#otherwise... you know what

[vikikollerova]

Ailanthus altissima ~ Trees of Heaven, V/24

[icewindandboringhorror]

(also feel free in the tags to clarify Why you made the choice you made!! :0c)

[luwha]

Not telling y'all that you should be able to identify AI slop (but it is a valuable skill, you totes should), but if you're to be accusing artists of being AI left and right at least go and do your homework, or at least do the bare minimum and use AI identification tools like Hive Moderation, so you 1- don't ruin someone's lifehood 2- don't make a clown out of yourself maybe

Like, i get it, AI slop and "AI artists" pretending to be genuine is getting harder and harder to identify, but just accusing someone out of the blue and calling it a day doesn't make it any better.

The AI clowns shifted to styles that have less "tells" and the AI arts are becoming better. Yeah, it sucks ass.

They're also integrating them with memes, so you chuckle and share, like those knights with pink backgrounds, some cool frog and a funny one liner, so you get used to their aesthetic.

This is an art from the new coming set Final Fantasy for MtG. This is someone on Reddit accusing someone of using AI. From what i can tell, and i fucking hate AI, there is NO AI used on this image.

As far as i can tell and as far as any tool i've used, the Artist didn't use AI. which leads to the next one:

they accused the artist of this one of using Ai. the name of this artist is Nestor Ossandon.

He as already been FALSELY ACCUSED of using AI, because he drew a HAND THAT LOOKED A LITTLE WEIRD, which caused a statement from D&D Beyond, confirming that no AI has been used.

Not to repeat mysef, they're accusing the art above, that is by Nestor, to have used Ai.

REAL artists are not machines. And just like the AI slop, we are not perfect and we make mistakes. The hands we draw have wonky fingers sometimes. The folds we draw are weird. But we are REAL. We are real people. And hey, some of our "mistakes" sometimes are CHOICES. Artistic choices are a thing yo.

If you're to accuse someone of using Ai, i know it's getting hard to identify. But come on. At least do your due diligence.

[gammija]

nothing personal but this kind of comment rlly exemplifies to me a disconnect between canon and popular fanon jmart characterization because they almost literally had this conversation in canon - except, their lines are swapped!

jon, for all his scared grouchiness, is a secret romantic, while martin, for all his forced optimism, is at his core a pragmatist

[technically-human]

Simp

[demaparbat-hp]

She will (and he'll let her)

[soulsforsales]

"I love you. I'm sorry."

Jason didn't mean to say it. Not like this. Not now. Not when he's buried deep inside you, holding you like this might be the last time he gets to.

But it happened when he wasn't thinking - just feeling.

You don't even notice it at first. You are lost in the rhythm, the warmth, the way he looks at you like you're the only good thing he's seen all his life.

You don't notice how his hands tremble, how his breath catches every time you sigh his name, when you moan it into his mouth.

He's not rough. Not tonight. He's soft, taking his time, like he's trying to memorize the feel of having you against him.

Jason is all calloused hands and desperate lips, tracing every curve and dip of your body he can reach, worshipping you in ways you didn't think were possible.

When he finally lets go, he trembles, both from exertion and emotion. He's buried in you, breaths coming in stutters because the feeling in his chest has nothing to do with the pleasure he felt. Because it's too much and not enough all at once.

Your eyes are closed, lips parted, and to Jason, you're poetry incarnate. You're someone who sees him, without the mask, without the guns, and you stay.

You see the broken boy who carries too many ghosts, and you still stay.

The feeling in his chest is unconscionable, and then, it slips. Soft, quiet, like someone ripped it out of him.

"God, I love you."

Jason freezes the second it's said, eyes wide, and you feel the panic in the way his body tenses. Like, he could reverse time with sheer will. Like, he wants to pull it back into his throat, but it's too late.

His truth is out there now, raw and naked.

You blink at him, dazed, a little breathless beneath him and his stomach tightens.

"Forget it," he says, voice sharp, not cold. But you can sense the fear underneath.

You know. You always do.

He tries to pull away. Tries to pretend like he didn’t just shatter himself open.

But you grab his face with both hands and force him to look at you.

"Jason," your voice is soft, but it makes him flinch.

Like, he's bracing for another person to tell him there's no love.

Like, he's waiting for you to laugh at him.

Like, he's waiting for you to see him the same way he sees himself.

But you smile. Warm, real, knowing, and it kills him.

"Say it again," you whisper, pressing his forehead to yours.

Jason shakes his head because saying it again makes it real; it means giving meaning to the storm of feelings inside him.

"I can't -"

"Yes, you can."

Your fingers slip into his hair, thumbs brushing the edge of the mask he wears even when it's not on his face.

Your expression softens when you look into his eyes. Scared, shining with tears, and carrying many more emotions than he thought he was capable of.

"Say it again, Jay."

He closes his eyes, and his walls crumble.

"I love you," His voice breaks at the words, and he's barely holding on but the last thing he wants to do is sob into your neck like the pathetic, scared boy he is.

But he also knows that you'll let him, that you'll hold him, and tell him it's okay.

And that terrifies him. Because you treat him like he's worth all the demons he brings along.

You're everything Jason convinced himself he would never deserve.

Jason inhales, blinks away the tears in his eyes, and then; lets go.

"I love you, I love you, I love you."

He buries his face in the curve of your neck and you hold him there.

He repeats the three words like they've been circling inside his chest since he met you (Spoiler: they are).

He says them like it physically hurts not to.

And then, after a few quiet moments, his face still hidden against your skin.

"I didn't mean to say it like that," his voice is soft, slightly shaky, like he's trying not to cry, "not like this. Not until I knew... you felt it too."

You laugh at that, "Of course I do, you idiot."

Jason pulls back at that, a ghost of a smile on his face, and presses his forehead to yours again.

"I love you, Jason."

His smile widens and he closes his eyes like he wants the words to seep into his bones, like he wants to carry them in his heart.

Because he never thought he'd hear them. Not like this, not from someone who truly means it.

"I'd die for you. Again."

He says the words, and suddenly your heart feels too big for your chest.

"I know, but I want you to live for me."

Jason nods and exhales like he's never breathed before. Like nothing made sense until this moment.

Like he could live here forever, and it still won't be enough.

After, he holds you all night. He falls asleep with his arm thrown around your waist and his nose pressed against your collarbone.

He falls asleep with a smile on his face.

[floccinaucinihilipilificationa]

[starry-bi-sky]

im being hit with The Visions again

the Vision this time is a "homeless danny in gotham" au except its pre-robin Batman again because im on a batdad kick. --------------------

Danny finds a car.

Which-- isn't, like, anything super interesting or impressive. It's Gotham, it's a big city. There's cars on every corner, can't throw a stick without hitting one somewhere. And then setting off the alarm.

But-! It's a car, and it's past midnight-- or he thinks it might be past midnight, it's late enough to be. He doesn't have a watch and he left his phone at Vlad's; asshole put a tracker on it after the last time Danny ran off.

It's been over a month since, it's a new record -- last time it took just over two weeks for Vlad to find him and drag him back to the mansion. This time, Danny ran further. Left the state and everything. See how long it takes Vlad to find him now, hah.

People go missing all the time in Gotham.

Anyways-- there's a car, and it's midnight, and it's parked in an alleyway. Danny would've called it invisible with the way he pretty much trips over it, phasing through the wall of the building beside it and not watching where he's going, but it's not. So he doesn't.

Danny runs into the hood and nearly faceplants right into the darn thing with an 'oomph', hands catching himself on the metal as a flash of irritation flashes hot through his gut. It doesn't hurt or anything, but getting the wind knocked out of you sucks always, and he's tired and hungry, and as a result not in the best state of mind.

He's just about to sink his foot into the side of the wheel -- it wouldn't do anything, he's not that big of an asshole, but it's the principle -- when he stops.

Danny pauses.

He takes a step back, holding his hands out 'n' everything, and examines the car. He squints, trying to get his eyes to adjust to the darkness, considering the closest streetlight is twenty feet that way and positioned in a way that none of the light is hitting it.

Danny would not call himself a car guy. He doesn't think he counts, considering his size and lack of everything. But, but, he knows his way around a few cars, and he had an old obsession with older models when he was little that kinda petered out of existence after his accident. Had a bunch of little car models sitting on one of his shelves back in Amity, and Dad offered to get his hands on an old car for the two of them to fix up together so it'd be ready for Danny when he got his license.

...Anyways.

Point is: Danny can appreciate an old car, and this car has an older -- albeit obviously modified, if the matte paneling and plated wheels meant anything -- look to it. That kind of flat top went out of style years ago, and it's got this kinda rectangular look Danny doesn't see often these days on modern cars.

Other than the electrical cars, but he doesn't think those count. That's boxy, not rectangular.

Danny frowns, tilts his hands down, and leans back further as if that will let him get a better look at this thing. "...What model is this?" He mutters, it's hard to tell in this lighting.

Wait, he should see if there's anyone in the car. It's not running or anything, and nobody's come out to yell at him -- or shoot him -- but, still. People are crazy in Gotham, crazier than they've ever been in Amity. The last thing he needs to do is piss off some guy from the mob.

Danny peers into the window and-- there's no window, okay. Well, no window, and no driver. Some idiot left their car unprotected and without windows, in Gotham?

He pulls on the door handle just to be annoying -- it doesn't budge. Okay, maybe not that stupid. Especially since Danny didn't even see it until he was quite literally running into it.

So. Not that stupid.

Danny looks around warily, pulling his hoodie around him tighter, and then starts circling the car slowly. Like a vulture. No license plate; shocker. Hear how shocked he is? Clutching his pearls right now.

"Reinforced bumper. Cool." he says, er- whispers, really, quiet enough that it doesn't even echo. Danny squats in front of the car and runs his hands over the -- what, should he even call this a bumper? It's bigger than his head, and it's covering the grille. He picks at these... things on the side that remind him of leather straps. Probably to keep this bumper up? Like a ratchet strap?

Danny leans back until his butt hits the ground and he can sit back properly, propping himself up on his hands -- maybe not a good idea. There's probably broken glass somewhere here and he doesn't wanna pick shards out of his palms, again. It's like popping the world's most annoying zit depending on if it gets under the skin.

(He could always just phase them out, but the picking gives him something to do. It doesn't hurt that much.)

Eh. It'll be fine.

With one knee propped up, Danny looks the front up and down, and furrows his brows. The style kinda reminds him of a dodger, especially with the placement and style of the headlights. He plants his hands on the concrete -- hissing when he feels something cut into his palms, ow, there's that glass he was talking about -- and leans down to look under the car.

Hm, nothing jutting out that much. Looks pretty normal. Good space between the bottom and the ground.

He gets up and circles the side again, brushing whatever pebbles or glass that could've stuck into his skin off. He's really curious about where the owner got matte plating for it, or if it's just a wrap. The silhouette's definitely sixties or seventies; too angular for the eighties and fifties.

...There's no one here, Danny looks around again just to make sure, cranes his ears to catch anything. Nope, just the typical quiet rumbling of Gotham's underbelly. It kinda reminds him of Amity, or-- no. No, it reminds him of the quiet groan of the Zone.

That's far more comforting, he thinks. Danny's never really liked Amity all that much.

Back to the car: there's no one around, so Danny folds his arms against the side of the door and sticks his head inside the window. No keys in the ignition, should've figured.

Not like Danny was planning on stealing the car anyways -- anyone capable of modifying a car into this kinda beast -- or paying someone to modify -- was not someone he wanted to piss off. Danny's an orphan, not stupid.

Ignore the fact that he's got his head stuck through the window. The interior isn't anything interesting, but the seats are made of leather, which is nice. Must be a pain in the summer or winter, but leather is cool, and gets stains out better than cloth.

No stick shift though, he's a little disappointed.

Danny presses his mouth into a line and then slants it, humming in the back of his throat. Honestly, he's kinda tempted to crawl in and go to sleep. The leather seats look really inviting, and he's been sleeping on the ground or on park benches for weeks, and the car is really well hidden. No need to worry about being kidnapped.

But, it still belongs to someone. And they're probably using it for something shady. They'll come back for it eventually, so he should get this gawking over with anyways.

And, and-- and. He wants to get a look at that fucking engine. 'Cause holy shit!

Danny pulls his head out of the window and half-dances over to the back, his hand curling around one of the bars as a grin spreads across his face. Now, Danny hates Christmas, but this, this is like it came early and good for once.

"You could smuggle moonshine with this thing," Danny says to himself, grinning ear to ear and running his hands over the edge of the metal. The car is too conspicuous for backroads driving, but the engine, wow. What a thing of beauty.

One of Auntie's friends would probably know what engine it is -- or what type of engine it's based off of, it could very well be a bunch of different engines frankenstein'd together. Danny doesn't recognize it.

Which means it could be illegal. Again, what a shocker. In Gotham? He's clutching his pearls.

Fully satisfied with himself, Danny dances around to the front again and holds his hands out. He makes an 'L' with both hands and shuts one eye, getting the car within the frame of his fingers like he's about to take a picture.

"I rate you," Danny makes a camera shutter sound and mimics taking a photo, "one cool fuckin' car."

"Thank you."

Danny doesn't scream. He does not. He's taught himself better since ghosts started popping up in Amity, and honestly he deserves some credit for that considering they only started popping up over half a year ago.

He does, however, gasp. And he gasps hard, the type that has a high chance of giving you the hiccups afterwards; the painful, chest-thumping kind. Danny slams both hands over his mouth and stumbles backwards, eyes wide and his heart kicking into the fifth gear in his ears.

Bleeding out from the shadows is a man entirely drenched in black, Danny can hardly make out his silhouette and barely catches the white glints of his eyes. Fear like a prey animal burns in his lungs, wild and rabid, Danny has half a mind to bolt.

His ghost sense didn't go off, which might just be the most terrifying thing.

The man doesn't move any more than a step, just enough that Danny can barely see him, but he can feel him watching him. Shit. Shit. He should've never stuck around.

His hands are still over his mouth, Danny, shaking, flutters them open, "How-- h-- how--" he wheezes, "how long have you been standing there?"

[off-mozzarella]

Please read by opening each image, otherwise it makes no sense lol

This is the most stupid thing I've done all year but I was already too far into it when I started regretting it XD

I don't usually do this kind of thing but the concept had been rotating in my mind for a few weeks and I needed to get it out

I have a few ideas but this was already long enough and it felt like a good spot to cut it off, buut I want to see if people like it so 👉👈 hope you enjoyed it

Sorry if it feels a bit weird, I may be able to draw but not write lol, this is my first actual attempt at making a comic

[serpentface]

The pylidaigh, a type of vampiric snow ghost, as imagined in folklore in and around the Highlands.

This is a ghost believed to come into being when a person dies in the snow and their body is not found before their soul (still trapped without its funeral rites) 'freezes' inside of it. The body then reanimates into a pylidaigh's twisted form. It looks like someone who slowly died of starvation, just a thin layer of flesh over bones. Its skin is as white as the snow itself, so pale it can blend seamlessly into a blizzard. Most of its body appears subtly stretched and lanky, save for its exceptionally unsubtle long, skinny arms, which drag on the ground behind it when it walks. After a big meal of blood, its belly swells like the abdomen of a tick.

A pylidaigh can only tread across snow and ice, and so doorways and windows are best kept clear of snowfall during the winter in order to prevent it from reaching inside. It mostly comes out to hunt during blizzards when there is little that can prevent it from catching its victims.

In spite of its fragile appearance, a pylidaigh is supernaturally strong, and can run at great speeds when it wants to. No mortal weapons can pierce its body, nor can any bonds known to craftsmen hold it in place. It is usually said that chains forged like iron but made out of ice can bind a pylidaigh and render it immobile, but this smithing technique remains tragically elusive to the average joe.

This ghost is either cast as a wildly dangerous but tragic figure, or one that is more simply malicious. In either case, it is described as experiencing nothing but bitter cold. It shivers endlessly. It retains distant memories of what it was to be alive, and it is motivated by a futile desperation to experience the feeling of warmth again.

In more sympathetic framings, it is described as using its freaky gibbon arms to capture its victims and pull them into an embrace, rather innocently trying to warm itself against their body. This inevitably fails, and the embrace becomes a bone crushing squeeze. When that too fails to warm the ghost, it rips out the person's throat and drinks their blood until the victim is as cold and drained as the pylidaigh itself.

In other cases, this more pitiable narrative of a ghost seeking warmth with no comprehension of its actions is discarded in favor of making it purely monstrous. Here it is a type of vampire with an insatiable thirst, practically a physical manifestation of the worst of winter itself. Some tales acknowledge both variants, suggesting a pylidaigh's violent attempts to warm itself may be initially devoid of malice, but turns into an act of furious jealousy of the warmth of the living after years of suffering.

The only (more or less) surefire method to permanently kill a roaming pylidaigh involves trapping it with fire. They are attracted to any source of heat, and will attempt to warm themselves with the flames (if not tempted away by a juicy living human body). The fire itself cannot kill them (as the sheer cold of their body is more powerful even than flame) but they can be trapped if kept near the fire long enough for the snow it depends upon to melt. This does not kill the pylidaigh either. The monster will remain in stuck in place (and potentially become a threat again if it snows more) for the duration of the winter. Only when the spring comes and all the snow melts does it revert into a normal human carcass (though mysteriously invulnerable to decay), at which point it can be cremated.

Pylidaigh in the wilds also revert to a human corpse during the snowless seasons, but will roam again each following winter unless it is burnt in the interim. It is of critical importance that any human corpse found in high mountain pasture is cremated- not only out of respect for the poor soul trapped as an earthbound ghost, but to prevent the threat of the possible dormant pylidaigh emerging next winter.

[goldensunset]

shoutout to early-gen incredibly vague ability descriptions i know they were fighting demons with that character limit but baby these could mean a lot of things ❤️

[dyed-indigo]

so @wyyvoren's dtiys huh. here's my take!

[painted-kneecaps]

the best thing about Wrightworth is that you see all this gorgeous art of them in waistcoats and ties/cravats looking incredibly dapper and like they could have stepped out of a period drama. and then you find out they’re millennials

[mellosdrawings]

It's "bully Azul" time !!

(Og post here)

[petricorah]

Having icons on the dashboard increases community. I don't take the time to read every username, but with a quick glance, I know who posted something. It means I can associate what they posted with them. Otherwise it's just Stuff. (It's also fun to see the icons. It's a unique personalization that makes people happy, and their prominence makes tumblr unique.) It doesn't take up space. Why take that away?

it's honestly alarming that they're making this shift to depersonalize and disintegrate community.

part of me feels like this is the progression they want:

can't tell who posts -> don't care who posts -> no connection to who is on your dash -> FYP/algorithm

and it's horrible that they seem to be taking such a beloved website and sending it in these directions. probably overreacting but it's sad and frustrating to watch it go

anyway. it's a good reminder to reblog the posts you love, because that's how the website can keep functioning like it does