#not necessarily a ship but it can be read as one

[becausegoodheroesdeservekidneys]

In response to the Mile High Job post, I hate that Parker implies that poor flight attendant slept her way to a promotion/better shift. Her day is super weird but her cat is fine and her life is saved. That rumor, however, might stick and that didn't really feel like Leverage to me.

Agreed!

The thing with Leverage is that it's a show from the late 2000s; it feels contemporary, but actually it is a bit dated. And, like all shows, it had some problematic elements, which get a bit more Obviously Problematic as time goes by (I am just waiting for someone to write a lengthy call-out post in 5 years' time and for the Discourse to start.) For example, Tumblr loves to declare that Leverage has a "canon" throuple, but if anyone read that and then watched the show they would be profoundly disappointed - while it's a fantastic ship with a great many shippy instances, Elliot has a lot of onscreen No Homo moments, and frequently is shown sleeping with random women (I personally read him as aromantic). Similarly, there are two big relationships in that show: Nate/Sophie, and Parker/Hardison. And we all wax lyrical about the brilliance of Parker/Hardison and how healthy it is, and for good reason; but we gloss over how unbearably "I hate my wife/father I cannot click the book" Boomer humour Nate/Sophie is.

(He literally calls her a shrew in one episode. She throws a tantrum and sulks if he doesn't remember the exact details of how/where they met. She's stereotypically 'romantic' and he's stereotypically 'cynical' and she has to Save Him From Himself, and he self-deprecatingly says he should just know when to stop arguing because she's always right. Like... it is a grubby and uncomfortable dynamic; but, it's also aimed at a different segment of the audience that is older than me, and that's okay, actually. It just means I don't much care for the ship myself.)

Anyway, this is one other such instance. Clearly someone in the writers' room thought that was a funny joke, and not enough people disagreed, and so in it went. What's nice is that Sandi McCree, who plays the other flight attendant that stays on the plane, actually kind of saves that joke for me with her performance. When Parker first boards and declares that her co-worker is not coming in, McCree looks disgruntled at the sudden change to her staff list when she wasn't informed; she's annoyed at management. Then Parker makes the sleeping-with-pilots comment, and McCree looks disgusted and furious -

An expression she then pulls at Parker every time she sees her for the rest of the episode, even when Parker is technically not doing anything particularly weird. It's not necessarily intentional on McCree's part (Parker IS very weird in this episode, so it very much can be a response to that), but to me it means you can read it as "This woman is absolutely furious at the lateral sexism of this white girl because We Love And Support Each Other On This Plane." So, for me, between that and the aforementioned revelations of the day (the plane was brought down by the domestic terrorists of a Fortune 500 company, but saved by... a few unexplained Official People who snuck aboard??? And the other flight attendant was made to miss the plane after all under mysterious circumstances and was not promoted??? What???), I don't think Sandi McCree's character wouldn't put those pieces together.

[twinktor-frankenstein]

Sammy likes offering Henry a hand to help him down from things

[valentronic]

SAVE AS I SAVE! JUDGE AS I JUDGE!

Saw X? Never heard of her can I interest you in fanart that is somehow simultaneously for Saw IV and Saw VI? How I managed to forget about my all time favorite murder man I have no idea

[kyouka-supremacy]

Also kunikidazai is very good?? Like, it's Dazai's happy ending. It's Dazai settling for the trivial and the domestic, coming to terms with loving the world for its flaws and imperfections.

[valewritessss]

Wait I never got much into Sokeefe bc I was more focused on all the other characters and bc little me had just discovered that there’s a 50/50 chance you pick the wrong love interest in a love triangle so sokeefe was the last thing on my mind but seeing quotes on my feed is making me want to read it again but this time expecting sokeefe

[tantumuna]

what's crazy to me is multiple times i've received encouragement to start drawing again, even when i mention that the only reason i've considered drawing again is as a desperate ploy for attention

but whenever i talk about my writing i either get ignored or told to "write for yourself"

like just tell me you don't value writing as an art form. it'll be easier than having to dance through whatever the fuck this is

[anxiously-sidequesting]

You know what I love more than just heroes and villains going up against each other is when the hero and villain have a certain respect and acknowledgement to the other, have a special relationship or connection with the other, or just a general interest that's between just THOSE TWO GUYS and not anybody else Grandfather Spider Morganthe Schismist Soldier Duncan Grimwater

Like I could easily see the YW teaming up with almost any of those people (see: only GFS and Morganthe the other two are crazy) not out of maliciousness or because they switched sides but because they're just compatible with them in ways where it just makes sense. Like for example the YW fighting back-to-back with Morganthe or having in depth magical discussions with her because we understand her on a level no one else does. Like in a crazy season finale where the Savior of the Spiral would not even Dream of Ever Working With Those Ruffians but when they have to they're like so magical (no pun intended) together because they just click. Like in the original Teen Titans where Deathstroke and Robin were like fighting in Hell together and they were on the SAME WAVELENGTH despite being bitter enemies THAT'S THE SHIT I LIKE. I think maybe that's the reason why I resonate more with these guys than Malistaire because imo it's just so much more interesting and emotional when we get two people on opposite sides of the morale scale able to come together and work so fluently. This is also me saying I want a Schismist Soldier and YW Roommate Sitcom.

[hoardlikegoldenirises]

also: using my powers for evil

edit: added a version with a scar cause i was looking at my timeline notes and realized he should be getting that soon... also cause it's hot.

edit 2: added the extra dark blue i'd forgotten under peter's armpit

[tathrin]

do you ship barduil would you ever write it?

No and no. I don't have a problem with the ship—it's not a notp for me—I just don't ever feel any interest in it, either.

You have to remember I still haven't even seen the third Hobbit movie and I've only watched the first two once each, so the ~vibes~ that fuel most of the fandom's interest in ships that sprang from it just aren't applicable in my case, sorry.

But I don't think there's anything wrong with it as a ship, and I can understand the theory of its appeal as a concept. I get where "grim widower elf-king and grim widower human king who end up fighting a war together, with grim elf king saving grim human king's people both with food and force of arms, and then afterwards they learn to love again together" appeals to folks. That's a foundation that definitely makes sense. I just don't have any personal feelings for the relationship.

And "mildly approving apathy" isn't a great foundation for writing a ship upon, so no. No barduil writing likely here XD

[legogender]

finlays will see a terrible abusive dynamic in ninjago and be like 'is anyone gonna think abt that daily' and not wait for an answer

[inkoutsidethelines]

Thinking about how I would write an adult Scooby-Doo series, because I think it can be done.

The first thing I’d do is make the characters actually be adults.  Still young, but adults, in the mid to late 20s range.  Mystery Inc. is a private detective type business that they run together.  In this universe, the supernatural/ghosts/etc are real, but not necessarily common, so when they take on a case, the culprit might be a person disguised as a monster, or it might actually be a real ghost.  The stakes can be higher; sometimes a bad guy is legitimately trying to kill them.  Sometimes the mystery they’re trying to solve is a murder.  Sometimes they actually get hurt on their cases.

Fred: the core of Fred’s character should be that he’s incredibly kind.  Like, give a stranger the shirt off his back kind.  The “Fred can’t talk to potential clients because he might take a case for free and we need to eat” kind.  He’s an honest and good person and sometimes gets himself into trouble because he assumes other people are too.  While he’s not very good at reading people or noticing ulterior motives, he’s brilliant when it comes to mechanical or engineering type stuff, so he’s the one who keeps the mystery machine running, builds their gadgets, and of course, designs the traps.

Daphne: she comes from old money, and her parents absolutely despise her life choices, to the point where they haven’t officially disowned her, but they have basically cut her off, so she doesn’t actually have access to any family money.  Growing up wealthy has granted her a variety of skills, including speaking multiple languages, horseback riding, and fencing.  She’s very into fashion and jewelry (even if she can’t afford it anymore) and has extensive knowledge of both that can occasionally provide a vital clue in a case. And even though her parents have cut her off, Daphne still has a wide network of contacts she can ask for favors sometimes, because she’s personable, and people tend to like her.  Daphne is also very emotionally intelligent, and is usually the one who can spot when someone is lying to them.

Side note - I ship Fred and Daphne, so I think I would start them off as an established couple for this universe.  Dating, engaged, married, I don’t care.  They are stupidly in love, ride or die for each other.  There’s no will they, won’t they, no worries about cheating.  They are in a healthy, happy, loving relationship, and no one (not even Daphne’s disapproving parents) are going to mess that up for them.

Velma: she is the forensics nerd who sometimes gets super excited about the wrong thing at the wrong time (”He was mummified in seconds? That’s so cool!” “Velma!  His wife is standing right there!” “Oh.  Sorry.”).  She’s not purposely insensitive, she just gets laser focused on her work and forgets to filter herself sometimes.  She’s also the one who can get so fixated on solving whatever mystery they’re working on, she’s willing to bend or maybe break laws.  Is breaking and entering really so bad?  Not if it gets them answers.

Shaggy: he is still the comic relief, but he’s the comic relief by being the only person in the group that actually has common sense.  He manages the business’s finances, he’s the only one who knows how to cook, and the others tease him for being a coward sometimes, but Shaggy maintains that if a ghost with an axe is coming for you, running is the only sensible option.  He should also have a range of random knowledge that sounds useless, but sometimes saves the day (ex ventriloquism, origami, the history of spoons, etc).

Scooby: as this is a universe where supernatural creatures exist, Scooby is an ancient eldritch type being that took a shine to Shaggy when he was a kid, and took the form of a talking dog to befriend and hang out with him.  Aside from the talking dog bit and not aging, he never uses his powers in a way that anyone notices.  The audience is not told upfront that Scooby is an ancient eldritch being; it should slowly be hinted at throughout the series so the audience put it together, but the characters never realize it.  Scooby genuinely considers Shaggy to be his best friend, and cares about the rest of the gang too.

[lazyrezi]

Love and peace on earth is when two bookworms talk about how one of them treasures the books like they're tiny gods made of paper while the other one says something about how you have to break open a book like you would a cold can of drink on a hot summer day when you are dying of thirst and neither of them are offended by each other on the book's behalf.

[jennaflare]

So Disco Elysium is the only game you've ever really liked

I get it! It's a phenomenal game with superb art and writing, and its themes are consistent and deeply explored. It sets a high bar for video games. But there are other really, really fantastic games out there. This is a list that is 100% my own taste of things that aren't necessarily similar, other than the fact that they're really fucking good. (A lot of these are on sale for the Steam Summer Sale until July 11 2024!)

In Stars and Time

In Stars and Time is a time loop game where you play as Siffrin, the rogue of a party at the end of their quest to save the day by defeating the King, who is freezing everybody in time! But something is wrong: every time you die, you loop back to the day before you fight the King. You're the only one who remembers the loops, so it's up to you to figure out why it's happening, and how to break out.

In Stars and Time is a heart-wrenching dive into mental health, friendship, and love. It's about feeling alone, and how awful it is when the people who love you don't notice (and how awful it is when they do). It's about falling deeper and deeper into your worst self and your worst tendencies, and how to come back from it.

The creator also did one of my favorite Disco Elysium comics ever, which is only tangentially relevant but worth mentioning.

Roadwarden

In Roadwarden, you play as the titular Roadwarden for an undeveloped and "wild" part of the kingdom. Monsters roam the forests and roads, and it's your job to keep people safe. On paper, anyway. Your real mission is to find out what is of value in the area, and how to take it from its people. How well you perform this task is up to you. It's an oldschool text-based RPG, and I take a lot of notes by hand when I play.

Roadwarden explores exploitation and industrialization by making you look in the face of your potential victims. You can only learn what your bosses want you to report on by getting close to the residents, after all. There are mysteries to be solved, secrets to be gathered, and hearts to win.

The Longing

The Longing is an adventure-idle game where you play as the solitary servant of a sleeping king. Your task is to wait for him, for four hundred days. Time in the game passes in realtime (for the most part). There are caves to explore, books to be read, and drawings to make.

The Longing is about loneliness and depression. It's about whether or not you decide to stay in that hole, and if you do, what you do with yourself while you're there. Maybe you'll wander. Maybe you'll stare at a wall. Maybe you'll just sleep until it's all over.

Papers, Please

Papers, Please casts you as a newly hired customs officer in a country that is rapidly tightening its borders as its fascist government tightens its fist. This game is stressful. Sometimes you intend to help out the revolutionaries when they asked, but then you got so stressed out trying to make your quota so you can feed your family and pay your bills that you didn't notice the name of the person they were hoping to contact while going through their papers. Sometimes someone puts a bomb in front of you and expects you to defuse it. Sometimes someone suggests you steal people's passports so you can get your family out, and with the horror you see daily, the idea tempts you more than you'd like.

Papers, Please is all about hard choices and testing your moral fortitude. Everything you do has consequences. Being a good person in this game is hardly ever rewarded, but not in a way that feels overly cynical. Papers, Please asks you what kind of person you want to be and what you're willing to sacrifice to get there.

The Return of the Obra Dinn

From the creator of Papers, Please, The Return of the Obra Dinn is a game where you play as an insurance investigator for the East India Trading Company. The ship the Obra Dinn has just floated back into port, its entire crew missing or dead. It's your job to figure out what happened aboard the vessel. For insurance reasons.

I don't know how to go into the themes of this too deeply without giving away too much, but the mechanics of the game itself make the game worth playing. You have a magic stopwatch that allows you to go back to the moment of a person's death, allowing you to try and figure out who (or what) killed them, and how. And the soundtrack is extremely good.

Outer Wilds

In Outer Wilds you play as an unnamed alien, and it's your first day going to space! Your planet's space program is pretty new still, so there's still lots to explore and discover on the planets within your system. There are ancient ruins from a mysterious race that once lived in your system, long before your species began to record history. Why were they here? Where did they go? How are they connected to the weird thing that keeps happening to you?

The fun of Outer Wilds is in the discovery and answering your own questions. The game never tells you where to go, and it never outright tells you anything. There are clues scattered through the system, and it's up to you to put them together and figure out your next steps. It's about the way that life always goes on, no matter what, even when it seems like the end of everything, forever. I'd recommend NOT reading anything else about this game. Just go play it. Seriously, the less you know, the more fun this is.

If on a Winter's Night, Four Travelers

In If on a Winter's Night, Four Travelers, you explore the circumstances of the deaths of four individuals.

This is a short one that took me about two and a half hours to play. If for no other reason, play it for the stunning pixel art. The game explores sexism, racism, and homophobia in the Victorian era and leans heavily into horror themes. Best of all: it's completely free!

Pentiment

Pentiment takes you to the 16th century, where you take the role of Andreas Maler, a journeyman artist working on his masterwork in the scriptorium of an abbey. When someone is murdered, Andreas takes responsibility for finding the culprit.

The game is set over 20~ years and you get to watch how Andreas' actions affect the village in various ways (who's alive the next time you come by, have people gotten married and had children...). It's an exploration of how the past affects the future, and what parts of that past we choose to keep or discard. It has beautiful art, and fans of both Disco and Pentiment often compare them.

Other games you might wanna check out

Night in the Woods, Dredge, Oxenfree, A House of Many Doors, Inscryption, Slay the Princess, Citizen Sleeper, Chants of Sennar, Loop Hero, The Cosmic Wheel Sisterhood, The Pale Beyond, Where the Water Tastes Like Wine, Elsinore, Her Story, Before Your Eyes, Pathologic (not delved into above because the venn diagram of Pathologic fans and Disco fans is basically a circle)

[mindfulstudyquest]

❥﹒♡﹒☕﹒ 𝗯𝗲 𝘀𝗺𝗮𝗿𝘁𝗲𝗿 ( 𝗮𝗰𝗮𝗱𝗲𝗺𝗶𝗰𝗮𝗹𝗹𝘆 𝗯𝘂𝘁 𝗻𝗼𝘁 𝗼𝗻𝗹𝘆 !! )

𝟭. improve your writing skills ( ✒️ )

i feel that not everyone has the perception of how important it is to know how to write. you don't have to be a poet, nor the new emily brontë, but fluid, conscious, rich writing makes the difference. really. you could write a page without saying anything at all, but if that damn page is written good and smoothly, then you can be sure that you will get extra points. take the time to improve your writing skills, the best advice i have for doing so is reading. read as much as you can. read novels (non-fiction in this case doesn't help because the content is preferred rather than the form), read contemporary authors – you don't necessarily have to read sophocles' tragedies, but read quality stuff. expand your vocabulary, your knowledge of syntax, learn to use punctuation! and then write, tell stories, write love letters, write reviews of films, books, cultural festivals, open a blog on tumblr and write to practice, reread what you write ad nauseam, until it is perfect, until the form of your essay is pulitzer prize worthy.

bonus some of my favourite authors (tell me in the comments about yours!): ian mcewan, banana yoshimoto, haruki murakami, george orwell, josé saramago, albert camus, khaled hosseini, hanya yanagihara

𝟮. develop critical thinking ( 💭 )

if you have always studied passively by absorbing information and vomiting it onto a test sheet then you have wasted your time. taking on information is not enough, you need to know how to rework it and develop your own idea about it. especially in the arts and literature one may disagree with certain information provided by a textbook. developing critical thinking is not easy, especially due to the school system that teaches us to standardize thinking. always consult all available sources on a given topic, compare them, analyze contradictions. it might be difficult and tiring – our brain spends more energy processing two conflicting pieces of information than processing two pieces of information that agree – but it will be worth it. by practicing critical thinking and improving your argumentation skills, you will not only be able to improve in your studies, becoming able to present complex topics and make interdisciplinary connections, but also in daily life, you will become much less influenced and manipulated by external information.

𝟯. find yourself an interest ( 🌷 )

it could be anything, but find an interest that excites you and you enjoy and do research about it. watch videos, documentaries, read articles. it doesn't have to be school-related, it must be an external topic that you are passionate about and that allows you to rediscover the joy of studying and learning every time school seems to suffocate it. sometimes i'm not in the mood to study for exams, so i dedicate myself to my personal research and finally find my spark, my seek for knowledge. for example, my interest is true crime, it has always fascinated me since i was little, but yours could be wild animals, makeup, comics, ships, planes, ocean flora, literally anything. there is no constraint.

𝟰. analyze your mistakes and recognize your wrongs ( 🫒 )

there is no shame in making mistakes. everyone makes mistakes, we are human, but the real sin is getting bogged down in mistakes, refusing to acknowledge them, and continuing to make them again and again. we should be continually growing, continually discovering ourselves, both intellectually and emotionally. how many of you were the "gifted kid" when you were little and then grew up into burned out high school / uni students desperately seeking academic validation? there comes a time when talent isn't enough, you have to put in the effort, and this doesn't make you less intelligent or gifted, in fact, quite the opposite. dedicating time and attention to your personal and intellectual growth also means having to ruminate on your mistakes. it's scary, but it's the most effective way if you really want to improve. take a notebook and at the end of the day reflect on the highlights and the wrongs, what you could have done better, where you would like to push forward tomorrow, what you achieved today. did you make a mistake? first ask yourself why and then look for a way to solve the problem, make every bad moment a lesson, a brick on which to build the version of you you wanto to become tomorrow.

𝟱. don't be afraid of doing researches ( 🧃 )

the amount of fake news and misinformation online is appalling. opening any app like tiktok or instagram we are inundated with information that is often (not always, but not so rarely) inaccurate. don't be afraid to conduct your own research, if you have time to mindlessly scroll through tiktok you will also have five minutes to read an article regarding that information provided. don't know the meaning of a word? look it up before using it. not sure about a piece of information? check it before using it in your argumentation. in the age of immediate access to data we have no excuse to be superficial.

𝟲. master communication ( ♟️ )

mastering communication is essential in both personal and professional realms. it's the cornerstone of building meaningful relationships, whether it's conveying ideas effectively in academia or fostering connections in the workplace. developing strong communication skills not only enhances your ability to articulate thoughts but also empowers you to listen actively, empathize with others, and resolve conflicts constructively. ultimately, honing these skills cultivates confidence, credibility, and success in all aspects of life.

𝟳. push yourself out of your comfort zone ( 🧸 )

build your confidence. confidence is uncomfortable. don't be afraid of it. you are young, this is the right time to experiment, take risks, discover who you really are. this is the best time for you to do those things that you would otherwise never do, you don't want to regret later in life that you didn't accept that scholarship, that trip abroad, that job opportunity, because you didn't feel comfortable enough. do things that take you out of your comfort zone until everything becomes your comfort zone. go on solo dates, be a social butterfly, tell the girl at the bookstore you love her t-shirt, go to the theater alone, eat at a restaurant alone, take that trip. if it goes badly, you'll only have one funny story to tell.

𝟴. stay informed about the news (but not too much!) ( 🌍 )

this might be controversial, but: stay informed about the news, just don't overdo it. personally, i am an easily influenced person and i realized that being constantly exposed to the bad things happening in the world had drained me and made me terribly depressed. don't get me wrong, you need to be informed about what's happening in the world and in your country, just being constantly surrounded by horrible news repeated ad nauseam on TV programs is of no use. be aware.

[unholyhelbig]

fuck yes wandanat!!!

Center picture Cred: Jadiakallisti

Title: The Beast You've Made of Me [Part 1/7]

Ship: Female!Reader x Natasha Romanoff x Wanda Maximoff

Wordcount: 3977

Summary: When reader wakes up in her own grave, she's suddenly aware of a past that spans lifetimes, but she's not the only one. Two Avengers are tasked with keeping readers past a secret, or at the very least, controlled.

Warnings: Being buried alive, claustrophobia, guns, general violence, cold leftovers and horrible grammar.

[a/n: Let me know if anyone wants to join the taglist! I should be able to post every week to bi-weekly depending on some travel! This is setting some things up, but I promise it gets better.]

[ Part one | Part Two | Part Three | Part Four | Part Five | Part Six | Part Seven ]

Main Masterlist | Read my stuff on AO3 | Leave Requests

The weight of dirt was beginning to make the lid of the state provided casket buckle. It wasn’t very sturdy despite its drastic price that the government contemplated paying. It would have been easier to cremate, send you into the afterlife with the kiss of fire white-hot enough to melt bone. But your will had been specific, not necessarily written by you, but detailing that you must be buried, nonetheless.

No state representative wanted to have the ghost of a twenty-something paralegal on their hands. Though most were Roman Catholic and believed whole-heartedly that once a candle was lit in recognition a spirit couldn’t possibly seek vengeance. Still, they respected your wishes.

No, not your wishes. You were too young to even think of a will, or any specifications that would result in your burial. You still swallowed two cans of candle-flavored alcoholic seltzer with your sad dinner of microwaveable lasagna. You hadn’t made a habit of signing legal documents between sloppy bites and buzzed naps in the sun.

Which begged the question of why you were in a casket in the first place, and why dirt was starting to sprinkle down from the creaking wood above. Doctors made mistakes, but burying you alive? Well- shit, that was less of a mistake and more of a deliberate ignorance.

Your body was stiff, cold and unwelcoming to the life that suddenly thrummed through you. Maybe you had been dead. Nothing two full bottles of Advil couldn’t ebb out of you. Your fingertips pushed against the fabric lining, testing the validity of the box you were in.

This was all somehow extremely familiar; the darkness that swam around you, the putrid scent of your own breath after being beneath the earth for God knows how long. You could taste the film on your teeth and almost craved a toothbrush more than you did freedom. Almost.

Despite the pain in your calves, you situated yourself to where your feet pressed against the lid. With just a little leverage maybe you could push hard enough to free yourself. There was a rhythmic shoveling above; so you weren’t completely packed in yet.

Suddenly, very thankful for the yoga classes Jennifer was making you take, you maneuvered until you got enough strength to push. For a few agonizing moments, nothing budged except your spine. Fuck, fuck, fuck. A few more breaths and a harder push and the latches on the outside of the casket seemed to give way to the pressure with a small pop. You could taste dirt, feel it in your eyes.

Another brisk shove and the lid flung off it’s hinges, crashing loudly against the meticulously carved grave. You winced at the cold soil that suddenly surrounded you. Worms squirmed against your skin and that was enough for you to sit up with gusto, holding back a stomach full of vomit. Formaldehyde? It tasted terrible, either way.

You shivered and dusted yourself off. It was either early morning or just before dusk. You couldn’t tell but the electric blue sky had just started to fade to orange. You wouldn’t have been able to handle the sun being in full force, barely blinking away the color of the world, much brighter than the dark box you’d dismantled.

And boy, did you dismantle it. You’d only intended to push it up, free yourself, but the cheap wood had splintered and crumbled under just a little force. You stood in the wreckage and peered up at the company you had obtained.

“What the fuck?!”

It was a man who looked younger than you in his fear. He held a shovel in his hands, hugging it close to his chest. His mouth was slightly opened and his deep brown eyes were widened in fear and shock. The knees of his dark blue jumpsuit were stained with dirt and water.

“Can you give me a boost?” You croaked.

“A boost… I, fuck, I shouldn’t’ have taken this job.”

“You can quit after you help me out of this hole.” You shivered, looking down at the dirt below your feet. You swore you saw it pulse like a heartbeat. Too many worms, maybe even a few spiders. You’d never been too fond of bugs. You reached your caked hand up. “Please.”

He made a small noise in the back of his throat. “I don’t want to be patient zero.”

“Do I look like a zombie to you?”

“A little,”

“Now I’m offended and freezing my ass off.”  

He regarded you, probably checking for a nasty festering bite, yellowing skin and any general signs of reanimation. When he didn’t find any, he reached a shaking hand down to you. Both of you struggled and strained until you found the perfect hold on the side of the grave. God- you were never so happy to touch grass.

You panted and stared up at the sky, stars were starting to pockmark the navy blue. It was, in fact, night. The metal tip of a shovel was pointed towards your neck. “Aw, come on, I thought we bonded there.”

“I’m talking to a corpse, we are not bonding.”

“Where are we?” You ignored his pointed stare and tilted yourself up on your elbows. A cemetery was the easy answer. But you wanted to know which one. There were at least 1,700 in the state of New York alone, and they all looked deceivingly the same. “Do I have to take a cab to Manhattan?”

“Uh, you’re in White Plains. Mount Calvary cemetery. I’m- I’m sorry, is this not freaking you out at all?”

You frowned, patting the pockets of a pair of jeans (why the hell would they bury you in jeans, they were the worst). In a long exhale you said. “Shit. I think worms ate my cash.”

It was a longshot to even think that your phone would be in your pocket. It wasn’t. But that left you stranded almost an hour, by car, outside of the city. It would be morning by the time you made it back and that was if no-one pulled up to the side of the road and tried their luck.

You did the only thing you can think of and peered up at this stranger with watery, wide eyes. It wasn’t a move you pulled often, meaning it still worked on Jennifer, on your mother and your father. This was a last resort and you were certainly willing to use it to your advantage.

“What? No.” He shook his head “No! No! Absolutely not. You just dug yourself out of a grave I fucking refuse-“

His name was Austin and he drove a 2002 Ford that needed to warm up for a few minutes before he even considered pulling out of the gravel drive. He was pressed as far as possible away from you and that didn’t exactly boost your confidence, but honestly, truthfully, you would take what you could get at this point.

Austin asked if you were freaking out, and you were. Everything was patchy and black in some places. You couldn’t remember how you’d ended up in a casket. It was clearly a situation that irked you for more than one reason. The forefront of which; no one had attended your funeral.

You weren’t even from White Plains. You’d known from your day job that this place had more than one government funded cemetery. So, most likely, you were given a half-rate priest with liquor on his breath and a funeral director that may have taken the twenty from your pocket, not the worms.

Your stomach clenched as Austin began to drive. He was tapping his fingers against the steering wheel nervously, and could you blame him? A corpse was in his passenger seat. Though, you felt alive enough.

“What’s your name?” He eventually asked, flicking on his high beams. You were on a long and deserted road flanked by oak trees. The occasional field passed by, the reflective quarter-sized eyes of cows blinking at the truck. “Frankenstein?”

You snorted, “Ha-ha. Frankenstein was the doctor, not the monster, you know? And I don’t remember my pitiful grave being struck by lightning.”

“You’re deflecting.”

“Perhaps.”

“Pitiful? Really? I work hard to maintain those graves.”

“I’m sure they’re lovely.” There was a rolling beat of silence. He glanced at you twice before shrugging his shoulders and leaning his chest closer to the wheel to see better. “It’s y/n. Wasn’t it written on the stone?”

Austin shook his head softly, “No, they don’t put the stone in until later. I’m supposed to spray paint a neon ‘x’ on the packed dirt, so they know what to make.”

How humiliating. You’d supposedly died, no one came to your funeral, and you were reduced to less than a quarter of spray paint. There was a system to everything, but this one made your self-importance fizzle out like a covered candle. There one moment and gone the next.

“Do you have a plan?” Austin changed the subject.

“A plan?”

“Yeah, like, are you just going to show up and say surprise, I’m alive? I’ve seen a lot of horror movies and that never goes well.”

Well, that was your plan. It was a damned good one too. There was nowhere else for you to go. While this near stranger was nice enough, you couldn’t impose on him for more than a single ride. His kind chocolate stare was telling enough. He would let you stay with him as long as it took to figure all of… this, out.

“Yeah,” You sighed out, leaning your head against the cool glass “That’s all I’ve got.”

Jennifer’s apartment building had a small box that required a code for entry. You knew the right numbers to press in the right order, they had faded away from regular use, but the door was always propped open by a cinderblock to let in the cool summer air.

If it rained hard enough, New Yorkers would take partial shelter under the awnings, and sometimes going as far as to loiter in the front lobby by the large set of mailboxes. They were the oldest and most fascinating part of the building, large and wrought iron. Allegedly, they’d survived three building fires.

Thankfully, no one but you stood in the lobby as you watched Austin’s taillights flicker out of existence. You’d have to thank him later- of course, you hadn’t gotten his number, but you knew where her work. At least where he worked up until now.

Escorting someone who had kicked their way out of their own grave back into the city was grounds for quitting, in your book.

The elevator was the second oldest thing in the building, but you somehow felt a wave of relief wash over you when the familiar warmth pressed against your skin. The mechanics jolted and hummed like an old lawn mower. All of these were comfortable.

Hunger tinged at your stomach in one fail swoop of feeling. You steadied yourself against the reflective interior of the elevator as it rose to the highest floor. Each number was signified in a loud and crude beep. You were tempted to hit the emergency stop; gaging the feeling in your abdomen.

Brains?

Yeah, the thought of them was absolutely unappetizing. Austin had gotten into your head. There was no innate need to dig your teeth into flesh and devour. In fact, you became more nauseous at the idea than before it popped into your head.

Zombies were chained to shitty horror movies you and Jennifer curled up to watch every Friday night, making fun of the gelatin that was used for wiggly guts and the cooked rice substituted for maggots. You could go for rice right now.

Knowing your best friend, she would have some sort of left-over cuisine in her fridge and you didn’t hesitate to run your fingers over the top of the doorframe to procure her hidden key, taped with a single strip of adhesive to the surrounding paneling.

Her apartment was dark save for the small tank with a one-finned goldfish named Gus. He barely regarded you, the dull buzz of his home and the pale blue light gave you all the vision you needed. Again, the familiarity of Jennifer’s apartment warmed you, comforted you. If you stopped for too long, you’d think about it all too much.

Waking up in a grave, not remember how you got there in the first place. When was the last time you’d had a meal? You’d purposefully avoided the side mirrors in Austin’s car, even the rearview was gently nudged by your dirt-caked hand. One thing at a time.

The fridge swung open with a satisfying pop and you were never more thankful for the red and white takeout containers that rested on the top shelf next to a box of wine. Neither of you ever claimed to be fancy.

You knew Jennifer’s order like the back of your hand. Sweet and sour chicken with a side of fried rice and no matter what, you would eat it cold. When the scent hit you, you even considered going forkless. If not for the slick dirt under your nails, you would have.

There was instant satisfaction in shoveling a mouthful of rice into your mouth, you barely chewed before swallowing. The neon light from the open fridge illuminated your shame and you swore that Gus, the one-finned fish, was judging you. He ate flakes for fucks sake, watching you spoon cold leftovers was the least of his worries.

You’d moved on from the rice and to the chicken before you noticed that you had company. It was a shift in the air, the feeling of being watched. But there was something more too, something like an itch on the back of your neck.

In a split second you turned from your cold meal and lifted your hand up with enough time to grip a wedge golf club that Jennifer had gotten from her father for her twenty-first birthday. They collected dust next to her coatrack, and right now, the metal edge was less than an inch away from slamming into the side of your temple.

You’d never been necessarily graceful, nor good at picking up on your surroundings. You never had to be, not with your work as a paralegal. The worst thing you had to look out for was a bad reaction to burnt office coffee.

Jenn was in an oversized Pink Floyd t-shirt and a pair of boxers, her eyes were wild, hair even wilder. A bloom of fondness wash over you despite her attempt at assault. You couldn’t blame her either, your mind so one-track on getting a meal that you hadn’t warned your best friend, not in the slightest.

“Fuck! What the fuck!” she wrenched the club away from you and moved to swing again, holding it behind her head like a baseball bat.

“Jesus Christ! Oh my God, put the wedge down!”

“You’re not-“She gulped in a cold breath of air “you died!”

“Don’t hit me with that thing and kill me again!”

Her chest was heaving up and down, fingers tightening against the rubber grip handle. Her eyes were frantic. “Did you eat my leftovers?”

You blinked at her, not sure what to say. She didn’t give you a chance to answer either, instead she sprung forward and wrapped you in a bone-crushing hug. You breathed her in, her scent of summer rain and freshly cleaned laundry. Her hair tickled your nose but you held her back, held her as if it were the last time you ever would.

Something softly broke within you, and you felt tears well up in your eyes. They slid silently down your cheeks. The fridge closed with a padded thump and plunged you both into the neon blue glow. Eventually, the club fell to the floor with a clank and her fingers fisted your shirt. You were thankful that she didn’t use her full strength.

“How is this happening?”

“I don’t know,” You rasped.

And you didn’t. Everything was so fuzzy and each time you attempted to press the subject in your mind, you felt the start of a headache at the base of your skull. For now, you were perfectly content holding your friend flush against you.

“You smell so bad,” She sobbed.

“Yeah, well, I was dead.”

Jenn pulled back and squeezed both of your shoulders, studying you longer than you had studied yourself, her breath shuddered “Maybe this is one of those Halloween things, like… like you have one night back on earth.”

You gave her a weak smile “It’s June, Jenn.”

She frowned at you, fingers pressing against your goosebump covered skin. “Sweetie, it’s October. You’ve been… gone, four months.”

But you hadn’t been buried since June. You were barely buried this evening. Your body ached from how stiff the casket had been, fingers numbed from the cold. You figured you were jarred, not in a different season altogether.

“I don’t… I don’t remember anything.”  

She swallowed hard, linking her hands behind your, they rested at the base of your spine. You could tell that she was afraid to release her hold on you. Her breath was warm against your collarbone.

“You were hit by a car that blew through a redlight.”

Okay- anticlimactic. You worked alongside Jennifer at Goodman, Lieber, Kurzberg and Holliway on cases that were focused on Inhumans, superheroes and supernatural beings that had gotten themselves into legal trouble. Being taken out by a car accident wasn’t on your top-five ways to go.

“It was all very… weird. They wouldn’t’ let me see you, and at first, I thought it was because we’re not family, but they didn’t let them in either. I even pulled the attorney card, which I’m not proud of, but they refused to let us even identify you.”

She withdrew her touch and started to pace around the kitchen. It was her way of thinking, and now that she was sure that you were a solid being, she was free to move around. “Even when I got six feet tall, mean and green, they wouldn’t let me in. I was two seconds from calling Bruce.”

Jenn stopped and lifted both eyebrows at you “You look remarkable for someone who has been under the earth for months.”

“I was being buried today in White Plains. I’m assuming there was no funeral, then?”

“No… no. They had said that private arrangements had been made and it’s my guess that those were keeping you on ice until now.”

You winced at the phrasing. You were never too fond of hospitals and the blocks in your memory scared you more than anything. If what Jennifer was saying was right, then, you may not have died in that intersection. You may have been through something much, much worse.

“Sorry,” She sighed out, desensitized just as you were. “Y/n, you can’t remember anything?”

“No,” The word came out as a broken whisper.

The two of you stood in a quiet moment. You could feel your heart pounding in your chest, and you held onto that feeling. It was there, you were there, pockmarked memory and all. You felt the urge to reach out and hold Jennifer again, suddenly so exhausted you didn’t’ imagine your legs holding you up much longer.

Her eyes flickered down to the center of your chest and then back up to your stare with an immeasurable amount of fear. When you gazed down at the dirt-stained shirt, you saw a red dot, quivering as if a hand was behind it’s direction. Your shoulders slumped.

“aw, fuck.”

Jennifer let out a scream as her front door was splintered open and flung with great force across the room. The two windows that overlooked the view of the city shattered as heels broke against the panes. The one singular dot had changed to seven, long-range rifles aimed at you, and you were suddenly very sad that your last meal would be cold leftover rice.

Even in the dark, you knew that they had knocked over the fishtank holding Gus, multicolored rocks and glass slid across the wooden floor. There were light gray circles against the breasts of these intruders, a bird with outstretched wings in it’s center.

Your hands went up reflexively, both you ducked behind the breakfast nook, you were close to plugging your ears, the red dots trained on the fridge now, “Oh my god, did you call SHIELD?”

“No! No, I didn’t even know you were alive three minutes ago, I was going to hit you with a golf club and call the cops, not SHIELD.”

They were assholes and tight-lipped about everything, always. It was hard to get a phone call back from them divulging information about ongoing lawsuits, but now they were in front of you, guns raised and depriving Jennifer’s fish of life.

“Gus is going to drown,” You whispered harshly back.

“He’s a fish, he can’t drown.”

“In air.”

There was obvious shifting of firearms. The Agents were all calculated and still with their movements, there wasn’t subtle noise without intent. A gruff, raspy female voice called out to you. “Come out with your hands up, y/n.”

You peaked over the breakfast bar and squinted into the darkness. Your body was not equipped for this. It was already protesting from kicking open the casket with a bought of strength. It certainly wasn’t prepared for this.

Most of the agents were in swat gear, bullet-proof vests and helmets, their faces were covered with balaclava’s, leaving only small strips of exposed skin and eyes trained on you. You hadn’t had this much attention directed at you since your fifth-grade talent show, and you figured the last time would be your funeral, but that hadn’t gone exactly to plan.

The woman who was speaking was in a tactical suit. She didn’t’ bother to cover her identity, she didn’t have to. This was the Black Widow. Natasha Romanoff. Jennifer had gotten drunk one night after a losing case and told you about her cousin having a bit of a fling with her. You’d met Bruce, and that was… unbelievable in the nicest way possible.

Her emerald eyes were trained on you, serious and hard. A tingle ripped up your spine and your stomach squirmed at her scrutiny. Maybe it was the rice and the chicken, but you felt the urge to vomit. You wanted her to say your name again, despite not understanding why she knew it in the first place.

Jennifer gripped your ankle, shaking her head ‘no’ vigorously. Really, you should trust your lawyer friend.

The Black widow let out a sigh, the tip of her handgun pointed to the ground. “You can either come out, or I’ll blow a hole through your chest. Your choice.”

Your gaze flashed down to Jenn and she seemed to have changed her mind within a second, nodding with caution. “Okay, okay.”

Once you were at full height, the room bustled in movement. Your eyes remained on the Black Widow, and hers on yours. Your mouth felt dry, the tip of her gun pushing against your ribs before she flipped you and bent you over the granite counter. Jennifer was using her heels to scoot back to the fridge, trying to avoid the agents swarming around.

Metal cuffs were slapped against your wrists. The Black Widow was pressed flush against you, her warmth dominating. She grasped the back of your shirt and pulled you up. You were, for a fleeting moment, at her mercy. Her fingers searched your pockets, padded down your sides. Once she figured you clean, she holstered her weapon. “Y/n Y/l/n,” she husked in your ear. You suppressed a shiver, knowing she’d feel any move you made right now. “You’re supposed to be dead.”

Taglist: No one yet :(

[slasherscream]

Hello Bee! First I want to say that I really love your writing and your characterization of the characters. I've read so much of your stuff over and over again, it's so good! Thank you so much for writing it all!

Secondly, I wanted to make a request. Sorry if this sounds dumb, but could you please make a crazy ass husbands with an artisitic s/o? Like someone who may not necessarily create art, but is really passionate about like painting, and music, and just all the types of art? I saw you added Vincent Sinclair and thought of this 😄.

If not its fine, I still want you to know that I adore and enjoy your writing! Well wishes! 🩷🩷

Qimir (the acolyte) - Qimir likes the way you get carried away by music. The way you close your eyes when you walk into a cantina and musicians are playing. The little songs you hum to yourself when you’re piloting the ship, or fixing something. Music awakens something in your soul. You feel it deeply. Love songs and tragic laments alike light a fire in you. Every now and again he’ll have the two of you go to planets known for their music, their unique sounds, and singing styles. It’s always under a false pretense. The training or mission he sends you on are usually extra grueling before you’re given your “reward”. Otherwise, he feels like a slave to the whims of your joy. What wouldn’t he do to see you smile? To relish your little gasp the first time you hear a new instrument or song? He likes to reach out, using the connection you two share, and feel what you feel. He’s so glad he freed you from your shackles of repression. The way you indulge your passion is beautiful. 

Norman Bates - You’ve always loved flowers. The first thought you had about the motel was that it needed some nice flowers outside. You’ve traveled the country, visiting all sorts of gardens. It’s an odd hobby, but one you chased relentlessly. Until you met Norman, and settled into the hotel with him. But eventually you start to crave those gardens again, so you decide for the first time not to just admire gardens, but to cultivate one. There are a few false starts. Miserable failures. Mixed successes. But Norman is encouraging every step of the way, and eventually your little motel begins to shine. Ivy creeping up trellises you place against the house. Roses, peonies, lavender, poppies. All in ranges of colors and sizes. You repaint the motel when it begins to look shabby in comparison to the garden blooming around it. For the first time the motel starts to look… welcoming. Like a true home. People in town begin to stop by and spend the night just so they can have breakfast in the garden the next morning. People propose to each other at the Bates Motel. Get married there. Honeymoon. Have the celebrations for their baby’s christening among all your flowers and saplings. Norman doesn’t have a green thumb, but he brings you lemonade and kisses your cheek and thanks you earnestly for bringing color and life into his world. 

Hannibal Lecter - This is one of the ways you and Hannibal bond. You could talk about art for hours together. He’s a wonderful conversationalist, and your raw passion for the topic makes it so that you always have something new to say to one another. Date nights consist of going to art galleries for big and small artists. Something about being in one another’s presence sweetens the art itself. Hannibal often surprises you with trips to other countries just so you can go to their art museums and partake in new art scenes. Money is a small thing to Hannibal. The conversations you have about art? Those are priceless. 

Shane Walsh - He’s never been too interested in the arts. Not before the end of the world and certainly not after it. The only art that matters now is the art of survival. He tells you this often. Tells you to look to the future. Focus on surviving the day. On perfecting the skills he tries to teach you, day in and day out, so even if he’s gone, you’ll be okay. But you make him soft. For all that he bitches, he’s always giving in. Always looking to keep you alive, yes. But he wants you to be happy too. So he takes detours, and looks for libraries and bookstores that are beginning to cave in on themselves and smell of rotten pages and wood. He’s risked entire hoards of walkers to retrieve a book he knew was your favorite. He doesn’t mind when precious bag space is taken up by whatever paperbacks you can get your hands on. One day he might find a town that he likes enough and decide to go through the trouble of turning a library into a home for you. It will be well fortified, and he won’t like how many entry and exit points it might have. But he’d love to see you in your element, surrounded by what you love. 

V (from V for Vendetta) - So much art has been ruthlessly crushed beneath the boot of the fascist government you live under. Admiring the arts, any form of it, is like trying to hold sand in your hands. Your grip grows ever more desperate to hold onto anything. But there is no rhyme or reason to what is outlawed or taken away. Little bits of your soul are chipped away, with each new restriction, with each new burning or banning. Until V whisks you away to his hideout, and suddenly the world is made anew again. You are surrounded by art, art you didn’t even know existed. Things you couldn’t imagine in your wildest dreams. You inhale everything the gallery has to offer. You feel nearly gluttonous. In each room there is something new to see, hear, read. A feast for your senses anywhere you turn. You feel alive for the first time in years, maybe ever. V, in turn, feels his own form of gluttony. He cherishes every bit of delight he brings to your world. He feels like the worst kind of miser. The lowest of villains. What could be more precious than your smile? Or your laughter? Nothing. And by keeping you here, with him, he deprives the world of you and all you have to offer. But the world isn’t kind to precious things. So he keeps you like all the other treasures of this world. Hidden. Safe. Loved. 

Candyman - You collect book nook shelf inserts. Your home is covered in shelves, just to fit them. You have more book nooks than you do books separating them. Daniel is charmed to death by the collection. By the tender, diligent way you take care of them all. You spend hours of your week dusting. Fiddling. Making tiny adjustments. There must be something meditative about it, because you never complain. The joy he felt whenever he held a paintbrush is the same joy that flashes across your face when you open a new kit. He watches you assemble your precious, miniature worlds and ask you quiet questions, every now and again. He doesn’t want to break you from the beautiful trance you fall into, but he loves to peek into your mind. “What drew you to this scene, my love?” / “This one has an enchanting gloom to it. You have such an eye for art.” / “This one looks especially fragile, you might have to be more gentle, love.” He enjoys watching you lose yourself in your hobby. He loves the way you are unashamed in your joy. How you take pride in this work. You curl up into his side, after you’ve spent hours assembling one of your nooks, and the two of you will stare at it in all its completed glory. 

Robert Neville (I Am Legend) - At first he thought you were a hallucination. He’d been hearing things more often. Seeing things too. The human mind wasn’t built for isolation, as a scientist he was well aware of that. He tries to compensate as best he can. With his mannequins. With entertainment. By focusing on his research. He only has to stay sane long enough to fix the world he couldn’t save. That’s all. But then he sees you, while he’s hunting. The sun is still high in the sky, and you don’t move like a dark seeker. You’re cautious, slow. You also don’t move like a hallucination. You don’t really look like one either. He almost doesn’t approach you, afraid he’ll discover you were a mirage. He follows you all day long, until the sun is getting too low for comfort. Then Robert approaches you, fumbling through the obvious (it isn’t safe out here), barely remembering to introduce himself because people have names. Hoping desperately that you’ll trust a strange man instead of taking your chances with the dark. But the entire time he talks to you his eyes keep drifting to all the jewelry you’re wearing. Earrings. Bracelets. Necklaces. Rings. They glint in the light. Hypnotizing in their imperfections and intricacies. You move into his home, but you two drift around each other like ghosts. You’ve been alone so long, the both of you. You dreamed of meeting another living person. But faced with the reality of it, you’re overwhelmed. Until one night after dinner he finds you in the living room, making more of your jewelry. Slow and careful. He asks you about it, and you tell him it kept you sane while you were alone. Made you feel human. Then you look up at him, and he freezes under your gaze. (It’s been so long since he’s looked into someone’s eyes. It almost hurts. He can’t imagine ever looking away.) You ask him what kept him human. He’s not sure he still is. But he moves to sit beside you on the floor, hands you beads, and tells you he's been pretty fond of movies lately. 

Lestat De Lioncourt - You were a tailor in life, before he turned you. In death, in this eternity he’s given you, fabric is nearly your religion. With your vampiric eyes, you see even the tiniest flaw in stitching. All colors look more vibrant. The world looks more alive. Even though you can never see the way certain fabrics and colors catch the light of the sun, moonlight and starlight can be just as beautiful. You drag him to fashion shows in order to soak in the new styles, and cuts of clothing. You are as endeared by couture as you are the various counter cultures that arise throughout the decades you spend together. You spend exorbitant amounts of money on the finest bolts of cloth and thread. Sewing and tailoring and designing can be done entirely on your own. In fact, you’d probably be done quicker if you were just left to your work. But Lestat gets lonely when you lock yourself up in your work room for days on end. He likes to drape himself against your back, push himself into your side. Trail teasing fingers up your arm, to see if he can get your ever steady hands to falter (he cannot.) Looking over your shoulders and seeing what latest fashion has caught your eye is his hobby. You don’t mind the company of your muse. Sometimes you even sit him in front of you as you sew, and let the sound of him talking guide your needle and thread. He hardly wears anything you don’t make. Not only is your work superior, but every piece is made of love. 

Abe Sapien - You love everything about movies. How they’re made. Sound design. Light design. Set design. The difference between digital and film cameras. Abe was caught in your orbit the minute you were recruited. Talking to you, trying to form a connection, however, did not come as easy. Awkward nods as you passed one another in the hall. Stilted, dry conversation as you ate lunch at the same tables. It was enough to drive him mad. He didn’t know why he alone was unable to form any sort of acquaintanceship with you (especially when he wanted far more than that). This all changed during movie night. You were watching the voted on film play out on screen, entranced by every individual frame, it seemed. He’d never seen anyone smile so fetchingly, or blink so little. He bravely, and quietly, asked if you were enjoying the film. You began to eagerly whisper to him all sorts of details about how the film was made, the difference between the final product and script. Apparently, it was one of your favorites. With one conversation, the bridge between you two was crossed. Abe had been so caught up in enjoying literature, he hadn't explored much of the diverse realm of cinema. Happily, you appointed yourself the esteemed position as his guide. Somewhere between sharing your tastes, late night discussions, and dry eyes from sleepless nights, you leaned over to kiss him. He kissed you back, and you both forgot all about movies for a little while. 

Vincent Sinclair - You were an avid admirer of sculptures. You went to museums, and had to curl your hands into fists to resist the urge to reach out and touch the statues. There was something so beautiful about someone taking the time to carve human shapes out of stone and earth. To make marble resemble fabric as delicate as silk. It was breathtaking to you, really. Until you came across the House of Wax, you hadn’t really thought of wax as a means to make sculptures. Instantly, you are captivated. You forget that your car is being “repaired”, so closely do you look at every sculpture. You admire each one from several angles, for long periods of time, face giving away nothing. Vincent watches you, wanting to know what you’re thinking about his art so desperately he feels as if he’ll die. He interrupts Bo from the preparations to kill you and makes him ask you questions. Bo asks each one through gritted teeth, irritated to be playing a game of telephone, but even he is a little charmed by your thoughtful answers. When Vincent insists on not killing you Bo just shakes his head and washes his hands of the situation. You fall asleep in the town’s only motel, but when you wake up you’re in Vincent’s workshop. You’ll be able to admire his art for as long as you like now. 

Joel Miller - You tell him stories. You’re an avid collector of them. Wherever you go, you collect a story from someone. Sometimes they’re fantastical. Some myth or aesop fables that will be lost to the sands of time and the chaos of the apocalypse within just one more generation (if humanity makes it that long.) Other times they’re heartbreakingly real. The taste of an apple pie someone’s grandmother used to make for them. The memory of someone trying on their wedding dress for the first time. You have a way about you. It’s your eyes. The warmth in them. The understanding. Even after so many years of survival and fighting, you possess an empathy that should have gotten you killed by now. Instead you’re the keeper of people’s stories. You’ll be riding side by side on your horses, and Joel won’t sense any danger nearby, so he’ll say the magic words: You got a story for me today, L/N? And you always do. The sound of your voice keeps his head quiet. 

A/N: i blushed bugs bunny curled ears style. thank you for the compliments, made my day! i think yours is the first crazy ass husbands gang request i’ve written! if you enjoyed these headcanons consider reblogging, leaving a reply, or an anon! a writer's fuel is engagement. Xoxoxo