#of the scene in the novel

[selkiewife]

“I wish...”

A Song of Ice and Fire: A Storm of Swords, Tyrion X by George R.R. Martin | Peter Dinklage as Tyrion Lannister in GAME OF THRONES: “The Laws of Gods and Men,” Season 4, Episode 6 | Alice in “Vinegar Tom,” by Caryl Churchill.

[jordanbolton]

To The Person In The Newspaper - Jordan Bolton

Pre-order my new book ‘Blue Sky Through the Window of a Moving Car’ here - https://smarturl.it/BlueSky

[intermundia]

an underrated vader personality trait is his unhinged sense of humor

[thepedanticbohemian]

Writing tool for your fight scenes.

[zuzu-draws]

Long-Haired Obito Art Request for @lucynda ! Your ask was a bit too long for me to post so i'm answering it in this way ;D This version of Obito is like...one of the most vicious and brutal renditions of him ._.

[meltedmush]

[aashiyancha]

Step 1

Step 2

Step 3

It's been some beautiful spring days that made me think of the summer to come. So, I decided to give this game another whirl

Also peak summer moment. I wanted Jeremy to come back just so I could pour another cup on him.

[nicoliharu]

"I will…work my way up…!"

Thanks to @yuurei20 I was able to read an incredible scene from Ruggie, this novel just gives me even more reasons to admire and love Ruggie Bucchi!

[originalartblog]

[Storm Bringer]

“In fact, I was against using Adam for such a frivolous investigation from the very start,” Dr. Wollstonecraft began in a huff as she crossed her arms again. “The government is always like this. They send a mechanical detective, then blow him up once they’re done to keep any secret information from getting out. [..] I suppose this is the government’s way of saying we ought to neglect science in favor of human life!”

Dr. Wollstonecraft, ma'am, I think your ethically-dubious opinions on science are better saved for other audiences.

Dr. Wollstonecraft (aka Mary Shelley) based on @videogamelover99's design!

[ceru-draws]

[wangxian] Thirty-Three for One

[jordanbolton]

To The Person Waiting Outside The Restaurant - Jordan Bolton

Pre-Order my book 'Blue Sky Through the Window of a Moving Car' here - https://smarturl.it/BlueSky

[writingwithfolklore]

Scene Transitions

                Transitioning between scenes is something that you’ll have to do a lot. A good scene transition blends seamlessly into the next so we hardly notice it occurring—or it stands out in order to heighten an emotional impact.

                I remember teachers saying, “transitions should blend seamlessly” to me in school without ever explaining how to do that, or what it looks like. The good news is, you’ve probably read so many books and consumed so much media that you’re already subconsciously transitioning your scenes. If you’re struggling, though, here’s what to watch out for:

1. The emotion ends off and begins at the same place.

This isn’t necessarily a hard rule, but it certainly helps maintain a sort of flow to the work, and asks a lot less from your readers than putting them through an emotional rollercoaster. This counts whether it’s transitioning from the same POV or different ones.

                For example, if your character is being chased by the police and the scene cuts off without knowing what happens to them, the next scene needs to begin in this heightened sense of urgency and anxiety.

                However, if your character is being chased by police and dives unnoticed into their hideout, the next scene should begin within this sense of relief. From here, you can take it wherever you want—just maintain a consistency between chapter cuts, POVs, or other time/place skips.

2. Finish what you start

Unless you’re intentionally keeping the audience in the dark about something (which would require at least some acknowledgement that there are answers, they just aren’t being revealed), you should finish what one scene starts.

Say your previous chapter ends off with the character finally reaching the end of the line for the super scary haunted house attraction. The next should probably begin with them getting to enter the house. If it begins the next day, we’ll be so caught up in the missing time and the obvious lack of answers surrounding the haunted house it’ll take us completely out of the scene and make a notable cut.

                An example of a story that does this notable cut really well is ‘A Face Like Glass’ by Frances Hardinge, in which nearing the end, Hardinge inserts a page that playfully acknowledges the complete jump in time and space without revealing anything to the readers about why it’s there, leaving them to discover later on what occurred in that space.

                I wish I could quote it exactly but I don’t have the book with me. If anyone does, please reblog this with the page! You’ll know the one I’m talking about.

3. Keep it the same

Don’t switch to a new POV in the middle of the story when you’ve never seen it before unless intentionally making a point. Do transition your scenes however you’d like, but maintain consistency throughout the story. That way, if you ever need to make a point, you can break all the rules you’ve followed to really hammer home the impact.

                Good luck!

[bardandbear]

But whose heart would not take flight? Betray the moon as acolyte On first and fierce affirming sight Of sunlight, sunlight, sunlight

[hualianschild]

absolutely love it when they put details like this

[inthedreamatorium1]

When Colin and Pen shake hands at the end of ep1, is it their first time touching skin-to-skin like that? Every time they held hands prior to that, she was always wearing gloves and I can’t think of a scene where they would have touched without a barrier (her dress, her gloves, his jacket, etc).

If it is truly their first touching in that way, then my GOD it explains his face when her hand slides against his. That boy felt something.

Look at his face when they touch! He had just been vulnerable with her so his heart wasn’t surrounded by his armor. Which means that the softness and heat radiating off her skin and the electric current running through their hands went straight into his heart. He felt it.

And thus begins his spiral.

[auqroix]

ive always wanted to storyboard chapter 2 of the ORV web novel the way i saw it in my own head - here's the first part of what i've done so far!