#one day i will make a proper analysis of his character. one day

[anxiety-pickle]

Jade + Aventurine analysis bc you guys can't read

A somewhat pretentious analysis of Jade and Aventurine by your friendly local neuroscience major (with receipts) (I am putting my academic knowledge to good uses obviously)

Let’s recap what we know about Aventurine

He is, insofar as he’s aware, the last surviving member of the Avgin people of Sigonia

Is he actually the last member? It’s unclear, but the IPC seems to think so (which will become relevant later)

The genocide of his people occured on the day of the Kakava festival, his birthday, by the Katicans, an opposing clan of the Avgins. Both the Katicans and the Avgins were exiled to the desert because of the fighting. The assorted clans of Sigonia were not willing to protect the Avgin people, and they knew that if they were to be let inside the city, the Katicans would follow

The origin of their fighting is uncertain. It is implied that none of the clans got along well. (Aventurine’s second character stor)

Why did the genocide happen? Because of the Katicans and the IPC

But wait!! I hear you yell, didn’t you just say the Katicans are the ones who killed the Avgins?

And to that I say, yes! I did! But the IPC is still the reason they died. During the 2.1 story, All the Sad Tales, during the cutscene with Kakavasha and his sister right before the massacre. 

“Little do the katicans know, this time we will fight back! The men in black that descend from the skies are on our side. The Katicans stand no chance against them…” (Kakavasha’s Sister)

This means that the Avgin people only decided to fight back because the IPC told them that they’d protect them, which they clearly did not do

The IPC also had a financial motive for getting rid of the Avgin people (and the Katicans, though that’s not relevant to the discussion)

We can see in Aventurine’s character story I, “And let’s not forget the letters from the councilors of the Sigonian Sovereignty. They denounce his tribe for once breaking arrangements and sowing discord… resulting in repeated delays in the signing of agreements between Sigonia and IPC.”

The IPC therefore had a very clear motive for deceiving the Avgin people and allowing them to enter a fight unprepared

To make matters worse, the IPC, the hub for technological advancement, medical discoveries, etc, could not save a single person? Not a single man, woman, or child could be saved? Forgive me if I find that unbelievable

“The clan launched a massive attack on the Avgin… who were under the protection of the IPC, resulting in 6,728 deaths and 3,452 missing.”

So… around 4,000 people were missing…? This brings me to my second concern:

The Katicans do not particularly strike me as the type of people who take prisoners - their goal is clearly to exterminate the Avgins

4,000 missing individuals implies that either

1) The IPC did not give a single fuck and simply decided not to search for them (didn’t bother collecting their bodies, tracking down the Katicans who took them, giving them proper burials, etc), or,

2) The IPC DOES know where they are, and decided to mark them as missing persons

As far as real-world tragedies go, I am not inclined in the slightest to give the IPC any benefits of the doubt. These are the same guys who nuked Boothill’s planet. And are currently extorting Belobog. And canonically forced Topaz’s planet into indentured servitude (and were likely going to try the same with Belobog). We don’t even know the full extent of the damage they’ve caused, honestly, and I don’t think we ever will.

After the genocide, there is an unspecified period of time between Kakavasha’s escape and his enslavement. The ‘indifferent man’ in his quest calls him a “scrawny brat”, so he was probably a teenager/young adult at that time. It’s unclear what his history was prior to that point, however we do know:

Indifferent male: “The guys in black didn’t say much…”

…the guys in black? As in, the IPC? Those are the EXACT WORDS that Kakavasha calls the IPC workers multiple times throughout the quest

It also means that he bought him from the IPC

So, at the VERY LEAST one department of the IPC was involved in human trafficking

It would make sense if the IPC had somehow captured him at some point, as he would’ve been like. An unsupervised 7yo in the desert. And of course, upon realizing someone survived the massacre, decides to ‘maximize profit’, for lack of a better word

It’s unclear to me currently why the case of Kakavasha tricking the IPC and the Intelligentsia guild is called the “Eghazyo Aventurine case” because this would have happened before Kakavasha became Aventurine, unless this is a mistake or mistranslation. The voiceover seemed to imply that the name of the case was aired during the time that Kakavasha was testifying, so I doubt that it’s called the Aventurine case because Kakavasha became Aventurine

Another option I’ve seen is that ‘indifferent male’ is the previous Aventurine, which I can’t confirm or deny, though it seems likely

Only thing that doesn’t make sense to me is that if he was the previous Aventurine, why would he call his fellow IPC workers “men in black?” Does anyone know if there are other instances of IPC workers calling each other this?

Aventurine is forced, by ‘indifferent male’ to kill 34 other slaves. He essentially Hunger Games’d 35 people. It’s also implied that it was broadcasted, because other people were betting on it and were making comments about he “looked good”.

At some point, Aventurine manages to trick the IPC and Intelligentsia guild into believing that the remains of Tazzyronth (or the Sand King) are buried in the unclaimed Sigonian desert, costing the IPC billions of dollars and eventually killing the man who bought him (rightfully so)

After that point, he’s taken to trial before Jade, where he strikes a deal: he gets off death row if he proves to be a good investment

Now, let me make myself clear: Jade did not save Aventurine from shit. Aventurine got himself out of a horrible situation by any means he had available to him, and those means happened to involve leveraging his situation and putting his life on the line to prove to Jade he was a worthy investment. I’ve seen people try to argue that ‘joining the IPC is what Aventurine wanted’ but I think this is a shallow and disingenuous argument because it removes the context of his decision entirely. He did that because he felt cornered, and then, presumably, because he hoped he could use the power within the IPC to protect other Avgin people (which is why he asks after them in his character story). I also saw people saying that Aventurine deserved to be on trial…. Which is certainly an interesting opinion. Mind you, the man who Aventurine killed was responsible for the deaths of 34+ people and was actively buying human beings on the black market, so as far as I’m concerned killing him was an act of public good.

A few more things to clear up about this situation:

In the IPC broadcast about the Eghazyo Aventurine case, it conveniently leaves out that Aventurine was enslaved, probably because that could influence public opinion; additionally, I think the erasure of the whole ‘slave’ thing was just to cover their own ass because they knew that shit wouldn’t fly

Aventurine was not ‘in control’ of this situation; too many of you don’t understand what coercion is and that scares the hell out of me. He killed that man because that was the only way he could be free, and after that the IPC sentenced him to death. It isn’t a choice when your only other option is death. It baffles me that people think this.

Jade does not give a single fuck about Aventurine beyond what he provides to the IPC because she cannot conceptualize relationships or the value of human life outside of a transactional purpose, which tracks with her being a debt collector…

Jade literally says, and I quote, “A servant should obey his master”. For the people in the back, A SERVANT SHOULD OBEY HIS MASTER. Who the fuck says that. Even if she isn’t personally involved with whatever human trafficking the IPC has going on (which I seriously doubt she isn’t at least aware of, given her rank), she sympathizes with a literal slave owner over his victim which is genuinely insane.

Something also incredibly important: Aventurine had no legal defense

Like… none at all? I’m not overly familiar with the US legal system, but even in this case I feel like there would be some kind of self-defense justification. Like. He bought people. On the black market. And then made them kill each other. I don’t think killing him warrants a death sentence for Kakavasha (especially one that holds over once he’s a Stoneheart)

This extreme overreaction on behalf of the IPC probably also has something to do with him not having an ‘interastral refugee travel permit’ (mentioned in the first broadcast message during All the Sad Tales) which also begs the question what in the godamn fuck is an interastral refugee travel permit. I can only assume that the IPC is handing out these ‘travel permits’.... Which also means that they are directly responsible (for the sole survivor of a genocide THEY caused) not having one

The fact that the legal system is structured like this does not surprise me at all. It was stacked against him from the beginning and we need to stop pretending this was a power play on Aventurine’s part rather than a desperate last ditch attempt at some form of freedom

Additionally, Aventurine’s banner is literally called “gilded imprisonment” and his light cone is called “inherently unjust destiny” like they literally could not make it more obvious. He just exchanged his old shackles for shinier ones :/

Something else I’d like to point out: Penacony has a grand overarching theme of “a cage is still a cage”; in fact, Himeko says that verbatim in 2.2! I think that’s also important to consider when looking at this situation. 

Also, Aventurine also feels so little autonomy that he was literally willing to kill himself to escape. Like full stop kill himself. His future self tells him that “death” is the only real freedom he will ever experience, and I think that alone demonstrates that the IPC has done nothing more but lengthened his leash. I don’t think it’s fair at all to claim that any of this is what he “wanted” or that he’s like. Enjoying himself. Because 2.1 makes it so abundantly clear that he’s fucking miserable. Like you’re aware that this is still coercion right. What do you think happens if he stops performing well? What do you think the IPC will do to him if he is no longer producing money for them? Quickly. Look me in my eyes

Now onto the elephant in the room: Jade herself

Personally I find her character design gross fetish-bait, but to each their own I guess. It’s not really my business if you like her character for whatever reason. I’m not saying that you can’t enjoy her character, but I do think people should be examining their reasons for liking her a little more closely. Or at the very least not making jokes about slavery. That is very strange. 

I’ve seen a lot of people say that we should reserve judgment for what her character is like until after she’s out; I disagree. I think we have everything we need. (This is coming from someone who could see Aventurine’s backstory from a mile away and predicted it in 2.0. So far my track record is unblemished but if you don’t want to take my word for it I have evidence).

Let’s take a look at her eidolons:

E1: Altruism? Nevertheless Tradable

E2: Morality? Herein Authenticated

E3: Honesty? Soon Mortgaged

E4: Sincerity? Put Option Only

E5: Hope? Hitherto Forfeited

E6: Equity? Pending Sponsorship

That’s a mouthful, right?

Eidolons are supposed to be the truest reflection of one’s soul and provide us information on the character themself. All of her eidolons reference a kind of transactional relationship - in which she evaluates concepts like altruism, morality, and honesty on a scale of how much worth she can drag out of them. This is consistent with what we’ve seen from her character so far. I find the specific statements ‘Hope? Hitherto Forfeited’ and ‘Equity? Pending Sponsorship’ to be… so sinister lmao. Like she is straight up saying the quiet part out loud. Now let’s compare her eidolons to Aventurine’s:

Aventurine’s E1: Prisoner’s Dilemma.

The Prisoner’s Dilemma game theory wherein two people, separated, must cooperate for mutual benefit, or betray their partner for an individual reward. This perfectly reflects Aventurine and Ratio’s plan in 2.1, and goes to emphasize the importance of trust that Aventurine has. 

Aventurine’s E4: The Unexpected Hanging Paradox

At first inspection, the ‘unexpected hanging paradox’ appears to be a regular thought experiment, but actually has to do heavily with probability. The Unexpected Hanging Paradox entails a situation where a criminal is sent to death, however the Judge does not tell the prisoner which day he will be executed on, only that the executioner should ‘surprise him’ over the course of the next week. The prisoner therefore concludes that he will not be executed because it will be impossible to surprise him based on a game of probability. This directly references Aventurine’s experience in court both as Kakavasha, on trial for murder, and when he confronts Sunday.

We can see here that eidolons are absolutely reflective of character goals, intentions, and thoughts. Jade’s eidolons are based entirely on a manipulative, exploitative worldview. Whether or not her worldviews include herself are up for interpretation at this point, but it’s obvious to me that she sees Aventurine as an investment and not a person. The first thing she comments when she sees Aventurine is how pretty his eyes are - immediately assigning material value to his body, which is especially gross considering she is well aware that he was enslaved. 

Then, at the end of 2.2, she makes another cameo - and Aventurine does not seem to receive her well. Understandably so. He mentions wanting to “escape her” during his phone call, providing us with insight into his framework and how he perceives her. He literally uses the word ‘escape’. He does NOT like her. Jade proceeds to call him “child”, which I interpret as at least partially demeaning. She also didn’t seem to care at all when she thought he died in 2.1, so I’m not really sure where anyone got the idea that they were close. 

As another note on Jade’s character design before I wrap up, I personally find it extremely uncomfortable that she has a whip. Again, I’m not going to tell anyone that you can’t enjoy her character, but there are definitely some extremely strange undertones that hyv is leaning into that I really don’t appreciate. I also think the greater reception of Jade’s character deserves its own post because I don’t even know where to start with that. 

So, giving Jade EVERY benefit of the doubt, we can conclude that she: she ONLY knows about the enslavement - but has no personal ties - and does not care, does not appear to care that her colleagues were participating in human trafficking (specifically seemed more put-off about the lack of revenue than the various human rights violations, which makes sense because she doesn’t seem to care about any of the other human rights violations, such as nuking planets, either), would have had no problem sentencing him to death had he not been a company asset, implied that slavery is good, claimed that she didn’t know why Aventurine would kill the person who owned him because it ‘didn’t benefit him’, is participating in the repossession of Penacony by the IPC, is a debt collector (derogatory), did not gaf that her colleague was going on a suicide mission, and did not gaf when her colleague presumably died. 

Footnote: Before you start, no disliking Jade but liking Aventurine is not misogynistic (and that accusation is, in itself, misogynistic), yes, it is disingenuous to claim that Aventurine was not coerced, it is also disingenuous to claim that the IPC had no knowledge of the human trafficking, yes you can still like her. Idgaf. And stop making jokes about racism and slavery, it’s weird and I think your brain should be studied in a lab so that doctors can determine what is wrong with you

In conclusion:

Media literacy is dead and the hsr fandom killed it. 

[splatattackz]

a little bit of a ramon character analysis in all of this;

(from someone whos watched him basically since the start of the egg event)

let me preface this by saying BOTH sunny and ramon are very valid in how they feel right now, i just want to go through and explain how things are from ramons point of view.

lets start off. imagine youre a kid. its just you and your dad, because your other dad left you before you had really begun to speak. you're a kid, and youve never really gotten to have a childhood. from a mix of one of your dads leaving (and how he treated you before he left), to feeling isolated from every other egg (besides a few, a little), to feeling like you have to protect and save everyone else - youve never gotten to be a kid. you still remember that day, when the party exploded, and you were hailed a hero for saving all your siblings. you hadn't felt like a hero, you were scared you were going to die before you had done anything you deemed useful. the worlds loneliest hero. you are only 3 months old at this point. youve died already and live life on one life, a life that threatens to slip away every. single day. youve watched siblings die. youve watched worry swamp your dad, and youve heard his greatest secret. you are only a kid. this is not a childhood. youve never even had a sleepover.

and then enters the picture 3 new siblings. and you love them. you realize, youre now a big brother. and you take that with pride. you care for them. you protect them. youre trying to protect them from your own fate, of not having a childhood. and bad things happen. and you fail. and you fail. and you fail. and youre sorry, and it adds to emotional stress thats been building up for months with no escape hatch in sight.

and then something amazing happens! youve helped your dad find someone to love. you have a pai now. now neither you nor your dad are truly alone, you cant be. you feel amazing. you feel like you can be a kid now, your biggest worry gone. you feel like youve finally done something useful. you can be a kid now. ... except, you can't. not really. because one of the people you considered a big brother, alongside your little sister, are trying to ruin what youve accomplished. theyre trying to destroy your happiness, you think. everything youve worked for - theyre trying to make a rift between your dad and your pai. and your angry. so unbelievably angry. and you shouldn't be angry at your little sister, you know this. you shouldnt feel salty. your dad explained you cant be mad at the child for the parents' actions. but you cant find yourself to stop this anger. the emotional stress that has been building is breaking and being let out at someone you dont want to be mad at. but you cant bring yourself to face her and talk to them. you just want to be happy why cant they see that? why cant her dad see that?

you are finally being happy, you have such a big family now, and theyre trying to ruin it - and turn you and them both are beginning to lose family (eachother) but you cant help it. youre just a kid! youre just a kid seeing 2 peoole you love try to break up your dad and your pai! how are you supposed to feel? youre done being the grown up. after all these months you get to finally be a kid in a proper family. you just want to be a kid. why cant they let you be a kid?

tl;dr; ramons just a kid whos never gotten to be a kid and when he finally does get to be one he sees two of the people he loves the most try and ruin that. how can he NOT be salty and angry? he just wants to be a kid, is it too much to ask?

[genericpuff]

I have no idea if this is intentional, but with how you've written Kore/Persephone, I very much get like,,, DID, specifically a very wrathful protector alter vibes from Persephone?? And I dunno, I have DID myself and my own protector whose very much determined in his rage to keep us safe, and it's very sweet to be able to see us in a piece of work for once and not have it be demonised. So even if it was completely unintentional, thank you!

Aww anon! This was sweet to read, and I'm happy to inform you that you're not the only one with DID who's relating to Kore's story in the comic! We have another reader in the community who's very outspoken in the Discord server and always speaking on their experiences with DID and how it relates to their analysis of Kore. So you're not alone in feeling that!!

I will say that while I didn't explicitly set out to make Kore a DID-specific character, I can certainly see why and how people with DID are relating to her and I think it's wonderful. I've been writing characters like Kore for years now, as a fan of the "alter ego" trope in media (and it's a big reason why I felt so attached to LO in the first place through the initial S1 setup of the AOW and Persephone being her "wrathful" side) and I've definitely had my own mental health struggles over the years that I think have certainly contributed to that (I don't have DID as far as I know, but I do have those mental "splits" in times of high stress that's almost similar to mania, so I'd be more likely to believe it's either just autistic meltdowns or MAYBE borderline personality disorder lol) Writing characters like Kore has always brought me comfort through personifying the processing of emotions and perspectives and conflicting thought processes.

So I'm glad Kore has brought you that same comfort 🥰

The only thing I will caution is that the topic of Kore and Persephone will get dicey at times. Kore will go through many ups and downs in the plot that will simultaneously be presented through Persephone. There will be just as many lovely moments to be had as well as ugly. Proper trigger warnings will be provided when necessary but much of their plotline will address some rather emotionally devastating stuff, to say the least LOL At the end of the day though I want to give them both a satisfying ending, so I hope we can all weather the storm together until we get to the light on the other side 💖

Thank you so much for reading, I hope you continue to find joy and peace in their story 🥰

[vasito-de-leche]

Could we have some Zima relationship headcanons :]

;R1999 ZIMA - Relationship Headcanons

Compilation of headcanons about Zima in a romantic relationship.

ofc you can nonnie, ty for the request! Zima was the other character that got me into the game so he's very dear to me

also also, I'm not sick anymore so I have some steam to work on requests, hehe <3 still working on the sleepy fics though, don't worry yall!

I haven't done a proper analysis/HCs post on Zima yet, so as usual I'll be talking a little about his character before getting into the whole relationship aspect of things!

The portrayal of Zima as a stereotypical, shy introvert feels extremely reductive to me, especially when it's all attributed to his speech pattern - the pauses, the stuttering... None of it is an indication of timidness. We have to remember that Zima's native language, like many other characters, is not english and he struggles when speaking it. That's the reason he speaks in such a way, there's a language barrier he's constantly fighting against in order to communicate with others and yet he's clearly trying.

There's an emphasis on loneliness, isolation and avoidance in his character that is impossible to ignore, which seems to add to the whole portrayal of Zima as a "shy baby". But again, this is something that comes from an important part of his life - the exile he went through. Him being socially inept is a result of a punishment, years of being alone with no one but animals to keep him company. It doesn't come from a sense of inferiority or insecurity such as Charlie, but an absolute lack of human contact.

When examining his voicelines, we also see that he's opinionated - criticizing the Tsar and the poor living conditions of the people, speaking of the beauty of nature and so on and so forth. He explicitly writes poems on any surface like trees, rocks and snow, even if he knows they'll be washed away overtime.

I understand that it's extremely easy to dismiss Zima when it comes to romance because of all of these details, his isolating ways and all, but he's a poet first and foremost.

While he may not be romantic in the more traditional sense we're used to, he's extremely insightful and takes a lot of care to appreciate the small details that often go overlooked, but that make life feel more lively and rich. In the context of relationships, given his age and his lifestyle, Zima would bring a completely different type of vibe - for comparison, most of the characters I talked about already lean towards high emotions, the fun of discovering love for the first time, etc etc...

Pavia's love is a whole rollercoaster on his own because there's always the chance of either getting hurt or having the time of your life, Forget Me Not's feels exactly like being hungover in the morning. But Zima's love is more like coming home after a long trip, knowing there's a warm meal waiting for you. It's familiar and calm.

On the subject of Zima falling in love.

Zima is used to introspection, so I genuinely believe he has a strong sense of self and a good grasp on his emotions. He quickly realizes when he's fallen for someone and he accepts it easily, despite the lack of romantic interactions in his life. This is because the object of his affections is, most likely, someone he already cherishes, and who puts the effort into maintaining a good friendship with him - so the idea of being in love with them feels natural!

I can't see Zima pursuing romantic relationships with strangers and/or those outside his close circle, not even a surface attraction beyond artistic appreciation for someone's looks. He strikes me as the type who can only fall in love with those he trusts and knows.

And even then, his behaviour wouldn't change much!

It's obvious that he lacks friends, so the very few people he does have are extremely important to him - even so, Zima does not need to constantly orbit around them and will gladly spend days (and weeks if you don't actively seek him out) without seeing them, content to catch up with them whenever their paths cross. He shares what little he has to offer with everyone, practical things and knowledge. Zima is 100% that friend who disappears for months and returns as if nothing happened.

When it comes to you, it's the same. Sure, if you ask him to stay a little longer then he'll oblige you. And if you're the chatty type or find his work interesting, then he'll put the effort into having a conversation with you despite the language barrier. But that's about it, the changes aren't noticeable no matter how much he loves you, because all of that happens when no one is looking.

If you happen to stroll around in the wilderness, getting lost in the forest and all, then you might find your name carved on trees along with many, many poems. If you don't speak or read russian, then all you'll be able to recognize is your name - the very first thing Zima taught you in his native tongue - but these are all declarations of love.

The animals are kinder to you, curious even. They follow and treat you like an old friend, as if they knew you, because everything they've heard from you comes from Zima himself. They speak about everything and anything with him, after all.

Zima lacks the initiative to confess or even consider being in a proper relationship with you - I insist, he's genuinely content with being a close friend - but he also lacks the restraint to keep his feelings to himself and thus puts them on display in the only way he knows how: as a poorly kept secret between himself and the nature that surrounds him.

Not many think of him as a romantic because of how stoic he is, but when Zima is in love, he sees you in every flower, in the snowflakes that fall and kiss his nose. You're the gentle summer breeze and the crystal clear rivers once winter ends. You're right there beside him in spirit when he sees little chicks take flight for the first time, or when all the other forest critters wake up after hibernating. Zima finds beauty in every aspect of nature, and he sees you everywhere he looks.

That said, there's no way he'll take the first step. That's entirely up to you, to pick up all these things and confront him about it - that's the only time he'll be open and direct about his feelings. Because you already know how much you mean to him!

Zima would love to teach you his native language.

This is partially me projecting because english isn't my native language either, but I do like to think that Zima's english is all self-taught. He understands when others speak english, but isn't as fluent when speaking himself. And that's why it's sooo infuriating and frustrating for him, as a creative person and poet.

Not only because it's harder to communicate with others, but because his work and poems - the most important part of himself - can't be fully understood. Therefore HE can't be fully understood. Some translations, while good, can't even come close to their original meaning. As his partner, Zima wants you to understand the full depth of his affections and thoughts.

I do think that the process of learning would also be quite organic, starting with Zima simply pointing out at things and teaching you the way they're named in russian, basic stuff he does unconsciously. If you pick up things on your own from his work and his translations, Zima will be over the moon and would ask you to repeat yourself to make sure your pronunciation is right and because he loves the way his language sounds with your accent.

But if you approach and ask him to properly teach you? He's gone, instantly overwhelmed with emotion and thoughts racing in his head, trying to organize a million different things - what would be the best way to teach you? Should he start with the alphabet? You want to learn this brand new language to understand him better, that simple gesture is a huge deal for him.

Once you have a pretty good grasp on the language, at least enough to have basic conversations with him, it will feel like Zima has gotten a little bolder - addressing you with pet names, being generally more blunt and talkative... But in fact, he's just finally able to express himself in his totality.

This also goes the other way around - Zima would love to learn your own native language, whether it's english or something else. It's yet another language he can use to express himself, so it's a win-win. And I know that it's common for us multilingual people to start confusing and mixing all the languages we speak, but I think Zima would have an easy time keeping them apart, so to speak!

On the subject of Zima and how he acts when he's in a relationship.

You two were close friends before you were lovers, so Zima doesn't feel any sort of pressure to live up to some dating standards like fancy dates, gifts or grandiose displays of affections - once again, it's all about what feels natural. You two know each other more than enough to simply fall into a comfortable routine that works out for both.

He does make the effort to drop by more often, to find a middle ground until he feels more comfortable and used to being around large groups of people. But he would also insist that you accompany for his walks in search of inspiration for his work!

When it comes to showing affection, I think Zima might be a little touchstarved - casual physical contact such as someone hugging or patting him on the back as a greeting still catch him by surprise, but affectionate gestures with those he trusts and loves is a novelty that leaves Zima starry-eyed.

He has a lot of things that he needs to slowly get used to again now that he's not exiled in the middle of the woods, but having you shower him with affection is something that he grows to like rather quickly. When you pet him, pepper his face with kisses, hold his hand when walking or hug him - it doesn't matter, Zima will always stand there, fascinated with the way you make him feel, so very warm and safe.

He would appreciate a warning before being touched, and he always makes sure to ask before initiating anything himself - it doesn't matter how many times you tell him that you're fine with this sort of contact, he's going to ask for permission anyway. Just out of politeness. Personal space is important, after all.

I think Zima would try to stick to a routine he can follow without overwhelming himself, especially if you're the type to need more attention (again, Zima will literally disappear for weeks if left to his own devices). It's more of a short list of things he needs to remember to do before the day is over, the two most important ones being greeting you in the morning and wishing you goodnight.

As for more general aspects of a relationship, I don't think there's much to say! Arguments with him rarely happen because he's patient and careful with his words, he communicates his needs and boundaries as well as he respects yours and all. Zima isn't that talkative, but his more "eccentric" traits are something you're probably used to on account of that initial bond and trust.

[writingquestionsanswered]

Hi! I’ve noticed these days that my writing is struggling between sounding very formal and proper versus sounding casual. On one hand, I’ll have a sentence that looks like it came straight out of a 1940s British series, but two lines later there’s some casual dialogue that’s closer to an American teen novel. I grew up with both types of books tbh, so maybe that’s why? How do I stabilize my writing style and make it a little more consistent? Thank you!

Stabilizing Voice in Writing

There are three types of "voice" that play a role in how your writing sounds... authorial voice, narrative voice, and character voice.

Authorial voice is your writing style as an author. In many ways, it's your "writer personality." It's what makes your writing distinctive from another writer's. While authorial voice tends to be consistent across all stories, it will evolve with time and may even change slightly for particular projects--especially when crossing genres. Authorial voice includes things like how much/little description you use, how simple or ornate that description is, how you use word play, and the types of words you use. Narrative voice is the "voice/voices" with which the story is told. This is made up of point-of-view (the perspective from which the story is told, for example, first-person or third-person limited), as well as your writing style and use of language. Anything the narrator says falls under narrative voice.

Character voice is the way a character's personality comes through in the things they think and say. It includes things like whether they're concise or wordy when they speak, slang and catchphrases, quirks of speech like saying "um" or "uh" a lot, how their attitude is reflected in what they think and say, accent, and the kinds of words they use.

When you have a first-person narrator, narrative voice and character voice are combined, because the character's voice IS the narrative voice.

So, there are several quick exercises you can do if you want to stabilize the voice in your writing:

1 - Do a little analysis of your own writing style (so far). Remember: writing style is something that evolves over time, so you might not have a fully established writing style yet, but you should be able to look at what you write and start to see some patterns. In your case in particular, do you gravitate more toward formal speech than casual speech? Can you think of any writers whose style matches what you'd like your writing style to be? Try reading more of their books, or read a chapter an analyze the writing style to see what you can mimic.

2 - Think about the narrator of your story... Even if it's a third-person omniscient, faceless narrator, it can still help to assign a sort of mental picture for who this person might be and who they're telling the story to. Is this someone who experienced it telling the story in third-person long after the fact, with 20/20 hindsight, to someone who might be interested? Is this a god who watched it all unfold and is retelling the tale to an audience of other gods? Is it an old grizzled storyteller telling the story to a rapt audience around a campfire? Try to choose something that makes sense as far as who might be telling this story, who they're telling it to, and why. It's not that you're including this as part of the story, but rather as a sort of placeholder for your brain any time you're in narrator mode. If you can slip into this narrator's shoes as you write the narrator parts, it sometimes helps you "get into character" and stick with a consistent, relevant narrative voice.

3 - Establish character voice... Character voice does have an impact on narrative voice, even if the story isn't told in first-person. In third-person stories, who the characters are can tell you a lot about who your narrator might be (so it might help to do this step before #2 above...) For example, if your characters do happen to be a bunch of 1940s Brits, you can start to think about who they are and what they experience to figure out who the narrator might be. In this case, it probably wouldn't make sense for the narrator to be a god telling the story to other gods (as that feels too mystical for this narrator), but a grizzled storyteller recounting the tale around a campfire might make sense.

If your story's being told in second-person (You walked to the window... Like a Choose Your Own Adventure) or first-person (I walked to the window...) character voice relates even more to narrative voice, because in second-person, even though the narrator is not the POV character, the narration is still being filtered through the POV character's personality, knowledge, and experiences. And in first-person, the narrator IS the POV character, so the narrative voice and character voice are one and the same.

By doing these exercises, you can start to hone each of these voices to find some stability. Happy writing!

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I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

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[evillandscaper]

Okay guys I'm gonna do a breakdown of a few of my personal hcs for the main 3 of both s1 and s2!!! This includes little doodles of how I draw em differently !!!

Let's start off with Olive :3 there's a LOT under the cut.

Okay, so Olive's really active, right? To me, she's always been brains AND brawn. So since she's out in the sun all the time, she has a tan!

She's also lightly scarred in my version, if you look carefully. Those were gathered out on cases. I hc that she has a LOT of battered uniforms that Otto sews/embroids together. Also, if you squint, you can see my version has light eyebags. It's not that she doesn't sleep, she's just fed up with everyone.

Her hair is messier! She comes into work all prim and proper, but leaves it all disheveled. If it's a more tiring day, she'll run her hand through her hair. Also, red hair tie instead of black, just cause I find it cuter.

Miscellaneous hcs:

- Olive is half Quebecois, half Vietnamese

- Her last name is Tremblay

- Her full name is Olivia, she just shortens it

- She's terrible at English and can't write an essay to save her life, but is very good at analysis

- She eats green skittles first, and thinks the purple ones are awful

- For their halfiversary, Otto got her an olive branch shaped tie pin that she wears whenever she feels fancy

Next up: OTTO!!

The urge to change his hair was carnal in my soul. It's the Asian canon event. It happened to me, and it happened to him. Just to make things a little bit more fun for me to draw, I let his hair grow out a little bit... yknow the awkward stage after a bowl cut grows out a bit? Yeah, that.

Downturned eyes! Just so he and Olive can contrast a bit more. He's soft, she's sharp. They're silly!!!

I also make sure his mole is always at least partially visible. It's such a cool part of him, and I can't believe they cover it up most of the time in canon...

Miscellaneous hcs:

- He always has his blazer undone

- He's an excellent cook, but becomes immediately incompetent once someone is watching

- He's strangely good at identifying plants, and has a habit of picking edible ones and eating them straight from the ground

- He's good at English! Not the best, but better than Olive

- His last name is Garcia

- For their halfiversary, Olive got him a cast iron pan. He doesn't use it to cook, and instead swings it at anyone who makes fun of him or Olive

Next up: OSCAR!!!

I honestly don't have much for Oscar. I love him, but don't think about him that much.

He has messier hair and is just a LOT more disheveled in general!!! Close your eyes in the bullpen at any given moment and I bet you could hear something in the lab blowing up.

He's perpetually sweaty. Damp palm guy. Maybe that's why he keeps dropping gadgets...

Miscellaneous hcs:

- He's very bad at telling the time. On vacation, he'll never know what day of the week it is

- He knows how to play the otamatone surprisingly well. He can make them talk, and has conversations with one the way one would with a sock puppet

- He never knows what significant figures to use, so he ends up just ballparking everything and just not measuring in general. Maybe that's why everything in the lab is always blowing up

- He has a full denim outfit saved up for formal occasions. I'm talking denim hat, shirt, jacket, pants, shoes, all denim

- His last name is Collins

OLYMPIA NEXT!!!!

Okay so there's a lot of hearing me out you guys will need to do.

Anna Cathcart is half Chinese and half irish!!! Thus, I gave Olympia monolids to accentuate that factor. I also downturned her eyes and thinned her "lashes" to make it more obvious that I'm portraying her as wasian!

I gave her freckles and rounder glasses for the vibe. She's just a soft character to me, and I really want to make her look the part.

She's got messy hair!! It's based on the little half fringes she had in very early s2, which I thought were adorable. Her ponytail's also higher just so she looks different from Olive!!

Miscellaneous hcs:

- Olympia knows floriography, and will get very hurt if you give her the wrong flowers

- Conversely, she thinks she's being really rude if she puts a tansy on someone's desk to show that she's upset and will feel bad about it all day

- She always carries a little salamander named Josh in her pocket

- She can speak Yiddish

- She has a massive storage of those flippable sequin shirts and has one for every occasion

- She put her hair into a ponytail bc of Olive (this one is courtesy of @/starboundsingularities!!!!!), but the more she found herself, the higher up she tied it

- Her last name is Carter-Ng

Next up: Otis!!!

I draw him a little sickly for no particular reason. He's just silly like that.

He's not that different from canon tbh! I have his hair in an undercut because I think it looks cool on him (plus it's easier to draw), and he has eyebags because of ... the vibe.

He has a notch taken out of his ear due to an injury! From what, he won't say .

Miscellaneous hcs:

- He listens to royalty free music unironically

- He's going through his Alan Walker phase

- He has barely legible handwriting, but can draw surprisingly well

- He types like an old man, with the "............" and everything

- His last name is Otis. His full name is Otis Otis. This one is also courtesy of @/starboundsingularities I love it so much

Last but not least: OONA!!!!!

She's really going through it.

Fun fact: Olivia Presti has curly hair!!! That means that Oona should have curly (or at least wavy) hair... but she doesn't. Which is honestly so sad.

But I can always mitigate that, so I draw her hair wavy. I guess it's more extremely frazzled than wavy, but it's the same effect in the end.

EYEBAGS. She doesn't sleep after The Incident. She also has downturned eyes, just because she gives off that vibe.

Miscellaneous hcs:

- Oona is a regular customer of a local rage room

- She knows how to use a crossbow to a mildly terrifying extent

- If a flight of stairs has a railing, she'll slide down it. She almost always ends up falling

- Her last name is Silva

- She says she knows how to speak Polish, but she only knows a select few words and doesn't know what they mean. They're all curse words.

- Subsequently, Oona is banned from several Polish restaurants across the city

That's all!! They're all so silly :3

[svsss-fanon-exposed]

I really appreciate your continued emphasis on people being free to enjoy canon and fanon as they want while providing accurate canon information! All the asks and PSAs you've shared on that recently reminded me of a fic where sj actually WAS innocent, even wrt abuse. They had to make an a/n how it was their spin deviant from canon so it'd be great if they could stop getting nasty messages pls. I just think we should all foster a nicer fandom environment, so I love what you're doing~!

Yeah, I personally might be a book-canon purist, but I can certainly recognize that not everyone feels the same way-- and at the end of the day, it is fiction, what people want to do with canon and fanon is up to them and really has little to do with them as a person. I hold authorial intent in really high regard, but no need to bully those who don't, and who want to rearrange things.

Of course, for something like you mention, I would advise using some kind of tag to indicate that it's off-script. Especially since SJ's abuse of LBH is an integral part of the story the novel is telling, changing things like that changes the entire tone of things.

If a fic where the characters are intentionally OOC gets popular, then people will inevitably start going to that fic's portrayal and mixing that up with canon details (this is, probably, why there is so much apologism and denial of SJ's canonical abuse of LBH in this fandom, though it certainly wouldn't be the specific fic you're referencing alone and is probably a combination of many different factors). I personally don't like portrayals like this, but if a writer is changing it for their story, then who am I to judge or harrass them over it? The only issue comes when it spills over into the wider fandom perception, and you have people swearing left and right that SJ had nothing to do with the fake manual (he did) or didn't actually mean to abuse LBH or want him dead (he also did, and this can't just be contriubted to unreliable narrator since it comes from his own perspective in the extras). So I think an a/n at the beginning is a good idea in situations like these. If writers don't want to spoil things, just simply tag that the character is OOC compared to canon-- no need to go into specifics, and readers will know going in that the portrayal isn't meant to be a take on canon or aligning with it.

No one knows how popular their fic will become, after all, and if it gets into the wider fandom space without proper context, things like "Shen Jiu was just treating LBH normally for the time period, he wasn't abusive, LBH was just a self-obsessed person trying to demonize him" become mainstream, widely held beliefs.

Of course, this is what my blog is for, hopefully rerouting some of those ideas, pointing back to the sources where the divergence happened, so that people can see that while they may enjoy this canon-divergent depiction, that they shouldn't bring it into canon-based analysis. I think sourcing fanon is very important for this reason-- better than just saying "you're wrong" is being able to say "this is where the idea came from."

At the end of the day, a deliberately off-script, ooc portrayal should be tagged as such and AO3 provides those tags for a reason. There's nothing inherently wrong with writing characters OOC to change a story. People can write what they want! It's the writer's job to make relevant information known, and the reader's job to filter it out and just not read things they don't like. I'm so particular that I put down probably 80 percent of fics I read before I even get through the first few chapters. That's just me though! I'm a canon snob! Other people have no issues and that's fine.

As long as things aren't skewing into abuse apologism in regards to the canon-universe, there's literally no reason I can't just ignore things I don't like, and there's no reason other people can't do the same with things they don't like.

Anyway, don't harrass artists and writers in the fandom. If you feel it absolutely necessary to leave a comment in regards to an OOC character portrayal, don't be mean about it, just say something like "<Character Name> seems to be a bit OOC here, is this intentional?" but even then, it's really not necessary to come into someone else's space like that. Make your own posts, write your own fics.

There is no reason to assume malice when there are other explanations. This is hard with topics like abuse apologism, but people also need to remember that this is fiction. SJ was abusive in canon, but he's still not a real person, and if someone wants to write a version of him where he's not abusive, then that portrayal can easily be treated as a version from an alternate universe where things were different. This is not the same as saying a person in real life isn't abusive, because in this case, it's not apologism-- it's literally a different universe where the rules of the original canon don't apply. In fictional and fandom spaces, it's a lot easier and better off to just give people the benefit of the doubt.

As long as you're not claiming that his canon behavior wasn't abusive (since that's about behaviors now, and not just a fictional story), it literally doesn't matter what people write in fanfic.

Authors, tag your fics with everything you'd like your readers to be aware of, because when a reader opens up a fic they're probably expecting the characters to follow canon unless stated otherwise.

Readers, read the portrayals and stories you like. Don't read the ones you don't. If something isn't tagged correctly, and you find out you don't like it after reading, just close the fic and stop reading.

No one should ever be harassing anyone else over fandom for any reason.

[queerxqueen]

what are your gut feelings about canon byler in season 5?

oooooof okay these are my gut feelings, not getting into analysis so much as just speculating for funsies:

i'm very much expecting a return to mike's pov and us getting more understanding of his headspace and character, and i kind of think the development of byler hinges on that

like every other byler, i expect the painting to be crucial to byler getting together. (i have a messy draft of an analysis of the painting and how it parallels to benverly and the poem in it chapter 2 and how that informs my expectations of the painting's role in s5. i will... get around to finishing that at some point.)

as much as i'd love to see established byler, i doubt we will see them get together before the third act of the season, probably in the last 2-3 episodes. we might see a flash-forward epilogue at the end where we see them as an established couple, but that's as optimistic as i can get on that front.

that said, i do think their first kiss will be show-stoppingly awesome, and i do think they will have some delightful moments of romantic relationship development throughout the season. i'm not expecting heartstopper vibes or anything, but a few good moments like jancy and lumax have had (or any of the byler heart to hearts in s4, for that matter.)

as far as popular theories, i most subscribe to lettergate (mike has one or more unsent letters to will, signed, love mike) and birthdaygate (everyone forgot will's birthday on the day of rinkomania, it's not just a production error, and will be plot relevant)

i don't think we'll see full-blown evil will but i do think we'll see him tempted to the dark side in a classic luke skywalker kind of way, where ultimately his love of his friends will keep him grounded and make him not just paralleled to henry but a proper foil.

last: i need mike wheeler to cry and have a breakdown :))))) this is very important to me.

thanks for the ask, anon!!!!

[ovaryacted]

Hey there! I saw that you mentioned writing an analysis on Leon's character, and truthfully i'd personally be really down to read what you have to say about him. There's barely any to go around unfortunately so it's very fun to read what other's take from the games.

Also, the most interesting arc of Leon so far to me has been from 4 remake, would you ever consider doing an analysis on him from that period and how he went through a drastically better development rather than that of OG? (ofc it's just my opinion since i prefer 4 remake version much much more!) either way, would love to see what you got!

Hey anon! I know you sent me this a while ago, and I want to give you a proper answer to this analysis so I will try my best to give you something well thought out because I really loved the direction they took to characterize Leon differently in RE4R. I also apologize if this was long, I tend to ramble lol.

So, we all know that the original RE4 is a cult classic in the horror gaming genre, and rightfully so. Here we see Leon Kennedy as the badass he is, he is capable, witty, and nonetheless different than the rookie we were first introduced to. However, considering the period the game was released in and the intentional perception of Leon Kennedy at that time, Capcom went the route of pleasing the "gaming bro" community to make Leon into something he isn't.

Sure, he's one hell of an agent, he knows what he's doing and quite frankly is probably the only person who is capable of saving Ashley Graham. But in the OG RE4, Capcom does not focus on the trauma that he's carried since RE2, which I also don't blame them for doing. The OG RE4 was released in 2005, of course, they were going to focus on making Leon Kennedy super macho and strong and just overall cool because that is what sells. Not to mention the objectification of Ashley Graham also matches up to the period as well, and that's already a whole other problem with gaming as a whole that is not just reserved to Capcom entirely.

Regardless of that, OG RE4 is still considered one of the best games in the genre. It's timeless, it's fun, and it makes other people appreciate Leon in another light because he is now "cool" enough as an agent that the rest of his experiences don't matter as much.

Now moving on to the RE4 Remake released in 2023, the direction they took in characterizing Leon is more on par with what they've been doing with his character since RE6. One of the biggest gripes I have with Capcom in particular is their lack of character depth when it comes to elaborating on the traumas that each character possesses. They are so busy trying to make these characters killing machines that they leave huge gaps in showcasing their humanity, hence why a lot of the lore involving these characters' pasts is left for consumers to interpret.

In RE6 which came out in 2012, Leon Kennedy often compares the mission in China and what happened at Tall Oaks to Raccoon City, saying how it reminds him of that day before he found himself in this mess fighting bioweapons. The detail might be minuscule, but it gives people the assumption that Raccoon City was in fact traumatizing and left a huge imprint on Leon's character, altering him for the rest of his life. You also see Leon wanting to save as many people as he can with Helena reminding him that they don't have the time or ability to do so. His survivor's guilt and humanity are now considered as parts of his character for probably the first time on screen.

Until then, we didn't really know anything else regarding Leon's experiences until the RE2 Remake came out in 2019, and here the way they characterized Leon changed dramatically. He really is just a guy who came to the wrong place at the wrong time, experiencing horrors unimaginable and miraculously survives with two other people he met less than 24 hours ago. Yeah, I'm sure if you drove into a city and experienced your own personal apocalypse, that is sure to change who you are as a person. Now, the RE2 Remake I think was the first remake that used the new RE Engine seen in RE7 & RE8, and from a gaming perspective, Capcom is now adding the horror aspect back into the RE franchise that was certainly missing.

We don't know what happens to Leon, Claire, and Sherry after the RE2 Remake game ends because they're seen walking into the sunset hand in hand, but the idea is that Claire goes off to look for Chris and leaves Leon and Sherry behind where they are eventually apprehended by the U.S. government. I think it's in Darkside Chronicles where Leon is seen being interrogated by the government and he's blackmailed into military service as a means to protect Sherry because she's infected with the G-Virus.

After that, we know that there are other missions that Leon went on in between that time; Operation Javier being the most prominent one since that happens before RE4 and it's where he's working alongside Krauser. There are of course other animations and movies that are made to show Leon at different points in his life, but we don't know much about Leon and what he's been doing in the new canon timeline until he is re-introduced to us in the RE4 Remake.

At the very start of the game, we get an opening monologue from Leon directly where he mentions that Raccoon City was a day he will never forget, the cop inside him died that day, and shares his frustrations with the government because they left people to die before literally nuking an entire city off the map and not saying anything about it. He also mentions that he was "asked" to join the military and help in this new initiative to destroy BOWs and states that he didn't have much of a choice. Just his training alone was gruesome even if we don't necessarily know what it involved, but it kept his mind off of the trauma and the pain he experienced constantly.

The words that Leon is saying plus the way the camera pans out to show Leon's face for the first time since we've last seen him in a canon game reflects just how much he's been through in that 6/7 year timespan. The details on his facial features are enough to show that he's been through the gutter: he's lost the baby fat in his cheeks (which happens with aging anyway but still), his dark circles are prominent along with his scowl, and he already has wrinkles on his forehead which probably came from stress.

It is very obvious that this is not the same Leon Kennedy that we saw in RE2R and that is done very intentionally. He's an agent now, he has experience under his belt, and just like the OG RE4, he is still badass and capable enough to do this job. The big difference in how Leon is characterized in the remake is his humility is now added as an aspect of who he is.

Despite all of the trauma that Leon has gone through and continues to experience, he still has his humanity attached which is one of the biggest things that make me love his character in particular. He cares, and that's what makes everything hurt for him. In that scene where he finds Ashley in the castle and consoles her, he's telling her the words he wishes someone had told him, reassures her that she is strong and will get through this, and even adds a small smile at the end. Leon isn't this heartless person and his trauma hasn't wiped out any remaining empathy he has left, which the remake captures well.

You also see Leon acting like this when he's next to Luis after Krauser kills him and is still remorseful towards him until death despite knowing that he used to work for Umbrella. And then again after he kills Krauser, someone who trained with him closely and who he thought was dead, he is emotional after using his superior's knife to end his misery despite it being a subtle detail. As you continue to play the game, there these moments in the gameplay where you get bits and pieces of Leon and the kind of person he is, which weren't really there in the original game.

The remake also didn't just highlight Leon's humanity but also changed how the other characters are perceived and added new elements that we could appreciate as consumers. Personally, RE4R is such a phenomenal game because of the changes they made to showcase Leon as a human being who is trapped in the worst possible circumstances one could think of, and it makes me hope that they'll elaborate on his trauma in a RE6 Remake or in other CGI movies.

I also hope that Capcom continues to give their beloved characters more of a spotlight that reflects who they are as people instead of their capacity to be badass agents, but one can only hope, right? I wonder what direction they'll go for the RE5 Remake and how they will change Chris, Sheva, Wesker, and Jill but everything is under speculation so we really won't know until that game drops.

[burningvelvet]

to BE dramatic: I want to get your Byron-Shelleys misconceptions posts tattooed, or at least printed to have as wallpaper in one of my apartment walls. truly never getting over the amount of people on tumblr who are openly pursuing degrees in literature who believe in straight up false anecdotes about the creation of Frankenstein as a novel, out of sheer projection that maybe, by projecting into Mary Shelley, they too can fulfil whichever delusion they have, pretending fallacy of repulsion arguments and sentimentality account for proper literary analysis.

Mary Shelley's interpersonal relationships are never analysed with nuance and as just another influence into her writing, instead of them being an entire Confession of her character. And, even then, if they were a "Confession" (what a christian notion, that we must declare our most private thoughts and make them a static manifesto for others to judge and condemn) they'd still find a way to dismiss them because it would not fit what THEY want to hear.

And if any person who feels targeted by your post or this ask (if you decide to publish it, bc that's your call, I'm just talking) I invited them to read past Frankenstein. Not just past 1831 Frankenstein and into the 1818 edition, but read Matilda. Read the Last Man. Read her diaries and letters about Byron's death and how she was truly alone in the world (because no matter how insufferable someone thinks Byron to be, he was just like her in many ways, to their society). Read about her financial problems with Godwin. Read about Timothy Shelley's censorship, how he failed to show up to the reading of his son's testament and only agreed to anything if Mary relinquished the tuition of her ONLY living child with Percy and stopped writing. And yet, she did not fucking stop.

Also, if you wanna get really annoyed, idk if you know but there's a historical novel where the author writes Mary as the murderer of Harriet Shelley, and it is. Enraging.

One day Mary Shelley won't be a Harlot or a Victim but a literary genius with an unparalleled creative vision, surpassing the Big 6 of romanticism by far in topics, literary ethos and execution, and who, just like them, was also influenced by her time, her station, her connections, the private thoughts we will never know, her nationality, her race, and her historical context. All things which are worthy of analysing as part of the soup that makes her writing unique and valuable to the western literary canon, not as a condemnation, excuse, or second-thought

The world deserves to read this — yes, I agree with a lot of your points. I've made a lot of posts about these topics so I'm glad others agree!

[shveris]

rant about 261, spoilers, gojo character analysis ft. my bestie who doesn’t even know a lot abt jjk

imagine growing up in a family that almost works like a cult. and you are born with two rare abilities at the same time — the last person to have those simultaneously has passed 500 years ago. and your whole ass family/cult/clan treats you like just a weapon to be used in the greater scheme of things. you grow up with no friends, you only know pain and torture and sore muscles after training. but you’re the strongest. and the most loneliest because no one will ever understand you.

then you get into a school that promises to teach you even more, make you even stronger. you meet this one guy who seems to be like you — not the same but similar. suddenly you’re not alone anymore.

the second year of highschool approached, you have the best two friends by your side and they understand you, they support you, they have your back. your principal sends you on a mission with your best friend because you’re the strongest together. together.

everything goes well until it doesn’t, you get killed. you revive yourself. you kill your killer.

you carry the corpse of a girl you called your friend and almost lose it.

septemper 28th, your best friend massacres a village and leaves you his button as a silent love confession. they want you to kill him but you can’t, he’s your other half — he made you feel complete because all you knew your whole life was bitter and cold loneliness.

a decade passes, you’re grown up and still the strongest, you’re teaching at the school you lost your happiness at. one of the students you saved from being killed — by yourself — and he looks up at you with so much respect, it makes you wonder how you can protect the children under your care forever. you’ll certainly try your best.

your other half suddenly turns up and declares war. you remain mostly silent.

the fight was pure chaos but you find your way to him anyway — because you belong together. you tell him you love him. he laughs. you kill him. you can’t even burn his body.

another year passes, you’ve taken in another boy who ate curses like your dead best friend. they told you to kill him (a mere child) and you said no because you were always selfish. you were certain you could protect this boy until it was time to execute him for good. you just wanted him to have a chance at teenagehood, something you never had the chance to experience properly.

the days get colder and you get trapped. those eyes stare at you, your other half, who should be dead, as the prison closes around you. it reeks of death. you wait.

the second you get released, you teleport to his body. you want to kill whatever is using the corpse of that man but the body of the boy you saw as your own son stopped you.

on 24th of december you fight who was once your son and he kills you — cut in half, with a cleave so powerful it could shred the universe itself. but it was okay because when you opened your eyes, you saw your other half.

the first boy you protected and guided took over your corpse, using as what you were always meant to be: just a weapon.

no one seemed to care about a proper burial after you fought for your life just to save theirs; to protect them from any more harm so they could just be kids.

none of that mattered to them because everyone has always seen you as a weapon, except for your other half, sitting next to you in that empty airport.

i kinda just dropped this in his dms a few hours after the initial leaks. it’s actually pathetic how attached i am to a fictional character, the last time that happened was with oikawa and i was a hormonal teenager. i’m a whole ass adult now but still the same level of mentally ill and neurodivergent so guess that’s the perfect mix to make this happen

some more thoughts from our convo (i love him for trying to distract me):

[worldsetfree]

Analysis: The Star (Part 6)

He's my favourite, oh my God I could ramble about this man. The character arc is chef's kiss. Will do proper headcanons another day.

Superman with a bad ending. Part 6 is a sad but fitting culmination of Kujo Jotaro's character arc.

The consequences of being distant and misunderstood combined with the burden of being "The Man" turn his life into a tragedy.

His anxiety has grown with his responsibilities. Look how his thoughts evolve from Part 3 to Part 6.

Divorce never happens for only one reason, but there are a few things shown in the story that make me raise my eyebrows.

Most obviously, I think the events of Part 4 scared him. He spent 10 years trying to live a normal life, didn't maintain his ability to stop time, and he almost died because of it.

"Stand Users attract Stand Users" - that and the effects that the arrows had on Morioh are enough to give anyone pause.

Jotaro is a protector first and foremost. He absolutely felt compelled to chase down the remnants of DIO's legacy to keep his family safe.

He also had a child VERY young, and that's stressful on a relationship no matter how much you love them. Recall that Jolyne is born only 3-4 years after the end of Stardust Crusaders.

But we know he loves Jolyne deeply and probably never wanted her to get mixed up in all of the Stand mess. He never wanted to get involved in this himself, remember?

The greatest gift he could give his daughter is the peaceful life he never had. That's all any parent wants for their child.

He probably had some awareness of Pucci's activity (though likely not his identity), but didn't put it together until it was too late.

Jotaro wasn't expecting to wake up after his encounter with White Snake. 100% was furious with Jolyne for putting herself in danger like that.

He's not proud of her at all for this stupidity, damn it.

I am soooo sick of the "lol Jotaro got nerfed why was he so dumb" rhetoric around the final fight.

In the end, he makes the same choice he's always made: to defend his loved ones because that's who he's always been. Pucci knew that, too.

And let's be real, Made in Heaven is a horrible matchup for Star Platinum.

Jotaro is among the most controversial of Joestars, and I get it, but I adore his complexities. He's a flawed hero, and he bears the heaviest burdens of the Joestars.

Like many, I wanted Part 6 to have a happy ending, but I loved it anyway. In the Ireneverse, he's still Jotaro. He's probably still divorced. But without Pucci around to carry DIO's legacy, I hope he got the peaceful life he wanted.

Feedback and discussion always welcome. :)

[deonideatta]

Twilight discovers Yor kept the grenade pin.

Ok so this is kinda late slkdsjlf but it's here!!! Im gonna write all of these prompts lol not even my degree can stop me

But yea it was a bit hard to come up with a narrative concept for this one, but I hope you enjoy it!!

------------------------

Twilight notices details. It's an important skill for a spy, and one that he’s spent years honing.

It's for that reason and that reason alone that he spends so much time studying Yor. She’s the person in closest proximity to him these days, it’s only natural that he’d make sure he knows her well enough to be able to play whatever character she would respond best to. 

At first it’s really just that. Analysis, information gathering. But after a while Twilight finds himself lingering on things that have no bearing on Yor’s involvement with the mission. Like the gentle red of her eyes, or the dip of her exposed shoulders framed by that red sweater.

Or her hands, well manicured and slender. He knows what strength they hold, but you’d never be able to tell from just looking at the delicate planes of her fingers. Planes that are unexpectedly calloused and rough, an uneven topography relating a story Twilight has no idea how to read. 

Sometimes he lets his eyes linger on her hands, following the shadow of a path he distantly wants to trace with his fingers.

The path sometimes focuses its route on her ring finger, empty despite their arrangement. He never got her a ring. It's oddly fitting - no rings for a couple who aren't really married. To the outsider, it could be seen as suspicious.

That's the only reason he lets himself dwell on the thought of buying Yor a ring. She'd never brought it up, but he's sure she'd be on board with the idea. For the aim of enhancing their appearance as an actual couple, of course. From a mission standpoint. Yor isn’t his real wife, there is no reason for him to find the concept of it being clear that he’s hers and she’s his appealing.

When he hears the neighbours whispering about their relationship again a few days later, he takes it as a sign to breach the topic with Yor. It'd be stupid to risk the mission over something that’s so easily fixable.

He brings it up that evening, as they sit in the living room together.

“Yor,” he starts, and Yor turns to look at him inquiringly. “How would you feel about getting rings?”

“Rings?” Yor echoes, seemingly pondering the idea. “Like wedding rings?” He nods.

“I wouldn’t mind,” she says, smiling. “But you already gave me a ring?”

It’s Twilight’s turn to look at her questioningly. Yor doesn’t answer his silent question, getting up and hurrying into her room. She returns a moment later with a small cloth bag. Reaching into it, she pulls out a small silver loop.

Twilight recognizes it instantly, a grenade pin. But why…?

“I know it isn’t actually a ring,” Yor says, holding the pin like it’s something precious. “But you proposed to me with it, so I felt it’d be a shame to just throw it out.”

Ah yes. That grenade pin. Twilight stares at her for a moment, dumbfounded. Half of him questions his reasoning for proposing with a grenade pin in the first place. The other half is oddly touched that Yor felt it was valuable enough to keep.

He fends off that half and gives Yor a gentle smile.

"I'm sorry about the circumstances of that proposal," he says wryly. "It wasn't ideal, and I should have at least gotten you a proper ring."

"There's no need to be sorry," Yor says earnestly. "It's my fault for asking you about marriage in a situation like that." She tucks a strand of hair behind her ear, sheepish.

"Besides, it was a very memorable moment," she says, quietly. "And it marked the start of a new chapter in our lives, even though this isn't a real marriage."

Twilight recognizes distantly that the fondness that seeps into the smile he’s giving Yor is not intentional or scripted.

“I’m touched it meant that much to you,” he says, smiling. “It was certainly an explosive night.”

Yor laughs at that, and Twilight loves the sound. 

“I still think I should get you a proper ring though,” he says, and Yor loops the grenade pin onto her finger.

“Perhaps,” she says, laughter lingering in her voice. “This one is a bit big.”

----

Yor beats him to it. A few days later, she presents Twilight with a small velvet box, her eyes shining with excitement. When he opens it, there’s a simple gold ring inlaid with a few small red stones nestled in its cushioned interior. For a moment he’s at a loss for words, looking between the ring and Yor.

“Even though it’s not really a ring, you’ve already given me the pin,” Yor explains when he fails to organize anything to say after a few moments. “So I thought I’d get you something as well.”

She looks a little nervous, watching him for a reaction. Twilight knows which one he should give. Loid Forger should thank his wife, insist that she didn’t have to, and gratefully take the ring. Maybe hug her. 

The small but pleased smile he gives her is not a facade.

“Thank you,” he says, and his voice is full of a warmth he didn’t choose to fill it with. “It’s a lovely ring.”

Yor’s eyes curve into happy crescents, and for a split second Twilight wishes he could freeze the moment in time.

He goes out the next day and buys Yor a matching ring, inlaid with blue stones.

----

When Mr and Mrs Forger have a renewing of vows a few years later the beaming bride wears a grenade pin carefully hung from a necklace.

---------------------------------------

The bit with Yor giving Loid the ring is inspired by this post. Thanks for reading, hope you enjoyed!

[princelylove]

Your highness,

You made me think about Risotto Nero and I've went and re read what you had already written about him (which was really fun and lovely, as always) but I've noticed we never really got a proper analysis of him.

As I've said before, I am a sucker for random details and I was wondering if you would kindly share with us some of your headcannons on him, maybe less popular ideas or underrated aspects of him.

Just like with Leone, I feel like he's a very misunderstood, mistreated character and I'm dying to read more about *your* vision of him.

I will humbly take whatever you wish to share with us (me <3)

Heart <3

I’ll be writing for him when I add to my body interpretations, as la squadra esecuzioni is up next, but Risotto needs some more attention, specifically. I agree that he’s incredibly mistreated- that’s the price you pay when you’re that handsome. 

Risotto is quite the stalker. I think of him as the knight in shining armor type, your very own white knight obsessed with protecting you, but being with him directly means involving you in his work, so… from the shadows is fine. 

Risotto knows how to pay attention to the details, he’s a romantic in that sense. He’s very careful not to leave any trace- of course, besides from his ‘gifts.’ It’s nothing flashy, in fact, if you aren’t very perceptive, you won’t notice them at all. The dishes are done. There isn’t any dust. The contents of the refrigerator are all safe, and aren’t expired. Things to that effect. 

After Sorbet & Gelato died, he asked his unit to all move in together, but he isn’t very social, so… he just kind of locks himself in his office all day. They’re safe, and fed, and not miserable (hopefully), so it’s all fine. There’s no need for him to intervene. Prosciutto came a little late, but all’s well. (I should go into the group dynamic more.) 

He talks very slowly, and has a habit of mumbling. His voice is fairly deep, deeper than Leone’s, but it isn’t raspy. While the vowels themselves are clear, he makes his voice as ‘small’ as he can. Risotto doesn’t want to frighten off small, timid creatures. Nevermind the fact that there isn’t a timid soul in that apartment. The most mouselike individual is Pesci, or technically Illuso since he hides in his own world all day, and there’s no reason to speak like that to either of them.

Risotto doesn’t really talk that much, he prefers to sit back (not really, he’s always tense) and listen carefully. He nitpicks his words, although most of it is improv. His quick thinking has kept him his position as capo, and although he heavily dislikes his job, it comes easily to him. 

Metallica isn’t sentient, but he pretends it is, for amusement. He gets lonely easily, his ‘little friends’ keep him sane when the boss sends him on seven hits back to back.

Risotto strikes me as the type of man to have a lot of patience, but eventually, he'll snap. He's the protective type, plagued by 'what-if's and genuine threats to your safety. You can be mad at him, or have whatever feelings you need to have, just know that he won't let you go.

Whatever behavior you exhibit after he kidnaps you is fine. He'll suck it up and bear it until your shoulders stop tensing at his footsteps. Heavy, clear footsteps that don't drag or approach too quickly. He considered using his stand to take care of your needs, you cannot be frightened if you don't know he's there, but it's better if you associate him with safety. It's better if you have a familiar face, too.

You stay in his office, but you're free to wander all around his apartment. A large room that has his bed on one side, and his desk on the other. The bed does not fit him. It's yours until you'll allow him to share it with you.

Once you've adjusted to him... he'll shove his face into you and just breathe in as much of you as he can, before he has to go.

[vasito-de-leche]

Hello!😄, I admire the way you write ✍️The way u never mischaracterized characters and the way you write them accurately is fascinating to read for ,and how you also took focus on small details about the character heck im starting to believe you work on the game R1999, if may I ask if you could write about Six from R1999 with a timid S/O or about a self-aware au of Six ? It had been my obsession of him after he came out and with his story making it more fascinating and made me attract towards him more

;R1999 6 - Self-Aware AU

Headcanons about how 6 would act upon becoming self-aware. Related to this Self-Aware AU post.

tysm for the kind words! I rlly like overthinking and overanalyzing stuff <3

I'll do the self-aware AU for this post to match the other one posted recently about 37, but feel free to send another ask if you'd still like 6 with a timid S/O!

There is a lot to be discussed about 6 and how all four characters of the 1.4 update contrast and complement each other so wonderfully, but I have a lot of trouble narrowing down what exactly I want to talk about here and what I should save for a proper analysis of the characters and the way I interpret them. So as usual, I ask that you guys bear with me with these trains of thoughts!

For starters, in my opinion, 6 is a very good narrative foil to 37.

Both focus on alienation and isolation from their respective communities, both are characters that struggle with the concept of fate, and both were born knowing their numbers--the key difference is the way each tackles this piece of information.

As discussed before in her own post, 37 does not question the reason why she's 37: like 210 says, "she stumbled upon fate at birth," and did not go through the same process of having to figure out one's number like the rest do. When it comes to 6, it's slightly different but the fundamentals are the same: he knows the number he will be assigned, and yet this revelation is not part of a natural process, it's something that us forced upon him and his family.

What I'm trying to say is that 37 and 6 weren't given the choice of discovering their soul numbers, and thus lack the most important part: the understanding of their own lives and selves. Compare this to 210, who became "too predictable" upon finding out his own soul number, or Sophia, who has clearly developed a very complex relationship with her own friends because of the inferiority and feelings of inadequacy she feels not knowing her own number.

And this is when the contrast between the two become clear: 37 is partially isolated from her community because she doesn't understand fate, nor the importance of one's journey, she doesn't respect the discovery of one's number. 6 is partially isolated from his community because no one else but him is able to see the concept of fate--or the Revelation--as a negative thing. His entire life, his entire bloodline is defined by fate and the Revelation, but only he understands the burden and the pain such knowledge entails.

Because only he has seen the way this Revelation takes over his loved ones, until they become strangers, mere vessels for infinite knowledge and bound to their role as perfect, eternal leaders. His character event shows the radical change in his aunt once she receives the Revelation and 6's fears of his entire self being rewritten once he receives it as well.

It's important to note that the moment Atticus becomes a proper 6 and receives the revelation happens on the very same day that everyone on the boat becomes a victim of the "Storm." Sophia's father and 37's mother were on that boat--but so was Alma, the current 6 at the time and Atticus' aunt. This event is crucial for all characters, as it cements their chosen paths: it's the study of the Emanation for 37, to continue her mother's research.

It's the day 6 will receive the Revelation and see if his efforts to prepare for it will amount to something.

And yet we know that 6 was able to withstand this Revelation without his entire self being washed away by the infinite amount of knowledge. We know this because we see him retain his hermit-like behaviour in the main story, avoiding people and preferring peace and quiet. We know this because, at the very end of this event, he says that the revelation is "just as simple as it is."

37 does not understand fate, but she doesn't fight it either because studying it won't change the fact that her soul number is 37. 6 understands and once feared fate, and he fought to resist it because his entire life, his memories, his personality and essence were at risk. I also really love that small detail about how 1.4 focuses on Plato's allegory of the cave, with 37 and 6 being put on this pedestal as those who witnessed the truth and came back to save the others--and yet, these two characters needed people OUTSIDE of the island to help them with their respective journeys (37 with Vertin, and 6 with Sophia). It just clicks so right to me!

In the context of a Self-Aware AU, I like to think that the self-awareness is something that comes with the Revelation. That every 6 before Atticus himself realized the truth of their world, similar to how 37 sees this self-awareness as yet another eternal truth. And because the number 6 is meant to represent harmony and perfection, they understand more than anyone that to ensure the peace in Apeiron, they cannot allow others to know the truth. Think of it as the whole deal with Pythagoras and irrational numbers--the discovery of irrational numbers ruined the whole system.

I think that a much younger 6 would've been distraught at this information, to know that Alma was the only person who was "real" and that he began to drift away from her because he couldn't recognize her anymore. But now, after receiving his Revelation and becoming the new leader, he might be more focused on appreciating life as it is. Why would he be bothered by knowing everything so far has been a script? He's already been haunted by fate his whole life, this is, in the end, the same thing. Of course, 6 is a philosopher in his own right, despite knowing pretty much everything there is to know, I think he would like to ponder about the more existential issues and topics that come with self-awareness.

I also like to think that his self-awareness and the Revelation come with knowing how the story will develop, at least in relation to Apeiron. He knows of Vertin's arrival, he knows of Arcana's schemes, he knows that by the end, Apeiron will be revealed to the human world. 6 believes it's impossible to change the course this game and its story, and the best thing he can do is help everyone prepare for it--I like to think that's why he specifically sent 37 to greet Vertin and the rest!

When it comes to finding out about the Player, I already said in 37's post that it would be very nice if she could see the player, but not hear them. And to contrast that, I wanted 6 to hear the player, but not see them.

The Player's existence is the one thing that 6 cannot pinpoint nor rationalize. He listens so very attentively when you speak, and he quickly realizes that you are not part of this infinite stream of knowledge from his ancestors, you're ... Just a person. What are you trying to teach him, if that is even your goal?

At first, I can see him struggle with this strange presence interrupting his very much needed alone time, choosing to remain silent until you go away, but he would grow to find it comforting, similar to his friendship with Sophia when they were children. You are an outsider, you're not part of this little world he lives in--you can offer a refreshing and different perspective. Once he's used to this new change, perhaps he will speak again, either to ponder out loud about your existence or monologue about whatever might be occupying his mind. Unlike 37, he wouldn't tell a single soul of your existence, largely because he believes it's something unique to him, entirely unaware that there's someone out there behind the screen rooting for him.

[sapphorror]

Now that you have read the ZimVoid arc, what are your toughts on Zib and Za2r (Zib❤Zim2[2im{twoim}])?

I'M SO GLAD YOU ASKED!!! alright, maybe I was definitely going to say this all anyway, but now I have a decent excuse to braindump it all at once instead of trying to write, I don't know, coherent analysis.

Yeah, I'm obsessed with this guy. I'm still only just starting to build a proper 3D model of him in my head, so don't take anything I rave about here too seriously, but my god is Zib something else. Also, really cute. No one told me he'd be cute and I wasn't at all equipped to deal with what I got. I was operating under the assumption he was going to be at least a LITTLE cool, but this is the most pathetic wet meow meow of a character I have ever seen, and that is no small statement.

(Also also, is it just me, or does the way Zib's drawn remind anyone else of rubber hose animation like, moreso than the comics artstyle generally does? I can't quite pin down what's making it feel that way, but I like it. Gives him Vibes™, y'know?)

Anyway. Fusions like Zib are always going to be fun, just for what they imply about their component characters and the game of trying to identify what characteristics come from where. And Zib is especially fun for this because Zim and Dib are such similar people to begin with. It honestly doesn't surprise me that the Zimfluence went initially unnoticed by our Dib, not just because he's more prone to cognitive bias than he likes to believe, but because there are so many overlapping traits between these two guys that Zib wasn't so much altered by the fusion as he was exacerbated. They blend seamlessly to the point it's really hard to pick out where one ends and the other begins, and in a different kind of story, Dib might actually be forced to reflect on what that implies about him and his motivations. As is, he's just going to keep fooling himself, though.

Probably the most obvious dichotomy between them, at least where it applies to Zib, is motive, and that definitely brings up some interesting questions. When he chooses to take over the Earth, is that the Zim side disguised by Dib-passing justifications, or does it say a whole lot more about Dib's actual loyalty to the Earth against his loyalty to opposing Zim than anyone would really like it to? How about the total lack of internal conflict when it comes to decimating the Armada and wrecking the Irken Empire? What does that say about Zim's ultimate loyalties?

Granted, I am at this point pretty certain Zib didn't just put on the PAK and call it a day, I think he took precautionary measures to ensure that the Dib half remained the 'dominant' personality, given that in 10 Minutes to Doom we see him completely subsumed by Zim's coding, so this isn't a perfect equal split. But it is still a split—Zib clearly did not have the foresight to account for everything, if he even wanted to—and the fact he prepared himself for this is itself interesting, because it means the decision was premeditated, not done on a whim during some momentary mental break. This might even be why he's half-Irken; instead of the PAK altering his biology, maybe Zib altered his biology so it could survive the long-term integration of the PAK. And isn't it just insane to imagine any version of Dib willingly body-horroring himself like that, stripping away his own humanity? When he accused our Dib of being just another ignorant human, could that maybe be a sign that he didn't want to have anything in common with those people anymore?

None of this is what really gets me about Zib, though. This is.

Admittedly, I'm sort of predisposed here, because I have this whole Thing about Dib's unfaltering belief he can somehow prove himself to humanity, despite all evidence to the contrary, being in essence identical to Zim's delusion that he's already adored by all... that's it's whole own post, tbh, but my point is Dib's ostracization wouldn't be solved by exposing Zim, and it's fun to see that explicitly confirmed.

But it's also more specific than that. Because what Zib was forced to realize here is that he destroyed the only person capable of actually caring about him. And that's why the Zimvoid is the Zimvoid, isn't it? Zib could've used those portals to escape anywhere or lure in anything, but instead he does this. Part of that's the obsessive need to succeed where he'd previously failed and decimate the Armada (+ repeatedly 'defeat' Zim because he's still too emotionally stunted to understand that's not actually what he needs), and I think all of that is important, but there's also something to be said about how deeply driven Dib is by the desire for external validation, and here he went and fused himself with the one person in the universe who might be even more love-hungry than he is. Zib's not afraid of being alone simply because he dislikes isolation—I mean, even within the Zimvoid, he still physically and ESPECIALLY emotionally isolates himself from the other Zims. Being the only person left in his reality means there's no one to admire his greatness, and given who he's a combination of, of course that's his worst nightmare. And ridiculous as it may be, he understands that Zim is the only person who's ever given him that kind of attention. So why not make a whole planet of them? Why not trick them into idolizing him? I mean, who else could even matter besides Zim?

Also? This one's sort of auxiliary to the last point, but there is something deeply, deeply sexy and thematically chewy in Dib wanting/needing Zim so badly that he quite literally became him, and that not being enough. I mean, what is the Zimvoid but a huge collector's display? And it's exactly this that makes him the architect of his own ultimate tragedy. I have a thing for characters who damn themselves not through any single choice, but by passing up a million little opportunities to save themselves, totally confident in their decisions right up til the moment it actually is too late. He could've used those portals to escape to another timeline. He could've designed the Zimvoid as anything other than a ticking timebomb of lies, conflict, and an ever inflating population of lunatics. He could've given up on his destructive plans and just enjoyed the huge fucked up harem he built for himself. He could've quit while he was ahead.

And the really funny thing is, even after the collapse of the Zimvoid, his total isolation is still a consequence of his own actions. I mean, the Zim from his own timeline literally cannot be taken away from him through any method short of murder. He's still right there. But by winning, by possessing his Zim to the point of consumption, Zib defeated the entire purpose of having Zim in the first place. They'll never be separated, and that's exactly the reason why he'll always be alone.

As for ZA2R... hm. I'm not sure if I have much to say about them just yet, but suffice to say I am Deeply Compelled. I'm always weak for that (false) god x worshipper dynamic. It's about someone as lonely and broken and closed off as Zib finding out the hard way that they're still capable of genuine love, no matter how bad they are at it, and there's something very special in every Zim's desire to be someone's favorite being so specifically exploited. I mean, the dynamic of highest subordinate is essentially identical to the one Zim likes to imagine he has with the Tallest, only actually real. Dishonest and exploitative, to be sure, but still real. And hey, important question, but what about #2's personal Dib and the fact Zib is always going to be implicitly competing against the person actually cosmically destined for his partner, because he fucked his own cosmic destiny up so badly? Or the inevitable spectacle of Dib's semi-latent yandere tendencies being brought to bear against himself?

Also! Shameless Homestuck chatter, but I take so much joy in pale ZADR dynamics (black diamond romance my beloved), and the fun thing about ZA2R is that their default pacifier/pacified dynamic swaps. In, uh, normal person terms, they've managed to contrive themselves a situation in which Zim is actually the comparatively sane/stable one, keyword comparatively, and being worked to death about it. There's nothing I love more than a justified role reversal, y'know?

THAT'S ALL I'VE GOT FOR NOW but like I've been thinking about these guys nonstop for 24 hours already, I WILL be losing my mind about them again. I don't know when, I don't know how, but it's gonna happen.