#post tv

[violent138]

Starting to think a cooler headcanon for Clark’s upbringing might just be that the entire town of Smallville collectively decided to just go with it and accept that Martha and John's kid has superpowers, but we don't talk about it.

Someone's tractor gets stuck and nothing can get it out? "Be a dear and run down to the Kents, would you? Ask for Clark?"

"Why Clark, we need a machine--"

"Run along now."

Or if he kicks too hard and the football vanishes into the upper stratosphere, no it didn't, we all collectively saw it land over there *vague hand movements*

[miss-americanbi]

i had a vision

[festus-eats-tabasco]

gotta say hearing luke tell percy that annabeth is head counselor of the athena cabin and the cut to annabeth herself—my mind instantly went “what??? how??? she’s twelve???” like I KNOW she’s head counselor. I’ve known since I was in second grade. but actually SEEING a twelve year old child being put in charge of a cabin full of teenagers rewired something in my brain. and that’s how I know seeing these kids fight is going to break me

[villainsposting]

Alastor being aroace makes his dynamic with Vox like 100% funnier. It's a villain rivalry, you immediately know people will look at these two and think "they crave each other carnally", except only one of them has the capacity for it. Which is the perfect set up for a ridiculous one-sided obsession, but then Alastor is shown to be acting way more unbothered by Vox than he actually is. Dude is walking the streets of Hell menacingly staring into cameras and doesn't even have the excuse of homosexuality. Both of these fuckers are goofy as hell.

[aphel1on]

i have such a love for characters who descend into madness or villainy out of deep, deep empathy. characters who fundamentally cannot cope with the cruel realities they find themselves in and blow up about it in spectacular fashion. fallen angel type characters with tears of outrage in their eyes. characters who break before they bend, and break so badly they splatter blood all over their noble ideals. every variation on it gets me so good

[lauraneedstochill]

[every action has consequences]

🔪 inspired by this tweet:

[cromwelll]

*adds a show to my “to watch” list knowing it will be months or years before I do, in fact, watch it*

[helpallthenamesaretakensblog]

paul blofis you will always be famous for being excited and supportive of percy when he dinged your car while gabe threatened him with violence if he touched his car.

[demigods-posts]

the scariest scene for me in the show is when annabeth is aggressive toward the police officer. i was so afraid for her life. because she doesn't know to be wary. because she and her dad never had that conversation. hand downs. scariest scene.

[youregonnabeokay-kid]

i think a lot of people (especially those who haven’t read the books) are underestimating Hades

yes, he presents as the sassy queer uncle who’s done with his family’s drama, but he’s not “just some guy”

when his Helm is stolen, no one knows about it. he uses his own resources and orchestrates a plan to bring Percy to the underworld alive, all while managing an entire freaking kingdom

he doesn’t threaten war because he doesn’t have to and he knows it. unlike Zeus, he keeps a level head and thinks about the situation logically

think about Percy’s priorities throughout the show, look at what the flashbacks are teaching us about him and his relationship with others. think logically. this is a 12 year old kid who grew up with a single mom and no friends

his priority is his mom, it’s always been his mom and Hades knows that. Percy’s worst fear is losing his mother and Hades uses that against him

he takes Sally before Poseidon claims Percy because he has eyes everywhere. he already knew who Percy was and he already had a plan formed before Percy even set foot in camp

when he greets Percy and Grover he isn’t surprised, relieved, or agitated because he planned this. he knew that Percy would come to him whether by force or by his own choice (for my book readers, think about this in comparison to how Zeus reacts to the situation. Zeus comes off as desperate and angry, whereas Hades is at ease. annoyed, sure, but never panicked)

when he offers them pomegranate juice it’s in the guise of politeness and humour but it has an underlying meaning. Percy knows the stories about Hades and Hades knows that he knows. the pomegranate juice is a reminder, it’s Hades demonstrating his power without outright threatening Percy. it’s him going “I can make something as small as a pomegranate seed into a weapon” it’s him asserting his dominance and control over the situation

he leads them to a seating area clearly made for their arrival. another reminder that he knew they were coming and Sally stands, frozen in the middle of it as a reminder of what they have to lose

when he learns that it’s Kronos behind the robberies he immediately offers sanctuary to Percy, Grover, and his mom. Kronos, the king of titans, the father of all Gods, and a being who could once tear the world in two with the snap of his fingers, wants Percy, and Hades offers to protect him because he’s that powerful

so yes, Hades makes dad jokes and he talks in a way you wouldn’t expect an all-powerful being to talk, but he isn’t “just some guy”

he’s powerful, he knows it, and he shows just enough of that power to absolutely terrify Percy

[softstrawberrycreamcake]

[will-and-lester-defense-squad]

Annabeth threatening a greek mythology-version of a serial murderer and then immediately calling him the most 12 year old insult you can call someone is so fucking funny.

[fruitydiaz]

this quote from brig is taking me out

[bisexualpercyjacksons]

pjo tv show episode 5 alignment:

[botlabyrinth]

percy immediately apologizing to luke after he hurts him even though he is literally being betrayed because his fatal flaw is loyalty and he cannot fathom hurting the people he cares about… meanwhile luke turning around and hitting percy back without hesitation… i feel sick

[novelconcepts]

I Saw the TV Glow is such a uniquely, devastatingly queer story. Two queer kids trapped in suburbia. Both of them sensing something isn’t quite right with their lives. Both of them knowing that wrongness could kill them. One of them getting out, trying on new names, new places, new ways of being. Trying to claw her way to fully understanding herself, trying to grasp the true reality of her existence. Succeeding. Going back to help the other, to try so desperately to rescue an old friend, to show the path forward. Being called crazy. Because, to someone who hasn’t gotten out, even trying seems crazy. Feels crazy. Looks, on the surface, like dying.

And to have that other queer kid be so terrified of the internal revolution that is accepting himself that he inadvertently stays buried. Stays in a situation that will suffocate him. Choke the life out of him. Choke the joy out of him. Have him so terrified of possibly being crazy that he, instead, lives with a repression so extreme, it quite literally is killing him. And still, still, he apologizes for it. Apologizes over and over and over, to people who don’t see him. Who never have. Who never will. Because it’s better than being crazy. Because it’s safer than digging his way out. Killing the image everyone sees to rise again as something free and true and authentic. My god. My god, this movie. It shattered me.