinted toward his cell phone when this notification popped
Someone killed at least five people who lingered by Miami Harbor this evening.
Bringing out his longtime partner Marcus Burnett, Mike walked past extended yellow tape. Red and blue overcasts blinded that known Miami skyline.
“No survivors.” Mike scoped body bags that lined up and down this large space.
“Damn!” Marcus cursed upon realization. “It's a bloodbath right now.”
Just when law enforcement officials would step away for the night, Mike's skin crawled.
This piercing whistle launched everyone to draw weapons before turning around.
Armando Aretas emerged while standing between each darkened shadow of nightfall.
The Aretas Cartel drifted everywhere like monsters for quite some time.
“Looking for me?” Offering slightly accented English, Armando briefly illuminates teeth, chuckling.
That mischievous smile reveals sharp fangs just before Aretas spins one Karambit knife outward.
Mike and Marcus duck to protect themselves, but that knife struck anyway to perish one beat cop.
Just then, Armando put his arm around your shoulder and left the mortals behind.
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whumpitisthen · 7 months
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Next chapter of Auden's story is written!!!! Once i edit it you will get to see just how powerful His Majesty is, a tiny bit of how humanity survives through literal Hell
and a little bit of Grim being a nuisance, as per usual, because he is important to me and a bastard
We'll get back to Auden after this it's kinda weird how it's his story and he hasn't been here for two chapters............ Dont you worry the angel boi will continue being harmed and traumatised :3 i just had to introduce our whumpers properly
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smuttyaf · 2 months
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i have the urge to only post chapters for the business and give the one shots a little break….
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imaginarianisms · 28 days
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everyone say hiiiiii a.lys r.ivers witch queen of h.arrenhal!!!!!!
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doctorweebmd · 11 months
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unfortunately bungo stray dogs is the epitome of a show/story that would be so good if it was good
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welcometogrouchland · 2 years
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I get the impression that money was a bit tight on clouds on the horizon in general, what with the uneven time put into the lumity kiss vs the hexsquads fight outside blight manner w/ the infamous cha cha slide, plus background details going wonky (like baloony hunter), but my favourite semi-wonky frames are the closeups on Hunters face when he's talking with Luz about him being a grimwalker.
bc the proportions are just. So funny to me. Why is his nose so long. Why are his eyes in the middle of his face. When did his forehead get so big. What's happening. Did I die. Is this purgatory. I unironically love this bc it reminds me that this show was made by people who were trying their best. And sometimes their best looks the Bunter Vs hexsquad fight in thanks to them and other times it looks like this
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[ID: a screenshot of a close-up on Hunters face from clouds on the horizon. The placement and proportions of his face are slightly off. End ID]
(although in searching for this image I was informed that a different studio than normal animated clouds on the horizon. Which is probably at least part of the reason why there's so many bungled frames. Also probably why the cha cha slide got animated the way it did. God I love animation)
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magentagalaxies · 4 months
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going to a comedy open mic tomorrow mostly to watch my friends (it's at a cool venue that my improv troupe performs at once a month and a few improv troupe friends are doing standup there) but when these friends were asking if i'd be interested in coming they were like "btw there's usually a ton of open spots on show days if YOU want to do something... and they're not strict about it only being standup either, people have done character pieces and sketches etc like they embrace the weirdness... and they're not strict about time limits you could probably do anything between three and eight minutes... sometimes if there's not enough people signed up they'll even let you go twice..." and i'm like god damn it i thought i was gonna take a break from aubrey but this setup is like tailor made for an aubrey appearance lmao
#still on the fence about it bc the burnout i experienced at the beginning of may extended to aubrey#especially bc so much of my aubrey stuff is comedy about gender and my brain was more in ''set everything on fire'' mode#and i think i've gotten to a good place with that burnout but i still haven't worked on any aubrey stuff since i got home from college#but even still even tho my mental health is better than it was a few weeks ago#recently i have had this horrible insomnia where i haven't been able to fall asleep at night in over a week#(i've made up for it with naps but still i am not mentally 100% rn. i've tried so many things and nothing has worked.)#so that's my justification for *not* doing aubrey tomorrow. however.#i reeeally need to get more performance experience bc there's only so much you can develop a sketch character without performing them#and this venue is so good. it's an art gallery like an hour away that's designed to be part gallery and part performance venue#especially for comedy. like the venue owner is this veteran comedian who used to work with bobcat goldthwait and a lot of other big names#and it's a low-pressure environment bc everyone there has seen me do comedy before with my improv troupe#but they still haven't seen me do aubrey at all so it's bringing a new side of my comedy to some of my main collaborators#like this is so much better than my previous aubrey performances bc they were all either#1. shows in CLASSROOMS with a bunch of my classmates who generally don't get my comedy (very clique-ish)#or 2. a guest spot on a show at a coffee shop where everyone knew each other except me#plus the biggest thing for me is the lack of a strict time limit. like as much as having a good 3-minute monologue can be#i think aubrey is a character you need to get to know a bit longer than 3 minutes. and a lot of my stuff is long while also being very tigh#like not every monologue is like this but my best aubrey monologues are almost like aubrey is telling you a sitcom storyline#and removing too many lines makes the whole narrative jenga tower fall over#and as much as i want to figure out how to make every monologue a good starting point#having the chance to perform multiple monologues if i get to go twice so that they can build off each other would be perfect#idk i'm not sure how often the open mics are there. at least monthly tho i might be missing next month's depending on when i'm in toronto#so like this wouldn't really be my only chance. but yeah i'm on the fence about whether to bring aubrey back for a performance tomorrow#i probably wouldn't do new material. i'd do the 5 minute version of my uncle reg monologue bc it's the one that's worked best so far#and if i get to do multiple. maybe i'd do the ''nom de plum'' monologue bc i think it's also very strong#and it has a good callback to uncle reg#but idk i also think doing the song would be very fun and on-theme since it's pride month and the song is a satire of rainbow capitalism#tho i'd probably have to rework the monologue that leads into the song bc even tho i loved the concept i don't think i articulated it well#or i could write an entirely different lead-in and make the previous monologue (''C/H/M'') a separate thing to revise later#which would probably go better and somehow be less work to write. but even so i don't know what the venue's sound setup is
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meowmeowuchiha · 1 year
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Yknow it's unfortunate
For a theoretical fic, I already have a basic beginning thought up as well as two different endings
But as for the actual plot? I have absolutely fucking nothing so I can't write it
I want to write this fic so bad. It's such a silly crossover. But alas, I cannot yet. Because beyond the very beginning and the very ending I have no idea how to write it.
Someday, I shall unleash upon the world the crossover that no one asked for. Someday, the world shall be forced to have a Naruto and Deadpool crossover.
But not today.
In other news, the reason you never really see hardly any Deadpool content on here is bc I'm low key scared to see wtf THAT Fandom is like so I have yet to wander into it.
I tried reading other Naruto and Marvel crossovers (whether it be comics or movie based) and lemme tell you.....there was only one I liked. All the others were....so so bad. The others that were written typically featured Naruto as like....the main character, but he was BUTCHERED SO BAD, and it read like it was written by some power scaling obsessed dudebro with so much of the emotionally suppressing variety of toxic masculinity. I partially read like 4 or 5 fics like that.....the rest I scrolled through were nothing but gratuitous smut. I wanted a story, not porn, and there were very few actual stories and of those actual stories only one was any good.
So yeah if all of THAT is any indication of what the Deadpool fandom is like, I'm continuing to stay away from it.
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wp100 · 24 days
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the way xal'atath hasn't ever touched alleria yet has floated right up into her face and whispered into her ear right behind her... wow
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sick-as-a-dog · 9 months
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.
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WHY DID NO ONE TELL ME THERES A QUANTUM LEAP REBOOT
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honnelander · 1 year
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HERE WE GO EVERYONE. the long awaited jealous!Sanji fic!! AKA a prequel to the main go fish! storyline!! this fic takes place before the main events in go fish! but after they met at the Baratie. and don't worry, part 3 for the main series will be on the way. enjoy!! request: i was wondering if you’d consider making a lil imagine/blurb about sanji being jealous of someone flirting with the reader? like imagine zoro and the reader just talking and then zoro suddenly leans closer and whispers to her “it seems we’ve got an audience” or smth like that
WARNINGS: none
word count: 3.7k
pairing: jealous opla!sanji x fem!reader
summary: Sanji watches Zoro and reader talk and gets jealous. Nami tries to calm him down but fails.
go fish! series: part 1 part 2 part 3 part 4 masterlist
taglist: @mischiefmanaged71 @smolracoon25 @smol-book-nerd @shuujin @amanda08319 @nimtano @your-platonic-gay-lover @lovelymrvl @whiskeypowder @jovialcat123 @nimtano @xtigerlily @shadowwolf1864 @quixscentsposts @guidingstarsstuff @ateliefloresdaprimavera
“Reading that garbage again?” a voice called out. 
At hearing the question, you glanced up from your well-worn copy of Pride and Prejudice, your favorite book, only to see a calm Zoro casually stroll over to you with a hint of amusement on his face.  
You playfully rolled your eyes. “Don’t knock it till you try it, oh great sword master,” you playfully jabbed as you shook out the book to him as he leaned his back against the ship’s front railing, resting his elbows on top of it. “The almighty Zoro isn’t allergic to reading, is he?” 
Zoro snorted, glancing down at your cross-legged position on top of a crate before returning his sights to the Going Merry’s deck and the open ocean. “Yeah, I am allergic,” he agreed. “Allergic to reading that monstrosity you call a book.” 
“Ooo, ‘monstrosity’. That’s a mighty big word for a non-reader like yourself, Zoro. Good job,” you teased as you marked your page before closing the book and joining your friend in looking across the deck and out towards the ocean. 
The green-haired swordsman crossed his arms. “I read.” 
“Mmhm,” you hummed, not convinced. “Sure you do.” 
“I do,” he defended in a gruff voice. 
“Oh yeah? Here, I’ll make it easy for you: tell me about one book you’ve read.” 
Zoro scoffed. “I can tell you about way more than one.” 
You couldn’t help the surprised noise that came out of you. “Oh, yeah? ’More than one’?” you asked with a raised brow and glanced up at your fellow straw hat, trying to wipe off the grin on your face.  
You were certainly surprised that Zoro has read more than one book in his lifetime, but you weren’t surprised that he took your earlier question as a challenge. Classic Zoro, you thought in amusement. The guy could never pass up a challenge, no matter what it was about. 
So, you repositioned yourself on your crate, making yourself comfortable for the discussion ahead. “Alright, come on,” you said and sat up straighter, urging Zoro on, “let’s hear it. Tell me all about them.” 
From the back of the ship, on the upper deck above the kitchen, a certain chef took a long drag on his cigarette as he watched you and his least favorite swordsman be engrossed in conversation. Sanji removed the butt of his cigarette from his mouth with his thumb and index finger, keeping the smoke in his lungs for as long as he could, before slowly exhaling the smoke from his nostrils, his eyes never leaving the two of you. 
“Daaamn, Sanji,” Usopp drawled as he messed with the sails on the ship’s mast nearby, glancing at the chef for a second before returning to his knots. “You look like a smoking dragon. All ferocious and mean. And....extra smokey.” 
Sanji’s gaze didn’t budge, Usopp’s words not fazing the cook in the slightest. “Oh yeah? And what of it knot-boy?” he asked with a slight edge to his words, taking another drag on his cigarette and exhaling through his lips. 
At Sanji’s snarky question, Usopp recoiled and looked back at Sanji more closely with a confused expression. It was rare for Sanji to lose his cool or be in a bad mood for no reason, unless he was going back and forth in an argument with Zoro but even then, the blonde chef usually took those in stride with a smile, much to Zoro’s annoyance, so this was new. 
“Aren’t those things supossed to calm you down?” Usopp asked as he nodded to the cigarette in the cook’s hand. 
“I am calm,” Sanji rebuked a little too quickly to be true.  
Usopp then noticed how intent Sanji’s stare was towards something at the front of the ship and raised an eyebrow. Whatever he was staring at must be pissing him off because the chef’s gaze looked absolutely lethal. What the hell could be making him so mad? Usopp followed Sanji’s gaze, looked towards the front of the ship, and saw....y/n and Zoro talking? 
To Usopp, it looked like they were just having a normal conversation, but when he saw y/n laugh at something Zoro said, hitting his arm with a grin and Zoro having a slight smile, he heard Sanji scoff loudly in disgust and mutter something under his breath. 
And in that moment, it dawned on Usopp what was up, and it was hard for him to contain his shit eating grin: Sanji was jealous. Sanji was jealous of y/n and Zoro. To Usopp, it looked like a completely normal conversation between friends since he knew of y/n’s affections for the blonde cook. But to Sanji? It probably seemed like a complete flirt fest, and he was jealous. 
Up until this point Usopp had thought y/n’s crush was only one sided. Sure, he’s had his suspicions ever since Sanji seemed to stare at y/n more often than not, but Usopp was still just a guy at the end of the day, so he never considered if Sanji might actually have feelings for y/n too.  
But now? Oh boy- Usopp was all caught up to speed and he couldn’t wait to meddle in their budding relationship and tease the heck out of them both for it (when the time was right, of course).  
Usopp looked back over at Sanji and wiped off his grin as best he could. “You say somethin’ Sanji?” he asked innocently, knowing damn well the chef said absolutely nothing. “I thought I heard you mutter something.” 
Sanji flicked the ashes off his cigarette. “No.” 
“Oh. Must just be the wind then...” 
Suddenly, y/n’s laughter could be heard from the ship’s front and Sanji nearly snarled in disgust and shook his head. “What the-” Sanji started but let out an exasperated sigh. “He’s not even funny,” Sanji complained before taking another hit on his cigarette. 
Usopp couldn’t help himself, he had to poke the bear. “Who, Zoro? I think he’s funny.” 
The blonde chef let out a humorless laugh. “Yeah, funny looking.” 
He also had to twist the knife. “Well, y/n seems to think he’s funny.”  
Sanji chuckled to himself and stayed quiet for a moment, contemplating Usopp’s words. “You know what? It doesn’t matter,” he muttered and took one last drag of his cigarette before putting it out and immediately lighting up a fresh one. 
Unbeknown to the cook and slingshot fighter, standing underneath them and near the tangerine trees was the Going Merry’s orange-haired navigator, who had heard their whole conversation. 
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“Zoro!” You laughed loudly and hit your crewmate on his bicep. “Reading books on how to dismember your opponents doesn’t count as real reading!” 
A ghost of a smile appeared on Zoro’s face as he raised an eyebrow at you. “Says you. Can you tell me fifty different ways on how to cut up a body? No? I didn’t think so.” 
“Fair enough,” you relented good naturedly with a small laugh as you shook your head. “Remind me to never get on your bad side.” 
A comfortable silence fell over you both as you let out a small sigh, watching the waves crash. 
After a few quiet beats, however, you felt Zoro lean into your personal space as he lowly murmured, “Don’t look now, but it seems like we have an audience.” 
You blinked in confusion as your eyebrows pulled together. “What? An audience? Where?” Completely disregarding Zoro’s instructions, you immediately started looking around the ship. “Watching what?” 
“Us,” Zoro said simply and returned to his full height. 
You shook your head in disbelief. “What? Us? Now who would be watching-” you started to say but the rest of your sentence died in your throat when you saw piercing blue eyes staring right you both. “...us?” you finished slowly.  
Sanji? Sanji was your audience? But- why? What? You were so confused. Even from this far away, you could tell something was off with him. His posture was stiff and the usual smile that adorned his features whenever he saw you was nowhere to be seen.  
“When did he get here? I didn’t know he was on deck...” you trailed off, about to move to hop off the crate and make your way over to Sanji to see what the matter with him was when something stopped you.  
Before you could hop off the crate, you saw Sanji put out his cigarette and make his way off the deck and head down into the kitchen, not sparing you another glance. As you made your way across the deck, about to follow him into the kitchen, Usopp quickly called out to you from up on the ship’s mast, asking for your help with knot tying since ‘yours were so much better than his’. You agreed with a small sigh, not wanting Usopp to struggle by himself, so you made your way to the mast and started climbing, but not before sparing the entryway to the kitchen one last glance. 
Meanwhile in the kitchen, Sanji flittered around, grabbing random ingredients he saw at first glance. Mushrooms? Grabbed. A block of cheese? Sure. Corn? Ok. Tomatoes? Sure, whatever. 
As he looked down at the growing pile of ingredients on the counter, he stopped for a second to examine the pile, putting his hands in his pockets. What the hell was he supposed to make out of this? He didn’t know. He couldn’t think straight, and it was bothering the absolute hell out of him. The kitchen had always been his sanctuary, a place where he could always rely on to decompress and escape from his thoughts as he got swept away in the act of cooking that came so naturally to him. Usually. 
But today? His natural instincts weren’t there. He felt his chef’s mind drawing up a blank on how to mix all of these items together and the longer he stood there, the more ticked off he became. On a normal day, he’d have thought up of 15 different dishes he could make and already have been busy at work making one of those ideas come to life. But now? There was nothing. No ideas swirling around in his head, nothing.  
He could feel his face twist up in irritation the longer he was standing there until finally, he let out a short, brusque sigh, muttering, “Now what the fuck am I supposed to do with all this?” 
“You’re the chef, aren’t you supposed to figure that out or something?” 
The blonde chef glanced up from the pile and saw Nami casually strolling in from the deck and up to the counter opposite of him, hands clasped behind her back, with a curious eyebrow raised.  
Instantly, to cover up his sour mood, the cook plastered on a fake smile. “Well, it seems my mind is a little blank at the moment, Darling. Why don’t you come over here and help me come up with an idea or two?” he offered with a wink, taking his hands out to lean against the counter. 
But Nami saw right through him. “I’m good, thanks,” she declined bluntly. Nami wasn’t sure when she had become the Going Merry’s pseudo-therapist, especially since this crew hadn't been together for more than 3 months at this point, but someone had to be, and she figured the only way to get Sanji to talk right now would be if he was doing something he loved: cooking. “Actually,” she started offhandedly, “I have a request for you.” 
Now that immediately got the cook’s attention. “Oh?” he asked with a raised brow, straightening up as he dropped the fake flirty persona. 
“Yeah,” she said aloud, sounding more like she was trying to convince herself that she actually had a request for the cook. From behind her back, she pulled out a couple of tangerines. With a slight smile and raised brow, she said matter-of-factly, “If I remember correctly, I believe I was told I could ask for a tangerine tart anytime I’d like?” 
A genuine smile came across Sanji’s face at that, his eyes crinkling at the corners, as he laughed with a nod. “The Madam is correct.” He took the fruits from Nami’s hands and placed them on the counter, pushing away his bizarre pile of ingredients to make room. “One tangerine tart coming right up,” he said and started bustling around the kitchen with purpose this time, pulling out the necessary ingredients, a far cry from his movements a couple of minutes ago. 
Seeing Sanji occupied, Nami took a seat at the table, sitting where she had left her charting journal and reading glasses from breakfast that morning. She opened her journal back up and put her glasses on, flipping through the pages and resuming her sketch of her latest map.  
Both of them worked in silence for a few minutes, both engrossed in their respective activities until Nami broke it. Before speaking, she snuck a glance at the chef, making sure he was preoccupied before she started prodding and sure enough, he was. Perfect. 
“You know, I never told anyone this before,” Nami started, laying the groundwork for Sanji to open up, creating a tit for tat sort of thing, “but I actually love tangerine tarts.” 
Sanji huffed slightly with a slight smile, not looking up from his work. “Oh yeah? Well, be prepared to fall in love with them all over again.” He started pouring heavy cream into a separate bowl, adding sugar before whisking it all together. “Even Zeff used to say I made a mean tangerine tart.” 
Nami hummed. “Maybe you can make Zoro fall in love with them too,” she said casually, sneaking a quick look at Sanji, only to see him press his lips together in a firm line and start to whisk the cream harder at the mention of the swordsman. “Or y/n,” she added quickly. “I don’t think she’s ever had one either.” 
At the mention of you, Sanji’s face and motions relaxed slightly. “Yeah,” he agreed. “I...think you’re right about that.” 
The orange-haired girl rotated her journal ninety degrees. She decided to prod a little harder. “I think I saw them talking earlier.” 
Sanji simply hummed in agreement, cracking eggs into a bowl, staying silent. With the third egg, however, he cracked it a little too hard on the counter, causing the raw egg contents to splatter everywhere and onto his black blazer.  
“Ah- fucking hell,” he muttered in disgust, throwing the broken eggshell into the trash before cleaning his hands off in the sink. 
Nami looked up from her work and quirked an eyebrow at her crewmate. “You good?” 
The blonde cook shook his head once with a sardonic smile. “Never better,” he quipped. 
Ok, she couldn’t do this dance anymore. Nami closed her journal and took off her glasses, looking straight at him. “Alright, you want to tell me what the hell is going on? You’re acting weird, even for you.” Sanji opened his mouth to protest but Nami spoke before he could. “And don’t lie to me.” 
Mouth still open, Sanji exhaled slowly and deflated. “I- I’m fine.” 
She rolled her eyes. “Sanji-” 
Upon hearing his name, Sanji blinked and raised his eyebrows in surprise. Nami rarely called him by his name.  
“Cut the bullshit,” she continued. “I heard your conversation with Usopp and you certainly didn’t sound ‘fine’.” 
Sanji was caught red-handed. With what exactly? He didn’t really know but he did know he was caught in a lie because he definitely did not feel fine. He shrugged his shoulders, at a loss for words. “I...” he sighed and took off his ruined blazer, draping it over the back of an empty chair, rolling up his sleeves as he avoided Nami’s expectant stare. He grabbed a dirty rag and started cleaning the egg off the counter. “I don’t know...” 
“Sanji, you can barely crack an egg.” 
That brought out a short bark of laughter from the chef. “Yeah,” he relented. “Obviously.” 
“Is this because of your jealously over y/n and Zoro?” 
“My- my what? My jealously?” he sputtered and scoffed, still not looking Nami in the eye. “I, I don’t know what you’re talking about. Why on earth would I be jealous over that stick in the mud?” 
“Oh, I don’t know,” Nami played along, tapping her temple, pretending she was deep in thought. “Maybe because you saw and heard them laughing from all the way across the ship?” she pointed out. When Sanji tried to wave off her accusations with an unconvincing smile, Nami decided to just go in for the kill. If Sanji wasn’t going to admit his obvious liking towards her female crewmate and friend himself, then she’d have to do it for him. “Maybe....maybe because you might have a little crush on y/n?” she offered with a raised brow, staring right at him. 
“Wh-what?? A crush?” Sanji quickly rebuked, jerking his head back. “What are we? Little kids?” 
From her spot at the table, Nami could swear she saw a faint dusting of pink appear on his cheeks. She smirked to herself. She got him. “Well,” she shrugged, “it doesn’t matter how old we get, we all get crushes from time to time.” 
You? A crush? Sanji shook his head as he resumed making the tangerine tart. Labeling whatever feelings he had for you as simply a ‘juvenile crush’ didn’t feel right to him. You were more than that, and you didn’t deserve to be labeled as such. “No, she’s not a crush.” 
“Oh, so you like-like her?” Nami said like it was obvious. “You like her as more than just a friend.” 
“I-” Sanji started but stopped himself and sighed, feeling his irritation grow the longer this conversation went on. Now even the kitchen wasn’t bringing him peace? First, smoking and now this? What was next? “Why does it matter? All of a sudden, my love life is interesting to you and up for debate? I don’t remember asking for your opinion.” 
Nami watched his jaw tense and his body become stiff as he started zesting the tangerines. Clearly whatever feelings Sanji was dealing with, he wasn’t ready to openly talk about them, so she decided to back off.
She put her hands up in surrender, slumping back in her chair as she said, “Hey, I’m...I’m sorry. You’re right.” Deciding to give the chef his space, she gathered her belongings and stood up, making her way to the counter. “If you ever need to...talk or anything, I’m here,” she offered quietly. In a normal tone, she added, “Let me know when the tarts are ready. I really do want y/n and Zoro to try one.” 
Speaking of the devil, you came into the kitchen from the deck, eyes lighting up at the sight of Sanji cooking. Seeing Sanji cook was one of your favorite things and you always loved to guess what he was making. “Sanji! Ooo, what are you making?” 
Nami watched as Sanji’s whole demeanor change at the sight of you, like a switch being flipped on. She couldn’t help but smile knowingly between you both. “I’ll be in my room,” she announced before making her way out of the kitchen, leaving you both alone. 
Sanji had a wide smile, shoulders relaxing as his eyes lit up. “Why don’t you guess? Give it your best shot.” 
“Oh! I love this game. Ok, let’s see,” you said as you surveyed the ingredients laid out before you. “I see flour, sugar, butter and tangerines...are you making a tangerine cake or something?” 
Whatever jealousy or anger he had been feeling all day just instantly disappeared once he was with you. He felt like himself again, all carefree and lighthearted as he chuckled at your guess. “Not quite, Missus. But nice try,” he said as he looked into your eyes with a crooked smile. 
Missus. You felt your heart skip a beat at the nickname and you felt your insides became all warm. You hoped your face didn’t give away your swooning. He's never called you that before and you hoped to God that he would never stop. 
“Ah, my bad,” you laughed embarrassedly. “What are you making then?” 
“I, am making a tangerine tart,” he proudly stated as he grabbed another egg, perfectly cracking it this time. “At the request of the ship’s navigator.” 
A wide grin broke out across your face. “No way!!” you squealed eagerly, causing Sanji to laugh. “I’ve always wanted to try one!”  
The blonde chef nodded. “Yes, she did mention that actually.” After a beat, he added, “I hope you like it.” 
“Of course I will,” you said without hesitation. “I know I haven’t known you for that long, but it seems like everything you make is phenomenal. You’re the best cook I know.” 
Normally, nearly everyone compliments his cooking (except for Zoro) and he never really thought anything of it. He knew was the best cook in the East Blue and someday, the whole world when he found the All Blue. But hearing that compliment from you? How you said it so easily and with such certainty? He felt a funny, warm feeling deep within his chest and when he looked at you, just like how you knew for certain that he was the best chef around, he knew right then that you really were the most beautiful woman he’s ever known. 
So, yeah. Nami was right. He guessed he did have a little crush on you, or ‘like-liked’ you- whatever she was saying.  
“Do you mind if I watch?” 
Your question broke the little staring trance he was in, blinking and tearing his gaze away from you as he tried to refocus on the task before him. He truly had to make sure this was the best tart he’s ever made. 
He nodded, perhaps a little too eagerly. God, he was probably acting like an excited puppy, but he couldn’t help himself. “Of course you can,” he agreed with a small smile. 
As you pulled up a stool to sit on the opposite side of the counter, Sanji realized something: him cooking in the kitchen with you sitting nearby? That’s something he could get used to and get used to very quickly. 
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And here is the last part
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Predaking - Oh, my fiery boy! I have so much to say about him…
He was probably the main reason I got into the Transformers fandom when I was a kid. My thoughts were like: It's a dragon! And a robot at the same time!? And he turns into a hot looking man!?! *mind blown*
Of course, over time I realized that behind the beautiful cover, he was a rather naive and very foolish character with a storyline too much like Dreadwing's. But despite all this, I still love him. Predaking is a real gem of the third season, and perhaps the coolest character in the entire series, and you can’t deny it!
In the WOF version, he is a resurrected dragon from the extinct skywing tribe. Being the largest dragons in this AU, their tribe was the most powerful on the continent until it completely died out due to a wave of cataclysms.
So, Predaking is a real giant compared to other characters. And, in the final addition, he is firescales! Because it’s BADASS!🔥
(and actually, because he gives me pretty strong Peril vibes)
Unfortunately I couldn't give him a bright color, so his firescales nature is shown through glowing areas on his body, creating the effect that he is literally burning from the inside. I also just noticed that his face looks very much like a skull, and I tried to pay attention to this in the design by giving him dark spots around the eye sockets and nostrils
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Hardshell - I don’t wanna draw some random insecticon, so I chose this guy. Here I will be short. He’s appears in only two episodes and died almost immediately. He’s more of a plot tool than a real character
His stripes look cool, but drawing them wasn’t easy at all (I hate floating shapes). I wanted to make him look more like his beetle form, adding a big front horn and green plates on his neck. I also think that insecticons should be more different in coloring in this version
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Skyquake - Same story - appeared in one episode - died in the same episode. Most of the fandom remembers him only as a zombie from the shadow dimension, and it's kind of sad. I believe he had potential. I always imagined Skyquake as the "brawn" in a duet with his brother, while Dreadwing was more of the "brain". And it would be great if we were shown this contrast, giving Skyquake a chance to prove himself in at least a couple of episodes
His design is, as expected, almost the same as his brother, but I still decided to add some small differences in details to make it more interesting
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Vehicons - STEEEEEEVES!
I like these silly dudes)
I didn't want to make them actual clones or something, so here they're just regular nightwings and icewings, but they may look the same because of the iron masks that hide their faces. Like many other dragons, they are victims of a war they may not have wanted to participate in. Actually, in that case their deaths don’t seems so meaningless and even give the autobots actions a darker subtext (although I believe in the theory that they could simply pretend to be dead on the battlefield (I really want to believe in that))
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I know there are still a few possible undrawn characters left, like Skylynx and Darksteel or Unicron, but that's probably enough for me. I'm happy with my closed gestalt)
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susansontag · 3 months
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my guide to lesbian anime both canonic and subtextual
(won’t include every lesbian anime ever, this is a personal list)
the canonic-gay section:
revolutionary girl utena
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nothing before or since has ever done it like this. trigger warnings for everything imaginable. loads of homosexuals in this one. gender commentary, fairytale allusions, a lot of kids who are having a hard time growing up and moving beyond their pasts. sword lesbians.
flip flappers
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the problematic favourite, in that there’s at least one uncomfortable sexualised shot each episode (roughly speaking; some have none and one has even more, unfortunately), so be warned. but at its heart flipflap is about repressed cocona going on adventures with outgoing and expressive papika, and their exploration of various fantastical lands/inner worlds of people they meet. hugely inventive and pretty, and a core thread is cocona discovering she’s gay.
aoi hana (‘sweet blue flowers’)
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the comfort lesbian show, with not a romantic relationship at its heart, but a friendship between two childhood friends who meet again, both of whom are gay (though only one realises this during the show’s run, as it’s based on a manga). one of them dates an upperclassman at her school, and there’s various gay and bi side characters. it’s just very wholesome, lovingly animated, sweet and sometimes painful stuff.
bloom into you
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I controversially do not care that much for bloom into you, but as the best, high-production, non-skeevy yuri show in years - that is based on a manga by a woman - it’s worth mentioning. late-bloomer girl dreams of romance, though has never felt it, and finds affinity with a girl who similarly is disinclined to date. that is, until said girl says she fancies her. genuinely moving exploration of developing gay identity at times, only downside is my personal disinterest in the black haired girl. some weird ‘heightened’ moments that feel inauthentic and titillating do arise, but it’s very few - to the point where some would disagree with me on my reading of it, I’d imagine.
sailor moon
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the bits which the lesbians are in, etc. it’s a classic. I haven’t watched all of it myself because I don’t care much nor do I have nostalgia for sailor moon, but it’s one of the most notable examples of a butch/masc lesbian in anime, so that’s nice.
o maidens in your savage season
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nerdy teenage girls who are part of a literature club make it their quest to discover sex and dating, in various ways (unfortunately, not all of them dealt with well… teacher/student foolery that is fortunately abandoned before it gets worse but is nonetheless handled with mixed results, imo). mostly though it’s hilarious, sweet, silly, and there’s a gay girl in it, but I won’t spoil which one. adults predating on children is also handled much, much better in another of the show’s storylines, and I do appreciate it for trying to tackle that difficult subject matter.
oniisama e (‘dear brother’)
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an oldie, based off a shoujo manga by one of the greatest (riyoko ikeda). there’s a central relationship to root for (better articulated in the manga), but it’s mostly just what if we were messy depressed lesbians at an all-girls school and we were also melodramatic and mean as hell.
revue starlight
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what if we were at an all-girls dramatic arts school and engaged in utena-like duels to become the top performer? main implicitly gay couple with canonic side gay couples. it’s quite cute. also worth watching if you like takarazuka in any way (prestigious all-female japanese theatre troupe), because the main conceit of the school is very much based on that idea.
the gay-themes section:
sound! euphonium (season one)
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in which director naoko yamada’s awesome legacy of writing lesbians and then saying “who’s to say though, ha ha” continued (she did it already with a side character in tamako market). this one is known as the gaybait to end all gaybait, but hear me out: the first, and best, season, is not only a fantastic self-contained story with many great characters and plot points, but it’s main character is undoubtedly lesbian-coded and even has a love interest you can argue about. frankly I think she’s gay-coded throughout the whole show (even when she dates a guy for two minutes), but this feels very “I wanted to focus on this compelling relationship between two female characters but the adaptation’s success meant we had to revert back to the source material in later seasons”. what we got from this is perhaps my favourite lesbian anime of all-time, following utena.
a place further than the universe
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this show is about four girls who join an expedition to antarctica, and what if I told you they’re all great, believable dorky teenage characters, and they exist in a well-written and thematically satisfying show… and there’s nice lesbian implication between one of our adult female protagonists and her old (deceased; not a spoiler) friend who was the main teen girl’s mother. there’s some sad here, obviously.
puella magi madoka magica
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the well-known, much beloved deconstruction of the magical girl genre is also pretty gay, as it happens (so gay in fact it started a trend of gay-coded pink+black magical girls). it’s not a particular favourite of mine, but it’s visually one of the most notable anime productions ever, so it’s well worth seeing just for that.
NANA
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the 2000s manga+show about the two twenty-year-olds who meet on a train and discover they’re both called nana is also pretty gay! to the point where there are heated fandom debates about nana komatsu’s (pink one) possibly being a lesbian. they both have many relationships with guys, but it’s their bond that forms the heart of the show, and the bisexuality (or, who knows, homosexuality) of the leads is pretty undeniable. to the point where you’ll get blasted on the nana subreddit if you try and suggest otherwise.
the wild-card section:
keep your hands off eizouken!
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this is a show about three oddball girls who start a club to create anime, but have to pose as the film club instead for various reasons. it’s not even subtextually gay, I just personally think that all three of the leads are gay and the whole thing feels like a very female-centred creative endeavour. hugely fun watch, and very high production values. you wouldn’t regret seeing it.
skip & loafer
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these two you see here are side characters. this show is actually about mitsumi, the greatest female protagonist of this kind of shoujo-esque slice of life show, who moves from the countryside to tokyo for high school. here she meets many a misfit, including the pretty blonde and the nerd girl who have undeniable chemistry and form one of the most popular pairings in the show. it’s just a good time.
chihayafuru
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I’d get in trouble for this, because the primary romance factor in the show is a famed heterosexual love triangle with chihaya at its centre and her two male childhood friends at the side. but go with me on this. chihaya is oblivious to romance and feminine socialisation, she is obsessed with a card game and with her equally dorky dark-haired rival… she’s anime’s greatest autistic lesbian lead. and you get more than what you pay for, because the two boys I mentioned? a lot of gay stuff going on there too.
the big-screen-cinematic section:
the adolescence of utena
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revolutionary girl returns in the sequel of a lifetime, slightly older (sixteen, say) and gayer than ever, to escape this place with the love of her life. cue the impromptu dance sequence (with stars and rose petals)!
liz and the blue bird
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the naoko yamada directed gay cinematic universe continues with a gorgeous film starring two of the side characters from sound! euphonium’s second season (not necessary to watch beforehand). that means it has plausible deniability whilst being so crazily gay it’s almost some kind of joke. this is a highly detailed, laser-focused character study of two girls in their high school band club and their ever more strained relationship. yamada never misses.
the summer
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this is korean! it’s about two girls who meet at school and start dating in secret, what happens as they grow up and move to seoul, and how their relationship changes and strains when met with the conservatism of contemporary korean society. it was sweet and like aoi hana above for japanese girls, felt pretty frank to the experiences I’d imagine young korean lesbians might have.
puella magi madoka magica: rebellion
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if you’re a fan of the show, you probably don’t talk about this movie. sure, it’s a visual feat, sure, it’s insanely entertaining, but it’s also frustrating and upsetting and potentially undermines the neatness of the original as a perfectly-crafted story. BUT. kyouko/sayaka becomes all but canon in it, and everything else aside, that’s all that really matters. but you should definitely watch the show beforehand.
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darkcircles4lyfe · 2 months
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I've given it some thought--
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Now, if you've read any of my posts and you've read 430, you know there are a lot of ways it falls short of what I wanted. On the other hand, I can respect an open ending, one where we are allowed and encouraged to dream. All things considered, I'm not satisfied or disappointed, but a secret third thing... bear with me.
For a lot of storylines, I can fill in the blanks how I want.
I'm heartbroken over Himiko's fate, but there's no denying that the lack of camera footage leaves open the possibility of her simply disappearing. Perhaps she is waiting in hiding for the world to change, just like Lady Nagant.
Dr. Yoshida is described as someone who can cure the incurable. That may be referring to Katsuki, but the doctor himself said it's a complete mystery how he survived, all Katsuki's own doing. Maybe he cured someone else in those 8 years... someone like Touya?
Honestly I got nothing on Tenko but who knows. Who knows! Something something OFA connection. Izuku having vestige visions. Idk.
As for the manner in which society is changing, I'm drawn to Shouji's speech: "I'm dedicating the honor to those who joined the uprising eight years ago. All I've done is stand atop the resolve that they demonstrated to the world, nothing more." That at least tells me his earlier judgment of the other heteromorphs "setting them back" was a narrow point of view Shouji was supposed to grow out of, rather than a way of Horikoshi trying to criticize revolutionaries. In general, just because a character says something doesn't mean we're supposed to take it as gospel. That's lit crit 101, people.
Then there's Izuku. Once again I am feeling this pretty close to home. I keep coming back to the fact that the class is 24/25 now and I'm 25, man. On top of that, anyone else who was 14/15 ten years ago when the manga started gets to feel like we've all grown up together. I wanted catharsis for Izuku's trauma so badly. I wanted words. But I can't deny that the way Izuku is shown attempting to make the best of things and be content with a humbler life resonates with me, as painful as it is, as much as I know deep down he's kidding himself. It doesn't surprise me that he kept his walls up all this time and continued to shun his "selfishness."
I almost feel like there's an all-encompassing narrative theme being expressed here, in the fact that Izuku was trying to push past his pain and focus on the next generation, but surprise, his story's not over yet. I think the implied message there is that more can be done in the here and now, and maybe other stories that seem to be over, aren't.
With these things in mind, I can take the ending in stride, even if this is all the more we get from Horikoshi. However. There's one thing that is jolting me out of my peace every time I start to get comfortable here. It's actually related to the storyline that got the most closure.
I've seen a lot of fellow bkdk enjoyers calling their conclusion the best part of the ending, and I agree with that. They got a truly full circle moment, and a way of communicating to the reader that they're together, they have their forever, in a way that is personal to them. It's not "canon" in the way a kiss or a confession is, but I've said it before--this makes sense for them. And Horikoshi also did something legitimately interesting and groundbreaking by not making Ochako confess, not showing her future being tied to the main character as a love interest.
No, the thing that's bugging me is a seemingly small detail: why does Izuku and Katsuki holding hands at the end, of all things, have to be implied? Lots of things about 430 make sense in the context of the interview Horikoshi recently gave where he expressed being content with what he has drawn, and what he has left to the imagination. But not this. You can't convince me he didn't want to draw this. It's a motherfucking story about hands. This is the one thing I was 110% certain would happen. It's been teased for forever. Katsuki clearly wanted it so bad. So many other characters got to hold Izuku's hand in-frame. What the hell. Why.
Idk. I will be thinking about it for the foreseeable future.
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buckleyreid · 5 months
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The thing with buddie fans and the bisexual arc...
Sometimes I look at certain posts and I wonder what show people are watching.
I've always been a hyper realistic person, maybe that's my own flaw, but I genuinely don't understand how someone could watch Buck coming out to Eddie, and their main takeaways being that 1) Buck is disappointed when Eddie says nothing will change between them and 2) Eddie is upset that Buck went on a date with Tommy.
That scene is about so much more than Buddie as a romantic ship, and I guess people who haven't been in Buck's shoes won't understand how nerve-wracking it is to share a part of yourself you're still not 100% confident in with one of the people that matters most to you. It's so incredibly important to see two men who love each other so deeply be there for one another platonically. Seeing people twist and take things out of context just so they fit their own narrative, while ignoring the meaning of such an important storyline is a little disheartening to say the least. If down the line we see Eddie internally conflicted about seeing Buck and Tommy together, and if that leads him down his own journey that's great (I'm a buddie shipper too), but I think it's important to not lose sight of what the show is telling us in the present time.
Buck starts out episode 7x05 nervous, anxious even, about being on a date with a man. He's looking around, he doesn't want anyone to see him and Tommy together like that. Cut to the end of the episode, and he's setting up a date himself, he's smiling and putting his hand on top of Tommy's and he's grown sure enough of himself to ask him to be his date to his sister's wedding (where his parents will be, where his whole team will see them together). That's important, that's the character development we've been looking forward to and unfortunately I feel like I've seen more people focused on making cheating theories and taking Buck and Eddie's interactions out of context instead of celebrating that Evan Buckley, for the first time in a couple of seasons, actually has a decent (monumentally so) storyline. You don't have to ship Buck and Tommy together, but please don't disregard Buck's feelings for Tommy just because you wish Eddie was in his place instead.
TLDR: Buck's arc is his own, it doesn't and shouldn't revolve around anyone but himself, it doesn't revolve around Eddie or Buddie and it doesn't revolve around Tommy either. Bisexuality in media matters, it deserves time and it deserves to be treated with respect.
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