#on a meta-level
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Maybe this is an unpopular opinion... but part of me doesn't want Satoru to come back :c the life of a jujutsu sorcerer is full of suffering, pain and sacrifices, Satoru has already done his duty, I just want him to rest in peace with his friends...
YOU . YOU DID THIS TO US …
… /j :33 I DO AGREE W YOU ANON. i think there’s definitely something to be said abt the fact that we all want him back even though there’s a pretty good chance that satoru himself Wants to rest…. that it would make him happiest . to be with suguru. i want him to come back very badly and i want him to be allowed to let go of his burdens as the strongest but honestly … i’m starting to think that was an unrealistic thought 😭😭 either way i need him here . for my mental health .
#on a meta-level#i think it’s really fun to imagine the jjk fandom as part of the story#and to compare it w the other characters#the characters aren’t allowing gojo to rest but. we don’t want him to rest either 💀💀#everyone wants gojo to come back from the dead. even if he himself doesn’t want that#“now i’m hoping this isn’t a dream”…..#it’s just . fun to think abt i think!!!#satoru rlly is more concept than person#he was born to be adored … at the expense of his own happiness …. something something#idk#there’s an essay there somewhere#nobody will ever be Normal abt him and maybe that’s all he wants#SORRY ANON i got sidetracked… i rlly sympathize w this line of thinking :’3 i think most of us just want gojo to be happy…#ask tag ✩#jjk spoilers#jjk manga spoilers
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In the wake of the TikTok ban and revival as a mouthpiece for fascist propaganda, as well as the downfall of Twitter and Facebook/Facebook-owned platforms to the same evils, I think now is a better time than ever to say LEARN HTML!!! FREE YOURSELVES FROM THE SHACKLES OF MAJOR SOCIAL MEDIA PLATFORMS AND EMBRACE THE INDIE WEB!!!
You can host a website on Neocities for free as long as it's under 1GB (which is a LOT more than it sounds like let me tell you) but if that's not enough you can get 50GB of space (and a variety of other perks) for only $5 a month.
And if you can't/don't want to pay for the extra space, sites like File Garden and Catbox let you host files for free that you can easily link into NeoCities pages (I do this to host videos on mine!) (It also lets you share files NeoCities wouldn't let you upload for free anyways, this is how I upload the .zip files for my 3DS themes on my site.)
Don't know how to write HTML/CSS? No problem. W3schools is an invaluable resource with free lessons on HTML, CSS, JavaScript, PHP, and a whole slew of other programming languages, both for web development and otherwise.
Want a more traditional social media experience? SpaceHey is a platform that mimics the experience of 2000s MySpace
Struggling to find independent web pages that cater to your interests via major search engines? I've got you covered. Marginalia and Wiby are search engines that specifically prioritize non-commercial content. Marginalia also has filters that let you search for more specific categories of website, like wikis, blogs, academia, forums, and vintage sites.
Maybe you wanna log off the modern internet landscape altogether and step back into the pre-social media web altogether, well, Protoweb lets you do just that. It's a proxy service for older browsers (or really just any browser that supports HTTP, but that's mostly old browsers now anyways) that lets you visit restored snapshots of vintage websites.
Protoweb has a lot of Geocities content archived, but if you're interested in that you can find even more old Geocities sites over on the Geocities Gallery
And really this is just general tip-of-the-iceberg stuff. If you dig a little deeper you can find loads more interesting stuff out there. The internet doesn't have to be a miserable place full of nothing but doomposting and targeted ads. The first step to making it less miserable is for YOU, yes YOU, to quit spending all your time on it looking at the handful of miserable websites big tech wants you to spend all your time on.
#this is a side point so it's going here but I really think tech literacy should be a requirement in schools like math grammar history etc.#we live in a world so dominated by the stuff and yet a majority of the population does not understand it at even the most fundamental level#tiktok#tiktok ban#indie web#neocities#web development#current events#twitter#facebook#meta#amazon
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Fanon likes to portray Jiang Cheng and Lan Wangji as being jealous of each other because they fear wei wuxian will choose one of them over the other. Which is ignoring the fact that at least in novel canon Jiang Cheng did not even fucking know wangxian ever got along let alone that lwj was in love with wwx until at the very end of the story (in cql canon he does go through a wangxian phase early on and gets very confused by their "breakup" during wwx's sunshot era) and that Lan Wangji is mostly filled with loathing towards both himself and Jiang Cheng for 'abandoning' Wei Wuxian and not being able to save him.
It also ignores the much bigger point that both Lan Wangji and Jiang Cheng are actually jealous of Wen Ning. And why wouldn't they be? That is who Wei Wuxian chose in his first life. He left the Jiang, told Lan Wangji to fuck off no he is not coming to gusu with you, and spent his days with his little-brother-shaped corpse bestie on his mountain in yiling. And then when he came back he immediately called him up the second he could string together more than two notes on a flute. Wen Ning is the real competition. (And he's winning)
#the fact that lwj despite this jealousy speaks up for wen ning in nightless is a rlly nice moment i think#and wen ning respects and admires lwj a lot as well not just for his dedication to wwx but for taking care of a-yuan#meanwhile the levels of haterism between wen ning and jiang cheng only get higher and higher#because of the baggage zixuan's (and subsequently yanli's) death and the golden core transfer bring with them#as those get dragged back into the light with wwx's return from 13 years sleepy time#mdzs#mdzs meta#lan wangji#jiang cheng#wen ning#wei wuxian
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don’t get me wrong i am a finale hater at my core but there’s something poetic about how it’s thoroughly established throughout the show that cas was the “malfunction” in the system that caused the story not to go the way chuck wanted it to by developing free will and rebelling from heaven and then the moment he dies the story ends with dean dying and sam living an “regular life” the way it would’ve if the series never happened at all
like the series spends a lot of time saying cas is NOT the way he’s supposed to be. he rebelled the moment he saved dean from hell. he turns the narrative on its head by developing free will and making his own decisions. chuck even tells him that this is the only universe in which cas “didn’t do as he was told”. he ruins chucks plan for the brothers at every turn by caring about them.
then moment cas was gone the story went back to the way it would’ve ended if the show never happened and he had never affected anything. like the “error” was deleted and it reverted to the way it “should be”. dean died tragically and stupidly on a hunt way too young doing a job for his father. sam got out and lived an “apple pie life” and died old. they went to heaven with their family and it’s all The Way It Should Be, not matching up with the message of found family the show developed and instead returning to the blood family vibe of the early seasons pre cas. like he died and the story stopped resisting chucks wishes. idk i’m just yapping but it feels like something
#spn#supernatural#sam winchester#dean winchester#castiel#destiel#cause falling in love with dean was a huge part of cas changing the narrative#i am an spn finale hater first and a person second#but this could also be looked at on a meta level#cause misha collins and his gay angel changed the entire show#and then he died and they “put it back
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feeling kind of sick over the fact that till might've been trying to gift a flower crown to ivan (like all the other kids seem to be doing) and ivan destroyed it because he knew they were cameras. blatant and almost unavoidable miscommunication is the basis of their relationship and this really hammers the nail in.
till giving ivan the flower crown as a sign of affection or friendship, ivan destroying it because he doesn't recognize what it means & is squarely focused on making sure they're not monitored, till being visibily very hurt by it (he looks more hurt/betrayed than angry imo) and retaliating with his usual way of self defense, violence. ivan enjoying till's full attention/physicality during the fight and aiming to get as much as possible because he can't even fathom till wanting him in any other way, even though he was just shown proof otherwise.
#ivantill#alnst ivan#alnst till#alien stage#alnst#alnst meta#cast's analyses#they make me SICK#ivantill was one conversation away from being mizisua levels of reciprocated and in this essay i will-#UGH. the feelings were there. the obsession was there. the investment was there. it was just that neither of them Knew That
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Thinking about the fact that, to pull Gale from the stone and get him in the game at all, you have to decide to try to touch an extremely dangerous looking swirling mass of unstable magic. Something that is, objectively, a terrible idea
Like, the options it gives you are to either touch the sigil or leave, and if you leave you just... don't get Gale in the party
You have to take the risk. You have to let your curiosity override your common sense. You have to look at this unstable, possibly dangerous malfunctioning magic sigil and go "...Ok, but what if I poke it?"
In short, to get Gale in your party, you have to do exactly what he would in that situation, and indulge in a moment of reckless curiosity. And I just think that's delightful
#meta#gale dekarios#gale of waterdeep#i'm positive this has all been said before but ¯\_(ツ)_/¯#on a meta-gaming level of course it's just a matter of committing to the bit#the equivalent of that time in an actual dnd game when i said ''idk guys this sounds like a plot hook. we should probably go check it out''#but on a watsonian/character level? objectively not a great choice safety-wise#my husband for instance completely missed gale at first because he went ''...i'm not touching that thing it seems dangerous''#and idk. i just kinda love that for him. perfect introduction. nice little litmus test for if you can handle his chaos lol
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Jason and Cass' opposing views on murder is so interesting. Their conflict is not purely moralistic - that is to say, it's not purely that Jason thinks murder is okay, and Cass doesn't. It's their identities, their original and most fundamental worldview. Jason is a murder victim and Cass is a murderer. Yes, Jason kills people as Red Hood, and yes, Cass dies multiple times, but this never truly erases how they see themselves. Jason will always have been murdered, and Cass will always be a murderer. They are unable to fully extricate themselves from those roles, and thus will never approach life or death the same way.
#cassandra cain#jason todd#so i may have spent thirty minutes reading jason meta#cass will always be my fav but damn if jason meta doesn't hit on a spiritual level#that boy is messed up#idk if this post makes any sense?? jason experts feel free to correct me#it's interesting too how so much of their trajectory is trying to change that identity as victim or villain#jason becoming red hood is creating the autonomy being a victim denied him#cass becoming batgirl is creating the autonomy being a (forced) murderer denied her#yet they both are unable to truly let go of what the world made them#thus both being perpetually haunted by their past selves#meta
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Okay... So I'm in a way right now with the red tide and hormones..... But I did want to say some things about SINNERS while I have a little bit of mental energy.
Stack and Smoke are two sides of the same coin, yin and yang, red and blue, Italian and Irish gang clothing style... etc.
Some people are getting carried away with analysis and it's giving more projection of what you want it to be vs. what is.... Coogler himself has cited great fun tropey horror films and pop culture touchstones like Salem's Lot (the book not the movie) and Puss in Boots: The Last Wish (which I love that that's a reference) he has said his most important takeaway is "ownership of art."
The act structure that gave us that classic "caper" set-up of all kinds of characters listening to the plan and then going "you sonavabitch, I'm in." for the juke joint was my favorite part of this TBH.
It is NOT a Christian "Come to Jesus" movie and I LOVE that about it. In fact, it's the opposite.
It's a "be true to self and your gifts in the face of any god or devil", movie.
BOTH women love interests (white presenting and full-figured and unambiguously Black ,--back to that yin and yang of the twins) were beloved by a twin, both fit the elemental nature of said twin, and both had to traverse death to be with their love.
As an aside.... loved hearing a southern accent from our Asian cousins, seeing the "not my problem" energy from the Choctaw hunters, and the reminder that there was actual ancestral cultural community before "whiteness" for white people too, and why many no longer have it...
LOVED LOVED LOVED the cultural details in the character work, setting, energy, etc.... ESPECIALLY Delroy Lindo's vocal cadence.
I loved what Coogler chose to NOT show to make the energy more impactful and palpable in both sensuality and scares.
I'll be the weirdo who prefers the pure blues vs. the remix but I LOVED seeing all the ancestors and descendents come and vibe with the music...I used to have recurring dreams of a multicultural ancestral world jam session, so "that scene" hit me hard.
Remmick just follows in the tradition of Coogler villains being compelling af, but ultimately WRONG because of an essential flaw in their logic (i.e. Killmonger's misogynoir and colonizing techniques and funnily enough Remmick's colonizing techniques, klan and black using vampire telepathy for a faux community peace)
I have seen no one else mention this, but I chuckled at Saul "List of Demands" Williams playing the preacher, aka Sammie's dad
the vampire nerd part of me absolutely rejoiced at all the "traditional" vampire warding aspects, ESPECIALLY the silver, something that is often wrongly asserted as being just for werewolves
loved how filthy and raunchy the language was when it came to desire... because that's real (and I hate purity culture which is very much now tied to the alt-right white Christo-fascist pipeline right now) AND centering women's pleasure and, in many cases audacious initiative. (ahem, I see you Ryan and I see how Zinzi's in the current state she's in, congrats!! *cough* this is the healthiest type of straight man sexual energy BTW)
BE WARY of the takes out there that are overly-projecting. It's neither religious nor hotepy. It's a Southern Gothic fable/folktale about a musician with a gift surviving a magical night....
YES it's full of ancestral energy, but ultimately the central message is about being true to self when it comes to ancestral gifts and community
#again#I'll add more later... but energy levels are low and I've been busy#sinners#meta#sinners 2025#smoke and stack#sammie#michael b jordan#ryan coogler#wunmi mosaku#miles caton#hailee steinfeld#jayme lawson#delroy lindo#li jun li#ps remmick totally ate that baby
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you always land on all fours
#umineko#umineko spoilers#ikuko hachijo#ikukos turn for a more serious piece... the old man has reigned for too long#now. INCREDIBLY LONG INCOHERENT TAGS RANT INCOMING FAIR WARNING HAS BEEN GIVEN:#it makes me so so sad how little discussion there is about specifically ikuko because imho she fits so neatly into a lot of the more#overarching Big Themes of the game in a way that i have not ever really seen people take notice of or point out in a meaningful way#like even just off of the top of my head. the significance of names and what it means to go by a name that's Not Yours (she has like 4+)#what it Means to be a witch how it represents a person's deepest insecurities and flaws & how its at its core a coping mechanism#the fact that it takes two to create a universe and trying to do it on your own anyways has the capacity to bring you intense misery#^ (how she's shown to be extremely dismissive of her own work and skill until a collaborator comes into her life and helps/encourages her)#and even the family/patriarchy/misogyny stuff that is so prevalent in the rest of the game comes back around to her. even her Only Friend#(young&stupid atp to be fair) remarks that shes Weird for being unmarried + the little she does say about her past invites the question of#to what extent her self-image stems from her family deeming her a freak outcast & effectively disowning her while celebrating her brothers#and i have lot in my mind about the witch thing specifically because i think her particular situation is very reflective of what umineko's#entire magic system and fantasy facet as a whole is meant to represent for an individual. from what little we see of (what is presumably)#her Real personality she is shown to be deeply self conscious in a way that is JARRINGLY diametrically opposed to both 1.) what we see in#featherine and 2.) what we see when she is acting as a Public Figure. because both of the above are very much purposeful acts that she is#putting on in order to obfuscate her true self. and i have always been very resolute & adamant about not totally equating her to featherine#not only because im very firmly in the camp of “featherine is the avatar of the Pen Name & tohya is part of her too” but also very much b/c#i feel very strongly that the stark differences between the two are very centrally relevant to her character & her psyche. as is the case#with most other witches featherine's personality traits serve to reveal/magnify a lot of ikukos inner workings by playing on her#insecurities/reversing them e.g. ikuko being very quick to downplay her skill/achievements becomes featherine being the COMPLETE opposite#to the point where she barely registers even other witches as living beings rather than just fun touys. BUT even though i do champion the#ikuko/featherine separation so hard i ALSO think it is purposefully relevant that at first glance the line between them seems so blurry#her introduction implying a more nebulous separation between her reality/fantasy counterpart is i think is an intentional move on her part#like it is part of the front she is putting up when acting as the Author. as opposed to Ikuko the person who we (in a way ironically very#similar to the way that the Real Battler is presumably only shown during the boatscene) only very briefly get to see take up screentime#which even on a meta level lines up very well with her apparent underlying nature as a like. extremely private largely reserved/shy person#hit tag limit but if by some miracle anyone is still reading this thank you... please see ikuko with the love she deserves... ok ily byeee
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yknow I was never gonna like fields I was always gonna root for irving to wreck that marriage but finding out he's a religious zealot who projects his own insecurities about sin and going to hell onto his husband to the extent he signed off on his getting a lobotomy just so there would be a version of him that could keep him company in heaven only made me more in favour of old man infidelity
like I went into this episode fully expecting fields to be the classic jealous husband who doesn't really get that the innies are different people and his husband is not responsible for whatever his innie might have done with another person and that would have even been understandable if not frustrating and I expected irving and burt to bond over how fields doesn't really get it and they're the only ones who understand how this feels and somehow fields being fine with the idea of him having an affair is even worse because it means the troubles in their marriage doesn't come from a mistrust of burt's faithfulness to him, it comes from a fundamental lack of faith in burt's soul. to him burt's innie falling in love is just affirmation that there's a version of him more deserving of eternal happiness than the one he's literally married to
not once was any sense of anger directed towards irving as I expected, it all lies within this idea that burt has to redeem himself to be worthy of fields. and how the hell does burt make peace with that especially now knowing that the version of himself that didn't know fields existed fell for another man, having no knowledge of the real reason he was there in the first place and instead seeking out his own purpose and sense of fulfilment, in effect having a level of freedom that burt himself does not? knowing he didn't really have to centre his entire life's purpose around pleasing his husband and god?
finally getting to know outie irving a little and discovering he's just as awkward and easily flustered as if not more so than his innie and how hard he tried to get on fields' good side, wearing a nice shirt and bringing expensive wine and laughing nervously at his jokes trying to prove he's not a threat, and then discovering this isn't actually about him at all and this marriage was already broken beyond repair, religious trauma opening up a fault line between them that led to irving being seated at this table in the first place, and how he has no idea what his innie saw in burt as fields says but he's struck with such a profound sense of sadness now that it's gone
finding out burt believes both of their innies are in heaven together and he doesn't know it but his innie believed the same was possible. because he was trapped in a religious cage of his own making just as burt is, and he doesn't know it but burt freed him from that, and he could do the same for burt. shyly suggesting they meet on their own terms without anyone hanging over them, be it lumon or fields or god himself. because he likes him. because he had fun tonight. because he can see burt is ultimately just as lonely as him and just as in need of something real and uncomplicated. something that's just for them
so in short i support that old man's rights to cheat on his husband with the gorgeous controversially younger italian american guy with the mustache who nearly broke down his front door two weeks ago. for totally narrative purposes of course
#this show is going to break me. and i havent even touched on the real possibility burt is a double agent.#and is probably going to get irv into a lot of hot water whilst hes being distracted falling in love. again#i just cannot believe we get to have this. the level of thought and care theyve put into this plotline#dan erickson count your fucking days#severance#severance spoilers#severance season 2#meta tag#irving bailiff#burt goodman#burt x irving
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it kind of gets overshadowed by the horror of the rest of the episode, but. how funny is it that hunter Takes Off His Mask to yell at luz in the beginning of hollow mind. he's the perfect boy i just-
sorry i know it's my usual agenda rearing its head but i do think this is adorable. the Second the rebels are gone, hunter is like well fine. you just tackled me and fucked up my whole arrest and you're an anarchist shithead who constantly ruins my plans. but i KNOW you aren't going to attack me. for some reason i trust you implicitly. i don't need full armor here. what i NEED is for you to see JUST HOW LOUDLY I'M FROWNING-
#like on a doylist level i think they just wanted to animate his face. on a watsonian level. why'd you take your mask off buddy#'YOU WONT UNDERSTAND THE FULL FORCE OF MY GLARE UNLESS I MAKE MYSELF PHYSICALLY VULNERABLE'#i love them both so much. izzy rafi and i watched hollow mind twice in a row today so it's on the brain.#toh#hollow mind#hunter toh#luz noceda#horrible mindscape trauma pals#toh meta#...... i GUESS??
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Because I am coping with current world events in a completely normal manner I've been thinking a lot about how one of the tensions that underpins the whole of Wheel of Time is Robert Jordan as 'person who likes history' vs Robert Jordan as 'person who had to live through the Cold War.'
Something that can be really hard for people born after the Cold War (like myself) to grasp is that for a long time history was the ultimate reassurance against existential dread. Civilizations could rise and fall, empires could crumble, disasters could wipe out a hell of a lot of people, but human beings as a species, where never in any real danger of dying out. New countries would eventually rise out of the ashes of old ones, societies would change to be unrecognizable but they would still be there, religions, cultures ideologies etc might all die out but the people would still be around. History provided the ultimate comfort: whatever happened in our brief finite lives human beings as an group would eventually be fine.
But that changed after World War 2 and the invention of a little something called the atomic bomb. Suddenly human beings had the potential to destroy not just ourselves but all life on earth if things went wrong enough. For the first time in history their was no real guarantee that human beings as a species would make it, and in fact their was a whole lot of reason to believe based on the patterns of history that eventually that power would get used and human kind would destroy itself. That was the Cold War- two nuclear states who really really wanted to start blasting each other to pieces but couldn't without risking the end of life as we know it.
The tension between these two realities- the assurance of history that life will go on and the reality that human beings could in theory actually end the fucking world, is built into the core of Wheel of Time. The first lines assure us: time is cyclical. It's all happened before. It's all going to happen again. Human being will live out the same stories in endless variation, the same patterns will always reemerge. And the world has already survived one apocalyptic event: the Breaking, and come out the other side not doing fantastically, but still around. The world has been reshaped forever and whole eras of progress have been undone, but humanity remains.
But at the same time doomsday weapons with the potential to wipe out the species are everywhere. The Choden Kal can crack the planet open like an egg. Balefire burns apart time itself. A plague of madness is waiting for any old schmo to wander into it's den and carry it back outside so it can infect and destroy everyone. Their are all kinds of different big glowing red 'destroy humanity' buttons laying around in WoT just begging to get pressed. And in a way the Dark One is the ultimate version of that because that button has already been pressed. The Bore has been opened. Left alone humanity is fucked and everyone knows it. It can be delayed and pushed back, but never truly stopped, except by the intervention of destiny- the intervention of the Dragon. That's the core conflict of the series. Rand is struggling to stop a missile that's already been launched, prevent an end everyone can see coming. It's not just 'I need to defeat the big bad evil overlord or everything will be bad forever', it's 'I need to stop the Dark One or that's the end of human beings as an idea'.
What's especially interesting is that Jordan isn't even framing the Wheel/Pattern as uniformly good, because it's history and history is messy and complicated and full of contradictions and no easy answers. The Wheel, the Pattern, is not some force for righteousness. It's a neutral fact of existence. Not what's best or what's ideal- those are subjective and grounded in human understanding of the world- but what's necessary and what's true. To want to break free from history, to break the Wheel, is to want to break free of being human. That's what the Forsaken all truly want (as I have talked about before): to leave behind their humanity, and their willing to sacrifice whatever it takes to do it. What that looks like and what motivates that desire is different for each of them but their united in that common goal, and they all either disregard the consequences of what it will mean or don't understand them.
The story of history is one of incredible suffering and amazing triumph: it's full of heartache and joy in equal measure. It's not fair or just or simple to understand, but it is a reflection of who we all are collectively. The fight to preserve the Wheel isn't a fight to preserve what is good or ideal, it is a fight to preserve what is human. Because as long as the story can keep going, we can have hope for tomorrow.
And Jordan promises right from the offing that their will always be a tomorrow. No beginnings. No endings. Just whatever comes next.
As we enter a period of history that is the most uncertain it's ever been in my lifetime, I can't help but I think of the incredible courage and strength it must have taken be staring down the barrel of nuclear armageddon and stubbornly insist that there would be a tomorrow. The man wrote eleven of the best books ever made exploring this exact struggle- about never giving in to despair or pain, never buying into the belief that things are hopeless, that humanity sucks and we're all doomed.
And remembering that...I don't know. It makes a little easier to breath and keep walking towards tomorrow myself.
#WoT#WoT Musing#Wheel of time#WoT Meta#Rand al'Thor#Robert Jordan#can you tell I've been having a Going Through it February on both a personal and global level?#us politics#world politics#nothing specific but the vibe is very much there
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Red Hood Is A What Now?
Fact one: Red Hood is not a single person. No one agrees on how many guys are in the rotation, or whoever they might be, but everyone that works for Hood knows the boss isn't a single person. Hell, half of them had seen more than one Hood showing up to meetings by now, it's far from a secret.
Fact two: the twins, Jay and Gales, are connected with the boss. Again, nobody agrees on how exactly, but they most definitely are. Maybe they're Hood's son, maybe they're younger siblings. Maybe they're sugar babies even. Whoever they are to Hood though, it's clear that they're trusted enough to stand in at meetings when Boss is unavailable.
Fact three: the twins are metas, honestly it's really obvious in the way their eyes and hair change color like a mood ring. Nobody bothered mentioning it cause that's pretty much all there's to it, just some cosmetic change that isn't even helpful.
...
Or, Danny and Jason is somehow running a gang together, the bulky Red Hood armor is very good at hiding silhouettes actually, and the two are known metas to literally every body except themselves.
#dcxdp#dpxdc#undead twin#danny fenton#jason todd#i just love them as something of a mirror image#and also oblivious to their meta status#fyi Red Hood is listed as a nuisance level meta on the bat computer since his first ever face reveal#before Batman even figure out there's two of them#imagine Jason is being angsty about the green eyes and Dick is like. ah yes your meta power#and Jason just blue screens#also. wether or not they're actually twins isn't important#just that people think they are
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Falin who cares too much and too little - analysis


Been stewing on Falin thoughts for a while, I know I have an interpetation on her that differs from many but I’m jumping into the fray. I think there’s a lot to be said about what we do see of Falin. This shorter Falin analysis I made is heavily encouraged prior reading. This analysis mainly explores her complex relationship with caring and so it’s sort of structured in two halves, with Faligon at the crux of it all.
Falin cares too little :
A lot of people assign Falin a people pleasing mindset and I… Don’t agree. We never see her care at all about people in her town or at the academy not liking her.
We do see her worrying about what people think of her… ONCE. And Laios comforted her, told her they didn’t matter and she should be proud of herself. She latched onto that hard. That’s why this scene was so important to be included during the dragon fight, relationship-defining; it’s always been them against the world. She grew to not care what others thought, to only focus on her close loved ones. No one else matters.

Laios’ words were her world. Her older brother who taught her how to feel comfortable with herself, who told her, you’re great, others are the ones in the wrong to not see that, I’ll always be with you, always be there for you. Older brother who always made great plans, who always knew more, who was better at wrestling to name the dogs, who she has always idolized. Laios who always spoke of traveling the world, to which she always said she wanted to follow. And she would, she’d follow him even if it meant leaving the academy and all she knew behind, she’d follow him to the ends of the world, and that’s what she did.
She didn’t care about showing to her classes or keeping up such appearances, she doesn’t even think of toning down her jumping into bushes when Marcille recoils, etc. She acts like an obedient pawn often, to her parent’s directives and then following Laios around no matter what he decides to do, but I don’t think the motivation is people pleasing, rather it’s being with & caring for her loved ones, and her go-with-the-flow attitude enhances the impression. Not that it’s as simple as that, mind you, but let’s talk about this for now.
Falin is perceived as selfless because we, the audience, have our perspectives revolving around the main people in her life (Laios, Marcille). They’re the ones she’s devoted to and people who care about her back a lot too, but to people like her classmates or the towspeople she probably must have seemed like someone who didn’t care about the people around her or her surroundings a lot, who just went on alone and did her own thing.


What matters to Falin? From what place does her kindness come from? Is a part of her keeping up appearances? And I think that’s the point, the horror of Faligon as well, that we can’t tell just how in control Falin the person is as the chimera (because we are shown that she’s in there, we just don’t know at what degree), that we don’t know her enough to be able to tell when she’s at her most genuine, her most raw. That even if you do settle on none of her being present as Faligon, we have to at least consider it, consider that she may be able to do something like this and have a part in it, brutal and uncaring. That even the lenses we see her through, the people who love her, may be unreliable.
And this is what’s very interesting about her too, she truly is so idealized by people around her as a saint. She’s so good and kind and caring to everyone etc etc etc. Laios, Toshiro and Marcille all see her as the paragon of goodness in the world. More cynical characters like Namari and Chilchuck have more layered opinions on her, the latter finding her somewhat unnerving because he can’t read her well. But then with that one flashback scene we see that… Her priorities are intensely focused on Laios and Marcille, she doesn’t care all that deeply about anyone other than them (+ maybe her parents). The rest of the party is in the same danger here but only Laios and Marcille who she’s speaking to get the special ,ention, and if they don’t cross her mind then of course she’d be ready to sacrifice strangers through a risky teleportation. That doesn’t make her not kind or caring!! Just that greater good isn’t exactly her priority. Any means is alright if the end result is her loved ones safe, it usually takes the form of healing and caring, but we see she’s ready to fight and make dangerous calls too. To me there’s this aspect to her that she isn’t as pure and magnanimous as everyone thinks she is, both in-world and interestingly enough meta wise as well, and there’s something interesting to that.
People pleasing implies a need to be liked, needs for the motivation to be that. A yes-man, etc. But if we analyze Falin, her general kind, smiling demeanor is more a matter of passivity I yhonk. Conflict avoidance is easier, so she’s friendly and hopefully things’ll be smooth sailing. It’s easy to be kind to classmates even if they act wary and rude if you don’t care about what they think either way. Of course she prefers good things happening to people over bad things, she is genuinely kind, but I think people tend to assign her a very grand altruistic way of life when to her the motivation is pretty self-centered. She doesn’t do what she does because she loves them, but because she loves them.

One situation that’s interesting to dig into for her way of thinking, and what I’m trying to get at, is Shuro’s proposal to her. I’ve seen people saying she hesitated because she didn’t feel comfortable saying no even though she wanted to, "I can’t say no, I don’t want to hurt him", something that sounds sensible and familiar, but it’s actually canon in the Adventurer’s Bible that the reverse was the case, that she didn’t feel comfortable saying yes. Because the offer was tempting, but it’d have been a loveless agreement on her end. And it makes sense she’d want to say yes too, like we see with the Toudens, marriage is very much a political strategical economical thing in their village, there’s even a bit on it on Laios’ Adventurer’s Bible profile about dowries, and both siblings were engaged very early. They lived poorly for a long time, it’s an enticing idea to marry rich, to have not only yours but your brother’s needs met forevermore easily, which at one point in their careers was their main worry and goal. Why shouldn’t she accept a life of leisure and wealth handed to her by a lovely friend?
So her hesitance was "yeah that’s convenient for me, but where it’s everything to him and heartfelt I’m able to be detached because I don’t care about it that much… Can I do that? I’m not reciprocating, not saying yes in the way that matters. Can I do that to him?" Very caring even though it’s not what you’d expect, isn’t it?
And central to my analysis, where I’m going with this is, I feel like that’s the thing with her character, that she doesn’t feel as strongly as she "should" sometimes, or feels a different way than she "should", or at least that she feels that way and others say she does. She didn’t mind suddenly leaving the academy, leaving Marcille behind and not seeing her for 4 years. She acted like it was no big deal that she sacrificed herself after getting resurrected after the red dragon fight. And in both those cases it upset the people around her greatly that she didn’t seem to get why it was such a big deal, didn’t seem to care about how they’d experienced her choices.



So it’s a tendency… And it’s not that she doesn’t care, it’s just that the way she measures what’s good for the ones she loves isn’t the same as what they themselves think it is (like Laios and Marcille not wanting to be apart from her). It’s an overt but quiet kind of care, it’s doing things like following them around and making sure they bathe and have a meal, even if that means she has to be dragged into misery too.
So yes she probably would know "not caring enough/the right way" is one of her perceived flaws, and that informs how she tries to handle her response to Shuro’s proposal. Her not wanting to accept like her first gut instinct, is because she’s thinking about reciprocity, about if it’d be right to go into this knowing that they have different priorities and she might not be able to keep up with the type and amount of emotions he wants/expects from her. And that’s a big part of her character isn’t it, having expectations pushed onto her. Her trying her best, but in her own way that may seem odd or even unfeeling. Not unlike when she exorcised the ghost as a kid too, unblinking and matter-of-factly, and not seeming to understand why people stared the way they did.
Even though she answered his proposal only post-canon, she’d been pondering it for a while even pre-canon and the Adventurer’s Bible explanation was released midstory, so I’m hesitant to assign her much growth about her hesitation and what I went on above, since she still didn’t react "right" with Laios after the red dragon fight (even if she apparently doesn’t remember sacrificing herself) and put herself in that situation in the first place. She hasn’t finished her arc on that flaw of hers is what I’m saying, she for sure still has it, but I certainly think her thoughts on Shuro’s proposal shows awareness, both of herself and social.

And awareness is a big analysis key word with Falin, especially here it can be hard not to conflate not caring with not knowing. How socially aware is she? It’s rather layered, because canonically she wasn’t aware of her ostracization in her hometown at all, and we’re not sure if she knew Shuro was interested in her before he proposed, but she generally seems more socially aware than Laios. She tags along on his caravan job to make sure he isn’t being mistreated (though doesn’t ask he get a salary), she catches social faux-pas more easily like in the genderbend magic mirror omake with Shuro, and interestingly enough she’s very good at empathizing with her parents and understanding their perspective. We see when she’s worried about Marcille coming that she does know about propriety and how appearances shape impressions. Being a chief’s daughter must at least have taught her a thing or two on that front.

She never stands up for herself, but when it comes to defending others she worries, strategizes and explains.
And this sort of understanding is part of why I think she’d notice the expectations pushed onto her like I was saying earlier, notice how she makes people feel when she’s careless. But if she changes anything about herself in response to noticing is for her to choose, and generally I think it’s a sort of inbetween of yes and no: that she becomes more complacent but also more reserved, complying but by hiding more of herself passively. She’s not sure wether to accept or reject Shuro’s proposal, doesn’t want to lead him on? She’ll just be taking a while to silently consider it, try to keep things as they are for the time being. The third, less conflicting option. She doesn’t feel heard by Marcille who keeps infantilizing her? Just bear with it. Retract yourself emotionally. Settle for it.
We see that when she was young she had a tendency to not read a room, and I think that’s here too. She doesn’t get why her nonchalance upset others but that doesn’t change that she doesn’t want them upset or hurt, so she tries, albeit in maybe a roundabout way. She always had a hard time deeply connecting with people, often keeping herself some amount of emotionally distant: erasing herself from the equation, from the two-way trade that relationships are and making it a onesided thing instead, where all their needs and emotions are directed towards her but she only lets out a bit of her own show. She takes everything upon her and deals with it and tries not to give others this same burden, though not on a conscious level, it’s just that she’s learned growing up that she doesn’t have much agency.
Like I went into with my analysis linked at the beginning, I think Falin is used to just taking what she can get and not asking for more, when it comes to social bonds. She’ll take spending time with her mother no matter what it is they do, she’ll follow Laios to the graveyards and stick by him even when he’s pushing her away (because he doesn’t want her borrowing his book or "No copying!" or such). Her father was always distant, cold and uncommunicative, her mother was considered sick from anxiety and the exorcism attempts were the main way they spent time together, at dinner tables there were only her and Laios. The dogs picked on her too even if she loved them— And so did the townspeople, maybe that being normal to her at home is why she didn’t notice the ostracization she suffered.
She’s always been the last to be asked about decisions or what she wants, never asked to play with at recess, neither her father or Laios asked before sending her to the academy or leaving the village. At home, in the hierarchy she was considered to be below the dogs by the dogs themselves, as someone they can disrespect. Dogs learn from example and behavior, so this means Falin must have been pushed around a lot, and that the family didn’t try hard to rectify the dogs’ misconception, likely worsened by Laios regularly wrestling with her as a competition.
So for example when Falin showed Marcille food, it was her way to implicitly ask to have lunch with her without voicing that question, without daring to take up space. Someone’s presence isn’t something you ask for, it’s something that’s bestowed upon you, you can follow them around but you can’t ask them to stay or to come with.
She’s used to her needs and wants not being listened to, so she’s learned to have less wants. Caring less about herself, caring less about other people beyond her safe zone, was a defense mechanism in part. She has a sense of learned helplessness too, like how when Marcille came to take her away from Laios, even though she didn’t want to leave with Marcille it felt so determined and unshakable to her that whatever Marcille decided Falin would have to comply with.
And still, it’s the "marrying you would be awfully convenient if it wasn’t that I’d feel guilty for not loving you back, the way you wanted me to when you proposed to me" and the "I don’t regret leaving the academy and leaving you behind without goodbyes but I’m sorry that you’re so much more upset about it than me". It’s the guilt of not loving people back the way they want to be, with the same intensity or fervor.
It’s the autism it’s the aroace of it all, it’s the emotional stunting and confusion but the pit in your stomach telling you you did something wrong again. The no object permanence even for people you love even for 4 years, it’s the feeling like you’re somehow at fault for someone having fallen for you and not knowing what to do with any of it. I’m not joking btw it isn’t uncommon for autistic people to not see their close friends for a long while, not having missed them all that much and for that to be really hurtful for the other if they notice/ask about it. "Hiii bestie! Oh umm you’re uh more emotional about this than I expected, hopefully you won’t feel alienated by me not feeling as intensely about it…"
So… Yeah. I think she thinks of things and relationships in a different way than most people, and beyond "good things happening to people is good" I don’t think she actually cares about people all that much. I’d argue that Laios shows more desire to connect with others and make relationships. And just like with Laios and his own issues with humans, that doesn’t mean her kindness is a lie or ungenuine or worthless! It just means that like, well it’s pretty straightforward really, she’s not all that social and doesn’t see casual bonds as meaning all that much and whatnot. She does want to see people happy, but it’s not as much like… A conviction or goal. She’s too laser focused on a select few people. "It’s not that they’re bad people, they just aren’t interested in humans."
And sometimes it feels like people get defensive about Falin in a meta way too, like if you ever so much as imply Marcille isn’t her whole world or that she isn’t the kindest soul out there then you’re saying she doesn’t care at all or she’s evil. And that’s actualy exactly the sort of vibe I wanted to get through with my analysis above here actually haha, that she does care and she is kind but it’s not in a way that’s quantified or understood in a way that makes people feel comfortable. In a way, that makes people feel insecure because they don’t have the same logic as her, don’t show love the same. And I think this is another stellar depiction of autism, of parts of it that feels unpalatable to many, if I’m making sense. The fandom idealizes her as well, which isn’t uncommon or surprising for the character embodying the trope of the perfect beloved to rescue.
And disclaimer, as I said in the tags I feel like the details of Falin are pretty vibe based when it comes to analysis, there’s absolutely a valid angle where she does super care about everyone always, feel free to disagree with me on the overarching angle of my analysis. There’s enough supporting evidence to tip the balance either way I think, and the reason I’ve chosen this angle is I feel it’s more compelling for the themes in Dunmeshi of idealization and being different, of desires vs wants, and because I think it neatly ties up Falin’s character arc as I’ll go over throughout the next section…
So.
Not feeling as much as she should. And……. Is this not Faligon pushed to the max?
You can’t tie down a dragon. As the chimera, she gets to just not care about everyone else and be on her merry way.
Part of it I think is finding comfort and freedom in the mindlessness, in not having the burden of feelings and connections and a consciousness (despite still ending up seeking those in a stranger, Thistle). Like when she’s dead in the purgatory as well, she gets to just… Hang around and do whatever. Similarly to when she played in the forest instead of going to class in her academy days. That’s what freedom and peace of mind looks like to her. Why she decides to roam post-canon, if only now with the goal to find herself instead, with her mind in tow and somewhere to go back home to.


There’s excellent analytic framing out there about how of course, Dungeon Meshi has a big theme of grief and letting go, and… Falin was always a symbol narratively, idealized by characters and often underconsidered by them despite their love. It was Falin’s choice to sacrifice herself for Laios, she thought it was worth it, knowing that it would be her end. Her resurrection and the process of it intertwining her soul with a dragon’s wasn’t done with her consent, and the subsequent opening it gave her to become a chimera puppet. She’s stripped of her agency consistently, and so… It’s very noteworthy that the final choice, of wether to go back to life or to stay dead, in that purgatory scene, was up to her. And she chooses life, but I do think about her in those fields and how at home she seemed there. Peaceful, by herself in a vast calm expanse she could explore, free.
Personally, I think freedom is Falin’s own subconscious selfish desire. And though to us becoming the chimera is obviously a shackle, I think it felt like freedom to her somewhat, too.
And if you think I’m going wildly off the rails here I want to talk about Laios’ wish of becoming a monster. And to be clear before getting into it, being mentally a monster is absolutely a big part of the appeal for Laios, it’s something that’s consistently referred to, something especially pointed out in the werewolf monster tidbit with Lycion. Right panel is from that, but left panel is from the extra with Izutsumi where Lycion talks about suppressing souls in a beastkin body, the human or the beast soul.

Finding comfort and freedom in being mindless, less sentient, less aware? While being unaware in her hometown might have saved Falin a lot of heartache although perhaps stunted her emotional growth, it’s always been Laios’ curse.
Actively, through his choices, he seeks to grow closer to people, to form deeper bonds, to understand and be undertood, but… On a deep seated level, what he desires is to leave humanity and civilization behind. He has an irrational hatred for humans, born from the trauma of ostracization, being different, being beaten up and rejected consistently through his life. Running away from problems is easier. He wants to be free from being a social animal from a social species who has deemed him the black sheep, he thinks it’d be simpler to just leave it all behind, people and his own humanity. At its core, to Laios becoming a monster is a power fantasy, a coping daydream of "if only I could be strong enough to never be hurt again, the power to destroy anything I want, the power to go somewhere better, if only it was possible for me to never feel hurt again. If only I could be someone, something, that can never be hurt". "If there’s someone you don’t like, you can gobble ‘em up in one bite. If you could fly, you’d be able to leave this village right now." It’s a childhood fantasy, from a deep sense of being misplaced and a desire to be able to stand fearless, thinly covering up resentment that Laios represses.



But you’ll notice, when the Winged Lion is enticing him in the last page, even now with his lifelong wish of becoming a monster on a silver plate, he still cares about his friends. He still has that sense of responsibility to his friends, doesn’t want to leave knowing they’ll be in danger and alone. The offer that his friends may be left unharmed is already good, but Laios also visibly flinches when the Winged Lion offers to specifically care after Marcille and rid her of her biggest fear. Laios’ care runs that deep. Not unlike with the succubus, he resists temptation until he gets reassured that everyone will be okay. But see, what he desires isn’t to stand alongside Marcille until her last days, it isn’t to stay and see how well his friends will live, it’s to go. It’s to leave. It’s to fly away, a monster both in body and mind. He wants to be free from caring here, wants to not have to worry about his friends, wants to just go do his own thing, but for that he needs to feel safe in the belief that said friends will be safe even without him being there to see it, because despite everything else he cares, he does. It’s again that dichotomy about caring and wishing you didn’t, or not caring and wishing you did.
In the end, it’s Falin who achieves that wish. Both by becoming a chimera during canon, and by going traveling post-canon. In the latter, being both free of human relationships as something chaining you while still being uplifted by them, by the knowledge that there are people out there you love and that love you. It’s a theme that can also be connected with Marcille, because she gets anxious over people she loves getting out of her sight, worrying they’ll get themselves killed, that time is passing while they’re away from her. But before she can get to the point where she can both have her freedom and being uplifted by her social bonds, regaining both her individuality and her connections, she has to get a taste of just one at a time. Before they can find balance in her life, she has to see what it’s like to have what she’s never had on its own. Unapologetic freedom, and power.
No one can blame you for not caring enough or caring right if you’re a fricking dragon!!!! You make the rules when you’re a beast and you can just… Fly away. From anywhere, from anything. And if a dog bites you you can just crush it. Instead of being pushed around by the dogs because you’re at the bottom of the hierarchy, you’re now at the top, the one with the power to be heard and do what you want without consequences.

I think she’s on autopilot. I think she’s on autopilot a lot of the time, even before being a chimera, and it’s partly why her will is so weak compared to regular dragons. (Again, read my shorter analysis.) It’s familiar to slip back into the role of following someone around unquestioningly. And that’s what is weaponized when she’s a chimera, that instinct she’s been nursing all her life to unconditionally support, defend and follow someone. Only now, that someone doesn’t matter in itself, only the symbol of it. She doesn’t mind, either way is fine. Her will is weak after all, because she’s trained it to take as little place as it could.
Falin cares too much
She spends all her time caring for Laios and Marcille alternating that none of her care and emotional energy is left for others, including herself. So she had to get relieved of all of that for a bit, becoming the chimera so she could reset and recenter and remember that she, too, indeed, is there and an important part of her own life.
So you’re probably seeing the duality I’m talking about here, Falin is very self-sacrificial but for specific people in ways that they often don’t recognize or appreciate. She cares but selectively, both in people, putting all her eggs in the same baskets, and in the ways she cares after them. She doesn’t care a lot, but when she does she cares a lot. Falin doesn't have a lot of earthly attachments, but when she does, they're her world.
In canon her arc, especially post-canon, is to grow beyond Marcille and Laios. Her caring for her close loved ones held her back from looking after her own self-fulfillment needs. And this is what I mean when I say she cares too much; she could gain from caring more about the world besides Laios and Marcille, both lands wise and people wise. She cares too little, but her arc centers her flaw around caring too much instead. Her pitfalls that Kui highlight over the course of the story, while of course her selflessness is appreciated for how she saved Laios and everyone, on a personal level is shown to be self-effacing and damaging. She’s undermined by Marcille, without the courage to voice her thoughts and wants, she would dedicate her whole life to Laios. And I mean, it’s text, in the response to Shuro’s proposal extra no less. And she’s so laser focused on her most loved people that she’s fine with being callous and risking others’ lives, even.
Post-canon, she needs to leave to find herself, away from them.

Herself. What if she wants to just be with herself for a while.
And this is me reaching but I feel like, not unlike Izutsumi who learns to feel this sense of never being alone, always having someone on your side what with having two souls, the dragon in her would make her consider herself more. She finds it easier to care after other people after all, and in the purgatory fields sequence she takes care to bring the bit of dragon left with her… Not unlike with Izutsumi, having two souls forces you to think about your identity and figure yourself out. Besides being this sort of duo now, where if she wants to care after herself she can channel it to that other side of her too… In meta dragons are symbols of greed, and I think the bit of dragon would push her to want more and listen more to her desires, primal and self-serving as they might be. The dragon soul which warped her human body with feathers and draconic features, her image of perfection marred, her weirdness externalized in a way that’s not palatable. But she doesn’t care, about if her appearance is palatable for most people, she hasn’t for a while now, and that’s great.
Notes & nuance
I’m struggling with the structure of this post, making my points organized, concise and strong at once. It’s difficult to make any statement without going "things are generally like this, but there’s this time that this contradicting thing happened too" or "it’s ambiguous enough that you should just follow my interpretation for the time of this analysis" haha, so this is the pit where I put all the stuff that wouldn’t fit well in other places but are interesting for Falin’s character. This section is pretty separate from the main thesis of the post, it’s just more Falin observations. The post has reached the 30 pics limit so I can’t just pull it up whenever it’s relevant but I really encourage scrolling up to read the stuff I highlighted in her Adventurer’s Bible profile if you haven’t already.
I think with the shy-looking loner type autistic kid archetype, and knowing she didn’t seem to mind others ostracizing her, it’s easy to lose sight of how she was by no means an unemotional child. In all the bits we see of her as a kid she’s bursting with energy and emotions. Canon confirms Laios leaving the village did affect her and make her lonely and she cried a lot, too. She may not be social in the traditional sense, but she was clingy with her brother, and she also never was all that shy about who she was, wearing her heart on her sleeve.And okay. Okay okay okay. Speaking of appearances. About what I said of her not caring about what people think of her, even seeming defiant with the caravan leader… There’s one istanxe of her caring actually, and it’s about how her face blushes easily. I remembered it as being because Laios’ said it and as I rambled Laios’ words are her world, but actually it’s ambiguous. It’s only Marcille imagining up this scenario where Laios says Falin looks weird because of it, there’s no evidence Laios said or thought that at any point. And on the other hand…
Her Adventurer’s Bible says: "5, Lovely Skin. She isn't particularly careful with it, but Falin's skin is fair and beautiful. Possibly as a result, her cheeks seem to flush easily. Marcille's always saying she's cute, and she secretly has a sizable complex about it." The phrasing makes me think the complex she has over her blushing might have developed because of Marcille more than Laios. "Marcille's always saying she's cute, and she secretly has a sizable complex about it." It could be related to how Marcille gets swept away and infantilizes her, calling her cute wanting her to wear cute feminine outfits etc. Again this feels like it relates to Falin’s struggle to be seen for who she is and what she wants to be seen as, her struggle to be recognized, having ideals and perspectives pushed onto her. Here Falin is insecure over her blushing implicitly because she doesn’t like being called cute over it, but that’s not how she wants people to see her. She doesn’t want Marcille to always see her as her 10 years old adorable friend. Like if your friend said you had puppy energy, it can be flattering, but it can also make you insecure.

Here’s a link to what I mentioned about her being uncomfortable wearing feminine outfits. It does seem to be more about comfort than the aesthetic perse, to me. Interestingly the shirt & shorts don’t seem like they show much more skin than her beach outfit, so maybe it’s more about the shirt and shorts being tight-fitting. Like the skirts and heels they feel stifling. Again a bit with themes of freedom and not wanting an aesthetic pushed onto her. So yes just to reiterate, I think this is more about self-affirmation and how her identity and self-image gets shown to others, rather than wishing to hide parts of her body like her blushing etc for people pleasing reasons. Makeup was a way for her to appear how she wants to and feel more confident. It was a way to take control over her own image. She didn’t keep doing it, the narrator stating the process to be ‘troublesome’. Ultimately she still prioritizes her comfort, and it was a lot of recurring efforts to go through.
And on the topic of appearances… A friend once asked me: "Does she really hide herself or not? I keep thinking about "falin is herself first and foremost" (in her Adventurer’s Bible profile) it’s just so. Hmmmmmmmm... I just keep seeing people say she hides her real self from people when I feel like the issue is more about her charitable traits straying too far into becoming flaws but people around her dont realize that..."
Imo the thing is, I don’t think she hides her identity, but I do think she suppresses her individuality for others’ sakes if that makes sense. In the way that only post-canon does she allows herself to go see what the world is like, but that’s not personality wise it’s needs and wants wise. And I do feel like that’s the closest interpretation of canon, she says it herself she doesn’t know what she wants because everything she’s done was always about Laios or Marcille, but she doesn’t change her demeanor or personality for others. But she *will*, like, not ask for things she wants directly, like sharing lunches with Marcille at the academy, she suppresses her wants, doesn’t ask things from people and doesn’t hope for more, hope for better. I don’t think we ever see her actively repress her personality, except like what, being more laidback than enthusiastic but I do feel like unlike Laios with her it’s less ‘appearing stoic to fit in more’ and more ‘yeah i’ll just chill until I’m needed or something activates my enthusiasm’. To which said friend quoted: "to feel like you belong you need to be useful. when you can’t be useful the next best thing is being convenient."
And speaking of passivity… I want to speculate about Shuro’s proposal some more. Shuro and her got along well though we don’t know how much, or how often they hung out, she even saved him from a nightmare. Why did she take so long answering Shuro’s proposal? Was it an effort to preserve or was she really just that conflicted? Procrastination probably yes, but what is the core motivation of itl Considering she ended up saying no to travel the world instead, I don’t think it was as simple as ‘she wanted to say yes for convenience’. Logically it’s what would have been best, but it’s not what she wanted for herself, but it was and still is hard for her to even know what she wants. Probably, since like she states it was a great offer and she doesn’t think she’ll get proposed to again, it’s that self-effacing tendency that yes it’d be convenient and logical, and that makes her want to say yes even if her spirit isn’t in it, because if it’s convenient then that’s more important than her feelings on the matter. Man also… Obviously Marcille is very vocal about how she shouldn’t get with Shuro, but imagine how Falin’s whole perspective on marriage must have felt when her only friend ever is a Romantic with a capital R who gushes about idealized romances and grand gestures and True Love and doing things with fully pure feelings all the time.
AND speaking of passivity!!! How much Falin is "there" as the chimera, just how much she’s master of her actions, is left ambiguous and intentionally so imo, but she’s for sure there & influencing the dragon’s action to some degree. Having a dragon’s foot on her in purgatory that keeps her from moving for sure visualizes how it must have been like, but there’s Falin calling out to her brother Laios, there’s the kind attentions towards Thistle that are so Falin-like, and most explicitly there’s the Adventurer’s Bible stating "Even after becoming a chimera, she has a soul that's as kind as ever", which I honestly dislike, a fantranslation puts it as "Even as the chimera, her caring nature remains" and either way to me it feels like confirmation that it’s her giving those berries to Thistle. Now, wether or not she has the mental capacity of a chicken or something closer to human Falin, no clue, there has to at least be some kind of mind bond between monsters and the dungeon lord, compelling or forcing them to go along with orders, or calling her to him in distress like with the fight on the first floor. But yes, it’s interesting to wonder what it is that a Falin, with her kind soul but without her human mind, would willingly do. On her profile, she’s described as Thistle’s guardian and servant. The power dynamic between the two are very interesting, I already went into how it might have felt like freedom to her while being fake so I’ll reign myself in and just mention it again. She’s still at the heel of someone, only now it’s someone who doesn’t care about her back. Going from being cared for so strongly that it’s suffocating and they would defy death and the world for you, to being devoted to someone who has not one feeling about you besides your utility as a paw . She has all this care to give and to focus onto others and he has none to send back to her and I think that’s part of it. In a way, being left with only her own feelings and a void, without expectations or feelings or ideals pushed onto her, it might have been soothing in itself, and eye opening. But yes the way I think of it, her care for Thistle isn’t unlike the care she gives the ghosts.
Interestingly, the care she extends for the ghosts is sending their soul to a peaceful death, freeing them, of life and any earthly attachment. Take that as you will with the themes of freedom and burden of life and mind, immortality and becoming a warped version of who you were, and such and such.
But going back on the topic of connections and bonds for a bit, I think academy days Falin & Marcille is super interesting bc we’ve never really see Falin form a connection besides with Marcille and even that is kept pretty ambiguous. When was the point that Falin started seeing Marcille as a friend and seeking her out? When was the "I’ll lay down my life for you" point? I’m so fascinated by how she wanted to share lunches with Marcille but never truly asked, only made little "hey want this? I found it isn’t it cool?" gestures of showing things to her… It’s the only way she knows to ask, or maybe it’s the only way she feels comfortable to. In all the scenes of young Falin and Marcille Falin seems comfortable in her friendship with Marcille, but at the same time… I think we see Falin at her most insecure around Marcille, because she really does care about Marcille and what she thinks of her so much, and while Marcille is a bit of an unstoppable force tornado style (affectionate) Falin is something of a doormat. I’d usually say showing her berries was her earnest way to connect and be like "Hey bestie look at this! :]" , but there’s a real possibility that she was self-conscious and holding herself back.
Friendship and Marcille! Involving Laios into this too but, again with the autism thing of not showing you care in ways that others understand, Marcille being very overtly affectionate and clingy was so so soo important… Marcille keeping on hanging out with Falin and caring after her, and being undeterred/unbothered by Falin not always seeming like she cares all that much back in the conventional way, as in Falin acts nonchalant and a bit like she didn’t mind wether she was there with her or not during her outings to the cave dungeon. Caring and being clingy and so affectionate despite that in such a classic Marcille way is soo needed, because so often people will get discouraged by say, their friend not keeping in contact regularly/well, seeming disaffected or as happy-go-lucky as ever even if you haven’t seen each other in a while or when they’re alone, and yes there’s potential for a strong friendship there but someone like Falin won’t be committed enough to reciprocating attention the same way… I hope I’m making sense but yes this angle in particular strongly correlates to autism. And the way Marcille always initiates physical affection, both Toudens being awkward about initiating touch because they don’t know if that’s allowed, if they’re going about the social interaction the right way, if they’re allowed to ask that out of someone…
Another fun observation to make is about the 4 years Falin and Marcille spent apart. Marcille despite being of a long-lived race treated these 4 years of separation with more gravity than Falin did. Falin brushed it off very dismissively to say the least. But then you remember that the amount of time Falin and Laios didn’t see each other after he left the village was 8 years. Double the years, double the time. And that reminder makes Falin’s actions so starkingly understandable. Of course she wouldn’t see 4 years of separation as a long time if 8 years of separation with her beloved brother is her point of comparison. Of course she’d see it as worth it to leave Marcille for 4 years if it meant ending those 8 years instead, especially if she was worried about him (the reason why she followed him into his caravan job).

A friend always says that while Falin is the center of Marcille’s world, Laios’ is at the center of Falin’s, and I tend to agree.
It’s fun to think of how her career dreams had always been shaped by Laios, even when they were kids. Of course there’s how traveling the world began as a dream they talked about and shared, but there’s how he reassures her by listing cool jobs she could do like traveling exorcist, etc. And then of course, she gave up on her magic academy and career path to follow him and do odd jobs, etc etc.
I should go into the violence of Faligon more tbh, because I think there’s an interesting parallel to how she has no problem wacking things with a mace, wether a ghost when she was a kid or a walking mushroom as an adult. Something that often surprises fans when they remember, I don’t really want to get into the whole " Falin hates violence and hates seeing people in pain to an intense degree. ‘If you die do it somewhere where I can’t see’ style’ interpretation, it has some weight but on the whole I don’t vibe with the theory she has a particular aversion to violence, she seems to be fine resorting to it as much as any other adventurer as long as it isn’t needlessly against ghosts. And Falin’s sudden mace hits are fun to me too because it’s not her becoming a berserker when the need arises as much as her becoming active because something she cares about is threatened, and that brings her out of her passivity from 99% of the rest of the time. Thistle included. Falin always could be violent, she just dislikes senseless carnage. The Shuro party vs chimera fight is a bit ambiguous on it, because you can argue she only attached after being provoked, presumably offscreen as well while the ninjas went off to fight the harpies. Falin becomes the most active when she needs to protect someone, she has no qualms doing whatever’s needed for that, wether it be leaving the academy & Marcille without notice no matter the consequences or what her parents think, or teleporting the party, etc.

I’m working on a post specifically pointing out all the differences between Falin and Laios, but yes I think both of them selfishly desire freedom in different yet similar ways. Falin’s dark secret is "Ethics and risks are optional if it means I can protect those I love" like the teleportation, and Laios’ is "Ethics and risks are optional if I can be free of all this bullshit" aka humanity aka his wish with the winged lion.
Conclusion
Flighted birds have hollow bones. With freedom and wings there comes risks and sacrifices.
Tldr: Falin doesn’t care all that much, she’s very go with the flow. For example if someone hates her she doesn’t really care because that’d require her caring about what they think of her in the first place, and she only cares about her loved ones. She smiles, but it’s more a state of being rather than out of active goodness: she’s canonically very genuinely kind, but it’s more out of a general want for pleasantness than active care itself. She’s passive, and softspoken because that’s just how she seems, but she has no problem hopping into bushes or getting heated if something calls to her enthusiasm or calls for action and a hit of the ol’ mace. Her loved ones needing tending or protective is what makes her go from passive to active. That familiar autopilot mode of making someone the center of her world and following their every move is what made her so easy to be controlled as the chimera, even ferociously defending him with her life. Faligon is most interesting to me with the theme of freedom. She’s shackled to Thistle and out of her mind, but there’s also a sense of empowerment and freedom from expectations and society. She spends all her time caring for Laios and Marcille alternating that none of her care and emotional energy is left for others, including herself. So she had to get relieved of all of that for a bit, becoming the chimera so she could reset and recenter and remember that she, too, indeed, is there and an important part of her own life. There’s a way of caring after others that can be selfish, not unlike Marcille being overly coddling and not listening to Falin. In Falin’s case, I think it was so selfless that it ended up looping back around to erasing her sense of self. In losing sight of herself, that devotion becoming neither quite selfish or selfless but a fact of life and a state of nature, muddled by its lack of direction.
She’s sooo used to never being able to ask things out of others, you get the crumbs of affection and approval that others offer to you unprompted and that’s it don’t hope for more don’t ask for more. (Also reflected in how she follows her loved ones around without complain or personal opinions and how she’s not willing to rock the boat and affirm herself in her relationships like with Marcille during canon)
Falin cares so much, so much and so laser focused on her few loved ones that it blinds her and she loses sight of everything else, she ends up neglecting herself and the rest of the world. As Kui puts it, Falin is herself first and foremost. She just had to remember the importance of that.
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I see her as an enneagram 9, which can be surprisingly accurate and fun to research through the lense of Falin. Excerpt below from this book, but like my god, good way to put it
That’s it, ty for reading. Even if it’s a bit of a mess, hopefully you’ll have gained a thing or two from it. Falin is a character hard to pin down, but it is very gratifying when you find the way that the puzzle pieces fit together right for your own understanding of the story. Fantranslation of the shuro proposal comic by @/thatsmimi here.
Here’s my spotify playlist for her if you’d like
Sometimes love is about letting go, a lesson a lot of the cast needed to learn. Self-love’s important too, and just like with diets we need a healthy balance.

#I find it hard to express myself right on the topic of Falin. Both because the issue is pretty vibe based and because we don’t#get that many moments with her. So there’s ambiguous scenes up to interpretation addressing a layered topic and like. Save me. Save me#As always falling down the rabbithole of starting an analysis about a specific facet and then needing to explain everything else around it#I’m doomed. I’m getting lost in the sauce.#dungeon meshi#delicious in dungeon#falin touden#analysis#character analysis#meta#autistic reading#aroace reading as well. Sort of. It’s mentioned#The aroace autistic guilt of not caring back in the way/with the intensity you’re expected to#As always this is just my interpretation blablabla#Spoilers#dungeon meshi manga spoilers#She loves like a dog aka unconditionally and happy with eating scraps of affection and attention off the floor#Laios touden#he’s here too bc they are an unit#If you’re not capitalizing on the uncanny vibe autistic effect for Falin’s character u are missing an opportunity imo#Fairy’s child is written all over her. Her cryptic-ness is the point so why am I surprised she’s hard to fully pin down#Even with the graveyard scene it was Falin following Laios… Sob. Laios could feel responsible her powers were found out#I’d like to rework this at some point if i get better at structuring. I’m not satisfied by the level of clarity#Will 90% for sure edit stuff in if i find more to say.#Fumi rambles#Crazy style#I give a TLDR at the end if you’d prefer. It doesn’t have the like evidence/explanations alongside but it makes the main points i think
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actual scene as it happened in the show
#gos2spoilers#spoilers#good omens#good omens spoilers#hopefully i tagged enough for blacklists#ransart#everyone is typing up beautiful meta analyses and painting beautiful art and i'm here like...#thinking non stop about this part LOL#i just love it; how many does he have? how long is the cooldown period for this 9th level cleric spell#no want sad; only fun
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I don’t think people give enough weight to the fact that Nona is chronically-to-terminally ill in NtN, either—the reason she needs help taking care of herself, by the end of the book, is because her soul is eating her body and her body is dying. Every time she has a “tantrum”, or accesses Alecto, she uses up Harrow’s body in huge gulps—that’s why she gets sick or passes out after them. She spends most of her time in the early book thinking wistfully about how lucky she is to just have what she has and how much she wants to be useful and it’s a meditation on her awareness of her own death. Like.
Yeah, of course she needs other people to help her take care of herself. She’s disabled and actively dying.
#the locked tomb#tlt meta#nona ntn#honestly ntn is fucking devastating on that level#but people would rather infantilize her i guess
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