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shibaraki · 5 months

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OUT OF MY HEAD, HALF BURSTING ┊ MIDORIYA IZUKU

synopsis: japan’s sweetheart and saviour is in a quirk induced coma. you’re the only one that can bring him back.

tags: GN reader, post canon au, pro hero deku, quirk accidents, fluff + angst, hospitalisation, mutual pining, intimacy, technically doctor/patient but they know each other, friends to lovers, reader has quirk (‘dream walker’), memory/dream sharing, referenced depression, getting together, kissing, cheesy idc idc

wc: 5.2K

In your years wading through patients' memories, you’ve found that people have the most uncanny ability to resign themselves to their fate. You’ve wondered time and time again whether it’s instinctive to ruin things—if humans couldn’t help but stumble and make a mess of the things around them.

You recall that thought process now with a weary sigh, as your eyes skim over the patient's name for the tenth time in as many seconds. Midoriya Izuku.

“Well? Are you gonna do it or not?”

You’ve been staring at the medical file for long enough that an uncomfortable silence has dawned upon your office. Two weeks prior, a villain named Catatonic used her quirk to force Deku into a comatose state, that which he has yet to wake from. Even after the liberal use of quirk inhibitors, countless visits from Eraserhead and the administration of various stimulants, Deku would not stir. Realistically he should’ve roused from the coma naturally as soon as the quirk was cancelled. But he hadn’t, and his doctors can only assume it’s because he can’t, or refuses to.

Thus the case in your lap. A last resort.

“I’ll do it,” you intoned, thumb flicking at the corner of the manila folder. There’s already a deep crease there. The file itself is the heaviest you’ve ever had in your hands. Dense in a way that makes you ache. You and Deku are good friends—the kind of friendship that forms mainly because you frequent the same places. That place in particular being the hospital, except you were there to work, and he was often wandering the hallways listlessly to burn off the dregs of whatever sedatives he’d taken or visiting with patients.

Awkward small talk eventually blossomed into real, fulfilling conversations, and you started to like him, a lot more than you should. You kept the memory of his small, sincere smile close to your chest; nothing like that dazzling grin he wore on duty, it was softer, something private, and you relished being on the receiving end of it.

He was skilled at talking around his injuries. Sometimes if you felt especially bone-weary after a shift you’d be so relieved to see him that you forgot to ask. That sits with you. Deku is a hero. A good one, the best one. He’s brilliant at what he does—keeping people safe, protecting them from harm. In the entirety of his career, it appears he rarely, if ever, turned that care and consideration onto himself. You’re not a licensed therapist, and barely a doctor. Still you contemplate his medical history with a cold sense of regret.

“You realise there’s a large possibility I’ll end up seeing a lot of confidential stuff while I’m in there”.

“Don’t care. S’not like you can tell anyone”.

“I don’t think you understand how invasive this will be. I’ll see personal things. Private things, Bakugo. He won’t be happy”.

“Don’t care. If he doesn’t like it then maybe he should fuckin’ wake up”.

“This might not work, you know,” you finish tiredly.

Bakugo arches his brow at that. Despite the shadows under his eyes there’s no defeated slope to his shoulders, only a fierce scowl. “Either you can do it or you can’t,” he says, voice unsteady as if reeling between rationality and outright aggression. “You’re supposed to be the best at what you do”.

“I am the best at what I do, Bakugo. I can promise you I’ll find him”.

“Then what’s the damn problem?”

The file feels heavier. It feels like a foregone conclusion. You swallow, your throat dry. You don’t bother attempting a smile. You’ve lost the will to maintain your professional veneer.

“I can’t promise he’ll want to come back”.

Dream walker.

At twelve years old you thought it made your quirk sound whimsical, and gentle, and not at all the invasive thing that it actually is. After all, your reach didn’t end only at dreams. You were able to project your consciousness into another’s mind if it pleased you, parse through every memory, ambition, fantasy, trauma and fear, and manipulate them however you liked. Back when your control was non-existent you would drift into people’s heads whenever you slept like some wayward soul and saw far too much far too young.

The need to understand yourself and your quirk is what drove you to studying medicine. Neuropsychology, mainly. You carved meditative techniques into the very recesses of your own brain and learned to keep your consciousness tightly moored but had no real ambition beyond that. After the war and the complete upheaval and reform of hero society, it was difficult to find your place.

Until Okumura Yukiko.

At the small age of eight, Yukiko fell under the effects of a severe nightmare quirk, and despite the quirk being canceled she couldn’t wake up naturally. You had carefully walked through the delicate threads that made up her young mindscape—quirk-infested by formless shadows with knife-sharp teeth and worse, eerie figures that wore the appearance of her father—you found her trembling inside her mothers figmental wardrobe, took her hand, and guided her out.

When you came to she was curled up in the swaddle of your arms, trembling still, but awake. Her timid incantations ring true in your ears even now. Those tiny little thank you, thank you, thank you’s inspired the person you are today. Not quite a doctor, or a therapist. A specialist for special cases.

Something in your gut told you that traipsing into Midoriya Izuku’s mind wouldn’t be simple. That it would permanently change things. This isn’t some stranger, or a patient you’d never cross paths with again. He’s important to you in a way others aren’t.

Your hand hovers over his face, fingertips brushing his temple. You push your fingers into his thick green hair, rich in colour and soft, no knots to catch on your knuckles. His friends have been visiting in shifts, keeping him comfortable and presentable.

Bakugo had managed to keep the Hero Commission at bay for the time being, but if you came back without Midoriya tomorrow there would be far more than one scowling man looming in your office. Though the possibility left a bad taste in your mouth you can admit, in the privacy of your thoughts, that you’ve contemplated prolonging his recovery for the sake of allowing Midoriya rest. There must be something keeping him under, his genuine reluctance or worse; you’ve been reassured repeatedly of All for One’s death and the absence of the previous quirk holders but it’s best to exercise vigilance.

Midoriya does not react, not even a twitch of his nose, but there’s a flutter beneath his eyelids and a sleepy-sweet warmth to him that has you smiling, fond. Tucking your feet around the legs of your chair, you scoot it forward and bend closer, elbows resting on the edge of the hospital bed. “I’m not sure you can hear me in there. Maybe not. But I hope you won’t hate me for this,” you tell him.

Midoriya’s face remains serene as ever—more so than you can remember. It makes you wonder how much pain and discomfort he’s been hiding throughout your interactions. The tension has been sapped from his expression, lashes fanning over his cheeks. You’re close enough to count each individual freckle. Lightly, your thumb taps the space between his brows. “There are a lot of people out here that love you. They’re waiting for you to wake up, so I’ll have to have a look around your head a bit. Okay?”

Nothing. Heartbeat monitor pulsing a healthy rhythm, broad chest rising and falling, Midoriya continues to sleep. You sigh and cast a final glance around the private hospital room. The clock reads 18:22. Outside the window you see a single cloud, wispy as a dandelion, slowly disintegrate across the dusky sky. You make a cradle with your arm, head resting in the crook while you take Midoriya’s hand and try to relax. Anticipation turns in your gut. Years of experience aside, you’ve never really acclimated to the feeling of that first step into another’s subconscious.

Pressure gathers inside your skull as your quirk activates. You inhale a quick, wounded breath at the sensation. Your eyes roll back, vision swallowed by abrupt darkness, and you jerk against the distinct sensation of falling as your stomach roils. You’re overwhelmed by a cacophony of images and sounds—a determination that happiness would come, then moored to the burden of expectation, any optimism muffled under exhaustion and pain, replaced swiftly by a sense of discontent, grief and regret that swelled over time.

And then everything stops.

Your arms feel empty. Your chest feels hungry. You ache with it, the disquieting loneliness. Fog leaks into the memory, surroundings concealed beneath a thick mist. Behind you is a small pond. There’s a notebook soaking in the water. The koi are mouthing curiously at the weathered corners, faint black tendrils of ink curling off the charred pages. Scrawled boldly across the top is ‘Hero Analysis for The Future: No. 13’. Your strikingly young reflection ripples as you plunge your hand in and fish it out, holding it at arm's length as you shake the excess away.

Sufficiently less soaked, you draw the notebook to your front and carefully turn the cover to read the first page. You can feel the slight indentations on the back where a pen has been pressed hard enough to score the words through the page. Written inside, smudged but undeniable, is Midoriya Izuku’s name.

“Uh—excuse me…” a shaky, pitched voice comes from behind you, belonging to a very familiar pair of teary eyes. Midoriya is not just small, he’s scrawny. His hair is longer, unable to decide on which direction it wants to grow, and his middle school uniform is slightly ill-fitting, as though his mother bought it a size bigger for longevity. He ducks into the higher collar to hide his reddened face when you look at him.

The urge to bundle him up and hide him from the world is fierce. The situation is odd, but you offer a smile and his blush worsens. “Is this yours?” you ask, holding up the notebook. You try not to grimace at your own childlike voice. Midoriya nods frantically. His hands flex around the straps of his backpack. Smaller than the broad palms you’re familiar with, neither scarred nor crooked, trembling where they motion to clasp around the notebook. Your fingers brush and he attempts to swallow the yelp that bubbles in his throat.

“Thank you,” he stammers, pressing the notebook flat to his own chest. Midoriya swallows. His gaze never strays from you, growing brighter with each passing second as the idea in his head takes shape.

“Do you go to school here?”

“Oh,” you blink and the shadows have elongated. The pond is now hugging a school building. You recognise it despite never having seen it before. Aldera Junior High. “I don't,” you answer, sounding sorry. He predictably deflates. “I live close by, though!”

Midoriya perks up again. He shifts his weight between each foot. Red faced and unsteady, he quietly asks, “Do you think we could be friends?”

Your mouth slacks a bit, answers dying in your throat. You look down at your hands, palms upturned and unblemished. The dappled sunlight passes through your incorporeal form. Interaction with anything aside from the true patient during your work is incredibly rare though not entirely unfounded; people who daydream in vivid detail or ruminate chronically on old regrets usually had false memories in excess. Their minds seem to naturally meld around your intrusion, but they never went so far as to seamlessly incorporate you. Which can only mean one thing.

You fit because Midoriya has imagined this numerous times before—befriending you as a child.

Before you can respond you’re being dragged abruptly into a memory, the echo of a blinding flash of pain rippling through you. A reflexive gasp has your chest heaving and you curse at your lack of control. There’s barely a shard of light. Behind you is a hard, jagged surface but below is loose, uprooted. Attempts to move are futile, and agonising. You slump into the displaced rubble, silt and icy embrace, and listen. From above there is only a haunting silence but only a few feet ahead you hear muffled crying and Bakugo’s strangely tinny voice.

Your vision adjusts in increments, from pure darkness to a soft outlined blob to a comfortingly familiar silhouette. Midoriya is poised like an Atlantean statue, holding up the creaking structure and keeping it from crushing the young girl cowered in front of him.

Another wave of pain washes over you as the rubble groans. Midoriya bites back a whimper. His body is sinew and bone pulled taut, skin stretched over a drum. Everything seemed to swell dramatically around him.

“We’re almost there, kid. Two minutes,” Bakugo’s voice spills jarringly from the bulky earpiece hugging Midoriya’s ear. “Now look at Deku for me. You lookin’?” the young girl does as he commands. You see her trepidation falter at the easy smile Deku is wearing. “Bet he’s got a big dumb grin on his face right now, yeah?”

“Y—yeah,” she echoes, clutching the dirtied hem of her dress.

“You think he’d be smiling if there was anythin’ to be scared of?”

Her shoulders slant, the tension released, and she offers a tremulous smile of her own, “No”.

But you can feel, quite viscerally, how scared Deku was in that moment. The nauseating pain in his arms has dwindled into numbness and he daren’t spare himself more than the occasional shallow breath, as if the bloating of his lungs alone might disrupt his balance. Not once does his smile falter.

The surroundings warp again. You struggle against the whiplash, flung unwillingly into another memory. Breath forced from your lungs, the echo of Izuku’s pain dissipates in a blink and you land on unsteady feet, coughing and spluttering in the middle of an eclectic café covered in tinsel.

A sign written in cursive above the chalkboard menu reads ‘Mean Mug’. Melodious Christmas music plays quietly overhead, and the bell above the door is soft enough to get lost in the smooth notes. You’re cocooned by heat and met with bold patterned wallpaper. The unifying palette seems to be warm-toned colours; red, orange and brown come together amidst the mismatched decor to create a cosy atmosphere.

A half heartedly disguised Midoriya shuffles awkwardly by the counter, looking up at the door with trepidation every time the bell chimes to signal another customer. He grins once Uravity arrives in a casual disguise of her own, eyes still bright beneath the shadow of his cap.

They order and settle in a quaint alcove away from the windows and any prying eyes. Neither hero notices your presence as you seat yourself at their table and listen to their conversation. There are things you don’t understand. Code words to be used when discussing sensitive matters outside of their agencies. Inside jokes that you weren’t there for. But most curious of all is the knowing look on Uraraka’s face when Midoriya mentions that he saw you at the hospital that day.

“You’re hopeless, Deku-kun,” she says, as fond as she is amused. “What was your excuse this time?”

Midoriya clears his throat. He grips his cup, pressing until his knuckles turn white. It draws your attention to the thin cast splinting his ring and middle fingers together. “I broke my fingers sparring with Kirishima”.

You remember that, though too entrenched in his memory to attempt receding into yours for details.

“So you leapt halfway across the city to have them stuck together despite the fact that your agency has an on-site infirmary,” Uraraka’s hair falls in a gentle swoop beneath her jaw as she laughs. Midoriya shrinks into himself ever so slightly and her eyes soften. She pokes at his forearm. “C’mon Deku—why haven’t you asked yet? Do you really think you’ll get rejected?”

Glancing back and forth between them, your heart beats a tattoo across the inside of your ribs. You feel as if you’ve both missed something quite important and heard too much. You push your chair backwards and fall away from the table, and the memory, before Midoriya can respond.

With renewed determination—and heat rising to your cheeks—you reign in your quirk, steering cautiously through Midoriya’s subconscious mind as you should’ve in the first place. Images flicker in and around your periphery, each as desperate to draw you in as the last.

You see Midoriya crying, bleeding, lashing out in anger. You see him in a sterilised room, lulled by monotonous beeps, flesh stitched back together. You hear the doctor's voices coalesce into white noise. You watch as he’s handed crudely drawn thank you cards, coffee-stained police reports and thick manila envelopes marked as confidential in large red letters.

You turn away as Eraserhead approaches, a solemn expression, a quiet clink accompanying his footsteps, unnaturally heavy to one side, a young girl with silver hair following right behind him.

Your heart leaps to your throat when he screams in agony. You look down. There’s blood running down the street in rivulets, skin coming apart like wet paper.

You close your eyes. Next you risk a glance All Might is there, thinner than ever. He’s sitting in a wheelchair by a large window swaddled in a thick knitted blanket, watching over the city, smiling.

You turn away, feeling a pang of grief. Midoriya is expressionless, examining his battered body in the mirror, condensation still lingering on the glass, tendrils of heat curling upward as the shower drain gurgles.

Then he’s in a dark room bringing a stranger's hand to his mouth, kissing the centre of their palm, drawing the finger into his kiss-bitten mouth and sucking with a hazy gleam in his eyes.

It’s overwhelming. You stumble and suddenly Shouto is eating across from Izuku. He brings his chopsticks to his lips, noodles hung limp between them. “It’s obvious you like each other. You should just confess,” he says before shovelling his food.

Too private. You turn on your heel and find a patient of yours on the bed, unresponsive. Izuku is beside you, muttering under his breath, thumb pressed to the shadow beneath his lip. He reaches back to brush your wrist and offers a tentative touch of reassurance. You watch yourself lean against him for a moment and then retreat, grateful for his consideration, unneeding of it, and desperately wanting it, all at once.

The scene ripples violently. A reporter is staring up at Izuku with sparkling eyes. Her hair cycles through an array of colours as she shakes with excitement. “It’s amazing, Deku-san,” she insists. “For your spirit to be so heroic that it physically steers your body… that’s special!”

Izuku conceded with a strained laugh, rubbing at the back of his neck. You feel how his stomach knots. “I used to think so too,” he says, sounding far away.

It’s the middle of the night somewhere when your search finally comes to a halt. You find you’ve landed on an empty street, in that dense, heavy darkness that makes you feel like the only person in the world who’s awake. There’s a tall residential building hugging the pavement. Intuitively, you know this is where Izuku lives.

Your footsteps are made heavy by Izuku’s lingering hurt and exhaustion. It’s disconcerting, the way he feels about his apartment. Coming home should be effortless. People come home in the same way they draw breath. But to Izuku, it's a weary, miserable journey that he must consciously think about and do. His perennial loneliness is overwhelming, a near physical force repelling you from opening the large glass door.

One foot in the lobby and the surroundings undulate. You’re dropped in the middle of his living room. It’s vacant. There’s a large box of case files tucked under the coffee table, an old takeout box left out on the counter, a blanket strewn haphazardly over the couch cushions. You pinch the soft fabric and rub it between your fingers, bringing it to your nose as you’re overcome by the urge to smell it. Izuku’s warm scent floods your senses.

Something thuds outside, followed by a tinkling of keys on a chain. Your blood runs quicker as the front door abruptly opens. Izuku looks harried as he ducks into the genkan, quite visibly frayed. The upper half of his hero suit is unzipped, pushed down to hang over his hips, littered with debris and dry mud. You hold your breath as he kicks off his shoes and lifts his head, meeting your wide-eyed gaze. The air around you is charged. Trepidation prickles at your nape.

Then the shadows over his stormy face recede. Izuku gentles, light returning to his previously empty eyes. “I’m home,” he breathes. “I missed you”. His voice shivers down your spine—you know in your gut that this is him, the real Izuku, but that fact is hard to believe while he’s looking at you like he wants you.

“Welcome home,” you smile back, slipping the blanket around your shoulders as you move toward him. “Hard day at—?”

Your intentions are to sit him down, keep him calm so as not to be ejected, and explain what’s happening, but before you have the chance his larger body crowds you against the wall—the dull impact reverberates through your ribs, knocking the breath from your lungs and he’s kissing you as if it’s something he always does.

Though it’s more of a collision than a kiss. The sensation is indescribable. Information spills into your mouth, your quirk reflexively absorbing his every fantasy, ache and want. Your knees almost buckle. The blanket puddles at your feet. Fingers snake into his thick hair, nails dig into his roots where skin becomes earth as you try to reciprocate his fervour.

Under your tongue you feel the cut on his lip, under your palms the dark swell across his cheek. You shake off the cloud of desire. Too many lines have already been crossed. “Izuku,” you whine. His name comes naturally now; you know him deeply enough. Blunt teeth graze at your jaw, your throat. You lean away for air only to catch a glimpse of another angry ivory-red bruise peeking from beneath his loose collar. “Izuku,” you tried again. Then louder. “Izuku, that’s enough”.

“What’s wrong? Did I hurt you?” Izuku rasps as he rears up from the crook of your neck with wide, glassy eyes.

“No—I’m,” your heart beats hard in your ears. Dread sinks low in your belly. “It’s me. I’m really here, Izuku. You’ve been away for too long. I had to use my quirk. We need to wake up”.

“Wake up? You’re… oh,” his eyes grow wider, then shutter closed on a shaky exhale. The cut on his bottom lip has started bleeding again. Rivulets seeped into the cracks between his teeth and stained his gums red. You yearn for the searing heat of his hands as he releases you and staggers backwards to scrub at his face. “Oh my god”.

“Wait. Please don’t throw me out,” you say quickly, reaching to clutch at his wrist in case he panicked. Izuku tenses at the contact only to relax a beat later, his fingers spreading over his eyes so he can get a peek at you. “It took me forever to find you here. There’s a lot of stuff in your head”.

“I won’t. I wouldn’t,” he mumbles. You could collapse in relief. He’s not angry, he’s embarrassed.

“Thank you. I promise I tried not to look at anything too private”. Your mind didn’t make it easy, you think. It was almost like he wanted me to see everything.

Izuku groans and lets his hands drop to his sides in defeat, revealing an entirely pink face. You keep your fingers curled around his wrist, his pulse light and fast. “Okay. I’m okay. We should probably sit down for this,” he eventually croaks, a tremulous smile working its way across his lips. “Drink?”

You pick up the blanket and make your way to the couch while he briefly disappears into the kitchen. Around you the apartment takes on a rosy sheen. A dull clink shudders through the silence as Izuku sets a cup on the coffee table in front of you. It’s your favourite work mug down to the smallest details.

“You remembered this old thing?”

Shaped like a cat, the handle curved in and away like a feline’s tail. It’s piping hot, steam already curling up from it like a crooked finger, like the invitation he meant it to be.

Izuku nodded awkwardly, perched so far forward that it stretched credulity to say he was on the couch at all. He tracks your movements with intensity when you lean to pick up the hot drink. The initial sting to your palms quickly dwindles into numbness as you bring it closer and realise what’s inside. Hot chocolate. The surface sprinkled with those small, cube shaped marshmallows that he likes.

You swallow and feel the warmth spread through your body. A smile pulls at the corner of your mouth as the thick, saccharine flavour floods your senses, washing back the bitterness and thawing your anxiety. You can hear the tension in Izuku’s shoulders snap as he slumps forward, arms hung over his knees and head low in relief. His reaction is oddly vindicating, if not contagious.

“How long have I been asleep?” he asks. “Time is weird here”.

“You’ve been comatose for over two weeks,” you reply. “They tried everything they could before Bakugo insisted on bringing me in. You have a lot of people waiting for you”.

Izuku inhales sharply. He makes an aborted motion to scoot closer before thinking better of it. Your attention strays to the nervous wringing of his battle worn hands. Endeared, you put your mug down and close the distance yourself. Pressed thigh to thigh, you envelop his tightly curled fists, bringing them into your lap. The shaky breath he takes is loud in the otherwise quiet room.

“Honestly I’m surprised you’re still working”.

He looks at you with an unsure, watery smile, sunlight caught in glassy eyes. His voice is thick as he asks, “What do you mean?”

You smile sadly and run your thumb over his knuckles. “You’ve been on patrol. I thought you might’ve locked yourself in your head because you needed a proper break—and who could blame you, really. But you’re working yourself thin even in your dreams”.

Izuku huffed a laugh, more breath than humour. “I love being a hero. It’s what I’ve always wanted,” he says, his voice tight. You sink into his side and feel his diaphragm stutter. “But it isn’t everything. It felt like I was suffocating and I needed something more. Something to come home to for a little while…”

His red-rimmed eyes quickly return to his lap when you meet them. “I still can’t believe you’re here. Your quirk really is incredible”.

You can feel the shame swatting at you like a summer-born heatwave, reminded of just how deeply you’ve invaded his privacy, and how easily you overstepped your bounds.

“I’m so sorry,” he continues, at the same time that you tell him, “I’m sorry, Izuku”.

“Please. Let me go first,” he murmurs like a question. You nod your assent. “I’m sorry I forced myself on you. I thought you were a part of my imagination, like the rest of this place. I should have realised you weren’t. I’m sorry,” he rambles on. “I wanted to be closer to you but I got carried away and I’m sorry”.

“You couldn’t have known. I should have told you it was me as soon as you walked in,” you firmly interject. Izuku doesn’t look any less stricken in your periphery, cheek sunken where he’s gnawing at the flesh. “And you didn’t force anything. I hardly pushed you away,” your brow wrinkles and you smile despite yourself. “I got a little lost in your head, too. Not my most professional moment I admit. But I wouldn’t want to leave either, if we were cuddled up in here all day”.

“Really?” Izuku blinks. Hope colours his cheeks. He clears his throat and shifts in place as he tries very hard to appear unaffected. “You don’t think it’s creepy—me picturing all this with you?”

You think of that young boy yoked with the burden of expectation and feel your heart crack. You can still taste his desires. They’re insipid, belying their age, as though they’d lingered long enough to stale. Izuku treasured his friends and fans', their love and loyalty; yet he felt guilty for allowing them to foster such a blind faith in his goodness. He was a man with faults like any other, capable of making mistakes, of inflicting harm. More than anything Izuku longed for someone to see the darker, uglier corners of his life, and make room for all of him. And you wanted to be the one to do it.

“I’ve imagined this with you. This and more,” bolstered by everything you’ve seen, the confession spills out with startling ease. Your eyes squint above the curve of your grin. “I like you too,” you coaxed his fist open as you spoke, mapping out the carved furrows, shallows and depths on his palm. “A lot”.

“Oh,” he exhales, slowly entangling your fingers.

You give an emphatic nod.

“How mad is Kacchan?”

“Pretty mad. But when is he not?” you laugh at his grimace. “I’ll be there as a buffer when you wake up. It’s my professional opinion that you need a few more days to recuperate and take me out for crêpes. So will you come home with me?”

There’s a gleam in his eyes—a combination of warmth and weight that tugs at your chest. His gaze flickers across your face, from your lips to your eyes in askance. You lean in and he kisses you again, sipping gently at your mouth, firm and slightly sticky with congealed blood. Strange. It feels so real. You suppose it is, in all the ways that matter.

“Okay,” he whispers after one last peck to your lips. You get to your feet as he stands and gestures nervously toward the genkan. “I, uh. I don’t really know how to get out of here so… lead the way?”

You laugh and take him by the hand. “Don’t worry. The way home is always a lot faster. It’s a little disorienting—watch your step,” you warn as he follows you through the front door. Rather than the lobby, or a stairwell, both bodies are swallowed up by darkness.

Spat out just as abruptly, your senses return to you piece by piece. Breathing through the vertigo you peel your eyes open to the rapid rise and fall of Izuku’s chest as he reorients himself. A crick in your neck, a knot in your spine. The clock reads 07:12. There are already nurses bustling around the hospital bed, likely alerted by the frantic heart monitor; that which does little to hide the way Izuku’s pulse stutters when you lift your head to get a look at him.

“I’m up,” he says, throat rough from disuse. There’s a shaky smile on his face. “I’m home”.

Your hands are still entwined, albeit a little sweaty. You smile, “Welcome home”.

#deku x reader #bnha x reader #mha x reader #midoriya izuku x reader #midoriya x reader #q’d

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canthelpit0 · 4 months

Text

Silent

Pairing: Matt x reader

Wordcount: 1.8k +

Summary: you’ve always quietly watched the triplets, silently wishing you could be a part of a group like them. Until you and Matt talk for the first time…

Warnings: selective mutism, anxiety, crying, angst, praise, no use of y/n, no oc

(Disclaimer: I’m not mute in any way. This was a request from an anon that I accidentally deleted. Hope you like it ! Requests are open)

I developed selective mutism pretty early on. My mom says that I didn’t talk even back in kindergarten.

But it’s been years now.

I can talk, and I can’t shut the fuck up for the life of me. I talk a lot, even have full conversations with myself.

Just not at school, or around new people. God, especially not in school.

It’s not like I want to be the ‘ weird’ mute kid. I would love to talk and make friends, I just physically can’t open my mouth and talk.

It even took months for me to utter simple words to my therapist, tho by this point I’ve known her for years and I’m pretty comfortable.

There are these triplets in my grade. We’ve always gone to the same school, but I don’t think they ever noticed me.

Well the first time I noticed them was in first grade, because there were three of them. Of corse my six year old self didn’t understand the concept of multiples back then, and I really wanted to ask, and talk to them. I really thought they were cool.

The first time I interacted with any of them tho was when I was in fourth grade and Nick had asked to use my dark green pencil since he only had light green and needed both dark and light.

Back in fourth grade I wasn’t just selectively mute, but also really shy. So I’d just looked down and stared at the desk giving him a small nod.

In freshmen year I shared a class with Nick again, he asked me for a pen, wich I gave to him.

Despite not having talked to him once in my entire life, he remembered my name. Wich isn’t too shocking since we’ve always been around each other, I was just kinda in the shadows.

He actually gave me that pen back. Most other people would’ve forgotten and just taken it, but Nick didn’t and I appreciated that.

I only ever interacted with Nick those two times. despite sharing a few classes with both Chris and Matt over the years, I’ve probably never even held eye contact with either of them.

I’ve been watching everyone.

Bullying isn’t really a thing. Sure there were some hurtful comments by jocks here and there but it really wasn’t as bad as in the movies.

Besides I think most people forget i even exist so they don’t even bother bullying me.

I’ve had my eye on Matt for a while. Not in a weird way. But Matt seems to pretty obviously have anxiety too. I don’t know if he’s open about it, I’m not in his friend circle.

But every time I’m feeling overwhelmed and we’re in the same room, I unconsciously glance at him to see if he feels the same or if I’m just going crazy.

Chris seems to be the loudest and most extroverted one. And while yes, Nick seems pretty extroverted too, Chris seems more… random? Bold?

I sulk in the back of the class my lips pulled into a tight line as I try to get myself together.

There is literally no reason for me to be feeling like this. Honestly no one has tried to talk to me today, nothing happened, I just feel so overwhelmed.

I raise my hand just slightly. I make eye contact with the teacher. Mrs. Evans. I literally love her, she’s so kind.

Her son is apparently mute too.

When I was diagnosed with selective mutism they thought it’d be a great idea to make me learn sign language just in case, and that’s just what I did.

Since Mrs. Evans son is mute, her son, as well as her and her husband also learned sign language.

So whenever I needed something I could sign to her. Not that I wouldn’t be too embarrassed too.

Our eyes lock. Everyone was working on some paper I should also be doing, but I’m too busy hyperventilating.

I let my hand drop on my desk and glance at the door quietly asking if I can go to the nurses office since I was too tired and ashamed to sign it to her.

She gives me a pitying smile but nods. I hate pity, but then again that’s better than getting told im faking.

I look around the class of students. I get up, as quiet as I can. I pack up my little stuff and quietly walk to the front of the class. I nod in appreciation and walk outside.

I stare at the ground while I walk down the hallway. I sigh.

I feel my eyes start to water and I bite the inside of my cheek.

Honestly I should probably go to the nurses office to get checked out, just so I can leave. But I don’t think I can handle communicating with another human.

I feel like I’m about to break down. I continue to walk down the hallway clutching the straps of my bag harshly.

I consider if driving home even is a good idea seeing as I’m about to have a mental breakdown. Or-

Suddenly I bump into someone.

I close my eyes trying not to cry right then. I don’t know who I bumped into but I want to apologize, but I know that I can’t, and since I don’t know who I bumped into I don’t know if it’s someone who’ll be mean about it or-

I’m taken off guard by a gentle brush to my upper arm.

“You’re good, it’s okay” I hear a soft voice say. I can feel my lip quivering, I feel like if I open my eyes the tears brimming at my waterline will actually fall.

“can you open your eyes?” It sounds more like a question, and that voice sounds painfully familiar but I can’t quite place it.

I want to tell him that I can’t, that I’ll cry if I do and I’ll feel even more embarrassed. But my curiosity takes over me.

So I slightly blink open my eyes. I don’t open my eyes fully, just enough to see the person through my tears.

It’s Matt, looking down at me all concerned.

I blink my eyes open. at the sight I watch his expression relax just slightly.

He himself looks overwhelmed, and honestly I don’t know if it’s because of how I’m acting, or if he had a shitty day himself.

“You okay?” He sighs slightly. I watch as he licks his lips and swallows thickly.

I take in another deep breath trying to calm down. I nod just slightly, but while I do the tears in my eyes finally spill.

I feel my hot tears run down my face. Matt’s eyes immediately widen and his mouth opens slightly like he thinks it’s his fault.

“I’m sorry, I’m sorry, no please don’t cry.” He holds up his hands in front of my face as if he wanted to wipe my tears away but was holding himself back because he didn’t know my boundaries.

He looked miserable, like he was about to cry himself. And I just know that something this wouldn’t have him emotional like this on a normal day. At least I don’t think it would. But he seemed to be overwhelmed as well.

I scrunch my nose slightly sniffling in response. I glance back up at him and the sorrow in his eyes makes me want to sink into myself. I breathe out shakily.

Before I know it I’m bringing my hands up to my face and covering it. I tilt my head forward trying to stop crying, because crying in the school halls is just pathetic.

“I’m sorry. Fuck- can I touch you?” I hear his frantic voice. I appreciate that he asked first. I want a hug, but then again I don’t know Matt. But he just seems so genuine.

I overthink not responding to his question. My thoughts spiral at the sound of the sweet nothings and apologies leaving his mouth, only being back round noise.

Matt seems to notice that I’m starting to spiral. I feel his hand tenderly touch my wrist. I flinch slightly, and as soon as I do I feel him retract his hand.

Everybody deals with anxiety differently, some people like to be physically grounded others liked to be comforted some other way and I just knew that Matt was trying to figure out what to do without overstepping.

I’d tell him that it’s okay, or that he can hug me, but I literally can’t speak and I feel too embarrassed to let him see my teary face.

“I’m sorry, I’m-“ I hear Matt let out a breath. I know an anxiety breath when I hear one, he is panicking.

I decide to bite the bullet, what’s the worst that can happen. I look up slightly and peak through my fingers.

His hands are up and frozen. He looks almost frantic, Matt looks like the only way he knows how to ground me is by hugging me or something, but he seems unsure if that’s okay.

Despite myself I let out a little nod. Matt lets out another breath but this time he actually touches me, and I don’t flinch.

He holds my wrist and gently pulls my hands off of my face.

I let out a shaky sigh. I can’t help it when I let my head fall forward.

“It’s okay.” He says sweetly under his breath. He puts his hand under my chin as he picks my face up. Our eyes lock. I see the way Matt is also crying, tears running down his face too and I relax just a little.

He never seemed like the type to make fun of someone for crying, but especially not now.

“You wanna go to my car?” He says softly, not in a way where he is forcing me to do anything, but rather offering.

And honestly as upset as i am I have to weigh my options. Would I rather cry in the school hallways or in Matt’s car?

The best option would be to go to the bathroom, but Matt wouldn’t be able to come with, and honestly I would feel too bad leaving him alone at this point.

So I nod.

I feel Matt’s arm go around my shoulders as he hugs me for a moment. He turns me, and starts walking in a way where his arm is still around my shoulder keeping me close to him.

We walk out to the parking lot. I watch as Matt unlocks the car and opens the door for me to enter.

And by this point, if I go out this way so be it…

Before i can even register Matt is also getting into the backseat next to me.

We just look at each other for a moment. He breathes out another anxiety sigh.

“You want a hug?” And with that I don’t really know if he’s asking for me, or to comfort himself. But regardless I nod.

I feel his arms come around me and I sink into the feeling of his hug.

I’m uncertain if by tomorrow he’ll act like this all never happened, or if he’ll try to get to know me, because I’ve been wanting to know him for a while and I would more then gladly let him.

Masterlist

A/n: I know this is really short and I’ve been uploading a lot of angst recently. But I’ve been feeling sad, and every time I do write smut it’s for Kinktober. Soon you’ll get smut tho. Also this ended up a lot like crybaby. <3

‼️please don’t copy my work/idea‼️

Taglist: @muwapsturniolo , @sturnad , @iluvm4ttsturni0l0 , @evie-sturns , @me09love , @fratbrochrisgf , @spideylovin , @chrissgirlsstuff , @stunza , @whicked-hazlatwhore , @sturniooolos , @ecliphttlunar , @orangeypepsi , @klaus223492 , @char112244 , @sst7niolo , @slut4chriss , @mattsturniololoverr , @th3-3d3n-g4rd3n , @st7rnioioss , @t1llysblogs , @nonat-111 , @blahbel668 , @rockstarchr1s , @sturnsintrouble , @nayveetbhh , @tillies33ssss , @sturncakez , @strnilo , @somegirlfromasgard , @mattslovelygf , @sturnsmaeve , @sturnstvr , @lucianastrun , @jnkvivi , @jamiesturniolo , @chr1sgirl4life

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certaimromance · 2 months

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𝜗𝜚 A Heart Matter.

Spencer Reid x Prentiss!reader

Series masterlist | ONE | TWO | THREE |

Summary: A few months after you left, Spencer thinks he sees you walking down the street, and his whole world is turned upside down.

Words: 3,2k.

TW: mentions of crime, trauma, death, pain and violence (normal warnings in the series). so much spoilers for s6 and s7. the events narrated occur after emily's "death". so much angst. read the dates carefully, especially the years, because there are some backward time frames that can confuse you if you don't pay attention!. english isn't my first language (sorry for my mistakes, be kind please).

Note: I'm so sorry, that's all I can say now.

Also, I thought about making this a series, but I'm not sure because I've never done one before and I've really only been writing here for about a month??? I'm trying hard.

♡ Enjoy! ♡

July 18th, 2011

The steady ticking of the wall clock echoed in Spencer's head as a reminder that his time in the session was ticking away, robbing him of the chance to express himself without sounding like a complete lunatic.

“I saw her.” He had to repeat it aloud after receiving a puzzled look from his therapist.

The woman pursed her lips. “In a dream? Are you having nightmares again?”

The lump in the agent's throat felt tighter and more suffocating, causing him to shift in his seat to hide it. He wanted to appear sane and focused, however much his next words were anything but.

“No.”

The therapist's intrigued look and the fact that she stopped writing in her notebook to give him her full attention made his hands tremble and his heart pound as he spoke again.

“I mean, I still have the same nightmares...but this, this is different.” Reid tried to explain hesitantly.

Since the day he found you lying in a pool of blood outside your sister's apartment, his mind had been tormented by the image and the guilt it caused him. The nightmares of seeing you again and losing you were a constant every night. Every time he managed to fall asleep, he woke up agitated, feeling again the emptiness of not having you by his side. And that was something his therapist knew better than anyone, because she forced him to write down every nightmare and tell her all of them.

Those bad dreams were supposed to be over, or so he had claimed for the past three weeks.

“How?”

“I wasn't asleep when I saw her.” Spencer finally blurted out in a slightly shaky voice. He had rehearsed the same conversation several times and always ended up feeling like a deranged man seeing ghosts. “I was on the street.”

That sentence instantly changed the tone of the conversation.

“It was after work, I went to buy some food because the case ended earlier than I thought. Her favorite Chinese restaurant is a few blocks from my apartment, we really liked to eat there...I bought some and when I came out, I saw her.” He paused for a minute, trying to mentally return to the moment that was relentlessly replaying in his mind. “She was across the street, buying flowers.”

He had to be quiet for a second, pausing to calm his own breathing. It was ridiculous, but the thought of you buying flowers again made him smile slightly.

You had always loved flowers and now he was supposed to bring them to your grave.

“I ran across the street as soon as I saw her, but I lost sight of her when a bus came across.” He said, struggling to finish his story.

“Spencer, listen to me.” The woman's tone alone let him know that she didn't agree with him at all. “It's normal to think we see someone we lost, it happens to several people. Maybe it was just someone who looked like her, and being near a place the two of you frequented contributed to the confusion.”

That was impossible because he would recognize you anywhere and there was no one else like you.

“You know the truth.”

Of course he knew.

He had been trying to live for six months knowing that you were already dead.

Six months of him trying to deal with your ghost. Six months of him on his knees begging for this to be just another nightmare. Six months of reliving the last time he held you in his arms. Six months of being dead in life.

“Yes, but she looked different.” He explained, receiving a puzzled look that prompted him to provide further clarification. “Her hair was shorter, much shorter. And if I were hallucinating her ghost, I'd see her the same way I saw her the last time, or maybe the time before that. It wouldn't be so different from the way I remember her.”

“You lost two important people on the same day, it's not about logic.”

From her reaction when he concluded his session, it was evident that she considered his perspective to be irrational and clouded by the effects of grief.

And maybe it was.

July 30th, 2011

A few days of missing therapies and locking himself up at work already had consequences.

It was the second time a case had ended earlier than expected and Spencer had to go back to his lonely apartment and find excuses to leave without feeling sorry for himself. It was hard for him to be in his own home without you, surrounded by the photos you always insisted on taking and framing to preserve moments that were now torture. So the best solution was to make unnecessary purchases or lock himself in the nearest library.

Anything was better than being locked in a room with himself, so he decided to read in a room full of strangers who provided the company he so desperately needed.

The bad news was that the library's closing time had come earlier than expected for unknown reasons, and life seemed to force him to face his reality on the busy streets of Virginia, taking every possible alternate route to delay his arrival home. He didn't want to have to open the door knowing that no one would be waiting for him, that you wouldn't be there asleep on the couch after watching a marathon of your favorite movies, or just trying to read one of his books so you could discuss it with him.

His mind was still hazy and his eyes were wandering through the shops of the city when a familiar and unmistakable figure appeared before his eyes, just a few meters away, coming out of one of the shops on the next street.

It was you again. Unmistakably you.

He started running without a second thought, but the streets were so crowded that it was hard for him to move through the mass of people. His heartbeat was out of control and probably everyone could hear him, but he didn't care about looking crazy, he just needed to get a little closer to talk and make sure it was you.

The city's public transportation seemed to be against him, because just as he was about to cross the street, not caring that the light was red, another bus crossed the street and almost ran him over. Just a few inches and the story would have been very different for him. Everyone on the street was whispering, car horns were honking and every now and then someone would ask him if he was okay or look at him like he was a psychiatric patient. But nothing mattered to him, there was only your image in his mind and the possibility of finding out if he was really going crazy or if your ghost was haunting him.

When he managed to cross the street, there was no sign of you, and his therapist's words echoed in his mind as a symbol of temporary insanity brought on by pain. Try as he might to ignore his conscience, there was no way to find you in the sea of people, and he had no choice but to enter the store where he thought he saw you coming out.

“A woman bought something here a few minutes ago, she had a bag slung over her shoulder.” Spencer spoke quickly as soon as he walked in and approached the local salesman. He paused only when the man nodded in confusion at his attitude. “Do you know her name? Where she's from? Does she come here often?”

The man's lips were sealed, he just waved his hand to let him know he would only talk for money. He didn't even flinch when Reid pulled out his badge and repeated that he was FBI. Anyway, the thirty dollars was the master key to get the information and the security camera footage, which was barely visible because of the poor quality.

“I don't know who she is, it's the first time I've seen her. There aren't many customers on my shift, and not everyone buys that many books.” He began to speak under Spencer's curious gaze. “She paid cash and bought a bunch of classics. And she had a limp.”

“Are you sure? Which leg was it?”

There was a short silence, which the salesman used to remind himself, and Spencer's nerves got even more out of control.

“I don't remember which leg it was but I was definitely limping. I noticed that when she climbed the ladder, I had to help her.”

January 11th, 2010

“Can we eat here?” You asked after reading the sign that said the restaurant's elevator was under repair. “There are a few tables.”

Spencer couldn't help but frown and let go of your hand to stand in front of you. His eyes searched for yours. “I thought you wanted to come up, the view is your favorite thing here.”

You two were at your favorite restaurant, a Chinese food paradise with the best view in city, according to your expert opinion. It wasn't the first time the two of you had been there, so you had already more than booked a table, and this one was on the third floor. Your favorite part of going there was seeing the moon.

And of course, Dr. Reid was the kind of guy who always paid attention to the little details. He remembered everything, and could probably tell what you were thinking just by looking into your eyes for a few seconds.

“Let me take you upstairs, please.”

His puppy-dog eyes and a single phrase were enough to get you to let him take you by the arm and lead you up the stairs at a slow pace. By the time you got to the second floor, he offered to carry you like a princess. You had no choice but to accept, especially since it had already taken you more than ten minutes to climb a single floor. The pitying looks from the other diners were starting to make you uncomfortable.

“Thank you, Spencer.” You mumbled as you reached the table and he pulled up a chair for you.

He smiled. He loved how you said his name and wanted to hear it for hours.

After you both sat down and made your requests, you spoke again. “Aren't you going to ask why I can't climb a ladder?”

“I won't ask you anything you don't want to answer.” He said simply.

You felt like you could tell him anything, even your darkest thoughts. Your sister had already talked about it. Either it was the Reid effect, or you were just madly in love with him. Both were quite similar in your view.

“I hurt myself while I was practicing ballet. I made a really bad move.” You spoke up after a few minutes of silence. He frowned when he heard you. He had no idea you played the sport. “I was supposed to have quit, so I didn't tell anyone. Only Emily knew. I didn't treat it until the injury got worse when I went out in the field on a case. That's how I retired from the FBI. My mom freaked out, and my left ankle was screwed up for my whole life.”

Before you turned your attention back to Spencer, you prepared yourself mentally for the sympathy he would undoubtedly show. The curious thing was that in his eyes, there was nothing but interest and gratitude for having allowed him to know more about you. That was what kept you talking.

“There's an operation to try to fix it, but recovery takes quite some time. I'd rather always take the elevator and avoid the stairs as much as possible than have to rely on Emily to take care of me for three whole months. She has work to do and would go crazy having to be my maid.”

“I would.” He said without hesitation. When you looked curious, he elaborated. “I'd take care of you.”

“For three whole months?” You asked, sounding rather incredulous and as if you thought maybe he was just being extra nice.

“For the rest of my life, if you let me.”

September 5th, 2011

“There's no way you could have seen her, Spence.”

JJ's eyes fell on his friend's not-so-shaky ones, and a part of her churned inside, not knowing what else to say to him. It was eleven o'clock at night, the first time in several days that Spencer had shown up at her house to try to find comfort and perhaps understanding.

“I know, I know it shouldn't be possible.” He replied and went back to pacing the room, trying not to make a sound. The last thing he wanted was to wake up his godson or his friend's husband. “But it was so real...maybe I'm crazy.”

“You're not.” She said firmly, getting up from her seat to give him a reassuring pat on the shoulder.

At the time, even he didn't know for sure, and that made him fear that he had lost his mind. He was hungry for a love that he would never have again.

“You just miss her.”

No, missing was nothing compared to his feelings.

“It's more than that, much more. I haven't been able to catch my breath since she left.” He admitted, running his hands through his hair as tears formed. “I miss Emily, too, and I don't see her walking down the street.”

Silence fell over the room because no one had anything to say. There weren't enough words to describe the situation. The only sound that could be heard was the man's sobbing on Jennifer's shoulder, trying to be encouraged with words.

“It's going to be all right, Spence.”

He didn't say it out loud, but he thought he'd never get anything right in his life if all he wanted was you.

March 14th, 2010

The coffee he was carrying kept him warm as he made his way through the chilly FBI offices. Spencer wondered if the air conditioning had broken down when he reached the technical analyst's office and a conversation stopped him in his tracks.

“My take? She looks like she'll be Mrs. Reid one day.” Penelope's voice was heard after several loose sentences that the boy couldn't understand from the other side of the door. He figured they were talking about him and his relationship with you.

“I hadn't thought about Reid being legally part of my family until now.” Emily spoke next, letting out a few chuckles. “I'm going to have mini geniuses for nephews.”

“Stop it, we're just dating.” You spoke with some nervousness, still reeling from the implications. “It's not like we're getting married tomorrow.”

As he leaned against the wall by the door to hear better, Spencer couldn't help but feel a bit guilty about what he was doing. He knew it wasn't right to overhear other people's conversations, especially if they were about him. But he had a feeling he needed to know what you were saying about him when he wasn't around. It wouldn't hurt to just hear a little bit.

“Don't pretend you don't talk about future names for your babies, I heard you two.” Garcia spoke again.

“It was a random conversation.”

“About baby names?” She gave a little smile and raised an eyebrow.

“What I mean is that bringing things forward is not good.” You began to speak, completely ignoring the previous point. You were trying to be the voice of reason in the midst of their ridicule. “But I'd like him to be the one.”

“I think I'll shed a tear or two because you've grown up so fast.” Your sister commented in a teasing tone that hid quite a bit of truth. She gave your hand a quick squeeze and looked at you for a few seconds before speaking again. “What's up with that look on your face?”

You frowned. Spencer's heart seemed to stop beating for a moment. “What look?”

“You know which one I mean—the one you put on when the coffee runs out.”

Reid's hands began to sweat. He felt like a teenager trying to figure out what the girl he liked really thought of him. Did you ever have doubts about your relationship? Did you ever picture yourself with him in the future? Was he really the one for you?

“The scariest thing about love is getting hurt.” You said, trying to initiate the idea. Unfortunately, Penelope beat you to it and spoke up.

“I'm sure he wouldn't hurt you.”

“I know, I don't care about that.” You spoke up again after a few seconds, looking around the room as if lost in thought. “What if I do it? What if I break his heart?”

Oh, that was certainly not something Spencer was expecting to hear.

“How would you break his heart? Not answering his calls for five minutes and seven seconds?” Interjected Emily with a teasing tone to try to lighten the mood and get a smile out of you. “I don't think either of you would consciously hurt the other.”

And right after that, the protagonist of the discussion entered the room, causing the three of you to remain silent and pretend that nothing was going on. You could only smile when your boyfriend came in with a hot coffee for you and you saw the tender looks the two women gave you.

“Thank you.” You said.

“It's nothing.” He replied, pulling you close to surprise you with a hug that brought him close enough to your ear to whisper. “You could never break my heart.”

September 21st, 2011

Ian Doyle was only a couple of meters away.

Spencer's fist throbbed and burned, still stained with the blood of the man who had taken everything from him seven months ago. He knew he had done wrong, that he had promised everyone that he would only talk to the terrorist, and that he had done much more than that. The team had barely been able to get him out of the interrogation room because he was out of control with rage.

He wanted to make him feel a lot of pain and a minimum of what you and Emily probably felt that night.

“You need to calm down.” JJ came out of the meeting room to stop him before he could go in.

“I'm calm.” He replied, still trying to regulate his breathing. He could see his friend raise an eyebrow, and he decided to speak up again to avoid upsetting her. “This is about as calm as I can get right now.”

As soon as he was done speaking, Reid tried to keep going to the room, but the woman was in his way again and stopped him from opening the door.

“You have to be calm for what Hotch has to tell you. I mean it.” Jennifer said, after receiving a confused look. “What you're going to see now...”

“I'll be fine.”

Without giving her a chance to say anything else, he opened the door to the room. Spencer thought he'd find photos of the crime scene that ruined his life, maybe some testimony he didn't know about, or even the killer there. But none of that was true, and it made his heart stop.

“Hi.”

You certainly broke his heart this time.

#criminal minds #criminal minds fanfiction #criminal minds x reader #spencer reid #spencer reid x reader #spencer reid x fem!reader #matthew gray gubler #certaimromance<3

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david-talks-sw · 16 days

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Hello. You and GFFA are probably the two most reliable blogs I know when it comes to what GL actually intended with star wars and also have the most on point finger on the pulse of fandom and such without letting the discourse get to you. So I just have to ask. Where does the idea of the jedi being space cops come from in canon? Especially in more left leaning circles. Haven't they seen that there are indeed actual cops in SW? And who are portrayed like how leftists view cops?

Hey there!

Firstly, it's always an honor when someone puts me and Lumi in the same sentence 😃 been a while since I reminded people, but my blog started because I read hers (and a few others) and I was like "oh shit she makes great points!" and started doing the research on my own.

I mostly attribute my rediscovering my childhood love for the Jedi to her early meta posts. Like, you think I'm good, wait til she gets started again! So thank you, for that!

Onto the subject itself: I've seen the notion pop up in all circles. And it's not exactly wrong, it's just not entirely accurate.

You can find a large collection of George Lucas quotes here, about the Jedi's place in the Republic.

You will see that he uses varying terminology and that's what I think partially muddies the waters.

For example, early on, Lucas describes them as "police officers", but years later he says "they're not cops, they're Marshalls of the Old West" but actually "they're mafia dons" or "intergalactic therapists."

But the one that explains it best, for me, is the following:

"They're not like [the kind of] cops who catch murderers. They're warrior-monks who keep peace in the universe without resorting to violence. The Trade Federation is in dispute with Naboo, so the Jedi are ambassadors who talk both sides and convince them to resolve their differences and not go to war. If they do have to use violence, they will, but they are diplomats at the highest level. They've got the power to send the whole force of the Republic, which is 100,000 systems, so if you don't behave they can bring you up in front of the Senate. They'll cut you off at the knees, politically. They're like peace officers. As the situation develops in the Clone Wars they are recruited into the army, and they become generals. They're not generals. They don't kill people. They don't fight. They're supposed to be ambassadors." - The Star Wars Archives: 1999-2005, 2020

Bottom line: yes, they're authority figures. But they're not "beat cops" chasing after robbers and criminals.

They're, first and foremost, ambassadors/negotiators/diplomats. They're police for planets and their governments, not the people of the Republic. Again:

They're peace officers.

Now, they can investigate and take more active "police-like" roles during their mandate, but they're not gonna be called upon to investigate a murder (unless that murder is very strange and local authorities are unable to make sense of it).

It's why, when Anakin is talking about "we'll search for the killer, Padmé" Obi-Wan is like "uuuuh... no we won't?"

#star wars #jedi order #QnA

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topazadine · 2 months

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Remembering Perspective When Writing Descriptions

Just a short pet peeve of mine, inspired by a shower thought, where I remembered the most terrifying description I'd ever read.

It wasn't bad, or even horror. It was well written.

However. The POV character described his *sister* in a way akin to this (my recreation, not the actual text):

Braden met his sister at the gate. They'd been apart for several years, and in that time, she had truly become a woman. Her curves had filled out, and her red silk dressed strained across her tight figure. Her long black curly hair shone in the late evening light, while her blue eyes watched him intently.

No, this wasn't a brocon thing. The (male) writer was just horny for his female character and ... kinda forgot that his MC, her brother, would not feel the same way.

Now, of course siblings growing up together are going to notice the other one maturing, but it's not going to be ... that. This is how I describe 17-year-old Uileac looking at his little sister, 13-year-old Cerie, in 9 Years Yearning:

She'd shot up in height this past year - almost as tall as him, to his dismay. Whatever they were feeding her in the meronym was quite good for her metabolism, as she'd put on a bit of healthy weight. Her cheeks were losing their baby roundness, and the autumnal light accentuated the sharp intelligence behind her green eyes.

In this description, you can feel Uileac's paternal attitude toward his little sister. "Oh, she's put on a bit of weight and isn't a total twig anymore! I'm glad they're feeding her well. Her face looks more adult. Fuck, she's almost as tall as me now ... I wish I weren't so goddamn short ...."

This is a much more normal way for siblings to talk about each other, if a bit more "dad mode" than the typical older brother.

Siblings who grew up together are not going to say "holy shit I can really tell my sister has become a woman, wow her dress is tight over her curves." If my brother had said that about me while we were kids, I'd throw up and dump a pot of soup over his head.

This kind of thing is generally accidental and has to do with how *you* feel about a character. But the thing is that even the sexiest femme fatale is just going to be Jennifer, The Stupid Annoying Sister, to their sibling. Our brains are literally wired not to see our siblings as sexy if we grew up with them.

There are many other ways that you must take perspective into consideration when writing descriptions. Here are just a few of them.

Sexual attraction/orientation

You're going to focus on different things if you're sexually attracted to someone; namely, you'll focus in on things like breasts, legs, abs, etc. You'll also likely devote more attention to describing people of your particular sexual orientation than you would one that you are not attracted to, and you will focus on different things.

This is part of why we hate "men writing women:" they describe every woman as if they want to fuck them. (See the first example.) It has to do with the places that their gazes naturally linger on any woman, which is what they consider important and what they focus on.

But the thing that they miss is that just because we are sexually attracted to a specific gender does not mean we would want to bang anyone of that gender. I am a lesbian, but the way I would describe my mom or my therapist is vastly different than how I would describe a woman I am actually attracted to.

Romantic interests should get a more sexualized gaze; not exploitative, just more in-depth, and with more focus on their figure, specific details, etc. Everyone else should get a more basic look at eyes, hair color, height, build, and so on.

Feelings about a particular person

You're going to be more forgiving and complimentary toward someone you care about than someone you hate. Things that would be charming on a friend will be downright annoying on that one asshole at work who always throws projects to you at 5pm on a Friday.

A lover's thick eyebrows might be called "dashing" or "strong," while on an enemy, they'd be "overbearing" and "harsh." Your bestie's lisp is cute, while it seems babyish on your school rival. Your dad's meandering sentences give him a sense of harmless musing, but they make someone else look like an idiot.

If you have a character that is prejudiced toward a given group, they are always going to describe that group more harshly than they would a favored group. If they don't like authority figures, a police officer leaning toward them will seem menacing, when they wouldn't even notice it otherwise.

It can be very fun to give two characters similar traits but describe them differently based on the POV character's perspective of them. Readers might not even realize that it's the exact same physical feature!

Previous experiences at a given place

When describing settings, we're going to give more attention to somewhere we care about, like our home. I imagine you can tell me about every chip in the paint in your bedroom, or that one weird stain in the floorboard that you've tried everything to fix. Many times, this is a good time to add depth to the character's backstory by briefly mentioning previous occurrences there.

Would you notice any of those things about a place you're visiting for the first time? Probably not. You'll give a more global attention to the scene and provide impressions, not specifics.

Depending on how nervous or adventurous you are, you'll look for similarities or differences to things that you're accustomed to. You might compare it to other places you have been, trying to get a frame of reference.

If you're on a vacation and were really looking forward to coming to this specific spot, you will likely hone in on exactly what you came to see, whether that's the scene from a particular hilltop or a cafe, and this will get the most description.

Current Mood

Descriptions change with a character's mood, even if they've been in that place a millions times. People just notice different things depending on their mood; if they're happy, they'll look for things that support that mood, while if they're upset, they're pointing out the negatives.

For example, consider someone walking into a court room when they are on trial versus when they are there as a simple court reporter. The person on trial is probably going to be glancing longingly at the door, picking out the angry faces of observers (or assuming the observers are angry), focusing attention on the security guards, staring at the plaintiff with hate in their eyes.

The court reporter will likely pick out anyone they know in the room before looking at anything else. Then, they'll check out the defendant and plaintiff with idle curiosity. Since they are more familiar with the room, they'll gloss over the boring details that they have already seen a million times, giving them only a cursory once-over to see if anything has changed.

Current Need

Your character's objectives need to taken into consideration as well. As an example, remember the last time that you really needed to pee while you were out. Were you slowly and casually admiring the scenery? No! You were hunting for the bathroom. If literally anything registered for you, it was anything that looked vaguely bathroom-sign-shaped. Everything around that bathroom sign, and on your path toward the bathroom, got more attention and description to you than anything else.

Your character's interests

When describing a scene, you don't need to take time and define every single little thing in a character's path. It's annoying and overwhelming. You need to give us a basic overview (it's a forest, it's a grocery store, it's an abbatoir) and then hone in on the specific details that your character finds interesting in order to fill out the entire scene.

We, as people, focus on things we care about, things that we feel are relevant to us. Different people will notice completely different things when they walk into the same room. An animal trainer will appreciate a big pet bed and an ergonomic food bowl. An artist will admire the artwork on the walls. A computer nerd is going to roll their eyes at the scuffed-up Mac laptop.

This doesn't mean that you can't describe other things, too; it just means that your character's attention is going to be drawn to stuff that they, in particular, like or dislike.

Things like where a character's gaze lands, how they describe things, and how much detail they give to any particular element are an important part of secondary characterization: how we get to know a character beyond what they do or tell us. It helps to create a fuller picture of their relationships, their interests, and their thought process, and it deserves just as much attention as actions and dialogue.

If you enjoyed reading this, perhaps you'll consider purchasing my book, 9 Years Yearning. No weird sibling vibes I prommie

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spncvr · 7 months

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waiting room | s. reid

summary: spencer can't seem to escape the girl in the waiting room

pairing: spencer reid x fem!reader

warnings: mentions of reid's addiction & tobias hankel, mentions of kidnapping and mass shootings (in, like, a joking way??) my terrible, terrible humour, ENGLISH IS NOT MY FIRST LANGUAGE LMAO, this is deffo terrible, pls tell me if i missed anything!!

a/n: ok idk if i wanna continue this and make it a series so lmk lol (also im on writers block so i literally can't come up with SHIT)

SPENCER REID WAS a pessimist.

At least, that’s what he’d call himself. His colleague, Derek Morgan would most likely (and by most likely, he means, definitely already has) call him an overanalysing introvert. But in Spencer’s defense, there has never really been a good reason to go out and “live your life”. Consider this:

Go to the new coffee shop? Mass shooting.

Go to the mall? A child gets abducted.

Leave the apartment for a short while? A stalker finds out where he lives, kidnaps him in his sleep, and, in a nightmarish turn, auctions off his organs to the bidder in the black market.

Besides, his life isn’t some John Green book. There were no life-affirming adventures or poetic moments of self-discovery awaiting him. Carpe diem? A fanciful notion for others, but for him, not so much. Sorry, Mr. Keating.

Yet life—or more accurately, bureau protocol— had its own plans. Ever since the Tobias Hankel incident, a visit to the psychologist wasn’t just a request but rather (unfortunately for him) an order. Which meant, he’d have to risk his entire life to get up and walk for ten whole minutes just to sit and wait, in this glaringly bright waiting room, when he could have stayed at home and read the new books he’d gotten from his team as a get-well gift.

Speaking of which, why the gifts? He was fine. Physically, at least. But really, when have you ever seen get-well-soon cards in an asylum? Well, alright, maybe he was being a little bit dramatic. A visit to the psychologist doesn’t mean he’ll be institutionalised—but then again, Spencer Reid was never one to wear rose-tinted glasses.

This is his third time in the waiting room, and she’s always there. He isn’t sure as to why she is, because, well, unlike himself, she was very clearly an optimist—and at least, from the looks of it, she hasn’t been kidnapped and drugged in the past month. But she's sitting there again, in the exact same chair for the past three weeks, along with a beacon of smiles where joy usually fears to trend. Maybe, he isn't as good of a profiler as he’d like to think he is.

“Dr. Reid?” the call of his name rips him out of his thoughts. He looks up to see the same kind woman he’s seen the past three weeks—not the one in the waiting room, no, he means his therapist.

Dr. Brown was easy to profile: She wore heels to make herself look taller, and she hated wearing glasses, apparent by how she would continuously place them atop her head instead of her nose. Her teeth were abnormally perfect, which meant, she’d had to wear braces when she was younger—which (from his humbling experience) means she wasn’t exactly the most popular at school. Perhaps, psychology felt appealing to her because she could help people like her.

“How are you?” she asks, her pen clicking.

Usually, he’d offer her a meek shrug. The kind that could win awards for its commitment to non-commitment. Besides, he’s not one to talk about how he feels—there isn’t much to say, anyway. And let’s face it, “How are you?” in the grand tapestry of human interaction is almost as genuine as a three-dollar bill. And, get this, the average person asks “How are you?” 6,739 times a year but only listens to the answer about half the time—well, okay, maybe those numbers might have been fabricated, but isn’t the sincerity behind the question also made up? But instead of telling her all this, he remembers what Hotch had told him, one, two, three weeks ago: that he ought to cooperate with Dr. Brown or the board won’t be happy. So, he kisses his teeth before he says:

“Fine. I’m fine.”

And the session went on.

PLS TELL ME IF I SHLD CONTIUE OR NOT LOLOLOL spam my inbox with ideas I BEG.

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sizzlingsandwichperfection-blog · 1 year

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Hi, I was diagnosed with OCD at the start of this year but my therapist was very sadly awful at his job.

I told him that I looked up to everything you've managed to do while having OCD, and he told me that I couldn't achieve the same because you're famous and so have perks I can't have and I disagree. I still look up to you. Turtles all the way down gave me words to understand things I was going through years before my diagnosis and your videos helped me when I was at my loneliest.

I hope you're having a nice day if you see this

Hey. I'm sorry you have OCD. It sucks--or at least it sucks for me!

Maybe your therapist was trying to take the pressure off you--to say that doing X or Y in life is not essential to living a good life. (On this front, I agree--most of the people I know who have really good lives and contribute within their families and communities are not famous or rich.)

But if they were trying to say that you can't pursue dreams and ambitions while living with mental illness, then this therapist is clearly in the wrong field. Lots of people, including me, live with serious mental illness while also having a fulfilling life.

Also, the whole idea of therapy is to develop tools and frames that allow you to live better while also understanding that there may be times when you need to accommodate or make space for your illness.

Just to be clear, I've had OCD when I was not famous, and I've had it when I was famous, and I found it to be quite unpleasant both ways.

Thank you for your kind words about turtles all the way down. That's precisely what I hoped the book could do and be for its readers.

#ocd #turtles all the way down

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sheawritesstuff · 2 months

Text

Redacted Characters Who...

[Vaguely angsty edition]

[I've seen a couple people use this kind of format n thought I'd give it a try,, not sure if I did it right.]

✩ Asher who says “I love you” like punctuation in a sentence. Who tells everyone he loves as often as possible just to make sure they know. Who ends every phone call with “I love you” out of habit because you never know when the last time will be.

✩ Lasko who rambles as a way to get information out as quickly as possible without getting interrupted. Who was taught early in life that his input was less important than his mom's. Who always assumes he's annoying people as soon as he opens his mouth.

✩ David who hates saying “goodbye”. Who says “talk to you later” or “see you at [insert date/event]” instead. Who is superstitious that somehow, if he says goodbye, it'll be the last time.

✩ Elliott who automatically assumes he's unwelcome in any given situation. Who hovers around the outskirts of friendly gatherings, only speaking when spoken to. Who thought for years that Aaron felt the same way about him that their parents did.

✩ Milo who gets uncomfortable around alcohol and cigarettes. Who avoids big events where strangers will be drinking. Who always makes sure people get home safe and has the best hangover cures.

✩ Damien who is an overachiever to make up for his “shortcomings”. Who thinks his personality and emotions are inherently negative traits that need to be balanced out with academic success. Who sent his mom test scores after coming out in a last ditch effort to “make it up to her”.

✩ Gavin who knows he'll outlive everyone he cares about. Who knows he'll never love anyone like he loves Freelancer. Who spent so long without any meaningful relationships that he doesn't know what he'll do once he's alone again.

✩ Huxley who loves with every fiber of his being. Who gives everyone the benefit of the doubt, even when he knows they don't deserve it. Who changed himself for years because he was scared of being “too much”.

✩ Porter who keeps everyone at arm's length. Who pretends to be cold and emotionless to protect the people he cares about. Who has never known a life of comfort and gentleness and doesn't know how to accept one.

✩ Sam who learned to fight so he could survive. Who got caught up with the wrong crowd after escaping Mont Blanc. Who still dreams about the life he could've had if he'd never gotten involved with Alexis.

✩ Camelopardalis who never feels good enough. Who believes his struggles to deal with the traumatic memories he's taken makes him weak. Who feels guilty for needing a therapist.

✩ Guy who wishes he earned more money to provide for Honey. Who regrets his degree every time a publisher rejects him. Who is so grateful that his partner supports his dream despite all the setbacks.

#most of these are kinda built on canon #but some are just me bein a little silly :P #redacted asmr #redacted audio #redacted david #redacted asher #redacted sam #redacted milo #redacted elliott #redacted camelopardalis #redacted gavin #redacted lasko #redacted damien #redacted huxley #redacted porter #redacted guy #redacted headcanons #shea writes

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pallastrology · 9 months

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observations on capricorn

art by sydney mortimer laurence

capricorn ascendants often have a kind of wild look in their eye. it's the one thing they lose control of; you can see the hunger in them through their gaze.

capricorn ruling the fifth house makes for someone who sees everything as work and work as 'fun'; they might make money from a hobby or treat their hobbies like a job, they're strict with themselves and have a lot of drive to do well, whatever that means for them. they tend to be introverted but not shy, and don't like to 'waste their time', so aren't usually big fans of casual dating; whatever their goal is, they want to achieve it without too much dilly-dallying.

capricorn moons are some of the most giving, no-questions-asked kind of people. whatever you need, you can go to them for it and they'll deliver. this leads to them getting burnt out, demoralised and used by people who don't deserve their kindness. it takes them time to treat themselves equally and develop their boundaries. in the meantime, look out for your capricorn moon friends!

capricorn ruling the twelfth tends to go two ways when it comes to dreams - either they suffer from nightmares and anxiety/stress dreams, or they never remember their dreams at all. i feel like saturn's influence here either inhibits the imagination and memory of the dreams, or channels all your stress through them...

i think that jupiter in capricorn is a really handy placement for dealing with setbacks in life. it is quietly optimistic and looks to solve problems creatively, so people with it are great in a crisis and can be real cheerleaders for their friends too, when things aren't going well for them. they're not the most emotionally open but they get shit done.

a lot of capricorn dominants have to grow up quickly, being shunted into a parent role in some way; it might be through being parentified, losing parental figures young, being the family's unpaid therapist or just living through a difficult home situation. this can leave them feeling sort of ageless; they never really experienced a normal childhood, but didn't get to grow up normally either, and can feel stunted or behind compared to their peers as an adult because of this.

people with capricorn on the descendant often find, especially in their younger years, that they have to 'manage' or even 'coach' their partners and relationships; they are in charge out of necessity and don't necessarily enjoy it.

venus in capricorn is one of my favourite placements ever; i think the way they express love is just beautiful, and you'd be hard pressed to ever find someone with the same balance of passion and patience. they have a sharp eye for what's beautiful and great taste, and will never settle either. if a capricorn venus loves you, a part of them will love you forever.

if you enjoyed this post, please consider checking out more of my work! thanks so much xo

#pallastrology #astrology #astro community #astrology blog #astrology post #astro notes #astrology observations #capricorn #capricorn observations

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ravens-two · 8 months

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PAC: What's Your Planet Archetype?

This reading includes:

your planet archetype

how it affects the way others perceive you

The extended reading includes:

your aesthetic

the best way to work with this planet archetype

a mini-playlist that captures your vibe

Disclaimer: this is just for entertainment purposes, and as a pick-a-card reading it may not resonate for everyone.

TIPS | BOOK A READING WITH ME | PATREON | LINKTREE | SUGGEST A PAC TOPIC

Pile 1

Ace of Cups, Six of Pentacles, Coming of Winter

"It comes in lullabies deep within your mirrored flesh. Alas, it is time to lay your quivering chest upon the winter's coming."

Moon

Pile 1 your planet archetype is the Moon. In astrology the Moon represents our inner world, that which is hidden, but also comes to the surface in the shape of feelings and emotions. Those who are ruled by the Moon tend to be highly emotional, empathetic and artistic. All of these qualities are shown in your cards here. The Ace of Cups is the overflow of emotion that you feel, even by just watching a film. You feel deeply and sometimes that creates a dissonance with the people around you, as they don't understand things on the same emotional level that you do. This also makes you very intuitive. You are capable of picking up on a lot of information from subtle cues. You might be able to finish other people's sentences or to pick up on things and feelings that they haven't revealed.

Most likely you are more of an introvert, as your inner world is richer than the outer world. You don't get bored easily, because your imagination is incredibly rich. It's easy to create a story in your mind and to feel it deeply. You're also a really good listener. People might have a tendency of just opening up to you, even if they hadn't intended to do so. There's just something about you that makes them feel heard and understood. I also get the feeling that a lot of you also act a bit as therapists or psychoanalysts for yourselves and for friends. You listen to your friends and help them to work through their feelings, thoughts or problems.

How it affects how others perceive you

The first thing I'm getting is that you have a lovely voice, pile 1. People enjoy hearing you talk and you might also like to sing as well. I also get the feeling that people see you as someone who is wise beyond their years, but also as someone who tends to be fair. They know that they can come to you to help mediate a problem, because you'll be kind, but fair at the same time.

Some people see you as being closed off and sometimes even a little bit pretentious. They think that you're faking your sensitivity to get attention. This doesn't reflect the way most people see you though. In general, you're seen as someone who is very empathetic and compassionate. I get the feeling that most people think that you're vegetarian/vegan or that you care a lot about protecting animals. Also, you're seen as someone who "will turn the other cheek". They think that you're more inclined to forgive and forget, rather than to confront someone.

Some people might be a bit wary of approaching you, because they think that you won't be interested in them. Sometimes it seems that you are too deep for others to understand. But, there's also a vibe of mystery and a sharpness in your eyes that makes you very interesting. I also think that you give the vibe of being into spirituality or being very intuitive. Which can be a bit off-putting for some, and attractive to others.

Physical characteristics will be different for everyone of course, but I think that most of you have very intense eyes. It's the type of eyes that it feels like you're staring right into someone's soul. I think that some people are even intimidated about this, because it feels like you're jugdging them. It's like you'll know if they're lying - at least that's their perception.

Pile 2

Ten of Wands, Three of Wands, The Veil

"It's quite possible your eyes have become the fog in which you dwell. A half-swallowed glimpse of all that you truly are or can be, that the tears you bleed are ready for the storms to turn the skies inward."

Pluto

Pile 2 your archetype is Pluto. This is one of the dark planets, it deals with power, destruction and transformation. Scorpio is a zodiac sign that has a similar energy to this planet. You're not scared of change, in fact, I think that you crave it. You're constantly evolving, changing and transforming yourself - I don't think that you have a final shape in mind, it's transformation for its own sake. You remind me of the Ouroboros actually. The snake that eats itself.

Your energy is dark, thick and mysterious. You share some similarities with pile 1, in the sense that you're both very intuitive, mysterious and deep. However, while pile 1 is deep in an emotional sense, you're deep in a more mental sense. What I mean by this is that you are more cerebral. You like to explore what is hidden and taboo. You like to explore topics such as sex, addiction, death, philosophical topics like why are we here, is god real, that sort of thing. You're not really into small talk, and you might start a conversation with a topic that is too deep. As you like to explore what is hidden some of you might have a tendency to try to figure out mysteries. This may mean that you like reading/watching murder mysteries or that you indulge in conspiracy theories. Some of you also like to talk (and act!) about topics that make people uncomfortable like politics and activism.

Something that can't go unmentioned is your interest in the occult. For your oracle card you even got The Veil. You see more than people realize and I mean this in two ways: you might have some sort of psychic powers, or it's just your ability to pick up information that hasn't been revealed. I think that you're quite prone to lightbulb moments, where you suddenly have big epiphanies.

How it affects how others perceive you

Do you know that dark feminine aesthetic that is so trendy right now? This is that exact vibe. Others see you almost like a vampire, something that is dark, mysterious and alluring, with just a hint of dangerous. Even if you're not conventionally beautiful people are attracted to you. It's the way you walk, talk and present yourself. The cool thing here is that this isn't really intentional on your part. Sure, you can amp it up if you want to, but it's just the way that you are naturally.

As we talked about in the previous section you love talking about deep and taboo topics, because of this some people perceive you a bit negatively. They might see you as a contrarian or edgy, it's like you're just talking about these things to rile people up or to be different (this is how they view it, not necessarily how it truly is). Others think that talking with you can be a bit dangerous because you never know what might come up and they may be refuse to engage in certain topics. Other people are put off by the way you eschew cultural norms and just start talking about these taboo topics. While some see this in a negative light, there are also people who admire the way you can just say what you think and bring up these topics without fear. It makes them a little braver themselves.

You might be seen as someone who is very sexual or sensual, or even as someone who is sexually liberated just because you don't conform to the way things have been up until now. This may attract weird people or stalkers. People also see you as someone who works hard, but tends to take on more than what they can chew. Most people think that you're going to go far in life and that you have the potential to be very successful. However, they don't see you being the center of attention.

Pile 3

Three of Pentacles, Hierophant, The Underworld

"Hand over your known, a shift is near. Take a leap, your journey is clear."

Saturn

Pile 3 your planet archetype is Saturn. In astrology this is the planet of time, restriction, order and growth. This isn't an easy planet to deal with, and often it's guilty of presenting us with our most difficult challenges. This shows me that you have already been through a lot, everything that you have achieved has been through blood, sweat and tears. But, it also shows me that you don't shy away from a challenge. You're a strong person, because life has made you so. In your place a lot of people would break.

The Hierophant is a great card to show this Saturn energy as it embodies hierarchy and power struggles. You're someone who doesn't really like change and appreciates the way our society it's constructed. Sure, it has flaws, but it doesn't mean that it's a bad system. With Saturn being your planet archetype you understand that there's a reason for the existence of hierarchies and that power can only be achieved through a combination of effort and experience.

You work really hard, pile 3. You know what you want and how to make it happen, but it doesn't mean that the road to get there is easy. You also know how to work together with others and see the value in cooperation and community. I feel like you're someone who is very active in their community - you might even do some activism work for the betterment of your community. You enjoy taking care of others, and a lot of you are the Mom friend of your respective groups. I also get the feeling that a lot of you are the eldest sibling or, the older daughter.

How it affects how others perceive you

Others see you as someone who tends to stick by the rules and who doesn't think too much outside the box. If things have always worked this way why should you try a new way and waste time and resources? This how others see you. To them you are very non-nonsense. To some people you might come off as someone who is all work and no play.

Most people see you as being very ambitious and someone who will definitely reach high places. People think that you are very respectful and know how to conduct yourself in different places - like adjusting your posture and language in the group you're in. In general, you're seen as being a good communicator and I think that a lot of you have deeper voices. You seem to talk a little bit slower and with good diction. Also, sometimes the way you talk is almost like someone who is giving a speech (in a good way).

When it comes to seduction, people see you as someone who is very classy and most definitely out of their league. Your standards are super high and people think that they would never be good enough for you. Your flirting style is subtle and again, quite classy, a bit old-fashioned even. People expect that you will want to be romanced (if you're a woman) or taking the initiative and do the romancing (if you're a man).

Most people see you as being very traditional, even when it comes to politics and gender roles (again this is just their perspective and not the objective truth). I also get the vibe that some people think that you are very closed off and that they don't get to see the real you, just the persona that you're projecting.

Pile 4

Chariot, Eight of Pentacles, Crystals and Herbs

"Oh what medicine, what sacredness to behold. A dash of healing straight from Mother's home."

Mars

Pile 4, your planet archetype is Mars. Mars is the fiery planet of conflict, passion and drive. Something that I get right away is that you might be very into sports or dance, or that you move in a very graceful way. You're a go getter, pile 4. Differently from pile 3, you're not someone who wants to achieve things for status, but because you love the thrill of going after something. You are passionate and very outspoken. You have strong beliefs and you don't shy away from stating them. I get the vibe that most of you talk quite loudly.

This is a very specific vibe, but I think that most of you prefer to interact with physical things rather than technology. Basically the embodiment of "go touch some grass". You like arguing and play-fighting with your friends. You tend to have touch as love language, rather than talking about your feelings. When it comes to emotions I think that they can be very big and explosive almost.

I also get the vibe that most of you talk quite quickly as well, and sometimes it might be hard for other people to keep up with what you're saying. You're full of enthusiasm most of the time and tend to hype up and motivate your friends when you feel they need an extra push. When you're working on something it's easy for you to be completely focused on that and block everything out.

How it affects how others see you

Other people see you as someone who is very passionate and for some it seems that you would be quick to anger. They tend to see you as being impulsive and someone who acts without thinking. It's interesting because I think that a lot of people tend to underestimate you for some reason. It's like they think that what they see is what they'll get and that you don't have much depth beyond that.

You're also seen as someone who is very driven and very active. People think that you're always doing something and always occupied. I also get the vibe that you're seen as someone who is in shape or who exercises.

When it comes to a more physical side of you I think that your facial expressions are quite intense. If you're happy or sad or confused it can be seen clearly on your face. In general you also seem to move gracefully or if that doesn't apply you move in a very distinctive way.

When it comes to sexuality and seduction people think that you'll take the initiative and just ask someone out. People also tend to think that you're very sexual (I kinda see the Spicy Latina trope here for you guys) and even a bit promiscuous. People are attracted to you and they might project that negatively onto you.

#pac reading #tarot #pick a card #pac #pick a pile #tarot reading

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