Hot take maybe but I think Bertie would be FAR more likely to survive the first two months of Dracula than Jeeves would be. Bertie has a healthy sense of self-preservation. Jeeves consistently underestimates how dangerous a situation might get (Steeple Bumpleigh, the club book) because he’s overconfident about his level of control over any given situation. He'd handle Dracula masterfully if they faced off in England, but on Dracula's home turf? Much more doubtful.
I realize this might be a tough sell, so I will explain further (or it's not a tough sell, and I'm going to explain further because I want to). (criteria taken from @canyourfavesurvivecastledracula) Without further ado.
Would Jeeves and Wooster survive Castle Dracula?
Jeeves
Jeeves' survival will depend on how long Dracula finds him more entertaining than irritating. On that basis, I don't think he's long for this world. On the one hand, he has a huge wealth of knowledge about English society and culture that he can recite perfectly from memory. That should buy him at least a little time with noted teaboo Dracula.
On the other hand, he would be absolutely no fun as a vampire plaything. Jeeves cannot be got. Sneaking up on him while he's shaving will yield zero reaction (though that's at least good for his short-term survival--given that, although he DID take the crucifix from the old woman out of politeness, he certainly isn't going to wear it. The rules of fashion don't go out the window just because you're in a spooky castle). Then, although managing the whims of rich jerks is not an insignificant part of a valet's job, Jeeves usually does this by bending his employers to his will. Dracula is not the sort of employer this will work on. It'll just add insult to injury when on top of being impossible to scare, NOW Jeeves is telling Dracula that his favorite cloak is several centuries out of fashion and he's not allowed to wear it anymore.
Jeeves will 100% go exploring in the areas he was told not to go-- though to be fair, he MIGHT actually get away with this, what with his superpower of appearing in rooms without being seen or heard. Said superpower might save him from the brides as well (though this is by no means guaranteed). Since I find it doubtful that Dracula would come to rescue his annoying ass, not being noticed is his best defense.
There are a couple other things working in Jeeves's favor; the question is just whether they'll be enough to save him.
He DOES know shorthand, and could try to send coded letters. He might even have the foresight to squirrel away some extra stationary where Dracula can't find it. But could he get them posted? Would it even do him any good?
He certainly has enough cultural literacy to figure out what his new boss is pretty quickly. If he didn't chuck the crucifix out the carriage window, he might start carrying it around in his pocket.
Psychology of the individual, sure, but the individual in question is a 400-year-old vampire who lives in an isolated castle in a foreign country and is regarded as a terrifying mythological figure in the surrounding villages. Jeeves has never come up against anything this alien before, he's cut off from his normal resources, and opportunities to play people against each other are limited.
He probably has enough upper body strength from all that shrimping and fishing to climb the wall, so he COULD escape if he wanted to, if he survived long enough. It's just, again, that overconfidence, and also Dracula has a vast library full of rare old books that are entirely at his disposal. He's keeping his eyes and ears alert for potential escape strategies, of course, but I don't see him being as desperate to get out as Jonathan was.
There are just a lot of "depends on"s here, and I'm not convinced that luck would shake out in Jeeves's favor, all things considered.
Bertie
Bertie is so perfect for the job of Castle Dracula Prisoner it's like it was made for him. Think about it. Being held against his will in big manor houses comes more naturally to him than breathing. He's afraid of things that are scary. A lifetime of dealing with Aunt Agatha has made him the world's preeminent expert in "curl[ing] up in a ball in the hope that a meek subservience [will] enable [him] to get off lightly." He will NEVER go exploring in places he's been warned away from if nobody is forcing him to (Rev. Aubrey Upjohn's office notwithstanding. There were biscuits in there). He's both fun to talk to and easy to toy with (and extremely English). A+ prisoner. Dracula adores him.
In my opinion, Bertie is at Castle Dracula either because Aunt Agatha got some wires seriously crossed and thinks he’s going to meet an eligible potential bride (I mean, there are certainly brides there), or because Dracula has something Aunt Dahlia wants him to steal (far less likely, given that one of Dracula’s THINGS is famously not owning anything silver). Either way, he's shown himself entirely willing and able to escape down drainpipes if a sitch gets too scaly.
He DOES take the crucifix, and DOES wear it (which is what will save him during the shaving scene, because you KNOW he's going to jump a foot and cut himself like the dickens). He's read enough supernatural goosefleshers to be genre savvy about terrified old women cryptically pushing crucifixes into one's hands. I also think his sunny disposish endeared him to the villagers, and they were particularly vehement about urging him not to go. He doesn't speak German or Romanian, but he's empathetic enough to recognize Pure Terror. So by the time he actually gets to the castle, his imagination is already running wild and he's plenty aware that he is in imminent danger.
I think the biggest risk to Bertie will be the brides; whether or not he's susceptible to trances, if he thinks they're trying to marry him, it's against the code of the Woosters to turn them down. But that only becomes an issue if he comes face to face with them, which, luckily, I think is unlikely on account of the aforementioned "won't go exploring" (and if he did, Dracula would definitely rescue him).
I'm inclined to say due to his drainpipe-escape habits that he WOULD be able to climb the wall and MAY attempt to sneak into Dracula's room to look for the keys if his desperation grows to outweigh his fear. Whether he does or not, though, he does NOT have the stomach to attempt shovel murder, and therefore won't get magic brain fever, and may very well simply walk out the front doors when the people come to take the boxes away. OR he climbs his way out like Jonathan did. Either way.
When Bertie tells this story at the Drones later, Tuppy will say that no doubt it's been greatly exaggerated and all that probably happened was that he spent a couple months in an oldish house entertaining a weird loner.
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How To Balance Your Daytime and Nighttime Activities So That You Don't Burn Yourself Out More Than You Already Have
A knock on the door was not what Danny was expecting that evening. In the two weeks of observation and one week of actually staying with the man, Danny had figured that Dick, for as friendly as he is, did not have many friends. And if he did, they didn't visit him a lot, if at all. So, a knock on the door exactly thirty minutes before Nightwing was set to go out was a suspicious surprise.
He answered it anyway.
On the other side of the door was a kid about his age, an inch or two taller. He had dark hair, pale skin, bright blue eyes, and eyebags dark enough to rival Danny's own. He also smelled faintly of coffee.
"Um," Danny started dumbly. "Hello?"
"I'm looking for Richard Grayson." The kid's accent was stronger than Dick's, putting him as a born and raised Gotham resident. There was also a hint of something that reminded Danny of Sam's parents. This kid comes from money.
"And you are?"
Obviously upset about being stalled, he huffed, "Timothy Drake. Are you going to let me in now?"
How does someone sound so rude and so polite at the same time? Obviously a skill Danny needs to learn. "Why-"
"Who's at the door, Danny?" Dick called from the hallway, making his way closer. He was in his Nightwing costume, minus the mask, but had covered it with a hoodie and sweatpants.
"Tim Drake," Tim introduced himself again, pushing Danny out of the way and entering the apartment to greet Dick with a handshake. "You're Bruce's Wayne's kid, Richard 'Dick' Grayson."
"Yeah, that's-"
"You need to come back and be Robin again."
There was a moment of silence as Danny closed the door softly. Then, "Excuse me?" Dick's smile was strained and his eyes narrowed slightly.
"You need to come back and be Batman's Robin again. You don't have to don the suit, but he needs you." There was a hint of desperation in Tim's voice now. "He's been spiraling since Jason died, and he's starting to hit harder. Most of the guys he beats up end up in the emergency room! Some of them have even died from their injuries! Batman needs your help! He needs a Robin."
Dick was quiet for a moment. "No."
"What?"
"I won't- I can't go back to being Robin. I can't go back to being in that house."
"Why not?"
"I just can't. Now, I don't know how you found me or how you found out who I was, but you need to go back to Gotham, Tim."
"But-"
"Now, Tim. You're parent's are probably freaking out about where you are right now."
Tim didn't say anything for a long moment, he feet rooted in place. Just as Dick turned around to go to the fire escape, he spoke, "My parents don't care where I am." Louder, he said, "Bruce is going to start directly killing people if you don't go back there and help him."
"Why should I help him?" Dick demanded. "He didn't even tell me that my little brother had died! I didn't even get to go to his funeral! And then Bruce had the audacity to punch me in the face and blame me for not being there! I'm not going back to Gotham, I'm not putting on the Robin suit again, and I sure as hell am not going to help Batman. he made it clear that he works alone, so let him." With his peace said, Dick took his hoodie and sweatpants off, donned his domino and escrima sticks, and left through the window fifteen minutes early.
Neither Tim nor Danny said anything for a long few minutes, neither bothering to move. Too many thoughts in each of their heads with no way to properly form words.
Finally, after nearly seven minutes, Danny's voice broke through the air. "I'm sorry he yelled at you."
Tim, having forgotten Danny was there, jumped and turned to face him. "What?"
"He hasn't been the same since Jason died, not that I know what he was like before."
"What do you mean?"
Danny moved into the kitchen, pulling down two cups, filling them with water before offering one to Tim and leading him to sit down on the couch.
"I don't know a lot about the situation, I've only been here for three weeks now, but I know that Dick is still hurting. Nightmares, hallucinations, the works. He's been more violent recently, too, but obviously not as much as Batman has been."
"You, uh, you know?"
"Yeah. Kinda hard not to figure it out while living here, and you coming in today didn't help that." Tim blushed and sipped his water. "Though, like you, I showed up on Dick's doorstep already knowing he's Nightwing."
"Oh? And how well did that pan out for you?"
Danny shrugged. "I offered him help and refused to leave until he accepted it."
Tim laughed. "That's what I did to Bruce!"
They shared a smile. Danny lifted his cup as if to toast. "Here's to a couple of goblins with hero complexes." Tim lifted his cup to join Danny's toast and they both took a drink.
Giggling, the two finished their water in relative quiet, the air around them comfortable.
"Say," Tim asked, putting his cup down on the coffee table, "How old are you?"
"Fourteen. You?"
"Same."
"Cool."
"You're parents know where you are?"
"Nope. I would ask if yours do, but you already answered that."
"Yeah, they aren't really around much. I did tell Alfred I'd be gone, though, so he knows I'm not home."
"Yeah, but does he know you're here?"
"No."
"Hm." A beat. "Who's Alfred?"
Another laugh startled out of Tim. "Bruce's butler. Did Dick tell you nothing?"
Danny shrugged again. "I haven't pushed for answers about anything; I'm not a therapist. I'm just here because he's going to end up killing himself at the rate he's been working himself."
"So is Bruce," Tim admitted softly, "But he's going to end up taking Gotham down with him if no one stops him."
"So what are you going to do?"
He thought for a long minute, weighing options in his mind before saying, "I guess I'll have to be the help he needs me to be."
Danny tilted his head sideways like a dog. "What do you mean?"
Tim squared his shoulders, though he was still hesitant. "Batman needs a Robin, and if Dick isn't going to be that for him, then I guess I'll have to be."
Another beat. "But do you want to be a vigilante?"
"Does it matter if I want to be?" Tim asks, "If I don't then no one will." He took a deep, steadying breath. "Gotham is my home. I can't let Bruce destroy it in his grief."
"I understand." Danny nodded, "But what you want does matter. I know I can't stop you, so I'm not going to try, but I'm going to make you promise me something." He made sure to hold Tim's gaze. "You ask for help when you need it." He held out his hand and waited.
"What?"
"You're phone. Give it to me." Reluctantly, he did so. As soon as the flip phone was in his hand, Danny put his number in it before giving it back. 'You don't have to do this alone, okay, Tim? Promise that you'll call me when you need help, okay? Any time of day, I'll answer."
Tim stared at his now closed phone, the weight grounding him for a moment. "Are you going to be a vigilante to help Nightwing?"
"I already am."
"Huh?"
"It's why I'm here, It's why I know I can't stop you and why I'm making sure you know I'll be here to help you."
Nothing else was said between the boys. Nothing else needed to be said.
Part 7 Part 9
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the rise of AI art isn't surprising to us. for our entire lives, the attitude towards our skills has always been - that's not a real thing. it has been consistently, repeatedly devalued.
people treat art - all forms of it - as if it could exist by accident, by rote. they don't understand how much art is in the world. someone designed your home. someone designed the sign inside of your local grocery store. when you quote a character or line from something in media, that's a line a real person wrote.
"i could do that." sure, but you didn't. there's this joke where a plumber comes over to a house and twists a single knob. charges the guy 10k. the guy, furious, asks how the hell the bill is so high. the plumber says - "turning the knob was a dollar. the knowledge is the rest of the money."
the trouble is that nobody believes artists have knowledge. that we actively study. that we work hard, beyond doing our scales and occasionally writing a poem. the trouble is that unless you are already framed in a museum or have a book on a shelf or some kind of product, you aren't really an artist. hell, because of where i post my work, i'll never be considered a poet.
the thing that makes you an artist is choice. the thing that makes all art is choice. AI art is the fetid belief that art is instead an equation. that it must answer a specific question. Even with machine learning, AI cannot make a choice the way we can - because the choices we make have always been personal, complicated. our skills cannot be confined to "prompt and execution." what we are "solving" isn't just a system of numbers - it is how we process our entire existence. it isn't just "2 and 2 is 4", it's staring hard at the numbers and making the four into an alligator. it's rearranging the letters to say ow and it is the ugly drawing we make in the margin.
at some point, you will be able to write something by feeding my work into a machine. it will be perfectly legible and even might sound like me. but a machine doesn't understand why i do these things. it can be taught preferences, habits, statistical probability. it doesn't know why certain vowels sound good to me. it doesn't know the private rules i keep. it doesn't know how to keep evolving.
"but i want something to exist that doesn't exist yet." great. i'm glad you feel creative. go ahead and pay a fucking artist for it.
this is all saying something we all already knew. the sad fucking truth: we have to die to remind you. only when we're gone do we suddenly finally fucking mean something to you. artists are not replicable. we each genuinely have a skill, talent, and process that makes us unique. and there's actual quiet power in everything we do.
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