#not by choice but just in case

[verved]

im so glad i can enjoy food again. like. i didn't realize how much my inability to eat enough food or enjoy what i could eat affected me. when i first got off the bupropion my appetite skyrocketed. i ate SO much maybe too much at times, bc my stomach had shrunk, but my body had quite literally been in starvation mode and suddenly i could EAT. i remember eating such simple foods, like a mandarin and some cheese and a few crackers, and while i had been able to stomach those things before, it was just that. being able to force it down without too much discomfort. but this time, when i ate them it i was moved to tears because i could enjoy it. it tasted ambrosial bc my appetite had finally returned!

yeah i gained weight initially. that was due to another medication that was next in line to be weaned off of. even if the weight didn't come off after being entirely off of all medication i wouldn't have cared. i could eat food and enjoy it. i still am heavier than i was pre-meds and i dont care at all. i will eat as much as i need to.

there was a lot about withdrawal that sucked ass. i couldn't sleep normally for months. i was exhausted from sleep deprivation. constant dizziness and weird mood swings. but being able to eat made it so worth it. the meds helped in some ways, but the way they killed all my appetite just was not worth it. just being able to eat again has basically replaced whatever mood stabilization they initially offered and then lost bc i was starving constantly.

[avarkriss]

listen. listen to me so carefully right now. (if you're in the eclipse path/planning on viewing). please don't stare directly at the sun tomorrow. i am begging you - do not stare at it. if you got eclipse glasses off of amazon/other, please put them on in your house and make sure you can't see anything; if you can still see like regular sun glasses, they are not safe for eclipse viewing, you will burn your retinas, and we cannot fix that. eclipse glasses should be iso/ce certified, and aas (american astronomical society) approved. please make smart choices and protect your eyes. please.

[mellific]

FASCINATE, a new minicomic that i will have at SF ZINE FEST this sunday (9/3)! come to table 38 and pick it up along with uhh slkfjsd books that will hopefully have arrived at my house before friday! i guess!!

[nancywheeeler]

hopeless time loop. the way out isn’t to save everyone. the way out isn’t to save even one person. the way out isn’t to change anything. the way out is accepting how it happened the first time is how it always will be. that’s how you acted, that’s how they acted, that’s how you would have acted every time if you weren’t given the curse of hindsight. the way out is accepting you can’t fix the past; you can only forgive yourself for it.

[heph]

Camping trip

Loosely inspired by this fic! Do mind the content rating.

[knockknockitsnickels]

I think this is one of my favorite lines from the Wraith route because of (imo) how much the meaning changes depending on if you got there via Spectre or Nightmare. For Spectre, it honestly strikes me as a genuine question. Why are you doing this to her? If you're on the Spectre route, you presumably already know the Narrator can't really be trusted, since you had to reject his reward to get here. What are you hoping to gain from continuing to hurt her? For Nightmare, it honestly just makes me sad. As the Shifting Mound describes her, "She desires only companionship, but the only thing she knows is how to hurt." This line feels like a plea from someone who genuinely doesn't understand why you keep rejecting her. She wants to be with you, but she just can't understand how to do that in a way which doesn't hurt you.

[wigglebox]

Supernatural September - Day 2 | Identity

[agendratum]

lee know’s underappreciated dad jokes collection (3/?)

[homunculus-argument]

Was talking with my therapist about how it's possible to completely lose one's own identity to people-pleasing - when you grow up being constantly preoccupied with concerns about what other people want, and the ideal outcome is always whatever makes everyone else happy, it's possible to simply not learn to know yourself at all. If the only thing you've ever strived for in life is to make everyone else happy, you just never pause to think what you want, or what you would enjoy, independently from anyone else's desires.

As an example of this, I recalled that for the longest time, I just didn't listen to music when I was alone, because the thought never occurred to me. I didn't have my own taste in music, I was fine with listening to whatever the people I was with wanted to listen to, but whose music would I be listening to if I wasn't with anyone else? She thought this was a great observation, and gave me a homework assignment to find a song I like, just on my own and for myself, and show it to her next week.

So I guess my therapist is about to learn about the existence of mongolian folk metal.

[ivyithink]

with how unreliable all those narrators are, the whole season might actually be a bored dreamstat’s amusing little daydream

[oh-katsuki]

i haaate when I end up on fanfiction tiktok like get me away from here. “y/n shouldn’t have a backstory or a personality because then I can’t completely insert myself” OKAY! that’s fine actually because I’m writing a story for myself and it seems like you want a blank piece of paper. I will literally blow up this entire planet.

[river-taxbird]

Reminder that I am a homosexual, and that is always the case no matter what I'm doing.

[sonknuxadow]

hey guys look what i found in my drafts. from a few days ago .

[edwinisms]

it’s actually so wild to me that this fairly quirky YA type show gave both of its main characters deaths that can, in one way or another, solidly be considered hate crimes. they were both flat out murdered as a result of being A) gay and effeminate or B) brown (south asian, specifically) and you could argue whether or not those kids thought of it that way in the moment or whatever but the bottom line is that they would not have been in the situations that killed them if they weren’t of their respective minorities. like legitimately that is a ballsy choice for this kind of netflix show, let alone for the two Main Characters, and i respect it big time

[itsjustpoopeh]

saw a post about Lou doing a cameo and talking about calling him Evan instead of buck and how that's a deliberate choice from the writers aaaaaand

not to invoke the ✨parallels✨

but the other couple involving one person who goes strictly by a nickname with literally everyone except their partner

is madney

[galacticlamps]

ok I have A Lot of thoughts about the staircase confession (well really about Edwin's whole character arc, but all roads lead to rome) but for now I just wanna say that, yes, I was bracing myself for something to go terribly wrong when I first watched it, and yes, part of me was initially worried its placement might be an uncharacteristically foolish choice made in the name of Drama or Pacing or Making a Compelling Episode of Television but at the expense of narrative sense--

But I wanna say that having taken all that into account, and watched it play out, and sat with it - and honestly become rather transfixed by it - I really think it's a beautifully crafted moment and truly the only way that arc could've arrived at such a satisfying conclusion.

And if I had to pinpoint why I not only buy it but also have come to really treasure it, I'd have to put it down to the fact that it genuinely is a confession, and nothing else.

That moment is an announcement of what Edwin has come to understand about himself, but because it takes the form of a character admitting romantic feelings for such a close friend, I think it can be very easy, when writing that kind of thing, to imbue it with other elements like a plea or a request or even the start of a new relationship that, intentionally or not, would change the shape of the moment and can quickly overshadow what a huge deal the telling is all on its own. But that's not the case here. Since it is only a confession, unaccompanied by anything else, and since we see afterward how it was enough, evidently, to fix the strangeness that had grown between him & Charles, we're forced to understand that it was never Edwin's feelings that were actually making things difficult for him - it was not being able to tell Charles about them. 'Terrified' as he's been of this, Edwin learns that his feelings don't need to either disappear completely or be totally reciprocated in order for him to be able to return to the peace, stability, and security of the relationship with which he defines his existence - and the scale of that relief a) tells us a hell of a lot about Edwin as a character and b) totally justifies the way his declaration just bursts out of him at what would otherwise be such a poorly chosen moment, in my opinion.

Whether or not they are or ever could be reciprocated, Edwin's feelings are definitively proven not to be the problem here - only his potential choice to bottle it up - his repression - is. And where that repression had once been mainly involuntary, a product of what he'd been through, now that he's got this new awareness of himself, if he still fails to admit what he's found either to himself or to the one person he's so unambiguously close with, then that repression will be by his own choice and actions.

And he won't do that. Among other things, he's coming into this scene having just (unknowingly) absolved the soul of his own school bully and accidental killer by pointing out a fact that is every bit as central to his self-discovery as anything about his sexuality or his attraction to Charles is: the idea that "If you punish yourself, everywhere becomes Hell"

So narratively speaking, of course it makes sense that Edwin literally cannot get out of Hell until he stops punishing himself - and right now, the thing that's torturing him is something he has control over. It's not who he is or what he feels, but what he chooses to do with those feelings that's hurting him, and he's even already made the conscious choice to tell Charles about them, he was just interrupted. But now that they're back together and he's literally in the middle of an attempt to escape Hell, there is absolutely no way he can so much as stop for breath without telling Charles the truth. Even the stopping for breath is so loaded - because they're ghosts, they don't need to breathe, but also they're in Hell, so the one thing they can feel is pain, however nonsensical. And Edwin certainly is in pain. But whether he knows what he's about to do or not when he says he 'just needs a tick,' a breather is absolutely not what's gonna give him enough relief to keep climbing - it's fixing that other hurt, though, that will.

Like everything else in that scene, there's a lot of layers to him promising Charles "You don't have to feel the same way, I just needed you to know" - but I don't think that means it isn't also true on a surface level. It's the act of telling Charles that matters so much more than whatever follows it, and while that might have gone unnoticed if anything else major had happened in the same conversation, now we're forced to acknowledge its staggering and singular importance for what it is. The moment is well-earned and properly built up to, but until we see it happen in all its wonderful simplicity, and we see the aftermath (or lack thereof, even), we couldn't properly anticipate how much of a weight off Edwin's shoulders merely getting to share the truth with Charles was going to be, why he couldn't wait for a better, safer opportunity before giving in to that desire, or how badly he needed to say it and nothing else - and I really, really love the weight that act of just being honest, seen, and known is given in their story/relationship.