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#oh this better have a happy ending
poorly-drawn-mdzs · 1 month
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Danse Macabre
[Commission]
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giveemgreef · 2 months
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your 2023-2024 minnesota wild (girls just wanna have fun edition)
[inspired by]
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fear-no-mort · 6 months
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i cant get over the whole time in the real world rick just sat there watching over morty and when he woke up finally rick sounded SO happy the way he just yelled his name excitedly the second he woke up,,,
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broken-clover · 2 months
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It's eternally a little funny whenever I see someone say something along the lines of 'everyone in Strive is so happy now! Everyone's stories are getting resolved! It'll be hard to make a new game when everyone's retired and living peacefully and resolved their problems' and then there's a haunted semi-sentient mecha corpse in the corner constantly screaming from being trapped in limbo
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lotus-lamps · 6 months
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im not late YOU'RE late (man whats with me and niko related celebration art and being late with it)
this did not turn out the way i wanted to but. oh well.
HOWEVER. I GOT A NEW APPLE PEN FOR CHRISTMAS. SO. INCREASED ART MOTIVATION AND ART CAPABILITIES LETS GOOOOOOOOO
also yes i AM obnoxious enough to put my watermark in the middle of the drawing. yes new watermark. old one was boring lol. plus i rarely go by cozm now
okay bye bye enjoy your break!
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danthropologie · 11 months
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Christian Horner about Daniel Ricciardo's return to F1 | ESPN F1 Unlapped, August 3, 2023
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iamumbra195 · 1 month
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Don't you love it when you get back into your childhood hyper-fixation that you remember very fondly as an adult and realize how fucking depressing the actual story is now that you have the capacity to understand it beyond cool fighting and characters, humor, and awesome friendships?
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#bleach#ichigo kurosaki#bleach 686#every analysis I see makes me more and more upset#why does literally everyone in this story suck#how did Kubo make such dynamic characters only to slowly crush their souls more and more until we get the most unsatisfying ending EVER#I keep trying to get back into the manga/anime but I feel like a pit forms in my stomach every time I try to#I love the characters dearly but oh my god#the relationships and the way most of the characters interact just grates at my nerves#like every few months I'll read like twenty chapter of the manga#get back into the fandom#read some analysis#and then I'll start dislking it all over again#I need a happy ending#i need a better ending#please Kubo#I need the hell arc to completely dismantle the soul society and the whole world as they know it#I NEED CHANGE#I hate the regressing and stagnation of the soul society#I need them to be overthrown#I need the characters I love to become antagonists all over again#I need Ichigo to be enemies with the soul society again#i need rebellion#I need the soul society to be the greatest evil again because in the end#they are the source of nearly ALL the problems Ichigo and co. face in canon#I'm so tired of them being the lesser evil#I need them to fall apart#I need the characters to have genuinely good endings where they are happy rather than regressing back into the people they were at the star#of the story or even worse turning into the ppl they had sworn they would never become
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skitskatdacat63 · 10 months
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"Bring on The Dancing Horses"(x) - Echo and The Bunnymen × Ferrari Drivers
#yes this web weave was titled 'Bring on The Prancing Horses' in my docs....yes im proud of that....#long post whoop!!! pls scroll back thru and listen to the song while doing so if you wanna experience it better :)#this was originally supposed to be an edit but i have no patience for that and im very happy w this!!#i daydream to music a lot and when i first heard this song i could only think of ferrari seb then sebchal then ferrari drivers in general#but this hurt me a lot to make(for several reasons)#one: AAAAHHHH IT MAKES ME SADDDDDDD!! now im only gonna be able to think of the myth of ferrari when i listen to this song#it rly hurt to look up the pics for this bcs it still feels sore to me and it makes me so sad#but at least i didnt have to watch vids! id probably burst into tears#two: fighting for my life in google docs trying to format the text hahaha... i refuse to use photoshop#special thanks to cofi (@sweatyflytrap) for giving me the idea to put the TPs for the lies lyrics!#its both funny and unfortunate that domenicali was the TP for both felipe and fernando#it would be a bit better if there was a different tp for each but ah oh well#also hehe changed the lyric a tiny bit for the Kimi part. in the og lyrics its Jimmy not Kimi but yknow felt odd to leave it as it was so!#other than that i really really ardently feel that this song fits the cycle of ferrari drivers soooooo well#the 'bring on the new messiah' at the end of the song PLEASE IT FITS SO WELL! with how they drop their prev golden boy for whoevers next!#also omg the way seb's verse is 'you're breaking my brittle heart' rather than "im breaking your brittle heart' HURTS DOESNT IT??????#i didnt included the original opening/middle verse. i def could make it fit but it wasnt a good opening for this post specifically#'Jimmy Brown made of stone' = kimi again. 'Charlie clown no way home' = charles of course!#anyways this is my magnum opus...but nah i really like it! ill only ever make web weaves w random 80s music i think hahah#ferrari#scuderia ferrari#felipe massa#kimi raikkonen#fernando alonso#sebastian vettel#charles leclerc#f1#formula 1#we do a little bit of f1#normal posts that catie normally makes in a normal fashion
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pinktoonie · 1 year
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Of course his eyes are on Kazuki, watching his reaction to Miri with her mom, reading him like an open book as usual. He hates seeing Kazuki distraught and he knows it's killing him. But Rei stays quiet.
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However, this seems like a moment where Kazuki is saying something on top of the ferris wheel, that gets quite a reaction from Rei. He's probably resigning to the idea that they need to let Miri go (which btw fuuuuck that and the mom) despite how much it'll hurt. I'd think it was some sort of admission (cuz ferris wheel heh romantic), but Kazuki is glum af and Rei reacts kind of angrily (determined?) in addition to shock to whatever he says. Idk, but
Rei isn't going to let this family go without a fight. He has something worth protecting.
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moeblob · 3 months
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Deacon loves two things: Ymber and digging himself a grave.
Fulj hates one thing: Deacon.
#my characters#waiting on some info on the next commission so i indulged in ocs today bc i doubt i will have as much time for lil comics for a bit#deacon is so devoted hes like yeah i would kill for a deity that could easily kill anything himself but yknow teehee#and fulj just did you tell him you needed therapy also does he even know youd murder in his name#deacon caught red handed haha no of course i havent told him it should be obvious enough haha.... and its in his defense not his name :c#man really does have some issues but i love him so much and hes so devoted but like. unhealthily after a while#he does in fact need a chill pill and therapy but to be fair#ymber has needed therapy for centuries and yet he just bottles it all up and suffers so#its pretty unhealthy until they yell at each other one (1) time bc they are so insecure about things and get mad over very valid reasons#but then theyre like you know what that was necessary and i still want to stay by your side if you let me#and then fulj is like dude hey sorry you seem really happy did you fu- and ymber is like no please stop there we have not#fulj just squinting cause have not is very different than will not but whatever she doesnt wanna think about that with deacon involved ew#and eventually fulj is like hey ymber im sorry to say but i really do hate deacon and i dont even know why but he makes me uncomfortable#while deacon is just. in the room. hearing this and thinking how he knows she thinks hes weird but wow that wording hurts#and ymber doesnt wanna fill in memories better forgotten by fulj which she had forcefully removed#so he just says oh well his hair and clothing are black and you had someone in the past that you might see in him and its not a pleasant en#so you know maybe its that idk#and fulj is then WHATST i was rude to him for someone i cant even remember? lame im gonna try SO HARD to be nice to him now#and deacon just still sitting there with some food like this is v awkward and i wish i could not be here for it#and later he asks ymber about who he resembled and as ymber is descibing her it clicks in deacons head and he gets really sad#that he might somehow remind fulj of the woman she loved before she was punished for loving a mortal#and he feels kinda bad pestering her so much with his curiosities about deities and he kinda gets it#the fact hes close to ymber might remind her at the core that she was once that close with a mortal if not closer#anyway story time in the tags again#im so obsessed with these peeps and i have made them suffer so much but they do all end on a happy note#its still funny and nice to me that while fulj is creeped out by deacon and doesnt like talking to him#he still expresses the most emotions to her - he tries hard to remain serious around ymber and collected and obedient at all times#and when out and about with ymber he has to be intimidating and refuses smiling but fulj?? all sunshine and smiles and emotions easy to rea#and she is just that is so weird go away i hate you
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starfall-calamity · 4 months
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You so right mr jash I am losing my shit omg
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Also also also Jash himself drew the hand on the cover!!!
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msommers · 1 year
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AN EYE FOR AN EYE i don't fucking care if you go blind
mc for @vendetta-if, but cranked all the way up to the level of a comic book villain because i could not shake the vibe after her initial creation and katerina wouldn't let go of my creative ability until this set was complete.
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usakkhae · 1 year
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QMax accepting to help QForever to make QPhilza jealous even tho he knew it would hurt to be so close to him while everything is fake because he genuinely likes him but QF only see him as a friend...
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sysig · 6 months
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It’s hard to put on a bright face, in spite of everything (Patreon)
#Doodles#Flowey#UT#Underfell#Just regular Underfell this time! His interactions with Fellplates!Gaster are fun but it was also a great springboard of thinking of Just He#I've never really considered Underfell!Flowey - I love that he's duplicitous and tragic and terrible <3 So a happy Flowey was just kinda#Fine I guess? Kinda missing his depth tho isn't he?#That's what I thought initially anyway hehe ♪ I think he could definitely hold some lies in his belly still ♫#I think no matter what version you end up with - no matter what stimuli you introduce to him - you're going to end up with Flowey™#He's still just a lost little soul with too much Determination and the ability to use it to his own ends - and he's bored. And he's Tired#Especially of getting killed all the time - that whole Kill or Be Killed thing got old Fast - faster than it did in Undertale anyhow#He's still just a fearful little dust-coward in there <3 And when he loses his ability to come back? Oh I think that'd scare him silly#I don't believe for a second that he'd be any more merciful to the player if he didn't think he'd get something from it#Protection - new things to see or feel - maybe he'd even have something of a capacity to be appreciative that'd be nice#And I do think he'd be genuinely helpful! But I think it'd have a Lot of the same undercurrents as what happens to him in the Genocide run#Depends a lot on the player as well - maybe the kinder you are to other monsters the better he'd behave#But would it be out of fear or cockiness of still surviving haha ♪ I just love when he's the worst! He's my favourite when he's the worst!#I think the big question would be Omega Flowey - I mean. Even someone kind-hearted like Asriel became what he did#And Asgore was willing to give himself up to become a True Monster as well - I just :| I don't think he'd fare well lol#Maybe the rules are different in Underfell I dunno but if the rules are the same-#But then again ♪ I also like it when he has the opportunity to be terrible and then doesn't. For whatever reason - selfish - selfless#He's just my favourite :) And it's fun to imagine him acting differently from the same source/different reasons hehe
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guiltreservoir · 2 months
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 as long as there is an ocean ✧ read on ao3
the abyssal plains of tommy's subconscious are littered with the carcasses of his father's favorite adages.
no matter how valiant his attempts have been to pry them free — and despite the meticulous, delicate nature of his methods — it seems that many of the sea-skeletons have been left sitting beyond salvation, now inextricable from waterlogged sediment. they're too far-sunk to extract safely; if lucky enough not to crumple like a sheet of discarded tissue paper on the journey down, he'd explode his lungs to red mist on the way back up to the surface. it's almost easier if he imagines them this way, as broken fragments of corpses too fragile to exhume:
the fleshy tissue of a half-eaten squid — actions speak louder than words. the crushed shell of an unfortunate lobster — beggars can't be choosers. the rotting remains of a clever eel — boys who live in glass houses shouldn't throw stones. the ribcage and spine of a starved shark — do as i say, not as i do.
one saying in particular has been mummifying for longer than the others, a giant humpback frozen in a state of watery decay, embalmed in the sandy gunk of his darkest trenches — keep your shoulders straight and your head on straighter. oft punctuated with a caustic, kid.
it's pretty ironic, considering the fact that tommy kinard has nary a straight bone in his body. maybe that's why the line burrowed itself so thoroughly into the deepest, slimiest crooks of the substrate of his mind, slow-growing algae coating the slippery crevices of his hippocampus to rankle him perpetually. tommy hasn't spoken directly with his old man in years; these days he couldn't if he wanted to, or at least not without a ouija board and an uncharacteristic flair for masochism, neither of which he cares to equip himself with.
nevertheless, the phantom whale fall of his father's most-reliable phrase continues to nourish the last hungry, lonely fish left scouring the ocean floor of tommy's mind. nearly every move he makes is centered around practicality, every decision sewn together by threads of vigilance and observation.
with nearly four decades of practice and application under his belt, he's gotten good at keeping his shoulders straight, and gay as he may be, he thinks his head's on just fine, although such would be a contradictory and controversial statement upon the ears of one thomas kinard, senior. thankfully he'll never have to hear it.
tommy can live with his own amendment to the man's words because tommy knows himself and therefore knows the truth. his posture is excellent and he's a considerably level-headed guy. he can't be straight; he doesn't want to be. what he can be is pragmatic. he can be logical, he can be useful, he can be rational. he can be quite capable and, as it turns out, even likable. he can be funny, and charming, and vulnerable with the right people. he can be queer, he can be gay, he can be loved, he can love. he can become without becoming unmoored.
for thirty-some good years, tommy kinard does a bang-up job at keeps his shoulders straight and his head on just fine. he's pushing forty when he meets evan buckley and eddie diaz.
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evan buckley and eddie diaz exist as a singular entity within the confines of tommy's skull. two sides of the same coin, grumbles the detached jaw of an imaginary anglerfish.
it takes some effort to extract one from the other, but tommy finds ways. over mutual interests in muay thai, basketball, and helicopters, he and eddie become fast friends. over mutual interests in each other's inquisitive minds, curious hands, and wanting mouths, he and evan become even faster lovers.
he makes out with one of them, roughhouses with the other; it all feels the same, gets identical synapses firing. he knocks eddie to the mat, steals spit-flecked exhales off of the inches of air near his wild-grinning lips and brings them home for buck to drink down, licking them into his ravenous mouth, delivering him secrets to unwittingly swallow. he smelts himself down to the base and seeps in between them, liquid copper in the nickel sandwich of their clad coin.
it isn't until tommy's got both of them sprawled out on his couch one night, months into his increasingly complex relationships with each of them, that he truly starts to grasp how evan and eddie might exist as a singular entity outside of his skull, too.
top gun's ending credits march, sans serif ants, to the glowing edge of tommy's television screen. fuzzy, synthetic white-blue haze pours into the room and across the skin of buck and eddie's limbs and faces in a manner that makes tommy think of marble hewn painstakingly into handsome statue, of rock tumbled smooth by a patient, perpetual stream, ever-flowing towards the sea.
tommy thinks, i could be a sculptor. i could be a river.
copper in the nickel.
the two men are draped across his sectional like lions in the sun, impenitent and unabashed in the way they take up space, in the way they take up each other. buck's legs are long, stretched out along multiple cushions, his head heavy on tommy's lap. eddie, on the opposite end of the couch from tommy, started out the evening upright, but the drone of the movie — combined with tommy's easy laughter and the literal and figurative warmth pouring off of buck — had helped to coax a more relaxed posture out of him. now he slouches deep into the pillows, legs spread wide to knock up against buck's bare feet where his sweatshorts ride up his quads. tommy almost expects the point of contact between the pair of them to spark, start a blaze that would surely incinerate the three of them in spite of their résumés.
his heart's been a tinderbox for long enough that he can usually recognize flint even when it's disguised as water; the thirst that parches him convinces him it's worth attempting a sip without regard of probable risk.
he lets out a long exhale and drops a hand to card through evan's hair, half-listens to eddie babble on about how the shots of the F14 fighter jets are still so cool all these years later. he's beaming like a kid the whole time, sunshine-ray of a smile gleaming straight at buck.
tommy watches as buck can't help but smile right back, and god, if the energy radiating off of them could be harnessed for physical usage, tommy would never have a utility bill again in his life. he watches, enraptured, as buck flexes and curls his toes against the soft dark hairs of eddie's thigh, pressing dents into his skin. watches as eddie presses back.
eddie falters in his warplane musings when buck's foot skids over and catches in the edge of his shorts.
buck says, "sorry," not convincingly.
eddie clears his throat and drags his gaze from the arch of buck's foot resting against his leg up buck's calf, to his knee, to where the exposed pale of his thigh disappears behind them hem of his shorts. he takes his time wandering up the rest of buck's body, lingering especially at the relaxed curve of his dick under loose cotton fabric, the relaxed curve of his gently parted lips. finally he meets buck's answering stare and blinks, languid, like he's searing something into his memory, buck-shaped sunspots in his retinas. he says, "no big deal," not convincingly.
before tommy's eyes, water transmutes into flint and back into water and over again, metamorphosing in a churning lazy whirl. it dizzies him, blurring his vision until there is no difference between the two; there's just a murky charcoal pool, molten obsidian shimmering like glass, rippling like the surface of an ocean less haunted than the one sloshing in his cerebrum.
an ocean glinting with the reflection of two incandescent stars careening towards each other at a devastating rate, a spectacle to behold.
relaxing his shoulders, tommy orders them to, "kiss," more certain than ever. when they hesitate, he adds, "each other," bracing himself for the likelihood of a stellar collision.
when eddie clambers on top of buck and leans down to crush their lips together, pushing his head down against tommy's thighs, pushing tommy out of his own, it feels more like the calm soar and twinkling glitter of a shooting star against the navy velvet sky, the soft crash of a wave against the edge of a silky coast.
there's no threat of unkind flame, no exploding celestial dust.
it feels like water.
tommy kneels at the sacred place where the luminous sea laps at the heavenly shoreline and drinks, and drinks, and drinks.
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drinks become shots become wandering hands in the generous backseat of a stranger's car, an obvious cocktail to use as a scapegoat for the hammering beneath tommy's breastbone. the depths of his mind bubble up with, trust your gut, not your heart.
he has mixed feelings about that one, but at present he's not sure he can trust any singular part of his corporeal form, so at least it half-applies.
hearts and guts aside, tommy is starkly aware that things between buck and eddie may be escalating a bit beyond his feasible reach. he'd come into the evening equipped with the knowledge that he's successfully constructed his own internal witch's cottage of cake shingles and sugared windowpanes in this questionable "date" night between the three of them, however mutually agreed upon the night may be. he's self-aware enough to understand that he's destined to walk himself straight back into it, naïve as hansel and gretel without the excuse of not knowing better.
he just hadn't realized how famished he's become, and how tempting his own makings would look.
with buck seated comfortably between himself and eddie, tommy has no real access to eddie outside of the smush of knuckles-on-upper-arm from the hand he's got slung around buck's shoulder. as per usual the concept of space does not seem to exist between the other men, and tommy's fingertips get wedged so tightly between their limbs that it feels like with just a little more effort, maybe they could do some damage. the sick, private, bourbon-drenched gutters of his mind surmise that maybe he'd let them.
he watches as they exchange a heated look and a hotter liplock, uncertain as to whether he'll ever get used to witnessing them like this. in the weeks following the fated night of their little home movie screening, tommy's been lucky enough to encourage and initiate several more exchanges of both kisses and conversation among the three of them.
"i... still want to be with you," evan had mumbled against his chest, as they laid in bed together the morning after their tag-team makeouts with eddie to the soundtrack of top gun's menu screen music on a muffled loop.
"i had hoped," was tommy's response. after a beat, "and eddie?"
buck had peered up at tommy, eyes so earnest and open and stupidly fucking blue. "yeah, yes, eddie," he'd said, almost apologetic. "i— i do want to be with eddie," like he had to.
"i know," tommy had told him, the organs in his abdomen heaving tumultuously. "it's okay, evan," he'd said, his heart a hummingbird fluttering frantic. like the idea wasn't sending his ribcage collapsing in on itself, he'd even managed, "i can leave whenever you're ready for me to go." he'd assumed all along that he was on borrowed time; couldn't be a beggar and a chooser.
buck, with love bursting forth from every single inch of his being, with more than enough to go around, had admitted to wanting tommy to stay, if tommy would be okay with it. he pitched the idea that they could talk to eddie, try this together, give it an honest shot.
tommy had flashed back to a childhood history lesson on the u.s. mint where he learned that certain coins aren't made in layers, but instead by melting all of the metals together to become a solitary slab. his copper edges fuse further into mirroring ponds of nickel.
three sides of the same coin, he'd thought to himself. imagine that.
"god, eddie," buck rasps now, voice low, clandestine enough to stay in the backseat. "want you so fuckin' bad."
eddie's answering, "jesus, buck, i— want you, too," honest and shameless, snaps tommy fully back into the present moment in perfect timing.
their rideshare driver whips into the driveway of tommy's house, personified stress wearing a thin windbreaker of customer service as he vocally ushers them out of the car — ahem, looks like we're here, have a pleasant rest of your evening, goodbye. as eddie and buck tumble out of the passenger's side rear door in a picture of resolute gracelessness, tommy, clutching stubbornly onto an ounce of awareness, pauses to give a rearview-mirror nod of thanks to the weary-eyed dude white-knuckling the steering wheel. he promises a significant gratuity for bearing with their shenanigans and lets himself out on the driver's side of the car.
while he steadies himself on his feet, gravel crackles under the wheels of the gratefully retreating sedan, headlight beams fading to shadow. tommy observes the silhouette of the inelegant, eight-limbed, two-headed harbinger-creature making its way to his home's front entrance in a clumsy tangle and waits for his innards to spike with fear, with reluctance. he meanders up the drive and overturns every stone lining the path to his warranted doom, expecting to find the tattered shreds of his decomposing clarity, or maybe a colony of vicious fire ants. all he finds is fertile, loamy earth, rife with potential.
he stumbles up his porch stairs and unlocks the door when he gets there, opening it for the lot of them to fall through together.
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together on tommy's mattress, buck and eddie writhe and moan and curse. they haven't been able to break apart since toppling out of the backseat. they kiss like it's the very thing keeping them alive.
from where he's snuggled up to buck's back, tommy's got a front row seat for the premiere screening of his most-likely demise. he can see the saliva bubblling on the edges of eddie's tongue as he smears it from buck's throat all the way to the cap of his shoulder, a glistening snail trail scattered through with blooming bruises he'd sucked into buck's skin minutes before. he can hear every wet catch of buck's breath in his throat, every soft grunt eddie lets out into against it, every exhale shared between them.
tommy's head spins, so god damn far from being on straight. he feels like a balloon released into the wind, miles above the cold and familiar waters of his deep-ocean, stranded somewhere in the high desert of his psyche. loose dry earth kicks up in a vortex around him, carried by the tempest of his culminating untended emotions. when the dust cloud settles enough for him to think, he recalls the term raison d'être.
it's french, that's why it sounds fancy, is what his father had said to teenage tommy, long before he'd cared to even attempt a grasp on the concept. he'd been moody, hormonal, and wildly, spitefully uninterested in all of the things the man he shared a name with held so dear. rolled his eyes at the gruff, translates to 'reason for being.'
"buck, buck, c'mon," is what eddie says as he scrabbles for a good grip on buck's shirt, taking fistfuls of fabric and wrenching it over buck's head in a frenzy. says, "come here," like buck isn't already melded into him, bare torsos flush, thighs slotted close. says, "come here," again, and it registers that eddie is calling for tommy, too.
tommy eyes snap onto eddie's across the naked curve of buck's shoulder to find them scalding. "fuck," he breathes out, "okay," like it's permission enough for all of them.
for now, it will suffice.
the skin stretched over buck's bulky trap muscle is tacky with eddie's spit when tommy sets his mouth against it, bursting salty-bitter on his tastebuds. buck whimpers into eddie's mouth and grinds his ass back against tommy's crotch; eddie's hips follow after them in a sinuous roll. into the blushing hollow of his ear tommy asks buck if he'd like to feel eddie inside of him, makes sure it's just loud enough for eddie to hear, too. he feels eddie's ankle hook around his own, overlapped with buck's.
"please, yes," urges buck, fervent and wanton, lust and liquor fraying the last threads of his hesitancy. "i've been wanting that."
"you have?" eddie asks, as tommy says, "he has."
"god." context aside, eddie's tone is reverent. he says it again, as though the word is synonymous with buck's name. then, like it's still a secret to himself, admits, "i've been wanting you, too."
buck groans and shifts, or maybe it's eddie — as tommy's faculties render off in the burn of both the top-shelf whiskey in his bloodstream and buck and eddie's immediate intimacy, it becomes progressively more challenging for him to distinguish the fine details. it all feels the same, gets identical synapses firing.
he tracks eddie's movements as he smooths a hand down buck's side, sure and attentive, as natural as breathing. when he keeps moving south to bump his fingertips up against the waistband of buck's jeans and the boxers beneath, buck's breath hitches, hips jerking. tommy tilts against them in pursuit.
eddie asks, "can i?" and it's double the approval he's seeking.
"yeah, eddie, please," buck begs again while tommy nods, delirious with overwhelm.
in an uncoordinated jumble, eddie gets buck flat on his back and makes himself a home between his open-lolling legs. right away his palms return to the broad planes of buck's chest, the curves of his strong stomach, the slight slants of his hips. he makes constellations out of kisses on buck's collarbone, his nipples, in the divot of his sternum.
it looks as close to worship as anything tommy's seen.
tommy wonders if it's worth telling eddie how he'd taken his time working evan open that morning, fucking him deep and thorough so he'd be easier for eddie to push inside of now. if it's worth telling eddie how he'd come, sudden and hard and so fucking good, from thinking about buck taking him so readily.
when eddie's devout, trembling fingers struggle to unclasp the button of buck's jeans, tommy decides to backburner the dirty talk. instead, he rests a hand on top of eddie's, gentle yet authoritative, and says, "let me help."
buck's hips lift for tommy's hands without second thought, making it simple to shuck the pants off of him as eddie shimmies out of his own. before he can even process the sight of evan buckley and eddie diaz naked, together, on his own mattress, tommy's met with twinning expectant gazes and understands that he's meant to strip, too.
"i—" thought i would stay on the sidelines, he tries to say. but as seconds pass under the scrutiny of the other men, the reluctance dies in his larynx, and he jostles around a bit until the denim of his pants is bunched down low enough to free his dick.
he's too preoccupied by the fact that he's got both objects of his affection directly in front of him, touching and loving on each other and spilling all of it onto him, to truly comprehend the magnitude of the moment. his head is so far into the atmosphere that he almost misses eddie say, "tell me what to do, tommy."
re-tethered to the earth by the string of eddie's voice, tommy doesn't miss buck's impatient, "aw, c'mon, eddie, just get in me." his desperate, "need you," is clear as day, clear as his afternoon sky irises, brighter against the rosy blush ruddying his cheekbones. he's always so damn pretty when he pleads.
tommy glimpses down at buck's dick, finds it stiff and pink and already leaking a mess onto his belly; he flicks across to the heft of eddie's where it rests heavy in the lax grip of his own hand. it's a beautiful cock, flushed dark and filled out, not quite as thick as tommy's but a nice, proportionate size. tommy knows buck will unfurl for him at once, a blossom to the morning sun.
meeting the bonfire of eddie's anticipative stare, tommy decides to say, "it won't take much, i got him ready for you this morning. right, baby?"
if buck could nod any more vigorously, he might snap his vertebrae. he adjusts the angle of his hips a little to make more of his ass visible, scoots onto a pillow so that he can prop himself up enough to get a better hold on eddie's waist.
"jeeesus," drawls eddie — a rare slip of his honeyed-rye texas lilt — and then, like he can't help it, "christ." his eyes rake down buck's body, idling on his twitching dick before trailing further, like he'll be able to find evidence: tommy was here.
that makes tommy smirk. he wishes he could keep his instructions ambiguous, left up for eddie's interpretation, something like he can handle whatever you're willing to give him. instead, mindful of the fact that this is largely uncharted territory for eddie, he suggests, "start with your fingers, you won't hurt him."
tommy's trusty bottle of nightstand lube is within convenient reach, making it no trouble to squeeze and slather some across eddie's fingers with a lewd jerk. a bit of extra coats the side of tommy's hand and he uses it to rub along the cleft of buck's ass, prompting a shiver out of him.
"there you go," tommy rumbles, "nice and wet."
the synchronous broken moan that the two let out when eddie finally finds the courage to nudge his fingers into buck is one that will most likely play like a broken-record loop within the walls of tommy's skull forever from this moment forward, for better or for worse.
buck promises, "i can take more," with the bleeding edge of a prayer still present in his tone. "i want more, want you, eddie, come on. it's alright, you can fuck me, you're not gonna break me."
eddie asks, "are you sure?" dually directed.
"never been more sure," buck affirms, as tommy says, "trust him, he knows his own limits," all the while knowing he can't make the same claim about himself.
regardless, he casts himself into the riptide, plummets into the undertow and captures buck's lips in a greedy kiss. he licks behind buck's teeth and drinks up his whines as eddie rides his dick along the slick valley of buck's asscheeks. before he even pushes inside, buck's making these fucking tiny wounded noises that make tommy's heart swell and cock throb.
when eddie lines up and sinks, at last, into the place inside of buck that tommy has come to learn and know and adore, buck breaks away from tommy's kiss with something close to a genuine sob. one of his hands finds one of tommy's, the other still firm on eddie's waist, keeping both of them close. he's got a leg hitched up over one of eddie's hips for better leverage, and his toes curl when eddie starts to move, shallow and slow.
eddie's name has never sounded better to tommy's ears than it does falling out of buck's lips now.
"buck." eddie's tone is reverent. he says it again, as though buck's name is synonymous with god, the two a singular entity within the confines of his skull.
tommy nearly has to look away from them, they blaze so brightly. evan buckley and eddie diaz, starfire contained in terrestrial form, crashing and combining and dazzlingly white-hot.
───────────────
white-hot aftershocks zap through tommy's nervous system as he sits at the edge of the mattress, back turned to the two other men. his fingers are gooey with spatters of buck's come mixed with his own, his softening dick sensitive and sticky as his entire body pulses from the dopamine spike of his orgasm. being a spectator to eddie and buck's otherworldly connection — and a helping hand in their ridiculously hot, intimate sex — has him feeling triply unmoored.
he's supposed to be getting them something hydrating to drink; he'd been the one to offer after eventually peeling himself free from the gordian knot of their bodies. evan always gets thirsty after, in particular when he gets a little teary from the pleasure overload, so tommy figures he could use a glass of cold water. they all could.
he tries to will his legs to stand; he finds his knees locked. impulse turns him inward and sweeps him cliffside on the tallest peak of his high desert mountain range. there, he can stand with his shoulders in repose and head in the clouds, squinting far into the distance where he can decipher the unmistakable expanse of an ocean that glints with the reflection of two incandescent stars careening towards each other at a devastating rate. a ghostly whale breaches the surface for a flash, a mere speck on the horizon from here, vanished before its presence totally registers.
his heavy eyelids flutter shut and he mulls, achingly, over the term raison d'être.
he can hear buck and eddie behind him exchanging lazy, smacking kisses and sweet murmured praises.
"you made that so good for me, thank you."
"mm, you were pretty fuckin' good yourself. now come kiss me some more."
the sounds and sentiments soak into tommy's soul like they're meant for him. his lips tingle as though the press of another mouth is against them; his ears warm as eddie waxes on about how fucking glorious that all felt. his heart swoops at evan's quiet, bashful laugh.
upon opening his eyes the fog in his line of sight clears, and even through a blur of unwanted tears he can clearly recognize that he is no longer in the desert but in the sacred place where the luminous sea laps at the heavenly shoreline. the call of the waves isn't far off at all — the surf is actually rippling at his toes, splashing at his knees and calves. he's been here since the night that eddie diaz kissed evan buckley in his lap, feet sunken into silt, warm tides rising and falling around him.
translates to 'reason for being.'
"come back to us, tommy," summons eddie, as evan's hands reach out and welcome him back down to their mess of rumpled sheets and sweaty limbs.
tommy thinks, i could be a river, and lets himself melt into the embrace of their current, stream into ocean, copper into nickel.
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Dorothy being assaulted at 17 and then trapped in a marriage for the next 38 years really makes the queer subtext heartbreaking rather than funny. It also adds a whole lot to how barbed she gets when they discuss her sex life and how vanilla it is or how little sex she had, no wonder it would be a sore subject (and no wonder its consistent that she had very little sex with Stan in her marriage and said she didn't enjoy it when they did).
Yep, that's part of the reason why I think that queer subtext is so insightful!
A queer reading of Dorothy is not necessary to understand the gravity of what happened to her, to be fair. Stan is very clearly depicted as a bad lover in general and an especially inattentive lover to her -- take eg what she says of him in S1E22 Job Hunting:
"It took three seconds. I wasn't sure that we had done anything, actually… until nine months later, when the baby came. Then I figured out that we had."
Which... doesn't seem like a great experience. Add onto it the fact that a) this is a recollection of her first time, b) she was coerced into performing the act either via emotional manipulation or alcohol/substances (as well detailed in this post by @eeblouissant), and c) her situation didn't improve at all during her marriage; if anything it got worse, since Stan was always out cheating on her -- no wonder she has a bad relationship with sex! Actually, I've said before that I think she has a remarkably open and healthy attitude towards sex, all things considered.
Thinking of Dorothy as queer (especially as a repressed lesbian) makes it all even more tragic, though. I think it's very likely, considering that she's a Catholic of Italian origin, that she hadn't even realized she liked women by the time she got involved with Stan -- I myself reached that conclusion in my early 20s! However, by that time Dorothy was already married and a mother; can you imagine how painful the mere idea would have been, for her? Of course she'd never even consider it while still married to Stan, and she'd have a hard time coming to terms with it after her divorce. It adds a thick layer of suppression and self-sacrifice to her whole story that I think is very thematically appropriate for her character (and that personally destroys me lmao. I cannot think about it for too long or I'll cry my heart out).
I think her whole experience with Stan also justifies her enthusiasm for some of her lovers in the show, even in a queer reading. I mean -- after all that, her standards must be on the floor! The bar is so low, she's dancing the lambada with the devil! Even a modicum of attention to her needs would blow her mind, I think -- even if it didn't come from her preferred gender, and especially if she wasn't ready to confront the truth about her sexuality yet. A lifetime of suppression isn't easy to get over -- she'd probably blame her bad experience with sex during her marriage on Stan alone (instead of considering that maybe she'd rather not be with a man at all).
Sorry, anon -- you probably weren't expecting a ramble in response, haha! But yeah, you make a great point; reading Dorothy as queer adds even more depth to her character and greatly enhances the tragedy of her story.
(Just for the record -- I've never thought the queer reading of Dorothy was funny! Maybe I'm reading this wrong, I just wanted to clarify.)
#sometimes it hits me again that this poor woman had stan as her first and only lover for 38 years of her life and i just. good god.#i'd just like to give her a hug. is that too much to ask for?#still in s1e22 she also says that she didn't come during that first time (or after) bc 'it always seemed to happen before I was in the room#and i just... like it's played for laughs but that's such a tragic comment to me...#im not going to talk about all the hung ups she likely has about self-pleasure too but she MUST have some bc once again. italian catholic#honestly her love&sex life until she met the girls was just a nightmare.#i wonder how she felt being friends with jean. seeing her love women openly like that. did she wish she could be like her?#was she jealous and didn't know why? did she think 'oh i wish *i* was a lesbian so i could date girls instead of being stuck with stan'?#agh i just. i keep adding thoughts but the more i think about it the more tragic it becomes to me#this is also why ending the show with her in a relationship with (at least) one of the other girls would have worked so well!!!#her character arc is one of self-recognition and self-love. it's a journey towards happiness and self-expression#and that's already a queer narrative at its core#but imagine her going from 38 years with *stan* to openly understanding her sexuality and finding love when she didn't think it possible?#i mean -- the finale does this too and that's why it works well. it's a good finale!#but imagine how much *better* it would have been with a woman!! with (one of) her girls at that!!#with dorothy finally able to be free about herself!!!#AGH i love her SO MUCH!!!!#(i feel like ending the show with a queer relationship between the girls would have worked very well for blanche and/or rose too#but that's a whole other topic)#anyway thank you for the ask op! you're absolutely right!!#the golden girls#dorothy zbornak#ask
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